Spring Edition 2022, The Saree Special by The Indian Trumpet

The

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editor’s note

Each of us has a saree story to tell, don’t we?

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The one that we wore to the school farewell. The one that we borrowed from a neighbour for a university culture day. The one we bought for Mum from our first salary. The first time, we attempted to drape one and failed. The number of safety pins we used to keep it in place. The first time she wore it, we fell in love with her all over again. The first one he gifted her. The one that everyone shared as a community outfit in the hostel. The one we eyed in the window each time we walked by the store. The one we saw on the Bollywood actress, and instantly wanted it. The one we wore to our best friend’s wedding. The one that was part of our wedding trousseau.

The one that was passed on to us as heirloom. The one we saw being hand-crafted at a workshop. The one we learned was a reflection of the history, of our culture. The one we ‘stylised’ to make it look edgy. The one we are saving for the special occasion. The one we admire as others wear it, in others, wondering if we could ever carry it with similar grace. The one…

Purva Grover Founder-Editor Dolly Goel Art Director

It’s such stories that we bring you in the Spring Special, The Saree Edition. Michael Gomes

When we started to ideate for this edition, we thought of colours, patterns, and traditions. We took a moment to appreciate each drape. As we dwelled further, we also learned how the saree had been the subject of uncalled-for discussions on topics like a symbol of traditional India vs. modern-age choices of outfits, how it has been wrongly connected to be a measure of one’s intellect or modernity, and more. As we probed further and chose to ignore the irrelevant, we were happy to know that one element stood out — the emotion behind each drape. And so we decided to devote this edition to the emotions behind the nine yards (or is it six yards!). In the pages, you can taste the pride of a woman who has lost count of the number of sarees she owns, the warmth of another as she narrates how most of her collection is a gift from loved ones and more. Enjoy!

Features Head Samina Amoji Features Writer Joaquim Gonsalves Podcast Producer Drishtee Johar Social Media Executive

And before you do that, we’d like to take a moment to express our gratitude in welcoming back The Indian Trumpet to your reading devices. This is only our second edition after a tiny nap, and you’ve made us believe that storytelling will always be the best form of education, entertainment, and connection. You continue to visit our portal or flip through the pages, and we, in turn, fill up the pixels and pages with nostalgia. Stop by to embrace the joys of growing up in an Indian middle-class family, see us on the playground to revisit the childhood games of an era that was, read about the transformative journey of the silbatta, and more. Till we meet next, happy tooting

Purva founder-editor editor@theindiantrumpet.com

Rights: All rights reserved. The writing, artwork, and photography contained herein may not be used or reproduced without the express written permission of The Indian Trumpet. The views expressed in the magazine are not necessarily those of The Indian Trumpet. All efforts have been made while compiling the magazine’s content, but we assume no responsibility for their effects. We take no responsibility for the availability of the products mentioned in the magazine’s various sections. Reprints as a whole or in part can be done only with written permission from The Indian Trumpet, quoting “The Indian Trumpet magazine” for texts and pictorial material. Signed articles do not necessarily reflect the opinions of the editor. No responsibility can be taken for losing unsolicited manuscripts, photographs, or artwork. Contacts: Purva Grover, founder & editor theindiantrumpet.com All queries are to be addressed to editor@theindiantrumpet.com The Indian Trumpet Magazine is released in quarterly installments. The magazines are available to the readers on the portal, theindiantrumpet.com.

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HAPPY TOOTING We’re storytellers, who happen to be on social media. Toot along!

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JUST START CREATING, UPLOADING Deepti Dani, a former Dubai RJ, the voice of Peppa Pig, and now a filmmaker 14

Our Shabdkosh

THE HUMBLE SILBATTA With time, the silbatta has become a reminiscence of the past. A forgotten gem. Yet, every dent and groove etched on its surface holds a memory, a tale of the countless meals it had helped create. 18

Diary of an Indian

THE JOYS OF GROWING UP IN AN INDIAN MIDDLE-CLASS FAMILY Going back in time to recollect the days when life was simple and not so hectic

follow the noise

Trumpet Lead

THE SAREE A timeless drape that honours tradition, heritage, and culture

NINE YARDS, TIMELESS ELEGANCE Suppose one happened to flip through the old photo albums. In that case, we can see our mothers dressed in the iconic look of Sharmila Tagore’s chiffon saris and bustier, complete with the winged eyeliner and dramatic beehive hairdo.

AT 83, HE SIMPLY PLAYS WITH COLOURS Anjini Prakash Laitu, a renowned artist based out of Sharjah, UAE, recently diversified and began to paint across items of clothing from shoes to blazers, and even sarees; the latter loved by one and all

300 SAREES AND COUNTING (AND SOME ARE MORE THAN 100 YEARS OLD) Sabah Anees, a Dubai resident, is a huge fan of sarees from Madhya Pradesh, her hometown in India

EVERY PLEAT IN THE DRAPE HAS A TREASURED STORY TO TELL Dr. Nishi Singh, a UAE-based doctor, narrates how every piece in her collection has a long and deeply personal connection that rekindles unforgettable moments in her life

I COME FROM THE LAND OF ‘KANCHIVARAM’ OR KANCHIPURAM SILK SAREES DXB-based artist Kavita Sriram hails from Tamil

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Nadu, India, and takes pride in her heritage and collection 33

DID YOU KNOW YOU CAN EXTRACT GOLD FROM THE BORDERS OF A SAREE? Discover the exceptional drapes of Karnataka — Veena Devagiri, a Dubai resident, sheds light on the enduring legacy of ancient weaving traditions kept alive by artisans

NO ONE CAN RESIST THE CHARM OF PHULKARI SAREES FROM PUNJAB Chandigarh resident Samvadini Nagar tells us all about how this classic garment is upping the fashion stakes in the state

Trumpet Bazaar

Fill up your carts, make these stopovers, and more 38

Trumpet Tastes

YOU WALK IN FOR THE FLAVOURS; YOU WALK OUT WITH FLAVOURS AND MELODIES At Antique Bazaar, Dubai, relish the timehonoured Indian dishes over comforting, soulful live music 40

My Dubai

THE GREEN CANVAS TO SAVE THE PLANET Art.Coordinate Foundation presents the second season of the first international award, Teen Art Awards, on March 2 in Dubai 42

Idhar Udhar

BRINGING BACK CHILDHOOD MEMORIES THROUGH THE GAMES WE PLAYED Recollecting those carefree days that were filled with fun, laughter, and bonding 46

Desi Lit

BEMISAAL SAHIR A musical drama on the life and work of Sahir Ludhianvi in a world created by Prithvi Haldea and his troupe 48

Last Word

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FRUITS, VEGETABLES, SPICES, & NATURAL HERBS ARE THE MAIN INGREDIENTS OF AYURVEDIC TREATMENTS According to Ayurvedic sciences, the head is the root of the nervous system, and the body is the branch

Just start creating, uploading DEEPTI DANI, A FORMER DUBAI RJ, THE VOICE OF PEPPA PIG, AND NOW A FILMMAKER: TRACING THE JOURNEY OF A MEDIA PROFESSIONAL WHO STARTED HER CAREER AS AN RJ IN MUMBAI, INDIA, AND WENT ON TO FILM HER FIRST DOCUMENTARY IN A QUAINT VILLAGE IN THE UTTARAKHAND MOUNTAINS

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words MICHAEL GOMES

Mumbai girl and former Dubai RJ Deepti Dani has come a long way. Starting her showbiz journey after being inspired by a Pakistani pop/rock band, the multi-talented media professional has covered several assignments around the globe, including a stint with Dubai’s Gulf News Broadcasting. As a child, she was shy, but over time she shook

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her timidness to become a popular voiceover artist, documentary moviemaker, and RJ who has interviewed some of India’s biggest celebrities such as Amitabh Bachchan, Shah Rukh Khan, Sachin Tendulkar, to name few. Besides lending her voice to the popular kid’s animated series “Peppa Pig”, she is also a trained dancer and a musician.

We talk to Deepti to find out how it started and what it takes to thrive and excel in the entertainment industry. Here’s what she told us: Was it a childhood dream to be on the radio? How did it all begin for you? Never even in my wildest dreams did I imagine wanting to become a radio jockey (RJ). As a kid, I was shy and an introvert. However, my personality took a 180-degree turn when I joined college. I transformed into a talkative individual with a passion for music. So, at that time, working on radio became a natural choice. Another reason was that, as a teenager, I was a huge fan of the popular Pakistani band Strings. I always dreamt of interviewing them on my radio show someday. However, I guess the universe had other plans for me. The big opportunity came when the band swung by our radio station in Mumbai for a visit, but to my bad luck, I was on sick leave that day. Then it happened to me again in Dubai, Strings visited our studio, and everyone got to interview them except for me, as my team had made last-minute changes to our schedule. I was covering an assignment in another location. See how the universe sometimes plays with our emotions. Since then, Strings has disbanded, and I’ve quit radio to move on to other things.

Did you undergo professional training for voiceover and radio, or were you self-taught? I started my career as a radio producer and later became an RJ, learning on the job. I used to do a lot of in-house voiceovers. The promo producers would always call me to record jingles, mimicry, and commercial ads. That’s when I realised that I was enjoying doing voice-overs. I think I honed my skills during my childhood when I used to mimic my neighbours. Everyone has their career-defining moments, tell us about some of the most exciting assignments you’ve covered. Yes, I had a few when working with a Mumbai radio station. I created the space for a kind of work that would not usually be covered on radio. I was the only person in the history of radio in India to witness and cover the exclusive 26/11 Ajmal Kasab (the sole surviving gunman in the Mumbai attacks) court trials at Arthur Road Jail in Mumbai. Another memorable assignment was when my radio team and I were invited to celebrate Vijay Diwas with the Indian Army in Kargil. Additionally, I have closely worked with the Mumbai Police during my time on radio. Apart from this, I have interviewed police commissioners, politicians,

But I’m not complaining; the radio gave me the chance to interview some of the biggest celebrities like Amitabh Bachchan, Shah Rukh Khan, and Sachin Tendulkar. I had never imagined that I would get the opportunity to meet these personalities. Now I understand that the yearning to interview Strings was not really about them, it was all about a decadelong, adventure-filled journey on the radio that provided me with some of the most amazing experiences I’ve encountered. So, the moral of the story is that when things don’t go as planned, the universe may be planning something better.

How Peppa Pig turned Deepti into a kids’ favourite Author Paulo Coelho has an inspiring quote in his book ‘The Alchemist’ about realising your dreams, “When you want something, all the universe conspires in helping you to achieve it”. But in Dani’s case, it has been quite the opposite. All her achievements were things that she had never dreamt of. Take the case of becoming the voice of some of the most popular characters in the popular animated series “Peppa Pig”. “When I was approached to lend my voice to the show, I had no idea how big it would be, as I had never heard of “Peppa Pig”. But I guess it worked in my favour, as I wasn’t worried about the outcome and gave my best at the auditions for the show. To my surprise, I was selected to play four lead characters – Mummy Pig, Madame Gazelle, Miss Rabbit, and Granny Pig.

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All of a sudden, my fan following among kids started growing. Relatives, friends, and friends of friends started visiting me with their kids. We began having kids visit us in our recording studios, and parents would want me to speak to their kids on the phone. That’s when I realised that this was something huge. My next step was to Google “Peppa Pig” and gauge its global popularity. Even renowned Hollywood filmmaker Quentin Tarantino is a huge fan of the show and watches it with his son. We had so much fun during the recording of the show, and it didn’t feel like work at all.”

and other important personalities. Any memorable adventures from your career that you can share? If I could write a book on the adventures of my work, it would be interesting. Most of them happened on the ground. For instance, once I was working on a radio documentary and had to visit a brothel in Kamathipura (Mumbai’s red-light district) for research purposes and to conduct interviews. There was some confusion, and some people inside the brothel panicked. A few minutes later, I heard some movement, and it was like a scene straight out of a movie. I saw the doors of tiny rooms opening one by one and terrified customers fleeing. They thought I was the police and had come to the place for a raid. I had to pacify them and convince them that I was only there for research purposes (for a story) and nothing else. What about Dubai, what challenges did you face there? What’s the best part of being on the radio in the UAE? I love Dubai. I’m a huge fan of the place. Every new place comes with challenges, and anything I encountered must have balanced well with the UAE’s amazing life. The best part about working in the country is that you have a work-life balance, which is hard to find in my hometown. Having a presence on social media has become an indispensable tool in today’s world. What’s the importance of visibility in the digital sphere?

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Very important, not just in the media industry but in every other trade. You name a profession, and there’s an influencer market there. Social media and visibility are crucial in today’s world as they amplify personal and business reach. I was always a huge fan of video content and knew social media was the next big thing. I remember when I was an RJ in Dubai, I would create a lot of video content for the station, trying my best to make my seniors understand the importance of social media and video content. However, I was disappointed as they didn’t understand the concept. To be honest, I can’t blame them, as it was way back in 2012-2013, much before the social media boom. At that time, not everyone could envision the importance of social media at the level it has reached today. Can you tell us more about your foray into filmmaking? You travelled all the way to the scenic mountains of Uttarakhand to film your first documentary movie, “Horoscope Monkey”. How did that come about? I have always been passionate about documentary filmmaking and began my career by creating audio documentaries for a radio station in Mumbai. Working in radio laid a strong

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Making of Deepti’s first documentary film, “Horoscope Monkey” Vipin Naithani, the protagonist of “Horoscope Monkey, “ who lives close to Deepti’s maternal ancestral home, is a good-hearted person. He would often assist her family with food and other supplies during their village stay and spend his entire day with them. It was during that time that Deepti came to appreciate the complexity of his character and saw the potential for him to be the star of her film. “Being somewhat of a loner and disconnected from the rest of the village community, I found Naithani’s personality very interesting. During my stay in the village, I would randomly capture video shots of the village or the community. While village folk are usually camera-shy, Naithani seemed completely comfortable in front of the camera. That’s when I decided I wanted to document his life. I immediately called my friend and told him I didn’t have a story yet but had found my protagonist.” “Over the next 10 days, I documented his daily routine, resulting in the creation of my film, ‘Horoscope Monkey.’ “To be honest, I shot the same routine for the first few days, from his early morning prayers to feeding birds to watching the daily horoscope on TV. It came to a point when I was getting frustrated, as I wasn’t getting a storyline. However, during the last few days of the filming, when Naithani opened up, I got enough material to turn his story into a short film.” “I handled every aspect of the movie, including the filming, editing, conceptualising, and directing. I did not anticipate my film’s overwhelming response, especially from the community in Uttarakhand.”

5 tips for budding YouTubers on how to get more views

foundation for me, teaching me the art of recording, editing, and conducting interviews through research. A few years ago, I enrolled in a short course on Television Fiction Writing at the Film and Television Institute of India (FTII). This experience unexpectedly unlocked a flood of emotions. I never knew I could express myself through writing as well. Then, in 2022, I went on a trip with my mother to her village in the mountains of Uttarakhand, planning to create a documentary on women in the area. However, my plans took an unexpected turn after I encountered the protagonist of my film and decided to document it. How did dancing and music happen for you? Tell us a bit more about that. What can I say, I’m a jack of all trades. Jokes apart, dance has always been a consistent part of my life. Before joining radio, I trained to be a dance instructor (western dance and modern contemporary). Then, radio happened, and my dance career took a backseat, but I never stopped dancing. Now, I’m pursuing Visharad in Kathak (equivalent to a Bachelor’s degree). I love storytelling in any form. Following my transition from full-time radio to freelance digital and voiceover work, I’ve found extra time to express myself through different mediums like reviewing movies, music, singing, writing, or my latest addition – my food channel. Hard work, talent, or luck. What attributes are key to success in the media and entertainment industry? I would say it’s a combination of all three, and I’ll add one more thing: networking. You need all four of these elements to be successful in this industry.

Even top content creators have yet to figure out exactly what it takes to make compelling videos, as algorithms constantly change. However, for a beginner who wants to be a content creator but hasn’t started yet, the most important thing is not to plan but to just start uploading videos. No matter what, be consistent. You will never know the impact in the beginning, no matter how much you plan or research. A niche market works best, but if you don’t know your slot, just start uploading, and by the time you upload 50 videos, you will get an idea of where you should be heading. Today’s biggest content creator, Mr. Beast, says, “Get to work and start uploading, make 100 videos, and improve something every time.” For those who are already in the game but don’t see the followers or views growing, here are Deepti’s quick five things to consider when creating videos: 1 Consistency - I cannot emphasise enough how important consistency is. An average content creator who uploads videos regularly will perform better than a good content creator who is inconsistent. 2 Production quality - Never compromise on audio quality. 3 Engaging storytelling - Storytelling is crucial in keeping your audience interested and invested in your content. 4 Grab attention in the first few seconds - Get your audience engaged in the first few seconds by creating an interesting hook at the beginning of the video, so they’ll watch it till the end. 5 Keep it simple - Keep the content as simple as you can, as if you were creating content for children.

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Michael Gomes is a veteran journalist with vast expertise on several topics. His speciality ranges from grub to music and everything else in between, as well as interviews with celebrities from both Bollywood and Hollywood. When he’s not busy typing stories, he chops away in the kitchen or plays his favourite tunes on the guitar.

The humble

silbatta WITH TIME, THE SILBATTA HAS BECOME A REMINISCENCE OF THE PAST. A FORGOTTEN GEM. YET, EVERY DENT AND GROOVE ETCHED ON ITS SURFACE HOLDS A MEMORY, A TALE OF THE COUNTLESS MEALS IT HAD HELPED CREATE.

our shabdkosh

words SAMINA NAMOJI

The traditional grinding stone, the silbatta, is vital in our kitchen history, sparking nostalgia for a bygone era while representing traditional and culinary heritage. Apart from being a simple kitchen utensil, it symbolises the care and love infused into preparing food. Comprising of two basic parts— the sil and the batta; it consists of a flat, slightly concave stone (called the “batta”) and a cylindrical stone roller (the “sil”) used to crush and grind spices by hand. The smaller stone (batta) is moved on the bigger stone (sil) back and forth to grind the ingredients to the desired consistency. This age-old method, which boasts Ayurvedic and scientific benefits, also allows for precise control over the texture and consistency of

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ground spices, preserving their flavours and nutritional value, and the stone itself is considered rich in minerals. It’s traditionally crafted from sandstone, valued for its grinding capabilities. Our summer holiday visits to my grandmother’s home were incomplete without her cooking the traditional dishes. She whipped up finger-licking chutneys and curries for which the masalas were painstakingly ground on the silbatta. Early in the morning, we would wake up to the wafting smell of delicious dosas or idlis served with coconut chutney or treated to khichdi with mint and coriander chutney for lunch. Sometimes, while she would be busy grinding spices to perfection, she would narrate captivating tales while we kids sat around, listening to her.

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While we all thought that it was a vigorous exercise for her wrinkled arms, our little eyes would remain transfixed on the silbatta as we watched in amazement as the fresh coriander, chunky salt, and garlic transformed into a green paste, amidst our growing anticipation of tasting the chutney. A particular order of grinding was followed: the wet ingredients first and then the dry ingredients. The smell of the freshly ground spices would linger in the air long after our meals. Upon returning home, I would often cajole my mother to replicate those same dishes, but they never matched up to the same standard as my grandmother’s cooking, much to my mom’s chagrin!

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My mother explained that the vigorous movement of the stones produces heat, which merges the natural oil of the spices and other ingredients, bringing out all the flavours and a distinct aroma that make the food tasty and healthy. Despite the convenience offered by the mixer grinder, it still fails to replicate the distinct taste of the silbatta. Sometimes, if we were lucky enough, we’d witness the hawker visiting our neighborhood once every month crying out loudly, “sil-batta banwaa lo!”. He carried a jhola with him, which contained several sils in different sizes. He used to also ‘repair’ old sil-battas whose ‘pocks & dots’ had begun to disappear due to prolonged use. My granny would bargain for a new sil, and important parameters like the size of the stone, its thickness, colour, etc. would be discussed in a lengthy conversation. “Itnay kam daam mein nahi hoga, thoda aur do”, he would say. “Arey tumsay hi to laytay hain, bus itna hi doongi”, my granny would reply. And then reluctantly, he would nod and start the most fascinating part, the chiselling! I loved watching it, as the ‘pattern’

of chiselling the stone slab was either spiral, concentric, herringbone, arrow-like, or simply parallel straight lines. Even the punch’s angle differed in different parts of the stone surface. In the past, newlywed brides were gifted a silbatta as a symbol of fertility and prosperity. And any wedding would be incomplete without the traditional haldi ceremony where the neighbourhood ladies gathered together, sang folk songs, and took turns grinding chunks of haldi into a fine paste, which would then be used as a body/ face mask on the bride/groom. This was a sure-shot way to achieve the shaadi wala glow! The same would apply to the mehindi ceremony, where the tender leaves from the tree were plucked and ground to a fine paste and applied with the help of a thin stick. This was long before mehindi cones made their way into our lives. With time, the silbatta has become a reminiscence of the past. A forgotten gem. Yet, every dent and groove etched on its surface holds a memory, a tale of the countless meals it had helped create!

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Samina Namoji was born in Karnataka India, and brought up in the UAE. She is currently residing in Muscat, Oman. She is the classic example of a third-culture child. She has a degree in BSc. A homemaker, published poetess, and an author — her favourite genre is horror and she has written many short stories in this category. A creative soul by nature she also dabbles in DIY, painting, calligraphy, and home decor.

The joys of growing up in an

Indian middle-class family GOING BACK IN TIME TO RECOLLECT THE DAYS WHEN LIFE WAS SIMPLE AND NOT SO HECTIC

diary of an indian

words PAYAL SETH

Do you ever get nostalgic over your past life? Do you yearn for a simple, middle-class living that you enjoyed a couple of decades ago, or are you enamoured by the trappings of modern life? These questions came to our minds during a recent get-together with friends after we had dropped the kids off at school in the morning. It was just a casual meet-up over coffee, and we recollected our childhood days during the conversations. We fondly remembered our simple, middle-class lifestyle while growing up and how things had changed, and we’d become comfortable over the years with all these modern amenities.

In our childhood days, life was not so complicated; everything was used to its limit. Wastage was considered a sin at home. Living within one’s means and needs was the essence of that era. There were pressures, but the pressure of performing without failure is unheard of these days.

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Being trendy is considered elite while being traditional is looked down upon. However, in the past, the middle class was best known for their ability to excel during times of scarcity. I can very well relate to it as I belong to that class of society.

During the summer holidays, we enjoyed visiting relatives or our near and dear ones without informing them in advance. The train journey used to be eagerly awaited by us kids. The excitement of choosing a book to read during the trip brings back fond memories. It used to be fun to chitchat with the family while enjoying a variety of dishes during mealtime. I remember how we used to prepare salads from fresh greens grown in our home garden. A variety of vegetables used to be planted in our house’s green area, which would also help us save some money. We used to eat all our meals together, irrespective of where we would be. There used to be one television set at home, and I remember how we used to quarrel to grab

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the remote control because whoever had it in their hand was allowed to select the channel to watch. I remember bribing my brother to let me watch a channel of my choice if he had the remote. Then, there were days when the quarrel went on for a long time, following which we were reprimanded and asked to open our books and study.

Most middle-class families used to own scooters in those days. I recall how I used to pray and hope my crush wouldn’t see me after a scooter ride as my hair would be tossed up due to the wind. I’d rather walk than take a ride, but who knows how often I have been spotted with messed-up looks?

Listening to the radio was another form of entertainment for us. We would have difficulty tuning the radio to listen to our favourite station. It used to take at least 10-15 minutes to lock into a particular frequency, and by then, our favourite songs would have already been aired. Radio was very popular as we could listen to our favourite songs on it without having to spend on buying expensive

cassette tapes that featured hit songs. Most household items would be treated with utmost respect. I remember how the TV, fridge, and radio would be nicely covered with fancy cloth covers and cleaned daily.

Most middle-class homes would have a play area (veranda/porch) where not only the kids from the house but also those from the neighbourhood would gather to play in the evenings. Food used to be kept in reusable boxes, and I cannot forget the taste of those delicacies. The wardrobe would be shared, and each family member would have a section for themselves. Every item at home was used to its optimum capacity. Any new purchase for the house would become an occasion to celebrate.

The definition of the middle class has changed a lot now, and the purchasing power of people has grown tenfold. Though the world around us may have changed, we, the middle-class section of society, are proud to raise our kids with the same values inculcated in us decades ago.

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Payal Seth is settled in Australia and is currently multi-tasking and working as a human resources professional with a professional services firm. She is a freelance writer, a hands-on mother, and an entrepreneur. To sum up, her days are jam-packed, and she is always looking for a new challenge to accomplish. Her love for exploring something new and meeting new people never takes a back seat. She is always happy with what she has and is a fun person to be with.

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SAREE A TIMELESS DRAPE THAT HONOURS TRADITION, HERITAGE, AND CULTURE words MICHAEL GOMES

“The next time someone calls saree a regressive attire, ye picture muh pe phenk ke maarna unke (throw this photo on their face),” retorted a frustrated X (formerly Twitter) user in response to derogatory comments on the platform. The comments were made after news channels shared photos of ISRO women scientists wearing sarees to celebrate the monumental success of Chandrayaan-3’s moon landing. The clothing worn by these Indian intellectuals in the photos ignited multiple discussions on social media.

Several statements were harsh and prompted supporters to act aggressively on the internet. Give them ‘a big tight slap’, retorted another supporter. What’s even more remarkable is that many of them directly linked intelligence to their choice of attire specifically, the saree. We could laugh at the absurdity of these digital detractors. How can your choice of clothes determine your intelligence? For women in India, a saree is a cultural symbol that reflects our tradition, heritage, and culture.

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Nine

yards, timeless elegance

SUPPOSE ONE HAPPENED TO FLIP THROUGH THE OLD PHOTO ALBUMS. IN THAT CASE, WE CAN SEE OUR MOTHERS DRESSED IN THE ICONIC LOOK OF SHARMILA TAGORE’S CHIFFON SARIS AND BUSTIER, COMPLETE WITH THE WINGED EYELINER AND DRAMATIC BEEHIVE HAIRDO.

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words SAMINA NAMOJI

Traditionally worn by women in India, the sari represents elegance, culture, and versatility. It is more than just an article of clothing. This nine-yard length of fabric, draped in various ways and colours, holds a significant place in the hearts of millions nationally and internationally. The invention of the sari dates back thousands of years when the ancient civilisations from the Indus Valley are credited with its invention. Women used to drape a

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simple piece of cloth around their bodies. Over time, this basic form evolved into the intricate and elaborate attire as what is known as the sari today. One of the most fascinating aspects of the sari is its diverse draping styles. The way a sari is draped can vary from region to region, encapsulating the rich history, heritage, and diversity of each Indian state. Recently,

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Dolly Jain, a professional saree draper, was in the news as she shared her exorbitant charges for sari draping, which is a cool 1.10 lakh for a ten-minute session! Her client list boasts celebrities such as Gigi Hadid, Isha Ambani, Diya Mehta, and Kiara Advani.

a variety of vibrant colours. Georgette saris are comfort combined with beauty and make. The Kanjeevaram sari is the South Indian version of the Benarasi sari and has been the mandatory bridal attire in every Hindu wedding.

If the Gujarati style of draping involves pleating the pallu (end piece) in the front and then wrapping it around the body, then the Maharashtrian style involves uniquely draping the saree and tucking it between the legs, creating a dhoti-like effect. The Kerala saree is usually worn in a two-piece style, with the mundu (skirt) and neriyathu (upper garment) forming the ensemble.

How can one forget the excitement that came with Teachers Day, where the girls would get to wear a sari and pretend to be their favourite teacher for a day or dressing up in hues of saffron, white or green when it was Republic Day in school?

Saris and their exclusivity differ as they carry a specialised purpose appropriate for a specific climate or event. During weddings, the rich and heavy Benaresi saris are chosen to deck the bride with their gold and silver brocade or zari work, magnificent embroidery, and soft silk. Red, green, and pastel pinks are usually considered auspicious colours to adorn the bride. If the occasion is a baby shower or godh bharai , the mom-tobe is usually dressed up in a green sari, as this colour represents peace, fertility, and optimism. When it comes to the choice of fabrics for the sari, it’s as diverse as the number of designs available. Cotton saris are considered to be the ‘queen’ of all sarees as they are lightweight, easily affordable, and available in

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Bollywood has played a significant role in shaping and popularising sari culture in India from time immemorial. Actresses set the latest trends and are often embraced by the common women. Remember the time when Madhuri Dixit’s purple sari was all the rage? Suppose one happened to flip through the old photo albums. In that case, we can see our mothers dressed in the iconic look of Sharmila Tagore’s chiffon saris and bustier, complete with the winged eyeliner and dramatic beehive hairdo. The half sari worn by Mumtaz is still considered a trendsetter, which paved the way for zipped-up saris or the readymade saris. These are lifesavers for people like me who love to wear saris but don’t know how to drape them. These nine yards of elegance have stood the test of time even as we modify ourselves.

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At 83,

he simply plays with colours ANJINI PRAKASH LAITU, A RENOWNED ARTIST BASED OUT OF SHARJAH, UAE, RECENTLY DIVERSIFIED AND BEGAN TO PAINT ACROSS ITEMS OF CLOTHING FROM SHOES TO BLAZERS, AND EVEN SAREES; THE LATTER LOVED BY ONE AND ALL words DRISHTEE JOHAR

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Anjini Prakash Laitu, an artist residing in Sharjah, UAE, decided to retire and return to India after nearly four decades of working in various organisations in India and the UAE. He aimed to embrace a tranquil life in India. Yet, he declined to lead such a quiet life and infused vibrancy into his retirement, painting his second innings with passion and grace, a pursuit he continues fervently. Presently, Laitu is a respected and prominent figure within the UAE’s art community, holding membership in the Emirates Fine Art Society. His artworks have graced exhibitions across the UAE, gaining extensive coverage from local media. We had the opportunity to ask Laitu a few questions, and here are his responses! He’s known for his warmth and affectionately called Laitu Uncle by one and all — his Facebook page is filled with admirers and ‘LIKES’, and his home is always open to anyone wishing to have a cup of tea or a home-cooked lunch! What inspires you to paint? I am an abstract painter and feel there is no requirement to get inspired and motivated. I simply play with colours, which gives me immense pleasure, joy, and eternal happiness. I believe in my work and my style. Can you share some memorable experiences or

challenges you faced during your career as an artist? The biggest challenge for me has been time. I had been working with Thapars in India and retired as their branch manager from the South. Then, in 1995, I came to Dubai to put up a glass bottle-making plant; during these years, the time to create art was very limited. And today, when I am eighty-three years old, I can’t afford to give twelve to fifteen hours to create new artwork. How has the art scene in India evolved over the years, and what changes have you witnessed in the appreciation of art? The art scene in India is emerging but at a very slow speed. Artists don’t get a chance to create what they want. They are generally tied up with jobs and can’t think and work independently. With the country’s economic growth, millionaires have experienced much growth, but sales of good work have not increased in that proportion, which is a matter of concern. What advice would you give aspiring artists looking to find their unique voice and style? Looking at the current times, taking care of (your) livelihood is advisable first. You can create original work if you are free to think and not tied up with financial or other liabilities.

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Drishtee Johar is currently pursuing her B.A. in Journalism and Communications at Cardiff University. She enjoys photography and video editing. She likes to cook and as a high school student, she published a few of her recipes on a cooking channel on YouTube and even designed a cookbook.

300 sarees and counting

(and some are more than 100 years old)

SABAH ANEES, A DUBAI ARTIST, IS A HUGE FAN OF SAREES FROM MADHYA PRADESH, HER HOMETOWN IN INDIA words SABAH ANEES

Dubai resident Sabah Anees hails from Bhopal, Madhya Pradesh. The central Indian state, known for its rich cultural heritage and traditional textiles, is famous for unique sarees. Sabah is a huge fan of Maheshwari and chiffon sarees. She has a collection of more than 300 sarees in her collection, most of which were passed on to her as family heirlooms. “Some of the sarees are more than 100 years old, and the thread used to work on them is made of 21-karat gold,” she says.

THREE REASONS WHY THE SAREE IS CONSIDERED THE BEST TRADITIONAL GARMENT TO WEAR

1. Versatility: The saree is incredibly versatile and can be draped in various ways to suit individual body types and personal preferences. 2. Timelessness: Sarees are known for their timeless elegance and grace. How the fabric flows and drapes around the body can enhance a woman’s natural beauty and create a sophisticated look! The saree gracefully accentuates the curves of the body. 3. Trendy: This classic garment transcends fashion trends and can be passed down as a family heirloom. Wearing a saree can evoke a sense of tradition, elegance, and timeless beauty.

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SOME ICONIC SAREES FROM MADHYA PRADESH Chanderi: Chanderi sarees are popular and known for their sheer texture and lightweight feel. They are usually made using a silk and cotton blend and feature intricate designs and motifs woven into the fabric. Maheshwari: Made from silk and cotton, Maheshwari sarees originate from Maheshwar. They are characterised by their distinctive borders and pallus (the loose end of the saree draped over the shoulder). They often feature geometric patterns, stripes, and checks. Bagh Print: These sarees are named after the region they come from. They are hand-block printed and use natural dyes and traditional techniques. They often feature

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intricate floral and geometric designs with vibrant colours on contrasting backgrounds. Batik Print: Batik Print sarees are a popular variety. The process involves applying wax on the fabric in specific patterns and dyeing it. The wax resists the dye, creating beautiful designs. Batik sarees showcase vibrant colours and abstract patterns. Tussar Silk: These sarees are made from Tussar silk, and silkworms in the state produce the silk! These sarees are known for their rich texture and natural golden hue. Tussar sarees feature intricate embroidery and are adorned with zari (gold or silver wire thread) work.

Every pleat in the drape has a treasured story to tell DR. NISHI SINGH, A UAE-BASED DOCTOR, NARRATES HOW EVERY PIECE IN HER COLLECTION HAS A LONG AND DEEPLY PERSONAL CONNECTION THAT REKINDLES UNFORGETTABLE MOMENTS IN HER LIFE Dr. Nishi Singh, whose hometown is Delhi, has lived in the UK and UAE for 37 years. She proudly wears the saree to work every day in the UAE hospitals. She shares how she was the only one in the region who completed the #100sareepact (a challenge to wear 100 sarees over 100 days in a year and share a story behind each piece online) a few years ago. Singh says her collection consists of various weaves, as Delhi does not have a native weaving industry. Sarees sold in the city are sourced from all corners of India. “A saree is a celebration of Indian womanhood,” says Dr Singh. The tradition, she says, goes back thousands of years. “Weavers and embellishers have toiled endlessly over centuries to create and perfect these majestic six or nine-yard garments.” Dr Singh drapes a saree at work, visiting universities, international conferences, formal events (where gowns are the dress of choice), and leisure activities with ease and grace. “I have never felt out of place, burdened, or ashamed of being labelled backward or old fashioned. You can never go wrong with a saree,” says Dr. Singh with pride. The medical professional currently possesses over 300 sarees but needs to keep track of the numbers in her collection. “I have never really counted them due to a family superstition passed down from my great-grandmother. However, I became aware of the numbers only after taking up the #100Sareepact challenge.” “I ended up wearing 100 different sarees for the challenge and documented the history and sentiments behind each of them. This made me realise the size of my collection.” Dr. Singh possesses a treasured collection of sarees. “Some precious ones belong to my grandmother, mother, aunts, friends, and even a foster mother in UAE, who feel that their precious six yards are safe in my hands, and I wear them with pride.” Some of the precious sarees she has in her collection have been handed down to her by her grandmother. “Some of them date back to the 40s and 50s. To me, each one of them has a story to tell. I have written 100 such stories.”

For the 100th day, I made the choice when I got invited to the Nari Shakti (women’s power) concert by Guru Ketaki Hazra. The saree has a story behind it. I recall I had opted for a red and white Kanjeevaram saree; the ‘Bong’ in me made me pick it for the most defining moment of my life. It was almost the pinnacle of glory for me in my quest for perfection at that stage in life – the President’s Gold Medal and the prize for topping Delhi University’s medical colleges. I distinctly remember the date. The university convocation was scheduled for May 26, 1986. The fiasco of missing out on receiving the college prize at the convocation due to a strike called out by resident doctors frustrated me no end. However, my grandma’s conversation with the college dean after the formal event made the day even more memorable. The dean assured her they had found a ‘suitable boy’ for me. A week later, I was introduced to my to-be hubby at my brother-in-law’s (to-be) wedding. I was draped in the same saree on the day, also my birthday. What could be more precious for me than the six yards of fine silk witnessing the most defining moments of a woman’s life, career, and life partner? Dr. Nishi Singh penned this on December 26, 2015. (As told to Michael Gomes)

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Dr. Nishi is modest in admitting that a significant chunk of her collection has been hand-me-downs or passed on as gifts. “Only five percent of my collection has been purchased,” she reveals.

#100SAREEPACT, LOOKING BACK

I come from the land of

‘Kanchivaram’ or Kanchipuram Silk sarees DUBAI-BASED ARTIST, KAVITA SRIRAM HAILS FROM TAMIL NADU, INDIA, AND TAKES PRIDE IN HER HERITAGE AND SAREE COLLECTION words KAVITA SRIRAM Kanchipuram sarees are a thing of beauty, a marvel of the Indian textile industry that has captured the hearts of millions of women around the world. They are a symbol of grace, elegance, and tradition that has a legacy of its own. The story of Kanchipuram sarees is deeply rooted in the history of India.

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Legend has it that the famous sage Markanda, believed to be the master weaver of the gods, taught the art of weaving to the people of Kanchipuram. The weavers of Kanchipuram were quick to learn the art and started weaving beautiful silk sarees that became famous all over the world. Kanchipuram sarees are made from pure mulberry silk, which is known for its strength, durability, and natural shine. Their intricate designs and patterns characterise the sarees, created using a technique called ‘pit loom weaving.’ This technique involves using a pit loom operated by two weavers, who sit on either side of the loom and work in tandem to create intricate designs. The sarees are also adorned with zari work, made from fine gold or silver threads woven into the fabric to create intricate patterns and designs. The zari work or “jarigai” gives the sarees their rich and luxurious look, making them perfect for weddings, religious ceremonies, and other special occasions. Kanchipuram sarees come in various colours and designs, from traditional to classic to trendy.

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Sarees are not only traditional attire but also exude elegance and sophistication. They symbolise Indian heritage and culture and are passed down through generations. They are also a popular choice amongst us women of Indian origin living abroad as a way to connect with our cultural roots. I have more than 50 sarees in my collection, some of which have been passed down from my mother and grandmother. These sarees are very close to my heart and carry special memories. Besides which, I’ve sarees from different states of India, including Kanchivarams, Paithani, Benarasi, Mysore Silks, Bengal Cotton, Ikkat, Jamdani, Pochampally, Assamese Silk, Bandhani, Bhartiya, Tussar Silk, Linen, Coimbatore Cotton, Jaipur Kota to name a few.

Did you know you can extract gold from

the borders of a saree? DISCOVER THE EXCEPTIONAL DRAPES OF KARNATAKA — VEENA DEVAGIRI, A DUBAI RESIDENT, SHEDS LIGHT ON THE ENDURING LEGACY OF ANCIENT WEAVING TRADITIONS KEPT ALIVE BY ARTISANS

For Dubai resident Veena Devagiri, who hails from Ranebennur in the Haveri district of Karnataka, a saree wins over any other desi attire, which is the reason she has a collection of more than 200 sarees, including one that goes eight decades back. “Women look graceful when they wear sarees,” says Veena, who takes immense pride in wearing this timeless six-yard drape. According to her, in Indian culture, wearing a saree is a sign of respect towards elders and upholds family values. “It is believed that wearing a saree brings a sense of dignity and grace to a woman’s personality. It is also considered a symbol of modesty and femininity, and it helps women feel confident and empowered,” she says. Veena loves to wear cotton sarees, especially the ones from Ilkal in the Bagalkot district. “”Ilkal sarees are famous for their colours and borders. My friends admire them, so during Diwali, I gifted 60 Ilkal sarees to them.”

1) Ilkal Saree: This traditional saree is woven in Ilkal, a city in north Karnataka’s Bagalkot district. About 50 to 60 percent of the people from Ilkal have been weaving traditional handloom sarees since the 8th century. lkal sarees are woven using silk and cotton. The Pallu is woven in silk. The sarees are generally showcased in bright dark colours with hand-embroidered traditional art forms designs like Jari and Kasuti. 2) Dharwad Saree: Dharwad Sarees originated way back in the 7th century in the regions of Dharwad, Karnataka. The name has a Kannada feel, with ‘’Kai’’ meaning hand and ‘’Suti’’ meaning cotton for the Kasuti embroidery. A much-loved attire for Indian Finance Minister Nirmala Sitharaman is the maroon Dharwad saree, which she proudly wore during the recent Union Budget presentation. 3) Mysore Silk Saree: Mysore Silk sarees came into existence in 1785 AD. The fabric is famous for its silk quality, smooth texture, and rich feel. It is listed among the most expensive silk sarees in the country. Mysore Silk sarees are best suited for weddings and other important occasions because of their grand and luxurious look. 4) Guledagudda Saree: This particular weave, which spans a hundred years, originated from Guledagudda village in the Bagalkot district of North Karnataka. The fabric is often known as Guledgudda Khana (a prominent state blouse and saree fabric). Khana has become extremely popular these days and is used in making shirts, bags, pillow covers, and decorative items for the home. 5) Patteda Anchu Saree: Patteda Anchu saree weavers from Karnataka have kept this ancient weave from the 10th century alive. Named after the pattern (border and checks), this sari was explicitly designed for women who work in fields. It is made of cotton and has a specific colour palette that includes shades like yellow, red, pink, and green. They have become popular among working women as they are perfect to wear to the office. (As told to Michael Gomes)

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Black is Veena’s favourite colour, and her preference is reflected in her saree collection. “One of the prized possessions in my wardrobe is an 80-year-old saree that belonged to my grandmother. The unique thing about this saree is that if we burn the border and the Pallu, we can extract gold from it,” reveals the Karama resident.

FIVE TOP SAREES FROM KARNATAKA

No one can resist the charm of

Phulkari sarees from Punjab CHANDIGARH RESIDENT SAMVADINI NAGAR TELLS US ALL ABOUT HOW THIS CLASSIC GARMENT IS UPPING THE FASHION STAKES IN THE STATE

As far as traditions go, most women in Punjab are known to wear salwar kameez, and there’s a good reason for that. It was considered a more practical outfit than a saree as several women from the state known as “Granary of India” assisted their family members in fields. Sarees were worn only on special occasions. However, over the years, the trend in the state has undergone a significant overhaul, with women now making fashion statements in sarees. It is common to see celebrities and other soni kudis from the state draped in this elegant, classic, timeless garment. “Sarees hold a special place during celebrations. Women look classy in six-yard drapes. In Punjab, Phulkari sarees, made of crepe and chinonchiffon, are extremely popular,” says Samvadini Nagar, born and brought up in Chandigarh.

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Her love for sarees goes back a long way. “Most of the sarees in my collection were passed on to me by my mother as family heirlooms. I also inherited a saree from my grandmother, which is more than 70 years old,” said Samvadini, who has almost 200 sarees in my wardrobe. Kanjivaram and Banarsi sarees are Samvadini’s favourites as she prefers ethnic wear. “Though I love all textiles, I am somewhat partial towards silks. My collection includes several types of sarees that I have purchased from different states across the country, and I wear them with pride and flaunt them whenever I have the opportunity.” She firmly believes in the maxim that you can never go wrong with a saree, and the saying is on point regarding the six-yard drape. “I believe that poise, elegance, and grace that a woman exudes when wearing a saree cannot be achieved with any other garment,” concludes Samvadini. (As told to Michael Gomes)

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T h e J u n i o r T ru m p e T A rT WA l l h A p p Y TooT i n G

LinkedIn, Facebook and Instagram: @theindiantrumpet theindiantrumpet.com

BAT UL MUFAD DA L VO HR A GEM S O UR OW N EN GLISH HIGH SCH OOL, SHA RJA H — G IRL S

J A N U A RY 2 0 2 4

Are you a young artist with a passion for creativity? We want to celebrate your talent and showcase your artworks in the upcoming issues of The Junior Trumpet! Whether you’re into painting, illustration, digital art, photography, or any other visual expression, we invite you to submit your masterpieces for consideration. Email your submission and bio (including your name, age, class, and school) to [editor@theindiantrumpet.com]

We’re storytellers who happen to be on social media. Toot along!

ISSUE ONE

Unleash your creativity, and let your art tell your story.

T H E I N D I A N T RU M P E T.CO M

theindiantrumpet.com | the junior trumpet |

trumpet bazaar

Fill up your carts, make these stopovers, and more

Wild Idol offers a premium, naturally alcohol-free alternative to sparkling wine and champagne, and is shaking up the beverage game. Vegan, halal-certified, and gluten-free, sober curious individuals - get ready to pop, fizz, and sparkle with Wild Idol. Available for purchase at MMI retail stores and for indulgence at key restaurants and venues in Dubai

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Bliss Bites, the brainchild of Cordon Bleu Chef Shivani Sharma, just opened its doors and is set to revolutionise the region’s culinary landscape. With various gut-healthy, gluten-free, and wholesome options to choose from, Bliss Bites isn’t just another café; it’s a holistic food brand with a visionary business model that aspires to cater to diverse culinary needs. At: DIFC Dubai

Head over to try Zafran’s unique and mouthwatering limited-edition Tawa menu, which includes some delightful, crave-worthy dishes such as Delhi Tawa Murgh Chatpata, Tawa-Seared Barbeque Drummetes, Jhinga Biryani, Chettinad Tawa Prawns, and more.

Poison Jewellery celebrates the spirit of women and helps them feel confident and beautiful! At the heart of their identity is the queen cobra, a symbol of allure, strength, and the darkest side of nature. They specialise in 925 silver jewellery and 5A diamond-quality CZ.

At: Zafran Indian Kitchen, Dubai Hills Mall, Dubai

At: poisonjewellery.com

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YOU WALK IN FOR THE FLAVOURS;YOU WALK OUT WITH FLAVOURS AND MELODIES AT ANTIQUE BAZAAR, DUBAI, RELISH THE TIME-HONOURED INDIAN DISHES OVER COMFORTING, SOULFUL LIVE MUSIC words TEAM TRUMPET BLOWERS On a few days, you want to hit rewind, pause even. Surrounded by the choicest of foods prepared by the best of chefs in the world — at your doorstep and your fingertips — on a few days, you don’t crave the Michelinstar meals nor the most exotic cuisines — what you miss and hence crave is an Indian meal, cooked with authenticity (no fusion, please) over some comforting,

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soulful music. With that in mind, we entered the doors of the Antique Bazaar, Carlton Downtown Hotel, Sheikh Zayed Road, Dubai. You may remember visiting the restaurant in another location since its founding in the late 1990s and early 2000s. In its new location, too, the chefs continue to pay tribute to the time-honoured Indian dishes. There are no surprises on the menu — expect

meat-eaters that the non-vegetarian fare was better than the vegetarian.

comfort and familiarity instead. Think the good ol’ Dal Tadka or Dal Makhani, the humble raita, a selection of biryanis, and more. As is the tradition in most restaurants serving Indian cuisine, roasted papads with mint-coriander chutney greet you first, and we settle down. The live singing performances start at nine pm and go until midnight, and we highly recommend you plan your meal to match their arrival. Led by supremely gifted, dedicated Asif Ali (fondly known as Ashu Bhai by his fans), the ambiance they set with their renditions of classics, the latest Bollywood numbers, and special requests is what will make you return to the restaurant for reasons more than hunger for Indian spices.

We stayed longer than planned, thanks to the live music and interactions with Asif, the fabulous tabla and keyboard player, and the female lead singer. We needed time to digest all the food we’d eaten and may return to taste the desserts and absorb more melodies. In the end, the evening felt like being on the wedding grounds, with the music bringing together everyone (guests from other tables joined us as we spoke music) and the gheedripping, creamy-rich meal reminding us that an Indian meal is best when shared with one and all. P.S: Next time, we’d skip the lunch, don Indian wear, and take with us friends, craving both flavours and melodies.

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As we talk spices, if you wish to sample a street delicacy in a hygienic, fancier setting, order a portion of Samosa Chaat! It was easy on the tummy and a delectable start for the rich food we ate later. Our attentive, lovely server suggested we go for the chef’s recommendation. So came our selection of starters, Gulzar Harre Kabab, Jheenga Sultani, Jangli Murgh Tikka, and Noori Malai Tikka, each complete with a small portion of onions, carrot, and lemon on the side. As melodies hung in the air, we relished these delicacies and would agree with the

The evening would turn into midnight, sooner than you’d know, for you’d have numbers like Lag Ja Gale, Mitwa, Ye Honsla, and more transport you to the times that were and also serve as a reminder to take a moment to slow down in the era of deadlines, timelines. The traditional flag fans (pankha) on the wall make for beautiful adornment, complemented by the carvings in the wood furnishings and the cobbled-together red brick verandah facade with tiny windows. Of course, if history is your thing, then you’d not want to leave before admiring the historical portrait of Mumtaz Mahal, the empress of Mughal Emperor Shah Jahan, under whose name the celebrated monument of the Taj Mahal was built. Talking of aesthetics, one needs to mention the flower-shaped silver thalis, which added to our experience of consuming the mains comprising Dum Subz Kofta, a cottage cheese kofta preparation in a gravy of your choice (chef suggested a cashew nut gravy) and the Lal Maas — we can vouch for the latter’s authenticity regarding the spice level and the tenderness of the meat! The Lal Maas’ gravy (of yoghurt, garlic, and chillis) was devoured with a selection of garlic naans and pudinamethi paranthas.

The green canvas to save the planet ART.COORDINATE FOUNDATION PRESENTS THE SECOND SEASON OF THE FIRST INTERNATIONAL AWARD IN CONTEMPORARY ART AMONG TEENAGERS, TEEN ART AWARDS. THE AWARD IS SUPPORTED BY THE SEE INSTITUTE, DUBAI SUSTAINABLE CITY, AND THE THEME OF THE SECOND SEASON IS “SUSTAINABLE WORLD: SOCIETY OF THE FUTURE THROUGH THE PRISM OF ART.” words TEAM TRUMPET BLOWERS

Daria Kalinina, author of the idea, founder, and president of The Art.Coordinate Fund

my dubai

Art.Coordinate is a young foundation for supporting and developing contemporary art that began its work in July 2021. One of the foundation’s main goals is to support young artists and strive to become a platform for young creators where they can communicate, exchange experiences, and receive help and support from each other and already-recognised colleagues worldwide. To achieve this, Teen Art Awards was created. The project has become a flagship for the foundation, essential and unique for the team members and everyone who is rooting for the future of contemporary art. More than 320 (13-17 year-olds) entries from 38 countries were received as part of the call: UAE, Qatar, Saudi Arabia, Egypt, Algeria, South Africa, Congo, Malaysia, Singapore, China, India, Pakistan, Russia, Kazakhstan, Kyrgyzstan, Uzbekistan, Turkmenistan,

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Azerbaijan, Georgia, Armenia, Ukraine, Turkey, Finland, Latvia, Poland, Czech Republic, France, Portugal, Germany, Spain, Cyprus, Israel, England, Brazil, USA, Mexico, Ecuador, Jamaica. “Teen Art Awards is not just a competition but a platform for professional growth and implementing bold ideas. An opportunity to get support and help from the art community. It is a way to get to know each other better and learn to express yourself,” said Daria Kalinina, author of the idea, founder, and president of The Art.Coordinate Fund. Fatema Ezzy in Digital Art and Keanu Jian Tavana in Painting from the UAE have been shortlisted for the Awards. The event’s first season took place in Saint Petersburg, Russia. The first season occurred in 2021, and teenagers from

Andrey Maslov, Russia

Ayan Mehra, Singapore

eight countries participated in it. The project received the international award “Culture Online” as the best project of the year and the regional award “Silver Archer” as the best youth project of the year. The ambassador of the second season of the award in the UAE is architect Lilia Grebneva. Works in different types of art were accepted for the competition, and the Awards will be in six categories: Painting, Graphics, Digital Art, Video Art, Performance, and Text About Art. In their work, the young artists were asked to answer the question: How do I want to see the world of the future? And display one or two aspects through the prism of art: relationships between people, life in the metropolis, and the relationship between man, nature, and modern technologies.

“We are sure that the best ideas that you turn into art today will become successful startups tomorrow or will become the beginning of a successful career in art and the basis for a new world,” said Daria. The exhibition of the award winners will be held in the SEE Institute Dubai Sustainable City space on 2 March 2024. The Awards aspire to show the younger generation the importance of sustainable development and their contribution to this process. They also demonstrate the potential of art’s influence in solving critical social problems. The event aspires to become an important cultural event for the UAE, and its international status will attract the attention of the art community of different countries and increase loyalty to the state by supporting a socially significant project.

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The second season asked the teenagers to think about the limited natural resources, future generations and the environment they will have, the relationship between nature and technology, and building a harmonious relationship with themselves, the people around them, and the world around them, and to create works on these topics. The jury of the competition comprised Andrey Blokhin and Georgy Kuznetsov (winners of the Kandinsky

Prize), Elizaveta Shirinyan (art critic and Director of Education, Gafeshan Art Center), Azza Al Qubaisi (jeweller, jewelry designer, and sculptor), Maisoon Al Saleh (artist, writer, and CEO of The Paintly Store), and Ghada Kunash (founder of The Workshop and the Fann A Porter art gallery).

Bringing back childhood memories through the games we played RECOLLECTING THOSE CAREFREE DAYS THAT WERE FILLED WITH FUN, LAUGHTER, AND BONDING words DRISHTEE JOHAR

idhar udhar

Ah! The good old days of childhood in India! It was filled with laughter, joy, and the enchanting world of games. From the dusty, open playgrounds to the narrow alleys in neighbourhoods, every available corner around the country was a canvas for our creativity. These games, simple yet profound, held a special place in our hearts, shaping not only our character but also our culture. Games we played in India back in the day were much more than just activities to pass the time. They reflected our culture, teaching us valuable life skills and nurturing friendships that stood the test of time. In the rapidly changing landscape of the modern world, these cherished games still hold a special place in the hearts of those who experienced the magic of growing up in India. They were the threads that wove the tapestry of our innocence and made our childhood truly unforgettable. Let us preserve these treasures and pass them on to future generations so that they can relish the joys of these simple yet profound games. Here’s a list of some memorable ones: Image courtesy: Anish Sheikh

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1. Hide and Seek (Chupan Chupai)

The quintessential childhood game, “Chupan Chupai’’ (or Hide and Seek), had kids of all ages in its grasp. This timeless game needed a few eager friends, hiding spots galore, and an enthusiastic seeker. From behind curtains to treetops, we honed our stealthy skills, learning to explore the world through innocent eyes. The thrill of being found or finding a friend brought unbridled excitement that no money could ever buy.

2. Gully Cricket

Cricket, in its gully (street) form, was the heartbeat of every Indian neighbourhood. With makeshift wickets, a battered tennis ball, and a few makeshift bats, we transformed narrow lanes into cricket grounds. The spirit of competition ran high, and it didn’t matter if you were aspiring to be the next Sachin Tendulkar or an amateur; the joy of playing and bonding with friends was unparalleled.

3. Kho-Kho

Kho-Kho, a traditional Indian game, brought friends and family together for a competitive yet exhilarating experience. Weaving through human chains, trying to avoid being touched, and cheering for our teammates brought immense camaraderie and a sense of belonging.

4. Lagori (Pitthu)

Lagori, known by various names in different regions of India, was a game that combined elements of skill and strategy. Stacks of flat stones were arranged, and players had to knock them down with a tennis ball, aiming to hit as many stones as possible, while the opposition attempted to rebuild the stack. The thrill of knocking down the stone tower and the joy of building it again were simply magical!

idhar udhar

5. Satoliya (Seven Stones)

Satoliya, a game popular in rural areas, was a test of precision and hand-eye coordination. Seven flat stones were stacked, and players had to throw a small stone to displace the tower. The twist was that while the stones were in the air, one had to pick up the thrown stone and catch the falling stack. This game showcased the resourcefulness and creativity of Indian childhood.

6. Marbles (Kanche)

Kanche was a pocket-sized game that transcended time and generations. Players shot marbles, trying to knock others out of a circle drawn on the ground. The clinking sound of marbles and the joy of winning or losing

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these small glass balls taught us valuable lessons in sportsmanship.

7. Pittu Garam

Pittu Garam, another beloved childhood game, required both precision and physical strength. A small pit was dug, and players took turns throwing a tennis ball into it. The opposing team had to catch the ball and try to hit the other team members with it. This game taught us to strategise and collaborate, forming lasting bonds with our playmates.

8. Langdi (Hopscotch)

Langdi was a simple yet engaging game that could be played anywhere if you had chalk and access to a flat surface. Hopping on one foot, players had to traverse numbered boxes drawn on the ground, skipping the box with the ball inside. The game not only entertained us but also kept us physically active. One can recollect many such games and activities from our childhood that gave us tons of sweet memories that we hold dear to our hearts, even now. Image courtesy: Ajit Kore

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desi lit

Bemisaal Sahir

A MUSICAL DRAMA ON THE LIFE AND WORK OF SAHIR LUDHIANVI IN A WORLD CREATED BY PRITHVI HALDEA AND IS TROUPE words PURVA GROVER

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My first ‘conscious’ intimate interaction with the words of Sahir Ludhianvi occurred many moons ago, in the summer of 2015, over the play Ek Mulaqaat. Two actors, Shekhar Suman and Deepti Naval. The dense voice of Shekhar and the lyrical tone of Deepti. A goose-bump-inducing narration of Sahir Ludhianvi’s Taj Mahal by Shekhar. A tear-rendering narration of Amrita Pritam’s Tidke Ghar Da Pani by Deepti. The play was staged in Dubai, and whilst having spent a large chunk of my growing up years in Chandigarh, I was familiar with Amrita Pritam’s work — across genres from books to theatre, panel discussions to talks — it was in June 2015 that Sahir’s life and work began to intrigue me. What was it about the talented, silent lover that his passions, struggles, loves, and resentments flowed unabashedly in the form of words and became a part of our lives? I began to read more about him, and many books became part of my bookshelves. I remained restless, knowing that I knew little of him, whilst it was his songs that I’d been humming all along. With this restlessness, anxiety, and ardour, I walked in to witness the magic in the form of a show, Bemisaal Sahir (October 13, 2023, Sheikh Rashid Auditorium, Dubai), an invite-only show (the handdelivered invites exuded the charm of the days gone by, especially in the era of WhatsApp invites) on the life and work of Sahir Ludhianvi in the world created by Prithvi Haldea and his troupe comprising Sangeeta Bedi, Supriya Joshi, Sarvesh Mishra, Anand Bahal, Obaid Azmi, Somdatta Basu, Jatin Ahuja and Tiara Bhatt. For the two and a half hours I was there, we sang along as we discovered his life and perhaps found answers to why his pain and love felt so familiar and close to heart. Now, theatre, especially musical drama, can be performed in multiple ways. Of course, the script must be ‘rehearsed’ repeatedly to tell the story the best way it can be told ‘live.’ But most importantly, the script has to be ‘believed in’ to tell the story the best way it can be felt ‘live’. Prithvi and troupe

did the latter, as they spoke transparently about being one amongst us, ordinary professionals, on a journey to keep Sahir’s words alive. The stage then could have been a living room with friends fervidly sharing anecdotes about what they knew of Sahir, what his songs triggered in them, and then breaking into a song by him or narrating a couplet by him! They laughed, got nostalgic…and we joined them. Sahir’s work landscape is vast, and the troupe covered a huge part of it through a balanced mix of narrations, songs, and more. In the audience were devoted lovers of theatre and Sahir, who giggled as a romantic song was sung, allowing them to recall their young loves, who got tearyeyed as a song on the societal reality hit hard in current times, who were mesmerised with the realisation that almost every song they loved and knew the lyrics by heart to was a Sahir creation! One can’t review a work of art, and if one were to, one would fail to…but one can get poetic if one were to express love towards an artist. A troubled childhood, An inexplicable relationship with his mother A haven in Urdu Shayari, Hailing from Ludhiana (Ludhianvi), Sahir ruled the world of music and poetry for 30 years, having won awards and accolades. A broken heart, a broken spirit A safe space, confiding in words, A farewell that came in way too early A heart attack at 39… Sahir continues to live, and whilst the troupe may claim to be ordinary professionals, their narration of the life of a legend was truly extraordinary, honest, and pure. It takes courage to be on stage and to pursue any form of art. It takes courage to commit waking up hours to keeping alive the boldness and rawness of an artist the world admires. And most of all, it takes courage to accept that whilst one can put up as many shows, one is on an endless journey here.

If you wish to connect with Prithvi Haldea and the troupe, contact us. Note from Prithvi Haldea: Sahir Ludhianvi is acclaimed as one of the greatest lyricists of India. He penned hundreds of immortal songs including ye duniyaa agar mil bhii jaaye to, tum mujhe bhuul bhii jaao, chalo ik baar phir se, tum agar mujh ko na chaaho, zindagii bhar nahiin bhuulegii, vo subah kabhii to aayegii, man re tuu kaahe naa dhiir dhare, jaane vo kaise log the, kabhii kabhii mere dil mein, naa to kaarvaan kii talaash hai, abhii na jaao chhodkar, ae merii zohrajabiin, allaah tero naam, jo vaadaa kiyaa vo nibhaanaa padegaa, tum apanaa ranj-o-gham, and main zindagii kaa saath. The musical drama was based on Sahir’s life and lyrics. It also has several of his songs and ghazals. The event was held in association with The Institute of Chartered Accountants of India (Dubai Chapter NPIO).

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Purva Grover is a Dubai-based author and journalist. She dabbles with poetry, public speaking, and theatre and pushes boundaries when it comes to being a creative entrepreneur & creative educator. She is the founder-editor of The Indian Trumpet, a digital magazine for all things India-yeah. 18 years of journalism (and counting), she has worked across genres, platforms, and brands; and loves her life that revolves around headlines, deadlines, and timelines. Her words encompass books, podcasts, theatrical productions, talks, pieces of art, et al. She is not an influencer, but a storyteller, who is addicted to the idea of penning down tales to discover her favourite word.

Fruits, vegetables, spices, & natural herbs

AYURVEDIC TREATMENTS ACCORDING TO AYURVEDIC SCIENCES, THE HEAD IS THE ROOT OF THE NERVOUS SYSTEM, AND THE BODY IS THE BRANCH

Dr. M.S. Mahadevan, Ayurvedic Physician, Wellth, explains how Ayurveda treats the person as a ‘whole’ and concentrates on the underlying cause. Ayurveda aims to establish a healthy life by balancing the mental and bodily well-being. A wellness clinic in Dubai, Wellth, is a sanctuary dedicated to nurturing every facet of your health and happiness. THE FIVE ELEMENTS Every manifestation of creation is a distinct blend of the five elements—earth, air, fire, water, and space—according to the age-old life science of Ayurveda. These fundamental qualities may be applied to everything that exists, and this diversity governs life’s course and how the universe interacts. THE TREATMENTS The essences of fruits, vegetables, spices, and natural herbs are the main ingredients of Ayurvedic treatments; these aid in the healing of illnesses without causing harm to the patient’s body. THE MASSAGES The term “Abhyangam” in Ayurveda refers to head and body oil massage, and there is a proverb in Kerala, India, that one should not forget the head when having an oil bath. According to Ayurvedic sciences, the head is the root of the nervous system, and the body is the branch. As a result, applying oil during a massage should begin with the head.

last word

THE OILS We have medicinal oils based on products found easily in India, such as sesame, coconut, and castor seeds. Normally, the doctor chooses the massage oils to suit and benefit the individual’s physical constitution and health conditions. Among the rituals at Wellth are the head, facial, and full body, with some postures and massage strokes to be followed as the standard protocol. Sesame (Till ka thel), mustard (sarson ka thel), and coconut oil (naariyal ka thel) are the most frequent oils used for an oil massage and shower in Ayurvedic treatments.

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