November 5, 2020 • Newspaper of the Archdiocese of Saint Paul and Minneapolis
Serving Venezuela Priests of the archdiocese build 50-year legacy of ministry in South American country, with relationships built between local Catholics and parish of Jesucristo Resucitado in San Felix. — Pages 10-11
Columnist Liedl: How the election doesn’t change anything — Page 17
Year of St. Joseph
Enrollment hike More students are filling classrooms of local Catholic schools, causing excitement and hope that the uptick will continue after COVID-19 pandemic ends. — Page 5
Pope said what? Remarks by Pope Francis presented in recent documentary stir tension and controversy about his stance on civil unions, as Vatican officials work to provide clarity and context. — Page 9
Vocation trifecta St. Stephen in Anoka celebrates ordinations of three parishioners who followed calling to religious life. — Page 13
Personal consecration prep begins Nov. 6
Miraculous mettle Former Marine survives landmine blast while wearing Marian medal, resolves to follow God and becomes Catholic in the years that follow.
— Page 6
— Page 20
A
Twin Cities artist painted the image above of the Holy Family for the Archdiocese of St. Paul and Minneapolis’ Year of St. Joseph. The artist, who wishes to remain anonymous, was inspired by ideas about Joseph that came from the Synod Prayer Team. The painting is titled “Light for the Next Step” to emphasize Joseph’s “ready obedience to the Lord’s command,” the artist wrote in a statement about the artwork. “The image that kept coming to the forefront for the (prayer) group was that of Joseph and Mary making the journey to Bethlehem, where our Lord was to be
born,” the artist wrote. “Knowing that this image would most likely be used on prayer cards which are very small, it seemed important to zoom in on Mary and Joseph and Jesus rather than to try to incorporate the surrounding scene. There is the suggestion that Mary is on a donkey and that there are trees in the background, but the details are left largely to the imagination of the viewer. Rather, the intention is to emphasize the relationships between these three people. “Jesus is hidden in the womb, yet very prominent,” the artist continued. “Mary, leaning back against Joseph, is looking at us and drawing us in. She is free to do
so, because she knows that Joseph will take care of her and Jesus and be their guide for the journey. Joseph’s left arm is supporting Mary and she is pressing his right hand tight to her womb.” Although the source of the light Joseph is following is not in the painting, it’s reflected on his face, the artist explained. “He will follow it to a cave in Bethlehem where he will witness the birth of his Savior and Lord, indeed the Savior of the world.” Read more about the Year of St. Joseph, which begins Dec. 8, on page 6. — The Catholic Spirit