THE TIE THAT BINDS WILFRID LAURIER UNIVERSITY SINCE 1926
VOLUME 63 ISSUE 3 • NOVEMBER 2, 2023
THRIVE WEEK RETURNS
BREAKING THE SLATE
VIDEO GAME TUNES
COLD WEATHER BLUES
COACH FAULDS PROFILE
Students care for their mental health
Actor’s strike continues to cause harm
Exploring music in popular video games
Students struggle as winter approaches
Rugby coach shares keys to success
News, page 3
Feature, page 7-8
Arts& Life, page 11
Opinion, page 14
Sports, page 16
2•
THURSDAY, NOVEMBER 2, 2023
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@thecordwlu THE CORD’S NOVEMBER PLAYLIST
PHOTO OF THE MONTH
A MIX FOR DARK NIGHTS AND COZY SWEATER
SPIRIT 2.0 // SAMPHA
Brass Ensemble Concert November 4 7:30 - 9:30 p.m. Theatre Auditorium
BOBCAYGEON // THE TRAGICALLY HIP ROSES // APHROSE
Music at Noon with flutist Lisa Sello November 9 12:00 - 1:00 p.m. Theatre Auditorium
DANCER // IDLES/LCD SOUNDSYSTEM A NIGHT TO REMEMBER // BEABADOOBEE/LAUFEY
Opera Laurier presents Fall Opera Excerpts November 10 7:30 - 10:00 p.m. Theatre Auditorium
LIFETIME // FAYE WEBSTER SUPERSTAR // BEACH HOUSE
Opera Laurier presents Fall Opera Excerpts November 11 7:30 - 10:00 p.m. Theatre Auditorium
POWERS // BOYGENIUS SHELTER FROM THE SUN // BOB DYLAN
Opera Queens Presents Drama Queens November 14 12:00 - 2:00 p.m. Theatre Auditorium Laurier Student Recital November 16 11:45 - 1:00 p.m. Theatre Auditorium
HEART OF GOLD // JOHNNY CASH
BRONTE BEHLING/EDITOR-IN-CHIEF
MANCALA (FEAT. VINCE STAPLES) // EARL SWEATSHIRT BORN FOR LOVING YOU // BIG THIEF
FROM THE ARCHIVES
Laurier Concert Choir Concert November 18 3:00 - 4:30 p.m. Theatre Auditorium
THUNDER ROAD // BRUCE SPRINGSTEEN FAST CAR // TRACY CHAPMAN
Chamber Music Concert November 18 7:30 - 9:00 p.m. Lazaridis Hall
GOODBYE EVERGREEN // SUFJAN STEVENS USIJIUWE // SHABO MAKOTA
Laurier Symphony Orchestra Concert November 22 7:30 - 9:30 p.m. Theatre Auditorium
STRAWBERRY MOON // HELENA DELAND FLAMES OF LOVE // NIGHT LUNCH
Laurier Student Recital November 23 11:45 - 1:00 p.m. Theatre Auditorium
LOVER COME BACK // CITY AND COLOUR
Laurier Wind Orchestra Concert November 24 7:30 - 9:30 p.m. Theatre Auditorium
TAKE MY HAND // JEREMY DUTCHER LOOK OUT! // PEACH PIT
Chamber Music Concert November 25 7:30 - 9:30 p.m. Lazaridis Hall
SAD THAT UR A FANTASY // MAYFLY WILFRID LAURIER UNIVERSITY ARCHIVES
An article published in the Nov. 7, 2007 issue of The Cord Weekly.
NEXT ISSUE DECEMBER 7, 2023
CORD STAFF EDITOR-IN-CHIEF Bronte Behling editor@thecord.ca MANAGING EDITIOR Amichai Abraham
managingeditor@thecord.ca
CREATIVE DIRECTOR Haley Richards creative@thecord.ca MULTIMEDIA & WEBSITE DIRECTOR Aysia Steiner multimedia@thecord.ca NEWS DIRECTOR Madalyn Mostacci newsdirector@thecord.ca NEWS EDITOR Jack O'Keeffe news@thecord.ca
ARTS EDITOR Bailey McIntyre arts@thecord.ca OPINION EDITOR Abigail Dombrovsky opinion@thecord.ca SPORTS EDITOR Natasha Giannantonio sports@thecord.ca LEAD REPORTER Jenna Abdel-Kader news@thecord.ca LEAD PHOTOGRAPHER Sadiya Teeple photos@thecord.ca LEAD SPORTS REPORTER Nicole Lovisotto sports@thecord.ca
CONTRIBUTORS
EDITOR’S CHOICE
ADVERTISING INQUIRIES
Luca Bidini-Taylor Zaina Haile Emily Herron Zaina Haile
“If the result of the advertising inquiries can be American writer's strike All directed to Kurtis Rideout at is any indication,studios ads@wlusp.com or 519-884-0710 ext. 3560. bending to the wills of their employees is possible, but whether or not COLOPHON the actors will find the The Cord is the official student same success remains newspaper of the Wilfrid Laurier University community. to be seen " - Amichai Started in 1926 as the College Abraham Cord, The Cord is an editori-
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Cover made by Creative Director Haley Richards.
Quote of the week: “Tell students to come at 6:30, and they'll come at 7:30 to be "fashionably late."" - Bronte Behling
THURSDAY, NOVEMBER 2, 2023
News
• 3
NEWS DIRECTOR MADALYN MOSTACCI newsdirector@thecord.ca
NEWS EDITOR JACK O’KEEFFE news@thecord.ca
CAMPUS
Laurier Wellness Centre hosts thrive week Waterloo and Brantford campuses see the return of mental health advocacy. MADALYN MOSTACCI NEWS DIRECTOR
The Laurier Wellness Centre hosted their fall semester Thrive Week Oct. 23 to Oct. 27. Many post-secondary institutions have adopted Thrive Week with the goal of promoting wellness on their campuses. “Post-secondary mental health is in crisis right now. Post-secondary students are facing challenges and I think mental health and physical health play a huge role in how somebody balances their personal life, family life, everything,” said Sydney Austin, a fourth year psychology student and peer wellness educator. “… I think that’s where ideally, Thrive comes in to try to help,” said Austin. Laurier has been participating in Thrive week every fall and winter semester since 2017. The university’s website outlines that Thrive aims to improve mental health literacy, foster a caring community, promote resources and encourage a proactive approach to wellness for students. Thrive events put on by the Wellness Centre also aim to touch on the seven dimensions of wellness. “We like to focus on the different dimensions of wellness,” said Austin. This includes events that tackle physical, social, financial, spiritual and environmental elements. “We try to put on all those because for some people, they want to focus on one type of wellness over the other.”
SADIYA TEEPLE/ LEAD PHOTOGRAPHER
Austin continued, “I think trying to kind of hit on all those [dimensions of wellness] can really apply to everybody and support them in kind of anywhere they are on their journey to wellness.” Events put on throughout the week are categorized into six pillars of mental health. Each pillar contributes to students overall wellness. They include, learning, connect-
ing, relaxing, nourishing, creating and moving. “I think that the biggest thing is that participating in Thrive, you can kind of realize that you’re not the only one facing the things you might be facing,” said Austin. “For example, if you’re in first year and you’re having a hard time struggling with your mental health or you might be a little bit lonely, I think that you can really take
advantage of these events and talk about it with a network.” Thrive emphasizes taking what you need, and is unique to every individual. Events held on both the Waterloo and Brantford campuses were free for students. Thrive kicked off with breakfast on Oct. 23. Pancakes, coffee and tea were available in the concourse.
A caffeine cart offering free coffee and fruit also visited the Waterloo campus throughout the week. The events gave students the opportunity to listen in on topics that relate to them and a university experience as a whole. Talks about important subjects like conflict resolution, DBT and studying strategies were available for students. “I think that a lot of events run by the Wellness Center can be really powerful,” said Austin. “There’s the DBT workshop, there is a journaling workshop. I think those are the ones where you’re kind of building on the most fun skills that can serve you in the future and kind of help to improve your wellbeing from now on,” said Austin. “ … It is really meaningful. Those are probably the events that have a huge impact on people.” A favourite Thrive event, Paints, Plants and Peers, had to be split up into two sessions due to popular demand. Austin praised the event, noting how it brought students together as they collaborated creatively. “It’s an event where you can chat with people, get to know them and then take home a plant in your brand new little painted pot.” Many workout sessions held at the athletics complex took place during Thrive Week and were a hit with students. Students were able to participate in yoga, nature walks, zumba and glow cycle. To see a full recap calendar of Thrive Week events, visit the university’s website.
RENOVATIONS
New developments for the faculty of music
Faculty and building undergo extensive renovations
ZAINA DO HAILE NEWS CONTRIBUTOR
New developments working to diversify and expand the department of music are currently underway. The renovations are spurred by the Making Space for Music campaign. This newly renovated space will allow faculty and students to teach, practice and perform together in an updated environment. Members of the community will also be able to enjoy and experience the music. “There’s a beautiful symmetry
to the fact that our building is now going to be directly right across from Lazaridis,” said Kimberly Barber, associate dean of Laurier’s faculty of music. The faculty of music is also getting ready to welcome new students to their two-year master of music in collaboration, curation and creative performance (MMus C3). This program will be offered for the first time in fall 2024, and will equip students with the tools and knowledge necessary to thrive in Canada’s arts industry. “We are excited to offer this transformative program that not only fosters individual artistic growth, but also emphasizes the power of collaboration and community engagement,” said Barber.
The program will aid out-of-thebox thinkers and groundbreakers of the next generation in navigating the music space and honing their artistry. Experiential placement in music and artistry organizations as well as a series of industry partners are offered within the program. It will also include lessons on audience engagement, outreach and marketing. Students will gain practical, entrepreneurial and interpersonal skills that yield an understanding of business that can be applied to the music industry. Navigating the Music Industry Ecosystem, a new certificate online course offered by Laurier, similarly covers topics such as publishing, sync licensing, marketing, financial
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literacy, contracts and entertainment laws. Barber expressed her encouragement of non-music students and music students alike getting involved in music opportunities at Laurier. These include open performances, concerts, jazz orchestra and the show choir. “People would be surprised
about what they might find if they come through our doors and so we are hoping there is going to be more of that soon once the newbuilding opens,” said Barber. Further information, including photos of the construction progress as well as the projected impact of the campaign can be found on the university’s Making Space for Music website.
4 • NEWS
THURSDAY, NOVEMBER 2, 2023
MENTAL HEALTH
How movember spotlights men’s health
Movement aims to eliminate stigma surrounding men’s mental health and provide support
LUCA BIDINI-TAYLOR NEWS CONTRIBUTOR
Content Warning: This article mentions sensitive topics such as suicide. This November marks the 20-year anniversary of Movember. The movement sees men growing out their facial hair to bring awareness and raise funds towards men’s health. What started as an idea between 30 friends in Melbourne, Australia has evolved into a global initiative. The movement now spans 19 countries including France, South Africa, Singapore, Spain and Canada. The goal in every country is the same - to eliminate the stigma surrounding men’s health. Movember Canada is offering several ways to get involved, calling on supporters to “Mo Your Own Way.” This initiative calls on supporters to be daring, break a bad habit or to challenge yourself and share your success on the Movember app. Those taking part can also set up a fundraising target to share with friends and family while they
HALEY RICHARDS/ CREATIVE DIRECTOR
follow your journey. “There are so many issues that come from isolation and from the idea that masculinity is harsh and alone,” said Leo Garcia Pimentel Carral, wellness education assistant at the Laurier Wellness Centre. “If we address these barriers, I think that it would impact not only individuals but society.” “We live in a society that continues to have increasing numbers of these things [men’s suicide].” According to the Government of Canada, it is estimated that 4,500 individuals die to suicide each
year. Men and boys are recognized as a high risk population. “We can continue to work reactively, or we can start to work proactively to create the community and support that men need.” Although large-scale initiatives are impactful towards social issues, starting conversations is just as impactful. “I believe that the individual is also the community. I think a lot of the time we think we must do huge projects to impact everybody,” said Pimentel Carral. “While these projects are great,
a lot of the time we don’t have the resourcing or capacity.” “We think we need to outsource our community, but sometimes it’s just your neighbours. Know your neighbours, know your families, know your friends and talk to each other. Be kind to each other,” said Pimentel Carral. It is important to note that men in one’s life may be struggling – even if they do not show it. “I can speak to this in an academic and professional sense, but also in a personal sense. Manhood is often isolating, and due to this
it becomes difficult to check in on each other and build the community that you need to talk about things,” said Pimentel Carral. There are resources at the Laurier Wellness Center that help with struggles in mental health and wellness, including free counselling. There is no waitlist or recurring sessions with no end times. Students can also utilize community building resources that serve as a preventative method for mental health struggles. “The peer wellness programs help with the social isolation that can at times be felt.” With 11 wellness educators avaliable, there is always someone to listen to students who are struggling. For those who wish to support the movember movement, there are other ways to show support. In the Waterloo region, Apollo Cinema is hosting an evening of magic and illusion for all ages on Nov. 4 at 6:00 p.m. $10 raised from every ticket sale is being donated to the Movember campaign. Restaurant chain East Side Mario’s is also supporting Movember Canada. For every purchase during the month of November, the restaurant has pledged to donate 25 cents to the cause. For more information about wellness resources at Laurier, visit the Laurier Wellness Center’s website.
NEWS • 5
THURSDAY, NOVEMBER 2, 2023 EVENT
Acclaimed musician Steven Page headlines fundraising concert MADALYN MOSTACCI NEWS DIRECTOR
On Oct. 29, acclaimed Canadian musician Steven Page performed alongside the Penderecki String Quartet in a fundraising concert for Laurier’s ‘Making a Space for Music’ campaign. The MSFM campaign goes towards renovating and improving Laurier’s current music building, and all ticket sales were donated to the campaign. “The goal is actually to raise funds, but there’s also other goals. One is to raise awareness,” said Jason Coolman, Vice President of Advancement and External Relations. Page was the founding member and frontman of band Barenaked Ladies, who had global hits like “One Week” and “If I had $1,000,000”. Presently, Page has embarked on a solo career and released new album “Excelsior” in September of last year. During the concert in Lazaridis Hall’s 1,000 seat auditorium, Page performed songs from throughout his career, including songs from his solo work and hits from Barenaked Ladies.
Page was accompanied by his son and guest conductor Isaac Page, a Laurier faculty of music alumnus. Page’s bandmates, Kevin Fox and Craig Northey, performed on cello and guitar respectively. James Campbell, a distinguished clarinetist, also participated. “We were meeting with Steven to share about our music campaign. He is an honorary committee member from the Faculty of Music, so we thought he might be able to help us. And he offered to come and do a concert to help raise funds,” said Coolman. Past events featuring Page have been held at Laurier, including a performance in 2017 and an Orientation Week event about mental health awareness in 2012. “Even though I’ve never actually studied [at Laurier] myself, my father actually graduated from Waterloo Lutheran in the late 60s. My eldest son, Isaac Page, who’s gonna be conducting the program on Sunday, is a graduate of Laurier’s music program. So I’m very familiar with the campus and with the culture,” said Page. In 2022, Page received an honorary doctor of music degree for his contributions to mental health and music education. “The honorary doctorate, which was an incredible honor, just helped to solidify [my connection with Laurier],” said Page.
Expanding on the importance of the arts, Page detailed the size of the music industry and the value the industry brings into the economy. This is something that Page believes outweighs what musicians invest back into the economy itself. “I can’t speak specifically to the university itself, but I think in our culture the arts tend to get treated as frills,” said Page. “I resent that as somebody who’s been able to do this as a career for 35 years, because I see not only the cultural value. I don’t want to have to always argue what the spiritual value of music is or the cultural capital that it brings in.” Laurier itself, according to Page, has contributed to the cultural value of music. “One of the things that Laurier has been doing that’s so cool is this sense of being able to reduce the boundaries between styles of music and genres of music. [This makes] the music department much more inclusive of styles and cultures than a traditional university program might be,” said Page. “We’re pretty proud to bring Steven to help shine a light on it and help raise awareness and raise those funds,” said Coolman when asked about the concert. In a final note to students, Page shared his advice. “Take advantage of the services that are available to you at university. Whether it’s things like
CONTRIBUTED PHOTO
mental health services or clubs or mentoring, all those things that you’re going to usually seek out or pay significant amounts of money for after you’ve done university. Take advantage of this stuff now,
and you can start a lot of great habits that way.” For more information on the MSFM campaign, visit give.wlu. ca and search ‘Making Space for Music.”
6 • GAMES
THURSDAY, NOVEMBER 2, 2023
Autumn Word Search • Cuffing Season • Midterms • Flannel • Baking • Apple Picking • Corn Maze • Football
Sudoku
• Nutmeg • Assignments • Cinnamon • Autumn • Scarf • Chai • Pie
THURSDAY, NOVEMBER 2, 2023
PHOTO SPREAD • 7
Highlights from Thrive Week 2023
SADIYA TEEPLE/ LEAD PHOTOGRAPHER
Breaking the slate Managing Editor Amichai Abraham explores the SAG-AFTRA strike and how it is currently impacting actors across the country On September 27, the Hollywood writer’s strike came to an end. After 149 days of labor stoppage for writers, a deal was reached between the Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP).
It was reported that the AMPTP was returning to the negotiation table on Oct. 2 with SAG-AFTRA after reaching a deal with the WGA; however, by Oct. 11, talks had broken down. One of the toughest bridges to the gap is that of residuals.
All indications suggest that the writers achieved many goals they hoped their strike would accomplish. Much of the writers’ requests were similar to those made by the Screen Actors Guild – American Federation of Television and Radio Artists (SAG-AFTRA) towards the very same AMPTP.
“It used to be that you were paid a little less, but if your show did well, every time it appeared on whatever network or streaming outlet, you would get residuals. That’s gone, and that has really really affected the actors,” said Kirshner.
It is an organization that represents around 160,000 performers. One could forgive the media for initially thinking that the conclusion of the writer’s strike would pave the way toward the conclusion of the actor’s strike. Yet, at the time of my writing, despite several promising moments, the US actor’s strike is still in full swing. For the writers, their new deal includes increases to minimum wage and compensation, increased pension and health fund rates, improvements to the duration of employment, better residuals, and the prohibiting of the future usage of AI that detracts from writers’ pay. Many of the actor’s desires are similar. SAG-AFTRA desires wages that are increased proportionally with inflation, sustainable health and retirement funds, better residuals, and consent and compensation in AI actor replication, among other desires. “I think there’s a misconception about what is a living wage; it’s changed remarkably,” said Canadian Actress Mia Kirshner. “I’ve been in this business for a while now, [and] the payscales have declined rapidly. It’s to the point where it’s difficult to imagine most actors being able to support themselves through acting [with] the way the contracts are.”
Working as a series regular could result in a buyout that is a percentage of an actor’s salary. Percentage is then put onto this, but is also commissionable. This is different than the residual model, which is not commissionable. “So you’re losing thousands and thousands of dollars, lots and lots of money. Actors lived on that money,” said Kirshner. Where once DVDs and reruns allowed performers to make a consistent residual income, those revenue sources have largely disappeared. Nowadays, it’s streaming services that have the potential to supply actors with money when they air projects featuring the actors on their platforms. This would burden these streaming companies with a heavy price tag. It seems that talks broke down following the actor’s union proposing a 57% subscriber fee on all streaming platforms, costing the studios roughly $500 million annually. This was a figure that, according to the AMPTP, was far too high. For reference, in 2022, the union reported a residual income of $126 million for that year. For their part, the studios reported that the changes proposed by SAG-AFTRA would cost them an unagreeable sum of around $800 million. SAG-AFTRA believes that this figure is a 60% overestimate.
Talks resumed on Oct. 24, initiated by the studios in the hopes of getting actors back to work as soon as possible. The strike has already had detrimental financial effects on big studios. It has been revealed that Deadpool 3 will be unable to meet its purported early May release date, and Mission Impossible 8 may now be delayed nearly an entire year.
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While this most recent round of talks has proven unsuccessful, both sides are committed to reaching an agreement. Studio executives are eager to begin making financially lucrative products, and actors wish for nothing more than to return to work after nearly three and a half months. Often less described in this story is the situation north of the American border.
Agencies (ICA) to force ACTRA’s hand into signing a new deal, which resolves a problem the ICA has with the current agreement. The specifics of the ICA’s complaint are challenging to articulate. In sum, there is a current provision in the two sides shared NCA allowing some non-ICA parties to use ACTRA talent without requiring adherence to the rules put in place by the NCA. This is accomplished via a loophole within the NCA rules. The ICA wants an opt-out clause so that signatory agencies on the NCA can get the same benefits, while ACTRA members, seeing this as a reduction to their bargaining rights, won’t accept any changes to the NCA.
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The strike has surpassed 100 days, making it the longest in SAG-AFTRA history.
So you’re losing thousands and thousands of dollars, lots and lots of money. Actors lived on that money.
There is also a Canadian actors union, the Alliance of Canadian Cinema, Television, and Radio Artists (ACTRA), representing over 28,000 performers. They have publicly supported the SAG-AFTRA strike and even held a joint solidarity rally with them in early September. One, perhaps rightly, might question why Canadian film and television actors haven’t also gone on strike; ACTRA has been entrenched in a different fight for longer than even SAG-AFTRA. The battle surrounds commercial actors rather than their film and television counterparts. Additionally, rather than the actors themselves choosing not to show up to work by choice, ACTRA commercial actors have been forced out via lockout. This is an attempt by the Institute of Canadian
For Canadian commercial actors, wages play a very significant factor. ACTRA claims the ICA plans to slash performer rates by half or more. This is untenable to ACTRA members. emains in place today for over 550 days since it began. Canadian actors who make a significant percentage or most of their wages from commercials have been feeling the sting.
During the midst of the writers and actors strike, Kirshner explained the gravity of the strike, “I think that if they cave in and go back to the status quo… it will become a novelty to be an artist because you can no longer make a living wage.” Across North America, actor unions are standing up to studios. Both sides wish for a speedy end to the disagreement so that both sides can return to making money. If the result of the American writer’s strike is any indication, studios bending to the wills of their employees is possible, but whether or not the actors will find the same success remains to be seen.
THURSDAY, NOVEMBER 2, 2023
PHOTO SPREAD • 10
• 11
THURSDAY, NOVEMBER 2, 2023
Arts & Life
ARTS EDITOR BAILEY MCINTYRE arts@thecord.ca
LOCAL EVENTS
Remembrance Day returns to Waterloo Region BAILEY MCINTYRE ARTS EDITOR
11:00 a.m. on Nov. 11 marks the formal ending of the First World War. With heavy hearts, we remember the soldiers that fought for our freedom 105 years ago. On Nov.11, wear a poppy with pride, have a moment of silence or visit a local cenotaph to pay your respects. The Royal Canadian Legion Branch 530 holds a ceremony at the legion at 10:45 a.m. to include veterans and hold a moment of silence for those lost. The Waterloo Cenotaph is located at Peace Grove on Regina Street near City Hall and Laurel Creek. During the First World War, Waterloo lost 14 young men, whose names appear on the cenotaph. “My grandfathers went to war
and died in battle, and my father went to war when I was still a baby.” “I know how it changed the rest of his life to grow up without a father and to have seen what he did when he was there,” said Ron Jeffery, a member of the community who visits a cenotaph every year in honour of his grandfathers. Jeffery wears a poppy on his coat throughout November in honour of those he lost and many more lost by others. Donating to the Royal Legion through the Poppy Campaign helps them support initiatives such as educating youth about historial events. In addition, contributions go towards the Veterans’ health and overall wellness. Wearable poppies are provided by the Poppy Campaign’s partners, including the Bank of Montreal, Home Depot, Shopper’s Drug Mart, Tim Hortons, Walmart, Starbucks, TD Bank, Canada Post and Via Rail Canada. If you cannot attend any Remembrance events, there are
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other ways to feel connected to the community this year. Many songs have been produced to offer condolences to the families that lost and suffered from the war. Highway of Heroes by The Trews, which originally came out in 2010, is a four-minute song that high-
lights the significance of Rememberance Day. This song reflects on Highway 401, deemed as the “Highway of Heroes,” that salutes fallen soldiers and military members for their act of service. 2018’s A Pittance of Time by Ter-
ry Kelly also addresses fallen heros, urging listeners to reflect on the sacrifices made by those fighting for their countries. This Remembrance Day, participate in a moment of silence and wear a poppy in honour of fallen soldiers.
GAMING
Why does music within video games matter? BAILEY MCINTYRE ARTS EDITOR
Video games are as popular as they’ve ever been, but what makes them so great? Is it the world building? The characters? The story? Could it be the setting? Development of game mechanics and the function of music througout games is extensive. Andrea Austin, an Associate Professor in the English and Film Studies department at Laurier, shed some light on the musical composition of video games, and how it contributes to narrative. It’s important to understand the difference between what a score is in comparison to a soundtrack. “A score is original music composed for a piece of media,” said Austin. In contrast, a soundtrack is music sourced by a director. “Usually the directors or developers go off and find music they like for sections, and then they use that.” According to the Berklee College
CONTRIBUTED PHOTO
of Music, a score made specifically for media enhances the experience of playing the game. However, music that was not written specifically for a game also serves a purpose. “If developers go off and find selected music for a game, then it’s less about setting the ambiance for the game than it is about punctuating certain sections with the music because it adds real emphasis,”
said Austin. It often comes down to the budget for the game and how much they are willing to spend for the music they desire. “If you want to licence iconic hit music and it is well protected by copyright, it can be expensive to buy the copyrights for a game.” Based on this, sometimes inhouse production is more cost effective.
“It might be cheaper to approach a musician or composer - especially if they are not as well known - and have them compose a score,” said Austin. In video games, music wields an unexpected amount of power, as expanded upon by Austin. “Regardless of whether they go for original music or selected music, it really adds to the ambiance. For some games, it can really help
with historical authenticity.” This can be observed in games like Skyrim, where the game’s soundtrack was written by Jeremy Soule, a composer who won a BAFTA award for it. One of the simplest ways to put the player into the world of a game is to use music that is reminiscent of the period portrayed. This is displayed in The Witcher 3: Wild Hunt, PGMag citing its dedication to portraying the medieval period through its use of folk music and battle hymns. As elaborated by Austin, ambience created by music impacts the characters in the game as well as the external world of the player. Austin compared Skyrim’s music to that of Grand Theft Auto’s. In Skyrim, the music rarely has words and is more melodic, while the Grand Theft Auto series often uses music that is more current and resonates with a younger audience. “The Grand Theft Auto series often use hit pop or rock music to sort of give that world that gritty feeling due to the use of real world music, which gives that feeling of stealing real world cars.” As you sit down to play a game, make sure to pay attention to the way a soundtrack changes the overall mood of the gameplay.
12 • ARTS & LIFE
THURSDAY, NOVEMBER 2, 2023
CINEMA
Mozart, Salieri and Amadeus BRONTE BEHLING EDITOR-IN-CHIEF
In collaboration with the GrandPhilharmonic Choir, Kitchener’s Apollo Cinema showcased Amadeus to promote the choir’s upcoming performance of Wolfgang Amadeus Mozart’s Requiem. Known as Mozart’s last work, Requiem was left incomplete Mozart unable to finish writing the piece before his death at the age of 35. However, does the film truly portray Mozart (and his “rival” Antonio Salieri) in an accurate manner? On Sept. 19, 1984, Amadeus was released in theatres across the United States. Directed by Milos Forman (the director also known for 1975’s One Flew Over the Cuckoo’s Nest), the film opened to mass acclaim – winning the title of ‘best picture’ at
the Oscars in 1985. “It made everyone aware of who Mozart was, and of his genius. Of course, there’s bits here and there of fantasy. I thought it was good, because it made people aware of his music and his genius – alongside how young he was when he did most of that,” said Theodore Paul Baerg, Director of Opera at Western University. Known as a child prodigy, Mozart is believed to have composed his first piece of music at five years old in 1761. By 13, he was appointed as an honourary konzertmeister in the Salzburg court. Amadeus takes care to show young Mozart’s brilliance as a child – an early scene in the film showcasing Mozart playing the piano blindfolded for an enraptured audience. The film continues to go out of its way to showcase Mozart’s brilliance, Salieri himself enraptured by the young composer’s ability to capture music in a living, breathing manner. “[Mozart played] Classic, classical music. He did function within
CONTRIBUTED PHOTO
the norms of that period, as well as going beyond them. However, he was very accessible to his audience. That’s because he used stories that were accessible and interesting,” said Baerg. Salieri’s music throughout the film is portrayed as lesser than – something that was not true in real life. Conversely, Salieri was acclaimed throughout Europe and even taught a very famous future composer – Ludwig van Beethoven. Unfortunately, this notoriety has not extended to the present day, Mozart being far more popular with the general public.
“He [Salieri] was a name when he was alive. People knew who he was. Now at least people know [due to Amadeus] who he is. Before that, nobody even had heard of him. I mean, maybe musicians had - I had, very briefly when we talked about Mozart,” said Baerg. While Amadeus revived some interest in Salieri’s work, Mozart remains the larger figure in the public consciousness. However, there is a benefit to listening to both composers. Baerg encourages those interested in learning more about classical geniuses to listen as they go about their daily tasks. “If you can find something of Sa-
lieri’s, listen to it - listen to Mozart. You don’t need to read an awful lot about them, the average person isn’t going to be interested. But people do have time to listen.” This can result in a far more deep appreciation for the works of classical artists. “Suddenly, they’ll have a real appreciation for the genius that Mozart was, and other people who wrote music that was very similar at the same time. Just not as good as [Mozart’s],” said Baerg. Those who have seen the film can visit Laurier’s “Classical Music Library” online through library. wlu.ca to learn more about these composers.
EVENT
Dept. of arts book launch a success EMILY HERRON VOLUNTEER WRITER
This year’s Meet the Profs event was hosted by the English and Film Department at the Balsillie School of International Affairs on Oct. 18 from 4:00 p.m. to 6:00 p.m. Students and staff gathered together in anticipation to hear readings of recent works published by Laurier professors. At the opening of the event, Professor Eleanor Ty suggested that professors utilize this opportunity to also host a book launch celebration. Professor Tamas Dobozy read a short story from his fiction book Ghost Geographies: Fictions. In the short reading provided by Dobozy, the narrator recalled how his grandfather was completely naked when he was found dead in his home. Following him was Professor Richard Nemesvari’s introduction from a collection of essays he co-edited on Wilkie Collins. Collins was an English novelist and playwright best known for his novel The Woman in White and the popularization of sensation fiction. After this presentation, Professor
Katherine Spring spoke about a book she co-wrote with Professor Philippa Gates. Resetting the Scene: Classical Hollywood Revisited seeks to understand why Classical Hollywood Cinema still occupies space discourse about film theory. A section from Garden Inventories: Reflections on Land, Place and Belonging by Professor Miriam Pirbhai was a highlight of the evening. In the reading, Pirbhai recalled her relationship with the rose flower as a Pakistani living in the South Asian diaspora. Beyond the Icon: Asian American Graphic Narratives was presented by Professor Ty. This collection of essays includes new readings of texts featuring Asian Americans like Ms. Marvel. “I was very moved by Dr. Ty’s publication on Asian American representation in graphic narratives. Her words were so thoughtful, and when she read an excerpt from the book, I was almost moved to tears,” said Lauren Matello, a third-year film student. Lastly, Professor Jing Jing Chang presented her latest publication Chinese Cinema: Identity, Power and Globalization. This edited volume explores the impact Chinese cinema has had on global film culture. All of the titles are available for purchase at the Hawk Shop.
The story of the infamously terrible American Samoa soccer team, known for a brutal 2001 FIFA match they lost 31-0. “Taika Waititi's winning, winsome film is his most accessible and mainstream movie to date, Marvel aside, one that successfully mixes in funny jokes with zeitgeisty social commentary.” - BBC
OPENS NOV 17 • PRINCESS TWIN • PRINCESSCINEMAS.COM
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THURSDAY, NOVEMBER 2, 2023
Editorial
OPINION EDITOR Abigail Dombrovsky opinion@thecord.ca
Editors Note: Is mediocrity enough? BRONTE BEHLING EDITOR-IN-CHIEF
On Oct. 15, I saw the film Amadeus at the Apollo Cinema in downtown Kitchener. As a former film major, I’m aware that I should have seen this Oscar winning film far before this year. There’s a lot of films to keep track of, okay? Upon sitting down in the theatre, I was transfixed for the entirety of the film’s three-hour runtime. Having now had time to properly digest the film, I was struck by the way it spoke to me as an artist. While I may not be a musician, I identify as a writer – and could relate to the messages throughout the film. Namely, the distinction between ‘mediocrity’ and ‘greatness.’ Is anyone truly mediocre at their art form? If they are, does it really matter as long as their work touches someone? While I certainly don’t see myself as a ‘genius’ like Mozart in the film, I can relate to the inherent, unexplainable need to exercise my art. Before I had the ability to write, I had a butterfly notebook where I would scribble throughout each
EDITORIAL CARTOON
line, thinking about what I wanted to say. As I learned how to write, I appreciated the dedication and effort that goes into writing novels. While I couldn’t imagine myself writing a fictional narrative (I tried), I could still respect those that did for their dedication to their craft. Instead, I found that when it came to writing, I was interested in writing academic papers and articles. This led me to choose cultural studies and film studies as my majors at Laurier, where practically every assignment I wrote was a 2000 word plus essay where extensive research was required. So, I thrived in this environment. However, does my mediocrity when it comes to writing fictional narratives make me a mediocre writer overall? Must I be an expert at every form to be truly exemplary? Do we think Mozart could have written Shake it Off and Taylor Swift written Requiem? Probably not. However, this doesn’t make either of them less of a musical genius. Next time you talk down to yourself for not being the master of every aspect of your art form, remember this - there’s someone out there (your own Salieri) who will see your work as truly remarkable.
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Living with ADHD and contending with stereotypes NATASHA GIANNANTONIO SPORTS EDITOR
Attention Deficit Hyperactivity Disorder (ADHD) is a common developmental disorder in Canada, affecting approximately 1.8 million Canadians according to the Canadian ADHD Resource Alliance (CADDRA). Despite the commonality, and the fact we are in 2023 and have seen improvements in the treatment, care, and understanding of mental illnesses, those with ADHD still receive harmful stereotypes from peers and the media. This impacts how they perceive themselves as well as the support they receive. When I was in elementary school and high school, there would always be someone in the
class who was labelled as “difficult” and “distracting,” or had to sit next to the “quiet” kids in order to “contain their behaviour”. Hearing the word “ADHD” during these years was often attached to bad behaviour. I’m sure we can all think of someone from elementary school who fit the common idea of ADHD being a “bad boy disorder”. I remember going to my doctor because I knew something wasn’t right. I could feel it. I could feel that I didn’t act like the other kids. I was told it was anxiety, and I took their word for it. Diagnosis is not the be-all end-all - it does not make ADHD magically go away, or rewire your brain into a neurotypical one. Diagnosis lifted a weight off my shoulders and allowed me to stop treating myself so poorly for operating differently than my peers. Further, it gave me a path to treatment and tools to understand how my brain works. When people reiterate ADHD
stereotypes it’s often an excuse for laziness or implying that people with ADHD aren’t smart and are destined to fail. These harmful stereotypes add to the negative image surrounding neurodivergent people. In addition, these stereotypes promote negative stigmas and deter people from receiving the care and support they need and deserve. According to a 2015 study by Frontiers in Psychiatry, untreated ADHD leads to a plethora of mental health conditions like anxiety, depression, self-esteem problems and substance abuse. The media frequently highlights ADHD in children, supporting narratives that it is a children’s disorder. By not covering adult neurodivergence as frequently, society is made to believe ADHD is something people grow out of, which is untrue. The continuance of negative stereotypes conditioned into society and individuals causes those with ADHD to internalise the stigma, anticipate discrimination and feel judged by peers. Education, advocacy, and improved studies on the condition are all areas in which the ADHD stigma can be broken down. Providing people with factual information can further reduce the idea of mental health being a taboo topic.
14 •
THURSDAY, NOVEMBER 2, 2023
Opinon
OPINION EDITOR ABIGAIL DOMBROVSKY opinion@thecord.ca
Contracts hurt staff, strikes hurt students ABIGAIL DOMBROVSKY OPINION EDITOR
Attending higher education promotes the expectation that there will be adequately prepared auditoriums, sufficient support from staff and enough professors to deliver lectures. It’s easy to take advantage of that image. We are familiar with our daily routines that seem to make the days blend together; we can expect the same professors carrying on their lecture within the same spaces. This stability, however, is a stark contrast from the reality of some staff who are on the forefront of institutions and are faced with dreaded rollover agreements. Full-time faculty and part-time faculty have had a large disparity that is slowly undermining the fabric of universities. I was a student that was impacted by previous staff strikes. Strikes threatened exam schedules, graduation timelines and the
overall studying experience. Issues regarding contract teaching faculty (CTF) can be precarious in nature, and there are many factors that need to be considered when addressing this. What cannot be overlooked is the looming pressures that arise in anticipation of an uncertain future. CTF positions are oftentimes presented in a convoluted manner to help obfuscate the nature of the issue, which is that it is simply more cost-effective for schools to keep people as temporary workers. This has been a general trend seen across many educational sectors across Canada - Laurier is not special. Collectively, institutions are working towards rendering theirforce dependent and bound by short-term contracts. This is in opposition to the stability of those with full-time, permanent positions. In comparison to full-time staff, contract faculty are paid less per course in addition to having their health or pension benefits rendered obsolete. Part-time staff run the risk of being plagued with job insecurity, as contracts are often offered on a term-to-term basis. This culminates into a stressful
professional environment that is felt in the workplace as well as at home. The strikes hope to lengthen the contracts and ensure wage improvements. There seems to be a power struggle between schools, with tenured faculty utilizing their status leverage and level of seniority. At Laurier, approximately 900 CTF teach on a course-by-course basis and have minimal job security in contrast to full-time faculty who are hired on a permanent basis. Regardless of the fact that fulltime faculty are primarily tasked with conducting research and teaching, there is a discrepancy between how much each faculty member is paid per course they teach. University budgets are bolstered by the Canadian government. They are major employers, and the stress has rippled through the community. The COVID-19 pandemic has introduced “rollover” agreements that are notably shorter, a far cry from the faculty union contracts which typically would undergo negotiation for 3 or 4 years. These rollover agreements work to extend previous contracts, but in
SADIYA TEEPLE/ LEAD PHOTOGRAPHER
significantly shorter bursts. We are now seeing these coming up for negotiation, as are the normal-length contracts that were signed prior to the onset of the pandemic. Educational institutions plant the seeds for a strong, well-
equipped society that can adhere to its needs and address issues head-on for the greater good. If we can’t reinforce the first line of contact students have with the professional outside world, how can we expect them to be confident in the workforce?
Weather and our mood: learning to cope going to sleep earlier, helping cut back on the amount of time spent in darkness. Ensuring that we stay close to our community helps ease the winter blues and makes getting through the workday more manageable. Striving to get some sunlight would be optimal, but supplementing with Vitamin D can help replenish the body.
ABIGAIL DOMBROVSKY OPINION EDITOR
Canada’s wicked weather can have more than just an impact on our mood - it can change the trajectory of a student’s success in many negative ways. From smoldering summers to what feels like almost unbearable winters, we live in a weather-extreme country. The good thing about predictable patterns is that these environmental indicators can help us determine what students struggle with before they start - so we can address them appropriately. Prevention is the best medicine.
Season fluctuations affect more than just our immediate environments. Changes in our environment demand adjustments in our circadian rhythms that can be attributed to sleep schedule disruptions, outof-whack energy levels and shifts in mood. While attending university presents considerable change for most, seasonal changes can exacerbate stress management and hinder academic success.
Prioritize your diet.
FILE PHOTO
Changes in levels of melatonin throughout the body can amplify feelings of anxiety and poor performance. Ultimately, a portion of the Canadian population face the realities of Seasonal Affective Disorder (SAD), some without realizing it. Although it may be a burden, there are many ways we can alleviate the symptoms. Even those who do not suffer from SAD can benefit. Although SAD can be contentious, I believe many can agree that partaking in endeavors that benefit
the mind, body and soul can help maintain the multifaceted system that is the human body. I know I function better when I am paying attention to both my mental and physical health. Thankfully, getting through the colder seasons doesn’t always require something extraordinary to counteract the effects of dreary days and prolonged nights. Remaining active is key.
I would argue spending time with friends while keeping active is even better. Attending Laurier’s group ses-
sions at the gym can help motivate students to keep active and mentally engaged. Movement is key to promoting the body to produce functional levels of serotonin and dopamine. In addition, the lesser known but equally important hormone norepinephrine plays a significant role in mood enhancement and proper digestion. This hormone increases the benefits that come from keeping active as well. Making the most out of sunlight can mean waking up early and
Eating foods rich in antioxidants (such as blueberries) and healthy fats (such as avocados) can help improve mood and subsequently help with stress. Diet plays an incredibly important role in ensuring that our vitals are ready to undergo physiological changes. Increasing education in mind and body wellness helps us avoid future complications or heal from previous struggles. It is important to ensure that we are accommodating our body’s needs and not just our schedules according to the environmental factors occurring outside of our control. By understanding the mechanisms of the human body, we are setting ourselves up for success in multiple areas of our daily lives – from the workplace to the school environment.
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THURSDAY, NOVEMBER 2, 2023
Sports
SPORTS EDITOR NATASHA GIANNANTONIO sports@thecord.ca
WOMEN’S HOCKEY
WOMEN’S SOCCER
Shutout to shootout: Women’s playoff Laurier stays golden hopes end with gritty match
NATE SABETA SPORTS CONTRIBUTOR
The Sun life Financial Arena witnessed a battle between the Laurier Golden Hawks and the Western Mustangs. On display was a balanced exhibition of skills from both sides through four periods. Ultimately the game was decided in a penalty shootout. The opening period set the tone for the rest of the game as Laurier’s netminder Acadia Carlson and Westerns goaltender Ella Brabrook put on a clinic between the posts as they refused to let any shots get past The Golden Hawks picked up two penalties in the first period, before going undeterred as they played shorthand to to kill both penalties and trump the Mustangs. In the second period, Laurier came out with increased puck possession and dominant offensive play. As the period progressed, the Hawks got some chances on goal, one coming from left wing Yasmina Tomkin. The Mustangs took three penalties, giving the Golden Hawks an opportunity. Despite their efforts on the powerplay they were unable to get past the Mustangs and by the
BARRY FIELDS/WESTERN ATHLETICS
POUYAN SHIRDAZI/LAURIER ATHLETICS
end of the second period the game was left scoreless. Immediately after the third period face-off, the intensity increased, but like the first and second periods it ended in a 0-0 draw - sending the game to 3 on 3 overtime. In the dying minutes of the extra frame, the Mustangs got a shot on goal that managed to get past Carlson, but was met by the iron crossbar, leaving the game in a stalemate. To decide the game, the Golden Hawks and Mustangs prepared themselves for a notorious penalty shootout. Carlson didn’t crack under the
pressure, and stopped all of Westerns 6 attempts, leaving a golden opportunity for forward Eryn Wolfe to score her third goal of the season. “It feels amazing to be able to get the win for our team – the support from the team has been unreal.” Wolfe said. “We’ve got to start scoring more to stay competitive and stay at that top spot,” said Laurier’s head coach Kelly Paton. Wolfe encapsulated the team’s winning sentiment, saying, “We have got a lot of confidence – we’re going to give it our all in every game we play.”
MEN’S FOOTBALL
Golden Hawks dominate OUA quarterfinal game NATASHA GIANNANTONIO SPORTS EDITOR
The Golden Hawks kept the pedal to the metal in the OUA quarterfinals with a 69-0 victory against the Waterloo Warriors. The tone was set early on as the Warriors’ Johari Hastings completed one of his two interceptions. Taylor Elgersma and company went to work, sending Ethan Jordan into the endzone. Waterloo found themselves in an early pit, taking two penalties and setting the Hawks up to tack on two more touchdowns from Elgersma and Quentin Scott. Laurier started the second
quarter strong with Raidan Thorne getting down to the Waterloo one yard line where Elgersma strolled into the endzone. After Waterloo forced a field goal, Elgersma sent Scott who dashed 53 yards into the endzone. Hastings made his presence felt, making the Warriors pay on his second interception. Tanner Nelmes then rushed for 40 yards, combined on the next Laurier drive to set Elgersma up for the 51 yard pass to Jordan. At half, the Hawks were up 45-0. “He had his typical one game statistics in the first half,” said Lauirer football coach Michael Faulds. Elgersma converted on another single yard rush for his third rushing touchdown of the game. He exited the game with 20-22 pass completions. Alongside this, Elgersma had an
impressive 90 per cent, 360 passing yards and three touchdown passes. Isaac Willis entered the game late in the third quarter and handed the ball to Nelmes who went 55 yards into the endzone. Darion Bacik-Hadden scored his first career playoff touchdown in the fourth quarter, the only points in the frame. “It’s fun. Our guys are playing well around me, and I’m seeing the field well … We have guys that make plays whenever you give them the ball,” said Elgersma, crediting the team for the win. “We’re super blessed to have a defense that creates turnovers for us, they came up big today.” “It feels good ... We came into this game with confidence.” Jordan said. The Hawks move into the semifinals where they play the Windsor Lancers at University Stadium.
NICOLE LOVISOTTO LEAD SPORTS REPORTER
The Laurier women’s soccer team embarked on an admirable playoff journey as the team advanced to the round of 16, where they faced the Windsor Lancers. It was a night to remember, as Laurier secured a stunning 2-1 victory after being down 1-0 at halftime. In the 55th minute, Jada Johnson emerged as a key figure for Laurier. Scoring a crucial goal after receiving a cross from Claire Di Benedeto, Johnson was within Windsor’s 18-yard box. Shortly after, Laurier captain Lila Nakano cleared the ball off the line. The relentless battle between the two teams continued, with neither side able to find a breakthrough
until the 83rd minute. A foul in the Windsor box presented Laurier with a penalty kick. Sasha Marikano stepped up, calmly slotting the ball into the net. Her goal was the turning point, leading Laurier to a thrilling 2-1 victory and securing their place in the quarter-finals. Three days later, Laurier faced Western on the Mustangs’ home field in London. Western, the reigning OUA champions, took the lead early as they found the back of the net in the seventh minute. The Golden Hawks fought relentlessly in an attempt to regain control of the match, but struggled against Western’s ability to manage the ball. In the second half, neither team was able to create a breakthrough scoring opportunity. Despite their effort, the Golden Hawks were defeated 1-0, marking the end of their playoff journey. The quarterfinal match was an achievement in itself as their last advancement to this stage was in 2017.
CHRISTIAN BENDER/LAURIER ATHLETICS
16 • SPORTS
THURSDAY, NOVEMBER 2, 2023
MEN’S RUGBY
Coach Murphy provides words of wisdom NATASHA GIANNANTONIO SPORTS EDITOR
“I was playing multiple sports, but never found that sport that I was drawn to, like it was ingrained in my DNA,” said Coach Phil Murphy. Being able to play on a rugby team ignited the spark and passion Murphy carries to this day. “I remember coming off the field my very first time playing and talking to my mom and saying, ‘I found the sport that I love’.” For Murphy, rugby was more than just a game. He represented the Ontario team from the under-16 age group up until the end of high school. Murphy’s passion for rugby led him to Belfast, Ireland, where he studied for two years. “I was the first Canadian to play for an Irish schoolboys team.” Murphy said. “The expectations at the beginning was that I wasn’t very good. There was an article about ‘How is a Canadian kid on the Irish team, should he be here?’” Murphy used the words to fuel the fire inside of him. “You need to find out what drives you. Behind every great athlete there’s a burning desire and passion, and mine was actually born out of fear. Prove to them that you should be here, prove to them
that you are good enough.” Murphy did such, gaining attention from the Canadian National Team. “One of my teammates for Canada was leaving a team in France for a different team. The owner of the team said they were looking for a player, and an up-and-coming
Behind every great athlete there’s a burning desire and passion, and mine was actually born out of fear. Prove to them that you should be here. - Phil Murphy, Coach of Laurier’s rugby team.
number eight who’s not going to cost much,” Murphy said, recollecting his journey. “I was touring in Tonga at the time with Canada, and we used to get a weekly per diem, $20 a day or something. At the end of it, I ended up having to spend my entire per diem on faxes from Tonga to France. That’s when I negotiated my first contract. It cost me about $120 in faxes!” Murphy would go on to make 19 appearances for the Canadian National Team and played for teams in France, England and Italy before retiring in 2009. Naturally, Murphy started
HAILEY TRIPODI/LAURIER ATHLETICS
coaching. “I always knew that I wanted to get into coaching, I wanted to help Rugby Canada to continue to move forward. I wanted to give back.” The former pro joined the Laurier team back in 2017, and was named head coach of the program in the 2022 campaign, which ended up being a historic year. The team was awarded their first ever OUA silver medal, and qualified for Nationals. “I challenge the guys. My brand of rugby has no special key ingredient. It’s 100% what the guys do on the field. I challenge them physically and mentally.” Paired with former Canadian rugby athlete Jamie MacKenzie, both coaches have a near 45 international caps, and a plethora of
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league caps. “We challenge the guys, and they’re the ones who step up, who never back down from any challenges. I talk about ‘stealing your mind’ so when we get into the hard stuff, I need them to know that when their mind is telling them their body is done, their body can do more.” Seeing athletes come and go is part of being a university coach, and Murphy makes sure each player he comes across leaves Laurier as a better man. “To me, it’s more important for someone who looks back at their time at Laurier and says ‘Maybe I am the person I am today because of Coach Phil’. I don’t just want to do the bare minimum, I want to get ahead.”
Murphy inspires the next generation of rugby players with his two sons, who accompany him on the sidelines. “It’s a great teaching tool for them to see how our sideline is versus the other sideline because I do run a tight ship when it comes to what my sideline can and cannot do,” said Murphy. “My son loves hearing the guys. They are fantastic with him, they’ll give him high fives, shake his hand, and thank him for his contribution.” Murphy explained his team made his son a t-shirt for being the “best ball-boy in the OUA” that they all signed. “[My son] has it in his room. That’s the thing I’m trying to build, to show them how it’s such a little thing to do, but means the world to other people.” The team also gives back to the community through donating food and clothing to the Optimism Women’s Shelter. After beating the Waterloo Warriors in the OUA quarterfinals, Murphy and his squad move on to face the Guelph Gryphons. “If you look too far ahead, then you can trip over what’s right in front of you. I always talk about worrying about the journey, because if you do that, the destination will take care of itself,” said Murphy. “The guys punch above their weight, that’s what we do. Most teams are bigger than us, but there’s no team that hits harder than us.”