CIFF Programme 1966 by Cork International Film Festival

ELEVENTH

September 18th to 25th 1966

Sunday, Sept. 18th TO Sunday, Sept. 25th 1 966

conk Film Festival Hm Ffmvu

President:

Rt. Hon. the Lord Mayor. Ald. Sean Casey. T.D.

Chairman: A. A. Healy. T.C.. T.D.

Executive Council :

R. B. Beamish

D. Crosbie. B.L.

Dr. R. Breatnach. M.A.

An té is lugha dochas trath bunaiodh an Fhéile

B. B. Curtis. A.R.A.M. seo againn-ne. ni folair no go n'admhoidh sé anois

Prof. A. Fleischmann. n.Min. Sean Hendrick go b_hfuil 5|’ af 3 b°nn3_|'bh i gc¢3|'§~ n\|§i|' am _d¢iEh .\lrs. Nancy Jennings Capt. R. B. Kealy. B.Mus. n]bh§_|".$5|'3"he 3§3|[m- Cad |§_ u 3 lenhefd “aim F 0.Don°shue E_ O.Mahony Fhei_le_.’ Tugann se eachtaint duinn ar fhorbairt ‘ ' }dll'|‘l€ilSll.il‘ll8 eialaii na scannanzh bilogn caoi nios , earr againn d c ionn san ar c ai éain chearta onuuu cumin“ ' breithiiinthis a chinntiti i dtaobh tacit agus tionchar

Reseiltion 0ll¢¢I'= D- Cr0$bi¢- B-L Commill" R~ B» an mheadhoin samhlaiochta is uili agus is eifeachBeamish- Lt. Col. L. F. D<>yl¢- Mrs Maura Pyne.

tai. Ta riachtanas géar leis na caighdeain sin agus N-_ ;_ Ryan a ra nach féidir ealé on dramhfhuioll. on ‘kitsch.’ is dual do ealai ata comh maith chéanna ‘na chaithTransport Oeen: T. O'Brien. T. O'Sullivan eama aimsire amhain agan iomarca daoine ar fad. Agus maidir leis na comortaisi dos na gearr-\¢¢°IlIIII°¢I"°I 05"" 5- 0 M*‘h°"Y

scannain priomh-chuspdir na féile is follas go léirionn siad go bhfuil sar-shaothar a dhéanamh ins "'f°""'“°" omm‘ C‘ mums na ranna eagsiila. a chruthaionn a dtairbhe d‘aon Press Oieerz W. O'Herlihy. Committee: S. J. Coughlan. choras oideachais. Ma éirigh linn brii na hintinne J. Cluskey. F. Sanquest. S. Power agus na samhlziiochta a mlieadii sa stuidéar a dhéanann idir thuath agus chléir ar thacht do-shéanta na Special Prngrainiuer: S. Hendrick. H. Conboye. Dr. R. healai freacnairci seo. ta an priomh-cheann dar Breatnach n-aidhmeanna coimhlionta againn.

Programme Editor: Dr. R. Breatnaeh

|"'°'°°°' °.°""‘ B"B" C""i" A'R'A'M" K‘ G‘ am"

We celebrate the eleventh year of our Festival in I iml oleer : Lt. C I. J. J. Casley full awareness of the challenge of matunty_. for the M on 0 Cork Festival was in being before the l‘l18_|0l'lly of Films Oeerz W. Newman. Asst-1 N- l'lrrInIl<>I\- B-E Film Festivals mushroomed into existence. it has carved an important niche for itself. and we must Tl'I"| 03"" |- B“°""Y assure that it will be lled with _an image in keepI m : |,_ 0 M -d‘ mg with ou_r ideals. _We do not think it_ idle to claim R 0 m n that our visitors discover a distinctive character Torin Olleer: Mrs. Eibhlin 0 Dubhghaill and atmosphere at Cork and that they realise how sincere is our Céad Mile Failte. We pledge ourFestival Club Oceni C. I-lennessy. Solr. (Chairman). Sc|veS_ for one ‘hing. no‘ to kt that particular Committee: H- Fi\lI¢T3|d'smilh- B.Al'Ch.. I. M0|0' image through [he cocky. 0.handedneSS n¢y- S0lr-- Cam R» 5- K==\|Y- B-MW that over-familiarity can bring. Cork's reputation Club Reception Ofcer: J. B. Murphy for friendliness._hospitality. a warmly unpretentious air of enioyment. and an atmosphere of Coulllelltnrlesz Dan Donovan. M.A. eamest public interest in the cinema. is what we cherish and what we guarantee from the moment C°Ill""= 1°'"' 0 D°"°'h“‘ we rst welcome our guests in a way that we hope

Director: Dermot Breen. M_;l.P.R. makes them feel truly at home in our midst.

The obieql vtlhe Fwival itself is w_ f<>>t¢r_P<>r>u-

Our widely known Film Festival Club will open .ar interest in_ t_ilm._ in the short lm in particular. its warm. welcoming doors again to the public who -ince we are living_in the full tide of a great electro- will have the opportunity of mingling in a free and :iic revolution which has made the visual media easy way with guests. delegates. and distinguished more imiwrwnt criteria of ‘realitr than even prim lm personalities. Foreign visitors will quickly \\'e no longer live in “the pale of words" alone. and experience genuine relaxation there. and have ;t is regrettable that educatiollalists and academics ample opportunities for what Dilys Powell deemed pay such little attention to the effect of such media to be a very valuable service of Film Festivals "the on the imaginative life of society. even as providing pleasure of contact with minds considering the ihe diversion which the human condition demands. cinema from various points of view—some critical. some creative.“

To attract the best short lms we have the usual competition in ve categories. Bronze Statuettes of

We thank the producers. directors. and celebri§,_ Finba" will ix awafdgd by the Jury in the om. ties who have honoured us by their presence. and -tanding entry in each category. In addition a 0'-"' °“'" P¢°Pl° °f C°|'l< f°Y lhelf grand 5"PP°"Certicate of Merit may be awarded at the discre our ll!3"k$ 8° 315° lo lh g°"°T°"$ 5P°"$°l'$ and tion of the Jury in each category. in recognition of advertisers who have assisted US I13l1¢l3")' mid special achievements in particular lms not them- otherwise, Fad $3011 doibh. And W6 8l'¢ 88 d¢¢Pl) selves deemed worthy of Statuettes. The categories '"d¢_bl¢d I0 Béld Félhe f°' "5 5'-|PP°" Of lh¢ are. m Dm.mm,ma,_\._ (in (;‘.,u,,a1 ;,m,,‘,,,_ (iii) Festival over the last eleven years. as for that body's .~I!IlHIlt’tl or Cartoon. (iv) Scientific and Edam» ¥'-'a'3m°_e °l_"5 comlnued aid thus a¢k"°“’l°d8' rional (vi Films on Art. The Waterford Glass ‘P8 ll" $|2"lh¢_3I1¢¢ 071116 Festival and its contribu.4 ward will go to the lm which. in the opinion of "O" w the national PF¢§li8¢ and e¢0n<>mythe Jury. is the outstanding entry overall.

And. lastly. a renewal of welcome to old friends. As uSua|_ femur: lms form an imcgral pan of and a special failte to newcomers to the Festival. our programmes although there is no competition for them. We have been successful in obtaining features of high quality and entertainment value. ~\s the stardard of current lms is inevitably sub-

DERMOT ]-|_ BM}-N_ ec: to uctuations. we continue as usual to keep ;.:' sights high by providing special Retrospective

D,',em,,_ Cork Film Femva] ~r Tribute Programmes of work by living directors ‘ if note. and of older lms that have stood the test if time. \\’e are particularly pleased that Professor Roi-ert Gessner will be here to introduce the Ti":/‘tile Iu Stanley Kramer. the distinguished —\rtierican director. who has chosen six of his lms especially for the Festival. Prof. Gessner also con:r:bute~ a brief study of Kramer and his work. The Festital authorities are equally glad to be able to r‘i'e~e:it a Tribute to Alberto Lanuada. who will Exzniself introduce the lms he has chosen for exhibition. \\'e are pleased too to include a brief article on the famous Italian director.

There will also be a lecture in the Lee Cinema by Proinnsias (') Conluain. an Irish lmologist.

( For all above see Pages 69—76l

\\'e owe a word of gratitude to the Irish Film Society for continuing its well-established Competition. and grateful thanks to the Television Awards Committee of the Festival which operates from Dublin. for the development and promotion of this important aspect of our Festival. The scope and standing of this Competition have grown greatly in .1 short while. and this year a Colour TV Competition will be held which appears to be the rst such competition in Europe. "

AWARD

FESTIVAL JURY

The Ofcial Jury for this. the I966 International Film Festival is comprised of the following members:—

DILYS POWELL (Britain) (President of the Jury)

MADAME KASHIKO KAWAKITA (Japan)

JAN OLOF OLSSON (Sweden)

MINHEA GHEORGHIU (Rumania)

PATRICK CAREY (Ireland)

DILYS POWELL (Britain)

PRESIDENT OF run Juitv

lt is a great privilege to have as President of the Jury at the Cork Film Festival. Dilys Powell. who has been connected with The Sunday Times since the beginning of her journalistic career. rst as a book reviewer. then as a member of the editorial sta and. since I938. as lm critic. She sees anything from 400 to 500 lms a year and. as if that NAOMH Fl0.\iNB.\RR \ were not enough. her appetite for the medium and its elucidation is so keen that she will travel many St. Finbarr is the patron saint of (ht: D;t~..~.;f Cork. He miles to pick up some obscurely presented item. was born in th¢ 6*" C=""")' i" “. l"**“‘_ *4 §.“‘h°““°"'

That all this ardent involvement in lm is not in "°‘“' 5“"d°"‘ ‘he 5°" °f A"““'"' “ n“""_:'i; 5?’;

vain. the readers of her Sunday columns will testify F-nnb¢=tr‘;‘~¢§S;- :;'6"f"cf;';;;'n‘1‘§;';j“{;~.;.-;~;""jI‘;,§§{'§,, wholeheartedly. So too will all those who listen to menton e at - >---~‘ un em," ,0 d me tat“ 0; a water mom!-.'_.'. F;_nn't~.trt pur- her frequent broadcasts and. I am sure. those for- tie towards the east. :»_~ ..~.mtng the tunate enou h to be able to watch her a arances sued it for forty m s h 3 PP_¢_ River i_¢¢. and that he then swlsd M 1-”'-' 1"“-"h °f ‘ ° on television. As re ards the last medium it is rele- 8 'i"°"“"d ‘°“"d“' "“ ‘"3’ °fC°'k' h h h nd of vant to remark that she was among the earliest Anoth=r |¢ll¢l\d Bi\'¢§ thc rqawn W Y K -' §g.~'~"-K 3

members of the British Independent Television the saint is always shown in I‘€pl'CS¢?lai~.‘~‘.;:J.;:! eovve: Amhomyl with a glove "which he always wore ro... r :4} , ' scd the kneclin: 3.;.nt by |’IlS Dilvs Powell s litera achievements are. sadl he met the Saviour. who _ral -. - ry Y right hand. after which it ever glowed \t::n. ‘.X‘ _i1elestiii(: |¢§§ w¢]] known_ [n [934 shc. pub“-Shed D“-¢-em r=*¢ia"°° “'hi°*.‘ °°"'d "°' 5° °b‘°“'°‘!- ~‘_'5~‘ 'j{j~~ lg-12.. Fmm Parnassus. a valuable pioneering survey of only be borne if the hand wer6e kept covert \~ i... .t 8 - 7

;m.,,em madam pk." Thi. book howcd r_

the lm world. if such is needed. is the fact that ‘ F ‘ .) she 3 - - pg she has been a member of the ]l.ll'l¢S of no less than suasively that what seemed to eccentricity was a truly ‘importunate poetic impulse.‘ Her essays on

*5 dlQZ¢I_1 llngggnagional lf¢Sll\|l‘8lSi1 beginning with Lawrence. Eliot. Sitwell. Sassoon and the POCIIL

°r.'n m moo ‘ on 5 ° 35 amid °" "W triumvirate of the earlv thirties is still well worth Jones of fesovals at.Ma" dc‘ mam’ Va"°°""¢"reading. Before the wair. too. she spent much time Gama‘ so" Fm"c'Soo' Cannes‘ Melbournein Greece. travelling extensively. and out of her F|or°“°°' '-P¢*""°- ‘he Fosoval of .loo'a'a"o.' mos‘ h k bl recently this year. at the lntemational Festival of love for the country have come t ree remar a e '. books: Renienihvr Greet? (I9-4|). The TraveIIer'.v iho? Foals at Krakow 3"‘! 3‘ ‘he F¢5ll\'l In J H 'n '_\' I; I) in (I943) and An Aiir if the H ‘UT!

or ovy , 35" ll9l.é7l. s ( F ( ‘ l

The D_irector a_nd Council of the Cork Interna-

D-I P H is married m Leonard Russel tional Film Festival are proud to welcome as a i ys owe

Associate Editor and Chief Literary Editor of The "‘f1'."b*' °f "8 "66 Jury 8 Woman of such Smiday Tinie.i": they live near Hyde Park in a ac ‘HomemRegency house and spend their weekends in Kent. She collects Sunderland pottery. of which she owns a very ne collection.

JAN OLOF OLSSON

MADAME KASHIKQ KA\\"AKlTA (Sweden)

(Ia an) p

An author and j0Ul‘n8llSl of wide interests.

Born in Osaka. Japan. in I908. Madame Jan plot 0l5’.o" beam.‘ an omhosiasoo swdem Kawakita's whole career has been devoted to the of omoma whoe ""'="d'!‘8 slockholm U"i"o'5ilYart of cinema. After graduating from Ferris W"F'° he was "°ry_ao‘!"e as ‘P member °f ll" \\'omen's College in Yokohama. shebecanie. atthe Unwusnys Academe F'lm.Soc'°'y' Dori"? ‘ho early age of Zlra Director of the Towa Shoji Film §°°9"d world wa'_‘h3‘ Soa)’ “'35 5°m¢lh"18_°f Corporation (later the Towa Film Corporation). Bv 3. p'o".o°' orgamsaooo among 5?*'°.d'§" mm some’ I952 she was nominated Viice-President of that ms‘ Since me." he has kep‘ “P ms "“er°5l i" lmsCorporation and. within a period of eight years and ms “PP°'."""?'" as a.men.1bor of the jury Q‘ subseouently. her work was widely honoured by ‘ho l?58.B"|m Fom Fosoval '5 3 '!"=°§‘"° of his imporiant appointments to various national and §‘“!'°'"¥ m the lm world‘ Amoog his moo)’ pool" international bodies. ln I957 she was made a Coun caooos '5 3 bookie‘ o" E"3l'5h lm5- '55"¢d "l I954eillor of L’ni’apan Film. and two years later a

For 20 ycars Jan plot olsson “#5 bee!‘ 3 roving member of the executive committee'of the lnter- moon“ for 5?"°d°" 5 M895‘ mommg only .Dage"" national Federation of Filni Archives (F.l.A.F.l. N-"'“""' "'1-'" ‘l“"€°P“°'!>'- '1“ ""¢"°d "1 "mi She has since resigned from that body owing to European counmofb moluomg "'='°"‘.*- Perhaps his pressure of work. In I960 she was nominated mem- mos‘ =2"d"°"§ ".‘5k "P ""5 o°lo.wa5 ms Coven!‘ of l~er of the executive committee of the Film Library Amccan pr°s'o.onoa| ':‘*""Pa.'8"§of the Natioiial Museum of Modern Art. and four .1“ °°"""°.'°"°" ‘"".'. ms woo‘ Margot?“ tears later was the recipient of the special artistic Slogan‘ who '5 8 ban?‘ com’ he has wrlm" smows award of the Japanese Ministry of Education for of England‘ ‘he Unneo SW95 a"o' "1 1957- of her distinguished contribution to the development I'°lan.o' Although. .h° has wsnco I!°'°."d oo ve ' b - J occasions. these visits have never coincided with a if h Fl L' ‘ ’ ‘ Fuithelrnproofr8?Ni2d2:I1p:nKawakita's stature iii

Cork fosovu "'5 swoy of Irehmd §h°“'5 ‘ha! h¢ i5 8

Since the Years ('rmmr_v. which started its -tell \crsed in Irish history. politics. and literature. awa,-d_winn5ng car“; (Of ve rst pfizgg and yg Jan olsson has also written two novels and a others) at the Berlin Festival in toes. he has number Oi b00it§ 0" ¢°t"¢mP°"-"Y lm¢"l3"°'_‘a|

worked on Wild Wings for British Transport. and Politic» He is very -'el<=om= as the rst Swrdtsh

The Living Forest for Pilot Films and. recently. as T-ember of 8 Cork Film F¢§!i\'i i\"')’- director-cameraman of the second unit of Fred Zinneman's Man For All Seasons (based on Robert Bolt‘s well-known play).

We welcome such an accomplished artist to our Festival Jury.

PATRICK CAREY (Ireland)

MINHEA GHEORGHIU was born in Bucharest in

(Photo courtesy huh Times) I920. At the University he specialized in the stud) of the Fine Arts and Philology. and holds both the

A man who has only recently won many awards Ph_D_ and D, Litt, degrees, fOl‘ the many-splendoured beauty Of his lm YPGIS

Hg holdg many important pgsitiong, among thggg ('r>mur_v. Paddy Carey has actually spent over 2| being the Chairmanship of the Council of Rumaof his 50 years in lms. But more of that later. nian Cinematography. and the Professorship of He was born in London where his father was Theatrology and Filmology at the University of then a civil servant. May Carey. who was assocta- Bucharest. M. Gheorghiu is also President of the ted ttith the Abbey Theatre. was his mother. And. Rumanian National Film Festival in Mamaia. and to add to the associations with theatre. Vivien an Executive Member of FIAF (The International Dillon. his wife. worked in the Gate Theatre Federation of Film and TV Authors). A further lwtainly with Longford Prudsu). She is now his noteworthy honour he possesses is Membership of rartner in their company. Aengus Films. The International Shakespeare Conference. Strat-

Nearly all Paddy Carey's lm work has been in ford on Avon, ~;-torts. and it has taken him to all sorts of places.

Over the years M. Gheorghiu has been a special the most stimulating of which were the Canadian guest in many countries: Argentina, Brazil, EngArctic. Khatmandu (shooting background m8t¢l’i8| land. France. India. Ireland. Italy. Russia. Spain. for the Conquest of Everest) and Indonesia. He has United States, Uruguay, and has been a Member of also travelled to India. Ceylon. East Africa. Persia International Juries at the Festivals of Mar del and some parts of Europe. The Canadian expe- Plata (I965) and San Sebastian (I965). rience was probably strongest because he spent

He has written the scripts for many lms. His some ve years in the country. going foul’ times t0 script for Tudor was awarded the Special Prize and the Arctic. and once each to the Yukon. Alaska. Southern Cross at Buenos Aires (I964) and the and across the border to Northern U.S.A- National State Prize in Rumania. The film was Paddy Carey's best-known lms are probably presented at the Cork Festival in I964. I-Ie has -/<'"’"¢’." 1"!" 5P"i"8- 7711' l-1'\'l'"8 5'0"? (Shown at also written more than fifteen books. including Cork some years ago. and an award-winner). Skv. works on the theatre and lm. a large monograph which has also won some awards. These three he on Shakespeare. a series of studies of Irish Drama photographed for the N.F.B. of Canada. And. in English (J. M. Synge. Sean 0 Casey). and a study nally. of course. came his masterpiece. Yeats of Eugene 0 Neill. For a period he was Editor of (‘ttumry which he shot on his own and ¢o—Pl‘0dtt¢¢d the Rumanian monthly review of world literature: with Joe Mendoza. Three of these four lms have Twenfiellt (‘emm-_v, been nominated fOl' Oscars and. signicantly. three M, Gheorghiu is welcome as the rst Rumanian also reect Paddy Carey's interest in nature as a representative on the Jury of a Cork Film Festival. lm subject. ll

MINHEA GHEORGHIL‘ (Rlmumia)

SYNOPSES OF FILMS

Important Notes

Belglull - JILLALI

P od A ii" -Fl

D.iretii‘<:i'ii‘inRik ‘l(llc)"::l’$l m ript: RviklKuyé|'>ners

Films are listed numerically. The numbers correspond mo: 8 ‘cl -as with those to be found opposite lms in the Progrlilulie Commemmor ' whenschocnuns proper. that is. the colour liiset inthis brochure. and thus J'"“:"h? 9'9""? °Q?°h‘ma" °‘.M'k"°5' i‘ "‘°.5°|° .5‘.'P' "='P “"0-=5 to '°=="= d='a"= ab<>"' lms i’.§’.-".3.....'.§.l’l.‘i.“€1"i¥.;.;'i“i.§"'Z.f.1§{,.i2"I£‘{i§'i'i.°.’?..,‘3i""K European tourist. attracted by the idea of a romantic trip.

Accounts of Special Tribute Programmes devoted to gets into .l_illali_'s coach. They become friends. Jillali hoges Stanley Kramer and Alberto Lattuada may be found on ‘° "d 3. l°b "1 E""'°P° bl" hi? new Mud b°l.l°"‘.‘ l 3‘ Pages 69 75 Europe is tio place for an African boy. that Jillali must ' stay in Africa. (Time : 36§ mins.)

Details of Collpetltloll associated with the Festival 4 (Irish Film Society Award and Television Commercials Awards) may be found on Pages 78 and 79.

. 1|-1|-; Mm wag |)A|u=_p

Synopses or other details of some lms are wanting (UHOMME om (‘Al because they were not available before going to press.

Late entries may be found on Page 76.

Pr0d\l¢li0ll I Pierre I-evie

Director: J. Delire

Script: J. Delire

Photo: Femand Tack

Music: Y. Dailly

Players: Christian Barbier, Quentin Milo. Litinsky. Fernand Leanee. Nele Paxinou, 1

Ailtrllla - nrsutrsn LANDSCAPE

D‘"'i°'° D°'“‘

Animals and people are often lost in the marshes known

Production: Arkaba Films Pty. Ltd.. Australia as the Em“, N05,-,_ Ev‘.-ythin‘ has been mu; inorder

Director: Ian Davidson to pierce the mystery of their disappearance. until. at Sq-ipt ; Namy Cato length. a truly adventurous spirit appears on the scene hm Davidson byT|lti:nlRn;;s based on the story of the (s_:ls_tne llll2¢8Wl’l_ll¢l't ime: mins._

The changing landscape of Australia as seen through the thoughts of a part-aborigine girl as she recalls her early 5 life and the places she has been durint‘ her childhood. and also the circumstances th t brought er from the settlements to the city. a (Time : I3} mins.)

Australia - PAINTING PEOPLE

Production :

Director: Genevieve Grand'ry

Photo: Freddy Rents

Music: Paul Uy

Commentary: B Raymond Germaine:

Prodttcltion Australian Commonwealth spoken by Ag-,|¢y I m nit

A tript ch devoted to the cultivation and enjoyment of ?c".cc:(_".l'..Tmg Btilall the breatlitaking glory of the Belgian begonia which. it "P ' ‘m “'§ is claimed, is the most beautiful begonia in the world._

Photo: Bruce I-lillyard (fim¢; 15 m|m_)

Music: Don Andrews

Commentator : Brian James

for E-"mi-me-1 the portraits shown illustrate their varying styles. 5 y

The trend of modern art has clearly been towards the abstract but in Australia at any rate. as this _lm _mani-

festly reveals. there is still a school of portrait painters. The artists who prove this. and who tackle the ir_nagin_a-

DT.V., Studio and Theatre Planning tive issues rosed. are Clifton Pugh. William Dargie. Wil- Specialists liam Dobe l. Russell Drysdale. .Io_n M0lVh?. and Andrew Sibley. A sequence is also taken tnthe itchellGallery

Our own sltldlO was the birthplace of the works of early painters in Australia. and their of Tdes Eh-can" works are considered and discussed.

An item of particular interest to_ a mainly _lrish

30 UPPER ABBEY STREET, audience is Clifton Pugh‘s fine portrait_ of Al_‘¢l\bl5lI0p DUBLIN 1 Mannix. painted when_ the sitter was _ninety-nine years old. For the painter this portrait personies old age. pm)"; 41978/9 (Time : 28§ mins.)

Craftsmanship

- NUANCES

Production: Belgique-Cine. Brussels

Directors: E. D. Hoker and P. Busana

Script: Michel Clarence

Photo: Ruedi Groh

Music : Sadi

Commentator" Michel Clarence

-\ d vurnentary devoted to an examination of the paint

xlustiyg. (Time: 23 mins.i

Production: Play-Pix Productions

Director: Desmond Davis

S"i°i§.§.§i“.§§"lf.L'l,l’.I.‘i."‘t§i“'ili',P°»i'i§‘FZ.'l.'i'.°““"

Photo: Manny Winn

Music: John Addison

Cast: Rupert Davies (Davidl. Brenda Bruce d (Addie). Robert Duncan (Gus: the uncle). an William Marlowe (Wayne). Ann Lynn gala). ihriitopger ArissM(Tom). geafbf- r ra ea el mma. auri nham Flrsl ' class Equlpment _' (Mr. Neamel. Helen Fgaser (Ma: Neame). John Moulder Brown (Jamie). Helen Goss (Helen). Stafford Byrne (Vicar).

combined in the production of

Seven year-old GUS has been an uncle all his life. am when his quarrelsome. unmanageable 7 year-old nephew Tom comes to spend the summer holidays with him. he ll'lIS Programme nd‘; the responsibilities of his position almost too hard [0 3|’

He rst becomes worried at a cocktail party given by his parents. A guest turns to him and tipsily exclaims: Isn't that quaint? Uncle Gus! l always think of uncles as funny old gentlemen.“

Then when a large local house becomes vacant. Gus. Tom and a gang of children divide the debris left behind. Gus quarrels with an older. bullying boy over a broken umbrella. Led by the bully. the other children turn on him. teasing him because he is an uncle. And Tom. his 7 year-old nephew joins in.

Curiosity and bewilderment bring him to question his mother. the family maid Emma. and his father about the mysteries of his unusual status. His puzzlement remains. Meanwhile there are gunghts and chases. But the playing always ends in quarrels. And there is always the teasing. oft-repeated chant : "Gus is an uncle. Gus is an uncle."

Shying awav from the others. Gus packs up his toys

and spends more and more time by himself in ihe_empty

house. As Gus grows embarrassed and aloof with his

own father. Tom's father. a farmer. becomes his towering hero. But that image is brutally shattered.

WASHINGTON

, GTheHmvsteri_es of1_bii;tl_i ncowhbectiie anhobiession with us. e questions is rien .t e vi age s op eeper. on y

to be told that he is too y_oung to know. But on a family

outing to_ the _beac_h Tom is more helpful. “It's something

to do with girls. he says. And Gus looks hard at the couples on the sands.

A the hol'day end Gu r scue Tom who be‘

chasid by ot'her children. sSuddenl§' uncle and lhephle‘: nd themselves on the same side Gus iauntilv collects his budgeri ar and toys from the abandoned house. The summer holiday is over. (Time : I hr. 30 mins.l

Our Phoenix is pretty strong.

Test your grip.

You see lots of people shaking hands with our Phoenix these days. In fact, you’ve probably noticed how fantastically popular

Britain - PHYSICS AND CI'lE.\lISTR\' OF WATER

Production : World Wide Pictures. Ltd.

Director: Sarah Erulkar

Photo: Charles Smith

.\lusic: Jaqucs Lasry

Commentator: John Westbrook

Water is the commonest yet the most extraordinary liquid in the world. It is lighter as a solid than as a liquid: \\ hen heated it evaporates more slowly than almost any iiquid of similar molecular size: its surface tension is unasuall) high: it is an almost uni\ersal solvent and is highly .orrosi\e yet harmless to living things. The lm examines the atomic structure of the water molecule in term; of its electronic character. and the formation of the hydrogen nonds whose behaviour results in the unique properties of \\.iter and its three states as liquid. solid. and gas.

(Time: Ztll mins.l

9 Britain - REFLECTIONS ON LOVE

Production: Clarendon Productions. Ltd.

Director: Joe Massot

Script: Derek Marlowe

Photo: Robert Freeman

Music : John Scott

Commentator: Cyril Shaps

This lm offers a poetic study of love in the London of I966. in the midst of and almost despite the "switched-on." “geared-up" world of the young people involved. And London itself is seen as a city of lovers: warm. green. romantic perhaps a new city not known to many.

it has become. One of the reasons ( along with avour, brightness and a cool, rm head) is its strength. Next time y0u’re - at ordering, ask for a pint of our Phoenixand the bright will dawn on you!

(Time: Ill mins.l

Britain - RAYON FIRST AMONG FIIRLS

Production : Film Centre (International) Ltd..

London

Director: Lawrence Crabb

Script: Lawrence Crabb

Photo: Wolf Suschitzky

.\lusic: John Beckett

Commentator: Roger Wesson

C0rk’s Premier Store

In the l7th century Robert Hooke foretold the dis- ‘-er) of man-made bres. Two centuries later French for --.1 British chemists succeeded in producing them. Then

QUALITY VALUE

1905. a British rm. Courtaulds. rst developed viscose '.;:-OH commercially. and so became world pioneers of "-e man-made bre industry.

The lm makes ingenious use of animated dia rams to sescribe the complex_processes of production andexplain -:;:nt developments in cellulose c emistry and manufac- and "."ring techniques. Laborator and factory sequences show

Ladies Fashions. Accessories and Cosmetics

Men's and Children's Outtting

Household Linens, Dress Materials. China and Glassware

Furniture Soft Fumishings and Carpets

Kitchen Appliances

Gifts. Books, Stationery and Toys

Your shopping done—

Why not visit the WINTHROP ROOM

and enjoy a meal in a pleasant relaxing atmosphere

Britain - THE RISE OF PARNASSUS NEEDY

Production : Richard Taylor Cartoon Films. Ltd.

Director: Richard Taylor

Script: Richard Taylor

Music: Fitzroy Coleman

Commentators: Derek Nimmo. George Benson. and Charles Hodgson. Nigel Anthony. Mary Dennison

This amusing cartoon lm traces the story of a bank fY‘l.tl"lu¢l’ and a customer who wishes to borrow some money. By using the manager as the commentator. it is explained that when lending money the banks place more emphasis on the character and prospects of the customer than on security. (Time : I3 mins.)

Brltaln - THE TORTOISE AND THE HARE

Production : Gammell Hudson and Brownjohn Inc.

Director: Hugh Hudson

Script : David Gammell and Hugh Hudson

Photo: Wolfgang Suchitsky

Music: Various current Italian and English popular songs; Albinon; Vivaldi.

During Festival Week Llatn C. M-'tln will hold an exhlhltlon of his recent paintings at Cash‘: Winthrop Room :l.e development of rayon tom normal textile _yarns to :i~.e latest modied rayons including high tenacity yarns .=n.l polynosic bres. (Time : 26 mins.)

The Tortoise is an enormous articulated truck and the Hare a I50 m.p.h. E-type Jaguar. The super highway is the Autostrada del Sole. La Fontaine's fable ilustrates the existentialist‘s point that potential ability without purpose is no match for actual performance: and the moral here is derived from the characters of the two principal players : the girl. careering along in her white Jaguar and the steady workman. steering the wheels of is lorry that always seems purposeful as it forges ahead. (Time: 37§ mins.)

23241. 23242

Britain - "HORSl£.VIAN. PASS BY!” THE STORY OF A POET

Production: British Broadcasting Corporation. London

Director: Malcolm Brown

\lusic : Gerard Victory with Members of the Radio Eireann Orchestra. Dublin

Commentator: Brendan Kennelly

.-s from his works. The lm is based on a specially-

4. riographical portrait of the poet Yeats. with quota-‘ >1 lecture given _by Frank O'Connor shortly before his -:s:'.". and contains sequences lmed in Ireland and E-,'T.ind. (Time : 56 mins.i

Production : Bulgarian Cinematography. Soa

Director : Hristo Topouzanov

Script: Tsvetan Anghelov

.-\ri Director Milka Nacheva

Music: Georgi Genkov

.-\n inspired scissors dances amid coloured papers. cuts here and there and so produces a gay. newly peopled

world. A little boy is the rst to come to life and he keeps

.i§klI\g for new toys. The resourceful scissors supplies them : coloured cubes. a ball, and in the end a ittle

girl. Iiut the selsh boy takes all the toys for_ himself.

no fun to be alone. (Time : 7§ mins.) the little girl hides and makes the boy realise that it is

TROPHIES

Designed and made on our

premises

IIl|IIl'|l - THE FIRST STEPS (PARVI STAPKID

Pod tio:Bl ' c" t h.So'

Script: Konstantin Grigoriev

Photo: Tsvetana Naidenova and Dimiter

Kovachev

A lm which introduces us to an interesting world——that of animals and birds taking their rst steps in life. By

means of a concealed camera with telescopic lens, the makers of this lm have succeeded in capturing many

curious moments. showing us scenes which the ordinary man would otherwise be most unlikely to observe.

(Time: 9} mins.l

TWICE

(EXCEPT SUNDAY)

Production : National Film Board of Canada. Montreal

Director: Robert Verrall

Script: Joseph Koenig

Photo: Robert Verral

Music : Robert Fleming

Commentator: Guy Glover

The purpose of this lm is to give children some insight into what enerly is to reveal the relationship be-

tween the various forms of energy and between energy and matter.

Where the suns energy begins is_expla_iiied in an ammated sequence picturing the atomic activity inside the sun and the lm concludes with some questions about

energy for which man must yet nd answers. (Time: 8; mins.)

Canada - l>llGI-I STEEL

Production : National Film Board of Canada.

Montreal

Commentator: Don Francks

They are the real builders of the skyscrapers of New York. these men _with their cat-_like siireness of foot. who work at dizzy heights to erect incredible towers of steel.

Most of them are Indians from the Caughnawaga Reserve in Quebec. 0

High Steel is a lm about this special bree men who know no fear of yawning canyons. who walk a narrow girder hundreds of feet aloft as though it were the sidewalk. Nimble of foot and strong of arm. they

rivet in place the ribs of steel that form the framework of the tallest buildings. Buéedespitgotlheir skill. tragedy in

sometimes occurs. as at Que c New York is where their work is. but home is always Caughnawaga. and so the lm briey visits this lndian

community near Montreal. (Time: I4 mins.)

D NL P

Canada - THE FOREST

Production: National Film Board of Canada. Montreal

Director: John Spotton

Script: Stanley Jackson

Photo: John Spotton

M ": Lo A lehum usic uts pp a

Commentator: Stanley‘ Jackson

Here is a part of Canadian history that few people will -"eeognize the war of the pine forest. in which a few men with axes destroyed a dense population of trees such T ..\ the world will never know again. The lm shows the reroic scale of this destruction of the Eastern white pine forest an amazing though tragic feat - from its be,':nnings_at the time _Napoleon closed the Baltic ports.

A\’l.-\TIO.\'

Aer Lingus lrish International Airlines rely on Dunlop components for their entire turbo-prop fleet of aircraft. Wheels. tyres. brakes. etc.. are all built by Dunlop.

BUILDING

Dunlop Semtex ooring is manufactured in a comprehensiye range to suit every marine and industrial application and Dunlop adhesives for bonding floor. wall and ceiling tiles.

FOOTWEAR

Dunlop are the largest manufacturers of footwear in Ireland. The new Warwick wellington-type boot has been hailed as an outstanding development in workaday footwear for the farmer.

INDUSTRY

Ensuring sarry in industry is of growing I concern amongst progressive employers in eyery eld. Dunlop play a vital role in

'educ'ng accident gures by supplying

iirnuféd fabric industrial clothing. steel

The director combines photograPhs and engravings of the period. folk songs. commentary from the past. and some yiews of to-day‘s lumber harvesting. employing few - d m‘ "siye ma ‘hines.

715" an d\ C,

At a time when the interest of CanadIans in their past is at its highest this film adds a brand new perspectiye to he understanding of Canada s ec \UITIl(. history and suggests ai wiser‘conser\ation of natural wealth every\\ here in place of the piracy of the past.

(Time I9 mtns.)

Three well known personalities of the screen are here MP9“ b°°1§- Tubbr l"°l'h0X¢§- ¢l¢-

seen chatting atthe cinema.

Edward SHIPHNG .\Iulhare. James

and Dan

I-"Ilm "Gripdeck" ooring by Dunlop makes it |;‘,sm.a| W65) much easier for everyone to nd their sea'egs. Ireland's shipbuilders have been quick to appreciate the enormous advantages of this marine ooring surface.

TOL'RIS.\l - -

Guests at the Intercontinental Hotels in Laud“ ' “HAT ON ‘EARTH

Dl-ll"lll'I- (Wk 1""-l Limerick ¢"l°Y 11 will

Proiuction: National Film Board of Canada. night's sfeep on Dunlopillo mattresses and Montre-at Plll0“§- D\1"|°Pil|" Carp“ ¢"§hi°"i"B- in

Directors: Les Drew and Kaj Pindal these and_ other top hotels. heightens 5“-gm; Kai Pindal lhii 'DlU§h-

TRANSPORT

Ty res. of course - and for just about every

Photo: Kjeld Nielsen

Music: Don Douglas

Commentator : Donald Brittain type of motorised wheel imaginable .1 d~ .gricu|w|.. | ".. 1,“ nd rigm

In this lm Kai _Pindal. an artis_t_ in the‘anintation'divi'~i'1?““i- '3»"»~‘i~i “ :.'::.':..r;'. "1t...€;:"::'i2.: :::::*":L.ti'.i;.i**i::*; ":.‘3.:'.'*i.*.:.i

THE "us" DUN‘-OP COMPANY LTD‘ .\lartia'ns logically might guess to he already the case -~ DUBLIN. CORK. CALWAY that the motor car has inherited the earth. 14 25 (Time ‘H mins.)

Left

right:

Mason

0‘l<lerlZhy. (Cork

Q Q

Canada - THE DRAG

Production : National Film Board of Canada. Montreal

Director : Carlos Marchiori

Script: Carlos Marchiori

Photo: Murray Fallen

Music: Don Dtaiglas

Commentator uy Glover

The Drag is a colour cartoon with a swinging musical

accent. designed for voung people and illustrating the

whole psychology of the smoking habit.

The lm is aimed at the ll—l5 age group hut will

‘(Ia é:~—__-5%. Q register its message with every audience._

7 __-. (Time: 8} mins.l

Canada - SYIIINX

Production: National Film Board. Montreal

Director: Ryan Larkin

Script Ryan Larltin Magmcenl

P¢.".:i':z§ 'éi$J‘¢."l§L‘l‘L..>»

She was the nymph who found refuge in the river

, , , when the goat-god Pan pursued her. He reached out but found his hand full of river reeds. When he heard the wind among them he fashioned them into pipes. Then he

A little more than an lrish stcne‘: throw played andan me cam. lmcmdl aw" ‘mm c°'k city i" u K_i'_'id°'“ °‘

Syrlnit is the film of a young artist from Norman McK°"Y I" 9"" °f "W "‘-=$! "<'""l ""9" Larens student group. and his lm‘: fresh style. its brief where you could ever wish to stay. They are duration. and Debussy‘: gentle aery music combine into the 5,," south", '49:,“ u |(.,.,m"'_

a delightful and unpretentious interpretation of the S)'I'lI\X legend. that most audiences will enjoy. Parknasilla. and Killarney. There are four ‘Time. 3 min“ more at Mulrany. Galway. Sligo and Bundoran seven in all. all equally magnicent. What‘: so special about a Great Southern Hotel! Well. if you were to make a choice

Ce Ion - SALUTE T0 FREEDOM of the world‘: nest hotels. for ftod. wines. 3' "Win M4 lm¢"i'i¢=- it Would iv“ I50"!

Production: Ceylon Government Film Unit. break even with a Great Southern. But from Colombo there on Great Southern: are out on their

D.rector: George Wicltremesinghe

Photo: Vincent Perera own; set in the most breath-taking beautiful Commcmamrz Jimmy Bharucha situation: imaginable. Askanyone. Oh yes!

He'e we have a colour documentary on the I966 IndeMd bring Your g.°" quh‘ i‘ 7”‘ an to pendence Day Celebrations in Ceylon. These celebrations 9|” °" ' """'9'°"""9 ‘°‘""' c°"‘* ‘"7’ took place at the historic capital of Kurunegala. a town way. you drive through some of the finest hallowed by the memory of two Sinhalese kings who ruled scener the o Id ett'n to Ireland’: "V" c¢Y|°" In lh¢_|4lh ¢¢|_"|"'l'-_ 7 m W r g ' I The great occasion begins with a Pirith ceremony. “M7 ‘°'"h'w“"' which is followed in turn by a milita parade. a march-

past and a euryhtrmics display by chlildren, an historical pageant and. nal y. a cultural display ending in a joyous burst of reworks. All this send: the peo le home \Vl_lh a glow in their hearts. (‘Fimez 40 mins.)

KQNHAKE. l'AKKNK§lLLA. IULLIRNEY.

HULRANY. GALWA1. SLIGO IUNDORAN

Cuba - CL'.\IBlTE

Production: Cuban Motion Picture Institute

Director Tomas (iutierrez Alea

Script: ()nelio J. (‘ardosa

Photo: Jose Lopez

Cast: Teté Vergara. Lorenzo Louiz. Mart.Evans

Here is a simple tale which is unfolded with all the natural rhythm of peasant life. sharpened by telling observation of local customs in the Haiti of the early I9-(Us. We watch. for instance. a pagan sacricial rite. a funeral procession. and the dancing of the Cumbite. the dance which gives the picture its title. We also listen to the lively

native music. and appreciate the actors' excellence in

Czechoslovakia - l(OL.\lA1\' SOKOI.

Production: Short Films Studio. Bratislava

Director: Jozef Zachar

Script: Jozef Zachar

Photo : Jozef Grussmann

MusIc: Ilja Zelenka

27

(Time: 13% mins.s

C1¢°h°9|°""'k'" ' I-00K|Nc (“ER THE FENCE bringing authenticity to their creation of the peasant world.

The story unwinds in the little village of Fonds Rouge in Haiti. Manuel. a young peasant. comes back from Cuba where he has spent some years as a cane cutter. He nds his native place impoverished by a long drought. accepted by the people fatalistically. or vainly countered by dependence on ancient magic ritual. He realises tha: the only true remedy lies in corporate. rational action ht

(POHLED PRES PLOT)

Production : Kratky Film. Praha-Studio

Documentary Films

Director: Radtiz Cincera

Script: Radtlz Cincera

Photo: Jan Spata

An amusing lm. shot in Scotland. about the strange all the villagers. A blood feud however. makes his task - - - - pecularities of all kinds of fences. which shut people in ‘f|"_1°§' ::“_7’°§.5'h|ei‘ H‘ '°f|“_5°§ uifbe %‘""§‘dd bi in“: “mi and out. lt could equally well have been made about LV&l'lI\|£l ) “IDS I ¢ PCOPL I0 ISSI C. an CI'¢-IICS lhs "ish fenc¢s_ barbed and “IL common purpose necessary. (Time: I hr. 22 mins.»

CIQCIIOIIOVIKI8 THE BLE§§|NG 0!-‘ LOVE

Denmark N0|sE ‘STOJ, IBLAI-I0 LASKYI

Production: Krzitky Film. Praha

Director: .liri' Brdcclta

Script: Jiri Brdecka

Photo: I. Masnik

Music: J. Novak

An animated cartoon lm. (Time: 8 mins.I

Czechoslovakia - Ml-ITAMORPIIOSIS tPRI.-IMENY)

Production: Kratky Film. Bratislava

Director: Ladislav Kudelka

Script: Ladislav Kudelka

Photo: Oscar Saghy

Music: llja Zelenka

An exercise in visual contrasts. (Time : ll mins.l

(Time : I6 mins.t

Production: Minerva-Film A s Statens Filmcentral. Copenhagen

Director: Jorgen Roos

Script: Viggo Clausen and lorgen Roos

Photo: Jorgen Roos

Music : Canned

Noise is a nuisance except perhaps tothe one making it. “Noise is life." some say. but. atthe same time. as the lm demonstrates. noise may well be deadly too (Time: ll mins.i

Denmark - KNUD

Production: Nunalm. Copenhagen

Director: Jorgen Roos

Script: lorgen Roos

Photo: Jorgen Roos

Music: Ole Schmidt

Here is a documentary about the Danish Arctic explorer. Knud Rasmussen (I879-I933). His rst expedition to Greenland took place from I902-I904. In l9l0_ he established (in North Greenland) the trading station. Wel¢'0'""-I‘ \'i5i")'5‘ '0 ml’

Thule. which became the starting point of‘ his expeditions. The most famous was the “ Fifth ThuleExpedition of I925 to I928" with dog-sledge along the north coast of the American continent to Alaska.

Knud is an analysis of the spirit and human qualities of a man whose contribution to the exploration of the life and myths of the Polar Eskimos was unique.

The lm has obtained the highest award from the Danish Film Fund and also the Danish Film Critics' Award. 'Bodil‘ as the best documentary produced in Denmark in I965. (Time 32 mins.l

Denmark - I-‘LEA CIRCUS (VI-ZRDI-INS MINDSH. |:~||¢¢ . (;RAC|()U§ |,|v|N(; ARTISTERI (LA VIE DE CHATEAU)

P"_°d"°‘i°" 1 Lalcma Films‘ C°p°"h“5°"

Director: Borge Host c9b¢|a F;|m5

Sm?“ B°"3¢ H°5l

Ph°'° Z R°|f° Ron": ‘md Hennk F°3'M°"“

Prozluction : Nicole Stephane. Ancinex.

Director: Jean-Paul Rappeneau

Script : Jean-Paul Rappeneau. Alain Cavalier. ' d Cl- d S- tt

A lm which deals with the world s last ea-circus. in Ph 'm_ P. Au cur" e the Tivoli Gardens in Copenhagen. (Time: l0§ I'l‘llIl. °l° - '¢"" °""“°

Music: Michel Legrand

Cast: Catherine Deneuvc (Marie). Phillipe

Noiret (Jerome. Marie's husband). Mar) glarquet lfihalglotte. |.lero{i41e's mtfithr). Piegre ' ' rasseur ( imanc e. l arie's at er). Ot er Bab,“ HELPING "Ah" roles are played by Carlos Thomson. Henri

Production: Blue Star Film Garcin (Julienl. Marc Dudicourt and Donald

Director: David King 0'B'l‘"-

5¢l'lPl I P¢l¢l' wak

Photo: David Peltham

In a ramshackle Cl'l:l¢:ll ifives a vindictige oi: woman.

The year is I944. an t is earsome guar ian as up to ; | D | this been successful in preventing_the occupation by the commemawr Pa“ Dug as Germans of hrer castille. \\;ith her liveis per [son J%rt?me_.‘a

m" n weary o wor y peasure. an is eauti u wi e. ,|,:di§gi,i¢§foih'i;:ii$:§aSd'm'c Foundaillailnise

\l‘arie. who is bored with her life. and with her husband. ' who is twenty years older-than her. She longs for her husband to take her to live in Paris. but his only concern is for the produce of his orchard.

When the story starts. summer has just begun: life is calm andthe weather id llic. The end of these seemin Iv

halC)'0n days comes. when events bring unexpected “:5 5; , |g|- U|;|;|gA[_L)

\€lOpl'I1CIIlS into Marie's lack-lustre existence. A young Frencg oicer. luliin. lis p_arachuted dingo the castle r ti¢ll0l'l1 llmll - "M groun s to organise oca resistance. an t e war ma es

Director: Henry Schnackertz ii<|mor‘e ierisiis gl:l’l.lSl:Iln:ll!Lr0IIf l:\ th‘ casle lwgeii

Script: Rene Steichen and Robert Diligent “P5 °¢ ' ° "ml 31 ' " "a Q5 ' ° if Y5

Music: Theo Manchu ;i}:£.¢nl’:1s[:::m§0i'(‘]¢‘C;gV:a:‘l|I:.. and he and his troops quarter c°mm°'“a'°' 5 Mich“ Mule‘

Jerome realises that apples are being stolen from his

This lm shows the multiple uses to which steel is put “rcha;q' am: become?‘ aware um $2" |'\ny§'°ri°us ‘gems are ta in ace on te ro rt. at e oes not now in a wide range of elds _—_in industry. build_ing_. transport. is mm mg: ‘Lark and ‘hcpsuouynding coumryside has be_ the plastic arts. the pf0Vl_SIOIl of leisure facilities. etc. All come 3 mama“. and mmamic. mm": of ope|.aom_ °"°" lb‘ E“'°P° °f ll.” 5"‘ W‘. Md ‘l b"“3.‘.“°d b°'h °-“

The soldiers cannot remain insensible of Marie‘s charms. the grand scale and in the minuiest quantities. There is and Jun“ and mopswck “com: rivak in ‘heir anew ¢Vid¢l\¢¢ Of il_5 P"¢§¢"°° 3'" ‘"'°P"d "5 " °" land’ 3' *3’

iions to her. Iéroire becomes aware of this rivalr) ‘md. in lhc 3"“ Th? “cal 3°h".'°m°m5 °r wjday on" belatedly. and sets about the re-conquest of his wife. J glimpse of what Wm be dam mm “eel ‘gm ins.l

Events whirl to a conclusion when things begin to happen thick and fast in the castle. and along the nearby coast. where the allied landings take place. Marie ees with Julien. pursued by Klopstock in a night of wild double-crosses and chases. Jerome is driven by necessity to take on .|ulien's military task. and he becomes an un-

expected hero during the allied invasion. The crazy circle

of Germans. Frenchmen. and even Americans._ who spin

about Marie are foiled by Jerome's bravery which regains

for him his wife's allections. They are reconciled at dawn

in the blockhouse which the despised husband. and un-

expected hero. has helped to capture.

...The epilogue takes place in Paris. two month l'ter.

o_n the Ida of liberatikon when the couple take parts indthe I‘ c y s I ration wit _the tanks of General Leclerc's

division. and thus Marie reaches her goal Paris.

This lm. Rappeneau's rst. won in January the Louis

Tours Delluc Award. considered to be the Prix Goncourt of the cinema. _Before making it Rappeneau proved himself as

screenwriter for a number-of well-known lms including

Louis) lV:‘allev‘skZge‘DansdL; libaaed on Q\lfll¢3‘\,ll'S nove is v e. an I ipe e roca enioya e

romp Ullolline de Rio. He describes himsfilm as 8 ‘romantic farce‘ for. destrite the dramatic background

events. it is optimistic an hilariously lively.

(Time: I hr. 40 mins.)

r - H " ‘ ' ' '

ntnce TL: tgiitcnagistmtiisuowi iL OISEAL oi.

mm on Mlaolq (+ ou MICRON)

Production. Productions Henri Lacam scrim; lawn“ Espanc D_i".°°“_" 5 H¢."'l_l_—f‘*'“m

Director: Jacques Espagne

Photo: Jean Gonnet

32352 I 'Ei'I.'.-‘#512-“"v‘ir...i.. “"“°= °""'°‘ "‘P"‘°'

-\lthoi_igh a friend of man and a keeper ot' his c;'o;~~

commcmmor ' when Benheau superstition has long held that the brown owl is an e\ -\ spotlight is thrown on the French clock and watchhIrd- making industry. (Time : I0 mins.t

The legend in this lm tells hovt a young owl. withoi; ;inyou:s:_de help. manages to save a whole region frow an invaszon of rodents. thus becoming the emblem w

Athena. the Green goddess of wisdom. (Time: It) min~

France - .Il,‘Ll-IS AND BAJIJS (.Il.‘l.l-LS ET BAJLSI

P d ct~ : Ste A.P.E.C.. P" 5 F0 U IOI1 Jfln

Director Peter Kassoviiz

|’l'llll¢9 '

CARLA

“

Production: Son ctLumiere. Paris

Director: J. F. Hauduroy

Photo: Pierre Gouril

Music : Martial So al

Commentator: Jean de Sailly

Who is Carla‘! Carla _is 20 ~— she is pretty 7- she is

Script : Peter Kassoyitz happg. We see_ her getting ur._ making up. getting dres-

Photo : Etienne Szabo sed. he could indee be_ a so d_ier. a young warrior. ar_m-

Players: George \/imard and Jules Clep maa; ghtda baatleblt Its Precisely afbaitte the is some 10 tto-a.te atte oranew as ion.

Two shermen one in luck. the other unlucky. \.-. T|-E: way ¢§||,,,,,¢ b car]; 30¢, from ‘he pk“ yen. with each. one Sunday afternoon. on the hanks of ‘tr. J‘-‘me '0 ‘he §;°¢k %x¢han'¢_ nu-ou¢h sh; champs. "Y"

1 '3 mm‘

Ely-sees to the Eiffel Tower. She gets a great many glances ll1l¢l’|)l‘¢llII as many thoughts. People turn b_ac , stop. 36 follow her. S e arouses admiration as well as iealousy : she has won the battle. Born of a new fashion. ready to France - was LL'RCAT‘S some or THE WORl.l) follow the next one. Carla evitomim .E‘1°|'“,:';,,,\, (LE CH.~\.\'T DC .\I0.\'l) DI-I JEAN ' LLRCAT)

Production: Tcle—Fi|ms Productions

Directors Pierre Biro and Victoria Nlercanton

Script: Pierre Biro

Photo: Jeab Penzer

.\lusic: Jean Hene)

Commentator: Jean l.urc.it

\\'hile supervising the hanging of his tapestries which

he has called "Song of the World." Jean Lurcat explains the reasons that led him to undertake this gigantic task.

Germany - iiocus-rocus or now T0 GET RID

G""""" ' AWE“ OF A HUSBAND

A feature lm of which details may be found on Page 16

- IT (ES)

Production: Gesellschaft fllr Bildende Fiilme. Mtlnchen

Script : W. Kurt and R. Menegoz

Photo: Ronald Martini

Music: Alain Goraguer

Slowly but surely chemistry modies the world of natural phenomena.lt helps to make life more comfortable for us; but the new world it so painstakingly creates presents us with ever-new and more diicult problems. The application technologists can be viewed as interpreters between all parties participating in the chemicals business.

A feature lm of which details may be found on Page 77 BY

are subiect to dierent laws. _The application technologist tries to nd_ common denominator; that will allow them all to function in harmony. (Time: 20 mins.)

Germany - TWO CUBIC CENTIMETRES or LII-‘I-I

(ZWEI KUIIKZIZNTIMI-I'l'I-ZR Ll-III-ZN)

Production: Leonaris-Film Dr. Georg Munck.

{he Festival Club

(Sponsored by Harp Lager (Ireland) Ltd.)

Director: Eckehard Munck

K“-

Script: Eckehard Munck

::l0l_0 : l-‘llubertgs Topp and Kalman Kozelka usic: ans osegga

Commentator: Klaus Kindler

It is only 150 years since man succeeded in isolating from the poppy plant the rst pure and fully effective sedative substance in crystalline form. In our time millions of lives are saved daily by such effective substances. ln addition new curative substances which do not exist in nature have been built up synthetically. The limits between nature and chemistry are indeed fluid.

(Time: 34 mins.l

Germany - RECORDINGS (AUFZEICI-INUNGEN)

Production : Visa I6. Wolfgang Ramsbott, Literarisches Colloquium. Berlin

Directors: Wolfgang Ramsbott and Harry Kramer

Script: Harry Kramer

Photo: Wolfgang Ramsbott

Music: Max Roasch

The camera records the signs and signals of a large city. mounts a series of long/lsequences and short rhythmic fragments (music from ax Roasch‘s “T ptichon")

jottings of light. transport automats and pinballimachines:

the setting of a thoroughly rationa ized civilization. void of human kindness. and syncopated by the pseudoorgiastic rhythms which denote an articial vitality. The prefabricated debris of a human kind scarcely aware of its state. blend into rather disquieting pictorial sequences of skeletons and monstrosities. unti they terminate in scenes of a luxuriant vegetation full of real meaning. proper life.

(Time : Bl mins.l

But around Soptembor,.it's well to remember

Germany - TEN THOUSAND TO ONE lZlIl'IN'l'AUSl-IND ZU I-IINS)

Production: Dr. Fritz I-leydenreich. Heidelberg. for Badische Anilin-and Soda-Fabrik AG.

Director: Dr. Fritz I-leydenreich

Script: Dr. Fritz Heydenreich

Photo: Svend Noldan

Music: Hans Posegga

Each Spring promises abundant yields. but we can harvest only what the pests leave untouched. Their reproductive capacity is enormous and terrifying. and their life-cycle has a simple. inexorable rhythm: feedingmultiplying feeding.

Every second two people die four are born. There are thus 200.000 more people daily_or. to put it another way. the population of one new city appears on earth every day. In I960 there were 3.500 mi lion people in the world .; in the year 2.000 there should be about ' 6.000 million. If they are all to be fed three times the present amount of food must be produced. I-lowever. even to-day. a quarter of world crop production is ravaged by pests and only one person in three has enough to eat.

Theoretically the world has no food problems. With the aid of mineral fertilizers. of new land for farming. even 6.000 million could he fed. But the battle against the legions of pests must be won rst. Control must be gained over fungi and parasites by continuous experimental work in laboratories and in the elds. Indeed chemists. biologists. and doctors are continually working on this problem. experimenting. rejecting. always seeking to improve.

We have a gigantic task before us: 3.500 million people. soon to be 6.000 million. want to live. not just exist. They want to be properly fed. For this we need chemicals.

(Time: I7 mins.)

THE 'l'lVOLl

Newest High_ClaSs

45

. Germany - ADVANCE INTO TI-ll-I UNKNOWN (VORSTOSS INS UNIEKANNTE)

€_l___ _€_

visiting card

When a commercial carries this visiting card it's sure of a welcome in every Irish home. Attention-getting. Interesting. Stimulating and therefore SELLING.

Not every company rs suchoa talented quest

These clients carry our visiting card: National Derry Publicity Council; Esso Petroleum Co. (/'9/9'14) Lfd--' Clarnico-Murray Ltd.; Educational Building Socrety; Bolands Ltd..' The General Electric Company ol Ire/Md Ltd.; Navan Carpets Ltd..' Roadstone Ltd (That's enough we don't went to become a borel)

KENNY'S ADVERTISING AGENCY LIMITED Killarney House. 84 Lower Ba99°l $"°“-'- D“b“" 2' Telephone 63966.

Production : Rudolf W. Kipp Filmproduktion. Hamburg Director: Max Rehbein

Script: Max Rehbein and Rlldiger Proske

Photo: Rudolf W. Kipp

Commentator: Richard Milnch

Here is a documentary lm on the preparations needed for travel in astronautic space. While it is true that science and technical skill make it possible for explorers to probe cosmic space. the main problem - whether human beings are capable of withstanding indenitely the immense physical burdens of ight in space has not yet been quite solved.

This colour lm surveys the preparations of astronauts for the manifold tasks involved in their advance into the unknown. (Time : Z4 mins.)

46

Germany: THE TRIBUNAL (GERICHTSTAG)

Production : Gilnther Schnabel Productions. Hamburg

Director: Herbert Seggelke

Sc ' Sabi W rtpt: ne egeleben

Photo: Rogers Fellous and Hans-Jllrgen Rilckert

Music: Boris Blacher

A cinematic collage based on Marcel Marceau‘s performance of ‘Le Tribunal.‘ this very short lm confronts the task of fusing the graphic art. and those of mime and music. into a lmic statement. (Time : 2 mins.)

RIB BOOM31

Oh, you are spoiling me. Luckygirldining at the Rib Room once again and sensible man of the world who knows that O01-k‘s most elegant restaurant oers superb lunch and dinner menne No wonder it's the Intercontinental every time.

I-lulpry - THE AGE OF DAYDREAMING (ALMADOZKSOK KORA)

Production: Magyar Filmgyiirtd Vallalat. Budapest

Director: lstvdn Szabo

Script: lstvan Szabd

Photo: Tamas Viimos

Music: Peter Eotvos

Cast : Janos (Andras Bllint). Exa (llona Beres). Habgab (Judit l-lalasz). Annie Klinger (Kati S6‘!-yom). Laci (Bela Asztalos). Matyi (Tamas Eross). ergeley (Liiszlo Muranyi). Agi. the ballerina (Cecilia Esztergalyos). Flesch lMiltl6s Gabor).

In our day there is no more trying time than “the space of life between.“ when the young have yet to learn that small troubles. griefs. and disappointments even the greater losses of friends and early loves are part and parcel of life. This lm's theme shows how bitter and painful it is to grow out of this age of daydreaming and face life in its full reality.

The first scene reveals thc_monito_r-screens of a TV-car which ll the screen. On six monitors we see simulta- ' neous shots of a young girl law graduate being interviewed by reporters. She te ls them that _she is dissatised with people. with the standards of our time. and that she believes she could transform the world by the fullest use and application of modern ideals of human relations and social laws. Four young men working in the TV-car watch the girl and share in her dream. for they too know that they want to ght what they consider the same feeling of apathy. of oppression. of not being free_ to show what they are worth. These young men are engineers. but not the actual crew of the TV-car. Them look on the elder engineers in charge as old fogies w o use skilftglly. but without inspiration. the knowledge they have cull from technical books. Thus _they ogpress the young_ engineers. smothering their initiative. Su used by the genial glow of a shared vision the young men agree to work iointly to further_their ambition.

But life quickly frustrates their great plan. for they are soon put t_o work in different depar_tments._ Thus their opportunities become dilferent and t_his expenence embarrasses them. ln vain they_ take a holiday tofether. striving to keep the bond rm. FaiIu_re follows. and d_nos Oliih. the hero of the film. makes his friends responsible for their lack of success.

During all this time Janos himself has not _been able to forget the girl seen on the TV-screen. Her picture haunts him and his comparison of her with a young pretty iceskater. with whom he_ is friendly. brings iea ousy and a speedy end to their flirtation.

Then. at a dance on New Year's Eve. he meets the girl lawyer. They escape from the crowd and stroll. in a world :.;':':. :'":;'*'.‘t'.*~..?°**‘='".'.': s:.°'"‘ ":2 .1." *::.':.?'::P"i e ea l gay a nn a e in that they have found a love that will last for life. The rest of the lm studies this relationship until Janos and Eva are brought to theend of their age of daydreaming. and cross the threshold into the sterner road of reality.

The director of this lm. lstvtin Szabd. is one of the ined rizes for each of the three Shorts he made youngest Hungarian lm-makers. He began work in l96l. I d ta P bgfore writing and directing “Tlie %Fe of Daytlretlg. his first feature lm. ime : I hr. 37 mins.)

MEET THE STARS at the FESTIVQOL CLUB

I‘ucsn’ay. September 20th 'l1Iursday, September 22nd

CAPITOL. I0 a.m.

BLUE “Gm ‘N°"‘°"““‘“) - 55

CAP"-OL. 93° a_m_

RECORDINGS (Germany) THE 8"“) OF WISDOM ‘F”‘“°°) 3‘

DESERTED LANDSCAPE (Australia)

DRAMAS OF RURAL LIFE (Malaysia) ss AWE“ (Germany)

A TR'wTF' To STANLEY KRAMER

RAYON - FIRST AMONG FIBRES (Britain) THE DEHANT ONES - 9°

A TRIBUTE To STANLEY KRAMER LEE 3 PM SHIP OF FOOLS

THE GOOD OLD DAYS OF IRISH FILMS

SAVOY 3 An Illustrated Lecture by P. OC0nIuain I00 ' pm‘ PAINTING PEOPLE (Australia)

$AV0Y- 3 n.rn. Two CUBIC CENTIMETRES OF LIFE (Germany)

RABBITS are the FRIENDS of TOADS (U.S.A.) 69 THE PIPELINE (U.S.S.R.) THE FOREST (Canada) I8

TRANSPORTATION u.s.A. (U.S.A.) so

ENERGY AND MATTER (Canada)

CUMBITE (Cuba) F E 52 IS EVERYWHERE European Communities 32

SAVOY’ 8 p_m_ 57 NOT LOVED (Poland)

S,w0Y_ 3

LOOK. the SWALLOWS are LEAVING (Rumania)

i, BRENDAN BEHAN'S DUBLIN (Ireland)

LOOKING OVER THE FENCE (Czechoslovakia)

I'VE GOT THIS PROBLEM (U.S.A.)

THIS IS A HORSE ‘UISlS4RI) THE SHOOTING OF DAN McGREW (U.S.A.) THE DOT AND THE LINE (U.S.A.)

I-'rI¢lay. September 23rd

JILLALI (Belgium) HELPING HAND (Ethiopia)

T“/[BER F OATERS (U SR)

JEAN LURCAT’S SONG OF THE WORLD CARNIVAL FANTASTIQUE (Special Showing) (France) A TRIBUTE T0 ALBERTO LATTUADA A TRIBUTE T0 ALBERTO LATTUADA 1'1‘ IL I\IULINO DEL

5A"°Y- 3 I'-"'-

sAvov. 3 p.m.

THE DESERT (Poland) so LEAVES (Rumanm THE HIGH-TENSION LINE MOUNTERS (Rumania)

LET'S GET ACQUAINTED (U.S.S.R.) X REFLECTIONS on LovE (Britain) ‘-4 Tr-IE TORTOISE AM) THE HARE (Britain)

METAMORPHOSIS (Czechoslovakia)

NINE VARIATIONS ON A DANCE THEME (U.S.A.)

THE BELGIAN BEGONIA (Belgium) X !~-ZORSEMAN PASS BY! (Britain)

To THE SUN (New zealand)

THE AGE OF DAYDREAMING (Hungary)

SAVOY. 8 p.m.

EYE ON NEW YORK——SENSE OF THE (“TY

SAVOY, 8 p.m. (U.S.A.)

FLEA CIRCUS (Denmark)

TRAVELLING THROUGH TIME (Switzerland)

WHAT ON EARTH (Canada) NOISE (Denmark)28 GIRL (U.S.A.)

BRUTUS AND BROWNIE (U.S.A.)

SYRINX (Canada) IT (G¢rm8I1Y) -

THE THIN LINE (Japan)

India - SWAYAMVAR

Production : Govt. of India. Bombay. Films Division

Director: Dilip Jamiar

Photo: S. N. Bhagwat

Music: Vijay

Commentator: Pratap Sharma

A shon cartoon which makes its point well using an ancient custom : the way Rajaput princesses select young princes to be their husbands. (Time : 3 mins.)

Ireland - KENNI-IDY'S IRELAND (IZIRIZ AN CIIINNIZIDIGII)

Production: Dublin Productions

Director: Charles Davis

Script: Charles Davis

Photo: Peter l-lennessy

Music: Sean O Riada

Commentator: Charles Davis

Here is modem Ireland. with the history of her people: their battles. songs. art. and literature. related in a light documentary style to the speeches made by President J. F. Kennedy during his state visit to Ireland III June. I963. (Time: l hr. 24 mins.)

Inland - BRENDAN IEl'lAN'S DUBLIN

Production : Norcon Film Productions. Ltd.

Director: Norman Cohen

Script: Carolyn Swift

Photo: Robert Monks

Music: Ballads by Brendan Behan

Commentator : Ray McAnally (as Behan's voice)

This is Behan's Dublin as seen througkh his own eyes. The comments are his own and are spo en as he would have uttered them. He takes us on a retum visit to places which had a strong bearing on his life in Dublin. We meet his mother and ather. his wife Beatrice and daughter Blanaid. and many of the ordinag people of Dublin for whom Behan's affection was boun less. (Time : 28 mins.) 1001

Well not quite 1001 but may you have Many rewarding nights and days at the Cork Film Festival HICKEY & BYRNE Primers

- WE'RE GOING T0 TOWN

Japan - THE THIN LINE (ONNA N0 NAKANI IRU IANDREMO IN CITTA) TANIN)

P ' ; ' ' '-

l'0d::g0ll£on.1\oicaF(iIlinr::matograca. Avala Films

Director: Nelo Risi

Script : Edith Bruck. Nelo Risi. Jerzy Stawinski_

Production: Toho Co. Ltd.. Tokyo

Dirsmor. Myklo Nam“

Script: Toshiro lde

Photo: Yasumichi Fukuzawa and cal": za"a"""

Phot_o : Tonino Delli Colli

Music: Ivan Vandor

Music: Hikaru Hayashi

How much can a man stand before he breaks‘! This

Cast: Geraldine Chaplin (Lenka) Nino Caste »-n ' ' ' _- _- portant question concerning the conscience. the mind

lcllillt-Lg‘)! llvgni. %¢dCl’l¢0 (Miscia). Stefania of man. is admirably treated in this the latest. and one scram \l|i~a ic asvitltk lllaltog. Giovanni of the best. lms directed by the veteran Naruse. - - K4 ' ‘W °' " ° M'l'5‘“'|'

Well known for an impressive list of aesthetically ievic. ilan Panic satisfying lms which tackle family problems. Naruse Here probes. for the rst time. the mental agonies of a W;-_heL:|f|:';)n|i:,::e;,im"c|ffnbggosgaV“ flu"? ll" '35‘

man beleaguered by the knowledge that he has. quite Mi,¢ia_ in 3 mm" provincm ‘own s|:'°'hy_e‘"'° .b"°'h°"- unintentionally. murdered the wife of his close friend. an_d man one day_ she Wm wk: him ‘E ‘*5 P'°""5°d mm zs now harrassed by the ensuing strained relations with his an °p¢,aon_ he Wm in la“ be ab‘; “ ‘"3’ |‘:’h¢"°~ an"

own wife. Naruse claims that "the question dealt with in do“ no‘ know and which Lenk ° ° Z“ '.§e“’°'ld ll‘ this lm is immense: it is life. lt asks th_e_audience what 3; Ming bmehan h "3" is r:f‘:'s‘-‘W em" 1 ‘° hlm zhey Would do_wcre the)’ in the same position." were they ‘he mrocious rcamy of whal; is- uoinslgnttgrgegi htitrin him to cross the thin line stwaratin reality from ction.

Ivan. the young §gu¢¢m Lmka is in kw: Wm.‘ {S in

The story is set during the steaming summer months of hiding in the woods, and it is very dangerous for "Qt N. ‘ Tokyo. a time when the weather images the emotional ‘ pain undergone by the central character. Tashiro. a man IO I'l‘l¢€l. of the middle class who is married to Masako One day

Lenka and Mischa have mix 'was Orthodox and their father .lWli,Sli??:.ii?O ‘:if¢|i’I'I?:li'lhCel’r

‘he Wm °f T‘”hi'°.§ Mend is iound mauicd‘ Pal“ has bag interned and is presumed dead. Actually he has l:;"‘§.‘l$a1i°"§ fa“ '° P'°d“°' “en “ cm‘ '° ‘he killer.‘ mana to escape. and turns up unex etedl at hom ‘ lmy‘ Lenka a_nd_Mis_ci_a are delighted. but their fatiiei-_ fofggij

Eventually Tashiro confesses to his wife that he '9 ""91" "1 |"dlI'I$- realises that he is 3 great dang" ‘O strangled her. accidentally. Masako. an understanding his children. When_ Ivan. who is a partizan_ a|-|-in; Wm, wife with a reputation to protect. begs him to keep the false papers that will enable Ratko to move around more whole thing secret. And so he does for a while. But easily. he is followed by German so|di¢r;_ Ragkg coma. then Tashiro. plagued by conscience. reaches the breakgeously and generously tries to save lvan's life by luring ing point. and reveals to her his intention to give himself the soldiers away from the house into open country. He up. Masako takes the only action she thinks possible is cornered. and dies. ‘Time; | |“._ 43 min“

0'" "1°"liII8. at dawn. two SS men knock onthe door of Lenka s house. They have come to take Ratko's children. Lenka silently puts on Miscia's clothes. collects the n’ b¢|°_"I"\8§ they will need. and follows the men with iiltitting up any resistance. in_ order to prevent them _5°a_"7 _"\8 the house. where lva_ti is lying wounded in the attic. incapable of defending himself.

On the train. in a carriage which is bringing the homeI313:-ital _re_'ugees from the European fronts to_ the Lager. .h_iscia_ E told that he is going to the (Illa. L_enk_a ins _5_ ""}:!B l -fnd succeeds. by means_ of a w _ite lie. in piringh im with an unshakeable fait_h in life which creates t e hope of a more universal longing for peace.

Go along and see the

Malaysia: DRAMAS OF RURAL LII-‘E

Production: Filem Negara Malaysia. Petaling Iaya. Kuala Lumpur

Director: Md. Zain Hussain

Script: Md. Zain I-lussain

Photo : I-laji Abdul Ghani and Haji lsmail

Music: Saiful Bahri

Commentator: Roomai Noor

Malaysia is an agricultural country. Her future lies in the land. and her prosperity to a greai extent depends on the eorts of her farmers.

This semi-documentary lm concerns two rural eou les Dollah and Rosmah: Osman and Fatimah. Both Dollah and Osman were given the same op rtunity by the Gov-

ernment in the Fringe Land Aiignation Scheme to improve their standard of living. _But Osman '.'.as torn between the zeal of his wife and his own weakness. and he failed to make any progress. By contrast. Dallah was _an industrious farmer. and encouraged by_ an understanding wife. he forged ahead thus illustrating the moral of this story "Nothing succeeds like Success."

(Time: 34 mitts.)

Malaysia - CORRIDORS OF FAITH

Production: Filem Negara Malaysia. Petaling Jaya. Kuala Lumlipur

Director: Md. Zain ussain

Script : Ronnie Tan

Music: Selected by George Sta Maria

Commentator: Syed Alwt

A semi-dramatic lm on the prevalence of mental disease in Malaysia andthe treatment prescribed in one of the Mental Institutions. The purpose of the lm is to eradicate or reduce the prejudice against such illnesses. and the lm shows Aisha and Hussain who became mentally ill as a result of nancial and social difficulties. and the treatment they receive in the Institution up to their discharge and rehabilitation in society (Time: 36 mins.)

LIGHT WLAUW “Can

Production : Ervede Productions. The l-lague

Director: .|ef van der Heyden

Script: Jef van der Heyden

Photo: Fred Tammes

Music: Else van Epen— De Groot

Commentator: Richard Wollting

Near the end of a war a young man comes out of prison after having been interned because of his doing some minor work for the underground. At home he nds that only his sister awaits him. for his father, brother and close friends have all died in the meantime. Suffering from a disease caused by a blow on his head during interrogation. and even more. perhaps. from mental stress and loneliness. he realises that he and his sister will in future depend utterly on each other.

The story of this lm is set in a period during “a war": which war the lm-maker does not want to indicate. (Time: 38 mins.)

New Zealanrl - TILT T0 THE SUN

Production : New Zealand National Film Unit.

Director: Ron Bowie

Script 2 Ron Bowie

Photo: Grant Foster

Music: Patrick Flynn

Commentator: Bernard Kearns

A study of the arrival of Spring in New Zealand. showing the often unobserved changes that occur on the seashore. in the bush. the rivers. the gardens. andthe landscapes. (Time: l8 mins.)

Poland - NOT LOVED (NIEKOCHANA)

Production: “Studio” Film-making Unit, Warsaw

Director : Janusz Nasfeter

Script: By Janusz Nasfeter and based on Adolf Rudnicki‘s story. “Nobody‘s Darling"

Photo: Antoni Nurzynslti

Music: Krzysztof Komeda—Trzcinski

Cast : Elzbieta Czyzewska. Janusz Guttner

After directing many short lms. mostly meant for child audiences. Janusz Nasfeter made his rst feature lm. "Small Tragedies" in I958. His latest feature is “Not Loved“ (also called "Nobody's Sweetheart"), in which Elzbieta Czyzewska. already seen in Cork in "Halloween." plays the main part opposite the young actor lanusz Guttner. for whom this is his rst lm.

The time is the end of August I939. Noemi arrives from

Cracow at a small boarding house in a provincial town

where she hopes to meet the man she loves. He is not there. but Noemi is persuaded by the owner of the boarding house to keep waiting. Night comes and as there are now no more trains for Cracow she decides to catch the rst train in the morning at 5 a.m. She is alone in her room. and yet. with so many weary hours to go till dawn. she nds it impossible to lie down or sleep. She will keep waiting. Who knows. Kamil may turn up at any moment!

She is quite used by now to his sudden departures. his silences and secretiveness. and even to his constant disposition to quarrel. Still. this latest disatppearance of his makes Noemi exceptionally anxious. so ull of apprehension that her state borders on madness. All his earlier escapades were different. She used to manage to stay calm. humble. patient. but this time she is unable even to name her fear. to dene it. for a premonition that something truly menacing is approaching grips her. lts vague features are quite independent of her and of Kamil. and hold a terrifying threat of universal destruction.

She whirls away from the dark vision to pin her thoughts on Kamil. Nothing matters but him. He must be coming he will come perhaps he has arrived already. Perhaps he has just entered the courtyard. The dogs are yapptng Noemi stops by the window. but she can see nobody. She does not. she cannot know that at that very moment something is happening that will determine Kamil's fate. her own fate. indeed the fate of millions unknown to them

(Time: I hr. 23 mins.)

A happy group taken at last year's Festival lnchrdes. left to right. Trevor Howard; the then Lord Mayor of Cork. Cornelius Desmond. and Iris‘:actor Noel Purcell

?>l.tnd - AT THE IIESZCLADY HILLS (W IIESZCZADY)

Production: Documentary Film Studios.

Warsaw

Director : Zbigniew Raplewslti

Script: Zbigniew Raplewski

TRANSPORT *"°

.1TI;.1”ii.‘1i.?‘1Z..'i»?'&.§£o§§t"Z?“F§:I'.?i?"‘%f.‘Z".'l§iZi " A 3 :..-tery; large expanses of w 'nd; ric varie anim ALLIED SERVICES 7': and ora these attract numerous tourists who are -. search of the rest and peace they cannot nd amid the -:.se of the city. with the mountain landscape for background. the lm ~‘:\\s the life and work of the "Forest People" the -"berjacks who are employed at felling and trans-

ORELAND)

|.EP TRAVEL LTD.

:_.-sting the timber. (Time: :4 mins.l

Pol Ammo vtv/tcl-: a

Production: Featurette Studio “Se-Ma-For" in Oictal Transport Agents for Cork Bielslto-Biala

Director: Anatol Radzinowicz ll\lCl'l18llOI\8| Fllm FCSIIVBI

Script; Anatol Radzinowicz

Photo : Waclaw Fedak & Kazimierz Wawrzynialt "-——-

Music: I-Ienryk Klejne and Eugeniusz Rudnik

Two people. Tall and Short. are quarrcling in a big AIR FREIGHT SEA FREIGHT hall full of complicated machines. Their conict is eventually resolved by a machine which is being removed to ROAD FREIGHT .4 junk-yard but which suddenly becomes animated by the sound of music and goes away with Short.

CUSTOMS CLEARING AGENTS

The elements drawn in the background are combined with stills of actors set in separate rames.

SHIP CHARTER BROKERS (Time : 9 mins.)

WAREIIQUSING llld PACKING pound , -I-"E DERT "pus-|'yN|A)

Production : The Featurette Film Studio in Lodz Director: Janusz Kubik

Script : Janusz Kubik and Stanislaw Loth

Photo: Mieczyslaw Lewandowslti

A little boy and a dog are playing merrily on an empty beacrh when! the_¥hsutgdenly discover an old cannon buriled in t e san e oy's imagination conjures up nig t-

marish images of the battles that were once fought at this deserted spot. (Time: I6 mins.)

cu, Ole: and Warehouse offers you

Portugal - TIIE ECONOMY OF .\IOZA.\IBlQL'I-I (.VIACA.\lBlQL'E-ECONOMIAI

Production: Internacional Audio-Vision

Director: Pascal Angot

A survey of industrial development in the island nation of .\/lozamhique.

(Time: 20 mtns.:

Rulnanla - THE HIGH-TENSION LINE .\/IOIINTERS (LINIORIII

Production: ‘Alexander Sahia' Film Studio. Bucharest

Director: Dumitru Done

Script: Mirel lliesu and Dumitru Done

Photo: Gheorghe Georgescu

A lm about the beauty of human etfort as i_t is seen in the spectacular work of the men who mount high-tension lines at a high altitude.

(Time 9 mlns.l

Rumt|nla- THE RAILWAY STATION (CARA)

Production: ‘Alexander Sahia' Film Studio. Bucharest

Director: Gabriel Barta

Script: Gabriel Barta

Photo; Tiheriu Olasz

An on-the-spot tilm made at the North Station. Bucharest. It is a study of passengers le.t\ing Bucharest. and of those they leave behind. of new arrivals. and ot people who wait.

(Time ll mini.»

Romania - SY.\IPHON\’ IN \\'I*IlTI-I (SIMI-'OI\'lE IN .-\LBl

Production: ‘Alexander Sahia' Film Studio. Bucharest

Director: Erwin Szekier

Script: Iiheriu Olasz and Erwin Szckler

Photo: Tiberiu Olasz

A snatch of tilm poetry that come); an atmosphere which generates an association of ideas ht means of image. colour. and music.

(Time : 5 mins.i

ENGAGEMENT & WEDDING RINGS

Wedding Presents that are useful and inexpensne

Private Room for Selection

Agents for ().\/IEGA. WALTH.-\.\l. BUREN. ROLEX and GLORIOSA Watches

JAMES MANGAN LIMITED,

2 - 3 - 4 PATRICK STREET. CORK (Opposite Statue) Phone 20998 (Branch at IIIGII STREET. KILLARNEYI 49

lllllll Slllll llllli Bl’

The Irish Shell and BP Film Lending Library offers groups, firms, organised bodies, clubs. film societies ete., (entirely free of charge) a series of films, not only on the petroleum industry but also on numerous aspects of modern life. all of which have a definite public and educational interest. We will gladly send you a copy of our new catalogue (IT'S free too).

Write to us at :

Shell~BP House, 13-16 Fleet Street, Dublin 2. Telephone 72921

The illustration shows the Forth Road Bridge on which Shell and BP have produced an award-winning colour film. The film portrays the planning and building of the bridge over 5 years and the skill and pride put into it by the workers.

Runurnla - LEAVES ll-‘RUNZED

Production: ‘Alexander Sahia' Film Studio. Bucharest

Director: Constantin Budisteanu

Script: Constantin Budisteanu

Photo: Emeric Ghidali

lay the use of special techniques this picture reveals hid en aspects of the life of a leaf from Spring to Autumn. lTime: I0 mins.l

Rulsanla - LOOK. 'l'l~IE SWALLOWS ARE LEAVING lVEZl. RINDUNELELE SE DUO

Production: ‘Alexander Sahia' Film Studio. Bucharest

Director: Constantin Budisteanu

Script: Vasile Chirita

Photo: Francisc Toth

A lm which uncovers little-known aspects of the life of swallows: the way they build their nests. lay their eggs. tend their chicks. teach them to y and. nally. migrate to warmer climes. lT|me : l6 mins.i

FOURTEENTH

Cllllli |.\TERN:‘T'"N;"J l‘lllllllL FESTIVAL

ctrv HALL. MAY |7lll—Zl5l. m1 at

Attractive programmes of Choral Music and Folk Dancing. Novel Instrumental Music and Verse Speaking. Six National and International Competitions for Choirs. Competitions for Schools

ADJUDICATORS:

Slr Thomas Arntstrong

Monsignor Jules Vyvennnn

Dr. Hnveloclt Nelson

Social Evenings at the Festival Club it

For advance inforniariun apply In THE FESTIVAL 0|-"I-‘ICE. I5 BRIDGE STREET. CORK 5|

Switzerland - llR.~\\'H.I.l.\'G 'I'HR()L'(iH '|'l\|l~.

Pl'\‘&illel|\\l‘l' Don.tld R.t\\ling~ Ltd. Uiteetot l)on.tltl R.t\\lings

Script. E. \, H. Fzmmett

Photo \\illsie (ooper

\lus:e: Rohett htrnon ('otnment.r:ot Pliil Broun

lhis film shous ho“ .tntl \\h\ the stud) ot time .tml sp.tee h.ts tor eenturtes engaged the .tttent1ons of men of genius. .rml _\.:t lr.ts left m.in_\ questions still un.tns\\ered. lt eontr.ts:s sueh phenomem .rs the form.rtion of the e.trth und the e\olution of life \\ith .t modern qu.trt/ e:'_\st.tl euesium .ttomie elock.

Looking still further into the future. it en\is.iges .1 piloted .tit'er.ift le.i\ing for .i tilslunl planet where \et .tnother of the m.rn\ \ersions of time is st.tnd.ird.

\lodern science m.t\ \\cll he on|\ .rt the heginnrng ot the prohlem of me;isuring time. ITime i-1! min»!

l'.S..-\. - \\'0.\IA.\' wiruotr A FA(‘l~l

Production: .\letro-(iold\\yn-Slayer. .t .\l.innl.'.iurenee-\\'.rsserni.in Production

Director: Delbert .\iunn

Script Dale W.rsserm.inn. based on the no\el "Buddwing" h\ E\llF| Hunter

Photo: Ellsworth Fredrieks

.\Iusie: Kenyon Hopkins

Cast Sum Buddwing (James Garner) The Blonde iJL‘J|'l Simmons). Fiddle tSu1.;mne Pleshette). Janet lK;tth.trine Ross». (ilori.i tAngelu l_.rnshur_\l.

He mikes up on u park heneh in (entral Park. Through puzzled ei es. he looks at u he;r\_\ gold ring with Ll cracked black stone on one finger. his eutl links. .1 gold peneil. .t New York (‘entrul time table. ;i sheet from .1 memo p.id hlunk eseept for Lt er) ptie number.

All are me.tningless. He walks o\er to the Plum Hotel. He stops to look curiously at .i mun reflected in ;t mirror of the Pulm Court. The man is handsome. his suit rumpled. but oh\iousl) well tuilored .ind expensise. The mun is .r complete stranger to him.

Penniless. he tells the hotel telephone operator th.it he is .t guest. and Calls the number. A sleep) feminine \'oiee .nns\\Crs. "ls that §ou. S.im'."' (iloriu (Angela Lunshur) i. .t faded hlonde of fty. misttikes him for her hU§h;l'.i. She agrees to see him. hut thinks he is drunk “hen he s.i)s he is lost and does'n‘t kno\\ the address.

"Sam. but Sam \\'h:it'." he wonders. He sees .1 heet

truck. On its side is bannered the slogan. “Where there's life there's Bud." A plane overhead slams down toward La Guardia Field. 'Bud' and 'wing.' He has a name. Sam Buddwing.

Buddwing enters a shabby. unappetizing apartment. Gloria opens the door. He has never seen her before. Then he is not Sam. Touched by Buddwing's obvious disappointment. Gloria gives him coffee. and sympathetic understanding when he breaks down. realizing that he has no clue to his lost identity.

As he leaves. Gloria forces Buddwing reluctantly to accept five dollars. Now in desperate search of his past. he is torn between two conicting emotions. Regardless of personal cost. he is driven to discover who he is. and what he was. At the same time. he is haunted and tormented by the fear of what recapturing his past will reveal.

Aimlessly walking the streets of New York. Buddwing sees a young girl coming down the steps of an apartment house. He is shaken with recognition. "Grace!" he calls out. When she takes a cab. he hails another cab and follows. but loses her. Later. he nds her again. The girl‘s name is Janet. "I am not Grace." she insists. Buddwing learns she is a college student. Past and present merge in the whirlpool of his mind.

A younger Buddwing relives his student day romance with Grace. and the idealism of their young love. He has found one key to his past. Then Grace is gone.

On 44th Street. he sees another girl who startles him. She is Fiddle. He follows her. When she smiles at him he says. “Hello. Grace." Fiddle is intrigued by Buddwing. and tries to help. ln Fiddle's apartment. the music from a record player touches a chord of memory. Buddwing sits down to a piano. It is his own composition he is playing.

Once more Buddwing lives in the past. He is no“ married to Grace. As the years turn back. doors in his memory open. But like a complicated puzzle. pieces are still missing. only adding to his confusion.

In fear. uddwing calls Gloria. who hangs upon him. Exhausted and in despair. he continues to walk the streets. The Blonde (Jean Simmons) leans out of a cab window. “Do you want to be a trophy?" she asks. The blonde is on a scavenger hunt. Buddwing is the tall man with the grev suit she has been looking for.

They continue the hunt together. To win the scavenger hunt. the blonde needs Sl00.000 in cash. With Buddwtng

this leads them to an unlimited crap game in Harlem. where Buddwing has fabulous fortune. Gradually. Budd-

wing's encounters with Janet. Fiddle. and The Blonde are

bringing back a rush of memories.

As the tempo of the crap game reaches a frenzied. bizarre pace. the nal piece falls into place. Suddenly. dramatically. Buddwing knows who he is. and the reason A ii» =-I--we pm A »--as :.::,:':: .‘.£2‘%2‘.?.'if..§.'§“;L‘é‘.'l‘;i.".1?°if..";.‘Il.£’.§'.ii2?.I.';‘..‘€;?.’i‘ drink. Strong and dark under a ‘Ti"\=1 I h'- 35 '"i"§-' wonderful creamy head. A sharp. lively taste. And not just sometimes. Always. Be particular about your pint. Ask for Beamish.

Appoimed lo care for the Wardrobe of Film Personalities attending the Cork CORK'S OWN CLEANERS Film Festival

LAND

SERVICE STATION

WESTERN ROAD, CORK

(Part of the Kenning Motor Group)

~\ / Q i 2

Sales

Call and see our large selection of Grade A second

Production Independently produced by Dorothy Knowles

Director: Dorothy Knowles

Script- Dorothy Knowles

Photo: Fred Schenk

\lusic Title Refrain by Dorothy Knowles

\ inree-year old boy is seen walking through the .-. undergrowth of a wild place. He is going there to (In his way he has an experience which could he .::. but the child's innocence protects him. As the .-.:rice is not quite so innocent its fears are made manin terrifying sounds from the screen. but the child re.ri_s \\ hole and free. ln a way thekchild is a gre of o I khrist Spirit. but the story is t so simply at its ,":.tic.tnce is left to the spiritual preception of the ‘zence.

Tre statement of the film is that joy is more substantial. ‘e meaningful than terror. (Time: Ill l'nll1S.l

BRUTUS AND BROWNIE

Production Ed Graham Productions. lnc.

Dmcwr ‘id Graham hand cars. Top trade-in prices coupled with rst

Script Ed Graham and Carl Reinei class after sales service. is your guarantee of

Photo: Jerry Smith satisfaction.

Music: George Shearing

Commentators : Carl Reiner and Ed Graham

This lm explores the reasons why people laugh - O at animals being hit. shot. electrocuted. and propelled fool~ shly about in theatrical cartoons. The answer is that such our Garage is at your service Sew" days a “cck hdignaties are delightful fun if they don't happen to us

(Time: 6% mins.)

8 a.m. to 2 a.ni. Our expert mechanics service e\:ry make of car quickly and efciently. Try our first-class Valet service to ensure your car looks well. while running well.

Self-Drive ""

Book your Self-Drive car in confidence knowing that the experience of Joe Malone Self-Drive is behind you all the way. Only this year's cars are used in our eet.

Malone Bros.

Bridal Flowers. Presentation Bouquets. Wreaths. Floral Arrangements for all U(‘(‘(lJf(t!f.\'. Reproduction antiques and modern vases. Handwoven Rugs

Producer: Al Waller

Script: Al Waller

Photo: George Silano

Viusic Alex Steinert

Commentators: Fritz Weaver and Rosemary

."e insights of such poets as Hart Crane. Edna St.

Mlllay. e. e. cummings. and Walt Whitman and -' of the prose writers John Dos Passos. John U&dike Thomas Wolfe are visually expanded lll or r to

a lm sense of the great city in an emotional arc

_-._.~h‘ moves from loneliness to merriment. to iron to Y ‘

to ioy. and to love.

(Time: 27 mins.)

Prduction: Byway Productions

Director: Noel Black

Script: Noel Black

Photo: Michael Murphy

Music : Nick Venet and Mike Web

my becomes aware of girls.

A picture which captures the precise moment when a ln this instance the bov Michael Mel) is a skateboard virtuoso who knocks 1. slonde girl (Melissa Mallory) oil her bike. The second time round. however. he nds himself the pushover.

(Time: l7§ mins.I

- rt-us SHOOTING or DAN MeGREW

Production: Ed Graham Productions. lnc.

Director: Ed Graham

Script: Robert W. Service‘s ballad

Photo 2 Jerry Smith

Music: George Shearing

Commentators: Ernie Banks & Walter Brennan

This is a straight version. with modern art treatment. Playcrvs can them Leaf becaux they bring of Service's well-known ballad. (Time : 6§ mins.)

you all the good flavour of the golden leaf thcy’re made from. But you don’t have to remember the reason. Just remember the name: Gold Leaf. Once you try them, you won’t forget.

1forao

actress. Marla Perschy. relaxes from the formalities of the Festival and is shown here picking blackberries which are a most popular wild fruit grown In Ireland (Cork Film Festival)

Vllllllk

\. - THE IVORY KNIFE

Production : "Red Parrot" Productions. California

Director: Jules Engel

Photo: Irvin Buzclon

Music: Irvin Bazclon

trim. Paul Jcnkin". is SI did - 'rk

s U C 4! “O as .1 * :7: tTime: I8 min~.i

.8.-\. - I'VE GOT TI-IIS PROBLEM

Production: The Problem Co.. Chicago

Director: Ron Glasky

Script: Don B. Klugman

Photo: Michael Shea

Music: M'rt' R be .t ) u nstein

Actors: Judy Harris and Don B. Klugmun .-\ pair of young would-be lovers get lost in their own

(Time: 8 mins.>

Production : Pressman-Wiilliams Corporation. Broadway. N.Y.

Director: Paul Williams

Script: Paul Williams

Photo : John Mantel

Music 2 St. Louis Union: John Lennon and Paul McCartney

.-§ ‘llaoy pass? at girl on the street and thinks of _alllthe

word. "It wasn't worth the trouble. anyway" he thinks Or does he? (Time : I2 mins.t

|__i_§_A_ . coMpANy |=()|g LUNCH

producon ; Moooom |:i|ms_ New york

L'.S.A. - NINE VARIATIONS ON A DANCE THEME

Production : Hilary Harris Films. lnc.. New York

Director: Hilary Harris Director. Philip Gittelman

Photo: Cornell Capa. Bruce Davidson. Charles

Phmo: Hilary Harris

Music. MoNoi| Robinson Harbutt. Andre Kertesz. Inge Morath. Constan-' f h b'l't f the lm-maker to um Manes ..~ii:wi§i:°i3ii'i?na flange: 5| ilieyirfterpretation of dance R°p°"'“ I R'°h‘“'d P‘"°“" Tm“ c°h°"- B°'°r|Y ~.-.o\-ement. Through the craf_t of photography and editing 5¢h;mz¢r_ Philip Gimiman :::::r‘s theme evolves into lm

One of the most distinctive aspects of the American business scene is the annual shareholders‘ meeting. Within recent years many of such meetings have been marked by 79 verbal reworiks between discontented shareholderfs and corporate ea ers. In some cases excessively voci erous shareholders have been eiected from meetings.

1-5-5»

' THE DOT AND THE “NII

lagesgzztgs

Company for Lunch. utilizing the unusual techniques

Production; Metro~Goldwyn-Mayer of photo-animated still photographs and actuality sound. Dmmor chook Jon“ documents one of the largest shareholder meetings ever N I l r held in the United States by a major corporation (Xerox). S°"'p' ' °"°“ “SF It examines the purpose and problems of “corporate Prowl Btlf Nbvll d=m0¢I'¢Y-"

Music: Eugene Poddany

Every picture in the lm and every sound heard is spon- c°mm°'“a‘°" 3 Robe" Morley taneous and unrehearsed. There is no written dialogue or narration. The story is told. often with hilarious A romance in lower mathematics. in c;_i_rlo0rt lfgrm; moments. entirely through the sounds and voices of over ' ‘me ' m"“' 4.000 people who participated in this unique event. (Time: 26 mins.)

JUST FOR THE RECORD...

The new ROYAL TYPEWRITI-ZR CO. since it opened in I964 have sold 500 New Typewriters in the Munster area.

of the 500 machines. they have had

only two back for servicing

German iictrel, MIIIIII

Production: U.S. Information Washington D.C.

Director: Tibor Hirsch

Script : Brew Welling

Photo: Tibor Hirsch

L'.S.A. - THE ONDT AND THE GRACEHOPI-LR

Production : Mark and Connacht Davis. l.:d

Dir : ‘ ‘ ector (onnacht Da\|s

Script: Connacht Davis

Photo \|.ttl\ Da\i\ .\Iusic: Tokitsuni Matsudaira

The title is that of Joycek table. The stori line l\ic‘7'.' ties \\ith an 'ant' and a 'gr:ts\hopper" in contempor.i:_\ and. hopefully. timeless life. The tilm's structure is 1 of a game being played “ithin a game within a game. c the game of life. uithin .1 set of games. uithin a m.i~t. game. The setting is an elaborate o\'ergro\\n garden oz villa where the game \\ithin at game within a game l.t|\& place. ITimc It) min~

L'.S.A. - G.~\.\IBlT

Production: l,ni\crsal Pictures Co.

Director: Ronald Neame

Script: Jack Da\ies. .»\l\in Sargent

Photo Clifford Steine

.\lusic: Maurice Jarre

Cast: Shirley Mcl.aine. Michael (iaine. Herbert Lom

-\ condence man in the Far East enlists lht. ‘ ' ' aid ot .i beautiful hostess-dancer to steal a priceless statue from an Arabian oil tycoon. tT|me:

l'.S.S.R. - BEWARE THE AUTOMOBILE (BEREGIS ALTOMOBILYAD

Production: Nloslm Studios. Moscow

Director: Eldar Riazanov

Script: Emil Braginsky

Photo: Anatoly Mukasey

Music: Andrey Petrov

This amusing comedy features a car thief who turns out to be an actor of talent and an honest man. (Time: I hr. 32 mins.i

L'.S.S.R. - Tm: WORLD oi'cArii.i.i\iur.s “"- TMNS" ‘TM ' min OTKRYVAII-I'I‘SYA v KAPILLARAKA» ,,r_,ducm,n : v‘,s,oc,,,,., Sibcrm studio

Production: Leningrad Studio of Popular

DiF¢¢l°Y1 V- Kh°'“°"k“ Science Films

Director: M. Kligman ‘Hp Sc

Script: I. Karanets. L. Markhalev

S‘ t: A. Sidler

Photo. \. op

This tilm explains the wonders of minute glass pipc- 4. vllni which depicts the construction of a_n~¢\1 Inf-‘"5" cipillaries inside which substances acquire new qualities. .=.'e~.i in Siberia. (Time -l mil“tTime: 2| min~.i

Prodgcltéosn 1 Central Studio of Documentary

Director: V. Leskoviteh

Production: Svcrdlov Studios

Diirector: V. Pwshki

Scrip‘ v_ Pwshkin and 0_ Rukmk‘,

Photo: O. Rakutko

Script: Z. Gert _l,

Photo: Y. Buslayev

This lm describes the construction ot a ne\\ PIPB ""-ml-‘r severe weather conditions in Siberia.

‘The art and outstanding craftsmanship of a famous (Time: I8 mins.) circus clown is revealed in this lm. (Time: 30 mins.i

u.s.s.n. - rum-:ttn.oA1'ms(rLorocoNY)

Production : Kiev Studio of Documentary Films

Director: I. Grabovslty

Script: l. Grabgvslty and Y. Tkatchenko

Photo: Y. Tltatchenko

A lm which deals with the life and work of Ultranian

lumberjacks. their habits annd leisure.

(Tim... ,4 min“

U.S.S.R. - TIIIS IS A HORSE (IETO LOSHADY)

Production : Kirgizlm

Director: T. Okeev

Script: K. Omurkulov

Photo: T. Okeev

This is an account of the life of horses from their day of birth to their last moments.

(Time : I0 mins.)

METROPOLE

HOTEL

CORK

A Trlbute to

Pm/essor of Cinema. New York University

STANLEY KRAMER

It is a triple pleasure to return to the miraculous

Cork International Film Festival. to witness again

the rare Irish hospitality. and to introduce the

Tribute Programme of the distinguished American

director-producer. Stanley Kramer. There is an added personal pleasure in honouring a graduate

of my university and a friend.

Since the art of the cinema is so universally appealing. its popularity has given rise inevitably to commercial organizations for the production, distribution and exhibition of lms for prot Conicts

over taste exist between the artist and his sponsor in all forms of human expression. but none have

been more embattled than the director and the pro-

ducer in the motion picture industry.

Stanley Kramer is a happy exception. He directs his own productions. which has resulted in the most P110116

exceptional motion pictures created by an American. Stanley Kramer's themes are precisely the ones which would be rejected by the front oice for

their rovocative lots. thou h they subse uentl' proves to be box gice succegsses. Stanley grameyr -‘§“'V"'al °" ‘me hand ap.7f"a“‘ '0. be f°'l°Td°:.m°d' appeals to the tens of millions who want to be en- \ e‘ ‘M |_“":“a"_ 'a‘§° d'*pla_y5 “S ‘Pu mu mo.“ i¢i-iaincd in iheii bi-aim as wcii as ihcir viscei-aS_ character in ironic disclosures. pathetic and comic.

For examples. racial intolerance was the theme Th¢ °"°|“"°"_ °_f Smhky, Kramef as a d."°°“." of Home of the Brave and The Defiant Ones. the has h¢¢h 5‘°3d¥ "1 "5 m3"1_""Y 35 “’""¢§5¢_d "l Sh{P danger of woiid suicide by mimic bombs in 0,, of Fools. In this. the 8th picture he has directed in The Beach. the right of intellectual freedom in the last decade. he evoked $l_IP¢Th P¢\'f°"ha"¢°§ °"‘ Inherit The Wind. guilts and cruel hypocrisy in of V"'l¢" l-¢'8h- 5""°"¢ §l8"°Y§i-_05°3' w¢"h¢'Judgment At Nuremberg. and the fragility of J_0$¢ F¢fl'¢l’ hd L“ Ml"""- R '5 "1 ¢h3|'3¢‘°"l?' humanity in Ship 0] Fools. Mr. Kramer is currently "0Fl_5 85 W¢|| 35 Fame"! m°V°_"]¢"l ahd Thyihmlc at work on Andersonrille. the story of a Southern Q3531"! hd m¢3"l"8f"| ¢°mP°5"_'°" ‘hm Ih° "=55 °f prison camp during the American Civil War. and a director lies. His heart and mind must match the its theme is man's inhumanity to man. skill of eye and hand. This is recognized by fellow

To add to this tribute l should like to LlOle from °"'h.§'“°".*" "°"Y“’°°d W"°." "‘° A°“d°"‘Y °' q a letter Katherine Anne Po_rter_ wrote to Stanley M°"°“ ];('c“"° ASS lam? Scfacfgc “sawed 9'} Kramer when she selected his bid over other pro-

Siahky Tam" i F Wlhg 3 "8 ?m°"a ducers. “It is very happy news for me." this cele-

A_ward. the _Olympian accolade, for consistently brated American novelist wrote. "that you have high quamy 1" ‘he "¢h"°h °f lmsbought the moving picture rights to my Ship Of Fools. as I have seen Judgment At Nuremberg. and ii is hard to express how tremendously l was impressed by its terrible boldness and beauty. though

I was full of horror and tears at pans of it.

Remember. I was in Berlin when Hitler was com' ' l'k h

‘gigynfgreéngtgfifsiyzisgl “gee; gel-cegnignzf 1';

A TRIBUTE To

s'fANLEY KRAMER

The Kramer Programme will be introduced by exhilaration. too. for it is time and past time for Pri'f¢’8~\‘0' G¢’-""1" these events to be recalled and shown to the forgetful old and the unconscious young. and nobody

The Films to be shown are the following tin could have done it better than you have. When l chmnobgicai Md"), recover. I mean to see it again. Bless you. you don‘t ' make it easy for anybody."

lt is the true mark of a dedicated artist that he 90 does not “make it easy” for his fellow men. As

THE DI-ll-‘IANT 0N!-is 11958» Sidney Poitier. Tony Miss Porter indicated. Stanley Kramer is a guar- C""i=dian of the conscience of man. ln this role. he is unique among director-producers. 9]

lt's.4 Mud. Mad. Mad. Mad World wasa frolic on "rm-; pr-;,\(:|-| 4|959i Grggory |>¢¢k, A... without social signicance. except for the oppor- G=irdn¢r- Fri-‘=1 A§l=|il'¢-Amlwny P¢rKi§tunity to observe the antics of comedians in pursuit of hidden treasure. Greed is seldom Fhe sulgjectlof 92 mirth. To make crass acquisitiveness unny tan ey Kramer applied slapstick. the broadest type of m"i§:‘e:i:,icT§4'E,ci:_v'€;“,l:e spcnc Tmi‘ humor. and achieved Rabelaisian satire. It is a strange change of pace following the solemnity of 93 J"dg"'e"' m N'”‘."'b"g'

JUDGMENT AT NUREMIII-ZRG (l96l) Spencer Stanley Kramer is a combination of crusader and 1-,,¢y_ aim |_,i,¢a,m_ Magng i)imi¢h_ showman: he manages to entertain while he prods Maxmilian Schell. Judy Garland. Montgomery the mind. he engrosses your eye while stirring your ch"conscience. This rare ability is best evident in The Defiant Ones which has an impelling unity. There 94 are two simultaneous chases, the ight from the "-5 A MAD. MAD. MA“ MAD WORLD i|964i_ {?‘;2i‘;1?.§. °1‘-if .?.2?..;£§.i’2;'.§“§z' .l;’.2"2{;‘.. §.?i;?!

3221:: Tiiizis‘"ir:..':;"'.§:'.°2i‘::.“"::i masterpiece Judgment At Nurenibery wherein guilt 5iL'°"- Tm?’ Th°"““' J°"“"‘“" w""""" Ed" is explored morally and psychologically while tor- A am‘ “C” mented witnesses strive to clear their names. An 95 inner and an outer drama in this film makes it an exce tional experience. Similarly. there isaparallel

SI-IlP_ OF F0015 (I995) VlVl¢ll L=I8h- Slmom P counterpoint in On TJf¢'70Bfd(‘II. The search for §§i':|‘:;f"iol;:°F:‘::e'€,f;"' Om" w'"""' E"”'b°‘h

A Tribute to Alberto Lattuada

ine ('im'reca ltaliana. The activities of Lattuada and his collaborators in this eld bore fruit in the organization of a Retrospective Exhibition at the .\lilan Triennale of I940.

Besides collating and collecting lms, Lattuada continued work as a lm critic and took his rst steps onthe demanding path to real lm-making as script-writer and assistant director. He had already scripted a lo mm. lm ('uort- Rivelarore. in I933. and acted as colour consultant for M. Baico's I1 Mu.st'u D¢'ll' A/mire. in I935: but it was in I940 that his continuous activity in the cinema world really started. when he acted as script-writer and assistant-director in the making of Mario Soldati’s little classic Piccolo Mondo Anrico.

Lattuada directed his rst independent lm. Giacomo l'Idt'aIi'.v!a in I942. This was well received by the critics. even though one small group connected with the journal. ('i'neniu. had certain reservariations about the style which they considered rather sterile and frigid. indierent and insensitive to that call of reality which seemed to have decisively appealed to Lattuada in his composition of a volume of photographs. Occliio Quadraro.

During the anxious and troubled years from I943 to I945 he directed La Freccia nvl Fianeo and. after making Lu Nosira Guerra (I944). a documentary onthe national liberation revolt of September I943. he made two lms which revealed the nascent poetic character of Nt-o-Reulixni in a literary and Alberto Lattuada was born in Milan. in I914, to moralistic kev : ll Bamlitu (I946) and the Prizea typical Lombard family. The home atmosphere and environment in which he grew up were such that they encouraged his every artistic urge. and from his earliest sehooldays he showed particular interest in the plastic arts and in literature.

His personality and intelligence were rst noted in the well-known 'liceo.’ Bercher. in Milan. where he had the good fortune to be taught by some brilliant teachers. and where he had as companions such students as Alberto Mondadori. who subsequently became one of ltaly's greatest publishers. With some of these he founded in I933 the ammgarde fortnightly. ('ammi'nare. which established itself as the training ground for anti-Fascist youth.

Having entered the Faculty of Architecture at the Polirecnieo of Milan. he became a member of the editorial committee of Correme, a lively review which dealt with cultural problems. During this period he wrote some short stories and articles and. for the rst time began. as a lm critic. to display his interest in that newest of arts. the cinema. _Simultaneously he began the arduous task of locating and assembling lms of historical and artistic importance and in collaboration with Mario

Ferrari and Luigi Comencini he founded a Film

winning Serizii Piem (I948 ).

Since that time his work as a director has known no stop: every tendency of Italian cinema found him ready and alert. putting into eect his motto. culled from experience. that a director should shOot as much as possible. alternating lms truly of his own with spectacular commercial products. These latter give him the opportunity to work. calmly and independently. making the lms that really interest him. lms of high artistic quality.

Despite the critical reservations above. not a single lm of Lattuada's can be considered useless.

BARRY’S TEA...

as well known as

Shndn

! Library which, on the premature death of Ferrari. was called after him. Later the library was named 72

trite. gar b8l'I_I'lil.é\ll through his lm career, nlo matter

ow tversi e certain constants are eas| y recognisable both thematic and stylistic which

A TRIBUTE T0

ALBERTO LATTUADA

illlunggnate and crystallise hisd artistlic personality. is ms are sometimes viewe as a itter portrayalof universal failure. They are that to some extent.

F'l'"s 0' Lmfuada '0 be screened m me but by no means only that. The authentic Lattuada Tblm’ P'08"¢"I""~’ is an artist of the elegiac. certainly, but one who climbs from considerations of Christian pessimism ‘° 3 9°“ °f Pufyi? ‘£5i°"'|;‘" is "°°°ss‘“'Y'" hc

The Films to be shown are the following (in once wrote. “to go ac to t e great virtues, not to have any fear of eloquence. but to be romantic °h"°"°|°g'°"l °'d°')' in the way of Leopardi and Manzoni. Man should ‘be givlen back the wealth which was taken from 95 im. t e warmth of feeling. sentiment. and aec- d tion. the sense of Christian solidarity." ll‘ """'{,’§,‘.‘lh?|I§-'; ¥,?n:,:::4?|{>$:lscd on Rm“ 0

Photo: Aldo Tonti

Mqgigj ||d¢b|'3|\dO Plllll

Players : Carla del Poggio. Jacques Sernas. Leda

A list of lms directed partly or wholly by °'°"“- °"‘*‘

||_ CAPPOTTO (I952). based on GogoI‘s well-known ———i story

Photo: Mario Montuori

Mus'c: Felice Lattuada

l942' Gmcomo L ldeahsm

I944: La Freccla Ne! Franco and La Nostra Guerra

I946: II Bandtto

I947. II Delmo de Gunanm Eptscopo. Senza

Players: Renato Rascel. Giulio Stivali. Yvonne Sanson. Ettore G. Mattia and Antonella Lualdi.

DOLCI

INGANNI (I960)

Photo : Gabor Pogarny M ' :P‘ Piccioni

P|;';:§: g;::m,ina Spa“ Mmy_ ch,i§,;a,-, Pielcl and ll C0.110110 Marquand. lean Sorel

I949: ll Mulino del P0

I950: Luci del Vaneta (with Fellini)

I95‘: Anna and H Cappono

I953: La Lupa. Gli lraliani si Volrano (an episode in Amore in Cimi), La Spiaggia

MANDRAGOLA uses). based on Niccolo

Machiavelli's play

Ph : T ' Delli Colli

Pr:l‘eors: ‘l;‘o:i)nno Schiaffino. RomoIo_ Valli Philippe Leroy. Toto. Giancarlo Cobelli.

I954 : Scuola Elememare 9 -

l 57. Guendalma

I958: La Tempesta

I960: I Dolci lnganni and Leltere di zma Novizia

I961: L'Imprevis!0

I962: La Sleppa and II Mafiosu

I965 : La Mandragola

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THE GOOD OLD DAYS ¢;,,,,,,,,,, |1'i£si

An Illustrated Lecture on this subject will be

Production: Atlas Filmverleih Gmbh. Duisburg

Director: Ulrich Schamoni delivered by the Irish lilmologist. PR()l.\'NS|AS scrim; urich 5¢h.,moni O C0t~'Ltf,iit~'. at the Lee ('irivnia on Tuesday the phom; Guard vundenberg 20th September. at l2.l5 p.m.

Music Z Hans Pomga

Cast : Sabine Sinjen (Hilkel. Bruno Dietrih (Manfredl. Ulrike Ullrich (Hilke's girl-frien ). L A T E E N T R I E S Harry Gillmann (Hilke's Father). Inge Herbrecht (Hilke's Mother! Etc.

The "Filmbewertungsstelle" (Oicial State Film

Cllbl ' N0“ E\_,1u_,iion Boardl has awarded this film its “EX(:¢ptionall_y A picture dealing with racial problems and riots. with \ .tlu.ihle" certificate. and in the citation states that "it Lena Horne singing in the background. .;j‘f‘€.tT§ that in It we have a rst film to celebrate. a lm ‘Time. |8 min“ ish towers over the usual level of German lm pro-

poses a question it does not answer. The spectator 39 ."‘.. proiide his_ own answer. which will be personal to Germ", HOCUS Pocusornow-to ..ii.l ddetegmlineii by his ‘etlgical A \.tl1l.'§’ an ‘C ZITC IIO CFOCS C)'_ l A is 'h: lk th sten e. Cheerful and without imme-

lHOKU5 POKUS 04¢!’ w|E [$555) ICII swine! ,~r.~ili=m§."iii:>'» liv§_together._ They work hard in Ml-IINI-IN MANN VERSCAWINDIINI "def to get ahead in their respective p|'0_f¢S§l0_f12 he as Pmducmm c0mmmin_|;i|m ~'i"..tll estate agent. she as a technical designer. ey love

Director : Kurt Homann ""“h “her “nd “re happy‘ Script Eberhard Keindortf. Johann Sibelius Suddenly. over this young couple ‘It.’ their unborn _child. Photo: Richard Angst appears. presenting a momentous and seemingly; incurMusic: Franz Grothe mountable problem. Hilke tries to solve it in er own Cast: Heinz Rilhmann (Peer Billel. Licselotte \\a). She does not \\ant to burden Manfred. fearing for Pul\er lAgdal. Richard Mllnch (Court President! their happiness. She is truly afraid. Fritz Tillmann (Public Prosecutor). Klaus - - -_ by. ~h' h h f h.\/liedel (Mr. Graham). Stefan Wigger (Amund- w“i:'_\‘|':.e|:‘f,iZdlTcr mm ‘ sr “ ‘C S e re uses m S Arc senl. Joachim Teegs iMunio Eunanal. Tatiana sags (yr,-an |(;¢bum_ cm It is not a problem lm which affects Hilke and Manfred alon'. Althou h a hypothetical situation it points out

The h‘a"“f“1 Fm“ Am“ '5 accused °f ll“ murd" “l the conicts and difficulties that face far too many her husband. She is alleged to have drowned her husband. The Direcwr handks his Sm“. in an original way, Wm, ll" Palmer Hilml’ Kl¢l'll|f- “'h°§¢ P1\ll"l|'|8§ 1*" "°“' '"

great care and deliberation. ' (Time: l hr. 26 mins.l such demand. All circumstantial evidence is against her. In her testimony she involves herself in contradictions and impedes the progress of the trial by frequently and deliberately fainting. On the evening before the main proceedings her defence advocate resigns. Nobody thinks the

W];/mm u, _;“pp(;;-; U] B5;-d Fdfy and our accused has the slightest chance. Her personality. however. radiates an unusualmagic but to what effect‘? It Spnnson. and Adwr"-M,rs we Could "U, am, looks bad for the enchanting Agda very bad indeed!

C" me mhcr hand “mid one belie“ ‘hm 3 ind“ would

tinue to tlirive. The Council and Director of convict the woman whose portrait he has hung. and magically illuminated. in his home‘? On the night before the trial other strange events take place in the judge's house. He has sent for his friend Mr. Graham. the crimi-- - nologm from Lmdom since he feels Mum" mcnaccd M them. Please t'tts'!l!'e the Festii-al s continuation a strange warning. A mysterious stranger appears who tries to prove in the strangest way that Agda is innocent by -““PP”"”"3 ‘W’ Ad"er"sers' and that the case against her is built up only on circumstantial evidence. Peer Bille. a versatile and apparently talented personality. causes a sensation during the following days in the packed and tense courtroom when he

the Festiral 1'.\'PI'(’.\'.\‘ their sincere gratitude ti»

A 5p¢cia| U-ibmc mus; bc paid 10 the img]]ig3|1¢¢ appears with full authority and evidence as defender of the accused a defender whose dazzling. attractive. and and innim paiigricg of the Staff of our printers. ironic diction and presentation of evidence carrys away the public but gives a lot of trouble to the State Prosecutor

M€$$f'$. D. 8! A. O'Leary Lid. and the Judge.

TJICII (W0 ‘bOl11b§' ¢XplOdC 0l'l€ Rlfll’ "TC Olh¢I‘ 76

TELEVISION COMMERCIALS COMPETITION

AND AWARDS

AWARDS

This competition is now in its fourth year. and is being held from the Zlst to the 25th September, inclusively. in four sections: (a) Commercials pro___ duced for Irish television; (b) Commercials produced for any television station in the world; (c) A series of related commercials (minimum 3); (d) Commercial produced and transmitted in colour.

For the ninth consecutive year the Irish Film Commcms which Wm have appeared on MC, Society. in collaboration with the International "i5i°" b°I“{¢?" |5I A"8"5I- 1965 "Id 3_|$l JillyFederatiun of Film Societies. is awarding a Certi- fggeigyiyQt:-yagfcgggeugggcggt cate for the short lm (shown within the frame-

E-"mi;s aw di\'id=d int? ¢al=s<>ri¢s-_by length and work of the Festival) considered of most interest §,,P'§o"I§,°'|':§;‘{,a":,n‘§"'|,'f§,,':,';?§n§,'{ to lm society audiences. The considerations in- Sections. uencing the judging of this award may dier from those determining other Festival awards.

A W A R D5 ~\ GRAND PRIX for the best commercial of the

The Certicate will bean illuminated document F°$‘ival' i" ‘sh a"d E"8li5|1-

A PALME t>'Oit for the best series of three commercials

The f°"°“'i“g mcmbe“ °f ‘he Film S°°i°‘Y

A SERIES Aw/um for the best series of three commovement have been named as members of the m¢"¢i3|5Jury 70' "°mi"1i°" 07 lh¢ lm I0 b¢ awarded 91¢

TI-IE CORK COLOUR TV Awuto for the outstanding Film Sociciy Awm-d_ 1955; _ colour television commercial. (As far as we ltnoév this is the rst colour TV competition

Arthur Lomas (lntemational Federation of Film m atom). Sociies)

Gerald Daly (Irish Film Society. Dublin)

Edward Gleeson. B.L. (Irish Film Society. Cork)

SPECIAL TELEVISION MAIL AWARD for the best commercial produced specically for showing on Telefis Eireann.

Additional DIPLOMAS OF MERIT may be awarded at the discretion of the Judges.

ADJUDICATION AND SCREENING

The international panel of judges is as follows:

MR. HAROLD BARNES (France)

Da. GUNTHER BAUER (Germany)

DR. CLAUDE CONTINI (Switzerland)

Mn. GEORG OLDEN (US./1.)

MR. GEORGE PLANTE (Britain)

The lms are being screened. for the judges and delegates on the 22nd September. and for the judges. only. on the 23rd September.

The Lord Mayor and iiieinben of the I-‘esilviil Committee

The ’4”'a"ds will be a"n°“nced and p"e,5cm°d at have a pleasant chat with the Indian delegation at the the evening performance in the Savoy Cinema on FQIUVII Chill). ICOIK |'I|llI |;§lVl| 1,65).

San"-da-\~_ S¢;p(g"|bgy_ 79

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