The Art of Eavesdropping:
{Pg. 36-39}
Edie Medley’s London
CoverImage
Cover illustration by Edie Medley, whose art captures the quiet poetry of everyday London. Discover her story and the inspiration behind her observational world on p.36.
NO BRIDGE. NO PROBLEM.
NO BRIDGE. NO PROBLEM.
BOOK A TEST DRIVE
The new Land Rover Defender relishes challenges and doesn’t care much for impossibilities. With permanent All-Wheel Drive and world-first configurable Terrain Response technology*, it has the capability to push boundaries even further. Tested in every condition in every environment on every surface you might encounter, it always comes out the other side, ready for the next challenge. Defender. An icon in a category of one.
BOOK A TEST DRIVE
Retailer name
Bldg No. Street Name, Town, City, Postcode, County
The new Land Rover Defender relishes challenges and doesn’t care much for impossibilities. With permanent All-Wheel Drive and world-first configurable Terrain Response technology*, it has the capability to push boundaries even further. Tested in every condition in every environment on every surface you might encounter, it always comes out the other side, ready for the next challenge. Defender. An icon in a category of one.
Bldg No. Street Name, Town, City, Postcode, County 01234 567 890
retailername.landrover.co.uk
Official WLTP Fuel Consumption for the Defender range in mpg (l/100km): Combined 22.6-32.2 (12.5 - 8.8). manufacturer’s tests in accordance with EU legislation. For comparison purposes only. Real world figures may styles, environmental conditions, load and accessories. Always check route and exit before wading. *Fitment and availability varies by model. Please check the online Pricing and Specification Guide or speak to your Land Rover Retailer for further permissions. Always check route and exit before wading.
WLTP Fuel Consumption for the Defender range in mpg (l/100km): Combined
Combined 22.6-32.2 (12.5 - 8.8). WLTP CO 2 Emissions 283-230 g/km. The figures provided are as a result of official purposes only. Real world figures may differ. CO 2 and fuel economy figures may vary according to factors such as driving and exit before wading.
speak to your Land Rover Retailer for further information. Vehicle fitted with optional extras. Images taken during off road sequence on dedicated land with full
8.8). WLTP CO 2 Emissions 283-230 g/km. The figures provided are as a result of official may differ. CO 2 and fuel economy figures may vary according to factors such as driving
information. Vehicle fitted with optional extras. Images taken during off road sequence on dedicated land with full
Contents
{pg. 7-13}
{pg. 14-15}
{pg. 16-25}
Primer
Opinion Fashion
A New Chapter at Hermès
Vingt Quarte Denim
Alpine to Asphalt: Your New Winter Wardrobe
{pg. 26-45}
Lifestyle
Neil Keating
Turning the Page: David M Robinson
EJ Meets Inès Gradot
The Art of Eavesdropping: Edie Medley
Dark Side gains new light: OMEGA Watches
The Playful Purist
{pg. 46-63}
Cuisine
The St James’s Star Earning its Stripes
A New Jewel on Castle Street
The Resturant that Feels Like a Night at a Mate’s House
Chet’s Bar brings LA nights to Shepherd’s Bush
One Last Drink
{pg. 64}
Contributors
IKEA STRÅLA
ikea.com
Forget fast furniture. The new luxury is investing in quiet, sculptural pieces that transform a room’s ambiance with a single switch. Our current obsession? The IKEA STRÅLA floor lamp. Its elegant, matchstick-shaped wooden structure brings a touch of organic, gallery-like sophistication to any corner, casting a warm, diffused glow that turns an ordinary evening into a curated moment. Proof that impeccable design doesn't need to command a princely sum.
IKEA STRÅLA floor lamp.
Knife Edge: Chasing Michelin Stars
Move beyond the polished perfection of the final plate. Apple TV+’s compelling new documentary series, Knife Edge, pulls back the kitchen door on the blisteringly intense, emotionally charged world of elite chefs on the quest for a Michelin star. This isn’t just a food show; it’s a high-stakes drama where ambition, artistry and ego collide. With breathtaking cinematography that captures every sizzle and slice, the series offers a raw, unfiltered look at the immense personal sacrifice and obsessive dedication required to compete at the very pinnacle of global gastronomy. Essential viewing for anyone fascinated by the intersection of craft, creativity, and burning ambition.
Streaming now on Apple TV+.
Dynamic performance. Distinctive character. With electrifying plug-in hybrid technology, an electric range of up to 75 miles and benefit-in-kind contributions from as little as 5%* .
Hatfields Land Rover Hull | Liverpool | Pickering | Shrewsbury www.hatfields.co.uk
Model shown Range Rover Sport Autobiography 25MY with optional features. Official Fuel Economy Figures for the Plug-In Electric Hybrid range in mpg (l/100km) (weighted combined): 385.6-328.8 (0.8-0.9). Electric energy consumption (weighted combined) in kWh/100 miles (kilometres) 45.7-48.9 (28.4 – 30.4). CO₂ emissions (weighted combined) in g/km: 17 - 20. Equivalent all-electric range in miles (kilometres): Up to 73.9 (119). The figures provided are as a result of official manufacturer’s tests in accordance with EU legislation with a fully charged battery. For comparison purposes only. Real world figures may differ. CO₂, fuel economy, energy consumption and range figures may vary according to factors such as driving styles, environmental conditions, load, wheel fitment, accessories fitted, actual route and battery condition. Off-road sequences on dedicated land with full permissions. All necessary reinstatement carried out. Leave no tracks
*2024/25 BIK Tax Rate (%).
The KEEN
WHAT WE’RE
WEARING
As the leaves turn and the air crisps, our wardrobe mantra shifts towards versatile pieces that effortlessly bridge urban life and weekend escapades. Enter the KEEN Jasper Zionic - the climbing-inspired silhouette that became an instant classic and is now our go-to foundation for autumn layering.
This season, KEEN introduces the Energy Pack, a curated drop of new colourways captured in a sun-drenched campaign across Northern Italy. The imagery - friends hopping trains and scaling boulders - perfectly encapsulates the shoe’s spirit: a playful yet practical blend of heritage and innovation. With its rugged sole and considered design, it’s the one shoe that looks as right on a city pavement as it does on a coastal path.
Jasper Zionic
The KEEN Jasper Zionic ‘Energy Pack’ is available now at keenfootwear.co.uk.
Handpoked Tattoos
In an age of digital perfection, we’re drawn to the art of the human hand. A quiet renaissance is underway for hand-poked tattoos, the most ancient and intimate form of body art. One artist leading this charge is Katy, the force behind Liverpool’s Daydream Forever Tattoo Studio (@life.is.a.trash.can). Her work is a masterclass in contrast, effortlessly weaving between delicate botanical dreamscapes with wry, witty internet memes all rendered with the subtle, textural quality that only this timeless, manual technique can achieve. It’s a celebration of art that is as personal as it is permanent.
@life.is.a.trash.can
@daydreamforevertattoo Unit 156 Slater Studios, 9 Slater Street, Liverpool L1 4BW
Truth, the ultimate luxury
Words by Jamie McFadden
Let’s be honest, we’re drowning in information. But the truth? That’s starting to feel like a rare vintage. It’s as if the market has been flooded with convincing fakes, making the real thing harder to find and more valuable than ever. You can see it happening in real time. It’s there in the unsettling silence after a voice like Jimmy Kimmel’s is pressured off the air for the unique approach to comedy that has established him as an international favourite. You can feel it in the increasing frequency of media conglomerates and international entities acquiring legacy news outlets, a shift often framed as business strategy but deeply entangled with who ultimately controls the narrative. These aren't just news items; they are tremors along the fault lines of our shared reality.
For those of us who are deliberate about what we let into our lives - from the cut of our clothing to the provenance of our furniture - this presents the ultimate test of discernment. When the very pillars of a free press are being chipped away, truth isn’t just being hidden. It’s being turned into a luxury item. And knowing where to find it, and having the will to support it, is becoming the most critical sign of a sophisticated mind.
Think about what makes something a true luxury. It’s not just the price tag. It’s the scarcity, the craftsmanship, the story, the integrity behind
it. It’s the antithesis of the mass-produced. Now, look at your news feed. It’s a bustling, chaotic marketplace of hot takes and algorithmically amplified outrage - the fast fashion of ideas. Meanwhile, the painstaking work of investigative journalism - the kind that requires shoe leather, deep sources, legal teams and sheer guts - is becoming the equivalent of a hand-stitched, limited-run masterpiece. It’s slow, expensive, and increasingly rare. The pressure on media, from US late-night shows to legacy newspapers, is an assault on these last ateliers of fact.
A trained eye can spot quality a mile away. The way a jacket drapes, the weight of the paper in a programme, the brushstroke on a canvas. We need to cultivate that same eye for the information we consume. The unchecked dominance of social media platforms isn't just a cultural shift; it's a lesson in the perils of equating viral engagement with actual fact. Understanding that nuance - the critical distinction between an algorithm's suggestion and a journalist's verified report - is the new literacy.
And what happened with Kimmel? That wasn't just showbiz gossip. It was a flare in the night, signalling that the space for holding power to account is shrinking. The playbook is simple: make the truth inconvenient, then controversial,
then supposedly obsolete. For an audience that prizes authenticity in every object they own, accepting a sanitised, palatable version of events should feel like a profound compromise of taste.
There was a time when cultured society understood the role of the patron - the individual who used their resources to support artists and thinkers, ensuring that vital work saw the light of day. That impulse is needed now more than ever. Supporting a free press isn’t a passive act. It’s an active choice. It’s the conscious decision to pay for a subscription to a newspaper that still runs corrections, to value a platform that privileges evidence over echo chambers, to recognise that this isn’t a subscription fee, it’s a stake in the intellectual health of our society.
In a world that constantly tries to sell us a curated fantasy, the most radical luxury is clear-eyed vision. It’s the ability to see the world as it is, not as you’re told it is. The fight for a free press, then, isn't someone else's political problem. It's the foundation upon which all other discerning choices are built. Because if we can't agree on what's real, how can we possibly decide what's truly valuable? In the end, the most refined investment you can make is in the truth. It remains the ultimate signature piece.
CHAPTER I
Vingt Quatre Denim. {Pg. 20-23} A NEW STANDARD IN EVERYDAY LUXURY: Grace Wales Bonner to lead menswear. {Pg. 18-19} A NEW CHAPTER AT HERMÈS:
Your new winter wardrobe. {Pg. 24-25} ALPINE TO ASPHALT:
A NEW CHAPTER AT HERMÈS:
GRACE WALES BONNER TO LEAD MENSWEAR
(Image Credit: Malick Bodian)
Words by Greg McKeown
(18- 19)
In a first for Hermès and fashion history, Hermès has appointed Grace Wales Bonner as the new creative director of men’s ready-to-wear, becoming the first female black designer to lead a major fashion house. The British designer, known for her marriage of creativity, cultural depth and craftsmanship, steps into a role defined by subtle evolution, succeeding Véronique Nichanian, who departs after a 37-year stint at the French brand.
For Hermès, a house steeped in heritage, the appointment of Wales Bonner represents a thoughtful shift and fresh perspective, rather than the current pattern of houses assigning new creative directors every other season. Her work has always been deliberate, weaving together bold concepts with an attention-to-detail that is specifically hers. From the nuanced tailoring of her own brand to her trend-setting collaborations with Adidas, she has consistently balanced storytelling with wearability - a philosophy that resonates deeply with Hermès’ own understated avant-garde vision.
As the designer herself noted, this is “a dream realised,” a continuation of her pursuit of craftsmanship as cultural expression. Under her vision, Hermès menswear seems poised to enter a new era of introspective luxury - where formality meets feeling, and luxe clothing speaks not only to elegance but also to identity and cultural significance.
All eyes will be on Wales Bonner in January 2027, where she will unveil her debut collection for Hermès in Paris. If her past work is any indication, it will be a moment defined not by spectacle, but by precision and purpose; the quiet kind of statement that lingers long after the runway lights go down.
(Image Credit: Pitti Immagine)
A New Standard IN EVERYDAY LUXURY, VINGT QUATRE DENIM
Words by JAMIE MCFADDEN
In a world saturated with fleeting trends and exorbitant price tags, the search for a truly perfect pair of jeans can feel endless. It was this very quest that led Ben Hurren, after six and a half years as a Buyer for luxury department store Selfridges, to a definitive conclusion: the market was missing something. He saw a gap for a premium men’s denim brand that offered exceptional quality without the prohibitive cost. The brands driving sales were all priced above £200, a reality he fundamentally disagreed with.
“I searched for a brand that could do it,” Hurren recalls, “and there wasn’t any in the market that fit the brief.” So, he decided to build it himself. Thus, Vingt Quatre was born - a brand built not on hype, but on a foundation of timeless style, meticulous craftsmanship and a radical commitment to accessibility.
With a background steeped in luxury menswear, Hurren’s early direction for Vingt Quatre was clear. “I’ve always admired personal style over fashion trends,” he explains. His goal wasn’t to create a fashion statement, but a wardrobe essential that seamlessly integrates into a man’s daily life. The brand’s name itself, French for the number 24, is a nod to this ethos - a personal touchpoint (his 24th September birthday) and a play on the idea of denim you can wear 24/7.
This philosophy of “doing denim differently” is rooted in a belief that denim is the most reliable item of clothing a man can own. “It isn’t and shouldn’t be trend-led,” Hurren states. Instead of chasing the seasons, his focus is squarely on the end consumer: “How can I complete their wardrobe with a wash or colour for every occasion?” This “difference” also manifests in his mission to provide an “extremely premium product without the high price tag.”
To achieve this, Hurren turned to Turkey, a region renowned for its denim expertise. He partnered with manufacturers who shared his passion, and their collective craftsmanship became the bedrock of the brand. The practical application of his philosophy is most evident in the feel of the jeans themselves.
“I obsessed over the softness of the fabric,” he says, describing a relentless pursuit of comfort. He incorporated 2% elastane into the composition to ensure the jeans move with the wearer, providing confidence from a morning commute to an evening dinner. For Hurren, timeless design is akin to the enduring appeal of a Porsche 911 - a focus on perfecting details that last. Every component, from the rivets to the stitch, is thoughtfully designed for longevity.
But what truly elevates a great pair of jeans today? For Ben, it’s unequivocally about comfort. Drawing on past frustrations with ill-fitting denim, he made the rise a key focus for Vingt Quatre. “Our rise is slightly higher, which gives you a stable feeling through the hips and waist,” he notes. Each fit is designed with a specific body type in mind, but all share the same end goal: to make every man feel confident and comfortable.
The journey from concept to coveted staple is never easy, especially in the competitive denim category. The breakthrough moment came with concrete validation from an iconic source: an order from Selfridges. “For me that was concrete validation from the best retailer in the world that Vingt Quatre was something special,” Hurren reflects.
This retail presence has helped crystallise the brand’s community. True to its strap line, “Jeans for every day, for every man,” Vingt Quatre is attracting a diverse collective of gents - different ages, body types, and ethnicities - who are immediately hooked on the quality and comfort. “The response has been phenomenal,” Hurren shares, “with a lot of customers buying more than one pair, or coming back and repeat purchasing.”
Looking ahead, Hurren sees Vingt Quatre evolving beyond denim, with explorations into knitwear and outerwear on the horizon. He remains dedicated to innovating fabric compositions for year-round comfort and is even considering a future in womenswear, though he emphasises a careful, deliberate approach.
The long-term vision, however, remains focused. “I’d love to build a legacy with this,” he says, aiming for Vingt Quatre to become a go-to choice for men seeking quality and style. “I’m so proud to be sharing the space with some incredible brands, however I’m here to take some of that market share.”
In an industry often defined by noise and novelty, Vingt Quatre stands apart by returning to the essentials. It’s a brand built on a simple, powerful premise: that everyday luxury should not be a luxury, but a standard. And in doing so, it is quietly reshaping our idea of what a great pair of jeans should be.
www.vingtquatre.co
DENIM
Alpine to Your New Winter Wardrobe
Asphalt:
Winter dressing is undergoing a quiet revolution. The line between the trail and the town has blurred beyond recognition, giving rise to a new sartorial code where uncompromising performance meets considered, urban-ready style.
For the 2025/26 season, this convergence finds its ultimate expression through three leaders who are defining the landscape: Salomon, Arc’teryx, and Peak Performance. Together, they represent a trifecta of technical innovation, sustainable design and modern aesthetics, proving that the most essential winter pieces are now those built for the mountain but designed for life.
This new uniform begins from the ground up, with the absolute confidence offered by Salomon’s Crosstrak Powder WP shoe. Engineered not just for a walk in the snow but for an epic adventure, its winter-specific ContaGRIP® outsole features lugs that wrap around the midsole, acting like climbing claws for deep powder and packed trails. But this isn’t just brute force; it’s intelligent design. Built with a new 3-layer insulation made from 70% recycled polyester and a robust leather upper, the boot ensures feet remain warm and dry without sacrificing the sleek, technical profile that looks equally purposeful on a snowy peak or a frosty city street. The quickLACE system - a godsend for gloved hands - adds a final touch of utilitarian elegance, making performance both seamless and stylish.
Providing the essential shelter from the elements is the 2025 update of Arc’teryx’s iconic Beta AR Jacket, a masterclass in quiet refinement. This isn’t a loud, crinkly shell; it’s a sophisticated piece of wearable architecture. Re-engineered with a PFASfree GORE-TEX PRO ePE fabric, it achieves a remarkable feat: it’s lighter, quieter, and more breathable, yet retains the armor-like
durability that made its predecessor legendary. With precise, anatomical patterning and a palette of subtle tonal colourways, it sheds the bulk of traditional technical wear. This is a shell designed to move with you, whether you’re navigating a sudden squall on a ridge line or a sharp wind on a city commute - proof that the most advanced protection doesn’t have to shout; it can whisper.
Completing this trifecta of performance is the layer that bridges all conditions: the Helium Down Hybrid from Peak Performance. This is where Swedish minimalist sensibility meets alpine necessity. It’s the anti-puffer; built with 90% recycled duck down and lightweight Pertex Quantum fabric, it provides exceptional warmth without the bulk. The genius lies in its hybrid construction. Stretch jersey panels at the sides offer unparalleled freedom of movement, while the sleek, water-repellent shell ensures you stay protected. It’s the perfect transitional piece, equally suited as a mid-layer under a technical shell on a serious hike or as a standalone jacket for a weekend coffee run, embodying a versatile, Scandinavian-inspired intelligence.
This season, the most discerning winter wardrobe isn’t built in a boutique; it’s curated from the trail. It’s a uniform of intentionality, where every piecefrom the grip of a sole to the cut of a shell - serves a dual purpose. It’s a conscious move towards clothing that doesn’t just look good, but does good, performing when called upon and fitting seamlessly into the rhythm of modern life. In the end, the new winter luxury is not just about being warm and dry; it’s about being prepared for anything, anywhere, with impeccable style.
CHAPTER II
EJ MEETS INÈS GRADOT:
Illustrator, graphic designer and master Risograph technician. {Pg. 34-35}
DMR Jewellery unveils most personal collections yet. {Pg. 30-33} TURNING THE PAGE:
NEIL KEATING:
Art, Liverpool and the Power of Place. {Pg. 28-29}
PURIST:
THE PLAYFUL
Gustaf Westman’s world of minimalist. {Pg. 42-45}
THE DARK SIDE GAINS NEW LIGHT:
OMEGA’s new Dark Side of the Moon. {Pg. 40-41}
Our cover star, Edie Medley’s London. {Pg. 36-39} THE ART OF EAVESDROPPING:
Neil Keating on Art, Liverpool, and the Power of Place
You can’t talk about Neil Keating without talking about Liverpool. The city isn’t just his backdrop; it’s his co-author. In a globalised art world, the illustrator’s work - sought after by brands like PlayStation and Dr. Martensremains stubbornly and brilliantly local. His journey from a kid watching graffiti documentaries to a defining voice in the city’s visual landscape is a masterclass in how place forges an artist.
For Keating, street art wasn’t an obvious path. “I’d seen graffiti around Liverpool growing up, but never to that level of art form until college,” he admits. The spark came from the raw energy of documentaries like Steel Injection and Kids. “I’d never realised how cool street art could be,” he says, the memory clearly still vivid. “It could be done by any kid with a spray can on the streets and it could sit right alongside fine art in galleries. That’s what hooked me in.”
That hook set deep. A Bauhaus-style art foundation gave him the tools, but it was a first commission at 18 - a mural for the Royal Liverpool Hospital - that
gave him the confidence. “There I was, 18 years old, painting large-scale public art for the first time. After that, I just kept going.” He cut his teeth on murals for music venues, a grind that solidified his hands-on approach. Even a later detour into corporate storyboarding, which he calls “too constrained to the computer,” only sharpened his hunger to get back to making his own mark. When redundancy came in 2015, it wasn’t a crisis; it was a release. “I was dying to get back to my own practice,” he says. “It felt like everything had come full circle.”
Liverpool’s influence is the throughline in his work. “It’s woven into the fabric of my work,” he states, matter-of-factly. “The people here have always supported each other, and that sense of community runs through everything I do.” You can see this in the spaces he gravitates towards - the once-derelict warehouses of the Baltic Triangle and now the historic Stanley Dock, where Neil met Essential Journal.
“There I was, 18 years old, painting large-scale public art for the first time. After that, I just kept going” Neil Keating
“Stanley Dock’s got a story, hasn’t it?” he says, his tone shifting to one of vested interest. The area’s regeneration, tied to his beloved Everton FC’s new stadium, is personal. “As a lifelong Evertonian, being involved in that story is a dream.” For him, it’s more than paint on brick; it’s about “breathing life into old spaces, giving them purpose again.” And when asked to name his proudest project, the answer is immediate. “Without a doubt, Everton.” He pauses, searching for the right words. “It’s rare that your personal world and your professional world line up perfectly, but when they do, it’s magic.”
Looking forward, Keating’s energy is infectious. He’s diving into the world of vinyl artwork, a passion project where “art, music and culture meet.” He’s growing his grassroots music event, Change Ya Tune, and is increasingly pulled toward mentoring. “I’m aiming to do more youth projects… that help young artists find their voice,” he notes, a sense of duty clear in his voice.
In an age of AI and endless digital replication, this focus on authenticity is his
bedrock. “The tougher challenges now are around copyright, originality and integrity,” he concedes. But you get the sense he relishes the fight. “If your work comes from a real place, if it’s honest and says something true - people will connect with it. That’s something technology can’t ever replicate.”
It’s a belief he extends to Liverpool’s entire art scene. He wants to see more voices, more perspectives. But his final word on the subject is pure Keating:
“It’s got to stay authentic… As long as we keep investing in our own people, the scene will keep evolving naturally—true to what this city’s all about.” And in that evolution, his own mark is indelible.
TURNING THE PAGE
David M Robinson unveils its most personal collections yet.
There is a quiet understanding at the heart of David M Robinson, a name that has been synonymous with trust for over five decades. It’s the understanding that the most significant pieces of jewellery are never just acquired; they are composed. They are the physical markers of our personal journey, the artefacts of our most meaningful moments. This is the DMR difference: a belief that fine jewellery is not about a transaction, but about the quiet architecture of a life well-lived.
This Autumn/Winter, the brand embarks on a significant chapter, launching and developing a range of collections. This is more than a refresh; it is a profound statement of intent, bringing a host of new and deeply personal options to their clients and signalling a dynamic new era that remains true to its heritage of expert guidance. It perfectly demonstrates the brand’s unique approach to jewellery design, with a host of in-house designers, working alongside key colleagues within the business to truly understand the demands of its clients. This new direction begins with a real shift towards self-expression.
“This is a direct response to what our clients are asking for,” says Alisha Foulkes, Showroom Manager at the brand’s flagship Liverpool home. “They want pieces that are versatile, personal and speak to their individual story. This is about giving them more ways to do that than ever before. It’s about evolving with them.”
But this new chapter is not solely about the individual. It’s also about reimagining how jewellery can articulate connection. The Making Waves collection does this with a focus on harmony. The collection’s engagement and wedding rings, which are defined by their soft, rolling curves, are engineered to slot together in a seamless, sculptural embrace. They are a wearable symbol of two paths merging into one continuous line. In contrast, the Giallo Pavé collection draws on a more poetic tradition. Inspired by the ritual of affixing padlocks to canals in Venice, it transforms a functional clasp into the brilliant, pavé diamond-set heart of the design, a symbolic marker that represents a promise secured and cherished.
Giallo Yellow Gold Diamond Necklace
What unites these diverse new collections is a deepened commitment to the brand’s bespoke journey. This is most evident in DMR’s reimagined Bridal philosophy, which now showcases a range of tastes to suit every story. “Our role is to guide, not to dictate,” Alisha explains. “The conversation has completely changed. We have clients seeking bold, chunky bands, while others are drawn to the timeless elegance of a classic style or the personalised sparkle of mixed metals and pavé diamonds. We’ve intentionally expanded our available style, ensuring that there is a truly personal starting point for everyone.”
The developments underscore a brand that is confidently adapting to the desires of the modern client, without sacrificing the reassuring expertise it was founded upon, in 1969. It’s a commitment to being both a curator of beautiful objects and a collaborator in personal storytelling.
“We’re here for a lifetime of moments, not just the first purchase,” Alisha concludes. “Introducing so many new avenues for our client’s selfexpression and connection is the real magic of what we do. It reinforces that the finest jewellery is not just expertly chosen, but personally guided.”
At David M Robinson, this landmark chapter proves the most compelling stories are, indeed, yet to be written.
davidmrobinson.co.uk
EJ Meets:
Inès Gradot
In the bustling creative landscape of Glasgow, artist Inès Gradot wields a quiet yet powerful tool - observation. A multidisciplinary illustrator, graphic designer and master Risograph technician, Gradot uses drawing as a form of documentation, transforming the fleeting moments of her environment into resonant, experimental artwork. Her practice is a captivating alchemy of analogue and digital, where the tactile texture of Riso printing meets the immediacy of digital illustration.
more about her work.
How did you first come across risograph printing, and what initially drew you to the process? I actually stumbled upon risoprinting by chance. I had printed a few posters back in art school, but it wasn’t a big obsession at first. The real spark came with our co-founded risoprinting collective, Riso sur Mer. Through our collaborative projects, I was able to play around with the technique. Since I wasn’t very experienced, I just tried different mediums to see what would happen once printed. That phase of experimentation is such a joy, discovering how things translate (or don’t!) through the machine. That’s really the magic of riso!
What have been the most rewarding aspects of working with risograph, so far? And what has been the most challenging?
The best part is definitely the element of surprise. Even when a print doesn’t turn out as expected, there’s always something beautiful in the result; a colour blend, a small misalignment, or a happy accident. It’s a constant dialogue with the machine, and I love that it never behaves the same way.
The biggest challenge is probably the jump from screen to print. What looks ‘perfect’ on the computer often comes out quite differently once it’s printed. The way colours overlap, the print settings, the choice of paper, they always add unexpected elements to the printed outcome.
In a world where much of art and design has gone digital, what do you feel risograph printing brings that other methods can’t?
What I love most about riso is that it sits perfectly between the digital and handmade worlds. I usually start with hand-drawn work, prepare my files on the computer and end up with a printed object that feels tangible and alive. The slight variations in layering, the grain of the paper, the misregistration, they all give each copy its own personality.
There’s something very grounding about that in a time when everything else feels infinitely replicable. It creates a kind of full circle: the drawing and the print share similarities, but each remains unique, with its own quirks and charms.
What’s your opinion on AI in the design world?
Honestly, I’m pretty out of the loop when it comes to AI. I’ve always preferred working by hand and using the computer as little as possible, so I see AI as just another tool designers can use if they find it helpful. Personally, I think people will always be drawn to tangible, handmade things. The process of making is one of the most exciting parts, and I’d rather let AI handle the boring stuff than take over the creative part for me!
I’m sure there are interesting aspects to explore, but I’m cautious about how much energy and natural resources these technologies consume. So for now, I’m staying a bit apart from it. There’s still something about leaving a physical trace that feels far more meaningful and alive to me.
What’s the most exciting project/piece you have worked on?
About a year ago, I got the chance to design a series of Hermès window displays for their U.S. stores, which was honestly a dream project. It felt surreal to see my small drawings turn into large, soft, sculptural installations. My work usually lives in two dimensions, so seeing it expand into physical space and become something people could actually walk past and experience was incredible. It gave me an appetite to explore more crossovers between illustration, design, and sculpture.
How do you see your practice developing in the next few years?
As mentioned, I’d love to keep expanding my work through installations and space and see how these drawings could take on new forms when their scale or material changes, whether that’s a theatre set, a piece of furniture, or an exhibition. I’ve also always been curious about animation, though I haven’t really had the chance to dive into it properly yet. It sounds like a fun new challenge, and a medium that would offer so many possibilities to explore movement and rhythm outside of the still page.
Ruby Smallman caught up with Inès to learn
TheArtofEavesdropping: EdieMedley'sLondon
Amidst London’s bustling art scene, few voices capture the city’s intimate, everyday poetry quite like illustrator Edie Medley. Based in her native South East London, the Royal College of Art graduate has cultivated a practice that is both deeply observational and wonderfully relatable, transforming snippets of overheard life into compelling visual narratives.
Medley’s journey is one of dedicated craft. She honed her skills first at Manchester School of Art and later with an MA in Visual Communication at the RCA, grounding a lifelong love for drawing as a way “to record and tell stories.” This foundational passion is evident in her work, which feels both fresh and timeless.
Like many artists, Medley has navigated the classic London balancing act, finding creative fuel in an unexpected place: the pub. “Initially I found it difficult to balance the two,” she admits, reflecting on juggling shifts with studio time. A strategic move to weekend shifts provided the structure she needed, but the pub environment itself became a direct source of inspiration. “It’s natural to make work about what you know, and I’ve worked in hospitality for years. My ‘I’m Not Listening’ series started after I heard an argument in a beer garden, but also came from me being behind the bar and thinking ‘how can I use this time?’”.
Edie Medley: I’m Not Listening (Copyright © Edie Medley, 2025)
The series, which beautifully illustrates fragments of overheard conversation, resonates because of its universal quality. When asked if she hesitates to publish such personal snippets, Medley clarifies that her characters are invented, drawn from observation rather than specific individuals. The magic, it seems, is in the shared experience. “People have reached out and said it sounds like a conversation they’ve had or would have with a friend,” she shares, “which I like.”
For an artist on the rise, her methods for sparking new ideas are refreshingly analogue. In a saturated digital industry, she finds creativity in the real world: “Having conversations with people about my work/their work is always useful or going for a walk with no headphones!”
And what’s next for this talented illustrator? The dream remains beautifully straightforward, a goal that suits her storyteller’s heart: “I’ve always wanted to publish a book of comics!” Given her knack for framing the quiet drama of daily life, it’s a project we’ll be eagerly awaiting.
The Dark Side Gains New Light
There is a moment in history that forever altered our perspective, both of our world and the watches that journeyed beyond it. In 1968, as the Apollo 8 spacecraft slipped behind the moon, astronaut Jim Lovell’s voice crackled through to mission control: “We’ll see you on the other side.” On his wrist, and on the wrists of his crew, was an OMEGA Speedmaster. That phrase, laden with the tension and triumph of exploration, now echoes through time as OMEGA unveils the most significant evolution of its celebrated Dark and Grey Side of the Moon collection in over a decade.
This is more than a simple launch; it is a deliberate step forward in the narrative of Swiss watchmaking. Comprising seven new models, the collection is a masterful display of how far ceramic craftsmanship and mechanical precision can be pushed, all while honouring the pioneering spirit of its origins.
“The Dark Side of the Moon collection embodies OMEGA’s pioneering spirit that has guided us to the Moon,” says Raynald Aeschlimann, President and CEO of OMEGA. “These new models champion that extraordinary legacy while introducing innovations that will define chronographs for generations to come.”
And those innovations are profound. The 2025 collection is the culmination of four years of intensive development, resulting in slimmer, more refined case profiles that maintain the bold 44.25mm presence the collection is known for. The technical heart of the evolution lies in OMEGA’s mastery of ceramic. A new bevelled polishing process creates
surfaces of remarkable depth and brilliance, while enhanced Liquidmetal™ technology on bezels and crowns offers superior durability. The two-layer ceramic dials, with their laser-brushed finishes, are designed to capture and transform light, giving each model a distinct, dynamic personality.
The collection offers a range of compelling expressions for the discerning collector. Highlights include a new, slimmer manual-winding model with a striking red central chronograph hand, and an all-black version with a fully darkened Co-Axial Master Chronometer calibre. The pièce de résistance, however, is a stunning tribute to the Apollo 8 mission. This model features a laser-ablated lunar surface visible through the movement; the familiar face of the moon appears on the dial, while the mysterious far side is revealed through the caseback - a wearable diorama of that historic orbit.
Complementing these technical advances are thoughtfully designed strap options. New nylon fabric straps are lined with rubber for superior comfort, while rubber straps themselves feature subtle lunar surface patterns on the reverse - a tactile, hidden nod to the collection’s cosmic inspiration.
Twelve years after the original Dark Side of the Moon captivated the world, this new chapter proves OMEGA’s journey is far from over. It is a collection that looks back to a pivotal “goodnight” from the void of space, and in doing so, confidently strides forward into the future of watchmaking.
DMR Insights:
Neil Baxandall, Showroom Manager, OMEGA Boutique Liverpool.
“This is a huge update to the Dark Side of the Moon collection, bringing the iconic ceramic collection into the world of Master Chronometer. Not only do we see updated designs to the outgoing collection, but we see a new reference with a striking red second hand, already being dubbed the “Dark Vader” by watch fans worldwide. The piece that has garnered the most attention is the new Grey Side of the moon, a manual wind Master chronometer calibre, skeletonised, with the Lunar surface laser ablated onto the dial and movement itself - unique in its design and an absolute showstopper on the wrist.”
The Playful Purist
How Gustaf Westman captured the design world’s heart.
In a world of minimalist interiors that can sometimes feel cold and impersonal, the work of Swedish designer Gustaf Westman is the complete opposite, arriving like a breath of fresh, joyful air. Based in Stockholm, the architect-turned-designer has carved out a unique and instantly recognisable niche, creating pieces that feel both nostalgically familiar (dare we say it, retro) and thrillingly new. His is a world of soft curves, bold simplicity and a palette of delicious, monochromatic tones - a recipe that has propelled him from small-scale interior projects to a must-know name in the world of contemporary design.
Westman’s journey began with a foundation in architecture at Gothenburg’s esteemed Chalmers University. Yet, it was after his studies that his true calling emerged. What started with designing showrooms and hair salons quickly exploded into a global phenomenon, fueled by the online virality of his charming, approachable furniture. He might not have predicted the scale of his success, but his direction was always clear, drawing early inspiration from the rebellious spirit of The Memphis Group and the masterful craftsmanship of Hans Wegner.
Today, his namesake studio produces made-to-order furniture and homeware objects, all handmade by a small network of independent producers. The hallmark of a Westman piece is its deceptive simplicity. Each item, be it the now-iconic “Curvy Mirror” or the “Cookie” side table, is crafted from a minimal number of elements, letting a pure, pleasing form take centre stage. Whether rendered in powder-coated steel, lacquered wood or vibrant ceramic, his creations share a kind softness, and an invitation to touch and interact.
This unique aesthetic recently caught the eye of a design behemoth: IKEA. Their collaboration, a collection of home accessories, is a masterclass in translating Westman’s signature warmth and playfulness into accessible pieces. It’s a testament to his vision that his designs lose none of their charm or identity at a different scale and price point; instead, they bring a shot of curated personality to any home.
From his Stockholm studio to a coveted IKEA collaboration and features on luxury e-commerce platforms around the world, Gustaf Westman’s rise tells a compelling story. It’s a story that proves design doesn’t have to be cold to be cool, and that the most resonant objects are those that bring a softness, a smile and a touch of pure, unadulterated joy into our living spaces.
CHAPTER III
Winsome, Manchester. {Pg. 54-59} THE RESTAURANT THAT FEELS LIKE A NIGHT AT A MATE’S HOUSE:
Claro earns a well deserved accolade. {Pg. 48-49} ST JAMES’S STAR EARNING ITS STRIPES: The Ivy Asia lands in Liverpool. {Pg. 50-53} A NEW JEWEL ON CASTLE STREET:
ONE LAST DRINK:
EJ takes a trip to Simone’s. {Pg. 62-63}
CHET’S BAR BRINGS LA NIGHTS TO SHEPHERD’S BUSH:
A vibrant new heart beat in Shepherd’s Bush. {Pg. 60-61}
The
St. James’s Star
Earning its Stripes
In the rarefied world of London fine dining, accolades typically follow years of meticulous building. Yet, for Claro, the modern Mediterranean restaurant that opened its doors in a historic St. James’s building just last October, recognition arrived with breathtaking speed. The recent announcement of its inclusion in the Michelin Guide, less than a year after opening, confirms what London’s culinary connoisseurs have known for months: a vibrant new star has ascended.
The brainchild of Partner and Founding Chef Ran Shmueli and led by the ingredient-driven precision of Head Chef Shadi Issawy, Claro is a restaurant built on a compelling duality. It is a place where the fiery, generous soul of the Eastern Mediterranean meets the disciplined excellence of the finest British produce. This is not a hushed, formal dining room, but a space pulsing with energy, centred around a dramatic open kitchen where the theatre of flamegrilling and meticulous preparation unfolds.
“Our focus has always been to deliver the best hospitality experience to our guests,” says Shmueli, “and it’s an honour that in doing so, we have been recognised by such a prestigious culinary institution.”
This philosophy translates to a menu that is both bold and nuanced. Dishes are designed for discovery and sharing, beginning with the signature
OUR FOCUS HAS ALWAYS BEEN TO DELIVER THE BEST HOSPITALITY
EXPERIENCE TO
OUR GUESTS, says Shmueli
‘A Taste of Claro’ mezze - a symphony of small plates featuring fresh frena bread with vibrant green tahini, smoky aubergine and house-made labneh. The commitment to seasonality shines through in plates like the market salad with Greek feta and za’atar, while the slow-cooked lamb, a mainstay on the evolving menu, is a masterclass in depth and flavour.
Housed in a Grade II-listed former banking hall, the design by DLSM Studio is a perfect metaphor for the food: it respects grandeur while embracing modern warmth. Soaring ceilings and heritage details are balanced by contemporary furnishings and the buzz of a room full of life. It’s a space that feels equally suited to a celebratory feast or a leisurely weekend brunch, complete with a Mediterranean-inspired Sunday roast.
With its well-deserved Michelin nod, Claro has definitively proven that in today’s London, the most exciting dining experiences are those that pair culinary brilliance with genuine, infectious warmth. It’s a restaurant that doesn’t just feed you; it invites you in, offering a taste of the sun on even the greyest London day.
claro-london.com
Claro, 12 Waterloo Place, London SW1Y 4AU.
A NEW CASTLE
JEWEL ON STREET
The Ivy Asia Liverpool, 31 Castle Street, Liverpool, L2 4TA
The wait is over. Liverpool’s most anticipated culinary debut, The Ivy Asia, has officially opened its opulent doors, transforming the hallowed halls of the Grade I-listed former Bank of England on Castle Street into the city’s most dazzling new destination.
Having opened to a wave of excitement, the restaurant has quickly cemented its status as the place to see and be seen, with thousands of sought-after bookings filling its diary through the festive season and beyond. Stepping inside is a theatrical experience; the space is a symphony of striking red hues, lavish materials and vibrant patterns, housing 46 intimate covers, a stunning central bar and a DJ booth that sets the stage for live entertainment from Friday to Sunday.
The menu is a vibrant journey through pan-Asian flavours, designed for sharing and discovery. Signature dishes take centre stage, from the famous, jewel-like sushi rolls and flavour-packed small plates like gochujang glazed chicken and pork and kimchi gyoza, to stunning large plates including robatayaki wagyu beef and the unmissable black cod miso. For the ultimate experience, a luxurious ten-dish tasting menu offers a curated tour of the kitchen’s greatest hits.
True to The Ivy Asia’s spirit, the venue is as much a late-night drinking den as it is a dining destination. The bar menu is an attraction in itself, featuring everything from classic cocktails to signature creations, all backed by an extensive wine and sake list. Perfect for a lavish dinner, a post-work cocktail, or a celebratory lunch with a set menu from just £19.95, The Ivy Asia has effortlessly become the new backdrop for Liverpool’s most memorable moments.
The Restaurant That Feels Like a Night at
a Mate’s
House
Let’s be honest, a lot of fancy restaurants can feel a bit like a theatre where you’re just an extra in someone else’s show. The script is written, the parts are assigned, and you’d better not mess up your lines. Walking into Winsome on Princess Street in Manchester, you might brace for that same performance. The white tablecloths are there, after all. But then you’re greeted not with a “good evening, sir,” but with a “hiya mate, you alright?” And just like that, the performance is over. You’ve arrived at your friend’s place – the one who just happens to be a brilliant chef.
This is the magic trick that Chef Patron Shaun Moffat and his front-of-house partner Tom Fastiggi have pulled off. Winsome isn’t built on a complex concept; it’s built on a feeling. “It’s a place when you walk in you feel at home,” Tom tells me, as the gentle hum of a happy Friday night service fills the air. “It was a hiya mate how’re you, you alright? It’s to get yourself sat down and have a nice bottle of wine kinda thing.”
That “bottle of wine kinda thing” is underpinned by a menu that reads like a list of the greatest hits of British comfort food, but sung by a virtuoso. We’re talking about a pie so good they’ve sold over a thousand of them, and ham, egg, and chips that would make your nan proud. But this isn’t stodgy pub grub. Shaun’s cooking is ingredient-obsessed. The menu changes, sometimes daily, based on what’s just arrived from their farmers. “We’ll get a phone call off this farmer who’s got these two pigs that will be ready in 2 weeks time,” Shaun says, his face lighting up. “And we’re like cool, give it to us.”
This philosophy spills over into everything, especially the team. The staff here aren’t just reciting specials; they’re sharing them. Their uniforms are subtly personalised - a cropped jacket here, a Stone Island badge there. “It’s allowing them to make their uniform, their uniform,” Tom explains. It’s a small detail that says everything: be yourself.
This creates moments you just don’t get elsewhere. I watch as a waiter pulls a shot glass from his sock to share a laugh with a table. The rigid two-hour table turn? It’s treated as a gentle suggestion. “We do everything to keep people here,” Shaun says with a grin. “It’s like you don’t kick people out of the afters until you really have to.”
When I ask them about their recent Michelin Guide recognition, they both shrug it off with a refreshing lack of ego. “We never collectively had it at the forefront of our ideology,” Shaun states. For them, a much bigger win is Shaun’s 75-year-old mother-in-law from North Manchester feeling completely at ease ordering from the menu.
So what’s the point of it all, if not for the stars? Tom puts it perfectly: “At the very least I’d like them to be happy. There’s so much sadness in this world that if we can create a bit of happiness and joy for two or three hours of someone’s life then that’s awesome.”
And really, after a night at Winsome, with a belly full of perfect pie and a head full of good conversation, that’s the only review that matters.
Winsome, Princess Street, Manchester.
CHET’S BAR BRINGS LA NIGHTS TO SHEPHERD’S BUSH
As the evenings draw in, West London’s social scene is about to get a vibrant new heartbeat. From 28th October, Chet’s, the beloved Thai-American restaurant at The Hoxton in Shepherd’s Bush, will unveil Chet’s Bar, a sultry new drinking den designed to channel the effortless, sun-kissed energy of a long Los Angeles night.
This is more than just a new spot for a pre-dinner cocktail; it’s a destination in its own right. As the lights dim and the music turns up, the bar promises leisurely, immersive evenings. The vibe is sophisticated yet relaxed, a place for both revellers and those simply seeking a masterfully made drink in a setting that feels a world away from the London grind.
The cocktail menu is a focal point, offering innovative serves with a distinctive Thai inflection. Signature creations like the Lychee Martini - a sophisticated blend of Reyka vodka, manzanilla sherry, lychee, and Chet’s own ‘Super Sour’ - set the tone for a list that is both playful and precise. These are drinks designed for savouring, each one a complex conversation of flavours.
To perfectly accompany the libations, Head Chef Carolyn Or - whose illustrious career has taken her from Momofuku in New York to luxury resorts in the Maldives - has crafted a bar menu that is every bit as compelling. It’s a pitch-perfect homage to LA street food, designed for sharing and snacking. Think elevated bites like Tuna Tacos with chipotle sriracha mayo and a hint of caviar, or irresistible Pulled Pork Sliders with a BBQ spice rub and pickled pineapple. For those seeking something more substantial, the Chet’s Smash Burger has already achieved cult status amongst regulars.
Whether you’re settling in for a full night of cocktails and snacks or just kicking off an evening that will continue in the main restaurant, Chet’s Bar has carved out a unique niche. It’s a seamless fusion of Thai fragrance and American comfort, a place where bold flavours meet a laid-back, jet-setting ambiance. For those in the know, it’s set to become West London’s new default for a perfectly spent evening.
Bar opens 28th October.
Chet’s
One Last Drink
Kafe Kaiju at Simone’s
In the hidden lanes of Liverpool, a new sanctuary for sound and spirit has emerged. Simone’s Cocktail Club, a vinyl-only listening bar inspired by the intimate jazzkissa of 1960s Tokyo, is where analogue warmth meets liquid artistry. The space is dedicated to the purest audio experience, driven by a bespoke sound system that demands you listen as intently as you drink. It’s a philosophy that extends to the menu, where classic cocktails are reimagined with a quiet confidence.
Our recommended sip? The Kafe Kaiju. This drinks perfectly encapsulates the ethos of Simone’s. It’s a savoury, sophisticated riff on the espresso martini, replacing brash sweetness with layered umami. Hojichainfused vodka provides a toasty, elegant base, which is deepened by a unique miso syrup and the rich, rounded note of Tempus Fugit banana liqueur. Freshly pulled espresso ties it all together, creating a cocktail that is as complex and compelling as the records spinning in the background.
As owner Chris Edwards explains, the drink is a direct reflection of the bar’s dual heritage: “The Kafe Kaiju reflects the heritage of Simone’s in two ways: first, Japanese ingredients are in reference to the inspiration for the listening bar culture we’re embracing and the vinyl only focus through our incredible bespoke sound system. The espresso martini element is true to our drinks philosophy of always having timeless, recognisable drinks on the menu at Simone’s.”
It’s a taste of Liverpool’s new soul - thoughtful, international and impeccably crafted.
35ml
15ml
10ml
30ml
Hojicha-infused Vodka
Tempus Fugit Banana Liqueur
Miso Syrup
Chilled Espresso
Add everything to a shaker with plenty of ice. Shake hard, very hard! Strain into a coupe.
Simone’s Cocktail Club, Lower A&B, 22 Queen Avenue, Liverpool, L2 4TZ. @simonescocktailclub.
Ruby Smallman 1/ Olivia Vaughan 2/
Jamie McFadden 3/ Molly Bluett 4/ Greg
McKeown 5/ David M Robinson 6/ Alisha
Foulkes 7/ Hatfields 8/ OMEGA Watches 9/
Tonic Comms 10/ Propel PR 11/ Keen 12/ Voice of Defiance 13/ Vingt Quatre Denim 14/
Salomon 15/ Arc’teryx 16/ Peak Performance 17/
Neil Keating 18/ Inès Gradot 19/ Edie Medley 20/ Gustaf Westman 21/ Claro 22/ The Ivy
Collection 23/ Winsome 24/ Chet’s 25/ Simone’s 26 With thanks.
