Native Max Magazine - September 2017

SEPTEMBER nativemax.com

2017

SEPTEMBER 2017 | NATIVE MAX MAGAZINE 1

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Contents WELCOME TO THE ISSUE 004

MASTHEAD who’s all on our team

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GUEST LIST who helped with this issue

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EDITOR’S WELCOME a brand new Native Max

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NEW NATIVE MAX what’s new about Native Max

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MAILBOX we want to hear from you!

THE EDGE

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OFF THE RUNWAY: LOOKS FROM NFITC our fave looks of the NFITC 2017 runway

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THE MOMENT: SCARVES talking about our must-have accessory of the moment: scarves

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INSPIRED BY ANCESTORS how this Lakota woman empowers women one bead at a time

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BUILDING A FASHION EMPIRE we visit with Helen Oro about her road to the fashion world

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INDIAN MARKET HAUTE COUTURE FASHION SHOW check out our recap videos of the show

THE INSIDER

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TOCABE: ONTO BIG THINGS the Native-owned eatery is up to big things

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TWO EAST COAST NATIVE SHOPS COLLAB WITH A SWEET CELEBRATION check out these sweet ice cream flavors!

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JOURNEY TO THE CROWN we visit with Miss Alaska Alyssa London & newly crowned Miss Native American USA Autumn Williams

ON RADAR

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THRILLER OF THE SEASON find out why "The Red Hogaan" is our thriller pick of the season

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PRESS PLAY! a round up of our fave songs and films to play & watch right now

FEATURES

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MAKING IT ON HIS OWN how hip hop artist Brandis “B” Knudsen is paving his own path to success

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CHANGEMAKERS OF INDIAN COUNTRY we explore & profile leading changemakers of Indian Country

Guest list

KELLY HOLMES Founder + Editor-in-Chief @kellycamilleholmes

DARREN THOMPSON (“Inspired by Ancestors”, page 20) Darren Thompson (Ojibwe/Tohono O’odham) is a Native American flute player and writer from the Lac du Flambeau Ojibwe Reservation in Northern Wisconsin. He contributes to Native Peoples Magazine, Native News Online, Native Max Magazine and Powwows.com. For more information or to purchase his music, please visit www. darrenthompson.net.

Executive Assistant Tatiana Ybarra EDITORIAL Managing Editor Jacqueline Lina Brixey Staff Writer Rhonda “Tree” Mangan Staff Writer Darren Thompson Staff Writer Johnnie Morris Staff Writer Kelly Bedoni CREATIVE Creative Director E-’cho Martin Director of Photography Zoe Friday Videographer Joey Little Bird Web Director Celeste Terry MARKETING + SALES Social Media Manager Fernanda Canchola Sales Manager Donna Johnson Financial Officer Veronica Lane

KELLY BEDONI (“Changemakers of Indian Country: Lehi Thundervoice Eagle”, page 48) Kelly Bedoni (Navajo) is a multi-talented photographer and writer. Bedoni shares outfit ideas and more on his blog Native Luxe, which has been active for a few years. Bedoni enjoys learning and experiencing other indigenous cultures and would like to delve into the fashion industry to make his mark in Native fashion.

KRIS MONROE (“Making it on his own”, page 40, cover photo)

Copyright Native Max & Other Media Ventures All rights reserved. All material in Native Max Magazine is wholly copyright and reproduction without the the written permission of the Publisher is strictly forbidden. Neither this publication nor its contents constitute an explicit endorsement by Native Max of the products or services mentioned in advertising or editorial content. Whilst every effort has been made to ensure accuracy, Native Max shall not have any liability for errors or omissions. We've done our best to acknowledge all photographers. In some instances photos have been provided to us by those who appear editorially and we have their permission in each case to use the images. We apologize if anything appears incorrectly. It will be a genuine mistake. Please let us know and we can give you a mention in the next issue.

Born and raised in South Dakota, Kris is both a photographer and filmmaker. He’s had three plays produced in New York, which made him fall in love more with being behind the camera than before. Kris travels coast to coast working on everything from short films, big budget indies and documentaries.

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Editor’s Welcome I caught up with Miss Native American USA Autumn Williams (left) and Miss Alaska Alyssa London (right) about their pageant journeys and their love for their people

Welcome to the New Native Max

Did you notice anything different about the magazine yet?

In case you didn’t, we revamped it! As we celebrated our 5th anniversary earlier this year, our team sat down together and reflected on all of the big projects we’re working on, such as Native Max TV Network, our new makeup line, and more. Of course, I thought about the first and foremost thing that started it all: Native Max Magazine. I felt like Native Max Magazine hasn’t grown with us and was stuck in the past. The team and I then decided to take a few months off and do an overhaul on both the magazine and website.

First, we pulled the magazine apart and made a list of what we still wanted to feature in each issue, and what we didn’t. We then thought, “how can we fit all of the content we want to feature into easier to read sections?” From there, we came up with three main sections of the magazine: The Edge, The Insider, and On Radar. Read the next page to get a full breakdown of each section!

As for the website (nativemax.com), we wanted to make it stand out even more than it already did. After a whole month of brainstorming (and spending some time browsing the internet and social media), it hit me: positive journalism. Positive journalism is a type of storytelling that focuses on positive and inspirational stories, and many publishers who focus on only positive journalism is growing in popularity. I thought,

(Below) I chatted with Helen Oro about her how Native Max Mag helped her fashion business grow

(Above) Poet & talent manager Tanaya Winder wrote a poem exclusively for Native Max Mag readers

“well since there are not enough positive stories about Native Americans in mainstream media, let positive journalism be our primary focus from now on for the website”.

I'm glad we were able to relaunch our brand new magazine with some very talented people. We feature hard-working go-getter Brandis "B" Knudsen on the cover, who pretty much built his record label and business from the ground up. I talked to two pageant queens (pictured above) who are using their platforms for the good of their people. We also featured changemakers who are leading the change in their respective fields. We also catch up with Native Max team member and entrepreneur Helen Oro about her journey from the moment she joined our squad. Lastly, we were blessed enough to have poet and educator Tanaya Winder submit a beautifully written piece, dedicated our readers (see the last page).

Welcome to the new Native Max, the new look, and the new slate!

Kelly Holmes

Founder + Editor-in-Chief

@kellycamilleholmes

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@kellycamilleholmes

@kellzholmes

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HEADING TO PARIS IN NOVEMBER 2017

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Editor’s Welcome

We had a facelift!

For the new year, we decided to revamp Native Max Magazine! From the editorial content output to the aesthetic of the pages inside each issue, we gave the whole magazine and website a facelift. Not only that, we changed our editorial mission to feature positive and inspirational stories and articles. But have no fear, as our underlining mission is still the same: stay connected to your culture. You’ll still find all of the same styles of writing and photography in each magazine. Take a look and see what else has changed about the magazine and website!

We changed the sections from Art... Fashion... etc. to more broader, smaller sections with shorter, bite-sized stories.

The Edge The Edge is a section all about Style and Fashion: what’s trending this season, which designers to watch out for, style profiles, fashion news, high-fashion editorials, and more.

The Insider The Insider gives you an insider’s look at what’s breaking and trending in the world of art, culture, education, health & fitness, food, entrepreneurism and more in Indian Country.

On Radar With On Radar, we keep up with what tracks are trending, what to watch in Native films & tv, our picks in literature & books, along with interviews and profiles of Native artists and entertainers, and breaking entertainment news and updates.

We also colorcoordinated each section to a signature color.

nativemax.com What do you think about our new revamp? Tell us what you think on our website! Click on Contact Us and let us know what you like or don’t like!

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The website went through a little revamping as well: we added additional topics and sections, making our website very versatile and entertaining to all ages. nativemax.com

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Mailbox

WE'RE ALL EARS! We're listening-- whether it's through our Instagram, Facebook, Twitter or Email. Whatever we hear, we'll put here!

LET US KNOW!

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Let us know what you really think about each issue.

We're open to hearing ideas, suggestions and comments! Visit nativemax.com, or send us your feedback to our main email: nativemax@gmail.com.

Letters and ideas may be edited for space or clarity.

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Dream Warriors is a collective of artists who believe in pursuing passions, dreams, and gifts to better loved ones and communities while also uplifting others.

Meet Our Dream Warriors:

/dreamwarriorsmgmt/

@_Dream_Warriors

www.dreamwarriors.co

NATIVE MAX TV NETWORK who we are

check out our lineup of shows and series on our Youtube Channel & Facebook Page

/nativemaxtv

@nativemaxtv

The Edge PLUS: THE MOMENT: SCARVES STYLE PROFILE: INSPIRED

BY ANCESTORS BUILDING A FASHION EMPIRE NATIVE MAX WAS THERE: INDIAN MARKET HAUTE COUTURE FASHION SHOW

Off the Runway Designers help set the trends at this year’s Native Fashion in the City 2017.

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The Edge

ACONAV | LOREN ARAGON Loren Aragon’s (Acoma Pueblo) unique and cultural line ACONAV was the first collection that hit the Native Fashion in the City runway.

Known for his monochromatic, geometric patterns, Aragon pushed out his boundaries further and

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debuted his Autumn/Winter 2017 collection in newer dress styles either in additional prints and patterns or with intricate adornments and accessories. Aragon’s elegant designs cater to the fashionable woman and evoke empowerment within. Aragon

has certainly put forth a twist on classic women’s career wear with his signature Acoma Pueblo pottery pattern (see above, right photo). To shop ACONAV, visit www.aconav.com.

PHOTOS BY CEYLON GREY.

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The Edge

OXDX | JARED YAZZIE Streetwear fashion designer Jared Yazzie (Navajo) isn’t afraid to make a statement with OXDX. OXDX was the second collection out of the gate and did he turn heads. Not only did the audience see the latest graphic prints and

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color combinations out of Yazzie’s lab, but what was on the fronts of t-shirts are what left some audience in awe. We saw vivid designs and illustrations that were either empowering or educational (such as our fave OXDX tee as pictured above, middle). Yazzie also proved that

he not only prints his t-shirts but also on other styles of tops as well as bottoms. To shop OXDX, visit oxdx. storenvy.com.

PHOTOS BY CEYLON GREY.

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The Edge

Navajo fashion designer Marisa Mike (above) and Cree fashion designer Disa Tootoosis (below) debuted their latest collections for the first time on the Native Fashion in the City runway. Mike’s floor-

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length designs told stories of culture by the way she incorporated traditional Navajo-style design with modern silhouettes which flowed beautifully with the model. Similarly, Tootoosis wowed with colorful precision and

masterful tailoring in her very sleek collection of vibrant ensembles with decorative applique. www.facebook.com/ marisamike | www.facebook. com/disatootoosis.

PHOTOS BY CEYLON GREY.

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The Edge

Plains-style craftsmanship and artwork can be seen as the inspiration for Crow fashion designer Della Stump’s (above) latest collection to hit the Native Fashion in the City runway.

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Stump’s mostly red, geometric creations paired with intricately-designed beaded jewelry and accessories proved she is a veteran designer and artisan. It was evident Lumbee artist April Ledford (below) expanded her array of design

from just accessories to statement pieces and matching masks, delving into the realm of costumemaking. www.facebook.com/ dbighairstump | www.facebook. com/aledfordcouture PHOTOS BY CEYLON GREY.

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The Edge

It was refreshing to see Lakota apparel designer and artist Lakota Sage (above) debut new styles for his upcoming collection, showing that he’s all about the current athleisure trend. Versatile tops, comfy dresses, and casual jewelry were a part of

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Sage’s presentation on the runway. Norma Baker-Flying Horse (below) honed her Mandan/Hidatsa/Arikara and Dakota roots for her collection, which featured eye-catching frocks decorated with Plains artwork. Flying Horse also set the trend for unique wedding dresses by showcasing her

twist on the traditional wedding dress. www.facebook.com/ NativeGorilla | www.facebook. com/RedBerryWoman PHOTOS BY CEYLON GREY.

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The Edge

THE MOMENT

The Moment: Scarves This month’s style inspiration and must-have accessory of the moment are these silk scarves by ACONAV.

BY KELLY HOLMES PHOTOGRAPH BY LOREN ARAGON

Fall time is the perfect season to add a silky scarf over a flowy blouse. Our musthave scarves of the moment are these 100% silk scarves from ACONAV by Loren Aragon. What makes these scarves stand out is not only does Aragon print designs on his material, but his Acoma Pueblo culture inspires the designs he incorporates on his pieces. In the Acoma Pueblo culture, the parrot is a symbol of the rain and the life it brings. Originally seen on pottery, the parrot is now available in a wearable art form thanks to Aragon.

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“The Parrot’s Flight” scarf: 72 in. x 14 in. Limited Edition, 100% Silk, Hand Wash Only. Available on www.aconav.com

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The Edge

STYLE PROFILE

INSPIRED BY ANCESTORS Inspired by her ancestors, Collins Provost beads woman’s floral earrings to empower other Native American women like her.

BY DARREN THOMPSON

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ew to the Native American fashion industry, Collins Provost is a Cheyenne River Lakota bead artist who focuses on creating woman’s floral earrings. Inspired by her ancestors, Provost took up the art of beading over 10 years ago when her daughter Jaela was born.

“It is custom among the Lakota people to make our children their first pair of moccasins,” says Collins Provost. “My daughter’s journey into this world inspired me to dig deep and teach myself how to bead.”

Glass-cut beads have played a special role among American Indian people since the arrival of Europeans centuries ago. Over the years, it has adapted in its usage and expression and can be seen in Indigenous cultures throughout the Western Hemisphere.

To this day, beads and the artists who use them play a special significance in American Indian cultures. From items of clothing to fashion accessories, beads have a presence in fashion cultures throughout the world. With the growing interest in American Indian culture from the wider world, the demand for authentic material continues to expand inspiring a new

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Collins Provost and her daughter, Jaela

generation of artists.

Today Provost’s focus is a twist to the norm among Lakota beadwork. She enjoys making floral earrings. And although seen in many Native communities, floral patterns aren’t a regular pattern or design traditionally practiced among the Lakota.

When asked why florals, she expresses, “I love flowers. It’s the one thing that makes me feel feminine and strong.”

You can view Collins Provost’s work at B.Yellowtail or follow her on Instagram at @collinsjordan.

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The Edge

BUILDING A FASHION EMPIRE We catch up with Helen Oro, the First Nations woman & entrepreneur who is building her own fashion brand from London Fashion Week to designing unique pieces.

BY KELLY HOLMES

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he first time I met First Nations designer and entrepreneur Helen Oro (Pelican Lake Cree) was back in 2013. At the time, Oro was a multitalented artist of sorts; a makeup and nail color guru who beaded jewelry and sunglasses as a hobby. She admits to just starting out in the fashion world when we first met, selling her artwork that she created online. We decided to PHOTO BY ALEXANDRA JARRETT feature her and some of her work in the Premiere Issue. Oro happily submitted DIY nail looks as well as which jewelry to pair with your makeup look of the day to the magazine. She also interviewed dozens of people for both the magazine and website throughout the years.

Oro admits that Native Max Magazine helped give her the start that she needed. She talks about what she's learned while being on the Native Max team. "Being part of the Native Max world helped me learn and grow with all that I've done so far. It was the Native Fashion in the City event, Native Max Magazine's signature fashion show, which inspired Oro to pursue showcasing on the runway.

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"The Native Max fashion show [Native Fashion in the City] was my second show ever and my first trip to the states. I went from just starting out and not knowing much about the fashion world to traveling the world to many fashion weeks." Oro admits that in most cases, she was either the first or only First Nations woman to participate in many fashion events, such as fashion shows in different countries.

Within the last few years, Oro has been working on strengthening her design label and business. Now, Oro's signature beaded SEPTEMBER 2017 | NATIVE MAX MAGAZINE 21

The Edge

So you had an opportunity to show your latest collection at London Fashion Week! What designs

What was the reactions and response to your collection?

Photographers said my collection brought a unique flair to the show. It was different and a great touch to this event.

What was the most memorable experience of the whole trip?

I recently was chosen out of thousands to partake in the Accessory Mastered Accelerator Program; it’s based out of London and I had the opportunity to go to a mix & mingle at the headquarters. Getting to meet fellow alumni and mentors was one of my highlights, but again even showcasing at London Fashion Week was a big

HELEN’S TRAVEL DIARY

milestone for me.

When did you know you were going to show at London Fashion Week?

Beginning of December.

It has always been on my bucket list but never thought it would happen so soon.

Check out behind-the-scenes snapshots of Helen’s adventure showcasing her collection in this year’s London Fashion Week.

Where do you see yourself in 5 years?

Selling my product in more boutiques across Canada and the United States; to build a brand that will be internationally recognized. I believe I’m on the right path but have ways to go.

What is your ultimate goal?

To build an established brand that will be internationally sold around the world. Build onto my mentoring side of my business more. Sharing my experiences with fashion shows and shoots are fun but are way more enjoyable when I get to share them with others just starting out.

HELEN'S NEWEST COLLECTION Check out Helen Oro's newest (and boldest) collection.

HORACZKO PHOTOGRAPHY

Photos: ChelPhoto / Hair: Trisha Gardypie / Makeup: Helen Oro

COURTESY

did you showcase on the London Fashion Week runway?

My beaded “Statement” sets, such as beaded headpieces, masks, a beaded skirt, and other beaded accessories.

HORACZKO PHOTOGRAPHY

sunglasses, jewelry, and accessories are available in boutiques and online stores across the globe.

Oro also showcased her designs in various fashion shows across the country, as well as London Fashion Week (which is her biggest milestone to date). Aside from being an entrepreneur, Oro is also a mother with a busy schedule. Balancing her family with starting a company with little funds has been a challenge for Oro. We caught up with Oro about her experience at London Fashion Week, what she’s currently working on and what the next few years are looking like for her and her business..

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The Edge

NATIVE MAX WAS THERE

INDIAN MARKET HAUTE COUTURE FASHION SHOW Native Max was on site at the Indian Market Haute Couture Fashion Show of 2017. Check out recap photos of one of Indian Country’s prestigious fashion shows.

PHOTOS BY RYAN YOUNG

View more photos of the fashion show online at nativemax.com.

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Model is wearing designs

by Pamela Baker.

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The Edge

PAMELA BAKER

CRYSTAL WORL

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The Edge

DOROTHY GRANT

JAMIE OKUMA

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The Edge

LOREN ARAGON

MAYA STEWART

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The Edge

ORLANDO DUGI

PATRICIA MICHAELS

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The Edge

ROSE SIMPSON

SHO SHO ESQUIRO

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The Edge

VIOLET DAWN AHMIE

OVERVIEW Mesa Middle School and Sage Canyon Elementary, Douglas County Schools, have partnered to provide an empathy experience for our students. Teachers are leading 20 students to Monument Valley, Utah to gain empathy and understanding for the Navajo people. We know this opportunity will provide an authentic experience for students to gain empathy for one another’s culture, pivoting our own perspectives while learning from the experiences of others; sharing stories in order to develop a deeper understanding and designing sustainable solutions for one another. We will have the opportunity to camp on the reservation, visit the local school, shadow Navajo students throughout the school day, and immerse ourselves with the Navajo culture through the lens of students.

HOW YOU CAN HELP sponsor a student fund accommodations purchase nourishments service & experiences

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All Native Max Issues Now Available in Print All print issues of Native Max Magazine are now available! shop.nativemax.com

The Insider

Tocabe: Moving Onto Big Things PAGE 32

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PLUS: TWO EAST COAST NATIVE SHOPS COLLAB WITH A SWEET CELEBRATION JOURNEY TO THE CROWN: ALYSSA LONDON MISS NATIVE AMERICAN USA AUTUMN WILLIAMS

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The Insider CULTURE

FOOD

ONTO BIG THINGS

With plans of opening up a new store, TOCABE still remains the largest Native American restaurant chain in the nation.

t

he Native American-owned restaurant Tocabe in Denver, Colorado has had impressive growth the last few years. They opened up a 2nd location in Greenwood Village (8181 E. Arapahoe Rd Unit C) and debuted new items on their menu almost simultaneously (such as Posu Rice Bowls, Grilled Bannock, among others). Then in the summer of 2016, they added a food truck and took it for a spin around the Denver food and booze community. After that, they expanded their catering services by offering exclusive foods outside their listed menu items such as appetizers, salmon, and more. Just a few months ago they donated food and supplies to the water protectors at Standing Rock,

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which highlights Tocabe’s mission to give back to the community. Very recently Tocabe opened up online ordering for customers who want to order ahead and pick up.

Now, Tocabe is on track to open up another restaurant by the end of this summer. This time in Aurora, Colorado. Although date and location haven’t been announced yet, we are already excited and can’t wait to see the new restaurant.

The future looks bright for Tocabe, as they anticipate growth in not only their customer base but also in partnerships with other like-minded farmers and growers throughout Indian Country.

They also hope to enhance their ties with the indigenous communities not only in Denver and Colorado but across the nation as well.

Eighth Generation celebrated the one year anniversary of the opening of their flagship store at Pike Place Market with a very special occasion: they teamed up with Seattle's Nativeowned Central District Ice Cream Company to curate eight totally unique flavors that celebrate the uniqueness of the Eight Generation brand and team members.

After receiving hundreds of name and flavor suggestions in the first round of community feedback, they narrowed down the options to 8 flavors: Hummingbird Huckleberry, Seattle Freeze, Horchata De La Raza, Cool Kaye, Genmaicha, Wunder Beer, Chica Fresca and Sleepy Dragon.

Each flavor have their own signature combo and taste.

Although the party is over, you can still get your Eighth Generation x Central District Ice Cream Company icecream at the ice cream shop, located in Seattle, Washington.

TOCABE: COURTESY; EIGHTH GENERATION FLYER/HUMMINGBIRD HUCKLEBERRY LABEL: COURTESY

LEFT TO RIGHT: Tocabe co-founders Matt Chandra & Ben Jacobs (Osage)

TWO EAST COAST NATIVE SHOPS COLLAB WITH A SWEET CELEBRATION

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The Insider Miss Alaska 2017 Alyssa London

ALYSSA LONDON: COURTESY

Journey to the Crown

We got the chance to sit down & chat with Miss Alaska 2017 Alyssa London (Tlingit) and Miss Native American, USA 2017-2018 Autumn Rose Miskweminanocsqua Williams (Shinnecock) about their pageant journeys and how they're using their platforms to help their communities.

BY KELLY HOLMES

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W

Alyssa London Miss Alaska 2017 Tlingit

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hen I first talked with Alyssa London –the first Tlingit woman crowned Miss Alaska– it’s the day after the Miss USA competition. I tell her how I watched her on tv with no distractions, and how I even teared up when she walked out on stage in her custom gown that featured her Tlingit culture for all to see. She was beyond to humbled to hear and see how much support she had from different Native communities all over the country. London was even more gratified to know that despite not winning the ultimate title of Miss USA, she was a positive role model like the ones she used to watch on tv years before.

It’s been years in the making since she’s set out to inspire and empower others. She participated in her first pageant when she was only 17 years old, where she wore a traditional Tlingit robe. She’s a successful media personality and an entrepreneur whose goal is to promote Native-owned businesses.

London also knew it’d take hard work and determination to get to the pageant, which didn’t deter her at all.

I wanted to get to know this amazing woman, who saw the Miss Alaska pageant as a platform to make a difference, who used her time in the spotlight to bring attention to a little part of her home community.

London is an enrolled member of the Central Council of Tlingit and Haida Indian Tribes of Alaska and is of the Eagle moiety and Killerwhale clan. London’s Tlingit name is Yáx Ádi Yádi which means “precious child,” given to her by the late tribal leader Clarence Jackson.

A graduate of Stanford University, London is a business entrepreneur, motivational speaker and media personality who’s devoted herself to the culture, art, and economic development of indigenous people.

She’s founded Our Culture Story, a business that brings awareness to the vitality of Alaska Native cultures through storytelling and selling artisan pieces. London is also a Cultural Ambassador for, a shareholder and former Sealaska Board Youth Advisor at Sealaska Heritage Institute.

London competed in her first pageant when she was just 17 years old. “It was Miss Seafair,” she explains. “At that pageant, I wore a Tlingit robe with killer whales on it and drummed the Eagle Raven love song for the talent portion.”

London always admired the Miss America and Miss USA competitions and kept up with the pageants every year, even when she was attending college at Stanford University. “I

admired the women who competed for their poise and confidence. I dreamed of being on the national stage one day so to inspire other young women just like they inspired me to be confident.” After college, London competed in three pageants in the Miss America local system, where she met friends who she supported when they competed on the national stage.

It was the fact that the Miss Universe organization changed their age limit from 27 years of age to 28, that gave London the motivation to finally compete at the highest level.

“The Miss Universe organization announced they increased the age limit by one year and that made me eligible to compete in their system for the first and only time.”

In February of this year, London competed in the Miss Alaska 2017 competition, where she won and ended up being the first Tlingit ever to hold the title. “It was a dream come true,” London says of being crowned Miss Alaska. She then admits that being in the top ten of the Miss USA 2017 was a dream realized even further. “I became one of the girls that I grew up watching on tv.”

For some pageant queens, preparation starts the first week of the Miss USA competition, but for London, she began preparing every day from the moment she was crowned Miss Alaska on February 4th. “I trained every day with CBTraining Online. I worked with a runway coach in New York and a pageant interview coach in Seattle.” She then linked up with Los Angeles-based gown designer Joey Galon, who designed her interview red jumpsuit, and eye-catching evening gown. “I fundraised within my community to cover the costs.” I guess you can say it takes a village.

Admittingly, everyone supporting Miss Alaska were on the edge of their seats (myself included!) when the last spot of the top 10 advancing to the ultimate title was about to be announced. London was excited and grateful when “Alaska” was called.

“I was so excited. I’ll never forget that moment. My train of thought was, ‘Yes! This is amazing! I’m so grateful!’”

I couldn’t help but observe how calm and flawless London looked when she took the national stage. “I meditated using the Calm app every day at the pageant and multiple times the day of the pageant. I felt prepared and had rehearsed and practiced my performance and what I would want to say at different points of the competition.”

London explained that in her experience, practice and positive self-affirmations take away nerves.

ALYSSA LONDON: THE MISS UNIVERSE ORGANIZATION

The Insider

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MAKING HISTORY Alyssa London made history as being the first Tlingit woman to stand on the Miss USA stage in style.

She wore a custom made gown that showed her Tlingit culture & heritage.

“If you can keep a positive mindset it’s amazing what you can accomplish.”

One thing notable about this year’s pageant that many took away was how different this year’s competition was, with nine women of color in the top 10. With the diversity in the top ten, the Miss Universe Organization and their parent IMG/WME organization made a statement that beauty comes in so many shapes, sizes, and shades. “It is tremendous because it changes the ideals of beauty and allows other girls to see their appearance reflected in the diverse faces that were on stage that evening.” London herself added, even more, diversity to the pageant with her one-of-a-kind dress.

“The Miss Universe Organization’s team liked that my gown was unique and had a story behind it. I think it helped me stand out and show confidence because I am doing something different.”

At first, London didn’t realize the amount of support she had, but the overwhelming feedback and positive comments she received, saw and felt from around Indian Country were amazing. “It felt incredible. I am so grateful for the support of not only Alaska but Indian Country. While reading all the comments and seeing the support online, I felt a lot of love and that my expression of my pride in my heritage and identity as a Tlingit woman was inspiring others and making an impact.”

London now has so much gratitude towards the Native community and appreciation for the support, which inspires her even more to become a voice for change.

London has certainly come full circle, from her first experience competing in a smaller pageant with her traditional Tlingit killer whale robe to her breathtaking gown that showcased her Tlingit culture with a crystallized killer whale on national tv. “I have grown so much through this experience and met more amazing women, and I know we will continue to inspire and lift each other up years into the future.” The experience as a whole continues to inspire and motivate London. “This experience gave me, even more, drive to shoot for the stars because why not?! Someone is going to do it, why not you?! My parents taught me at a young age that the world is your oyster and I live by that mentality.”

When asked about what her next steps are, London said she’s going to continue to use her platform for good, but of course after a much-needed breather.

“After some rest and relaxation as this has been a hectic and amazing whirlwind of a few months leading up to Miss USA, I am going to continue to encourage women to pursue entrepreneurship to achieve self-sufficiency and independence.” London will also continue to showcase her pride for her culture as a Tlingit woman in the hope that it continues to inspire others to embrace their heritage and diversity as well. “Furthermore, I’ll talk to youth about the importance of education and how it can open many doors for them as they live a life pursuing their passions.” nativemax.com

Autumn Rose Miskweminanocsqua Williams Miss Native American, USA 2017 Shinnecock

T

he moment Autumn Rose Miskweminanocsqua (Raspberry Star Woman) Williams and I sit down with each other was a few days after she won the Miss Native American USA 2017-2018 crown and title. With her fantastic attitude, it’s easy to see why she was the first New Yorker to win the crown.

She already emits rays of eagerness and positiveness upon speaking with her about her love for her people and her journey of competing in the Miss Native American USA pageant.

Williams is from the Shinnecock Nation located in Southampton, New York, where she was born and raised. The 24-year-old pageant winner earned her Bachelors of Science degree in Mass Communications, with a concentration in Public Relations and a minor in Business from Virginia Commonwealth University. She currently works as the marketing and communications assistant at Peconic Land Trust, a non-profit organization that conserves Long Island’s working farms, natural lands, and heritage.

The Miss Native American USA competition wasn’t Williams’ first pageant.

Back when she was Miss Teen Shinnecock 2009-2012, Williams competed in the Miss Indian World competition at the Gathering of Nations powwow. Although she didn’t win, it inspired her to compete in Miss Native American USA. “The experience was amazing. I was able to see Dakota Brant crowned Miss Indian World.” Williams took photos with Brant and later exchanged messages with Brant, which inspired her to do something of that magnitude. The way that Brant answered Williams’ questions meant the world to her. “Speaking with Dakota really meant something to me

because she remembered who I was. See representation that connected to who I am as an indigenous young woman was important. I didn't see that a lot at the magnitude before. It inspired me to always push hard and try to be the representation I was seeing.”

The Miss Native American USA competition is an annual pageant which invites Native American women to compete for the ultimate crown and title. Contestants compete in several categories which include an offstage interview, modeling of an evening gown, talent showcase, traditional wear and a two-minute speech. Each contestant is carefully and thoughtfully judged on confidence, stage presence and the ability to articulate their message to the audience. The very first Miss Native American USA pageant was held back in 2011, with Shaylin Shabi as the first winner. The Miss Native American USA organization’s mission is to encourage Native American women to achieve their personal goals, build character, enhance self-esteem and develop leadership skills while spreading the message of indigenous women’s empowerment.

This year’s Miss Native American USA Scholarship Pageant had a total of seven contestants, each bringing new messages and diverse backgrounds to the competition.

They represented Native American women from across the country, including the Seminole Tribe, Navajo Nation, Hualapai Tribe, Inupiaq Tribe and San Carlos Apache Tribe. Chanelle Amber-Dawn Tilden of the Navajo Nation won 1st runner up, and Jalene Kanayurak of the Inupiaq Tribe received the second runner up.

Leading up to the pageant, Williams prepared herself. She studied the pageant’s itinerary, practiced her speech, and focused on making sure that she could articulate her

SEPTEMBER 2017 | NATIVE MAX MAGAZINE 35

message clearly to the audience and judges.

“For me, my platform and articulating my passion for my people was most important,” she mentions. “I made sure to have everything I needed for the day of the pageant; I wanted to make sure I fulfilled every criterion but with my own flare.”

In her speech, Williams focused on Indigenous women’s empowerment, and what it meant to her. She talked about dealing with her depression and anxiety and how her own experience with the personal empowerment of being strong within herself created a firm foundation for everything else.

For the talent portion, she performed the Eastern Blanket dance, a dance traditional to her tribe and many other North Eastern tribes. The dance represents the different stages of womanhood.

Like London, Williams looked calm and collected on stage as she competed. Leading up to the pageant, she wrote down and practiced positive affirmation with practice, breathing exercises and power posing.

“During the pageant and right before I got on stage, I would tell myself that I can do this, that I am beautiful, powerful and intelligent. Basically, anything that would make me feel the opposite of nervous and scared.” Williams stressed that breathing was essential, and that deep breathing helped calm her body down. “I was super nervous right before I went on stage, so it helped. While I was breathing, I would do power poses to give myself confidence. For 36 NATIVE MAX MAGAZINE | SEPTEMBER 2017

example, I’d breathe deep and stand like a superhero.”

Although just crowned this year’s Miss Native American USA, Williams is already prepared to use her new platform and voice for the Native community. “I want to be hands on and work directly with each community,” she says. “Speeches can be very powerful, but I want to hear from the communities.” Williams wants to get to know the needs of Indian Country by asking the communities various questions such as how we identify ourselves, and how do we connect to our culture, which will help her lead positive workshops she’s planning to have all over the country. “I want my people to feel strong in who they are and feel empowered to learn how to combat what the American society says you should and shouldn’t do. I want to understand my people because I want to know how to heal any hurt; I want us to continue to be more and more empowered within each day because empowerment of one's self is the empowerment of a nation.”

Williams’ agenda is already packing up with trips and events. Her first stop will be returning to her Shinnecock reservation where she will be walking in the Grand Entry for the 71st annual Shinnecock Powwow, which starts on 9/1. After, she plans on traveling around her local area and visiting surrounding tribal communities. “I’m really interested in traveling to other tribal nations I don’t know a lot about. I care so

much about my people I swear my heart hurts sometimes. I want to learn as much as possible about all the beautiful indigenous people and really find new ways to build us up, even more, cause we are all that and a bag of chips – if you may.” Williams will also continue to develop her workshops and reach out to different communities to promote her platform and connect with the people.

The reactions of her win have been amazing and positive for Williams, and she feels blessed to have the support of her family, friends, tribal members and her sorority sisters. “Since I was crowned all I think of is, ‘how can I promote my platform?’, ‘what message am I sending as Miss Native American USA?’” she says.

“I don’t want this to be about me; it’s all about my people. Focusing on that is what gets me so excited!” Williams realizes that she has an additional responsibility being a role model in Indian Country, but doesn’t let it overwhelm her. “I got to this point by staying true to who I am. I will take on those responsibilities by being strong.”

Williams encourages those who are interested in competing in pageants to try it. “Step out of your comfort zone. You will never know the result if you never try. It’s not about losing or winning; it’s about the experiences. Be happy with whom you are; there’s no one in the world like you, and that is a strength, not a weakness!”

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On Radar

PLUS: WEEKEND WATCH PRESS PLAY! Q&A WITH JuQ

Photo: Facebook

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Thriller of the Season We catch up with the film crew (& siblings) behind one of the most anticipated Native-made thrillers right now PAGE 38 SEPTEMBER 2017 | NATIVE MAX MAGAZINE 37

On Radar FILMS

Weekend Watch Our weekend mustwatch this month: Wind River

FILMS

Filmmaking Fam The Dayish film crew is building quite the buzz online for their newest feature film “The Red Hogaan”. We catch up with the director & founder of Dayish Productions Kody Dayish about this newest thriller.

“The Red Hogaan” director Kody Dayish, Navajo, was a performer since childhood. Dayish remembers traveling from LA to as far as Tennessee auditioning for gigs and movies, and performing at pageants and fashion shows.

Dayish’s first time working on a film was back in 2001. He had a speaking role in the independent drama film “The Doe Boy”. “It’s awesome from beginning to end.

Went to the premiere and I felt like a celebrity.” Being a part of “The Doe Boy”, although it was a small part, made a huge impact on Dayish and inspired him to work in film. “I wanted to do more Native American films.”

However, upon graduating high school Dayish joined the military.

Despite being in the military Dayish still wanted to either direct or produce movies. “Filming was something I always loved.

Now filming is my priority.” An accident Dayish went through left him humbled and appreciative of life. After spending time in a wheelchair, Dayish began writing a script and backstory of a horror film. Motivated to start filming, he wrote stories and schedules of producing a movie.

Dayish then teamed up with his siblings Kolette and Kolin and formed Kody Dayish Productions.

Dayish’s siblings help write the scripts as well as produce all of

the Dayish Production shorts and small videos that can be found on the Kody Dayish Productions Facebook page.

“The Red Hogaan” is set in the 90’s and is based around a small Navajo family. “It’s about this family; father, wife and two kids,” explains Dayish. “They’re sheepherders. They’re going to be herding their sheep up the mountains, and on their way up is where the trouble starts happening.” As Dayish explains the film, he sums it up as there’s a reason behind everything you see, unlike other horror films which have confusing storylines or hints that don’t make sense.

Dayish and his team wanted the film to be respectful, so they took the time to research skinwalkers.

“Before we filmed this movie, my brother and I helped these elders in Arizona herd their sheep. We camped out there. That’s where I got the accuracy from.” The father is played by actor Cosme Duarte.

The son is played by Dayish’s brother Kolin. “They’re the lead people of the film, and they were amazing.”

The title of the film itself is enough to emit fright. “First off the title, if you’re Navajo and if you see ‘hogaan’ in the title you know it’s scary.” When asked why, Dayish explained that in the Navajo culture, one cannot

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have the color red around their hogaan. “Right off the bat, you’d think, why is the hogaan red?”

However, not only did Dayish want to leave the audience guessing after the reading the title, but he didn’t want the title to be stereotypical. “I didn’t want to have ‘skinwalkers’ in the movie title.”

Dayish is hoping to get “The Red Hogaan” on the film festival circuit, starting with the Toronto Film Festival, Tribeca Film Festival, and Sundance. Dayish plans on debuting the film at a movie theater on the Navajo reservation.

“We’re going to show 10 to 15 minutes, a sneak preview at the Shiprock movie theater sometime in June with a red carpet event where you can meet the actors and production team.”

Dayish already has an extreme amount of support. His “The Red Hogaan” trailers already racked up tens of thousands of likes, including thousands of shares. There’s already a working list of movie theaters throughout Indian Country who are inquiring about showing the film.

Follow both Kody Dayish Productions and Native Max Magazine on Facebook to see where and when you can catch the premiere of “The Red Hogaan”.

Movie poster: courtesy of company

Left to right: Kolin, Kody & Kolette Dayish

(The Weinstein Company) Native American actor Gil Birmingham stars in another star-studded film this month.

Wind River is a chilling thriller that follows a rookie FBI agent (Elizabeth Olsen) who teams up with a local game tracker with deep community ties and a haunted past (Jeremy Renner) to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving her mysterious death.

Wind River is written and directed by Taylor Sheridan (HELL OR HIGH WATER, SICARIO). Wind River is also an award-winning movie, scoring awards at film festivals all over the globe. Wind River is now available at select theaters across the country.

nativemax.com

On Radar

Press Play!

A LOOK AT THE MUSIC YOU NEED TO LISTEN TO NOW

MUSIC

DARREN THOMPSON “THE SPIRIT SONG”

Hip-hop artist Frank Waln (Sicangu Lakota) debuted his latest EP The Bridge, which serves as sort of a soundtrack that highlights the struggles indigenous people face today.

Listen to the brand new album exclusively here on Frank Waln's Soundcloud.

Lac Du Flambeau Ojibwe flutist Darren Thompson is releasing a brand new album this month and gave us a sneak preview.

Listen to the exclusive single "The Spirit Song" from the new album only on our website: https://nativemax.com/

Courtesy of artist

Courtesy of artist

TALL PAUL “NO QUESTIONS”

BRANDIS "B" KNUDSEN “COME & GET YOUR LOVE”

Artist and motivational speaker Tall Paul (Anishinaabe/Oneida) flexes lyricism and storytelling prowess in "No Questions", which addresses police brutality.

The music video for the song is just as hardhitting as the track.

Watch the video here.

Of course we added a fave song from the talented artist on this issue's cover: Brandis "B" Knudsen. He did an amazing job of mixing some modern rhymes with the oldie (but goodie) classic track "Come And Get Your Love" by Redbone. Listen to the song here.

MUSIC NEWS

Taboo: Youtube

The song "Stand Up / Stand N Rock #NoDAPL" was one of six music videos nominated for the "Best Fight Against The System" category at this year's MTV VMA's. All nominees won the award. The music video "Stand Up / Stand N Rock #NoDAPL" was recorded by Taboo of Black Eyed Peas and Native artists from different tribes, including Zack "Doc" Battiest, Spencer Battiest, Emcee One, Drezus, PJ Vegas, SupaMan, Natalia Aka "My Verse." The song serves as a statement of support to those who have embraced the Standing Rock Sioux Tribe in their fight against the Dakota Access Pipeline (DAPL). Native American actor Martin Sensmeier and activist Shailene Woodley also made appearances in the nominated music video.

nativemax.com

Courtesy of artist

Courtesy of artist

Courtesy of artist

FRANK WALN THE BRIDGE EP

Q&A

juQ We talk with Oglala Lakota hip-hop artist juQ about how he includes his culture in his music & more

How did you get involved in making music?

At the tender age of 13, while I was going through a lot of personal things music became something for me. At 16 - 17 was when I became really confident with my ability in music. Heck, some of my writing of that time period even made it to music I released recently to B.’s Nammy winning-single “Come And Get Your Love”. Ever since I made the official move back to my reservation and the Black Hills, music has become an integral piece to the point it’s one of my part time jobs. I hope soon to become my main full time one.

Tell us about your album "tempo". What’s the inspiration behind it?

I released my debut EP “ogp.” back in March and my debut album “tempo” this past November on Black Friday. Essentially

everything I do as a singer/songwriter is geared towards providing a soundtrack to my Lakota people, ultimately putting Wakan Tanka, Great Mystery, and our traditional ways on a pedestal. Having a Lakota woman/native spouse on a pedestal.

Speaking our language, being alcohol, drug, cig, etc. free on a pedestal.

With the intention of getting my people, along with all tribes around the world as well as the rest of humanity, back to who we really are. That’s the centerpiece of the story I wrote on my debut album “tempo” entitled “the Oglala wolf puppy w/ PTSD” which reflects my personal journey on the Red Road and where I feel I am being guided spiritually by my ancestors.

What’s your favorite song on your new album and why?

My favorite song honestly would be “tp”. it consists of a

prayer song on the hand drum I put in Lakota that came to me during inipi (sweat ceremony) as well as an outro portrayed by the main character, that contains a very important message for my people, and indigenous tribes all over the world.

How do you pursue music and keep close to your heritage at the same time?

My ultimate dream as a Lakota man (which this music thing is driven for) is to start a tipi based living community. Where we all live in tipis, speak only Lakota, revitalize many aspects of our culture that are either exploited in an unhealthy manner or are on the verge of extinction and this would be on my reservation. I go to inipi pretty much every week.

I Sun Dance as well. Our ways are my world, my people are my world.

Regardless of how big this music thing gets, my world comes first. And that’s it.

Listen to JuQ's tracks here.

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Cover Story

BY KELLY HOLMES | PHOTOS BY KRIS MONROE

Making it on his own.

There is no better time than now for indigenous musicians to grow their brands. The journey to making it in the music industry has been made easier thanks to barriers being broken down, along with opportunities for exposure like never before. For hip-hop artist and entrepreneur Brandis “B� Knudsen, his journey to making it would happen on his terms. Instead of waiting to be discovered and signed to a label, he learned all he could about the music industry and started his own record label.

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B

ack in September Brandis Knudsen – better known by “B”– won Single of the Year at the Native American Music Awards for his newly released track “Come and Get Your Love”. Then in January on Friday the 13th, “B” released the music video of his award winning song to a buzzing crowd in an exclusive launch party he hosted in Spearfish, SD. The night after, he debuted the music video on social media where it garnered almost 1,000 likes in just the first few days. Finally, FNX: First Nations Experience took notice of the song and asked “B” to debut it on the network’s entertainment show “AUX”.

It seems as though the last few months of “B”’s success happened out of nowhere; sort of like an overnight success. Little do we know that “B”’s journey to success has been in the making since 2007, and that he paved his own path to making it on his own.

involved in making music/hip hop?

I started writing hip hop music in middle school and participated in freestyle battles and ciphers throughout high school. While working during college I would meet a man named Andre Truitt, who would later become known as K.O.D. It was our mutual love of hip hop that grew our friendship and later business relationship at his label, BIGG DOGG Records. K.O.D. became a mentor to me while I worked for his label. I started as his road manager and often his hype man.

In addition, I also handled the bulk of his promotion and marketing. It was during this time that he taught me a lot about the music industry and the business behind the scenes. I would go on to change my major in college from Psychology to Business and continued to do independent research as needed to continue to progress and increase my knowledge and sense of business.

My relationship with K.O.D. introduced me to both Jeremy Waddell, and Carlton Johnson who is also known as C-Nice-1, both of whom would later be collaborators on my first studio track. “Slow Jam” was recorded and released in 2007 on a C-Nice-1 instrumental featuring the smooth vocals of Jeremy Waddell on the hook.

What tribe are you from?

I am an enrolled member of the Yankton Sioux Tribe in South Dakota, also known as the Ihanktonwan Dakota Oyate. I am also affiliated with Rosebud Sioux Tribe or Sicangu Lakota Oyate, which is also from South Dakota and the Ponca from Nebraska.

Do you have your own record label?

Yes, I am the founder and C.E.O. of Dakota South Records, which originally started as an imprint under BIGG DOGG Records before deciding to go in a different direction and branching off independently and incorporating Dakota South Records with the state of South Dakota in December 2009. I began writing and recording the label’s first album in 2010, which after some post-production delays would eventually be released in 2012. The success of my first album would keep my free time occupied for the next several years creating a delay before finally releasing the second album in 2016, but that was the first of three projects released by Dakota South Records last year.

We have at least three upcoming releases in the works currently.

Where are you from?

I was born in Wagner, SD but spent my earliest childhood years in St. Francis before moving to White River. Later, moving to Rapid City for several years but then returning to White River for high school only to return to Rapid City my senior year where I would graduate from Central High School. After high school, I spent a year in Spearfish where I attended Black Hills State University before returning once again to Rapid City, which has been my permanent home since.

When and how did you become

Why did you open your own record label?

Opportunity. I could dream about getting signed to a record deal or I could start my own. By creating my own company, I created my own opportunity. I grew up in a low-income household and in a community with little to no opportunities available, so All clothing, jewelry & accessories: Brandis’ own

I had a mindset of having to create my own opportunities and paving my own way to success. I often felt no one believed in me, so if I was going to accomplish anything I had to believe in myself. I had to create and I had to be my own hope. I could continue to work for someone else to make their dreams come true or I could work for myself to make my dreams come true.

What’re the challenges you face being an indigenous hip hop artist?

I think today, indigenous hip-hop artists are far more fortunate than what we were a decade or more ago.

There have been so many barriers that have been broken down over the years, that there is a lot more opportunities for Native artists than there had been in the past. As the Native American Music Awards and other indigenous award shows continue to grow, they continue to create awareness and a growing amount of opportunities for Native artists. In addition, Native American media such as Native Max Magazine and other publications, radio shows, and television shows are shining a light on a once oppressed demographic in the entertainment world where we are still very much underrepresented especially in the music industry.

But we will continue to make advancements into the mainstream by working together and supporting each other and one by one removing the challenges of those who follow on our path after us.

Where do you see yourself in one year? 5 years?

A year from now I anticipate the release of my third and final album titled, “Full Name in Lights” and a farewell tour in association with its release and a major introduction to the future of Dakota South Records. In addition, I expect to have multiple recent or upcoming releases from Dakota South Records artists as we continue to grow while building our brand and pushing

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SEPTEMBER 2017 | NATIVE MAX MAGAZINE 43

ourselves to new limits and larger accomplishments.

In 5 years, Dakota South Records will be a dominant presence in not only Native American music, but independent music of all genres and diversity and I will have successfully transitioned from the forefront artist of the label to managing a successful business empire with my focus on business growth and artist development to be able to extend opportunities for deserving artists to make their dreams come true.

Explain some of the artists you represent and why you signed them.

Trey Demi is the label’s veteran artist, who has made appearances on both my albums. I think his name says it all. It’s derived from the term “three-dimensional” as he is a rapper, singer, and producer.

Demi started out as a collaborator and affiliate to label, but he was dedicated, loyal, and hardworking in addition to his valuable skill sets, he also is a visionary and has an understanding of the business aspect of the music industry, so it was a natural progression to make him an official part of our team.

He has always been someone that can motivate both the artist and entrepreneur in me and is often one of the few people that can actively engage me in business discussions. While there is no anticipated release date for his first album at this time, I do believe it will be a masterpiece that will be worth the wait. It is definitely on my list of most anticipated albums in the entire music industry.

Our most recent release comes from an artist known by the name of juQ, who is already quickly working on his next project. juQ is an artist I believe will revolutionize Native American music as he is already in a genre all his own. He first appeared on my sophomore album, “OHHH! B.” and debuted as one of the most talented lyricists in the rap game. But instead of

taking the path which was paved for him, he opted to create his own and push his abilities to new limits and in a different direction on his solo projects. In creating something refreshingly original by merging contemporary Pop and R&B with Lakota culture and traditional music, he hopes to inspire and influence future generations to save the culture of our people and the future of Native America. juQ is the upcoming Native artist to watch in 2017.

We also anticipate welcoming another artist to our roster and hope to finalize all the details of this acquisition in the following weeks.

How are you a changemaker?

Part of the reason I created Dakota South Records was to retain artistic freedom

“By creating my own company, I created my own opportunity. I grew up in a community with little to no opportunities available, so I had a mindset of having to create my own opportunities and paving my own way to success.” without artistic censorship. That is something I try to give my artists, the freedom to paint their own canvas without restrictions or limitations. I try to provide guidance to create the best overall product while allowing them to bring their artistic visions to life. I believe the overall state of music would benefit from less creative restrictions and control. And by doing so, I have released some of the most commercially appealing and mainstream music in Native American Hip Hop. At times, I feel like I have achieved the impossible. From my collaboration with Hopsin on my debut album to having my sophomore album exclusively produced by a platinum accredited producer with album artwork illustrated by a former Marvel Comics artist, and possibly the most noteworthy, obtaining the rights to sample

Redbone’s classic hit, “Come and Get Your Love”.

When I started Dakota South Records I never dreamt any of this was possible. But I never dreamt of success, I worked for it. It is only a matter of time before Dakota South Records is in the mainstream media. Failure is not an option for us. We are determined to prove that anything is possible through drive, dedication, and discipline. When you can inspire others to believe that they can accomplish anything, that’s when you can truly change the world.

Tell us about your newest music video for your single “Come and Get Your Love” and the success it has.

We released the music video for the Native American Music Award Single of the Year, “Come and Get Your Love” on Friday, January 13th with a special video premiere screening in Spearfish, SD before posting the video online the following night prior to a live encore screening of the video.

After just over 24 hours of the video being posted on Facebook, we were contacted by FNX: First Nations Experience in California requesting to premiere the video on their original music series “AUX” the upcoming Friday, which was only days away. So within the same week of its release, the music video was broadcasting in more than 24 million homes on FNX and it’s 23 affiliated channels. It’s only been three weeks since the video has been released, I’m excited about the possibilities the future holds.

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INDIAN COUNTRY’S

Change Makers We highlight the movers & shakers of Indian Country who are breaking down barriers and exceeding expectations, whether its in Hollywood, the art scene, STEM field or in the world of talent management. Meet these determined Change Makers.

Pamela J. Peters FILMMAKER

Originally from the Navajo Nation, filmmaker and photographer Pamela J. Peters is at the forefront of accurate filmmaking of Native Americans in the capital of Hollywood: Los Angeles.

Peters’ latest and outstanding work, Legacy of Exiled NDNZ, is already a standout short film that continues to wow audience throughout the west coast.

Peters has seen firsthand the effects of the American Indian Migration. Her parents, like many Indian families, migrated to various cities through the program, yet many people don’t know about it. Back in 2008, Peters saw Kent Mackenzie’s film The Exiles, a 1961 neorealist film that showcases an authentic depiction of Indians living in Los Angeles, particularly in a time when Hollywood cinema was generating stereotypes of Indians in western movies. “I loved The Exiles because it gave a realistic portrayal of American Indians going through the U.S. Relocation Program,” explains Peters.

“The film inspired me to do something –to bring to light that we, as Indian people, have a history to L.A.” Peters began her project Legacy of Exiled NDNZ as a photography project, but as she listened to the interviews and viewed the behind-the-scenes video, she grew it into a short film project which continues to be seen on the film festival circuit. In addition to the photography project, Legacy of Exiled NDNZ has now expanded to a full documentary that Peters is currently working on. Through this project (and future projects) Peters wants to bring awareness to the present, and cultural contribution indigenous peoples give to Los Angeles. “We, too, have a story woven into the history of southern California.”

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PHOTO & INTERVIEW BY KELLY BEDONI

Lehi Thundervoice Eagle ARTIST

Lehi Thunder Voice Eagle continues to amaze me with his vision and inspiration. Without a doubt, everyone is struck by the beauty and nuance he expresses in every painting, with an increasing following on social media and celebrities such as Shailene Woodley and Ezra Miller. Lehi has voiced his opinion about the issues in Standing Rock and has given a generous donation by selling his paintings and screen printed t-shirts, including a mural he has painted to bring awareness to Venice Beach, where thousands of people visit daily. Lehi has made his presence known in the Native American art world, but this time he wants to go beyond what he has done and begin a new journey within the fashion industry. It is incredible listening to what he has experienced and eager to see what his future projects in fashion will be.

Where are you from? What tribe are you enrolled with?

I am Diné, AKA Navajo.

What or who inspired you to begin painting?

I’m not sure if there was one thing at

inspired me. I think it was a combination of being around artist people and having an artist way of being. I grew up in nature.

I found that the beauty in the outdoors was unmatched. There isn’t anything more inspiring. I would find myself in the most remote places. And see the rarest sights.

You have a dope style that’s your own and your hat is your signature. Where do you come up with your style?

There are two aspects to my style. One stems from my culture and the other stems from my upbringing. A Navajo mom, Totonoc dad and living half my life in the outdoors. Everything I wear is functional.

Long sleeve button ups, scarves, and a hat are essential for wilderness living. But from both sides of my family are deeply rooted in native fashion. Navajos are known for jewelry and textiles. Totonocs, for their flare. The combination makes up my style.

Did you learn how to paint through school?

I always sketched and worked with colored pencils. But mostly in graphite and charcoal.

It wasn’t until I needed to make money for tuition that I learned I could paint with oils. Being short on tuition for ASU, a friend of my father’s offered to trade tuition for a commissioned painting. I was surprised

how easily it came. That was about 5 years ago. And soon after, as a business major, I convinced an art teacher to let me take one oil painting class. It’s all history from there.

Where do your ideas come from?

It comes from the heart. Art has always been my form of expression.

Anything that hangs heavy on my heart ends up on canvas, paper or iPad. In ways, it’s how I receive answers to my prayers and work through social issues. Some are reminders of teaching I received along with my life. They are documented through a visual shape and colors.

Where did ThunderVoice Eagle come from?

My father gave me that name when I was ten. It’s my given name. A prophetic title to remind me of my potential and my path in life.

PHOTO & ARTICLE BY JACQUELINE BRIXEY

Andrea Delgado-Olson COMPUTER SCIENCE

Andrea Delgado-Olson, a Master’s student in Computer Science (CS) at Mills College, is the founder of Native American Women in Computing (NAWiC). After discovering no networks exist for Native CS women, she launched the group, which offers an emailing forum to connect and support with others in the field.

Being Native American and a computer scientist are both fundamental to Delgado-Olson’s identity. Delgado-Olson hails from the Miwok tribe in California, which has around 700 members.

The Miwok language currently teeters on the edge of extinction with only a handful of living fluent speakers. Language and culture are inseparable, and Delgado-Olson

has researched the effect of language loss on a person’s identity during her studies, a reality she has personally experienced.

To explain her motivations to reclaim her Native identity by learning the language, she said, “’Miwok’ means ‘people’, so we are the people. It is not a title, like ‘I am a Native American’, it is before that. It is ‘we are people’.”

For endangered and disappearing indigenous languages, technology could offer a remedy for revitalization, especially for those of us living far from our communities. Delgado-Olson is heavily invested in connecting her tribal language with technology for educational purposes.

She originally started by trying to make an app for her children to learn the language. From that effort, she went on to create a free course online (https://www. udacity.com/course/android-basics-

multi-screen-apps--ud839) for the Miwok language in partnership with Udacity’s (www.udacity.com) Android Nanodegree.

“I know each family in the tribe has stories and I want to gather that information so that it can be passed on and not skip over a generation, like it has in my family.”

To the future generations of Natives in CS, she said, “Encourage others to come. Be that inspiration, be that motivation, be that mentor, even if you are speaking to only one person.

That one person may make all the difference.”

For more on NAWiC, please see their mailing list: http://systers.org/ mailman/listinfo/nawic

INTERVIEW BY KELLY HOLMES

Tanaya Winder POET / PUBLIC SPEAKER / WRITER / ARTIST / EDUCATOR

didn’t know I was starting to manage Frank.

Managing just two artists felt incomplete to me.

I felt like I needed one more to make it what it was destined to become. I had heard of Tall Paul (Ojibwe) and most Indigenous hip hop artists I knew all said Paul was one of the best. So I reached out to Paul and asked if he’d like to join my management collective. He agreed. Once we had the team (which is now more of a family) we needed a name.

So how in the world did you come up with Dream Warriors?

In fall 2013, I gave a TEDxABQ talk in Albuquerque, NM. It was the first time I spoke in front of 2,000 people and the first time I got a standing ovation in front of a crowd of that size. After that talk and the way it got shared via social media I started getting booked to do more speaking gigs and keynotes. About 8 months later (April 2014) I met Sicangu Lakota artist Frank Waln when he and the Sampson Brothers were performing at the University of Colorado at Boulder. I opened their set with some spoken word and connected with them on the road a few more times in the following months. After one gig in October we decided to try out having me manage Frank. One month later I officially became his manager on a “test run” and by February 2015, I had another artist, Mic Jordan (Turtle Mountain Band of Chippewa), ask me to be his manager. At the time Jordan

And how did you come up with the name ‘Dream Warriors’?

[Mic] Jordan was working on a clothing line at the time that he’d wanted to call Dream Warriors. We discussed just combining our projects and letting Dream Warriors also be the name of the management company. And that is how Dream Warriors was born into a group where we follow our dreams and use our gifts while also encouraging others to pursue their dreams as well.

What is the definition of a dream warrior?

Once we had the name we came up with the definition of a Dream Warrior together. Some of that is: A Dream Warrior is someone who uses their passion, dream or gift to provide for their loved ones and community. Educated Warriors are vital to war.

A Dream Warrior has integrity and respect.

A Dream Warrior understands the responsibility

in using the gifts he/she has been given.

A Dream Warrior always acts out of and from a place of love.

Above all, a Dream Warrior does not step on others in order to reach his/her destination, but rather uplifts others in fulfilling their life paths.

How do you select the artists or talents you want to represent?

So you know the story of the first three… it kind of just happened the way it was meant to. I truly believe the universe (and Creator) brought us together because we are meant to help each other and others. Choosing someone to be in Dream Warriors is like inviting someone into the family and being in a relationship of sorts.

So I ask myself if the person embodies the values of a Dream Warrior, do they walk their talk, do they act/live out of love (for what they do, their people, their families, Native youth, etc).

Ultimately, it comes down to my gut – the feeling I have about that person.

Adding new “clients” is always tricky too because it’s like a testing period, almost like a dating period where you feel each other out and see if it’s a good fit. If it isn’t, it isn’t anyone’s fault, that’s just how it is sometimes. And that’s not to say that anyone who isn’t

Tanaya Winder: Courtesy

T

anaya Winder (Duckwater Shoshone, Southern Ute, Pyramid Lake Paiute, and Navajo) is certainly a woman of many hats.

Not only is she a poet, writer and the director of the University of Colorado Boulder’s Upward Bound Program (CUUB), she’s also a leader and innovator who has started a number of organizations, projects, and movements.

a Dream Warrior is a bad person or artist. I recognize that I have limited capacity running it on my own right now and I wouldn’t want to bring on more clients than I’m capable of handling.

You recently collectively helped come up with Women Warriors Work. What inspired it?

For a while I’d wanted to work on something that helps to uplift women. Until recently, Dream Warriors (aside from myself) was all male. I love being able to help my brothers but I wanted to do something to help empower my sisters as well. So as someone who works with Native youth for my primary job I wanted to do something that also empowered the youth as well by giving them role models to look up to who had road maps they could follow to finding their own passions. I emailed a bunch of women I thought would be great to bring together and said I had no idea what it would become or look like but being the strong revolutionary builders and dreams they are, it took off from there and each sister helped mold, build, and create it into something that is constantly evolving. It’s beautiful because it’s a collective where we all come together to try to build a better world. No one owns it, it doesn’t belong to one person or a handful of people, and everyone has an equal share and role in helping make it what it is. Right now, we are rolling out Dear Native Youth memes as sort of love letters to our youth in hopes of inspiring and uplifting them. There are so many other amazing ideas being brought to the table by different sisters in the collective each day and it’s so inspiring and powerful to watch it grow.

Tanaya Winder: Courtesy

How is your job plus all of your projects creating a change in Indian Country?

The past 7 ½ years I’ve worked for the University of Colorado at Boulder’s Upward Bound Program (CUUB), which serves approximately 103 Native youth from 8 different states and reservations each year. I spent 4 years as Assistant Director and now, I’m in my 4th year as Director. Each summer 103 students come to take classes on campus, live in dorms, and experience being away from home for 6 weeks. In CUUB we help students discover who they are and who they want to be. Most importantly, we help show them that college is possible and that they don’t have to sacrifice any part of who there are when they go onto college. I’d like to think that I’ve helped Indigenous youth forge a native pathway to secondary and postsecondary success.

I don’t believe there are any other Indigenous management companies such as the one I’ve built within these 2 ½ years where we work as a supportive collective uplifting each other, sharing opportunities, and even providing a scholarship to a Native high school senior who wants to pursue the arts. We have plans to create partnerships with colleges to see if they can match our scholarship at their institution should a Dream Warriors scholarship recipient attend their school. I’m hoping we can create an Indigenous model for managing and continue showing that there isn’t just one spot at the top but that we can all rise together with support and love, always acting from a good place

and in a good way. One day, we hope to create an endowment where Natives from across the country can apply for funding for their arts projects.

I believe the MMIW (Missing & Murdered Indigenous Women) initiatives I’ve helped with alongside several other change makers in Indian Country have helped make a positive impact. My dear friend Hannabah Blue who works in public health was one of my main partners in getting everything together for these initiatives, which started in the winter of 2014. Together with other women we co-created two traveling earring exhibits to raise awareness about the murdered and missing Indigenous women in the U.S. and Canada. The exhibits known as Sing Our Rivers Red (SORR) were started in 2014 where I put out a call for 1,181 single-sided earrings to represent the reported missing and murdered women in Canada. Inspired by the Walking With Our Sisters, we cocreated SORR to show our solidarity and also raise awareness about this issue that also occurs in the U.S. Over 4,000 earrings were donated with letters to loved ones who the earrings were in memory of. Artist Nanibah Chacon designed the layouts for the earrings and also painted an original art piece to travel with the exhibits as well.

The exhibits travel to tribes, communities, universities, and even wakes all across Indian Country where women’s lives were cut short due to violence. Throughout these years many women have reached out to me thanking us for the exhibits because they were able to help bring much needed healing.

I also am a published author, poet, and motivational speaker. My first collection of poetry Words Like Love was published in September 2015 by West End Press. I have spent the past year and a half traveling all across Indian Country giving poetry readings and teaching writing workshops in various communities, universities, and reservations. Last May, I was able to travel to England and deposit my book into the British Library in London, UK, which is considered the largest library in the world. In July 2016, I performed at the Lincoln Center in NYC, it was a dream come true. It is my hope that by practicing my art and traveling all over the U.S. and other countries, that I can show the youth I work with from CUUB, the youth, my peers, and those older than me that I meet in the different reservations and communities I’m lucky enough to travel to, that anything is possible, that the dreams we dream as children can come true.

I hope that if I am making (or have made) any positive changes in Indian Country that they are ones based out of love and positivity. I hope I am embody that love and positivity wherever I go and that I inspire others to dream the biggest dreams they can and to keep all the promises they ever made to themselves about what they wanted in life, who they wanted to be, and that the dreams that have been placed in our hearts were put there for a reason.

What is the future looking like for you?

I see myself still doing what I love – serving our Indigenous people using the gifts I’ve been given. I see myself like I am right now – happy, thankful, grateful, and continually working on being healthy physically, spiritually, emotionally, and mentally. I see myself surrounded by love.

Until Later

Hearts on Fire We each carry a fire in our hearts an undying flame burning so brightly it can barely be contained in these earthbound bodies. This fire can never be extinguished – our ancestor’s sang songs that sparked its breathing.

The fire we carry gives us meaning and purpose.

Some call it life, call it passion, call it gift. Call it spirit – name it magic, for it has always been y(ours), fully. We move through the world together, interconnected with w(hole) heart, scars & all.

Because you are everything that ever happened to you.

You. Are. Here. You are love(d) Remember you are fire.

And you cannot make fire feel afraid, so be brave in the healing of yourself & others.

Be a warrior of revolutionary, legendary love.

-Written by Tanaya Winder -Illustration by Crystal Szczpanski 54 NATIVE MAX MAGAZINE | SEPTEMBER/OCTOBER 2017

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