The Guardsman, Vol. 161, Issue 1. City College of San Francisco

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THE GUARDSMAN

VOL. 161, ISSUE 1, JAN. 27  –  FEB. 09, 2016 | CITY COLLEGE OF SAN FRANCISCO | SINCE 1935 | WWW.THEGUARDSMAN.COM | @THEGUARDSMAN | #CCSFJOURNALISM| FREE

Reclaiming MLK’s Legacy A PHOTO STORY BY JOEL ANGEL JUAREZ • PAGE 5 Activists march in the Fillmore District on Jan. 15, 2016, during the “96 hours of Direct Action,” a national call to honor and reclaim Martin Luther King Jr.’s legacy. The parents of Alex Nieto, a former City College student killed in 2014, are seen marching along the road. ( Photo by Joel Angel Juarez/Special to The Guardsman)

Diego Rivera Mural Undergoes Structural Assessment Will the mural be ready for relocation? By Cassie Ordonio cordonio@theguardsman.com @CassieOrdonio

With an agenda of preserving The Pan American Unity Mural’s history, and the story it conceals, City College hired a team of digital documentarians to determine its condition for safe transport. “It’s a world class treasure,” mural historian Will Maynez said. “It’s our job to serve it to the public.” The plan is to feature the mural in the new Performing Arts Center slated to be built on Phelan Avenue giving a panoramic view of the fresco, however the official building date has yet to be announced. Funded by the “friends” of the mural, City College spent approximately $10,000 for Cultural Heritage Imaging (CHI) service to evaluate the mural. CHI is a nonprofit dedicated to preservation, digital capture and documentation of historic and artistic treasures. CHI used photogrammetry to decipher whether there were cracks in the mural that might prevent it from being moved to the proposed Performing Arts Center. “The art of photogrammetry is a six-step process,” said CHI President Mark Mudge. “We want to be as accurate as possible.”

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Compiling Data There were two “passes” when pictures were taken of the mural, according to Mudge. In the first pass, CHI used a wide angle lens that covered 7 ½ feet by 5 feet area and the second pass covered 45 inches by 30 inches.

it the biggest contiguous mural that Rivera ever painted. “My mural will picture the fusion between the great past of the Latin American lands, as it is deeply rooted in the soil, and the high mechanical developments of the United States,” Rivera said. The mural has been moved twice

“The mural was always destined for City College.” — mural historian Will Maynez After the passes were complete, in its lifetime. The first move was CHI uploaded thousands of images in 1941 from Treasure Island to a into the computer to create a 3D temporary home at City College effect, then grouped the pictures where it was to be housed in the together to make sure the aperture proposed library, but World War and lighting were similar. Finally, II put a halt to its construction. they used the photogrammetry Afterwards, it was moved to the software to make a 3D image. Diego Rivera Theatre. “So far the mural is in great “The mural was always destined shape,” Mudge said. for City College,” Maynez said. CHI finished the photogramLarge Mural, Long History metry on Dec. 23, moving to the In 1940, muralist Diego Rivera next phase of the investigation to painted a complex and challeng- figure out its condition. ing fresco rich in symbolism and LMN Architects will be revisimagery with origins from the “Art iting to check out the mural’s in Action” program hosted by the construction. The administration Carla Schroer, the Cultural Heritage Imaging founder and director, 1940 Golden Gate Exposition on will make the final decision about checks her images as she photographs The Pan American Unity mural at the Diego Rivera Theatre at Ocean campus, Dec. 23, 2015. Treasure Island. The mural stands it being moved. (Photo by Franchon Smith/The Guardsman) at nearly 1800 square feet, making

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