Avion Issue 7 Fall 2018

Page 1

Issue 7 | Volume 150 | October 15, 2018

A Campus B Industry and Technology C Sports

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The All-American Homecoming Abigail Johnson Senior Photographer The All American Rejects: a band still spreading the alternative rock sound of the early 2000s nearly 18 years after their formation. “The Rejects,” as they are self-referred, performed for Riddle a second time as the chosen Homecoming artist for the semester. Sponsored by Touch-N-Go, the homecoming concert is always a hit with the student body and the All-American Rejects didn’t disappoint at the annual event. Lead vocalist and bassist Tyson Ritter, lead guitar and backup vocals Nick Wheeler, rhythm guitar and backing vocals Mike Kennerty, and drums and percussion Chris Gaylor have all been around since the studio release of The All-American Rejects album in 2002. The band was formed four years earlier in 1999 by Ritter and Wheeler during their high school career. After their performance, the Avion Newspaper had the opportunity to ask the band a few questions. Avion Newspaper: How did you come up with the name All-American Rejects? Tyson Ritter: I’ll tell you... We were going through the town on a country road. This is a true story. We hit somebody. Chris Gaylor: This is a real guy? Nick Wheeler: I thought it was a cardboard cutout. TR: It’s been 15 years since we, you know, hit and buried this guy... Nick deals with it differently...Anyway, we hit this guy on a bicycle. He’s like there lying in pain, and he screams out, after coughing up several you know sort of like spoon sizes of blood, he’s like “All-American Rejects...” NW: There are actually details in the story that are true, but we will not disclose which details. AN: Okay another question...TR: Is this corporate sh*t? Are we doing corporate sh*t? Just whatever you say, it can’t be corporate. AN: Okay, if you...TR: Fascist! AN: If you weren’t musicians then what other careers would you be interested in pursuing? TR: Really good question. I used to freak out constantly thinking, you know, the run was over. We put out “Swing, Swing” and we had to do it again. And there was a moment where I was seriously considering a job at Blockbuster Video. Mike Kennerty: I went to two nonconsecutive years of college. I don’t know if I had much aspiration to be a human being, so I lucked out. NW: I feel like I would have done really well in typing class, like something where you had to type quickly. I could do that. I never learned shorthand, but I heard they make really good money so I would recommend that career option to anyone out there who’s lost. TR: Gaylor, what about you? CG: Uh, a physical therapist. NW: That’s actually true. TR: Kind of like a pilot. MK: It’s up in the air. TR: Pilot of the human body. AN: Of all your songs, which song means the most to you as a band? TR: Like collectively? AN: What is a song that inspired you? TR: Looking back now, it’s kind of the fun rock and roll song, “Dirty Little Secret,” the way it came together was truly a band... like a band moment. We had this scale of “Dirty Little Secret,” and it was like this twangy country... it was very like acoustic, you know. And then we translated it live in Atlanta and we kept it that way until we got in the studio and all of a sudden somebody was like “Can you guys just fu*king play it straight?” And it fell down the first time exactly like that. And so it was like this moment like, huh, people think too hard... We were like that’s what song you want to push? We were on the “Move Along” team. We were like, well “Move Along” we like and love. “Dirty Little Secret” is kind of like, you know, we like it, but we were afraid of it, you know? The same thing happened with “Gives You Hell,” we were so afraid of it... I can’t explain it...you’re afraid to put it out there because you’ve lost perspective...


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