Lady Day at Emerson's Bar and Grill, KC Rep 2024-2025 Season
OCT 8 - 27, 2024
COPAKEN STAGE
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LADY DAY at EMERSON'S BAR & GRILL
PHOTOGRAPHY
You may take photographs inside the theatre before and after performances only. If you post a photo of the set on social media, please add the following credits to your post:
scenic design: RANA ESFANDIARY
lighting design: JASON LYNCH
Note: the videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet is strictly prohibited, a violation of the author(s) rights, and actionable under united states copyright law for more information, please visit https://concordtheatricals.com/resources/protecting-artists
Please remember to turn off all cell phones or any other devices that could make noise and distract audience members around you.
Established 1899 | Kansas City’s Journal of Society
The first issue of The Independent was published on March 11, 1899. The magazine was the brainchild of Arthur Grissom and George Creel. Young Mr. Grissom soon returned to New York, where he was a founder of The Smart Set prior to his death at the age of 31. George Creel continued to run The Independent until 1909. (In later years, Mr. Creel would serve as chairman of the Committee for Public Information under President Woodrow Wilson. He devised much of the propaganda that encouraged Americans to support World War I.) The next owners of the magazine were Clara Kellogg and Katherine Baxter of the Kellogg-Baxter Printing Company, who lived and worked together. After Miss Baxter’s death from pneumonia at the age of 43 in 1924, Miss Kellogg published an annual tribute to her. Martha Nichols Gaylord (Mrs. Gleed Gaylord) became the editor and owner in 1939, a decade after she joined the staff. Mrs. Gaylord headed the magazine during a time when the arts were proliferating in Our Town: The Kansas City Ballet was founded in 1957, the Lyric Opera of Kansas City in 1958 and the Kansas City Repertory Theatre in 1964. Mrs. Gaylord sold The Independent to Robert P. Ingram in 1983. Laureen Ingram, Mr. Ingram’s daughter-in-law, purchased the magazine from him in 1996. Rachel Lewis Falcon became the new owner and publisher in 2017.
The Independent Magazine Publisher
Director of Program Guide Operations Graphic Design
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The Independent Magazine 2400 West 75th Street, Suite 120 • Prairie Village, KS 66208 • 816.471.2800 Christin Painter • Christin@kcindependent.com
Kansas City Repertory Theatre program guides are a publication of the Performing Arts Division of The Independent magazine. Information in this publication was carefully compiled to ensure accuracy. However, the publisher does not assume responsibility for accuracy. Editorial program content was provided by the Kansas City Repertory Theatre. Copyright by The Independent magazine. No part of this publication may be reproduced in any form without written permission of the publisher. kcindependent.com
VALUES INCLUSION, DIVERSITY, EQUITY,
CRep is engaged in a deliberate, strategic, and heart-expanding process of educating and involving our board and staff in the important work of Inclusion, Diversity, Equity and Anti-Racism (IDEA). An all-volunteer committee of staff and board members work to create a more inclusive company culture by identifying barriers and suggesting changes in practice and policy at KCRep.
One of the ways we practice our IDEA values is through a Land Acknowledgment: a formal statement that recognizes and respects Indigenous Peoples as traditional stewards of this land. To recognize the land is an expression of gratitude and appreciation to those whose territory you reside on, a way of showing awareness of Indigenous presence and land rights in everyday life.
EQUITY, AND ANTI-RACISM (IDEA) IN ALL WE DO.
Our Land Acknowledgment
You’ll hear our current land acknowledgment read before the production. This acknowledgment is ever evolving; scan the code above to read it in its latest form. We began developing our land acknowledgment after producing the world premiere of Native American playwright Larissa FastHorse’s What Would Crazy Horse Do in 2017 on our Copaken Stage. As part of our commitment to learning the stories of the people who are native to our area, we are currently working to bring more Indigenous voices to our stages. We have partnered with The Great Plains Theatre Commons (GPCT), Tofte Lakes Center, and Tulsa Artists Fellowship to create the Four Directions Playwright Residency for early career Native playwrights. Last fall, we staged
a reading of Representatives for Those at Peace, a new play by our first Four Directions recipient playwright, Madeline Easley. Additionally, we created the American Crossroads Residency program to highlight local stories and have commissioned Cherokee playwright Mary Kathryn Nagle to write an OriginKC: World Premiere play centered around Indigenous experiences in Kansas City. These residencies are multiyear investments in increasing the number of plays written by Indigenous playwrights that are available to be produced.
Get Involved
Learn more about these programs and the rest of our IDEA initiatives by scanning the QR code above to visit kcrep.org/inclusion — we have compiled a list of local and national resources there that you can use to get involved and further your own learning.
Image: (L-R) Jen Olivares DeLanna Studi, Jennifer Bobiwash, and Jennifer Attocknie in KCRep’s 2023 staged reading of REPRESENTATIVES FOR THOSE AT PEACE. Photo: Don Ipock
JA Z Z
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SOME ENCHANTED EVENING
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Showcasing
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Visit the Eisenhower Presidential Library and Museum to experience Ike and Mamie’s story in their own words.
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- Dwight D. Eisenhower
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HISTORY
CRep enters it’s 61st season as source of inspiration to thousands of our nation’s best artists and to millions of Americans in Kansas City and beyond. Missouri Repertory Theatre was founded in 1964 by Dr. Patricia A. McIlrath, who is among a select few pioneers of the regional theater movement who believed that theater could change the world and could change our town. Kansas City’s citizens continue to benefit from Dr. Mac’s passionate commitment to artistic excellence, innovation, education, and community transformation. Under her direction, KC’s theatre fans enjoyed many memorable shows, including an unforgettable 1983 production of The Life and Adventures of Nicholas Nickleby. Dr. Mac’s vision for providing professional experience to early career artists continues today through our partnership with UMKC.
Following Dr. Mac’s retirement in 1985, George Keathley was appointed as Artistic Director. During his tenure, and through his partnership with Executive Director James D. Costin, MRT was established as the pinnacle of artistic achievement for local theatre artists, creating a legacy of excellence through work in the civic community and with legendary MRT productions such as Dracula and Richard III.
In 2000, Peter Altman joined MRT as Artistic Director for a seven-year tenure. His vision included laying the groundwork to promote the city more aggressively as a center for nationally recognized theatre artists, and he spearheaded changing the theatre’s name to Kansas City Repertory Theatre in 2006 to help achieve this goal. He also helped create KCRep’s second permanent performance venue, Copaken
Stage, in Kansas City’s downtown Power & Light District.
Eric Rosen was hired as Producing Artistic Director in 2007. During his tenure, he was instrumental in cultivating a national reputation and brand for KCRep and the city as a destination for reimagined classics such as Into the Woods and Evita, and critically acclaimed new works, including Clay, Venice, and Between the Lines
In 2013, KCRep returned to the co-CEO structure when Rosen was partnered with Executive Director Angela Lee Gieras. Together, they led the company through a successful campaign for, and renovation of Spencer Theatre, crafted a five-year, $5 million campaign that increased investment in audiences, new works, and education, and rebranded the organization.
In 2019, director, producer, and educator Stuart Carden joined KCRep as its fifth Artistic Director. Deeply committed to centering KCRep in this region, Stuart believes the arts play a crucial role in strengthening communities. With an eye towards creating transformative theater experiences for all, Stuart brought KCRep productions to the grounds of the World War I Museum and Memorial, the Nelson-Atkins Museum of Art, and Roanoke Park. Further expanding our reach, in 2022 Stuart launched KCRep for All, our expansive community tour that takes KCRep to community centers, libraries, and other public spaces all over the region. He strives to provide greater access to our art form and to reflect the passions, curiosities, and stories of the diverse communities that make KC such a vibrant city.
Visit KCRep.org for more info and a list of all KCRep productions.
Stuart Carden
Dr. Mac
Peter Altman
Eric Rosen
James D. Costin (left) & George Keathley
Angela Lee Gieras
CONTACT US | QUESTIONS
Box Office: 816.235.2700
Email: tickets@kcrep.org
SINGLE & SEASON TICKETS
Visit KCRep.org
Call 816.235.2700
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BOX OFFICE HOURS
KCRep’s Box Office is open Monday thru Friday, 10am-4pm, and until curtain time on performance days.
ACCESS
Both of KCRep’s theatres — Spencer Theatre and Copaken Stage — are ADA accessible and parking spaces are readily available. Infrared hearing systems and large-print and Braille programs are available free of charge at the lobby coat check counter in both of our theatres. One performance of each show is interpreted in American Sign Language.
Please visit our website at KCRep.org for dates. Live Audio Description may be requested in advance of a production. Please contact the Box Office to learn more.
LATE SEATING
When possible, latecomers will be seated toward the back of the house, at the discretion of KCRep’s House Management staff.
CELL PHONES & CAMERAS
Please turn off all cell phones/ electronic devices during the performance. For the safety of the actors and in accordance with the
GENERAL INFO
rules of Actors’ Equity Association, the use of all cameras and recording devices in the theatre during the performance is strictly prohibited.
VOLUNTEER AT KCREP
Volunteers are the backbone of KCRep, providing valuable services such as ushering and helping with special events. Please call 816.235.2780 if you are interested in joining our volunteer team.
THE MORE THE MERRIER!
Discounts are available for groups of nine or more, and many additional perks are offered, including private party spaces, assistance planning your special group event, and prime seating in the theatre. To schedule an event or for more information, please call Group Sales at 816.235.5771 or email us at tickets@kcrep.org.
EDUCATORS
Are you a teacher interested in bringing your class to a student matinee performance or participating in a custom-designed classroom workshop created around your curriculum? Call Melinda McCrary at 816.235.2707 or email her at mccrarym@kcrep.org for more info.
MAKE A GIFT TODAY!
KCRep is a non-profit 501(c)(3) organization, which means we rely on the generosity of our fans and friends. If you are inspired by what you see on stage today, please consider making a donation by calling 816.235.5420 or online at KCRep.org/Support
Hi,
There are so many options currently available to enhance your appearance that sifting through the information is often overwhelming. I provide information on our website that I hope will help you gain a clearer understanding of expectations, procedures and outcomes.
BOARD of DIRECTORS
(Listing as of September 13, 2024)
CHAIR
Andrew Kaplan** VICE-CHAIR
Melea McRae**
TREASURER
Mary Cook Jorgenson**
COMMITTEE
CHAIRS Development
Ashlei Holznecht** Endowment
Laura E. Tucker McCubbin**
Executive
Andrew Kaplan**
Finance
Mary Cook Jorgenson** Governance
Ivan R. Batlle**
Judge Jon R. Gray (Ret.)** Human Resources & Compensation
Kerri S. Reisdorff**
IDEA Committee
Stewart S. Myers**
Shawna Roath**
ADVISORY DIRECTORS
Donald J. Hall
Irvine O. Hockaday, Jr.
John B. Francis (1917-2004)
William C. Nelson (1937-2014)
DIRECTORS
C. Mauli Agrawal, Ph.D.*
Becky Blades
Dr. Jennifer Collier
Bunni Copaken**
Courtney Crappell*
Douglas N. Ghertner
Brett Gray
Laura Hall**
Scott Hall**
Hayley E. Hanson
Shannon Johnson
John H. (Topper) Johntz, Jr.**
Honorary Vice Chair
LaMonica Madden
Robyn Murphy
Patricia O’Connor
Richard Singleton III
Hillary Stamper
Benjamin Stone, M.D.
Julie Towner
Michelle Webb
Sara E. Welch
Tina Youngblood
DISTINGUISHED
DIRECTORS
Debby Ballard
Irvin V. Belzer
Bill Blessing
SECRETARY
Chris Hernandez**
Scott Boswell
Rob Bratcher
Ann King Dickinson (1944-2024)
Courtney Goddard
Deanna Graves
Greg Graves
Nancy P. Hatch
Mike Lochmann
George Shadid
Myra Siegel
Jo Ann Sullivan
Bert Trucksess
Abigail Wendel
DIRECTOR
EMERITI
Emily Ballentine
Thomas R. Brous (1943-2023)
William L. Bruning
Linda Cozad
Barbara Fay
Robert Firnhaber
Mark S. Gilman
J. Gordon Kingsley
Jeannette Nichols (1925-2024)
Marvin W. Ozley
Sally Rheinfrank
Sally West
*Ex-officio, UMKC **Executive Committee
ARTISTIC DIRECTOR'S NOTE
step into the world of Lady Day at Emerson’s Bar and Grill, where history meets the present in an unforgettable blend of storytelling and song.
Picture this: It’s a cozy night in Philadelphia, March 1959. You’re not just attending a show; you’re sitting front row at an intimate performance by the legendary Lady Day herself. Billie’s voice, raw and unfiltered, echoes through the room, weaving stories of love, loss, and everything in between. But more than that, it’s a story of survival — of rising above the noise, the pain, and the barriers that tried to hold her back.
Our production aims to honor Billie’s legacy while also drawing connections to the world we live in today. Her struggles with racial injustice, addiction, and heartbreak resonate as powerfully now as they did then. In a time where we continue to confront these challenges, Lady Day’s voice is more relevant and needed than ever.
City, including as the Storyteller in KCRep’s A Christmas Carol, music director Pam Watson, who most recently music directed our production of Nina Simone: Four Women, and the star of our show, Angela Wildflower, who was last seen on our stage in Venice, and who is originally from Wyandotte County. They’ve approached Billie’s story not just with reverence, but with a fresh energy, insight and emotion that brings her remarkable story to life for a new generation.
So, whether you’re a longtime fan of Billie Holiday or discovering her brilliance for the first time, I hope tonight’s performance moves you, challenges you, and inspires you to find your own rhythm and song in the face of life’s many challenges.
Thank you for joining us. Let’s make some music together!
Stuart Carden
CELEBRATING our 20 24 / 25
SUPER season ticket holders!
SPECIAL THANKS to the season ticket holders listed below who included a donation of $100 or more with their subscription to our 2024/25 Season
We appreciate your additional support of KCRep and our ongoing mission to inspire, entertain, and open minds with transformative theatre experiences for all!
Listing as of September 19, 2024
Ellen & John Aisenbrey
Mr. & Mrs. Ted M. Berard
Patrick Berrigan
Linda Birkenmeier
Robert Butcher
Ms. Janet L. Buttery
Mr. & Mrs. Arden E. Carr
Susan Clevenger
Larry Cork
Robert & Nicolette Croskell
Margaret & Tom Cummings
Edmund & Donna Cytacki
Dennis Dobson
Mr. Brad Douglas
Mr. & Mrs. Barry Dryer
Dr. & Mrs. Alan J. Foster
Mr. & Mrs. Dennis Fowler
Mr. & Mrs. Max Gordon
Mr. & Mrs. C. Warren Green
Ms. Heather Gudgel
Beth and Chris Hafner
Richard & Merri-Ann Higgason
Edwin & Mary Hood
Mr. & Mrs. Mark W.
Huffhines
Joyce Jonasson
Nancy Kain
Martin Kostelac & Susan King-Kostelac
Kathy & Craig Laursen
Richard M. Leeson & Albert Geritz
Janet Long
Mr. & Mrs. Dev Malik
Robert & Heather Maynard
Tim J. McMulin & Emilee C. Rose
Katherine Menefee
Mr. & Mrs. Bob Merrigan
Patricia Miles
Mr. & Mrs. Joel Miller
Janice & Phillip Montgomery
Heather & Tom Morrow
Jane Olson
Candice Petersonmoon
Maggie Presson
Kelly Rawlings
Ann & John Readey
Greg & Rebecca Reid
Lindsey Rood-Clifford
Siv Si
Dr. & Mrs. Larry Snider
Ron Spencer
Kurtis L. Thiel
Margaret Thomas
Dr. & Mrs. William Topper
David & Leanna Walters
Teri Waters
Stephen Williamson
Cathy Zitnik
Since 1961, the Arrow Rock Lyceum Theatre has been entertaining audiences with professionally produced musicals, comedies, mysteries, dramas, and classics. Join us — for an afternoon or a weekend — and explore the culture, shopping, dining, and B&Bs in the historic Village of Arrow Rock before relaxing into the brand new theatre seats in our 19th century church-turned-theatre. We can’t wait to see you! Learn about our upcoming
High Street, Arrow Rock, MO
How toys, scouting and storybooks taught a clear lesson: loyalty and commitment will win the war. NOW OPEN
presents Stuart Carden, Artistic Director
L ADY DAY at EMERSON'S BAR & GRIL L
by LANIE ROBERTSON
musical arrangements by DANNY
HOLGATE
scenic design RANA ESFANDIARY
sound design JON ROBERTSON
costume design SAMANTHA JONES
wigs/makeup consultant EARON CHEW NEALEY
new york casting KATJA ZAROLINSKI, CSA
lighting design JASON LYNCH
music director PAMELA BASKIN-WATSON
associate director ILE HAGGINS
kansas city casting ANDI MEYER
production stage manager ALEX MURPHY*
directed by
lead sponsor
LADY DAY AT EMERSON'S BAR & GRILL was first produced in New York by the Vineyard Theatre.
The action of the play transpires in a small bar in south Philadelphia. Although the bar is presently closed and abandoned, the building still stands on the corner of Fiftieth & Bainbridg e Streets. Billie Holiday appeared here in the 1950s.
TIME
The time of the play is about midnight on a night in March, 1959. There is no passage of time except that of the performance. It is obviously late in the evening, and it is equally late in Billie Holiday's life. Four months from now she will die of cirrhosis and heart failure in a hospital in Harlem on Friday, 17 July 1959.
LADY DAY AT EMERSON'S BAR & GRILL runs for 90 minutes, and will be performed with no intermission.
LADY DAY AT EMERSON'S BAR & GRILL is presented by arrangement with Concorde Theatricals www.concordetheatricals.com.
Financial assistance for this project has been provided by the Missouri Arts Council, a state agency. This project is supported in part by an award from the National Endowment for the Arts
This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The Director is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.
The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Local USA-829 IATSE.
MUSICAL NUMBERS
"CRAZY HE CALLS ME" by Bob Russell and Carl Sigman
Interview by JANA LILES Director of Marketing & Communications
Q: You’ve been a professional actress and singer for many years. What do you like most about your career?
A: I love meeting new characters and roaming through their world. I
can’t express how much compassion and humility it’s added to my real life.
Q: What drew you to the role of Billie Holiday? What excites you about playing her?
A: I honestly never saw myself in these shoes … but as I was questioning, a friend said, “Billie Holiday is Shug Avery,” — another role I’ve loved playing (The Color Purple) — and suddenly the possibilities clicked. And as a music artist and actress this show merges my gifts so beautifully.
Q: How do you prepare to portray such an iconic figure?
A: I studied, read, watched documentaries, and listened to the artists that inspired her. I try to capture her essence — and honestly, I will welcome her spirit into my
body, mind, soul nightly. This is her story, and I think it’s important to carry her with me.
Q: If you could ask Billie Holiday one question, what would it be?
A: What was your greatest moment and deepest regret?
Q: As someone who grew up in Kansas City, what does it mean to you to be returning to the city at this moment, and to perform in this production?
A: This is a full-circle moment for me. As a young artist in Kansas City, it was a goal to work on [KCRep's] prestigious stage. Early in my career, I was privileged to be a part of the world premiere of the musical Venice, and from there, I moved to Los Angeles, New York, have done Broadway, TV, film, sung all over the world, and now I'm back home leading a one-woman show. It feels like a graduation — a celebration — and I’m so honored to be here!
Q: What’s next for you, and how can our patrons follow your journey?
A: I am a total artist, so if I’m not doing theatre, I’m auditioning or performing on TV, in film, making music, doing live concerts, or teaching artistry to the next generation through my arts program called DREAM CAMPS! Next up, I’ll be in Whitefish, Montana, for a holiday concert, then back on stage early 2025.
Please follow my journey on Instagram at iWildflower. You can also visit my websites: angelawildflower.com or awildflowerdreams.com.
turned any song into her own and made her a cultural icon. Despite lacking technical training, her syncopations, phrasing, and dramatic intensity established her as a standout jazz singer.
Billie Holiday was born Eleanora Fagan Gough on April 7, 1915, in Philadelphia, Pennsylvania. She was a superstar whose legacy still defines elegance in contemporary music. Rising to prominence in the 1930s, she reinvented modern singing with her unique style.
Billie grew up in 1920s Baltimore, singing along with Bessie Smith and Louis Armstrong records in her teens. Later, she moved to New
Billie Holiday with two of her beloved dogs, Chiquita and Pepi. Photo: Public Domain
Billie Holiday with the Count Basie Orchestra. Photo: Public Domain
Billie Holiday early in her career. Photo: Public Domain
York, where she began singing in Harlem clubs. At 18, she was discovered by producer John Hammond and recorded with Benny Goodman, quickly becoming part of the vibrant jazz scene. From 1935 to 1941, she collaborated with pianist Teddy Wilson and tenor saxophonist Lester Young, who famously named her “Lady Day.”
In 1938, Billie joined the Artie Shaw Orchestra, becoming the first black woman to work with a white band. During her run at Café Society in Manhattan, she performed “Strange Fruit,” a powerful anti-lynching protest song that became a cultural spark-point despite being too controversial for her label. She
signed with independent Commodore Records to record it, and the song became a hit.
In 1944, Billie signed with Decca Records, producing more classics and duets with Louis Armstrong. She also starred as a singing maid romantically involved with Armstrong in the Hollywood film New Orleans in 1949.
From 1952, she recorded with Norman Granz’s Clef/Verve label, which marked her entry into the high-fidelity album
Billie Holiday in 1939. This photo was used for the cover image of the Columbia release, LADY DAY: The Complete Billie Holiday on Columbia 1933-1944.
Billie Holiday with her friend and mentor, saxophonist Lester Young. Photo: Public Domain
Billie Holiday singing her controversial hit, "Strange Fruit" with the Artie Shaw Orchestra in 1938. Photo: Public Domain
era. Her voice became more rugged and intimate, and she redefined herself as the “Torch Singer.” During this period, she appeared on TV shows and toured Europe.
In 1958, Billie signed with Columbia Records, creating her swan song album, Lady In Satin. Her final recordings were made in 1959 for MGM.
Billie Holiday passed away at age 44 on July 17, 1959. Her funeral was held on July 21, 1959 at St. Paul the Apostle Roman Catholic Church, and was attended by over 3,000
people including many top jazz performers of that day. She is buried at Saint Raymond’s Cemetery in New York.
Billie's emotive voice, innovative technique, and touching songs continue to inspire, and are celebrated through tributes, awards, and countless biographies. Her iconic image, marked by white gardenias in her hair, remains a symbol of her timeless genius.
Source: The official Billie Holiday website billieholiday.com
Grave marker of Billie Holiday. Due to financial burden, she was originally buried with her mother without a tombstone in a different section of St. Raymond's Cemetery in the Bronx. She and her mother were later moved to the current location, and their graves were marked with this tombstone, a gift from a wealthy fan. Photo & caption: theclio.com
Billie Holiday in the hospital with a favorite photo of Louis Armstrong and herself.
Photo: Public Domain
The cover of Billie Holiday's last studio album.
lady day at emerson's bar & grill
CAST
(In Alphabetical Order)
* Denotes Members of Actors’ Equity Association, the Union of Professional Actors & Stage Managers in the United States.
CAST
ANGELA WILDFLOWER
(Billie Holiday) (She/Her) KCRep: Venice. Broadway: Motown The Musical (Mary Wells). OffBroadway: Venice (Hailey Daisy/ Public Theatre). Regional: The Color Purple (Celie/Broadway Sacramento), The Color Purple (Shug Avery/The Denver Center, Latte Da/Geva Theatre), Ain’t Misbehavin (Charmaine, Rubicon Theatre ), My Lord What A Night (CATF), Emojiland (NYTF), October Sky (The Old Globe), Avenue Q (3-D Theatrical), Crowns (Pasadena Playhouse/
Ebony Rep/ Unicorn Theatre), All Shook Up (3-D Theatrical), Dangerous Beauty (Pasadena Playhouse). Local: The Unicorn Theatre, Theatre For Young America, The Coterie. TV/Film: Blue Bloods (CBS); The Marvelous Mrs Maisel (Amazon Prime), FBI (CBS), Power: Raising Kanan (Starz), Atlanta (FX), Russian Doll (Netflix), Roxanne Roxanne Roxanne (Netflix), Education: BA, Spelman College. AEA Member AngelaWildflower. com, Instagram: iWildflower
BRIAN WARD
(Jimmy Powers/Piano) (He/ Him) KCRep: debut. Awards: Anthony B. Cius Jr. Award, KU
School of Music. Education: DMA, University of Kansas; MST, Portland StateUniversity; BM, Portland State. brianwardmusic.net Facebook: BrianWardOrganTrio Instagram: BrianWardMusic
UNDERSTUDY
AMBER A. M cKINNON (US Billie Holiday) (She/Her) KCRep: School Girls, For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf. Local: The Colored Museum, The African Company Presents Richard III (Black Repertory Theatre of Kansas City); The Sarah Play (White Theatre);
BRIAN WARD
Jimmy Powers/Piano
ANGELA WILDFLOWER*
Billie Holiday
AMBER A. McKINNON* Understudy, Billie Holiday
TAYLOR BABB Drums
AMIL McDANIEL Bass
Eclipsed, An Octoroon (Unicorn Theatre); Amadeus (Spinning Tree Theatre). Education: BFA in Drama, New York University, Stella Adler Studio of Acting, Stonestreet Studios.
MUSICIANS
AMIL M cDANIEL (Bass) (He/Him) KCRep: debut. Education: Current Music Performance student at Kansas City, Kansas Community College (KCKCC)
TAYLOR BABB (Drums) (He/Him) KCRep: debut. Local: Buddy! A Buddy Holly Story (New Theatre); Kiss Me, Kate (University of Kansas); Hair (Wichita State); various productions with the Lawrence Arts Center. Education: B.A. in Jazz Studies, University of Kansas.
CREATIVE TEAM
LANIE ROBERTSON
(Playwright) Lanie Robertson’s first plays, The Insanity of Mary Girard and Back County Crimes, are frequently performed by schools and community theatres. His play about Billie Holiday, Lady Day at Emerson’s Bar & Grill, was produced on Broadway and in London’s West End with Audra McDonald. Many of his
lady day
works are about iconic artists and the societal issues they faced: Nasty Little Secrets (Joe Orton), Woman Before a Glass (Peggy Guggenheim), Alfred Stieglitz Loves O’Keeffe (Georgia O’Keeffe), Nobody Lonesome for Me (Hank Williams), The Gardener (Claude Monet), and Blythe Coward (Noël Coward). His works have been produced at the Alley Theatre, the Alliance Theatre, Annenberg Center, Arena Stage, Barrington Stage, the Edinburgh Festival, Festival d’Avignon, George St. Playhouse, Kennedy Center, Old Globe, Primary Stages, Playwrights Horizons, Theatre de la Huchette, Theatre Petit Montparnasse, Theatre Silvia Montfort, Vineyard Theatre, Virginia Stage, the Walnut Street Theatre, Westside Arts Theatre, and Williamstown Theatre Festival. His first novel is to be published in 2024. He is a member of the Dramatist Guild, the Society des Auteur et Compositeurs Dramatiques, and the Writers Guild, East.
NEDRA DIXON
(Director) As a life-long creative artist with a rich, extensive theatrical career spanning Broadway and Off-Broadway, National tours, regional theatre stages and concert venues, White House and Kennedy Center performances, and who is currently very active in the progressive arts scene
of Kansas City, MO, Nedra no longer thinks of herself, solely, as what we in the Musical Theatre tradition refer to as a “triple threat”…an Actor/Singer/Dancer, adding Director/Choreographer to that “threat”. Rather…as an ever-evolving, ever-curious artist, Nedra joyously embraces the role of, and finding the fire of… “Griot”. Creating the rich stories, sharing the glorious sounds of her Black, definitively American history…of her Black, definitively American culture… is a compelling force that is an inextricable part of her being. It is as necessary as oxygen that these voices and stories are vibrantly, boldly expressed. Most recently, in partnership with her dear friend, colleague and writing partner, Pamela Baskin-Watson, they brought to the artistic front, in soaring music and vivid story-telling, a look at the intriguing lives of eight Black women, in their original new work, A GOD • SIB’S TALE: A Folk Opera. Currently, Nedra feels it is a gift to work with Pam to bring Lanie Robertson’s story of Jazz icon, Billie Holiday, to breathtaking, heart-piercing life, in this beautiful KCRep production of LADY DAY AT EMERSON’S BAR & GRILL. Nedra finds this ‘evolution’ to “Griot” in her artistic journey, fitting. She is a “Keeper of the Flame” of her undeniable artistic traditions.
RANA ESFANDIARY
(Scenic Design) (She/Her) KCRep: What the Constitution Means to Me, Twelfth Night, Chasing Gods, Cubic (Costume/Scenic). Regional: Love & Information, Everybody, The Curious Incident of the Dog in the Night-Time (University of Kansas). Costume Design: Urinetown, Sycorax, Airness (University of Kansas); The Wolves (Montclair State University). Lighting Design: The Legend of Georgia McBride, La Cage aux Folles (Kansas Repertory Theatre); Mascot (Projection, The Living Room); Sunset Baby (MeltingPot KC Theatre). Director: Gaza Monologues (Zoom production, Stanford University, Abbasi Program); Ashes to Ashes (University of Kansas). Awards: Commendation Award for Achievement in Costume Design Sycorax (The Kennedy Center of American College Theatre Festival (KCACTF), 2020); Commendation Award for Achievement in Scenic Design for The Curious Incident of the Dog in the Night-Time (KCACTF, 2019); Kuhlke Humanitarian Award, University of Kansas, 2018; Joseph R. Roach Dissertation Research Award (University of Kansas, 2016-2017); Diversity Leadership Award, Group Category Interactive Theatre Group(University of Kansas, 2016). Education: Ph.D. (with honors, Theatre Studies) and
MFA (with honors), University of Kansas; BA in Playwriting, Art University of Tehran, Iran. Dr. Esfandiary is an Assistant Professor at the University of Kansas. ranaesfandiary.com/
SAMANTHA JONES
(Costume Design) (She/Her)
KCRep: For colored girls who have considered suicide/when the rainbow is enuf. Regional: The Lonely Few (MCC Theatre); King James (Manhattan Theatre Club); POTUS, Every Brilliant Thing, Power of Sail (Geffen Playhouse); Jelly’s Last Jam. STEW (Pasadena Playhouse); Twilight: Los Angeles, 1992; King James (Center Theatre Group), Once On This Island (Oregon Shakespeare Festival); Dreamgirls (McCarter Theatre); Joe Turner’s Come and Gone (Huntington Theatre Company); Goodspeed Musicals, Goodman Theatre, Steppenwolf Theatre, Court Theatre, Paramount Theatre (Aurora), Drury Lane Theatre, Writers Theatre, Lookingglass Theatre Company, Chicago Children's Theatre, TimeLine Theatre, Porchlight Music Theatre, Jackalope Theatre, The Muny, Denver Center for the Performing Arts, Cleveland Playhouse, Kansas City Repertory Theatre, Alley Theatre, Seattle Children's Theatre, First Stage Theatre, Skylight Music Theatre, Indiana Repertory Theatre, Peninsula Players Theater. International:
Harry Potter: Yule Ball.
Education: MFA, University of Illinois at Urbana-Champaign; BFA, Howard University. Upcoming: Two Trains Running (The Acting Company); Fat Ham (Oregon Shakespeare Festival). Affiliations: U.S.A. Local 829. samanthacjones.com
JASON LYNCH
(Lighting Design) (He/Him)
KCRep: Nina Simone: Four Women. New York: You Are Here: An Evening with Solea Pfeiffer (Audible Theatre/Minetta Lane Theatre); The Color Purple, How to Catch Creation (Geva Theatre Center). Regional: Inherit the Wind, Lucha Teotl, The Nacirema Society..., Layalina, I Hate It Here, Ohio State Murders, The Sound Inside, School Girls: Or, the African Mean Girls Play, Lottery Day, (Goodman Theatre); English (Guthrie Theater/ Goodman Theatre); the ripple, the wave that carried me home (world premiere/co-production Berkeley Repertory Theatre/ Goodman Theatre); East Texas Hot Links, The Island (Court Theatre); Fannie: The Music and Life of Fannie Lou Hamer (Seattle Repertory Theatre); Dream Hou$e (world premiere/coproduction, Baltimore Center Stage/Long Wharf Theatre/ Alliance Theatre); Joe Turner’s Come and Gone (Huntington Theatre Company) Dreamgirls (Goodspeed Musicals/McCarter
Theater Center); Clue, Skeleton Crew (Alley Theatre); Mala (The Old Globe); A Doll’s House and A Doll’s House, Part 2 (in repertory), The Wild Party, Drag On (Denver Center for the Performing Arts); The Three Musketeers, Rent, Once On This Island, Black Odyssey, Hairspray (Oregon Shakespeare Festival); 1919 (world premiere), Choir Boy (Steppenwolf Theatre Company); cullud wattah (Victory Gardens Theater, Chicago); Agatha Christie’s Murder on the Orient Express, Feeding Beatrice (The Repertory Theatre of St. Louis). Awards: Equity Jeff Award, Choir Boy; Black Theater Alliance Award, cullud wattah, Kill Move Paradise; Michael Maggio Emerging Designer Award, among others. jasondlynch.com
JON ROBERTSON
(Sound Design) (He/Him) KCRep: Cyrano, Evita. New York: X, or Betty Shabazz vs The Nation (The Acting Company), Lesson Plan (On Site Opera). Regional: Kansas City Swing (REP STL), Cosmic Cowboy (White Snakes Project). Composition Conferences/Festivals: New Music Gathering, SEAMUS, Electronic Music Midwest, Kansas City Fringe, UC Davis Summer Arts, Opera America, and many others. Radio Drama: Kansas City: 1924 with Forrest Attaway and Victor Raider-Wexler. Awards: 2022
lady day
Hometown Media Award in the Entertainment and Arts Series category for Kansas City: 1924. Education: MFA Sound Design (UMKC 2016), Master of Music Composition (UMKC 2011), Bachelor of Music (University of Arizona 2005). Jon is a sound designer, audio engineer and composer based in Kansas City, MO, who composes and designs for theatrical productions, radio plays, film and video. He teaches electronic music and sound design at the University of Evansville, and was recently an adjunct instructor at University of Missouri-Kansas City, the Kansas City Art Institute, and Missouri Western State University.
PAMELA
BASKIN-WATSON
(Music Director) KCRep: Nina Simone: Four Women. Regional: Nina Simone: Four Women (Milwaukee Repertory Theatre). Local: Kiss Me, Kate; Parade, City of Angels, 9 to 5, The Color Purple (Metropolitan Ensemble Theater) Billie Elliot, Once on this Island, Finian’s Rainbow, Nine, Children of Eden, Rent, Girlfriend (Spinning Tree Theater) In the Heights and Cabaret (Music Theater Heritage) Five Guys named Mo-, Memphis (Black Rep Theater of K.C-The J co-production) A God’Sib’s Tale (Black Repertory Theater of K.C. (covid cancellation). Awards: 2021-22 OPERA
AMERICA New Works IDEA grant recipient. Education: BS/ emphasis in piano @ William Jewell College
EARON CHEW NEELEY
(Wig Design/Makeup Consultant) (She/Her) KCRep: debut. Broadway: Fat Ham, Macbeth, Chicken and Biscuits, Sweat. New York: A Midsummer Night's Dream, Malvolio, Twelfth Night (Classical Theater of Harlem); Last Super (SOPAC); On Killing (Soho Rep); Hamlet, The Harder They Come, Fat Ham, Cullad Wattah, Mojada (Public Theater); Little Girl Blue (Goodspeed, New World Stages); On Sugarland (NYTW). Regional: Fat Ham, Joe Turner’s Come and Gone (The Huntington) Dames at Sea, Kinky Boots (Bucks County Playhouse); Meet Vera Stark, Matilda (Colorado University); Nina Simone: Four Women (Berkshire Theatre Group); Little Women (Dallas Theater Center); Oklahoma!, Patsy Cline (Weston Playhouse); Memphis, Dream Girls (Cape Fear Regional Theater); Cadillac Crew, Twelfth Night (Yale Rep).
ILE HAGGINS
(Associate Director) (She/Her)
KCRep: debut. Local: Begetters, Stew, Like Six O’clock (KC Melting Pot Theatre); Smart People, Skeleton Crew (KC Actors Theatre); Angry, Raucous, Shamelessly Gorgeous (KC Black Repertory Theatre); Little
(Associate Sound Design) (She/ Her) KCRep: Cyrano de Bergerac. Local: The Tempest (Sound Supervisor and A2, Heart of America Shakespeare Festival); The Inheritance Pts. 1 & 2, Refuge (Unicorn Theatre); Man of La Mancha (Music Theatre Heritage); About Alice (Kansas City Actors Theatre); Everybody (UMKC); Deathtrap (City Theatre of Independence); Dead Man’s Cell Phone (Bell Road Barn Players). Radio: Return to Dust, Climate Change Theatre Action (Kansas City Actors Radio Theatre). Regional: Far Away (UNC Charlotte, SETC Winner). Film: Amidst the Ripples (Production by Tova Larson.)
Education: Bachelor of Music and Communications (UNC Charlotte); Candidate, MFA in Sound Design (UMKC). @gianna_agostino
ALEX MURPHY
(Production Stage Manager) (He/ They) KCRep: The Adventures of Tom Sawyer, Death of a Salesman, The Tallest Tree in the Forest, The Who and the What, The Santaland Diaries, Angels in America, Sticky Traps. Local: Rudolph the RedNosed Reindeer: The Musical, Justice at War (Coterie Theatre); Death and the Maiden, A Moon for the Misbegotten, Blithe Spirit,
Skylight, Sea Marks, A Lie of the Mind, And Then There Were None, The Realistic Joneses, My Old Lady, I’m Not Rappaort, At Home at the Zoo, The Gin Game (Kansas City Actors Theatre). Regional: The Prom (First National Tour); The Harder They Come, Romeo and Bernadette, Two’s a Crowd (Off-Broadway); Gem of the Ocean, The Scarlet Letter, Two Sisters and a Piano, Wine in the Wilderness (Two River Theater); American Prophet (Arena Stage); A Christmas Carol: A Ghost Story, Still Ready (Actors Theatre of Louisville); How I Learned What I Learned, An Iliad (Pennsylvania Shakespeare Festival).
Education: MFA, University of Missouri– Kansas City.
AEA Member
KATJA ZAROLINSKI
(New York Casting) Katja Zarolinski, CSA is a New Yorkbased casting director handling productions for theater, film and television. Previous theatre casting work includes Broadway, off-Broadway and regional productions including Alley Theatre, Arena Stage, Baltimore Center Stage, Barrington Stage Company, Cape Playhouse, Contemporary American Theatre Festival, Ensemble Studio Theatre, George Street Playhouse, Guthrie Theater, The Irish Repertory Theatre, Kansas City Repertory Theatre, Mosaic Theater, Oregon Shakespeare
Festival, People's Light, Pittsburgh CLO, PlayMakers Repertory Company, Pittsburgh Public Theatre, Repertory Theatre of St. Louis, Seattle Repertory Theatre, Signature Theatre, South Coast Repertory, Studio Theatre, Theaterworks Hartford, Virginia Stage Company, and many more. Film credits include Bernard and Huey, Fair Market Value, Senior Moment, Year By The Sea, Child of Grace, My Man Is A Loser, After The Sun Fell, Police State, Stalking the Bogeyman (short). Television credits include Twisted (ABC Family Pilot), Sesame Street, Saint George (NY Casting), and One Night Only (Vevo Pilot).
ANDI MEYER
(Kansas City Casting) (She/ Her) Based in Osage/Kikapoo/ Kansa/Sioux/Otoe Missouria ancestral territory (Kansas City), Andi is an award-winning Kanaka Maoli/Asian American theatre maker/activist, arts educator, and parent. She is the Producing Artistic Director of Tradewind Arts, a boutique arts organization devoted to illuminating, motivating, and amplifying the voice of Native Hawaiian, Oceanic, and Asian American artists. Andi was a 2017-18 Charlotte Street Foundation (CSF) Studio Resident. Her work has been recognized with support from ArtsKC, TCG, Asian Arts
lady day company
Initiative, The Kauffman Foundation, Charlotte Street Foundation, JOCO libraries, InterUrban ArtHouse, and the Dramatists Guild Fund, as well as two NEA award winning projects in partnership with The Coterie Theatre including Hana’s Suitcase and Justice at War. Andi’s directorial credits include Edith Can Shoot Things and Hit Them for Tradewind Arts; Justice at War at The Coterie; and Nomad Motel and Poor Clare at The Unicorn. She has appeared in productions at The Unicorn Theatre, The New Theatre, The Coterie, The Kansas City
Repertory Theatre, Disney’s Spirit of Aloha, with voice and on-camera clients including Hallmark, H&R Block, Sprint, and McDonald’s. AEA Member
CONCORDE THEATRICALS
(Licensor) Concord Theatricals is the world’s most significant theatrical company, comprising the catalogs of R&H Theatricals, Samuel French, Tams-Witmark and The Andrew Lloyd Webber Collection, plus dozens of new signings each year. Our unparalleled roster includes the work of Irving Berlin, Agatha Christie, George & Ira
Gershwin, Marvin Hamlisch, Lorraine Hansberry, Kander & Ebb, Kitt & Yorkey, Ken Ludwig, Marlow & Moss, Lin-Manuel Miranda, Anaïs Mitchell, Dominique Morisseau, Cole Porter, Rodgers & Hammerstein, Thornton Wilder and August Wilson. We are the only firm providing truly comprehensive services to the creators and producers of plays and musicals, including theatrical licensing, music publishing, script publishing, cast recording and first-class production. With offices in New York, London, and Berlin, we have the most expert staffers in the industry.
LEADERSHIP
Stuart Carden (He/Him) is in his fifth season as Artistic Director of KCRep. An arts leader, director, deviser, producer, educator and new play specialist, Stuart has worked across the United States building new plays, ensemble generated projects, reimagined classics, multidisciplinary performance, and actor-musician driven theatrical storytelling. Including creating theatrical experiences with The Old Globe, Lyric Opera of Chicago, The Goodman Theatre, Lookingglass Theatre, Actors Theatre of Louisville, The Second City, New Victory Theatre, Williamstown
STUART CARDEN
Artistic Director
Theatre Festival, Silk Road Rising, Victory Gardens, People’s Light, Northlight Theatre, The Repertory Theatre of St. Louis, ArtsEmerson, The Wallis Annenberg Center, Philadelphia Theatre Company, Chicago Children’s Theatre, Virgin Voyages and PigPen Theatre Co. He is a member of the Society for Stage Directors and Choreographers and represented by Beth Blickers and the Agency for Performing Arts. Stuart is married to public art curator Neysa Page-Lieberman, and dad to eleven-year-old twins, Dashiell and Griffin.
STAFF
ADMINISTRATION/FINANCE
Director of Finance & Administration
Jared Freemon
Associate Director of Finance
Safiyah Grant
Manager of Information Services
Michelle Blaine
Finance Manager
Caycee Garlow
General Manager
Amy M. Abels Owen
ARTISTIC
Associate Artistic Director
Morgana Wilborn
Associate Artistic Director-
KCRep/UMKC Partnership
Jason Chanos
Artistic Associate/Casting
Andi Meyer
Artistic Manager
Lillian Rider
DEVELOPMENT
Director of Development
Nancy Steinacker
Associate Director of Development
Carrie Lenahan
Development Database Manager
Marie Kocher
Grant Writer
Diana Silver
Development Associates
Jenna Nowak
Lauren Peck
EDUCATION/ COMMUNITY PROGRAMS
Director of Education & Community Programs
Melinda McCrary
FRONT OF HOUSE
House Manager
Kelly Cooper
Assistant House Managers
Warren Deckert
LaVera Fleeks Snipes
Front of House Staff
Patricia Abts
Justin Balling
Samantha Balling
Dylan Cooper
Linda Fleeks
Cay Fogel
Vanessa Harper
Luigi Muscadin
Mark Noble
Lainey Obenshain
Wyatt Owen
Anthony Snipes
MARKETING & COMMUNICATIONS
Director of Marketing & Communications
Jana Liles
Creative Director &
Digital Marketing Specialist
Dayna Meyer
Design/Publications Specialist
Thaylia Smith
Social Media Manager & Content Creator
MacKenzie Turner
Public Relations (Press Contact)
Ellen McDonald
Publications Assistant
Tehreem Choudhry
PRODUCTION
Interim Production Manager
Grace Hudson
Technical Director
W.R. Shinoski
Assistant Technical Director/ Automation
Tom Gault
Scene Shop Foreman
John Owen
Materials Coordinator
Powell Brumm
Head Carpenter
Abbie Hixson
Carpenters
Luke Habjan
Jacob Maher
Griffin Rogers
Properties Director
Jamie Lindemann
Properties Artisan
Amaka Maduabuchi
Scenic Art Director
Shiloah Frederick
Scenic Artists
Adam Hooper
Missy Shinoski
Costume Shop Manager
Jenny Green
Assistant Costume Shop Manager
Mary Caitland Williams
Head Cutter/Draper
Christina HadleyDike
Cutter/Draper
Jana Jesse
Wardrobe Supervisor
Marianne Rowse
Lighting & Projections
Co-Directors
Michael Esposito
Shayna Phillips
Production Electricians
Oak Neal
Reina Makimura
Sound & Video Lead
Anakin Garner
TICKETING SERVICES
Manager, Ticketing Services
Karl Annable
Associate Manager, Community Partnerships and Ticketing Services
Courtney Klein
Ticketing Services Representatives
Tehreem Chaudhry
Andrew Fogel
Justin Gannaway
Ginger Harris
Dani Saunders
Stage Management Production Assistant
Addison Price
Stage Carpenter
Luke Habjan
Overhire Carpenter
Cameron Smith
Wardrobe Supervisor
Marianne S. Rowse
Dresser
Chelli Tillman
PRODUCTION CREW: LADY DAY AT EMERSON'S BAR & GRILL
Hope Beyond Hunger. Addiction. Homelessness.
FreetoBE... FreetoBE...
Fewer Treatments. Better Outcomes.
The future of cancer care is here. The AdventHealth Cancer Institute will be the first and only health care provider in Kansas City to perform MRI-Guided Radiation. This advanced therapy allows us to see tumors as we treat them, resulting in pinpoint precision, fewer treatments, reduced side effects and better outcomes.
STUDENTS
“I was very amazed by the performance — the play was very cool and funny. The person who was playing the plant had amazing vocals and the other actors also did a great job. “
— Middle school student, Little Shop of Horrors
“It is wonderful to have live theater opportunities such as this one. The debate at the end of the play was extraordinary, and I thoroughly enjoyed it. Thank you for the overall experience.”
— High School Student, What the Constitution Means to Me
Kicking off our 2023/24 season last summer with enthusiasm, creativity and buckets of strong talent was our 7th Summer Youth Theatre Ensemble, a free program for high schoolers. Young artists put their hearts and minds together over the four weeks (20 days!) devising, writing, moving, discussing, exploring, and collaborating to create their own original play, Here/After. The piece, both moving and hilarious, traveled to an afterlife during which characters worked to make a pitch to return to life on earth. Selfunderstanding was key and the revelations were meaningful. Led by teaching artists Raz, Sam, Em and Auryona, their final show was exceptional, joyfully-built, and a wonderful way to cap off our signature summer depth program.
Across our season we hosted over 7,500 young people — 2nd graders through college students, and their chaperones — from all over the region to our productions
STUDENTS & EDUCATION
“My students LOVED Nina! It definitely provoked a lot of great conversations once we got back to school. ”
— High School Teacher
Nina Simone: Four Women
“SYTE lets us be free and open with our thoughts and feelings. Together, we put those thoughts and feelings into a play that’s enjoyable for us and the audience. We’re all also able to connect pretty fast because of our similar interests and ideas.”
— SYTE High School Student
at a morning matinee. Close to 40% of those young people saw the play via our STARS program which offers fully free or discounted tickets. At each performance, the building shakes at the curtain calls as young people passionately applaud the stories which are now theirs forever.
Theatre director Kenny Leon said, “I’m looking for the day when every child in America can have a little piece of theatre in their daily educational lives.” This is a simple wish; a clear and joyful one towards which we work all season. Help us keep our education/ engagement work flying high! Smart, growing and vital to today’s community.
To learn more about our programs, at the theatre or at your site, or how to support them, reach out to Melinda, Director of Education, at mccrarym@kcrep.org.
Photo Credits (clockwise from top left) Melinda McCrary, Teonna Wesley, Melinda McCrary, Don Ipock, Tionna Wesley, Don Ipock.
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Jeffrey Adams
Season Opener with pianist Behzod Abduraimov in collaboration with Park University ICM SEPT. 20, 2024
Ingrid Stölzel: A Musical Portrait OCT. 12, 2024
Thanksgiving with NAVO NOV. 30, 2024
NAVO Chamber Orchestra with pianist Steven Spooner and violinist Véronique Mathieu
FEB. 22, 2025
The Art of Cello with Daniel Veis MAR. 22, 2025
Frontier String Quartet APR. 2025
Season Finale Fest with violinist Maria Ioudenitch MAY 7, 9, 11, 2025
ILLUMINATION
THEATRE FOR ALL —
FROM OUR STAGES TO OUR COMMUNITIES,
KCRep supporters are at the heart of all that we do.
Any way you support KCRep — with a production sponsorship, a scholarship gift through our STARS (Support the ARTs in Schools) program, or an operating gift — you make world-class productions, Student Matinees, Summer Theatre Camp, the KCRep For All Community Tour, and much more available to everyone in Kansas City.
In gratitude of your support, KCRep offers a variety of donor benefits, including sponsor recognition and exclusive events. Explore donor benefits for each giving level at kcrep.org/donor-sponsorshipbenefits.
2024-2025 Signature Series:
Fri. Oct. 11th, 7pm UNFORGETTABLE
ft. Sachal Vascandani
Sat., Nov. 16th, 7pm BRIGHT SIZE LIFE
ft. Rod Fleeman
Tues., Dec. 10th, 7pm A CHARLIE BROWN CHRISTMAS
Selections from Charlie
Sat., March 1st, 7pm ALWAYS & FOREVER
ft. Brenna Whitaker Visit KCJO.org for ticket information
ft. Lucy and Bram Wijnands
Sat., April 5th, 7pm LEVEL UP!
Selections from Classic Video
Sat., May 31st, 7pm GLAMOUR OF OLD HOLLYWOOD
2024-2025 Concerts Including Works of Brahms, Parry, Rachmaninoff, Holst and many others along with American spirituals and gospels 2025 performance of Bach's immortal MASS IN B MINOR with chamber orchestra and soloists
PARK UNIVERSITY INTERNATIONAL CENTER FOR MUSIC
When Stanislav loudenitch first started the Park International Center for Music, he began with a simple concept. Find exceptional music teachers, and give them the time, tools, focus, and dedication needed to transform exceptional students into masters themselves. An internationally-recognized Van Cliburn gold medalist, Ioudenitch assembled a team that shared his world-class skills and his passion for teaching. Other outstanding programs have great master instructors. But no other American conservatory lets those masters devote the time to their students like they do at Park ICM.
Come experience the birth of our international stars. Visit ICM.PARK.EDU for our concert schedule today.
Stanislav loudenitch Artistic Director /Piano Studio
Ben Sayevich Violin Studio
Daniel Veis Cello Studio
Peter Chun Viola Studio
CONTRIBUTORS
$50,000+
Copaken Family Fund *
Copaken Family Foundation
R & C Charitable Foundation
2024/25 SEASON
UNDERWRITERS
ANNUAL SUPPORTERS
Kansas City Repertory Theatre is grateful for the charitable contributions of the many donors who help make our productions, community outreach programs, and youth education programs possible. The following list represents annual and event support as of September 9, 2024.
Victor E. and Caroline E. Schutte
Foundation Trust E, David W. Frantze and Bank of America, N.A., Trustees *
Richard J. Stern Foundation for the Arts - Commerce Bank, Trustee *
The Sunderland Foundation
$25,000 - $49,999
E. Kemper Carter and Anna Curry Carter Community Memorial Trust, UMB Bank, n.a., Trustee
John & Innes Hale
Hallmark Cards, Inc
Linda & Topper Johntz *
Miller Nichols Charitable Foundation *
Pemberton Family Charitable Foundation
Betsy Piebenga *
$10,000 - $24,999
Anonymous (2)
American Century Investments Foundation
Lynn Badaracco & Dwight Quiring
Pete B. Browne & Julie Walker-Browne
Herb & Bonnie Buchbinder
Donor Advisory Fund *
Burns & McDonnell *
Louetta M. Cowden FoundationBank of America, Trustee
The DeBruce Foundation
Ann King Dickinson
Dave & Geri Frantze
Arvin Gottlieb Charitable Foundation *
The H&R Block Foundation
H&R Block *
Nancy P. & Robert W. Hatch *
Health Forward Foundation
Ellen & Irv Hockaday *
Enid and Crosby Kemper Charitable Foundation, UMB Bank, n.a., Trustee
Judy O. Kirk Charitable Fund
Frank & Margaret G. McGee Fund
Jessica & Matt Ralston
J. B. Reynolds Foundation *
JoMarie Scaglia
The Sosland Foundation *
Jo Ann & William D. Sullivan *
UMB Financial Corporation
US Bank *
Sara E. Welch *
Sally & Robert West *
Wylie Foundation
$5,000 - $9,999
Anonymous
Dana Abraham & Chuck McCann
Chris & Sharon Baxter
Marcia H. Bailey *
Ivan & Karla Batlle *
Anne & Bill Blessing *
Blue Cross & Blue Shield of Kansas City
The Breidenthal-Snyder Foundation
Cafe Trio (in-kind)
Kay & John Callison *
Chappelow Events (in-kind)
Virginia & Charles Clark *
Ron & Kim Coker
Melanie Coleman & Todd Gafney
Commerce Bank
Country Club Bank
Rick & Barbie Dierks *
Steve & Cathy Doyal
Jane & Charles Eldredge
Evergy
Brad & Linda Finkle
First Business Bank
Angela & John Gieras
Graceland University/ Kristi Hettrick & Alan Waterman
Deanna & Greg Graves
Judge Jon R. Gray (Ret.) & Dr. Valerie E. Chow
Sharon & Donald F. Greenwood, Jr.
Carla Griffin
Laura & David Hall *
Hayley E. Hanson & Todd McGuire
JE Dunn Construction Company
Mary & Mark Jorgenson
Andrew & Sheryl Kaplan
Kornitzer Capital Management, Inc.
Carol & John Kornitzer
KPMG, LLP *
Mike & Candis Lochmann *
William J. & Frances Lynn *
Americo Life, Inc
Renita Mollman
Scott A. Moore
Neighborhood Tourist Development Fund
Barbara and Bill Nelson Foundation *
Graham & Margot Nelson
Meggan Newland, M.D. & Jon Henry
Jeannette T. Nichols *
Ogletree Deakins
Oppenstein Brothers FoundationCommerce Bank, Trustee
Debra & Allen Parmet
Diane & John R. Phillips
Polsinelli PC
Jami & Fred Pryor
* Shooting Stars — Donors of 10 or more consecutive years
$5,000 - $9,999 (continued)
Seaboard
Marny & John Sherman
Stinson LLP *
Drs. Jessica & Benjamin Stone
Donna Thomason
Bert & Sue Trucksess *
Jayhawk Primary Care at The University of Kansas Health System
VanTrust Real Estate
Susan & Jason Waldron
Thomas & Sally Wood Family Foundation
$2,500 - $4,999
James & Mary Jennifer Amato
American Century Investments (matching gift)
Anonymous *
Jeff Anthony & Susann Ogg
Dick & Emily Ballentine *
G. Kenneth & Ann Baum
Philanthropic FundAnn Kaufmann Baum *
Jamey Bertram
BlueScope *
Darin Brickman
James Butler
Bryan & Justina Canzoneri
Centric Projects
Craig Coen & Jeffrey Bellamy
James & Ellen Copaken
Harper Rebecca Coulson
Kevin Covington & Dia Wall Covington
Crux KC LLC
Tom & Margaret Cummings *
Joel DeBoer
Melanie & Mike Fenske
Kenneth & Vanessa Ferguson
Paul & Stacey Fischer
Francis Family Foundation *
David & Janis Francis
Douglas & Ann Ghertner *
Greater Kansas City Chamber of Commerce
Donald J. Hall *
Scott & Suzy Hall
Shirley & Barnett C. Helzberg, Jr.
Shawn & Melissa Hickey
Ryan Holmes
Edward & Camille Honesty
Joan Horan
Coleen & Chris Hotop
CONTRIBUTORS
Patrick Hughes, MD
Steven Irwin
Laurie & Chuck Jarrett
Scott & Kelly Jeffcote
Nancy L. Kain *
Robb Krumlauf & Leanne Wiedemann
Carol & Fred Logan
Beth & Gregg Lombardi
R. A. Long Foundation
Lauren E. Tucker McCubbin & Gabe McCubbin
Sharon & Michael Milens
Pamela Miller & Michael Cummings
Paul John Odum
John & Shari Olander
Joseph Podrebarac
Hillary Stamper
Mark & Dette Swanson
Julie Stotlar-Towner
Ratana & Oscar Tshibanda
Veracity Consulting, Inc
Nancy J. Viets *
Brenda & Brett Williams
George & Beverley Wilson
$1,500 - $2,499
Anonymous
Ken & Sharon Bowman
Jon & Shelley Copaken
Gill Studios, Inc. (in-kind)
The Ingram Family Foundation *
Doug Kallenberger & Lynn Blixrud
Joy & Jerry Kaplan *
Bridgette & Jason Kling
Brandon & Melissa McManamy
Marshall Miller
Stewart & Debbie Myers
Matt Nordhus
Lisa & Charles Schellhorn *
Joe & Susan Sims
Juliette & Ian Singer
Richard Singleton III
Susannah & TJ Sotos
$1,000 - $1,499
isa & Scott Adams
Anonymous
Marion & Henry Bloch
Family Foundation
Boulevard Brewing Co. (in-kind)
William L. Bruning
Timothy & Jessie Burkhalter
Jennifer Collier
FCI Advisors
Christie & Timothy Geier-Pratt
Brett Gerstenberger
Stephen & Patricia Gound
Family Foundation
Michael & Kathryn Harvel
Chris Hernandez & Paul Monteil
Marc & Nina Hollabaugh
Ashlei & Charles Holznecht
Hufft Projects
Shannon & Brent Johnson
Kim Jones
Mr. & Mrs. William S. Kanter
Brian Kaufman
Regina & Bill Kort
Bob & Meg Maffitt
McQuaid Brothers
C. Stephen Metzler &
Brian D. Williams Fund *
William Moran
Network for Good
Sara & David O'Connell / What Matters 2 Us Fund *
John & Kendal Orlowski
Janet & Jack Podoll
Joe & Lainey Puglisi
Rick & Tanya Ratliff
Roanoke Park Conservancy
Damon & Shawna Roath
Holly Streeter-Schaefer & Ken Schaefer
Lindsey Patterson Smith
Brad & Gisele Sprong
Sylvia & Laurence Tucker
Deb & Paul Turpin
Leeann & Mark Van Dyne
Sandra K. & Stanley J. Vogel*
Lynne & Carl Weilert
Kathryn Welch & John Wright
Molly & Steve Wendland
Richard Wetzel
Audrey & Thomas Wiegmann
Jon Wright
Christine Yannitelli & Dennis Manske *
$500 - $999
Joel & Elizabeth Allen
Debby & Gary Ballard
Ken Barnes & Abby Mocek
Sherrie Bell
Irv Belzer & Sue McCord-Belzer *
Robert H. & Kathleen M. Bender *
Joan & Bert Berkley
Blue Heron Foundation *
John Bleazard
Sue & George Brandt
* Shooting Stars — Donors of 10 or more consecutive years
Mary Lou & Tom Brous *
Bob & Karen Brush *
Marianne Burrell
Robert Butcher & Madelyn Rudd
James & Linda Cole
Cindy & Richard Croskell
Kit & Jay Culver *
Deborah Dibal
Omar Farias
Sandi & Ed Fried
Al Geritz & Dick Leeson
Dr. James & Christine Morgan
Glenski
Chris Glissman *
Keith Goering & Mary Ann Dvorcheck *
Anita Toby Grow
Cathi & Thomas Halberstadt
Amy & Nate Harris
Joan L. Hartung
Leslie & Martin Herst
John & Sharon Hoffman
Mary & Eric Honour
Blair & Lyn Hosford *
Carol & Dennis Hudson
Melissa Jaramillo
John & Elaine Jepson *
Arlen & Patricia Johnson
Buddy & Carolyn Jones
Stacy King
Jay & Ann Kinnamon
Liz & Warren Lewis
Ashley & Phil Mason
Patricia Ann Miles
Helen & Joel Miller
Patricia E. Cleary Miller, Ph.D.
Mark & Janette Morgan
Sheryll & Thomas Myers
Carl & Pam Nitsche / Nitsche DAF
Mark & Lynne O'Connell
Jane & Charles Olsen
Patrick O'Rourke
Scott & Robin Page
Jeff & Angela Place
George & Wendy Powell *
Kerri Reisdorff
Linda Robins
Mark & Janice Schonwetter
Lindsay & Matt Severns
George & Lisa Shadid *
Stan & Linda Shipman
Myra & Lester Siegel, Jr. *
Angela & Chris Smart
Carol Sokolenko
Nicolas Stefanescu
Kitty Steffens
CONTRIBUTORS
$500 - $999
(continued)
Sterneck Capital Foundation
Charles Sun
Swift Construction, Inc./ CEI Electrical & Mechanical
Jason & Libby Thomas
Robert & Cindy Thompson
William & Nancy Topper *
Rev. Paul Turner *
Two West Advisors
Barbara McMahon & Dennis Varble
Michael & Miranda Wagner
Michelle & Cornell Webb
Diane & Roy Whitley *
Teddi Wolff
Debra S. Wood
$250 - $499
Anonymous
Ellen & John Aisenbrey *
Kathy Anderson
Nancy Artzer
Diane & Steve Azorsky
Edward & Linda Balzano
Jolynn Bartolotta
Brian & Jessica Best Stewart
Ken & Jill Biesma
Amy Black
Fred & Cindy Bodker
Dan & Jobeth Bradbury
Larry Braddy
Cindie & Bob Buchanan
Arden & Mary Ann Carr *
Patrick & Thaylia Smith Conway
Sarah & Clayton Cook *
Betty Ann Cortelyou
Don & Pat Dagenais
Dominique Davison
Denton Family Fund
Cheryl DeShon
Amy & Jared Dirks
Mike & Elizabeth Disilvestro
David Douglass
Durkee Family Foundation *
Cindy & David Edgington
Janann B. Eldredge
EPR Properties
Margaret Fishback
Chris & Julia Frantze
SuEllen Fried
Jeff & Mary Fromm
Scott Giffen
Ronald & Susan Goldsmith
Philanthropic Fund *
Matt Gowen
Rishelle Greenlee
Allen & Gail Gutovitz
Charitable Fund *
Eileen Hand
Grant & Claire Harrison
Nancy Harrison
Richard & Julie Hellman *
George Helmkamp
Bill & Irma Lou Hirsch *
Sarah Hoestje
Justin Howard
Jennifer & Jason Ingraham *
Nathan & Megan Jackson
Chad A. Kirby
Marli Klumb
George Krebs
Erika Kuster
Eric & Emily Larson
Maurine Lenahan
Elizabeth R. Lesan &
Katsuyoshi Nishimoto
Troy Lillebo & Brian Ellison *
Sam Logan
Felicia & Venne Londre
Debra & John Mahoney
Timothy J. Marchesi &
John D. Lawrence / DeMarche
Robert & Heather Maynard
Sue McKee
Milligan Family
Koi Morford
David Nelson & Angela Turpin
Alexander Ong
Rudolph Pabon
Carolyn Phelps
Maggie Presson *
Brittany & Michael Remmert
Robert Riccardi
Tom & Cynthia Ryan
Richard & Erin Sack
James & Kathy Sear *
Michelle & Darin Shank
Rosemarie Skivers
Linda S Stevens
Phyllis Stevens
Tom Strumillo
Ann & Daniel Sweeney
Chris & Brooke Sweeney
James H. Taylor
Johnna Thomas
Russ & Maralee Thompson
Mark Thornhill & Maria Donigan
Linda S. Trout
Marcia Valera
Eileen and Tom Weir
Anne & Keith Wiedenkeller
Michele & John Wilinski *
Vanessa Williams
Terri & Blake Williamson
Elizabeth Hartley Winetroub
Pam & Bill Wishon
Dr. & Mrs. John S. Yungmeyer
$100 - $249
Anonymous (3)
Amanda Akers-Vornholt &
Wayne Vornhold
Mollie Alexander & Frank Hogan *
Kathryn & Chris Allen
Rachel Allen & Christopher Allen, KM, CFA
Pat & Lauren Amey
Marilyn & Chris Anderson
Tom Anderson
Arvest Bank
Aimee Asbury & Richard S. Starks II
Barbara & Richard Atlas *
Sonny Aust & Lauren Aust-Yen
Linda & Erik Avery
Laura & Nate Baldwin
John Ballard
Katherine & Larry Barnhart
Bradley & Wendy Barth
Heather Bath
Andrea & Will Becker
Matthew & Katharine Beem
Kimberly Benjamin
Nathan & Margaret Benjamin
Donna Bennett
Jeffrey J. Bentley
Cindy & Ted Berard
Linda Birkenmeier
Charles R. Bise Jr.
Linda & Bruce Blazek
John & Marge Bott
Kathleen Bradford
Ms. Katherine Breen
Charles & Deb Brook
David Brown
Tom & Cherie Brown
Terry Brummer
Stephen Butland
Janet Buttery
Melonee Cain
Stuart Carden & Neysa Page-Lieberman
Frank Carroll
Greg & Ann Carlson
Karen Cartlidge
Kenda Caskey
* Shooting Stars — Donors of 10 or more consecutive years
Jessica & Jason Chanos
Susan Clevenger
Lupe & Greg Clouse
Meredith Collins
Tom & Lari Ann Collins
Martha Comment
Joe Constantino
Robert Cook
Larry Cork
Jody & Bill Craig
Christopher Crenner & Katherine Levy
Robert & Nicolette Croskell
Kymberli Cutler
Edmund P. & Donna J. Cytacki
John G. Daniel
Cara David
Donald & Linda Degnan
Gabe & Lindsey Dewitte
Brad Douglas
Tim & Trisha Drape
Barry & Marilyn Dryer
Family of Eric & Katie Dufur
Susan & Jared Ebel
Kristen Ellis Johnson
Douglas & Chris Fain
Barbara Fay
Sandy Feaker
Iman Fennell
Susan Fershee
Patricia Fitzpatrick
Whitney Skye Flaska
Mick & Denise Fletcher
Rocco & Karen Florio
Dr. Alan & Cathy Foster
Dianne & R. Dennis Fowler
Kelly & Michael Fowler
Mark & Sandi Fowler *
Randy Fowler
Alberzine & Abby Freeman
Sidonie Garrett
Brag Gee
Pam & Dr. Fred Geer *
Sharon Glass
Courtney Goddard
Carol & Marvin Goldstein *
Ismael Gonzalez
Max & Harriet Gordon
Christine Granger
Doreen & Norman Greczyn
C.W. & Nancy Green
Don Grodecki & Cheryl Ricke
Heather M Gudgel
Rex & Jody Gunn
Rupal Christine Gupta
Beth & Chris Hafner
CONTRIBUTORS
$100 - $249
(continued)
Melanie Halsey
Kristen & Tyler Harrelson
Kristen Harris
John Hart & Katelyn Peter
Michael & Kathryn Harvel
Patricia Hemauer
Chris Hess
Kristi Hettrick
Zach Hickman
Lisa Hickok
Richard & Merri-Ann Higgason
Paget & Tom Higgins
Mr. Brad & Dr. Amy Hogan
Bruce & Cindy Hogle
Edward Honestly
Dick & Rose Marie Huber
Leslie & Mark Huffhines *
Amanda Humiston
Justin & Rita Huntington
Joan & Steve Israelite
Anna Jaffe & Michael Horine
Charles Johnson
Ellen Johnson
Gary Neal Johnson & Lynne Beachner
Karen Johnson & Angus Stoddart
Joyce Jonasson
Colby Jones
Katherine Jorgenson & Marc Harman
Sarilee Kahn
Paul & Connie Kamps
Kauffman Foundation
Matching Gifts
Jessica Keal
Olivia H Keller
Annie & Alan Keneipp
Joan & Chris Kennedy
Lesley Ketzel
Jenn Killpack
Susan King-Kostelac & Martin Kostelac
Christy Kinman
Elise Kirchhofer
David & Lisa Klose
Patricia Konopka
Linda & Bill Kornitzer
Patrice Krampff
Jane & Bruce Kunz
John & Patricia Kurtz
Jennifer Lane
Ryan Lane
Kathy & Craig Laursen
Joe & Rebecca Layton
Carrie & Patrick Lenahan
Gayle Levy & Whitney Terrell
Virginia Lieberman
Jana & Curtis Liles
Mark & Karen Long
Marilyn & Bruce Lowrey
Sharon Lynch & Jane Nichols
LaMonica & Christopher Madden
Sue & Dev Malik
Tom Mardikes
Richard & Lydia Marien
Carol Marks
Tiffany Marr
Michael McCawley
Laurie McCormack
P. Alan McDermott *
Tim McMulin & Emilee Rose
Gerald & Jean McNamara *
Craig McPherson
Melea McRae
Mr. & Mrs. Bob Merrigan
Julia & Dennis Meyer
Kathlene Keck Meyer
Kim Meyer
Alan & Judy Michelson
Kelsea Miller
William Sr. & Melanie Miller
Virginia Miller
Chelsea Mong
Marti Moore & John Kinsey
Patricia A. Moore
Susan Morrissey
Heather & Tom Morrow
Ann & Jim Mueller
Judy & Carl Mullins
Bailey Mae Munson
Robyn Murphy
Doris Negaard
Kathryn & Stephen Nichols
Jane J. Olson
Bonita & Thomas Oothoudt
Amy M. Abels & John Owen
Dr. Christina Marie Pacheco
Jenny Palmer
James Parrott
John Pearson
Wanda R. Perkins
Allyson & Eric Perry
Kathy Peters
Candice Petersonmoon
Dr. Andrea Picciotto
Mary Ann Pinkerton
Allison & Kevin Pinkowski
Rob & Joy Preacher
Lena Price
Angela Rabin
Don & Phyllis Ranum
Kelly Rawlings
Dr. Carl B. Reed &
Melody A. Miller
Kevin Regan & Cathy Francis
Greg & Rebecca Reid
Libby Rivers
Pat Roane
Charles & Cristine Roberts *
Julie Robinson
Melinda Rocha
Lindsey Rood-Clifford & Chris Clifford
Lucia & Christopher Rooney
Paula & Jack Rowe
Martha Russell
Anton & Barbara Schaefer *
Mary Schindler
Chris Schlenker
Donald & Martha Schlosser
Jack & Errett Schmid
Stephanie Schriock
Janet W. Sears
Darren Sextro & John Rensenhouse
Kavya Shankar
Janardana Sharma
Gail E. Shaw
The Sheppard Family
Phil & Lurae Shreves
Kurt Rasmussen &
Cheryl L. Simmons
Janet & Andrew Simonsen
Cuthbert & Severns Simpkins
Rik Siro and Teresa Woody
Thomas & Mitzi Slover
Anita Louise Smith
Elsie Smith *
Mary Susan Smith
Michelle Smith
Vicki & Thomas Smith
Kristin Smithson
Larry & Jean Snider
Tori Sodek
Diana Spare
Jonathan Specht
Betty Ann Springer
Kath Stanley
Nancy Steinacker
Eva Steinman
Mr. & Mrs. Rodger Stelter
Dr. Joy Stevenson
Linda Stinnet
Steven & Sandra Stites
Jeffrey Stitt
Annelies Stoecklin
Kim Stout
Rebecca Stowe
Mark Stuecheli & Mary Nick
Brandi Tabor
Juliann & Mark Tapko
Starr Terrell
David Terry
James Thomas &
Kathy Burke-Thomas
Kristina Thompson
Heidi Thummel
Lauren & Nick Tobaben
Diana & Tim Toman
Ann Trask
Cliff & Leslie Van Blarcom *
Linda Vande Garde
Kevin Vanderweide
Roy D Vanek
Michael & Mary Varner
Todd Vorachek
Gayla & Jon Voss
Wayne & Debora Wainwright
Christine Waldschmidt
Craig Stephen Wallace
Kathleen L Warfel
Christal Watson
Vicki Webber
Dr. Audrey V Wegst
Susie Weis
Charles & Linda Wells
Regina Wells
Blake & Lisa Wendelburg
Ronda & Bill White
Julie & Louis Williams
Richard C. Williams
Mr. Stephen & Martha Williamson
Amy Winger
Geri Wise
John R. Wise
Karen Woodbury
Michael Wright & Christa Cavanaugh *
Damon & Patricia Yurchak
Cathy Zitnik
Thank you to all of those who support KCRep with charitable donations via funds at the Greater Kansas City Community Foundation, Jewish Community Foundation of Greater Kansas City, and United Way of Greater Kansas City, as well as other donor advised fund entities and programs. * Shooting Stars — Donors of 10 or more consecutive years
CONTRIBUTORS
GIFTS IN HONOR & MEMORY
In Memory of DAVID B. BROWN from John Hogan & Amy Browne-Hogan
In Honor of STUART CARDEN'S Birthday from Virginia Lieberman
In Memory of ANN KING DICKINSON from Heather Paxton
Mary Ann Pinkerton
Bert & Sue Trucksess
In Memory of JAMES C. FITZPATRICK from Patricia Fitzpatrick
In Memory of RITA & GILBERT KAHN from Sarilee Kahn
In Memory of MOTHER HENRIE MARIE from Carolina Kraly
In Memory of DR. PATRICIA McILRATH from Barbara Fay
In Memory of BILL NELSON from Barbara & Bill Nelson Family
In Honor of ABBY & RYAN STURM from Kimberly S. Bray
In Memory of SUSAN WASKOW from Harry Waskow
MAKE AN IMPACT WITH CHARITABLE GIFT PLANNING
Partner with KCRep in producing professional live theatre for all, and potentially save on your taxes, through charitable gift planning. Examples include, but are not limited to, donor advised funds, bequests, trusts, appreciated securities, IRAs, and more. Your financial advisor can help determine the best options for you! For more information, contact Carrie Lenahan at lenahanc@kcrep.org or call 816.235.5420.
LEAVE A LEGACY
THANK YOU to the following members of our legacy society and their families. Generous commitments through estate planning ensure that KCRep will continue to thrive for the next 60 years and beyond.
Anonymous (2)
~ Dr. & Mrs. Keith W. Ashcraft
~ William W. Baker Trust
Anne & Bill Blessing
~ Mrs. W. Coleman Branton
Mary Lou & ~ Tom Brous
Cindie Buchanan
Jerry & Meghan Carpenter
Nathan Schechter MD Trust
in memory of Vicki S. Catlin ~
~ Richard R. Cawthorn
~ Ann King Dickinson
~ Estate of Joseph F. Finch
Pam & Dr. Fred Geer
Courtney Goddard
~ Elizabeth Irwin Gordon
Nancy P. & Robert W. Hatch
Ellen & Irv Hockaday
Linda & Topper Johntz
Mary & Mark Jorgenson
~ Helen Louise Kassebaum Trust
Dr. & Mrs. J. Gordon Kingsley
~ Lothar P. Krause
Rev. Susan Langhauser
Lindsay Meyer & ~ Corey Brunk
Pamela Miller & Michael Cummings
~ Dr. Mary Jo Rahatz
George & Lisa Shadid
~ Dr. Nathan & Ruth G. Shechter
Brad Voelker
Hal vonBohnhoff
~ Betty Widmier
~ In Memoriam
ONE OF A KIND.
Banking focused on you.
At FNBO, your needs take center stage. One-on-one or behind the scenes, we’re here to help you earn, save and do more.
You deserve the best care in the region. We are proud to be consistently recognized as the best, year after year.
As the best hospital in Kansas and in Kansas City, we deliver unparalleled outcomes and world-class care.
We put you first because we genuinely care. Our dedication to our patients drives us to provide exceptional outcomes and the very best service – the kind of care that makes you feel seen, heard and valued.
We are trusted experts who believe you deserve unmatched care. With unmatched care comes unrivaled outcomes. Our relentless pursuit of excellence fuels us to make a lasting di erence for patients, their families and the entire region.
We are proud to still be the No.1 hospital in Kansas and in Kansas City. We are also the only hospital in the region to have any medical and surgical adult specialties that ranked among the top 50 nationwide, with 6 nationally ranked specialties.
When you choose the best, you receive excellent care from a compassionate team of experts. Discover what sets the best care in the region apart. Schedule an appointment at 913-588-1227 or visit KansasHealthSystem.com/StillTheBest.
