| Issue 8 | Volume 144 | Tuesday, October 27, 2015 | theavion.com |
Mark Fetters/The Avion Newspaper
Sea & Sky Spectacular Rocks Jacksonville Beach Opinion: Steve Jobs Film Proves Beautiful, HighStrung and Fast-Paced Himani Parekh Copy Editor
Mark Fetters/The Avion Jacksonville’s Sea & Sky Spectacular rocked the sands of Jacksonville beach on Oct. 24 & 25. The day started with the American flag drop accompanied with the National Anthem. Aerobatic pilot Patty Wagstaff, followed with a teaser performance prior to her afternoon demo. Jack Knutson, John Klatt, Bill Stein, Scott Yoak, Rob Holland and Michael Goulian provided a healthy mix of civilian performers, complemented with F-15, F-16, and vintage military aircraft demonstrations. The Blue Angels closed out the weekend with another headlined performance.
“It’s not binary,” Steve Wozniak calls back to Steve Jobs just before the 1998 launch of the iMac. “You can be gifted and decent at the same time.” In two sentences, Wozniak defines the tension underlying and driving the movie Steve Jobs. Written by Aaron Sorkin (who also wrote The Social Network) and directed by Danny Boyle, Steve Jobs is not an analysis of the good or bad of the man; it is neither an extolment of his genius nor a denunciation of his flaws. Steve Jobs is merely a depiction of a man whose actions, for better or worse, heavily influenced both the devices and the consumers of the personal electronics industry and established him as one of the most famous individuals of our generation. In an interview with Time magazine’s Lev Grossman, Boyle describes the movie as “a portrait… [w]hatever a portraitist does, it’s that we’re after,
rather than a photograph.” Certainly, the movie feels more like a play in three acts than a biopic, with each act consisting of the lead-up to a different product release: the 1984 Macintosh, the 1988 NeXT, and the 1998 iMac. The personal conflicts are intense; the attempts to reconcile technical ones nearly absurd. Jobs’s acerbic character injects a manic energy and urgency into everything and everyone around him.
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Jobs’s acerbic character injects a manic energy and urgency into everything and everyone around him.
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Jacksonville Flag Drop
The elements and details in the movie reflect this tension and energy. The visuals are bright, clean; the soundtrack swings to the intense contrasts between jarring, tense calm and smooth, rapid motion. Some elements are the same: the anticipation before each
product launch, Jobs’s growing notoriety, the people in Jobs’s life following fault lines of interaction. Other elements, such as era details and Jobs’s handling of people and public, change each time, either subtly or significantly. While the details of the movie are admirably arranged, Steve Jobs is also imperfect. In its incorporation of past and present, the movie often feels a bit rushed and leaves the viewer still piecing information together as Jobs power-walks into the next scene. The ending is neat, positive, suitable for a movie but difficult to swallow otherwise given the rather harsh nature of Jobs. The movie is beautiful, high-strung, fast-paced. One might, as I did, leave the theater still contemplating the main point of the movie; it’s not easily visible, but that in itself is befitting of the subject matter. Is Steve Jobs a breathtaking perfection? Certainly not. Is it worth the watch? Absolutely.