THE
M O N TA G E
Figure models reveal the naked truth about baring all in class
Photo by Katie Hayes Katie Hayes Copy Editor
The walls of Humanities East are lined with countless sketches of naked figures. The exact drawings change, but images of the human body continue to line the second floor hall. These drawings are created in Figure Drawing I, II and
III — all required classes for an associate in fine arts from STLCC. Often times though, students know little about the person they spend hours sketching. They see what is considered one of the most intimate things in American culture — the human body — but the manner is entirely professional. “Nudity does not equal sex,” Meramec figure model
Bruce Williams said. “It teaches good artists possibilities. There is nothing like drawing from a real human being, Willams said. “When you’re dealing with real humans, it’s different,” Williams said. “And nude humans are totally different from clothed humans in that all clothing is drapery on top of what’s underneath it. So
you get an idea of what’s there and what you can build onto it.” While seeing a naked human shocks some, the journey from aspiring artist to professional does not allow conservative propriety to inhibit mastering the craft. “I think it’s a little bit of a shock in the beginning because people aren’t used to drawing nude figures, but that quickly goes away,” said
VOLUME 51, ISSUE 6 | THURSDAY NOV. 19, 2015 | www.meramecmontage.com
adjunct professor Nate Gaefcke who teaches Figure Drawing. “You quickly forget that the model’s nude because you have to worry about proportion and gesture and all this other kind of stuff.” Gaefcke, who was taught primarily figure drawing in New York, brings the same discipline he learned to his classroom.
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