Three Moderately Cautionary Tales is a series of fifty hard-ground etchings in three cycles: each cycle loosely follows the narrative arc of an epiphany. The melancholy and whimsical etchings draw their imagery from a wide range of sources—Eadweard Muybridge, Jorge Luis Borges, magazine images, pictures from e-bay, Old Master paintings, Wittgenstein, Kurt Schwitters, and the artist’s nephew.
The Gilderbook narrates the protagonist’s unrelenting pursuit of beauty. The etchings trace his obsession with gilding and its effect on his world, and the progressive incorporation of gold leaf in the etchings formally mirrors the encroachment that they narrate; the narrative bleeds into the form. Hieronymus the Lion Tamer is about the hope of transformation. The hero’s escape from a vocational malaise is a tale of redemption through the surrender of a talent. Alfred’s Library describes over-zealous pursuit of knowledge which turns out to be fragile; Alfred’s solace is found in rest.