@TheColonnade
@TheColonnade
The Official Student Newspaper of Georgia College November 15, 2023
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MOVEit data breach puts GC students data at risk
Should students worry that their information could be on the dark web? Kate Verity News Editor All GC students received an email from Chief Information Officer Susan Kerr explaining the possibility of students’ information being on the dark web on Nov. 3. This data has the potential to include Social Security numbers as well as other Private Personal Information, or PPI. MOVEit is a system used by many different
organizations and corporations. It allows these groups to safely transfer files that may contain private and personal information from one file to another. However, in late May 2023, it was confirmed that an unauthorized party breached the MOVEit server and extracted data. This breach has affected over 2,500 organizations, according to a tally by Emsisoft, a security software compa-
ny. Banks, government records, school records, security companies and more were all affected by this assault. Colleges and universities across the world have been impacted by this situation, and GC is one of them. “After reading this email that mentions the security breach affected hundreds of organizations, I fear my personal information is exposed in places I can’t monitor it on, like
the dark web,” said Peyton Cusick, a junior computer science major. “It’s frustrating that if it is out there, there’s no way to get it back.” Dr. Mikkel Christensen is an assistant professor of strategic communication with research in crisis communication. Crisis communication is how a person or organization protects its reputation and communications effectively during the
event of threat or disruption to usual activities. “They [GC] also do a pretty good job, from a crisis communication perspective, in the first email to basically blame someone else, and that sounds negative, but I think they kind of have a point in, well, it was MOVEit, not Georgia College,” Christensen said. “MOVEit, it was their fault.” Kerr’s email listed several ways that stu-
dents can make efforts to protect themselves from current and future identity and information theft. Her suggestions include regularly changing passwords, using different and complex passwords rather than relying on one for multiple platforms, checking bank statements, using multi-factor authentication and only using your Bobcat email address for GC purposes. See MOVEIT | Page 3
GC THEATRE IS “LEVELING UP”: A REVIEW OF THE DEPARTMENT’S LATEST SHOW Paige Blakemore A&L Editor
“Leveling Up” by Deborah Zoe Laufer explores the lives of four twenty-somethings who happen to be addicted to video games: Zander, Ian, Chuck and Jeanie. Three of them are recent college graduates with, arguably, no direction in life. One of them, Jeanie, is finishing up her degree and debates the idea of going to graduate school. All of the characters share the universal struggle of finding a purpose. It is the ominous void that enacts existential dread in college students and concern in their parents: life after graduation. The world is your oyster while simul-
taneously your enemy. “It’s relevant to audiences to see that growing up is scary, but it’s going to be okay,” said Hannah Zdancewiz, a sophomore theater major, who served as the show’s stage manager. The three males are roommates who litter their basement with the latest gaming consoles, certified nerd decor and endless empty snack wrappers. This is the male’s haven but also a nightmare spawn, more for some than others. Upon entering the Black Box Theatre, audiences are met with a realistic depiction of a male’s basement in the early 2010s. Patrick Designer, the scenic designer of the show, was able to bring the functioning set to life.
Before the show begins, the actors are present onstage with remote controls in hand as if they are entranced in a video game. This is an artistic choice that is not seen very often in theater. Rarely are audiences greeted with a live performance before the show even starts. While some enjoyed this approach, others did not. “That inclusion increases the audience’s immersion by suggesting that these characters are real people who have lives outside the plot of the show,” said Tommy Creekmore, a sophomore English major. “I’ll be honest, I wasn’t the biggest fan,” said Cat Wall, a sophomore English major. “I don’t know. It felt awk-
Courtesy of Brian Wallenberg
Jelani Willacey, Olivia Langston, Mac Chambers and Spencer Roberts.
ward, at least for me.”
mance at GC, directorial
“Leveling Up” is Jer-
debut. Cudd found him-
emy Cudd’s, an assis-
self drawn to the ad-
tant professor of perfor-
olescent storyline and
began prepping for the show earlier this year. See THEATRE | Page 6
College football playoff ranking The new wave of country Jennifer Crider Editor in Chief
Julia Jensen | Art Director
Davis Camuso Staff Writer The first and second College Football Playoff rankings have been released. The top four, after two weeks, have not changed, as Ohio State, Georgia, Michigan and Florida State are all leading the pack. There is some debate over who should be No. 1. The main reason for
OSU to be ranked No. 1 is their resume. So far, they have beaten Notre Dame, who was ranked No. 9 in the AP poll at the time, in Notre Dame Stadium. They also beat Penn State, who was ranked No. 7 in the AP poll at the time. Currently, Notre Dame is ranked No. 20, and Penn State has recently fallen to No. 10. Georgia’s resume is not quite as impressive,
NEWS | PG.3
GA REDRAWS DISTRICT LINES
United States district court judge Steve Jones that mandates Georgia’s legislative districts to be redrawn by Dec. 8.
with their best win coming against No. 12 Missouri. Their next best win is against Kentucky, who is no longer ranked. Michigan is ranked third. While they have steamrolled most of the opponents they have played so far, their biggest tests, PSU and OSU, come towards the end of their schedule. See RANKING | Page 4
Country music’s transition from a genre of the working-class people to essentially nationalist republican propaganda perpetuates a lack of representation within the genre, creates a safe space for bigots and unethically preys on the emotions of low-class people in the South. My whole life, I have felt genuine embarrassment for enjoying country music — a feeling that is inevitable when artists like Jason Aldean use their music platform to spew racist rhetoric. Although, the resurgence in popularity of country music that
has been occuring in the past few years with new wave artists, such as Tyler Childers, Kacey Musgraves, Zach Bryan and Orville Peck, has been somewhat of a breath of fresh air to me. It is disgraceful that country music is composed of primarily homogeneous identities, aka white straight men, and is associated with conservative values when this genre has such diverse roots. The modern-day country sound is a combination of genres, primarily traditional Irish music, but it was also shaped by African music, Mexican music and Hawaiian music. Similar to almost every other popular genre in America, country mu-
sic was appropriated by white people. For instance, the banjo was introduced to the United States by enslaved people, as it is an ancestor of the West African instrument the akonting. The banjo rose to popularity during the mid1800s in minstrel shows, in which white people would make fun of slaves by dressing in blackface and playing the banjo. In the 1920s, the first generation of country music acted almost as a medium to bring people together, with Black and white country musicians often collaborating. This pre-Great Depression period brought immense economic struggle in the South. See COUNTRY | Page 9
SPORTS | PG.4
ARTS & LIFE | PG.6
OPINION & MISC. | PG.9
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