4 minute read

MINDS HARE THEATREWORLD EDITORIAL

from TheatreWorld ::: June-August 2023

from TheatreWorld ::: June-August 2023, page 32

Prytania Theatre: The Aural Ex...

Must say the year has had a good start with the CinemaCon and Cine Europe doing the buzz for the industry. LOTS and LOTS of collaborations to creating ‘Life-Like’ experiences even better for its patrons. I had a blast at the CinemaCon this April and should one know the event was a marvel in itself. Starting off with our very own Mr Ajay Bijli, Chairman & Managing Director, PVR INOX opening the International Day at the mega event; only to become the ‘Very First Indian Cinema Exhibition Industry Official’ to be invited to deliver the Keynote Speech in CinemaCon’s 11-year history. Cine Europe has also been quite a fruitful event being Catering-Much to all the exhibitors and integrators around the globe. While our exhibitors in the world at large are still on the wait for new projectors to be presented with a buy, the LED segments seem to have created a boom. Consumers have grown used to high-resolution, high-quality images on their large-format televisions and the immersion of virtual reality, expectations have risen for movie visuals as well. While LED screens require movie theatres to invest in new display installations, they seem to grit away the presence of a projection booth; enabling cinemas to expand seating areas thereby generating more revenue, compensating for the cost of the technology upgrade. LED screens are also more energy efficient to operate than projectors, lowering electricity expenses. With theatres investing hundreds of thousands in the latest LED displays, and customers paying an average of $9-15 per movie ticket in the U.S., ensuring a flawless viewing experience is important. The initial LED screen installations were featured at theatres in Asia (e.g., Korea, China, India) and have since expanded to other locations worldwide, from Australia to Switzerland. Display makers Samsung, LG, Sony, Unilumin, Barco and others are entering the product category. Industry analysts are predicting that one in eight mainstream movie theatre screens globally will be converted to LED digital format by the end of 2023, with North America expected to become the largest market.

So goes for the SOUND! There seems to be a huge market growing in for Open-Source Audio. Many immersive audio systems making noise. Brands like DTS-X, Q- SYS etc. that have already been in the industry books for a pretty good time – and now coming up with something much better!

BIG CINE EXPO (BCE) is here again!!! The world’s second largest international tradeshow and convention is all set to roll out its 6th edition! And this year too at the Chennai Trade Centre in Chennai, India held on 8-9 August 2023. The mega event promises to be yet another interactive platform that assures value to Single-Screen Cinemas, Multiplexs, B2B stakeholders of cinema and entertainment once again.

Big Cine Expo is the only cinema exhibition convention and trade show specifically for the burgeoning cinema exhibition market in Asia and India providing a platform for discovery, collaboration, and networking for cinema exhibition industry in India. The 2-day event comprises of various product displays, product demos, product presentations, studio presentations, seminars, panel discussions, awards program, special events, film screenings, networking, B2B meetings, a trade show, and much more in store! So do join in to be a part of the two-day grand convention and trade show to experience and gain the latest updates spiralling in the cinema exhibition market.

See you all soon! Do not forget to pick your copy of TheatreWorld magazine at the show!!!

Your Chance to Network, Your Chance to Grow…

Raghavendra T (Raghav) Editor-Publisher

DISCLAIMER - TheatreWorld Magazine does not warrant or assume any legal liability or responsibility for the quality, accuracy, completeness, legality, reliability or usefulness of any information, product or service represented within our magazine or web site. The information provided is for knowledge or entertainment purposes only. TheatreWorld Magazine does not endorse or recommend any article, product, service or information found within said articles or advertisements. The views and opinions of the authors who have submitted articles to TheatreWorld Magazine belong to them alone and do not necessarily reflect the views of TheatreWorld Magazine or its staff.

Issue # 96

June-August 2023

Raghavendra T

Editor-Publisher +91 9980 208 208 raghav@network208.com

Asha Ranjith

Managing Director +91 9902 208 208 asha@network208.com

Himanshu Peshwani VP - Sales +91 9148 208 208 himanshu@network208.com

Shireen Mariam

Content & Marketing +91 97406 02545 shireen@network208.com

Firdows Matheen

Assistant Editor +91 8808 800 208 content@network208.com

Varsha Naidu Subscription & Circulation +91 9108 208 208 info@network208.com

Printing Ramya Reprographic, Bengaluru

Published by Raghavendra T on behalf of NETWORK208

11/1, 7th Main, Indiranagar 2nd Stage, Bangalore 560 038, India

Tel: +91 80 2529 0208

Email: info@network208.com www.network208.com

Sandeep Mittal Founder Editor-Publisher

RNI # KARENG02795/10/1/2002-TC

TheatreWorld is a quarterly publication, on the motion picture exhibition industry, for private circulation. It reaches out to subscribers, mainly theatre owners and trade professionals around the world. Additional copies are being promoted at major international industry tradeshows. TheatreWorld seeks the healthy promotion of the theatre industry through dissemination of useful information. Some of the information is compiled from industry sources, trade journals, company brochures for the benefit of readers, especially, theatre owners. TheatreWorld acknowledges with thanks the authors and publishers of these printed materials. Views expressed in the articles are those of the authors and not necessarily of TheatreWorld. TheatreWorld is a trademark under registration. The contents of TheatreWorld are under copyright registration. All rights reserved. Reproduction by any means in whole or part without written permission is prohibited. Unsolicited printed material is welcome but no responsibility is undertaken for the same and will not be returned. TheatreWorld does not take responsibility for the absolute accuracy of information published.

This issue of TW has two sets of page numbers - International pages TW-1 to TW-48 for TW, and India pages TM-1 to TM-38 for TM TM is inserted between pages TW-42 and TW-43 of TW

TW-8