CIFF Programme 1966

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ELEVENTH ‘QC CORK FILM FESTIVAL

CCU‘

September 18th to 25th 1966

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ELEVENTH (FORK

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INTERNATIONAI.

FILM FESTIVAL

Sunday, Sept. 18th TO

Sunday, Sept. 25th 1 966

PROGRAMME

PRICE 2/6

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1966 President: Rt. Hon. the Lord Mayor. Ald. Sean Casey. T.D.

Chairman: A. A. Healy. T.C.. T.D. Executive Council :

An té is lugha dochas trath bunaiodh an Fhéile seo againn-ne. ni folair no go n'admhoidh sé anois go b_hfuil 5|’ af 3 b°nn3_|'bh i gc¢3|'§~ n\|§i|' am _d¢iEh n]bh§_|".$5|'3"he 3§3|[m- Cad |§_ u 3 lenhefd

Dr. R. Breatnach. M.A. B. B. Curtis. A.R.A.M. Sean Hendrick Capt. R. B. Kealy. B.Mus. E_ O.Mahony

R. B. Beamish D. Crosbie. B.L. Prof. A. Fleischmann. n.Min. .\lrs. Nancy Jennings

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Reseiltion 0ll¢¢I'= D- Cr0$bi¢- B-L Commill" R~ B» Beamish- Lt. Col. L. F. D<>yl¢- Mrs Maura Pyne.

N-_ ;_ Ryan 1

Transport Oeen:

T. O'Brien. T. O'Sullivan

-\¢¢°IlIIII°¢I"°I 05"" 5- 0 M*‘h°"Y .

Tugann se eachtaint duinn ar fhorbairt

}dll'|‘l€ilSll.il‘ll8 eialaii na scannanzh bilogn caoi nios earr againn d c ionn san ar c ai éain chearta breithiiinthis a chinntiti i dtaobh tacit agus tionchar an mheadhoin samhlaiochta is uili agus is eifeachtai. Ta riachtanas géar leis na caighdeain sin agus a ra nach féidir ealé on dramhfhuioll. on ‘kitsch.’ is dual do ealai ata comh maith chéanna ‘na chaitheama aimsire amhain ag an iomarca daoine ar fad.

Agus maidir leis na comortaisi dos na gearrscannain — priomh-chuspdir na féile — is follas go léirionn siad go bhfuil sar-shaothar a dhéanamh ins na ranna eagsiila. a chruthaionn a dtairbhe d‘aon choras oideachais. Ma éirigh linn brii na hintinne agus na samhlziiochta a mlieadii sa stuidéar a dhéanann idir thuath agus chléir ar thacht do-shéanta na healai freacnairci seo. ta an priomh-cheann dar

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"'f°""'“°" omm‘ C‘ mums Press Oieerz W. O'Herlihy. Committee: S. J. Coughlan.

J. Cluskey. F. Sanquest. S. Power

Special Prngrainiuer: S. Hendrick. H. Conboye. Dr. R. Breatnach

n-aidhmeanna coimhlionta againn.

Programme Editor: Dr. R. Breatnaeh

|"'°'°°°' °.°""‘ B" B" C""i" A'R'A'M" K‘ G‘ am" oleer : Lt. C I. J. J. Casley I iml M on 0 Films Oeerz W. Newman. Asst-1

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We celebrate the eleventh year of our Festival in full awareness of the challenge of matunty_. for the Cork Festival was in being before the l‘l18_|0l'lly of

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Torin Olleer: Mrs. Eibhlin 0 Dubhghaill Festival Club Oceni

C. I-lennessy.

Solr. (Chairman).

Committee: H- Fi\lI¢T3|d'smilh- B.Al'Ch.. I. M0|0' n¢y- S0lr-- Cam R» 5- K==\|Y- B-MW Club Reception Ofcer: J. B. Murphy

Coulllelltnrlesz Dan Donovan. M.A.

C°Ill""= 1°'"' 0 D°"°'h“‘ Director: Dermot Breen. M_;l.P.R.

Film Festivals mushroomed into existence. it has carved an important niche for itself. and we must assure that it will be lled with _an image in keepmg with ou_r ideals. _We do not think it_ idle to claim that our visitors discover a distinctive character and atmosphere at Cork and that they realise how sincere is our Céad Mile Failte. We pledge ourSc|veS_ for one ‘hing. no‘ to kt that particular image through [he cocky. 0.handedneSS that over-familiarity can bring. Cork's reputation for friendliness._hospitality. a warmly unpretentious air of enioyment. and an atmosphere of eamest public interest in the cinema. is what we cherish — and what we guarantee from the moment we rst welcome our guests in a way that we hope makes them feel truly at home in our midst.

The obieql vtlhe Fwival itself is w_ f<>>t¢r_P<>r>u.ar interest in_ t_ilm._ in the short lm in particular.

-ince we are living_in the full tide of a great electro:iic revolution which has made the visual media more imiwrwnt criteria of ‘realitr than even prim \\'e no longer live in “the pale of words" alone. and ;t is regrettable that educatiollalists and academics pay such little attention to the effect of such media on the imaginative life of society. even as providing ihe diversion which the human condition demands.

Our widely known Film Festival Club will open its warm. welcoming doors again to the public who will have the opportunity of mingling in a free and easy way with guests. delegates. and distinguished

lm personalities. Foreign visitors will quickly experience genuine relaxation there. and have ample opportunities for what Dilys Powell deemed to be a very valuable service of Film Festivals "the pleasure of contact with minds considering the cinema from various points of view—some critical. some creative.“

To attract the best short lms we have the usual competition in ve categories. Bronze Statuettes of §,_ Finba" will ix awafdgd by the Jury in the om.

-tanding entry in each category. In addition a Certicate of Merit may be awarded at the discre tion of the Jury in each category. in recognition of special achievements in particular lms not themselves deemed worthy of Statuettes. The categories are. m Dm.mm,ma,_\._ (in (;‘.,u,,a1 ;,m,,‘,,,_ (iii) .~I!IlHIlt’tl or Cartoon. (iv) Scientific and Edam» rional (vi Films on Art. The Waterford Glass .4 ward will go to the lm which. in the opinion of the Jury. is the outstanding entry overall.

form an imcgral pan of our programmes although there is no competition for them. We have been successful in obtaining features of high quality and entertainment value. ~\s the stardard of current lms is inevitably subec: to uctuations. we continue as usual to keep ;.:' sights high by providing special Retrospective ~r Tribute Programmes of work by living directors if note. and of older lms that have stood the test if time. \\’e are particularly pleased that Professor Roi-ert Gessner will be here to introduce the Ti":/‘tile Iu Stanley Kramer. the distinguished —\rtierican director. who has chosen six of his lms especially for the Festival. Prof. Gessner also con:r:bute~ a brief study of Kramer and his work. The Festital authorities are equally glad to be able to r‘i'e~e:it a Tribute to Alberto Lanuada. who will Exzniself introduce the lms he has chosen for exhibition. \\'e are pleased too to include a brief article on the famous Italian director.

As uSua|_ femur: lms

by

We thank the producers. directors. and celebrities who have honoured us by their presence. and 0'-"' °“'" P¢°Pl° °f C°|'l< f°Y lhelf grand 5"PP°"our ll!3"k$ 8° 315° lo lh g°"°T°"$ 5P°"$°l'$ and advertisers who have assisted US I13l1¢l3")' mid otherwise, Fad $3011 doibh. And W6 8l'¢ 88 d¢¢Pl) '"d¢_bl¢d I0 Béld Félhe f°' "5 5'-|PP°" Of lh¢ Festival over the last eleven years. as for that body's ¥'-'a'3m°_e °l_"5 comlnued aid thus a¢k"°“’l°d8' $|2"lh¢_3I1¢¢ 071116 Festival and its contribu‘P8 "O" w the national PF¢§li8¢ and e¢0n<>my-

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And. lastly. a renewal of welcome to old friends. and a special failte to newcomers to the Festival.

DERMOT ]-|_ BM}-N_

D,',em,,_ Cork Film Femva] ‘

There will also be a lecture in the Lee Cinema Proinnsias (') Conluain. an Irish lmologist. (

For all above see Pages 69—76l

\\'e owe a word of gratitude to the Irish Film Society for continuing its well-established Competition. and grateful thanks to the Television Awards Committee of the Festival which operates from Dublin. for the development and promotion of this important aspect of our Festival. The scope and standing of this Competition have grown greatly in .1 short while. and this year a Colour TV Competition will be held which appears to be the rst such competition in Europe.

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WIRE NA FEILE

s'r. FINBARR STATUETTE

FESTIVAL

AWARD

JURY

The Ofcial Jury for this. the I966 International Film Festival is comprised of the following

members:—

DILYS POWELL (Britain) (President of the Jury) MADAME KASHIKO KAWAKITA (Japan) JAN OLOF OLSSON (Sweden) MINHEA GHEORGHIU (Rumania) PATRICK CAREY (Ireland)

DILYS POWELL (Britain) PRESIDENT OF run Juitv

NAOMH Fl0.\iNB.\RR \ St. Finbarr is the patron saint of (ht: D;t~..~.;f Cork. He was born in th¢ 6*" C=""")' i" “. l"**“‘_ *4 §.“‘h°““°"' "°‘“' 5“"d°"‘ ‘he 5°" °f “ n“""_:'i; 5?’;

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un em," ,0 d me tat“ 0; a water mom!-.'_.'. F;_nn't~.trt pur' for forty m tie s towards the east. :»_~ ..~.mtng the h sued it River i_¢¢. and that he . then swlsd M 1-”'-' 1"“-"h °f ‘ ° 'i"°"“"d ‘"3’ °fC°'k' h h h nd of -' §g.~'~"-K 3 Anoth=r |¢ll¢l\d Bi\'¢§ thc rqawn W Y the saint is always shown in I‘€pl'CS¢?lai~.‘~‘.;:J.;:! eovve: with a glove "which he always wore ro... .. r :4} I ' scd the kneclin:-. 3.;.nt by |’IlS who _ral he met the Saviour. . right hand. after which it ever glowed \t::n. ‘.X‘ _i1elestiii(: r=*¢ia"°° “'hi°*.‘ °°"'d "°' 5° °b‘°“'°‘!- ~‘_'5~‘ 'j{j~~ lg-12.. only be borne if the hand wer6e kept covert \~ i... .t 8 -

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lt is a great privilege to have as President of the Jury at the Cork Film Festival. Dilys Powell. who has been connected with The Sunday Times since the beginning of her journalistic career. rst as a book reviewer. then as a member of the editorial sta and. since I938. as lm critic. She sees anything from 400 to 500 lms a year and. as if that were not enough. her appetite for the medium and its elucidation is so keen that she will travel many miles to pick up some obscurely presented item.

That all this ardent involvement in lm is not in vain. the readers of her Sunday columns will testify wholeheartedly. So too will all those who listen to her frequent broadcasts and. I am sure. those fortunate enou 3 h to be able to watch her a PP_¢_ arances on television. As re8ards the last medium it is relevant to remark that she was among the earliest members Amhomyl of the British Independent Television .

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Dilvs Powell s litera ry achievements are. sadl Y . [n [934 shc. pub“-Shed D“-¢-em Fmm Parnassus. a valuable pioneering survey of 7 |¢§§ w¢]] known_

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a truly ‘importunate poetic impulse.‘ Her essays on Lawrence. Eliot. Sitwell. Sassoon and the POCIIL triumvirate of the earlv thirties is still well worth reading. Before the wair. too. she spent much time in Greece. travelling extensively. and out of her k bl h love for the country have come t ree remar a e books: Renienihvr Greet? (I9-4|). The TraveIIer'.v if the H ‘UT! J H 'n '_\' I; I) in (I943) and An Aiir l ‘ ( ( F s ll9l.é7l.

H is married m Leonard Russel P D-I owe i ys Associate Editor and Chief Literary Editor of The Smiday Tinie.i": they live near Hyde Park in a Regency house and spend their weekends in Kent.

She collects Sunderland pottery. of which she owns a very ne collection. .

world. if such is needed. is the fact that she has been a member of the ]l.ll'l¢S of no less than *5 dlQZ¢I_1 llngggnagional lf¢Sll\|l‘8lSi1 beginning with the lm

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Jones of fesovals at.Ma" dc‘ mam’ Va"°°""¢"Gama‘ so" Fm"c'Soo' . Cannes‘ . MelbourneF|or°“°°' '-P¢*""°- ‘he Fosoval of .loo'a'a"o.' mos‘ recently '. this year. at the lntemational Festival of iho? Foals at Krakow 3"‘! 3‘ ‘he F¢5ll\'l In or ovy , 35" The D_irector a_nd Council of the Cork International Film Festival are proud to welcome as a "‘f1'."b*' °f "8 "66 Jury 8 Woman of such ac ‘Homem-

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JAN OLOF OLSSON

MADAME KASHIKQ KA\\"AKlTA

(Sweden)

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An author and j0Ul‘n8llSl of wide interests.

Jan plot 0l5’.o" beam.‘ an omhosiasoo swdem of omoma whoe ""'="d'!‘8 slockholm U"i"o'5ilYW"F'° he was "°ry_ao‘!"e as ‘P member °f ll" Unwusnys Academe F'lm.Soc'°'y' Dori"? ‘ho §°°9"d world wa'_‘h3‘ Soa)’ “'35 5°m¢lh"18_°f 3. p'o".o°' orgamsaooo among 5?*'°.d'§" mm some’ ms‘ Since me." he has kep‘ “P ms "“er°5l i" lms-

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Born in Osaka. Japan. in I908. Madame Kawakita's whole career has been devoted to the art of cinema. After graduating from Ferris \\'omen's College in Yokohama. shebecanie. at the early age of Zlra Director of the Towa Shoji Film Corporation (later the Towa Film Corporation). Bv I952 she was nominated Viice-President of that Corporation and. within a period of eight years subseouently. her work was widely honoured by imporiant appointments to various national and international bodies. ln I957 she was made a C oun eillor of L’ni’apan Film. and two years later a member of the executive committee'of the lnternational Federation of Filni Archives (F.l.A.F.l.

She has since resigned from that body owing to pressure of work. In I960 she was nominated meml~er of the executive committee of the Film Library of the Natioiial Museum of Modern Art. and four tears later was the recipient of the special artistic award of the Japanese Ministry of Education for her distinguished contribution to the development

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‘ Fuithelrnproof r8?Ni2d2:I1p: nKawakita's stature iii 8

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and ms “PP°'."""?'" as a.men.1bor of the jury Q‘ ‘ho l?58.B"|m Fom Fosoval '5 3 '!"=°§‘"° of his §‘“!'°'"¥ m the lm world‘ Amoog his moo)’ pool" caooos '5 3 bookie‘ o" E"3l'5h lm5- '55"¢d "l I954For 20 ycars Jan plot olsson “#5 bee!‘ 3 roving moon“ for 5?"°d°" 5 M895‘ mommg only .Dage""

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European counmofb moluomg "'='°"‘.*- Perhaps his mos‘ =2"d"°"§ ".‘5k "P ""5 o°lo.wa5 ms Coven!‘ of Amccan pr°s'o.onoa| ':‘*""Pa.'8"§- . .1“ °°"""°.'°"°" ‘"".'. ms woo‘ . Margot?“ Slogan‘ who '5 8 ban?‘ com’ he has wrlm" smows of England‘ ‘he Unneo SW95 a"o' "1 1957- of I'°lan.o' Although. .h° has wsnco I!°'°."d oo ve occasions.. these . visits have never coincided with a Cork fosovu "'5 swoy of Irehmd §h°“'5 ‘ha! h¢ i5

-tell \crsed in Irish history. politics. and literature.

Jan olsson has also written two novels and a number Oi b00it§ 0" ¢°t"¢mP°"-"Y lm¢"l3"°'_‘a| Politic» He is very -'el<=om= as the rst Swrdtsh T-ember of 8 Cork Film F¢§!i\'i i\"')’-

Since the Years ('rmmr_v. which started its awa,-d_winn5ng car“; (Of ve rst pfizgg and yg others) at the Berlin Festival in toes. he has worked on Wild Wings for British Transport. and

The Living Forest for Pilot Films and. recently. as director-cameraman of the second unit of Fred Zinneman's Man For All Seasons (based on Robert Bolt‘s well-known play).

We welcome such an accomplished artist to our Festival Jury.

MINHEA GHEORGHIL‘ PATRICK CAREY (Ireland) (Photo courtesy huh Times)

A man who has only recently won many awards

fOl‘ the many-splendoured beauty Of his lm YPGIS ('r>mur_v. Paddy Carey has actually spent over 2|

of his 50 years in lms. But more of that later.

He was born in London where his father was then a civil servant. May Carey. who was assoctated ttith the Abbey Theatre. was his mother. And. to add to the associations with theatre. Vivien Dillon. his wife. worked in the Gate Theatre lwtainly with Longford Prudsu). She is now his rartner in their company. Aengus Films.

Nearly all Paddy Carey's lm work has been in ~;-torts. and it has taken him to all sorts of places. the most stimulating of which were the Canadian Arctic. Khatmandu (shooting background m8t¢l’i8| for the Conquest of Everest) and Indonesia. He has also travelled to India. Ceylon. East Africa. Persia and some parts of Europe. The Canadian experience was probably strongest because he spent some ve years in the country. going foul’ times t0 the Arctic. and once each to the Yukon. Alaska. and across the border to Northern U.S.APaddy Carey's best-known lms are probably -/<'"’"¢’." 1"!" 5P"i"8- 7711' l-1'\'l'"8 5'0"? (Shown at Cork some years ago. and an award-winner). Skv. which has also won some awards. These three he photographed for the N.F.B. of Canada. And. nally. of course. came his masterpiece. Yeats (‘ttumry which he shot on his own and ¢o—Pl‘0dtt¢¢d with Joe Mendoza. Three of these four lms have been nominated fOl' Oscars and. signicantly. three also reect Paddy Carey's interest in nature as a lm subject.

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(R lmumia) MINHEA GHEORGHIU was born in Bucharest in I920. At the University he specialized in the stud) of the Fine Arts and Philology. and holds both the Ph_D_ and D, Litt, degrees, Hg holdg many important pgsitiong, among thggg being the Chairmanship of the Council of Rumanian Cinematography. and the Professorship of Theatrology and Filmology at the University of Bucharest. M. Gheorghiu is also President of the

Rumanian National Film Festival in Mamaia. and

an Executive Member of FIAF (The International Federation of Film and TV Authors). A further noteworthy honour he possesses is Membership of The International Shakespeare Conference. Strat-

ford on Avon, Over the years M. Gheorghiu has been a special guest in many countries: Argentina, Brazil, England. France. India. Ireland. Italy. Russia. Spain.

United States, Uruguay, and has been a Member of International Juries at the Festivals of Mar del Plata (I965) and San Sebastian (I965).

His He has written the scripts for many lms. script for Tudor was awarded the Special Prize and Southern Cross at Buenos Aires (I964) and the National State Prize in Rumania. The film was presented at the Cork Festival in I964. I-Ie has also written more than fifteen books. including works on the theatre and lm. a large monograph on Shakespeare. a series of studies of Irish Drama in English (J. M. Synge. Sean 0 Casey). and a study of Eugene 0 Neill. For a period he was Editor of the Rumanian monthly review of world literature: Twenfiellt (‘emm-_v, M, Gheorghiu is welcome as the rst Rumanian representative on the Jury of a Cork Film Festival.

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SYNOPSES OF FILMS

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Important Notes

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Commemmor ' when schocnuns J'"“:"h? 9'9""? °Q?°h‘ma" °‘.M'k"°5' i‘ "‘°.5°|° .5‘.'P'

"='P “"0-=5 to '°=="= d='a"= ab<>"' lms

i’.§’.-".3.....'.§.l’l.‘i.“€1"i¥.;.;'i“i.§"'Z.f.1§{,.i2"I£‘{i§'i'i.°.’?..,‘3i""K European tourist. attracted by the idea of a romantic trip. gets into .l_illali_'s coach. They become friends. Jillali hoges ‘° "d 3. l°b "1 E""'°P° bl" hi? new Mud b°l.l°"‘.‘ l 3‘ Europe is tio place for an African boy. that Jillali must stay in Africa.

(Time : 36§ mins.)

Accounts of Special Tribute Programmes devoted to Stanley Kramer and Alberto Lattuada may be found on Pages 69 75 '

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Details of Collpetltloll associated with the Festival (Irish Film Society Award and Television Commercials Awards) may be found on Pages 78 and 79.

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Synopses or other details of some lms are wanting because they were not available before going to press.

Pr0d\l¢li0ll I Pierre I-evie Director: J. Delire Script: J. Delire Photo: Femand Tack Music: Y. Dailly Players: Christian Barbier, Litinsky. Fernand Leanee.

Late entries may be found on Page 76.

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D.iretii‘<:i'ii‘inRik ‘l(llc)"::l’$l m

Films are listed numerically. The numbers correspond with those to be found opposite lms in the Progrlilulie proper. that is. the colour liiset in this brochure. and thus

Ailtrllla

JILLALI

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nrsutrsn LANDSCAPE

Quentin Milo.

Nele Paxinou,

D‘"'i°'° D°'“‘

Animals and people are often lost in the marshes known Em“, N05,-,_ Ev‘.-ythin‘ has been mu; in order to pierce the mystery of their disappearance. until. at length. a truly adventurous spirit appears on the scene . . . byT|lti:nlRn;;s based on the story of the (s_:ls_tne llll2¢8Wl’l_ll¢l't

Production: Arkaba Films Pty. Ltd.. Australia

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Director: Ian Davidson Sq-ipt ; Namy Cato hm Davidson

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The changing landscape of Australia as seen through the thoughts of a part-aborigine girl as she recalls her early life and the places she has been durint‘ her childhood. and also the circumstances th t brought er from the settlements to the city. a (Time : I3} mins.)

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Production :

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Director: Genevieve Grand'ry Photo: Freddy Rents Music: Paul Uy

PAINTING PEOPLE

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Prodttcltion Australian Commonwealth I m nit .

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Photo: Bruce I-lillyard Music: Don Andrews

Commentator : Brian James

The trend of modern art has clearly been towards the abstract but in Australia at any rate. as this _lm _manifestly reveals. there is still a school of portrait painters.

The artists who prove this. and who tackle the ir_nagin_ative issues rosed. are Clifton Pugh. William Dargie. William Dobe l. Russell Drysdale. .Io_n M0lVh?. and Andrew itchell Gallery Sibley. A sequence is also taken tn the of the works of early painters in Australia. and their works are considered and discussed.

An item of particular interest to_ a mainly _lrish audience is Clifton Pugh‘s fine portrait_ of Al_‘¢l\bl5lI0p Mannix. painted when_ the sitter was _ninety-nine years old. For the painter this portrait personies old age.

(Time : 28§ mins.)

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the portraits shown illustrate their varying styles.

Raymond Germaine: Ag-,|¢y

A tript ch devoted to the cultivation and enjoyment of the breatlitaking glory of the Belgian begonia which. it is claimed, is the most beautiful begonia in the world._ (fim¢; 15 m|m_)

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T.V., Studio and Theatre Planning Specialists

Our own sltldlO was the birthplace of Tdes Eh-can"

30 UPPER ABBEY STREET,

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Production: Belgique-Cine. Brussels Directors: E. D. Hoker and P. Busana Script: Michel Clarence Photo: Ruedi Groh

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Commentator" Michel Clarence

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-\ d vurnentary devoted to an examination of the paint (Time: 23 mins.i

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The two essentials of our eicient

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Printing Servicei

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THE UNCLE

Production: Play-Pix Productions Director: Desmond Davis

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S"i°i§.§.§i“.§§"lf.L'l,l’.I.‘i."‘t§i“'ili',P°»i'i§‘FZ.'l.'i'.°““" Photo: Manny Winn Music: John Addison Cast: Rupert Davies (Davidl. Brenda Bruce (Addie). Robert Duncan (Gus: the uncle).

William Marlowe (Wayne). Ann Lynn gala). ihriitopger ArissM(Tom). geafbf r ra ea el mma. auri nham (Mr. Neamel. Helen Fgaser (Ma: Neame).

John Moulder Brown (Jamie). Helen Goss (Helen). Stafford Byrne (Vicar).

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combined in the production of

Seven year-old GUS has been an uncle all his life. am when his quarrelsome. unmanageable 7 year-old nephew Tom comes to spend the summer holidays with him. he nd‘; the responsibilities of his position almost too hard [0 3|’ . . .

He rst becomes worried at a cocktail party given by his parents. A guest turns to him and tipsily exclaims: Isn't that quaint? Uncle Gus! l always think of uncles as

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funny old gentlemen.“ Then when a large local house becomes vacant. Gus. Tom and a gang of children divide the debris left behind.

Gus quarrels with an older. bullying boy over a broken umbrella. Led by the bully. the other children turn on him. teasing him because he is an uncle. And Tom. his 7 year-old nephew joins in.

Curiosity and bewilderment bring him to question his mother. the family maid Emma. and his father about the mysteries of his unusual status. His puzzlement remains.

Meanwhile there are gunghts and chases. But the playing always ends in quarrels. And there is always the teasing. oft-repeated chant : "Gus is an uncle. Gus is an uncle."

Shying awav from the others. Gus packs up his toys and spends more and more time by himself in ihe_empty house. As Gus grows embarrassed and aloof with his own father. Tom's father. a farmer. becomes his towering hero. But that image is brutally shattered.

GTheHmvsteri_es of1_bii;tl_i ncowhbectiie anhobiession with us. e questions is rien e vi age s op eeper. on y to be told that he is too y_oung to know. But on a family outing to_ the _beac_h Tom is more helpful. “It's something to do with girls. he says. And Gus looks hard at the couples on the sands.

A the hol'day end Gu r scue Tom who ' be‘ chasid by ot'her children. sSuddenl§' uncle and lhephle‘: nd themselves on the same side . . . Gus iauntilv collects his budgeri ar and toys from the abandoned house. The summer holiday is over.

(Time : I hr. 30 mins.l

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Britain - PHYSICS AND CI'lE.\lISTR\' OF WATER Production : World Wide Pictures. Ltd.

Director: Sarah Erulkar Photo: Charles Smith .\lusic: Jaqucs Lasry Commentator: John Westbrook Water is the commonest yet the most extraordinary liquid in the world. It is lighter as a solid than as a liquid: \\ hen heated it evaporates more slowly than almost any iiquid of similar molecular size: its surface tension is unasuall) high: it is an almost uni\ersal solvent and is highly .orrosi\e yet harmless to living things. The lm examines the atomic structure of the water molecule in term; of its electronic character. and the formation of the hydrogen nonds whose behaviour results in the unique properties of \\.iter and its three states as liquid. solid. and gas.

(Time: Ztll mins.l

9 Britain

-

REFLECTIONS ON LOVE

Production: Clarendon Productions. Ltd.

Our Phoenix is pretty strong.

Test your grip.

You see lots of people shaking hands with our Phoenix these days. In fact, you’ve probably noticed how fantastically popular it has become. One of the reasons ( along with avour, brightness and a cool, rm head) is its strength. Next time y0u’re ordering, ask for a pint of our Phoenixand the bright will dawn on you!

Puntx DUI the bright beer

Director: Joe Massot Script: Derek Marlowe Photo: Robert Freeman Music : John Scott

Commentator: Cyril Shaps This lm offers a poetic study of love in the London the of I966. in the midst of ~— and almost despite "switched-on." “geared-up" world of the young people involved. And London itself is seen as a city of lovers: warm. green. romantic perhaps a new city not known mins.l to many.

(Time:

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1RE§°['l'ZY»S at

BREAKFASTS — LUNCHEONS HIGH TEAS

ITALIAN ESPRESSO COFFEE ALL DAY LONG

I24. PATRICK ST., CORK I7

10 Britain

\

Premier

RAYON — FIRST AMONG FIIRLS

Production : Film Centre (International) Ltd..

London Director: Lawrence Crabb Script: Lawrence Crabb Photo: Wolf Suschitzky .\lusic: John Beckett Commentator: Roger Wesson

7

C0rk’s

-

Store

In the l7th century Robert Hooke foretold the dis-

‘-er) of man-made bres. Two centuries later French

for

--.1 British chemists succeeded in producing them. Then 1905. a British rm. Courtaulds. rst developed viscose '.;:-OH commercially. and so became world pioneers of "-e man-made bre industry.

The lm makes ingenious use of animated dia rams to sescribe the complex_processes of production and explain -:;:nt developments in cellulose c emistry and manufac"."ring techniques. Laborator and factory sequences show :l.e development of rayon tom normal textile _yarns to :i~.e latest modied rayons including high tenacity yarns .=n.l polynosic bres.

(Time : 26 mins.) .

QUALITY VALUE and

SATISFACTION .__¢.___ Ladies Fashions. Accessories and Cosmetics Men's and Children's Outtting

ll Britain - THE RISE OF PARNASSUS NEEDY Production : Richard Taylor Cartoon Films. Ltd. Director: Richard Taylor Script: Richard Taylor Music: Fitzroy Coleman

Household Linens, Dress Materials.

China and Glassware

Commentators: Derek Nimmo. George Benson. and Charles Hodgson. Nigel Anthony. Mary

Furniture Soft Fumishings and Carpets

Dennison

Kitchen Appliances

Gifts. Books, Stationery and Toys

__*.__

This amusing cartoon lm traces the story of a bank and a customer who wishes to borrow some money. By using the manager as the commentator. it is explained that when lending money the banks place more emphasis on the character and prospects of the customer than on security.

(Time : I3 mins.) fY‘l.tl"lu¢l’

Your shopping done— Why not visit the

WINTHROP ROOM and enjoy a meal in a pleasant relaxing

atmosphere

During Festival Week Llatn C. M-'tln will hold an exhlhltlon of his recent paintings at Cash‘: Winthrop Room I8

12 Brltaln

-

THE TORTOISE AND THE HARE

Production : Gammell Hudson and Brownjohn Inc. Director: Hugh Hudson Script : David Gammell and Hugh Hudson Photo: Wolfgang Suchitsky Music: Various current Italian and English popular songs; Albinon; Vivaldi.

The Tortoise is an enormous articulated truck and the Hare a I50 m.p.h. E-type Jaguar. The super highway is the Autostrada del Sole. La Fontaine's fable ilustrates the existentialist‘s point that potential ability without purpose is no match for actual performance: and the moral here is derived from the characters of the two principal players : the girl. careering along in her white Jaguar and the steady workman. steering the wheels of is lorry that always seems purposeful as it forges ahead.

(Time: 37§ mins.)

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Production: British Broadcasting Corporation.

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Director: Malcolm Brown \lusic Gerard Victory with Members of the Radio Eireann Orchestra. Dublin Commentator: Brendan Kennelly :

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riographical portrait of the poet Yeats. with quotafrom his works. The lm is based on a specially-‘ >1 lecture given _by Frank O'Connor shortly before his -:s:'.". and contains sequences lmed in Ireland and (Time : 56 mins.i E-,'T.ind.

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TI-ll-I SCISSORS AND nu-: LI'l'l'LE BOY

Production : Bulgarian Cinematography. Soa Director : Hristo Topouzanov Script: Tsvetan Anghelov .-\ri Director : Milka Nacheva Music: Georgi Genkov

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girl. Iiut the selsh boy takes all the toys for_ himself. the little girl hides and makes the boy realise that it is (Time : 7§ mins.) no fun to be alone.

For Hair Styles of Distinction

by English and Continental

CORK CRAFTSMANSHIP

S"v1'“s

SILVER CUPS — BOWLS

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OLIVER PLUNKETI‘ ST..

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Telephone : 23241. 23242

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Kovachev

A lm which introduces us to an interesting world——that

of animals and birds taking their rst steps in life. By means of a concealed camera with telescopic lens, the makers of this lm have succeeded in capturing many

curious moments. showing us scenes which the ordinary man would otherwise be most unlikely to observe.

(Time: 9} mins.l

,6 Canada

ENERGY AND wn'i'i.it Production : National Film Board of Canada.

Montreal Director: Robert Verrall Script: Joseph Koenig Photo: Robert Verral -

Music : Robert Fleming Commentator: Guy Glover The purpose of this lm is to give children some insight into what enerly is to reveal the relationship between the various forms of energy and between energy and matter.

Where the suns energy begins is_expla_iiied in an ammated sequence picturing the atomic activity inside the sun and the lm concludes with some questions about energy for which man must yet nd answers.

~

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(Time: 8; mins.)

11 Canada

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Script: Konstantin Grigoriev Photo: Tsvetana Naidenova and Dimiter

(EXCEPT SUNDAY)

I

THE FIRST STEPS (PARVI STAPKID t h.So' c" ' Pod -

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l>llGI-I STEEL

Production : National Film Board of Canada.

Montreal

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Commentator: Don Francks They are the real builders of the skyscrapers of New York. these men _with their cat-_like siireness of foot. who work at dizzy heights to erect incredible towers of steel.

Most of them are Indians from the Caughnawaga Reserve in Quebec.

High Steel is a lm about this special bree 0 men who know no fear of yawning canyons. who walk a narrow girder hundreds of feet aloft as though it were the sidewalk. Nimble of foot and strong of arm. they rivet in place the ribs of steel that form the framework of the tallest buildings. Buéedespitgotlheir skill. tragedy . sometimes occurs. as at Que c in New York is where their work is. but home is always Caughnawaga. and so the lm briey visits this lndian (Time: I4 mins.) community near Montreal.

JOIN THE

FESTIVAL CLUB MEMBERSHIP 25/Tickets available at Savoy and Festival Oice. to Season Ticket Holders only 23

18 Canada

THE FOREST

-

Production: National Film Board of Canada.

Montreal Director: John Spotton Script: Stanley Jackson Photo: John Spotton ' M usic Lo uts A pp lehum a Commentator: Stanley‘ Jackson

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Here is a part of Canadian history that few people will -"eeognize the war of the pine forest. in which a few men with axes destroyed a dense population of trees such world will never know again. The lm shows the ..\ the reroic scale of this destruction of the Eastern white pine an amazing though tragic feat forest from its be,':nnings_at the time _Napoleon closed the Baltic ports.

The director combines photograPhs and engravings of the period. folk songs. commentary from the past. and some yiews of to-day‘s lumber harvesting. employing few ' d m‘d\"siye ma C,‘hines. an 715" At a time when the interest of CanadIans in their past is at its highest this film adds a brand new perspectiye to he understanding of Canada s ec \UITIl(. history and suggests ai wiser‘conser\ation of natural wealth every\\ here in place of the piracy of the past.

(Time I9 mtns.)

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in A\’l.-\TIO.\' Aer Lingus lrish International Airlines rely on Dunlop components for their entire turbo-prop fleet of aircraft. Wheels. tyres. brakes. etc.. are all built by Dunlop.

—

BUILDING Dunlop Semtex ooring

is manufactured in comprehensiye range to suit every marine and industrial application and Dunlop adhesives for bonding floor. wall and ceiling tiles. a

FOOTWEAR Dunlop are the largest manufacturers of footwear in Ireland. The new Warwick wellington-type boot has been hailed as an outstanding development in workaday footwear for the farmer.

INDUSTRY

A

in industry is of growing concern amongst progressive employers in eyery eld.

Dunlop play a vital role in 'educ'ng accident gures by supplying iirnuféd fabric industrial clothing. steel MP9“ b°°1§- Tubbr l"°l'h0X¢§- ¢l¢Ensuring sarry

SHIPHNG "Gripdeck" ooring by Dunlop makes it much easier for everyone to nd their sea-

I

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Three well known personalities of the screen are here seen chatting at the cinema. Left to right: Edward .\Iulhare. James Mason and Dan 0‘l<lerlZhy. (Cork I-"Ilm |;‘,sm.a| W65)

Ireland's shipbuilders have been to appreciate the enormous advantages of this marine ooring surface. 'egs.

quick

TOL'RIS.\l

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Guests at the Intercontinental Hotels in Dl-ll"lll'I- (Wk 1""-l Limerick ¢"l°Y 11 will night's sfeep on Dunlopillo mattresses and Plll0“§- D\1"|°Pil|" Carp“ ¢"§hi°"i"B- in these and_ other top hotels. heightens

lhii 'DlU§hTRANSPORT Ty res. of course and for just about every of motorised wheel imaginable type .1 d~ .gricu|w|.. | ".. 1,“ nd rigm -

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Laud“ ' “HAT ON ‘EARTH

Proiuction: National Film Board of Canada.

Montre-at

Directors: Les Drew and Kaj Pindal 5“-gm; Kai Pindal Photo: Kjeld Nielsen Music: Don Douglas Commentator Donald Brittain :

In this lm

Kai _Pindal. an artis_t_ in the‘anintation'divi-

THE "us" DUN‘-OP COMPANY LTD‘ DUBLIN. CORK. CALWAY

:.'::.':..r;'. "1t...€;:"::'i2.: :::::*":L.ti'.i;.i**i::*; ":.‘3.:'.'*i.*.:.i .\lartia'ns logically might guess to he already the case -~ that the motor car has inherited the earth.

(Time : ‘H mins.)

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The Drag is a colour cartoon with a swinging musical accent. designed for voung people and illustrating the whole psychology of the smoking habit. the ll—l5. age group hut will lm is aimed at The . . register its message with every audience._

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21 Canada

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She was the nymph who found refuge in the river when the goat-god Pan pursued her. He reached out but found his hand full of river reeds. When he heard the wind them into pipes. Then he them fashioned lmcmdl playedamong and an me he cam.

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aw" ‘mm c°'k city i" u K_i'_'id°'“ °‘ K°"Y I" 9"" °f "W "‘-=$! "<'""l ""9" where you could ever wish to stay. They are south", '49:,“ u |(.,.,m"'_ the

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Syrlnit is the film of a young artist from Norman McLarens student group. and his lm‘: fresh style. its brief duration. and Debussy‘: gentle aery music combine into a delightful and unpretentious interpretation of the S)'I'lI\X legend. that most audiences will enjoy.

‘Time. 3 min“

.

Parknasilla. and Killarney. There are four more at Mulrany. Galway. Sligo and Bundoran — seven in all. all equally magnicent.

What‘: so special about a Great Southern Hotel! Well. if you were to make a choice of the world‘: nest hotels. for ftod. wines.

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break even with a Great Southern. But from there on Great Southern: are out on their own; set in the most breath-taking beautiful situation: imaginable. Ask anyone. Oh yes!

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Production: National Film Board. Montreal Director: Ryan Larkin Script Ryan Larltin

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THE DRAG

Production : National Film Board of Canada.

Montreal Director : Carlos Marchiori Script: Carlos Marchiori Photo: Murray Fallen Music: Don Dtaiglas Commentator . uy Glover

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22 Ce 3' Ion

-

SALUTE T0 FREEDOM

Production: Ceylon Government Film Unit.

Colombo D.rector: George Wicltremesinghe Photo: Vincent Perera Commcmamrz Jimmy Bharucha He'e we have a colour documentary on the I966 Independence Day Celebrations in Ceylon. These celebrations took place at the historic capital of Kurunegala. a town hallowed by the memory of two Sinhalese kings who ruled "V" c¢Y|°" In lh¢_|4lh ¢¢|_"|"'l'-_ The great occasion begins with a Pirith ceremony. which is followed in turn by a milita parade. a marchpast and a euryhtrmics display by chlildren, an historical pageant and. nal y. a cultural display ending in a joyous burst of reworks. All this send: the peo le home \Vl_lh a (‘Fimez 40 mins.) glow in their hearts.

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Come and Enjoy Yourselves at the

KQNHAKE. l'AKKNK§lLLA. IULLIRNEY. HULRANY. GALWA1. SLIGO IUNDORAN

FESTIVAL .

26

CLUB

23

26

Cuba

-

CL'.\IBlTE

Czechoslovakia

Production: Cuban Motion Picture Institute Director Tomas (iutierrez Alea Script: ()nelio J. (‘ardosa Photo: Jose Lopez Cast: Teté Vergara. Lorenzo Louiz. Mart.-

l(OL.\lA1\' SOKOI.

-

Production: Short Films Studio. Bratislava

Director: Jozef Zachar Script: Jozef Zachar

:

Photo : Jozef Grussmann MusIc: Ilja Zelenka

Evans

Here is a simple tale which is unfolded with all the natural rhythm of peasant life. sharpened by telling observation of local customs in the Haiti of the early I9-(Us. We watch. for instance. a pagan sacricial rite. a funeral procession. and the dancing of the Cumbite. the dance which gives the picture its title. We also listen to the lively native music. and appreciate the actors' excellence in bringing authenticity to their creation of the peasant world.

The story unwinds in the little village of Fonds Rouge in Haiti. Manuel. a young peasant. comes back from Cuba where he has spent some years as a cane cutter. He nds his native place impoverished by a long drought. accepted by the people fatalistically. or vainly countered by dependence on ancient magic ritual. He realises tha: the only true remedy lies in corporate. rational action ht all the villagers.

A blood feud however. makes his task . . ‘f|"_1°§' ::“_7’°§.5'h|ei‘ H‘ '°f|“_5°§ uifbe %‘""§‘dd bi in“: “mi LV&l'lI\|£l ) “IDS I ¢ PCOPL I0 IS SI C. an CI'¢-IICS lhs common purpose necessary.

(Time: I hr. 22 mins.»

(Time: 13% mins.s

27 C1¢°h°9|°""'k'" ' I-00K|Nc (“ER THE FENCE (POHLED PRES PLOT) Production : Kratky Film. Praha-Studio Documentary Films Director: Radtiz Cincera Script: Radtlz Cincera

Photo: Jan Spata An amusing lm. shot in Scotland. about the strange . . of all kinds of fences. which shut people in pecularities and out. lt could equally well have been made about "ish fenc¢s_ barbed and “IL (Time : I6 mins.t -

.

24

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28 THE BLE§§|NG 0!-‘ LOVE IBLAI-I0 LASKYI

CIQCIIOIIOVIKI8

Denmark

~

central. Copenhagen

Director: Jorgen Roos Script: Viggo Clausen and lorgen Roos Photo: Jorgen Roos Music : Canned

(Time: 8 mins.I

Noise is a nuisance — except perhaps to the one making it. “Noise is life." some say. but. at the same time. as the lm demonstrates. noise may well be deadly too . . .

(Time: mins.i

25 Czechoslovakia

-

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Ml-ITAMORPIIOSIS tPRI.-IMENY)

Production: Kratky Film. Bratislava Director: Ladislav Kudelka Script: Ladislav Kudelka Photo: Oscar Saghy Music: llja Zelenka An exercise in visual contrasts.

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(Time :

29 Denmark

ll mins.l

PATRICK STREET. CORK Wel¢'0'""-I‘ \'i5i")'5‘ '0 ml’ Fesri val

Good Food and Good Service‘

OPEN DAILY DURING FESTIVAL

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KNUD

Production: Nunalm. Copenhagen Director: Jorgen Roos Script: lorgen Roos Photo: Jorgen Roos Music: Ole Schmidt

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28

N0|sE ‘STOJ,

Production: Minerva-Film A s Statens Film-

Production: Krzitky Film. Praha Director: .liri' Brdcclta Script: Jiri Brdecka Photo: I. Masnik Music: J. Novak An animated cartoon lm.

_

.

Here is a documentary about the Danish Arctic explorer. Knud Rasmussen (I879-I933). His rst expedition to Greenland took place from I902-I904. In l9l0_ he established (in North Greenland) the trading station.

Thule. which became the starting point of‘ his expeditions. The most famous was the “ Fifth ThuleExpedition of I925 to I928" with dog-sledge along the north coast of the American continent to Alaska.

Knud is an analysis of the spirit and human qualities of a man whose contribution to the exploration of the life and myths of the Polar Eskimos was unique.

The lm has obtained the highest award from the Danish Film Fund and also the Danish Film Critics' Award. 'Bodil‘ as the best documentary produced in Den(Time : 32 mins.l mark in I965.

29

30

33

Denmark

I-‘LEA CIRCUS (VI-ZRDI-INS MINDSH.

-

|:~||¢¢ . (;RAC|()U§ |,|v|N(; (LA VIE DE CHATEAU)

ARTISTERI P"_°d"°‘i°" Lalcma Films‘ C°p°"h“5°" Director: Borge Host Sm?“ B°"3¢ H°5l Ph°'° R°|f° Ron": ‘md Hennk F°3'M°"“ . .

A lm which deals with the world s last ea-circus. in the Tivoli Gardens in Copenhagen.

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Prozluction : Nicole Stephane. Ancinex. c9b¢|a F;|m5

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The year is I944. an t is earsome guar ian as up to this been successful in preventing_the occupation by the Germans of hrer castille. \\;ith her liveis per [son J%rt?me_.‘a m" n weary o wor y peasure. an is eauti u wi e. \l‘arie. who is bored with her life. and with her husband. who is twenty years older-than her. She longs for her husband to take her to live in Paris. but his only concern is for the produce of his orchard.

When the story starts. summer has just begun: life is calm and the weather id llic. The end of these seemin Iv halC)'0n days comes. when events bring unexpected \€lOpl'I1CIIlS into Marie's lack-lustre existence. A young Frencg oicer. luliin. lis p_arachuted dingo the castle groun s to organise oca resistance. an t e war ma es ii<|mor‘e ierisiis gl:l’l.lSl:Iln:ll!Lr0IIf l:\ th‘ casle lwgeii “P5 °¢ ' ° . "ml 31 ' " "a Q5 ° if Y5 ;i}:£.¢nl’:1s[:::m§0i'(‘]¢‘C;gV:a:‘l|I:.. and he and his troops quarter

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shows the multiple uses to which steel is put . . in a wide range of elds _—_in industry. build_ing_. transport. the plastic arts. the pf0Vl_SIOIl of leisure facilities. etc. All .

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Ag0nts— Thai‘. Cook and S0" Ltd.

The soldiers cannot remain insensible of Marie‘s charms. and Jun“ and mopswck “com: rivak in ‘heir anew iions to her. Iéroire becomes aware of this rivalr) belatedly. and sets about the re-conquest of his wife.

Events whirl to a conclusion when things begin to happen thick and fast in the castle. and along the nearby coast. where the allied landings take place. Marie ees with Julien. pursued by Klopstock in a night of wild double-crosses and chases. Jerome is driven by necessity to take on .|ulien's military task. and he becomes an unexpected hero during the allied invasion. The crazy circle of Germans. Frenchmen. and even Americans._ who spin about Marie are foiled by Jerome's bravery which regains for him his wife's allections. They are reconciled at dawn in the blockhouse which the despised husband. and unexpected hero. has helped to capture. ...The epilogue takes place in Paris. two month l'ter. o_n the Ida of liberatikon when the couple take parts indthe I‘ . . . . c y s I ration wit _the tanks of General Leclerc's division. and thus Marie reaches her goal —— Paris.

This lm. Rappeneau's rst. won in January the Louis Delluc Award. considered to be the Prix Goncourt of the cinema. _Before making it Rappeneau proved himself as screenwriter for a number-of well-known lms including Louis) lV:‘allev‘skZge‘DansdL; libaaed on Q\lfll¢3‘\,ll'S nove . is v e. an I ipe e roca enioya e romp Ullolline de Rio. He describes himsfilm as 8 ‘romantic farce‘ for. destrite the dramatic background events. it is optimistic an hilariously lively.

30

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the grand scale and in the minuiest quantities. There is ¢Vid¢l\¢¢ Of il_5 P"¢§¢"°° 3'" ‘"'°P"d "5 °" land’ 3' *3’

‘md. in lhc 3"“ Th? “cal 3°h".'°m°m5 °r wjday on" J glimpse of what Wm be dam mm “eel ins.l

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rasseur ( . imanc e. l arie's at er). Ot er roles are played by Carlos Thomson. Henri Garcin (Julienl. Marc Dudicourt and Donald

HELPING "Ah" Production: Blue Star Film Director: David King

commemawr

-

Music: Michel Legrand Cast: Catherine Deneuvc (Marie). Phillipe Noiret (Jerome. Marie's husband). Mar) glarquet lfihalglotte. |.lero{i41e's mtfithr). Piegre

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RESERVATIONS

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AIR - RAIL - SEA - COACH Hotel or Inclusive Tours

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S O N S

‘

(Time: I hr. 40 mins.)

34

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Photo: Jean Gonnet

H¢."'l_l_—f‘*'“m

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Director: Jacques Espagne scrim; lawn“ Espanc

.

Production. Productions Henri Lacam D_i".°°“_"

Mlaolq (+ ou

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-\lthoi_igh a friend of man and a keeper ot' his c;'o;~~ superstition has long held that the brown owl is an e\ hIrd-

commcmmor ' when Benheau -\ spotlight is thrown on the French clock and watch(Time : I0 mins.t making industry.

The legend in this lm tells hovt a young owl. withoi; ;inyou:s:_de help. manages to save a whole region frow an invaszon of rodents. thus becoming the emblem w Athena. the Green goddess of wisdom.

(Time: It) min~

38

35 France

-

.Il,‘Ll-IS AND BAJIJS (.Il.‘l.l-LS ET BAJLSI ,

P F0 d U ct~IOI1 : Ste

A.P.E.C.. P"Jfln5

Director : Peter Kassoviiz Script : Peter Kassoyitz Photo : Etienne Szabo Players: George \/imard and Jules Clep one in luck. the other unlucky. \.-.

Two shermen with each. one Sunday afternoon. on the hanks of ‘tr.

'T""¢ '3 mm‘ "Y" -\|=*""*‘~

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36 France

-

was LL'RCAT‘S some or THE WORl.l) (LE CH.~\.\'T DC .\I0.\'l) DI-I JEAN

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' CARLA

“

Production: Son ct Lumiere. Paris Director: J. F. Hauduroy Photo: Pierre Gouril Music : Martial So al Commentator: Jean de Sailly Who is Carla‘! Carla _is 20 ~— she is pretty 7- she is happg. We see_ her getting ur._ making up. getting dressed. he could indee be_ a so d_ier. a young warrior. ar_mmaa; ghtda baatleblt Its Precisely afbaitte the is some atte oranew as ion.

10 T|-E: way ¢§||,,,,,¢ b car]; 30¢, from ‘he pk“ yen.

J‘-‘me '0 ‘he §;°¢k %x¢han'¢_ nu-ou¢h sh; champs.

Ely-sees to the Eiffel Tower. She gets a great many glances as many thoughts. People turn b_ac , stop.

—— ll1l¢l’|)l‘¢llII follow her. S e arouses admiration as well as iealousy : she has won the battle. Born of a new fashion. ready to follow the next one. Carla evitomim .E‘1°|'“,:';,,,\, '

tto-a.te

LLRCAT) Production: Tcle—Fi|ms Productions Directors Pierre Biro and Victoria Nlercanton Script: Pierre Biro Photo: Jeab Penzer .\lusic: Jean Hene) Commentator: Jean l.urc.it :

\\'hile supervising the hanging of his tapestries which of the World." Jean Lurcat explains

he has called "Song

the reasons that led him to undertake this gigantic task.

m'“°: 'i"“"‘"'

* *

with a dijference I

r

ECLAN

1'

and the

ARRIVALS An honoured visitor to our I-‘estlval this year is the eminent Italian director. Alberto Liittuda. who is seen here i~’.‘.‘I;'Z"F..

'21:‘; I321";.L"§...i"11’.2‘i3'..1i'."..2t’f.."‘.§Zi'...‘f..".1i

the .\Ie\ican delegation.

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Amour; misn snownmns 33

39

41

Germany - iiocus-rocus or now T0 GET RID OF A HUSBAND

G""""" ' AWE“

Production: Gesellschaft fllr Bildende Fiilme.

Mtlnchen

D".‘°‘°" ‘ “'“"!"““' "‘"* ‘"“' R°"‘" M°"°B°’ Script W. Kurt and R. Menegoz

A feature lm of which details may be found on Page 16

:

Photo: Ronald Martini Music: Alain Goraguer

Slowly but surely chemistry modies the world of natural phenomena.lt helps to make life more comfortable for us; but the new world it so painstakingly creates presents us with ever-new and more diicult problems. The application technologists can be viewed as interpreters between all parties participating in the chemicals business.

BY me“: “'3' "3."'"¢' "“¢a"°h- P'°d“c‘.i°“: “M ma"k°‘i"3 are subiect to dierent laws. _The application technologist tries to nd_ common denominator; that will allow them (Time: 20 mins.) all to function in harmony.

40 Germany

-

IT (ES)

A feature lm of which details may be found on Page 77

42

After the Show COMC IO

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.

‘

K“- Eckehard Munck Director: Script: Eckehard Munck ::l0l_0 : l-‘llubertgs Topp and Kalman Kozelka . usic: ans osegga Commentator: Klaus Kindler

.

{he

It is only 150 years since man succeeded in isolating from the poppy plant the rst pure and fully effective sedative substance in crystalline form. In our time millions of lives are saved daily by such effective substances. ln addition new curative substances which do not exist in nature have been built up synthetically. The limits between nature and chemistry are indeed fluid.

(Time: 34 mins.l

Festival Club

43

(Sponsored by Harp Lager (Ireland) Ltd.)

Germany

* DANCING * RESTAURANT * BARS Tlelieta on sale at the Savoy and at Festival Olee to Seaaoii Ticket Holders only

-

RECORDINGS (AUFZEICI-INUNGEN)

Production : Visa I6. Wolfgang Ramsbott, Literarisches Colloquium. Berlin Directors: Wolfgang Ramsbott and Harry Kramer Script: Harry Kramer Photo: Wolfgang Ramsbott Music: Max Roasch

at the CITY HALL

Club Open Daily

TWO CUBIC CENTIMETRES or LII-‘I-I (ZWEI KUIIKZIZNTIMI-I'l'I-ZR Ll-III-ZN) Production: Leonaris-Film Dr. Georg Munck.

-

Germany

I

The camera records the signs and signals of a large city. mounts a series of long/lsequences and short rhythmic fragments (music from ax Roasch‘s “T ptichon") jottings of light. transport automats and pinballimachines: —- the setting of a thoroughly rationa ized civilization. void of human kindness. and syncopated by the pseudoorgiastic rhythms which denote an articial vitality. The prefabricated debris of a human kind scarcely aware of its state. blend into rather disquieting pictorial sequences of skeletons and monstrosities. unti they terminate in scenes of a luxuriant vegetation full of real meaning. proper life.

(Time : Bl mins.l

l0.30 p.m.—2 a.m.

COMPLIMENTARY

VALET

SERVICE

provided by

A N T 0 I N E for all visiting personalities 34

35

W Germany 1

4

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TEN THOUSAND TO ONE lZlIl'IN'l'AUSl-IND ZU I-IINS)

Production: Dr. Fritz I-leydenreich. Heidelberg. for Badische Anilin-and Soda-Fabrik AG. Director: Dr. Fritz I-leydenreich Script: Dr. Fritz Heydenreich Photo: Svend Noldan Music: Hans Posegga

J

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F -=.

I.

Each Spring promises abundant yields. but we can harvest only what the pests leave untouched. Their reproductive capacity is enormous and terrifying. and their life-cycle has a simple. inexorable rhythm: feeding multiplying — feeding.

Every second two people die --— four are born. There are thus 200.000 more people daily_or. to put it another way. the population of one new city appears on earth every day. In I960 there were 3.500 mi lion people in the world . . . .; in the year 2.000 there should be about 6.000 million. If they are all to be fed three times the present amount of food must be produced. I-lowever. even to-day. a quarter of world crop production is ravaged by pests and only one person in three has enough to eat.

Theoretically the world has no food problems. With the aid of mineral fertilizers. of new land for farming. even 6.000 million could he fed. But the battle against the legions of pests must be won rst. Control must be gained over fungi and parasites by continuous experimental work in laboratories and in the elds. Indeed chemists. biologists. and doctors are continually working on this problem. experimenting. rejecting. always seeking to improve.

We have a gigantic task before us: 3.500 million people. soon to be 6.000 million. want to live. not just exist. They want to be properly fed. For this we need chemicals.

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FuII_v Licensed

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That Guinness in Cork is best.

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GD 357 36

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CORK

236-H

45 .

Germany

_€_

-

ADVANCE INTO TI-ll-I UNKNOWN (VORSTOSS INS UNIEKANNTE)

Production : Rudolf W. Kipp — Filmproduktion.

Hamburg Director: Max Rehbein Script: Max Rehbein and Rlldiger Proske Photo: Rudolf W. Kipp Commentator: Richard Milnch

€_l___

Here is a documentary lm on the preparations needed for travel in astronautic space. While it is true that science and technical skill make it possible for explorers to probe

cosmic space. the main problem ~~ whether human beings are capable of withstanding indenitely the immense physical burdens of ight in space — has not yet been quite solved.

This colour lm surveys the preparations of astronauts for the manifold tasks involved in their advance into the unknown.

(Time : Z4 mins.)

-

nee. Illvmol note us men amateur steer! unrmuee ueetr mum

mm

use meet mm

46 Germany: THE TRIBUNAL (GERICHTSTAG) Production : Gilnther Schnabel Productions.

Hamburg Director: Herbert Seggelke Sc rtpt: ' Sabi ne W egeleben Photo: Rogers Fellous and Hans-Jllrgen Rilckert Music: Boris Blacher

visiting card

A cinematic collage based on Marcel Marceau‘s performance of ‘Le Tribunal.‘ this very short lm confronts the task of fusing the graphic art. and those of mime and music. into a lmic statement.

(Time : 2 mins.)

./

RIB BO OM31

Oh, you are spoiling me. Lucky girl dining at the Rib Room once again and sensible man of the world who knows that O01-k‘s most elegant restaurant oers superb lunch and dinner menne No wonder it's the Intercontinental every time.

INTERCONTINENTHL HOTELS When a commercial carries this visiting card it's sure of a welcome in every Irish home. Attention-getting. . and therefore SELLING. Interesting. Stimulating .

Not every company rs suchoa talented quest ‘ These clients carry our visiting card: National Derry Publicity Council; Esso Petroleum Co. (/'9/9'14) Lfd--' Clarnico-Murray Ltd.; Educational Building Socrety; Bolands Ltd..' The General Electric Company ol Ire/Md Ltd.; Navan Carpets Ltd..' Roadstone Ltd . . .

(That's enough . . . we don't went to become a borel) .

i

KENNY'S ADVERTISING AGENCY LIMITED Killarney House. 84 Lower Ba99°l $"°“-'- D“b“" 2' Telephone 63966.

g\DUIlJI tel. 67511 MRI tel. 88661 LIIIIJGI tel. 47300), 39

47 I-lulpry - THE AGE OF DAYDREAMING (ALMADOZKSOK KORA) Production: Magyar Filmgyiirtd Vallalat.

Budapest

Director: lstvdn Szabo Script: lstvan Szabd Photo: Tamas Viimos Music: Peter Eotvos Cast : Janos (Andras Bllint). Exa (llona Beres). Habgab (Judit l-lalasz). Annie Klinger (Kati S6‘!-yom). Laci (Bela

ergeley (Liiszlo Matyi (Tamas Eross).

Muranyi). Agi. the ballerina (Cecilia Esztergalyos). Flesch lMiltl6s Gabor).

Asztalos).

In our day there is no more trying time than “the space of life between.“ when the young have yet to learn that

small troubles. griefs. and disappointments -— even the greater losses of friends and early loves — are part and parcel of life. This lm's theme shows how bitter and painful it is to grow out of this age of daydreaming and face life in its full reality.

The first scene reveals thc_monito_r-screens of a TV-car which ll the screen. On six monitors we see simultaneous shots of a young girl law graduate being interviewed by reporters. She te ls them that _she is dissatised with people. with the standards of our time. and that she believes she could transform the world by the fullest use and application of modern ideals of human relations and social laws. Four young men working in the TV-car watch the girl and share in her dream. for they too know that they want to ght what they consider the same feeling of apathy. of oppression. of not being free_ to show what they are worth. These young men are engineers. but not the actual crew of the TV-car. Them look on the elder engineers in charge as old fogies w o use skilftglly. but without inspiration. the knowledge they have cull from technical books. Thus _they ogpress the young_ engineers. smothering their initiative. Su used by the genial glow of a shared vision the young men agree to work iointly to further_their ambition.

But life quickly frustrates their great plan. for they are soon put t_o work in different depar_tments._ Thus their opportunities become dilferent and t_his expenence embarrasses them. ln vain they_ take a holiday tofether. striving to keep the bond rm. FaiIu_re follows. and d_nos Oliih. the hero of the film. makes his friends responsible for their lack of success.

During all this time Janos himself has not _been able to forget the girl seen on the TV-screen. Her picture haunts him and his comparison of her with a young pretty iceskater. with whom he_ is friendly. brings iea ousy and a speedy end to their flirtation.

Then. at a dance on New Year's Eve. he meets the girl lawyer. They escape from the crowd and stroll. in a world

.

'

in e *::.':.?'::P"i a .1." n —- ":2 ea l gay a ns:.°'"‘ :.;':':.e:'":;'*'.‘t'.*~..?°**‘='".'.':

that they have found a love that will last for life. The rest of the lm studies this relationship until Janos and Eva are brought to the end of their age of daydreaming. and cross the threshold into the sterner road of reality.

The director of this lm. lstvtin Szabd. is one of the youngest Hungarian lm-makers. He began work in l96l. d ta ined P rizes for each of the three Shorts he made bgfore writing and directing “Tlie %Fe of Daytlretlg. ime : I hr. 37 mins.)

his first feature lm.

MEET THE STARS at the

FESTIVQOL CLUB

I

I‘ucsn’ay. September 20th

'l1Iursday, September 22nd

CAPITOL. I0 a.m.

CAP"-OL. 93° a_m_

“Gm

‘N°"‘°"““‘“) BLUE THE 8"“) OF WISDOM ‘F”‘“°°) DRAMAS OF RURAL LIFE (Malaysia)

-

RECORDINGS (Germany) DESERTED LANDSCAPE (Australia)

55

'

3‘

.

ss

AWE“ (Germany)

9°

A TRIBUTE To STANLEY KRAMER SHIP OF FOOLS

RAYON

A TR'wTF' To STANLEY KRAMER

THE DEHANT ONES LEE 3 PM

-

-

43 1

41

FIRST AMONG FIBRES (Britain)

I0 .

95

SAVOY 3

THE GOOD OLD DAYS OF IRISH FILMS An Illustrated Lecture by P. OC0nIuain

' pm‘ PAINTING PEOPLE (Australia) Two CUBIC CENTIMETRES OF LIFE (Germany) THE PIPELINE (U.S.S.R.) ENERGY AND MATTER (Canada) CUMBITE (Cuba)

I00

$AV0Y- 3 n.rn.

RABBITS are the FRIENDS of TOADS (U.S.A.) THE FOREST (Canada) TRANSPORTATION u.s.A. (U.S.A.) F E 52 . . IS EVERYWHERE

69

I8 so

.

European Communities

NOT LOVED (Poland)

32 57

‘

'

LOOK. the SWALLOWS are LEAVING (Rumania) BRENDAN BEHAN'S DUBLIN (Ireland) THE DOT AND THE LINE (U.S.A.) \VO‘.1A.\' WIT!-IOUT A FACE (U.S.A.) .

2

42 87

.

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23

SAVOY’ 8 p_m_

50

LOOKING OVER THE FENCE (Czechoslovakia) I'VE GOT THIS PROBLEM (U.S.A.) THIS IS A HORSE ‘UISlS4RI) THE SHOOTING OF DAN McGREW (U.S.A.)

79

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S,w0Y_ 3 ,,_,,,_ i,

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I-'rI¢lay. September 23rd

CAPITOL 9.30

Wednesday, September Zlst

CAPITOL. 9.30 mm.

CORRIDORS OF FAITH (Malaysia) L

.S.

.

1'1‘

JILLALI (Belgium) HELPING HAND (Ethiopia)

54 88

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T“/[BER F OATERS (U SR) CARNIVAL FANTASTIQUE (Special Showing) A TRIBUTE T0 ALBERTO LATTUADA IL I\IULINO DEL PO .

.

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3

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31

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36

JEAN LURCAT’S SONG OF THE WORLD (France)

'

A TRIBUTE T0 ALBERTO LATTUADA .

[L ¢,\pp()T1'()

96

97

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sAvov. 3 p.m.

5A"°Y- 3 I'-"'THE DESERT (Poland)

,

LEAVES (Rumanm

so

THE HIGH-TENSION LINE MOUNTERS (Rumania)

.

LET'S GET ACQUAINTED (U.S.S.R.) REFLECTIONS on LovE (Britain) . . , ‘Tr-IE TORTOISE AM) THE HARE (Britain)

.

X !~-ZORSEMAN PASS BY! (Britain)

.

X 4

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SAVOY. 8 p.m.

NOISE (Denmark) BRUTUS AND BROWNIE (U.S.A.)

IT (G¢rm8I1Y)

‘

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...

NINE VARIATIONS ON A DANCE THEME (U.S.A.) THE BELGIAN BEGONIA (Belgium) TILT To THE SUN (New zealand) THE AGE OF DAYDREAMING (Hungary)

25

78 .

5

56

47

SAVOY, 8 p.m.

EYE ON NEW YORK——SENSE OF THE (“TY ..

(U.S.A.)

FLEA CIRCUS (Denmark)

'

METAMORPHOSIS (Czechoslovakia)

7I .

30

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TRAVELLING THROUGH TIME (Switzerland) WHAT ON EARTH (Canada) GIRL (U.S.A.) SYRINX (Canada) THE THIN LINE (Japan)

67 19 .

76

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2I

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$2

48 India

- SWAYAMVAR Production : Govt. of India. Bombay. Films Division Director: Dilip Jamiar Photo: S. N. Bhagwat

Music: Vijay Commentator: Pratap Sharma

A shon cartoon which makes its point well using an ancient custom : the way Rajaput princesses select (Time : 3 mins.) young princes to be their husbands.

49 KENNI-IDY'S IRELAND (IZIRIZ AN

Ireland -

CIIINNIZIDIGII) Production: Dublin Productions Director: Charles Davis Script: Charles Davis Photo: Peter l-lennessy Music: Sean O Riada

Commentator: Charles Davis

Here is modem Ireland. with the history of her people: their battles. songs. art. and literature. related in a light documentary style to the speeches made by President J. F. Kennedy during his state visit to Ireland III June. I963.

(Time: l hr. 24 mins.)

50 Inland - BRENDAN IEl'lAN'S DUBLIN Production : Norcon Film Productions. Ltd. Director: Norman Cohen Script: Carolyn Swift Photo: Robert Monks Music: Ballads by Brendan Behan Commentator : Ray McAnally (as Behan's voice) This is Behan's Dublin as seen througkh his own eyes.

The comments are his own and are spo en as he would have uttered them. He takes us on a retum visit to places which had a strong bearing on his life in Dublin. We meet his mother and ather. his wife Beatrice and daughter Blanaid. and many of the ordinag people of Dublin for whom Behan's affection was boun less. (Time : 28 mins.)

1001

NIGHTS .'

Well not quite 1001 — but may you have Many rewarding nights and days at the Cork

~

s.

1

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l

Film Festival

HICKEY & BYRNE Primers

MARY STREET. CORK Phone 20725

4|

51

51

"ll! - WE'RE GOING T0 TOWN

Japan

TANIN)

IANDREMO IN CITTA) ' ; n.1\oicaF(iIlinr::matograca. ' ' ' P l'0d::g0ll£o

Production: Toho Co. Ltd.. Tokyo Dirsmor. Myklo Nam“ Script: Toshiro lde Photo: Yasumichi Fukuzawa Music: Hikaru Hayashi

.

Avala Films

Director: Nelo Risi Script : Edith Bruck. Nelo Risi. Jerzy Stawinski_ and cal": za"a""" Phot_o : Tonino Delli Colli Music: Ivan Vandor Cast: Geraldine Chaplin (Lenka) Nino Caste__. lcllillt-Lg‘)! llvgni. %¢dCl’l¢0 (Miscia). Stefania asvitltk lllaltog. Giovanni scram \l|i~a

ic

' ievic. K4 ilan -

-

How much can a man stand before he breaks‘! This ' ' the mind ' the conscience. question concerning of man. is admirably treated in this the latest. and one of the best. lms directed by the veteran Naruse.

Well known for an impressive list of aesthetically satisfying lms which tackle family problems. Naruse Here probes. for the rst time. the mental agonies of a man beleaguered by the knowledge that he has. quite unintentionally. murdered the wife of his close friend. an_d with his zs now harrassed by the ensuing strained relations own wife. Naruse claims that "the question dealt with in this lm is immense: it is life. lt asks th_e_audience what zhey Would do_wcre the)’ in the same position." were they to cross the thin line stwaratin reality from ction.

The story is set during the steaming summer months of Tokyo. a time when the weather images the emotional pain undergone by the central character. Tashiro. a man of the middle class who is married to Masako - One day ‘he Wm °f T‘”hi'°.§ Mend is iound mauicd‘ Pal“ l:;"‘§.‘l$a1i°"§ fa“ '° P'°d“°' “en “ cm‘ '° ‘he killer.‘

»-n portant ..

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THE THIN LINE (ONNA N0 NAKANI IRU

-

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flu"? ll" '35‘ W;-_heL:|f|:';)n|i:,::e;,im"c|ffnbggosgaV“ Mi,¢ia_ in 3 mm" provincm ‘own s|:'°'hy_e‘"'° .b"°'h°"‘E ‘*5 P'°""5°d mm man one day_ she Wm wk: him ‘"3’ |‘:’h¢"°~ an" an °p¢,aon_ he Wm in la“ be ab‘; ll‘ do“ no‘ know and which Lenk ° ° Z“ '.§e“’°'ld is r:f‘:'s‘-‘W em" 1 ‘° hlm 3; Ming bmehan hof"3" him htitrin uoinslgnttgrgegi iswhal; ‘he mrocious rcamy

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Ivan. the young §gu¢¢m Lmka is in kw: Wm.‘ {S in hiding in the woods, and it is very dangerous for "Qt N. ‘

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' Lenka and Mischa have mix was Orthodox and their father .lWli,Sli??:.ii?O ‘:if¢|i’I'I?:li'lhCel’r has bag interned and is presumed dead. Actually he has mana to escape. and turns up unex etedl at hom .

Lenka a_nd_Mis_ci_a are delighted. but their fatiiei-_ fofggij '9 ""91" "1 |"dlI'I$- realises that he is 3 great dang" ‘O his children. When_ Ivan. who is a partizan_ a|-|-in; Wm, false papers that will enable Ratko to move around more easily. he is followed by German so|di¢r;_ Ragkg coma. geously and generously tries to save lvan's life by luring the soldiers away from the house into open country. He is cornered. and dies.

"1°"liII8. at dawn. two SS men knock on the door of Lenka s house. They have come to take Ratko's children. Lenka silently puts on Miscia's clothes. collects the n’ b¢|°_"I"\8§ they will need. and follows the men with iiltitting up any resistance. in_ order to prevent them _5°a_"7 _"\8 the house. where lva_ti is lying wounded in the attic. incapable of defending himself.

On the train. in a carriage which is bringing the homeI313:-ital _re_'ugees from the European fronts to_ the Lager. .h_iscia_ E told that he is going to the (Illa. L_enk_a ins _5_ ""}:!B l -fnd succeeds. by means_ of a w _ite lie. in piringh im with an unshakeable fait_h in life which creates t e hope of a more universal longing for peace.

‘

lmy‘ Eventually Tashiro confesses to his wife that he strangled her. accidentally. Masako. an understanding wife with a reputation to protect. begs him to keep the whole thing secret. And so he does . . . for a while. But then Tashiro. plagued by conscience. reaches the breaking point. and reveals to her his intention to give himself . . . up. Masako takes the only action she thinks possible ‘

‘Time; | |“._ 43 min“

0'"

Malaysia: DRAMAS OF RURAL LII-‘E Production: Filem Negara Malaysia. Petaling Iaya. Kuala Lumpur Director: Md. Zain Hussain Script: Md. Zain I-lussain Photo : I-laji Abdul Ghani and Haji lsmail Music: Saiful Bahri Commentator: Roomai Noor Malaysia is an agricultural country. Her future lies in

Go along and see the

PHOTOGRAPH“: EXHIBITION at the Crawford

.

MUNICIPAL SCHOOL OF ART

‘k

AGPA - GEVAERT 42

'

on the land. and her prosperity to a greai extent depends the eorts of her farmers. les This semi-documentary lm concerns two rural eou Both Dollah -— Dollah and Rosmah: Osman and Fatimah.

Govand Osman were given the same op rtunity by the ernment in the Fringe Land Aiignation Scheme to improve their standard of living. _But Osman '.'.as torn behe tween the zeal of his wife and his own weakness. and failed to make any progress. By contrast. Dallah was _an industrious farmer. and encouraged by_ an understanding wife. he forged ahead — thus illustrating the moral of this story -— "Nothing succeeds like Success."

(Time: 34 mitts.)

Festival Club furniture was kindly supplied by Redbarn Holiday Resort. Yougha!

43

57

54 Malaysia

- CORRIDORS OF FAITH

Production: Filem Negara Malaysia. Petaling Jaya. Kuala Lumlipur Director: Md. Zain ussain Script : Ronnie Tan Music: Selected by George Sta Maria Commentator: Syed Alwt

A semi-dramatic lm on the prevalence of mental disease in Malaysia and the treatment prescribed in one of the Mental Institutions. The purpose of the lm is to eradicate or reduce the prejudice against such illnesses. and the lm shows Aisha and Hussain who became mentally ill as a result of nancial and social difficulties. and the treatment they receive in the Institution up to their discharge and rehabilitation in society (Time: 36 mins.)

55

N"|""|“"|' ' nu“: LIGHT WLAUW “Can Production : Ervede Productions. The l-lague Director: .|ef van der Heyden Script: Jef van der Heyden Photo: Fred Tammes Music: Else van Epen— De Groot Commentator: Richard Wollting Near the end of a war a young man comes out of prison after having been interned because of his doing some minor work for the underground. At home he nds that only his sister awaits him. for his father, brother and close friends have all died in the meantime. Suffering from a disease caused by a blow on his head during interrogation. and even more. perhaps. from mental stress and loneliness. he realises that he and his sister will in future depend utterly on each other.

The story of this lm is set in a period during “a war": which war the lm-maker does not want to indicate.

(Time: 38 mins.)

56 New Zealanrl

-

TILT T0 THE SUN

Production : New Zealand National Film Unit.

Director: Ron Bowie Script Ron Bowie Photo: Grant Foster Music: Patrick Flynn Commentator: Bernard Kearns 2

Poland

- NOT LOVED (NIEKOCHANA)

Production: “Studio” Film-making Unit, Warsaw

Director : J anusz Nasfeter Script: By Janusz Nasfeter and based on Adolf Rudnicki‘s story. “Nobody‘s Darling" Photo: Antoni Nurzynslti Music: Krzysztof Komeda—Trzcinski Cast : Elzbieta Czyzewska. Janusz Guttner

After directing many short lms. mostly meant for child audiences. Janusz Nasfeter made his rst feature lm. "Small Tragedies" in I958. His latest feature is “Not Loved“ (also called "Nobody's Sweetheart"), in which Elzbieta Czyzewska. already seen in Cork in "Halloween." plays the main part opposite the young actor lanusz Guttner. for whom this is his rst lm.

The time is the end of August I939. Noemi arrives from Cracow at a small boarding house in a provincial town where she hopes to meet the man she loves. He is not there. but Noemi is persuaded by the owner of the boarding house to keep waiting. Night comes and as there are now no more trains for Cracow she decides to catch the rst train in the morning -— at 5 a.m. She is alone in her room. and yet. with so many weary hours to go till dawn. she nds it impossible to lie down or sleep. She will keep waiting. Who knows. Kamil may turn up at any moment!

She is quite used by now to his sudden departures. his silences and secretiveness. and even to his constant disposition to quarrel. Still. this latest disatppearance of his makes Noemi exceptionally anxious. so ull of apprehension that her state borders on madness. All his earlier escapades were different. She used to manage to stay calm. humble. patient. but this time she is unable even to name her fear. to dene it. for a premonition that something truly menacing is approaching grips her. lts vague features are quite independent of her and of Kamil. and hold a terrifying threat of universal destruction.

She whirls away from the dark vision to pin her thoughts on Kamil. Nothing matters but him. He must be coming . . . he will come . . . perhaps he has arrived already. Perhaps he has just entered the courtyard. The dogs are yapptng . . . Noemi stops by the window. but she can see nobody. She does not. she cannot know that at that very moment something is happening that will determine Kamil's fate. her own fate. indeed the fate of millions unknown to them —- ———-

(Time: I hr. 23 mins.)

A study of the arrival of Spring in New Zealand. showing the often unobserved changes that occur on the seashore. in the bush. the rivers. the gardens. and the landscapes.

(Time: l8 mins.)

DRIVE A DORMAN CAR IN CORK d 0 r m a n SELF-DRIVE no.

A happy group taken at last year's Festival lnchrdes. left to right. Trevor Howard; the then Lord Mayor of Cork.

Cornelius Desmond. and Iris‘: actor Noel Purcell

2 GRAND PARADE, CORK.

45

Phone 20973/4

58 ?>l.tnd

‘A

Warsaw

/7

Director : Zbigniew Raplewslti Script: Zbigniew Raplewski

'NTERNAT'°N'“- TRANSPORT *"° ALLIED SERVICES

.1TI;.1”ii.‘1i.?‘1Z..'i»?'&.§£o§§t"Z?“F§:I'.?i?"‘%f.‘Z".'l§iZi 'nd; ric . varie anim3 :..-tery; " large expanses of w A 7': and ora —- these attract numerous tourists who are -.

_____

search of the rest and peace they cannot nd

-:.se of the city.

-"berjacks — who are employed at felling and trans(Time: :4 mins.l

:_.-sting the timber.

|.EP TRAVEL

LTD.

Pol a ....

_

Bielslto-Biala

Wawrzynialt

"-——-

Music: I-Ienryk Klejne and Eugeniusz Rudnik SEA FREIGHT

ROAD FREIGHT CUSTOMS CLEARING AGENTS

SHIP CHARTER BROKERS

INSURANCE BROKERS

Ammo vtv/tcl-:

Director: Anatol Radzinowicz Script; Anatol Radzinowicz Photo : Waclaw Fedak & Kazimierz

_

ll\lCl'l18llOI\8| Fllm FCSIIVBI

AIR FREIGHT

.

Production: Featurette Studio “Se-Ma-For" in

Transport Agents for Cork .

amid the

with the mountain landscape for background. the lm ~‘:\\s the life and work of the "Forest People" — the

ORELAND)

Oictal

AT THE IIESZCLADY HILLS (W IIESZCZADY)

Production: Documentary Film Studios.

,

L‘

_

-

TRAVEL AGENTS

WAREIIQUSING llld PACKING

Two people. Tall and Short. are quarrcling in a big hall full of complicated machines. Their conict is eventually resolved by a machine which is being removed to .4 junk-yard but which suddenly becomes animated by the sound of music and goes away with Short.

The elements drawn in the background are combined with stills of actors set in separate rames.

(Time : 9 mins.)

60 pound , -I-"E DERT "pus-|'yN|A) Production : The Featurette Film Studio in Lodz

Director: Janusz Kubik

——-—

Script : Janusz Kubik and Stanislaw Loth Photo: Mieczyslaw Lewandowslti

A little boy and a dog are playing merrily on an empty beacrh when! the_¥hsutgdenly discover an old cannon buriled in t e san . e oy's imagination conjures up nig t-

THE

marish images of the battles that were once fought at this (Time: I6 mins.) deserted spot.

Head Oce:

ll/15 TARA STREET, DUBLIN Tel.: 7|“! (I5 lines) A|.l1)0l'! Olce :

TERMINAL BUILDING. coax AIRPORT T“-=

1”“

cu, Ole: and Warehouse ¢0p|_Ey~5 S-I-REE-r_ CORK 1-.|_ ,

mu/5

‘

WELCOME

I0

C

SCILLY — KINSALE Tl" fam°"$ Resmuram ' Bar

THE SPINNAKER offers you Seafood and Continental Cooking 2 Double Rooms Available (B/B) Ktussuz 72123

46

47

K.

_

\

61 Portugal

-

TIIE ECONOMY OF .\IOZA.\IBlQL'I-I (.VIACA.\lBlQL'E-ECONOMIAI

Production: Internacional Audio-Vision Director: Pascal Angot A survey of industrial development in the island nation of .\/lozamhique.

(Time: 20 mtns.:

62 Rulnanla - THE HIGH-TENSION LINE .\/IOIINTERS (LINIORIII

Production: ‘Alexander Sahia' Film Studio.

Bucharest

Director: Dumitru Done Script: Mirel lliesu and Dumitru Done Photo: Gheorghe Georgescu A lm about the beauty of human etfort as i_t is seen in the spectacular work of the men who mount high-tension (Time : 9 mlns.l lines at a high altitude.

63 Rumt|nla-

THE RAILWAY STATION (CARA)

Production: ‘Alexander Sahia' Film Studio.

Bucharest

Director: Gabriel Barta Script: Gabriel Barta Photo; Tiheriu Olasz

_

An on-the-spot tilm made at the North Station.

Bucharest. It is a study of passengers le.t\ing Bucharest. and of those they leave behind. of new arrivals. and ot people who wait.

(Time mini.» :

ll

64 Romania

- SY.\IPHON\’ IN \\'I*IlTI-I (SIMI-'OI\'lE IN .-\LBl

Production: ‘Alexander Sahia' Film Studio.

Bucharest

Director: Erwin Szekier Script: Iiheriu Olasz and Erwin Szckler Photo: Tiberiu Olasz A snatch of tilm poetry that come); an atmosphere which generates an association of ideas ht means of image. colour. and music.

(Time : 5 mins.i

ENGAGEMENT & WEDDING RINGS Wedding Presents that are useful and inexpensne

Private Room for Selection

().\/IEGA. WALTH.-\.\l. BUREN. ROLEX and GLORIOSA Watches

Agents for

JAMES MANGAN LIMITED, 2 - 3 -4

PATRICK STREET. CORK

(Opposite Statue)

Phone 20998

(Branch at IIIGII STREET. KILLARNEYI 49

65 Runurnla

-

LEAVES ll-‘RUNZED

Production: ‘Alexander Sahia' Film Studio.

Bucharest

Director: Constantin Budisteanu Script: Constantin Budisteanu Photo: Emeric Ghidali

lllllll Slllll llllli Bl’

lllll llllllllll

lay the use of special techniques this picture reveals hid en aspects of the life of a leaf from Spring to Autumn. lTime: I0 mins.l

66 Rulsanla

-

LOOK. 'l'l~IE SWALLOWS ARE

LEAVING lVEZl. RINDUNELELE SE DUO Production: ‘Alexander Sahia' Film Studio.

Bucharest

Director: Constantin Budisteanu Script: Vasile Chirita Photo: Francisc Toth A lm which uncovers little-known aspects of the life of swallows: the way they build their nests. lay their eggs. tend their chicks. teach them to y and. nally. migrate to warmer climes. lT|me : l6 mins.i

The Irish Shell and BP Film Lending Library offers groups, firms, organised bodies, clubs. film societies ete., (entirely free of charge) a series of films, not only on the petroleum industry but also on numerous aspects of modern life. all of which have a definite public and educational interest. We will gladly send you a copy of our new catalogue (IT'S free too).

FOURTEENTH

Cllllli |.\TERN:‘T'"N;"J l‘lllllllL FESTIVAL

ctrv HALL. MAY |7lll—Zl5l. m1 at

Attractive programmes of Choral Music and Folk Dancing. Novel Instrumental Music and Verse Speaking. Six National and International Competitions for Choirs.

Competitions for Schools

Write to us at :

Irish Shell and BP limited Film Lending Library

Shell~BP House, 13-16 Fleet Street, Dublin 2.

Telephone 72921 The illustration shows the Forth Road Bridge on which Shell and BP have produced an award-winning colour film. The film portrays the planning and building of the bridge over 5 years and the skill and pride put into it by the workers.

ADJUDICATORS: Slr Thomas Arntstrong Monsignor Jules Vyvennnn Dr. Hnveloclt Nelson

Social Evenings at the Festival Club

it For advance inforniariun apply In THE FESTIVAL 0|-"I-‘ICE. I5 BRIDGE STREET. CORK

$0

5|

67 Switzerland

llR.~\\'H.I.l.\'G 'I'HR()L'(iH '|'l\|l~.

-

Pl'\‘&illel|\\l‘l' Don.tld R.t\\ling~ Ltd. Uiteetot l)on.tltl R.t\\lings

Script. E. \, H. Fzmmett Photo \\illsie (ooper \lus:e: Rohett htrnon ('otnment.r:ot ' Pliil Broun 1

lhis film shous ho“ .tntl \\h\

the stud) ot time .tml

tor eenturtes engaged the .tttent1ons of men of genius. .rml _\.:t lr.ts left m.in_\ questions still un.tns\\ered. lt eontr.ts:s sueh phenomem .rs the form.rtion of the e.trth und the e\olution of life \\ith .t modern qu.trt/ sp.tee h.ts

e:'_\st.tl euesium .ttomie elock.

Looking still further into the future. it en\is.iges .1 piloted .tit'er.ift le.i\ing for .i tilslunl planet where \et .tnother of the m.rn\ \ersions of time is st.tnd.ird. \lodern science m.t\ \\cll he on|\ .rt the heginnrng ot the prohlem of me;isuring time. ' ITime i-1! min»!

1

68 l'.S..-\.

-

\\'0.\IA.\' wiruotr A FA(‘l~l

Production: .\letro-(iold\\yn-Slayer. .t .\l.innl.'.iurenee-\\'.rsserni.in Production

Director: Delbert .\iunn Script

:

Dale W.rsserm.inn. based on the no\el

"Buddwing" h\ E\llF| Hunter Photo: Ellsworth Fredrieks .\Iusie: Kenyon Hopkins

Sum Buddwing (James Garner) The Blonde iJL‘J|'l Simmons). Fiddle tSu1.;mne Pleshette). Janet lK;tth.trine Ross». (ilori.i tAngelu l_.rnshur_\l.

Cast

He mikes up on u park heneh in (entral Park. Through puzzled ei es. he looks at u he;r\_\ gold ring with Ll cracked black stone on one finger. his eutl links. .1 gold peneil. .t New York (‘entrul time table. ;i sheet from .1 memo p.id hlunk eseept for Lt er) ptie number.

All are me.tningless. He walks o\er to the Plum Hotel.

He stops to look curiously at .i mun reflected in ;t mirror of the Pulm Court. The man is handsome. his suit rumpled. but oh\iousl) well tuilored .ind expensise. The mun is .r complete stranger to him.

Penniless. he tells the hotel telephone operator th.it he is .t guest. and Calls the number. A sleep) feminine \'oiee .nns\\Crs. "ls that §ou. S.im'."' (iloriu (Angela Lunshur) i. .t faded hlonde of fty. misttikes him for her hU§h;l'.i.

She agrees to see him. hut thinks he is drunk “hen he s.i)s he is lost and does'n‘t kno\\ the address.

"Sam. but Sam \\'h:it'." he wonders. He sees .1 heet

glai HAIR CREATIONS 31

PARNELL PLACE CORK TLLI-PHti.\l 22625 53

truck. On its side is bannered the slogan. “Where there's life there's Bud." A plane overhead slams down toward La Guardia Field. 'Bud' and 'wing.' He has a name. Sam Buddwing.

Buddwing enters a shabby. unappetizing apartment.

Gloria opens the door. He has never seen her before.

Then he is not Sam. Touched by Buddwing's obvious disappointment. Gloria gives him coffee. and sympathetic understanding when he breaks down. realizing that he has no clue to his lost identity.

As he leaves. Gloria forces Buddwing reluctantly to accept five dollars. Now in desperate search of his past. he is torn between two conicting emotions. Regardless of personal cost. he is driven to discover who he is. and what he was. At the same time. he is haunted and tormented by the fear of what recapturing his past will reveal.

Aimlessly walking the streets of New York. Buddwing

sees a young girl coming down the steps of an apartment

_

up 3.

...

3.2;. )

“K.

“Baalish makés Stfngth

pint...

‘ n dlff9l'9l1¢8 !

makes

A ii» =-I--we pm A »--as drink. Strong and dark under a wonderful creamy head. A sharp. lively taste. And not just sometimes.

Always. Be particular about your pint. Ask for Beamish.

house. He is shaken with recognition. "Grace!" he calls out. When she takes a cab. he hails another cab and follows. but loses her. Later. he nds her again. The girl‘s name is Janet. "I am not Grace." she insists. Buddwing learns she is a college student. Past and present merge in the whirlpool of his mind.

A younger Buddwing relives his student day romance with Grace. and the idealism of their young love. He has found one key to his past. Then Grace is gone.

On 44th Street. he sees another girl who startles him.

She is Fiddle. He follows her. When she smiles at him he says. “Hello. Grace." Fiddle is intrigued by Buddwing. and tries to help. ln Fiddle's apartment. the music from a record player touches a chord of memory. Buddwing sits down to a piano. It is his own composition he is playing.

Once more Buddwing lives in the past. He is no“ married to Grace. As the years turn back. doors in his memory open. But like a complicated puzzle. pieces are still missing. only adding to his confusion.

In fear. uddwing calls Gloria. who hangs up on him.

Exhausted and in despair. he continues to walk the streets.

The Blonde (Jean Simmons) leans out of a cab window.

“Do you want to be a trophy?" she asks. The blonde is on a scavenger hunt. Buddwing is the tall man with the grev suit she has been looking for.

They continue the hunt together. To win the scavenger hunt. the blonde needs Sl00.000 in cash. With Buddwtng this leads them to an unlimited crap game in Harlem. where Buddwing has fabulous fortune. Gradually. Buddwing's encounters with Janet. Fiddle. and The Blonde are bringing back a rush of memories.

As the tempo of the crap game reaches a frenzied. bizarre pace. the nal piece falls into place. Suddenly. dramatically. Buddwing knows who he is. and the reason

:.::,:':: .‘.£2‘%2‘.?.'if..§.'§“;L‘é‘.'l‘;i.".1?°if..";.‘Il.£’.§'.ii2?.I.';‘..‘€;?.’i‘ ‘Ti"\=1 I h'- 35 '"i"§-'

AN

NE CORK'S OWN CLEANERS

'

I,

'2:

'

in

Appoimed lo care for the Wardrobe of

'

1

Film Personalities attending the Cork Film Festival

A

54

55

ISLAND

L .S..\.

O9

Photo: Fred Schenk \lusic Title Refrain by Dorothy Knowles :

\ inree-year old boy is seen walking through the .-. undergrowth of a wild place. He is going there to (In his way he has an experience which could he

WESTERN ROAD, CORK

.::. but the child's innocence protects him. As the .-.:rice is not quite so innocent its fears are made manin terrifying sounds from the screen. but the child reof .ri_s \\ hole and free. ln a way thekchild is a gre so simply I at its . khrist Spirit. but the story is t o ,":.tic.tnce is left to the spiritual preception of the

(Part of the Kenning Motor Group)

~\ Q

/

RABBITS ARE THE FRIENDS OF TOADS

Production : Independently produced by Dorothy Knowles Director: Dorothy Knowles Script- Dorothy Knowles

SERVICE STATION

_:i

-

.

t

2

-‘zence.

Tre statement of the film is that joy is more substantial. l'nll1S.l (Time: ‘e meaningful than terror.

Ill

V

70

Sales

t.s..s.

Call and see our large selection of Grade A second hand cars. Top trade-in prices coupled with rst class after sales service. is your guarantee of satisfaction.

O

BRUTUS AND BROWNIE

Production ' Ed Graham Productions. lnc.

Dmcwr ‘id Graham _

Script : Ed Graham and Carl Reinei Photo: Jerry Smith Music: George Shearing Commentators : Carl Reiner and Ed Graham

This lm explores the reasons why people laugh at animals being hit. shot. electrocuted. and propelled fool~ shly about in theatrical cartoons. The answer is that such hdignaties are delightful fun — if they don't happen to us (Time: 6% mins.)

-

our Garage is at your service Sew" days a “cck 8

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a.m. to 2 a.ni. Our expert mechanics service

e\:ry make of car quickly and efciently. Try our first-class Valet service to ensure your car looks well. while running well.

FLORAL DECORATIONS IN SAVOY

Self-Drive

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Qorofltq rq<nox

Book your Self-Drive car in confidence knowing that the experience of Joe Malone Self-Drive is behind you all the way. Only this year's cars are used in our eet.

4.

EMMET PLACE. CORK Phone 2l669

INTERFLORA Y

Y

Y

X ‘l.

“Kai

Malone Bros.

W ESTERN ROAD. CORK

56

Flowers. Presentation Bouquets.

Floral Arrangements for all U(‘(‘(lJf(t!f.\'.

Reproduction antiques and modern vases. Handwoven Rugs

Bridal

Wreaths.

Phone Z5706 or 166" S7

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gm am “[51 two S

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\.

-

EYE ON NEW YORK (SENSE 0! the CITY) .

WCBS—TV

Producer: Al Waller Script: Al Waller Photo: George Silano Viusic Alex Steinert Commentators: Fritz Weaver and Rosemary Harris

."e insights of such poets as Hart Crane. Edna St.

I

-

Dos Passos. John U&dike ' ‘ 5*-' of the prose writers John . .

Thomas Wolfe are visually expanded lll or r to ::='.=:e a lm sense of the great city in an emotional arc _-._.~h‘ moves from loneliness to merriment. to iron Y . to ‘ _...|ousness. to ioy. and to love.

(Time: 27 mins.)

O

U

';:nt Mlllay. e. e. cummings. and Walt Whitman and

O

72 L'.S..\.

-

SKATI-ZNDATI-ZR

Prduction: Byway Productions

Director: Noel Black Script: Noel Black Photo: Michael Murphy

i

Music : Nick Venet and Mike Web

A picture which captures the precise moment when a

my becomes aware of girls. ln this instance the bov

~

I

}

-»

‘

Michael Mel) is a skateboard virtuoso who knocks 1. slonde girl (Melissa Mallory) oil her bike. The second time round. however. he nds himself the pushover.

(Time: l7§ mins.I

-

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'

73

Iii

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L'.S.A.

'

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’

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Jerry Smith

'

Photo

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Music: George Shearing

2

Commentators: Ernie Banks & Walter Brennan

Leaf becaux they bring you all the good flavour of the golden leaf thcy’re made from. But you don’t have to remember the reason. Just remember the name: Gold Leaf.

Once you try them, you won’t forget.

Playcrvs can them

rt-us SHOOTING or DAN MeGREW

Production: Ed Graham Productions. lnc.

Director: Ed Graham Script: Robert W. Service‘s ballad

Q

'

-

This is a straight version. with modern art treatment.

(Time : 6§ mins.) of Service's well-known ballad.

i

i

actress. Marla Perschy. relaxes from the

..

forao

(i<>l.l> l.li.»\l~

formalities of the Festival and is shown here

picking blackberries which are a most popular wild fruit grown In Ireland (Cork Film Festival)

I

Vllllllk

TIIPID

I

MADE m IRELAND av PLAYERS or ouatm PG! 63

59

'4 ~

\.

-

THE IVORY KNIFE

Production : "Red Parrot" Productions.

California Director: Jules Engel Photo: Irvin Buzclon Music: Irvin Bazclon

T118 best Way

4! “O 'rk as .1 tTime: I8 min~.i

C trim. Paul Jcnkin".s is SI U did

* :7:

-

to Fly. . .

I'VE GOT TI-IIS PROBLEM Production: The Problem Co.. Chicago Director: Ron Glasky Script: Don B. Klugman Photo: Michael Shea ' .t ) R u be nstein Music: M'rt' Actors: Judy Harris and Don B. Klugmun .-\ pair of young would-be lovers get lost in their own

L .8.-\.

‘ k I V

-

(Time: 8 mins.>

.‘ft\crS£1ll0I‘l.

I/7/6’)?

76 - GIRL Production : Pressman-Wiilliams Corporation.

Broadway. N.Y. Director: Paul Williams Script: Paul Williams Photo : John Mantel Music St. Louis Union: John Lennon and Paul McCartney .-§ ‘llaoy pass? at girl on the street and thinks of _alllthe

['.S.A.

2

T S He V0111’ rave! Agent

:.::ix::?i;:‘: ..:'":;:.:..i:';;:;.‘:*i::s :'::'..:£:*.t"'.:i*.::'i:;’":

word. "It wasn't worth the trouble. anyway" he thinks (Time : I2 mins.t Or does he?

O1’ DISPLAY

Aitrisr.

to the Conic INTI-IR.\iATl()NAL FILM FIESTIYAL since its inception

38, Patrick Street,

TADG LEHANE

Cork

9 PATRICK STREET - CORK PHONI: 24725

Telephone: 24331

"

It

' Decor C reative Design " - ‘.l‘l'CI'l0l"

Window and Exhibition Displays

Oil Paintings and Murals so

61

»

'8

77 |__i_§_A_

. coMpANy |=()|g LUNCH producon

;

L'.S.A. - NINE VARIATIONS ON A DANCE THEME

Production : Hilary Harris Films. lnc.. New York Director: Hilary Harris

Moooom |:i|ms_ New york

.. .

Director. Philip Gittelman .

Photo: Cornell Capa. Bruce Davidson. Charles Harbutt. Andre Kertesz. Inge Morath. Constan-

um Manes

.

R°p°"'“ R'°h‘“'d P‘"°“" Tm“ c°h°"- B°'°r|Y I

5¢h;mz¢r_ Philip Gimiman

One of the most distinctive aspects of the American business scene is the annual shareholders‘ meeting. Within recent years many of such meetings have been marked by verbal reworiks between discontented shareholderfs and corporate ea ers. In some cases excessively voci erous shareholders have been eiected from meetings.

Phmo: Hilary Harris Music. MoNoi| Robinson

' f h b'l't f the lm-maker to ..~ii:wi§i:°i3ii'i?na flange: 5| ilieyirfterpretation of dance ~.-.o\-ement. Through the craf_t of photography and editing lagesgzztgs theme evolves into lm

79

' THE DOT AND THE “N II

1-5-5»

Company for Lunch. utilizing the unusual techniques of photo-animated still photographs and actuality sound. documents one of the largest shareholder meetings ever

Production; Metro~Goldwyn-Mayer Dmmor . chook Jon“ .

N I l r S°"'p' ' °"°“ “SF Prowl Btlf Nbvll Music: Eugene Poddany c°mm°'“a‘°" Robe" Morley

held in the United States by a major corporation (Xerox).

It examines the purpose and problems of “corporate d=m0¢I'¢Y-"

Every picture in the lm and every sound heard is spontaneous and unrehearsed. There is no written dialogue or narration. The story is told. often with hilarious moments. entirely through the sounds and voices of over 4.000 people who participated in this unique event.

tom

:::::r‘s

3

A romance in lower mathematics. in c;_i_rlo0rt lfgrm; ' ‘me ' m"“'

(Time: 26 mins.)

JUST FOR THE RECORD...

The new ROYAL TYPEWRITI-ZR CO. since it opened in I964 have sold 500 New Typewriters

in the Munster area.

of the 500 machines. they have had .

.

only two back for servicing

RESULT . . .

The German iictrel, MIIIIII Tl'00l¢lk ls shown how to ll! "IQ lrllll |ll8II|I'I¢l by II¢lIb¢" °5 '5' C*""|l*|""

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80

Th¢ "1081 R¢li8bl¢ TYP¢writer

L'.S.A.

in ‘he w°'|d

-

TRANSPORTATION U.S.A.

Production: U.S. Information Agency.

Washington D.C.

Director: Tibor Hirsch Script : Brew Welling Photo: Tibor Hirsch M\lSiC2 DOD EIIIOII

‘L M'oCURTA|N sl-REET’ CORK Ph°"°‘ 5276” 62

-

which present; a kaheidoscgpeiotgeltitg, lateis': e~ e c ' . v rie . an ‘iisivi/ciifepfrriduiaublicntriipisportaiiionyin the United States.

(Time : 21 mins.l

A lm

5"“

63

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81 L'.S.A.

a

THE ONDT AND THE GRACEHOPI-LR

-

Production : Mark and Connacht Davis. l.:d Dir ector : (onnacht ‘ ‘ Da\|s ' Script: Connacht Davis Photo ' \|.ttl\ Da\i\ .\Iusic: Tokitsuni Matsudaira "

‘

The title is that of Joycek table. The stori line l\ic‘7'.' ties \\ith an 'ant' and a 'gr:ts\hopper" in contempor.i:_\

e

and. hopefully. timeless life. The tilm's structure is of a game being played “ithin a game within a game. c the game of life. uithin .1 set of games. uithin a m.i~t. game. The setting is an elaborate o\'ergro\\n garden oz villa where the game \\ithin at game within a game l.t|\& place.

ITimc It) min~ 1

:

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82 L'.S.A.

G.~\.\IBlT

-

Production: l,ni\crsal Pictures Co. Director: Ronald Neame Script: Jack Da\ies. .»\l\in Sargent Photo Clifford Steine .\lusic: Maurice Jarre :

»§°;;~

Cast: Shirley Mcl.aine. Michael (iaine. Herbert Lom . -\ condence man in the Far East ‘ enlists ' ‘ lht.' aid ot .i beautiful hostess-dancer to steal a priceless statue from an Arabian oil tycoon. tT|me: ‘

‘

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83 l'.S.S.R.

BEWARE THE AUTOMOBILE (BEREGIS ALTOMOBILYAD Production: Nloslm Studios. Moscow Director: Eldar Riazanov Script: Emil Braginsky Photo: Anatoly Mukasey Music: Andrey Petrov -

This amusing comedy features a car thief who turns out to be an actor of talent and . . . an honest man.

(Time: I hr. 32 mins.i

0’(IONl\l0ll CAR RENTALS Phone

Coburg

2I6I4 (3 llnesl Day or Night

1'

RED

- N0 uurosn"

- utn;sr CARS ~ Bl-LIT!-IR SERVICE - COMPETITIVE RATES * 24 noun SERVICE 64

§

BARREL WATNEYS KEG 65

“

s4 L'.S.S.R.

- Tm: WORLD oi'cArii.i.i\iur.s min OTKRYVAII-I'I‘SYA v KAPILLARAKA»

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DiF¢¢l°Y1 V- Kh°'“°"k“

S‘ ' t: A. Sidler ‘Hp Sc Photo. \. op

.

This tilm explains the wonders of minute glass pipccipillaries inside which substances acquire new qualities.

4.

tTime: 2| min~.i

85

TMNS" ‘TM NSIT '

,,r_,ducm,n : v‘,s,oc,,,,., Sibcrm studio

Production: Leningrad Studio of Popular Science Films Director: M. Kligman Script: I. Karanets. L. Markhalev .

_

vllni which depicts the construction of a_n~¢\1 Inf-‘"5" (Time . mil“.=.'e~.i in Siberia.

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_

87

Ll.S.S.R.

-

LETS GET ACQUAINTED — LEONII)

2:gg::g¥)‘ZNAKoMT£s’_LEoNID Prodgcltéosn

1

Central Studio of Documentary

Director: V. Leskoviteh Script: Z. Gert Photo: Y. Buslayev

L .5.S.R.

-

THE PIPELINE ITRASSAI

Production: Svcrdlov Studios Diirector: V. Pwshki Scrip‘ v_ Pwshkin and 0_ Rukmk‘,

Photo: O. Rakutko _l,

describes the construction ot a ne\\ PIPB ""-ml-‘r severe weather conditions in Siberia.

(Time: I8 mins.)

This lm

‘The art and outstanding craftsmanship of a famous circus clown is revealed in this lm.

(Time: 30 mins.i

Wine and Dim’ 0!

-

-

-

llI.v. INNISFALLEN

TRAVEL

‘THE INNISFALLEN WAY’ CORK-FISHGUARD DIRECT

CORK'S FASHIONABLE RENDEZVOUS

For full particulars appl_\':—-

CITY OF CORK STEAM PACKET C0. LTD., I12 PATRICK STREET. Conic Telephone : 2323l Telegrams: "Packet." Cork 66

OPEN

i:..w PM. to i0.so PM.

Phones: 22635! — Z27|6|

"|-“S5 RESERVE‘ You‘ “BL 67

.

33 u.s.s.n.

-

rum-:ttn.oA1'ms(rLorocoNY)

A Trlbute to

Production : Kiev Studio of Documentary Films Director: I. Grabovslty Script: l. Grabgvslty and Y. Tkatchenko Photo: Y. Tltatchenko

A lm which deals with the life and work of Ultranian lumberjacks. their habits annd leisure.

(Tim... ,4 min“

B-"

R°"E" 0555"“

Pm/essor of Cinema. New York University

89 U.S.S.R.

- TIIIS IS A HORSE (IETO LOSHADY)

Production : Kirgizlm Director: T. Okeev Script: K. Omurkulov Photo: T. Okeev

This is an account of the life of horses from their day of birth to their last moments.

(Time : I0 mins.)

METROPOLE HOTEL CORK

STANLEY KRAMER

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* P110116

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It is a triple pleasure to return to the miraculous Cork International Film Festival. to witness again the rare Irish hospitality. and to introduce the Tribute Programme of the distinguished American director-producer. Stanley Kramer. There is an added personal pleasure in honouring a graduate of my university and a friend.

Since the art of the cinema is so universally appealing. its popularity has given rise inevitably to commercial organizations for the production, distribution and exhibition of lms for prot Conicts over taste exist between the artist and his sponsor in all forms of human expression. but none have been more embattled than the director and the producer in the motion picture industry.

Stanley Kramer is a happy exception. He directs his own productions. which has resulted in the most exceptional motion pictures created by an American. Stanley Kramer's themes are precisely the ones which would be rejected by the front oice for 09

their rovocative lots. thou h they subse uentl' proves to be box gice succegsses. Stanley grameyr appeals to the tens of millions who want to be eni¢i-iaincd in iheii bi-aim as wcii as ihcir viscei-aS_ For examples. racial intolerance was the theme

of Home of the Brave and The Defiant Ones. the danger of woiid suicide by mimic bombs in 0,, The Beach. the right of intellectual freedom in Inherit The Wind. guilts and cruel hypocrisy in Judgment At Nuremberg. and the fragility of humanity in Ship 0] Fools. Mr. Kramer is currently at work on Andersonrille. the story of a Southern prison camp during the American Civil War. and its theme is man's inhumanity to man.

To add to this tribute l should like to q LlOle from a letter Katherine Anne Po_rter_ wrote to Stanley Kramer when she selected his bid over other producers. “It is very happy news for me." this celebrated American novelist wrote. "that you have bought the moving picture rights to my Ship Of Fools. as I have seen Judgment At Nuremberg. and ii is hard to express how tremendously l was impressed by its terrible boldness and beauty. though I was full of horror and tears at pans of it.

Remember. I was in Berlin when Hitler was com'

' l'k h . ‘gigynfgreéngtgfifsiyzisgl “gee; gel-cegnignzf 1';

exhilaration. too. for it is time and past time for these events to be recalled and shown to the forgetful old and the unconscious young. and nobody could have done it better than you have. When l recover. I mean to see it again. Bless you. you don‘t make it easy for anybody." lt is the true mark of a dedicated artist that he does not “make it easy” for his fellow men. As Miss Porter indicated. Stanley Kramer is a guardian of the conscience of man. ln this role. he is unique among director-producers. lt's.4 Mud. Mad. Mad. Mad World wasa frolic without social signicance. except for the opportunity to observe the antics of comedians in pursuit of hidden treasure. Greed is seldom Fhe sulgjectlof mirth. To make crass acquisitiveness unny tan ey Kramer applied slapstick. the broadest type of humor. and achieved Rabelaisian satire. It is a strange change of pace following the solemnity of

J"dg"'e"' m N'”‘."'b"g'

.

.

-‘§“'V"'al °" ‘me hand ap.7f"a“‘ '0. be f°'l°Td°:.m°d' e‘ ‘M |_“":“a"_ 'a‘§° d'*pla_y5 “S ‘Pu mu mo.“ character in ironic disclosures. pathetic and comic.

\

Th¢ °"°|“"°"_ °_f Smhky, Kramef as a d."°°“."

has h¢¢h 5‘°3d¥ "1 "5 m3"1_""Y 35 “’""¢§5¢_d "l Sh{P of Fools. In this. the 8th picture he has directed in the last decade. he evoked $l_IP¢Th P¢\'f°"ha"¢°§

°"‘

of V"'l¢" l-¢'8h- 5""°"¢ §l8"°Y§i-_05°3' w¢"h¢'J_0$¢ F¢fl'¢l’ hd Ml"""- R '5 "1 ¢h3|'3¢‘°"l?'

"0Fl_5 85 W¢|| 35 Fame"! m°V°_"]¢"l ahd Thyihmlc Q3531"! hd m¢3"l"8f"| ¢°mP°5"_'°" ‘hm Ih° "=55 °f a director lies. His heart and mind must match the skill of eye and hand. This is recognized by fellow

L“

°"'h.§'“°".*" "°"Y“’°°d W"°." "‘° A°“d°"‘Y °' M°"°“ ];('c“"° ASS lam? Scfacfgc “sawed 9'} Tam" i F Wlhg 3 "8 ?m°"a A_ward. the _Olympian accolade, for consistently

Siahky

high quamy 1" ‘he "¢h"°h °f lms-

A

-

The Kramer Programme will be introduced by

The Films to be shown are the following tin chmnobgicai Md"), '

90 THE DI-ll-‘IANT 0N!-is 11958» Sidney Poitier. Tony C""i=-

9] on "rm-; pr-;,\(:|-|

4|959i Grggory

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A...

G=irdn¢r- Fri-‘=1 A§l=|il'¢-Amlwny P¢rKi§-

92 .

,

m"i§:‘e:i:,icT§4'E,ci:_v'€;“,l:e

spcnc

Tmi‘

93 JUDGMENT AT NUREMIII-ZRG (l96l) Spencer 1-,,¢y_ aim |_,i,¢a,m_ Magng i)imi¢h_ Maxmilian Schell. Judy Garland. Montgomery

ch"-

94

"-5 A MAD. MAD. MA“ MAD WORLD i|964i_ 3221:: Tiiizis‘"ir:..':;"'.§:'.°2i‘::.“"::i 5iL'°"- Tm?’ Th°"““' J°"“"‘“" w""""" Ed" A am‘ “C”

{?‘;2i‘;1?.§. °1‘-if .?.2?..;£§.i’2;'.§“§z' .l;’.2"2{;‘.. §.?i;?!

masterpiece Judgment At Nurenibery wherein guilt is explored morally and psychologically while tormented witnesses strive to clear their names. An inner and an outer drama in this film makes it an exce Ptional experience. Similarly. there isaparallel counterpoint in On TJf¢'70Bfd(‘II. The search for

-

Pri'f¢’8~\‘0' G¢’-""1"

.

Stanley Kramer is a combination of crusader and showman: he manages to entertain while he prods the mind. he engrosses your eye while stirring your conscience. This rare ability is best evident in The Defiant Ones which has an impelling unity. There are two simultaneous chases, the ight from the

TRIBUTE To

s'fANLEY KRAMER

95 F0015 (I995) VlVl¢ll L=I8h- Slmom §§i':|‘:;f"iol;:°F:‘::e'€,f;"' Om" w'"""' E"”'b°‘h

SI-IlP_ OF

A Tribute to

Alberto Lattuada

ine ('im'reca ltaliana. The activities of Lattuada and his collaborators in this eld bore fruit in the organization of a Retrospective Exhibition at the .\lilan Triennale of I940.

Besides collating and collecting lms, Lattuada continued work as a lm critic and took his rst steps on the demanding path to real lm-making as script-writer and assistant director. He had already scripted a lo mm. lm ('uort- Rivelarore. in I933. and acted as colour consultant for M. Baico's I1 Mu.st'u D¢'ll' A/mire. in I935: but it was in I940 that his continuous activity in the cinema world really started. when he acted as script-writer and assistant-director in the making of Mario Soldati’s little classic Piccolo Mondo Anrico.

Lattuada directed his rst independent lm.

Giacomo l'Idt'aIi'.v!a in I942. This was well received by the critics. even though one small group connected with the journal. ('i'neniu. had certain reservariations about the style which they considered rather sterile and frigid. indierent and insensitive to that call of reality which seemed to have decisively appealed to Lattuada in his composition of a volume of photographs. Occliio Quadraro.

a typical

Alberto Lattuada was born in Milan. in I914, to Lombard family. The home atmosphere

During the anxious and troubled years from I943 to I945 he directed La F reccia nvl F ianeo and. after making Lu Nosira Guerra (I944). a documentary on the national liberation revolt of September I943. he made two lms which revealed the nascent poetic character of Nt-o-Reulixni in a literary and moralistic kev : ll Bamlitu (I946) and the Prizewinning Serizii Piem (I948 ).

and environment in which he grew up were such that they encouraged his every artistic urge. and from his earliest sehooldays he showed particular interest in the plastic arts and in literature.

Since that time his work as a director has known no stop: every tendency of Italian cinema found him ready and alert. putting into eect his motto.

His personality and intelligence were rst noted in the well-known 'liceo.’ Bercher. in Milan. where he had the good fortune to be taught by some brilliant teachers. and where he had as companions such students as Alberto Mondadori. who subsequently became one of ltaly's greatest publishers.

With some of these he founded in I933 the ammgarde fortnightly. ('ammi'nare. which established itself as the training ground for anti-Fascist youth.

Having entered the Faculty of Architecture at the Polirecnieo of Milan. he became a member of the editorial committee of Correme, a lively review which dealt with cultural problems. During this period he wrote some short stories and articles and. for the rst time began. as a lm critic. to display his interest in that newest of arts. the cinema. _Simultaneously he began the arduous task of locating and assembling lms of historical and artistic importance and in collaboration with Mario Ferrari and Luigi Comencini he founded a Film Library which, on the premature death of Ferrari. was called after him. Later the library was named 72

culled from experience. that a director should shOot as much as possible. alternating lms truly of his own with spectacular commercial products.

These latter give him the opportunity to work. calmly and independently. making the lms that really interest him. lms of high artistic quality.

Despite the critical reservations above. not a single lm of Lattuada's can be considered useless.

BARRY’S

TEA...

as well known as

Shndn

!

i__€73.1_.i__-

A TRIBUTE T0 ALBERTO LATTUADA

trite. gar b8l'I_I'lil.é\ll through his lm career, nlo matter ow tversi e . certain constants are eas| y recognisable — both thematic and stylistic — which illlunggnate and crystallise hisd artistlic personality. is ms are sometimes viewe as a itter portrayal of universal failure. They are that to some extent. but by no means only that. The authentic Lattuada is an artist of the elegiac. certainly, but one who climbs from considerations of Christian pessimism

9°“

‘° 3 °f Pufyi? ‘£5i°"'|;‘" is "°°°ss‘“'Y'" hc once wrote. “to go ac to t e great virtues, not to have any fear of eloquence. but to be romantic in the way of Leopardi and Manzoni. Man should ‘be givlen back the wealth which was taken from im. t e warmth of feeling. sentiment. and aection. the sense of Christian solidarity."

.

-

F'l'"s 0' Lmfuada '0 be screened m me Tblm’ P'08"¢"I""~’

The Films to be shown are the following (in .

°h"°"°|°g'°"l °'d°')' 95 -

-

d

ll‘ """'{,’§,‘.‘lh?|I§-'; ¥,?n:,:::4?|{>$:lscd on Rm“ 0

-—-——i—-i

Photo: Aldo Tonti Mqgigj ||d¢b|'3|\dO Plllll

A list of lms directed partly or wholly by Alberto Lattuada

°'°"“- °"‘*‘ s“‘°“' “°'

Players : Carla del Poggio. Jacques Sernas. Leda

97 ||_ CAPPOTTO (I952). based on GogoI‘s well-known story

———i .

-

-

Photo: Mario Montuori Mus'c: Felice Lattuada

-

l942'

Gmcomo L ldeahsm

I944:

La Freccla Ne! Franco and La Nostra Guerra

I946: I947.

98 .

II Bandtto

I DOLCI

.

.

.

.

P|;';:§: g;::m,ina Spa“

ll C0.110110

ll Mulino del P0 .

.

INGANNI (I960)

Photo : Gabor Pogarny M ' :P‘ Piccioni

II Delmo de Gunanm Eptscopo. Senza Pielcl and

I949:

Players: Renato Rascel. Giulio Stivali. Yvonne Sanson. Ettore G. Mattia and Antonella Lualdi.

Mmy_

ch,i§,;a,-,

Marquand. lean Sorel

99 .

I950:

Luci del Vaneta (with Fellini)

I95‘:

Anna and H Cappono

I953:

La Lupa. Gli lraliani si Volrano (an episode in Amore in Cimi), La Spiaggia

I954 :

Scuola Elememare

l 9 57..

Guendalma

I958:

La Tempesta

I960:

I Dolci lnganni and Leltere di zma Novizia

I961:

L'Imprevis!0

I962:

La Sleppa and II Mafiosu

I965 :

La Mandragola

LA

MANDRAGOLA uses). based on Niccolo Machiavelli's play

Delli Colli : T ' Ph Pr:l‘eors: ‘l;‘o:i)nno Schiaffino. RomoIo_

Valli

Philippe Leroy. Toto. Giancarlo Cobelli.

MADDEN & SONS Ltd.

-

TEA. WINE 8: SPIRIT MERCHANTS Wholesale and Retail

‘B-15 BRIDGE STREET’ CORK

74

TELEPHONE; gmoa/9

75

100

40

THE GOOD OLD DAYS OF

¢;,,,,,,,,,,

|1'i£si

Production: Atlas Filmverleih Gmbh. Duisburg Director: Ulrich Schamoni

An Illustrated Lecture on this subject will be delivered by the Irish lilmologist. PR()l.\'NS|AS O C0t~'Ltf,iit~'. at the Lee ('irivnia on Tuesday the

scrim; urich 5¢h.,moni phom; Guard vundenberg

20th September. at l2.l5 p.m.

LATE

.

Music

Z

Hans Pomga

Cast : Sabine Sinjen (Hilkel. Bruno Dietrih (Manfredl. Ulrike Ullrich (Hilke's girl-frien ).

Harry Gillmann (Hilke's Father). Inge Herbrecht (Hilke's Mother! Etc.

ENTRIES

A picture dealing with racial problems and riots. with Lena Horne singing in the background.

State Film "Filmbewertungsstelle" (Oicial The E\_,1u_,iion Boardl has awarded this film its “EX(:¢ptionall_y .tlu.ihle" certificate. and in the citation states that "it .;j‘f‘€.tT§ that in It we have a rst film to celebrate. a lm ish towers over the usual level of German lm pro-

39 Germ",

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Cllbl

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‘Time. |8 min“

HOCUS Pocusornow-to A

Pmducmm . c0mmmin_|;i|m Director : Kurt Homann Script : Eberhard Keindortf. Johann Sibelius Photo: Richard Angst Music: Franz Grothe Cast: Heinz Rilhmann (Peer Billel. Licselotte Pul\er lAgdal. Richard Mllnch (Court President!

Fritz Tillmann (Public Prosecutor). Klaus .\/liedel (Mr. Graham). Stefan Wigger (Amundsenl. Joachim Teegs iMunio Eunanal. Tatiana sags (yr,-an |(;¢bum_ cm .

ll“

.

The h‘a"“f“1 Fm“ Am“ '5 accused °f murd" “l her husband. She is alleged to have drowned her husband.

Palmer Hilml’ Kl¢l'll|f- “'h°§¢ P1\ll"l|'|8§ 1*" "°“' '" such demand. All circumstantial evidence is against her.

In her testimony she involves herself in contradictions and impedes the progress of the trial by frequently and deliberately fainting. On the evening before the main proceedings her defence advocate resigns. Nobody thinks the accused has the slightest chance. Her personality. however. radiates an unusualmagic but to what effect‘? It looks bad for the enchanting Agda very bad indeed!

ll"

C" me mhcr hand “mid one belie“ ‘hm 3 ind“ would convict the woman whose portrait he has hung. and magically illuminated. in his home‘? On the night before the trial other strange events take place in the judge's house. He has sent for his friend Mr. Graham. the criminologm from Lmdom since he feels Mum" mcnaccd M a strange warning. A mysterious stranger appears who tries to prove in the strangest way that Agda is innocent and that the case against her is built up only on circumstantial evidence. Peer Bille. a versatile and apparently talented personality. causes a sensation during the following days in the packed and tense courtroom when he appears with full authority and evidence as defender of the accused —- a defender whose dazzling. attractive. and ironic diction and presentation of evidence carrys away the public but gives a lot of trouble to the State Prosecutor and the Judge.

TJICII (W0 ‘bOl11b§' ¢XplOdC 0l'l€ Rlfll’

76

"TC Olh¢I‘ . . .

poses a question it does not answer. The spectator proiide his_ own answer. which will be personal to ..ii.l ddetegmlineii by his ‘etlgical

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sten e. Cheerful and without immeth swine! ,~r.~ili=m§."iii:>'» liv§_together._ They work hard in "def to get ahead in their respective p|'0_f¢S§l0_f12 he as ey love .. ~'i"..tll estate agent. she as a technical designer.

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lHOKU5 POKUS 04¢!’ w|E [$555) ICII Ml-IINI-IN MANN VERSCAWINDIINI

.

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.

""“h “her “nd “re happy‘

Suddenly. over this young couple ‘It.’ their unborn _child. appears. presenting a momentous and seemingly; incurmountable problem. Hilke tries to solve it in er own \\a). She does not \\ant to burden Manfred. fearing for their happiness. She is truly afraid.

-

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w“i:'_\‘|':.e|:‘f,iZdlTcr mm ,

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It is not a problem lm which affects Hilke and Manfred alon'. Althou h a hypothetical situation it points out the conicts and difficulties that face far too many .

The Direcwr handks his Sm“. in an original way, Wm, great care and deliberation. ' (Time: l hr. 26 mins.l

W];/mm u,

_;“pp(;;-; U] B5;-d Fdfy

and our

Spnnson. and Adwr"-M,rs we Could "U, am,

tinue to tlirive. The Council and Director of the Festiral 1'.\'PI'(’.\'.\‘ their sincere gratitude ti» -

.

-

-

them. Please t'tts'!l!'e the Festii-al s continuation ,

.

by -““PP”"”"3 ‘W’ Ad"er"sers'

A 5p¢cia| U-ibmc mus; bc paid 10 the img]]ig3|1¢¢ and innim

paiigricg of the Staff of our printers.

M€$$f'$. D. 8!

A. O'Leary Lid.

TELEVISION COMMERCIALS COMPETITION AND AWARDS

AWARDS ___ For the ninth consecutive year the Irish Film Society. in collaboration with the International Federatiun of Film Societies. is awarding a Certicate for the short lm (shown within the framework of the Festival) considered of most interest to lm society audiences. The considerations inuencing the judging of this award may dier

This competition is now in its fourth year. and is being held from the Zlst to the 25th September, inclusively. in four sections: (a) Commercials produced for Irish television; (b) Commercials produced for any television station in the world; (c) A series of related commercials (minimum 3); (d) Commercial produced and transmitted in colour.

Commcms which Wm have appeared on MC,

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from those determining other Festival awards. ~\

The Certicate will be an illuminated document

GRAND PRIX

A W A R D5 for the best commercial of the

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A PALME t>'Oit for the best series of three com-

The f°"°“'i“g mcmbe“ °f ‘he Film S°°i°‘Y movement have been named as members of the

A SERIES Aw/um for the best series of three com-

Jury 70' "°mi"1i°" 07 lh¢ lm I0 b¢ awarded 91¢ Film Sociciy Awm-d_ 1955;

TI-IE CORK COLOUR TV Awuto for the outstanding colour television commercial. (As far as we

mercials

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Arthur Lomas (lntemational Federation of Film Sociies) Gerald Daly (Irish Film Society. Dublin)

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colour TV competition

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MAIL AWARD for the best commercial produced specically for showing on Telefis Eireann.

SPECIAL TELEVISION

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Additional DIPLOMAS OF MERIT may be awarded at the discretion of the Judges.

Edward Gleeson. B.L. (Irish Film Society. Cork) ADJUDICATION AND SCREENING

The international panel of judges is as follows: MR. HAROLD BARNES (France)

Da. GUNTHER BAUER (Germany) DR. CLAUDE CONTINI (Switzerland)

Mn. GEORG OLDEN (US./1.)

MR. GEORGE PLANTE (Britain)

The lms are being screened. for the judges and delegates on the 22nd September. and for the judges. only. on the 23rd September.

The Lord Mayor and iiieinben of the I-‘esilviil Committee have a pleasant chat with the Indian delegation at the FQIUVII Chill). ICOIK |'I|llI |;§lVl| 1,65).

The ’4”'a"ds will be a"n°“nced and p"e,5cm°d at the evening performance in the Savoy Cinema on San"-da-\~_

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