The GUIDON - September 2016 (Martial Law Special)

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A narrative of persistence When we begin to forget, memorializing the dead becomes the urgent task of the living. Martial Law Special SEPTEMBER 2016 EDITORS: ROBBIN M. DAGLE AND GABRIELLE M. LOMBOS EDITORIAL ASSISTANTS: MAXINE A. BUENAVENTURA AND JAIRUS I. PAUL LAYOUT ARTISTS: DIANA F. DAVID AND NIKKI G. SOLINAP

NEVER FORGET, NEVER AGAIN. Forty-four years ago, the nation was plunged under one of its darkest eras. Today, many of its victims continue to endure not only the memories of sacrifice and silence, but also the suffering of being forgotten. PHOTO BY DIANA F. DAVID AND GABBY F. JIMENEZ

BY MAXINE A. BUENAVENTURA AND JANELLE H. PARIS

“Wala kaming maipagmamalaking yaman except for the stories that we tell (We have no other wealth but the stories that we tell).” — MARIE JOPSON-PLOPINIO TRUSTEE, BANTAYOG NG MGA BAYANI

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nternational human rights orga n izat ion A m ne st y International gives these unrestrained estimates regarding the Philippines’ Martial Law years: 3,240 killed, 34,000 tortured, 70,000 imprisoned. The dead remain dead and the disappeared remain disappeared. It is the living who tell their stories. But even those who survived to bear the damage caused by the erstwhile dictatorship remain unheard. And with the late dictator Ferdinand Marcos’ impending interment at the Libingan ng mga Bayani, a burial place for soldiers, heroes, and former heads of state, these narratives are under threat of being erased.

The Bantayog ng mga Bayani complex in East Avenue, Quezon City has seen more peaceful days. In the recent months, however, it has been the site of civil demonstrations. Last July 29, human rights advocates from various groups launched the Duyan ng Magiting coalition, formalizing a collective effort to counter the planned burial. It is during these times, according to Marie Jopson-Plopinio, Bantayog trustee and sister of slain youth leader Edgar Jopson, that the foundation actively partners with other human rights groups. They come together when there is a common cause, she said in an interview. “Whatever is being done is political. Libingan [ng mga Bayani] is a monument, a hallowed place built by the state... there’s a purpose, [people

buried there are meant] to be emulated,” said Plopinio. And former dictator Ferdinand Marcos is not to be emulated. Bantayog “does not just to seek justice for the victims of Marcos’s martial law” but fights to prevent the repetition of the dreaded era, as well. Bantayog has stood since August 1986, right after the dictatorship fell. According to their website, the organization and the consequent monument exist “to honor those martyrs who sacrificed their lives for the cause of freedom and justice but failed to witness the dawn of freedom.” “Wala kaming maipagmamalaking yaman except for the stories that we tell (We have no other wealth but the stories that we tell),” Plopinio said. The foundation maintains a library and museum that showcase narratives of the past regime. The

museum takes the visitor through an overview of the era. There is a comprehensive timeline. There are models of detention cells, trinkets recovered from detainees. In an adjacent space are news clippings and even personal letters from victims to their loved ones. These are all open to the public, and Plopinio especially hopes that the youth get to know the stories of Bantayog’s heroes. “Bantayog does not just exist to lick wounds, [it is here] for the future generations as well,” she said. Plopinio also thinks there is a danger in too sentimental an approach to this era in history. “I would caution the young against too personal an approach to the issue...ang importante is A NARRATIVE › 3


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