CALL TO ARTISTS! “Contemporary Artists Respond to the New Orleans Baby Dolls”

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“Contemporary Artists Respond to the New Orleans Baby Dolls” CALL TO ARTISTS Xavier University of Louisiana and the George and Leah McKenna Museum of African American Art are pleased to announce a “Call to Artists” for the exhibition “Contemporary Artists Respond to the New Orleans Baby Dolls,” scheduled to open on Friday, March 27, 2015. Who Are the Baby Dolls?

The Baby Dolls are groups of black women and men who used New Orleans streetmasking tradition as a unique form of fun and self-expression. Wearing short dresses, bloomers, bonnets, garters with money tucked tight, they strutted, sang ribald songs, chanted and danced on Mardi Gras Day and on St. Joseph feast night. The practice emerged around 1912 and, while it waxed and waned, has endured to the present day. The Exhibition

“Contemporary Artists Respond to the New Orleans Baby Dolls” is an exhibition of art about, and inspired by, the Baby Doll masking tradition. There are few artistic representations of this little-known yet significant New Orleans tradition. Selected artists will create works that make reference to a largely-undocumented practice dating back to c. 1912 and that has endured as a living art form through the current day. The show engages in the important work of educating, preserving and ensuring the contemporary relevance of a cultural heritage that has gone virtually ignored. The goal of the exhibition is to convey the story and contemporary relevance of the New Orleans Baby Dolls through the visual arts. Background and Rationale

This exhibition was created to engage the contemporary visual arts community in a dialogue that examines the meaning and relevance of traditional cultural forms in contemporary times. Now past its 102nd year, the Baby Doll tradition is as important today in its meaning and interpretation of today’s issues as it was in 1912. The goal of this exhibition is to discover newer ways of engaging in dialogue about contemporary issues that emerge in examining the Baby Dolls: issues of resilience, independence, feminine identity, and the emergence of the meaning of culture-building in today’s visual art practice.


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