11 Voyagresses 11 旅程之女

演出⻑約1⼩時30分鐘

Duration: approximately 1 hour 30 minutes

適合6歲或以上觀眾欣賞

Recommended for ages 6 and above.

觀眾務請準時⼊場，遲到者將不獲進場

No latecomers will be admitted.

Audience members are advised to arrive punctually.

各位觀眾： 為求令表演者及觀眾不致受到騷擾，請關掉⼿提電話、其他響鬧及發光的裝置。 同時請勿在場內飲⻝或擅⾃攝影、錄⾳或錄影。多謝合作。 Dear Patrons, To avoid undue disturbance to the performers and other members of the audience, please switch off your mobile phones and any other sound and light emitting devices before the performance. We also forbid eating and drinking, as well as unauthorized photography, audio and video recordings in the auditorium. Thank you for your kind co-operation.

謝謝蒞臨欣賞進劇場《11旅程之⼥》。若您對這場演出有任何意⾒， 請素描以下⼆維碼填寫問卷。您亦可將意⾒電郵⾄ thtdupif@netvigator.com 或 WhatsApp ⾄ 5595 1428。 您的寶貴意⾒對我們⽇後策劃戲劇節⽬將有莫⼤的幫助，謝謝。 Thanks for attending “11 Voyagresses” by Theatre du Pif. If you have any comments on this performance , please scan QR code below and complete the survey. You are also welcome to write to us by email at thtdupif@netvigator.com or WhatsApp it to 5595 1428.

Your valuable opinion will facilitate our future planning of theatre programmes. Thank you.

導演的話

Director’s Note

我們第一個演出是在1998年的冬天，完了演出她們從西灣河坐着旅遊巴士和家人一起興 高采烈地回到屯門的家，好像途中被司機勸喻，叫佢哋唔好咁嘈！我就坐船回到長洲去， 無法記起當晚的心思，但回想那膽粗的提議和過程的點滴，我記得當時的自己…… 例如每 天早上在往屯門的960巴士上繼續先一晚的創作攤子，來安排當天的排練段落、台詞、走 位、片段的結構，為的不只是一起做一個「表演」，而是在過程中每人可否突破自己對自 己的想像和限制……對我來說，家庭主婦棒極了，但大部份人連她們自己卻都覺得身份微 不足道——師奶 ，nothing more。由《在城市列車上的她》的不同版本和澳門巡演，到 2005年的《屯門暫借問》每一次看着、感受着各人在生命中的歷程和轉化，是非常寶貴 的學習、探索。 20年的時間過去，讓我們有一個寬度和長度量度生命中作過的選擇和經歷，這一種回顧和 分享，是我們今次最甜美的獎賞。從籌備、工作坊到排練，這幾個月她們在生活不同的變 化中聚合起來，分享身邊和內心的種種，我一邊提問、一邊聆聽和編織成一個劇場作品， 今天就如在家中的客廳與家人分享故事一樣，謝謝您的到來和參與！ 感謝她們每一位的信任和友誼，也多謝嘉寳全程的投入與支持！還有我的漂亮製作團隊， 這不只是一個戲，是一個集體的夢想成真。 Bonni 25

年盛夏

The Tuen Mun Chronicle Our first performance was in the winter of 1998. After the show of “On the City Train She Stands,” they took a coach back to their homes in Tuen Mun, excited with their families, and seemingly the driver asked them not to be so noisy! Meanwhile, Sean and I took a ferry back to Cheung Chau, where we live.

The feeling that night was similar to many of the summer nights in Edinburgh in the years before when we walked down from the venue near the Castle after our community performance projects had been completed. It was the fulfillment of a journey with a group coming together to achieve something they never thought they would or could do: to perform and share their stories with an audience.

During the Tuen Mun days, I did a lot of my pondering and devising on the 960 bus, inspired by the performances and the stories I heard. Lines, movements, scenes—it was not just about structuring a performance, but also about creating space and challenges for a group to grow together and individually. Throughout the process of our work, I feel I am the one who has learned the most. These mothers and housewives taught me so much about life and adaptability in theater-making.

Twenty years have passed, allowing us to measure the choices and experiences we've made in life in terms of distance and depth. This kind of reflection and sharing is our sweet reward this time.

From preparation and workshops to rehearsals, over the past few months, they have come together amid various changes in life, sharing many aspects of their surroundings and inner worlds. I asked questions, listened, and wove their stories into a theater piece. I’m grateful for each one of their trust and friendship, as well as for Kabo’s commitment and support. And to my absolutely wonderful production team! This is not just a play; it's a collective dream come true.

Bonni Summer 25

旅程沿途

程1: 屯⾨⼗⼀段錦 ⽯硤尾 - 盧森堡公園 - ⽻扇舞 - 電髮阿姨 -⿂柳包 - ⿂塘 ⼤菜園 - 唐樓⼩舞台 - 記得唔記得 - ⾏出再⾏⼊ - 起⾏ 程2: 時間圈圈 鏡⼦ - 輕鐵 - 餅店 - ⼿冊 - 覆診 程3: 13220 海哩⼜如何 輕鐵 - 38個海上的箱⼦ - ⼤⼒天使 和兒⼦的擁抱 - 英倫⼟壤 - 客家媽媽 程4: 屯⾨四寶 灘 - ⼭ - 橋 - 屋企 程5: 愛不是記憶 再遇旗袍 - 美亞⼥服 - 三朝回⾨ 程6: ⽔中詩 ⾶散的沙灘波 - 家庭冰⽕圖 - 穿潛⽔⾐的她 「不斷流動的洋 - 花朵和⽼⻁ - 當戰爭結束 天空捲⾛ - ⼀切都是光、愛和永恆」 程7: 淨化 問⼼無愧 - 橋、營、睡、醒 - 箱⼦到達伯明翰 望遠鏡 - 坦桑尼亞的⼩獅 - ⾙澳 - 星空 - 打開

Along The Journey Route 1: Tuen Mun 11 Fragments Shek Kip Mei - Luxembourg Gardens - feather fan dance hair perm - fish burger - fish pond - large vegetable garden a bed, a stage - what do I come here for walk out and walk in again - Set off Route 2: Time Circles mirror - light rail - bakery -homework book - medical appointment Route 3: 13220 Nautical Miles and beyond light rail - 38 boxes on the sea - power angel hug with my son - British soil - Hakka mother Route 4: Tuen Mun Four Treasures beach - mountain - bridge - home Route 5: Love is Not a Memory meeting the Cheong Sam again - Meiya tailor shop returning to the bride's home Route 6: The Water Poem the unsettling beach ball - family tableaux - in diving suit "the ever - moving seas - flowers and tigers - when the war ends the sky rolls away - and all is light, love and eternity” Route 7: Purification clear conscience - bridge, camp, sleep, awake the box arrives in Birmingham - telescope little lion in Tanzania - Pui O - starry sky - open

團隊

Team

導演 Director / 創作 Devisor

陳麗珠 Bonni Chan 演出 Performers

⽩葉群 Pak Ip Kwan 吳瑞蘭 Ng Shui Lan 何淑芬 Ho Shuk Fan 盧婉媚 Mei Lo 陸少琼 Polly Luk 梁潔芳 Leung Kit Fong 鄧碧華 Annie Tang 鄺鳳儀 Dora Kwong 陳詠雯 Chan Wing Man 蔡淑卿 Ella Choi 錢志英 Chin Chi Ying 演員 Performer / 導演助理 Director Assistant

林嘉寶 Carlene Lam

舞台設計 Stage Designer / 製作經理 Production Manager

李浩賢 Lawrence Lee

助理舞台設計 Assistant Stage Designer

王梓駿 Isaac Wong

服裝設計 Costume Designer

鄭⽂榮 Cheng Man Wing 燈光設計 Lighting Designer

劉銘鏗 Lau Ming Hang

助理燈光設計 Assistant Lighting Designer / 總電機師 Production Electrician

許穎恩 Hui Wing Yan ⾳樂 Music

劉⼦斌 Lau Chi Bun ⾳響設計 Sound Designer

梁思樺 Leung Sze Wah 錄像設計 Video Designer

陳家濠 Gary Chan 監製 Producer

胡家欣 Jamie Wu

舞台監督 Stage Manager / 執⾏舞台監督 Deputy Stage Manager

范⽂恩 Fan Man Yan

助理舞台監督 Assistant Stage Manager

羅艶君 Law Yim Kwan

演員統籌 Performers Coordinator

馮德君 Winnie Fung

團隊

Team

化妝及髮型 Make-up Artists and Hair Stylists

温筱敏 Betty Wan ⿈⽂康 Panda Wong 李嘉儀 Susu Lee 蘇潁恩 Vanesaa So 服裝助理 Dresser

⿈靖雯 Jasmine Wong

燈光控制 Light Board Operator

余曉澄 Sarah Yu

⾳響控制 Sound Operator

岑宗達 Victor Sham 錄像控制 Video Operator

盧⽂康 Lo Man Hong 燈光助理 Light Crew

黎清 April Lai

舞台助理 Stage Crews

詹⽂⿓ Chim Man Lung 施鎮宇 Sze Chun Yue 字幕翻譯 Surtitle Translator

伍綺琪 Kiki Ng

字幕控制 Surtitle Operator

洪婉禎 Megan Hung 視覺設計 Key Visual Designer

張惠淳 Terrenz Chang

宣傳相⽚拍攝 Promotion Photographers

康彥博 Eric Hong Yin Pok 鄭珞璋 Maximillian Cheng

宣傳影⽚創作 Promotion Video Creator

梁采穎 Hitomi Leung ⾏政助理 Admin Support

徐紫恩 Lorna Chui

進劇場

進劇場於1992年由陳麗珠及紀文舜在蘇格蘭成立， 其後 3 年為不同的專業表演團體及社區團體擔任教學 工作，並以編作排練方式發展舞台創作，於英國及歐 洲作巡迴演出。 1995 年，進劇場移師香港作為基地，本著跨文化的 傳統、創作英語、粵語及英粵雙語的原創劇場作品， 成為香港重要劇團之一。劇團經常邀請戲劇工作者及 不同範疇的藝術家合作，透過工作坊及編作排練的形 式，使創作能糅合形體、文本和視象等各種元素，作 品獲讚譽為深具舞台力量亦同時充滿詩意。 進劇場曾演繹多位著名劇作家的作品，包括讓 · 阿努 伊、塞繆爾 · 貝克特、大衛 · 哈羅爾、亨利克 · 約翰 · 易卜生、薩拉 · 凱恩、費德里科 · 加西亞 · 洛爾卡、 哈羅德 · 品特、雅絲米娜 · 雷沙和曹禺等。劇團亦曾 與羅伯特 · 德拉夫恩 Robert Draffin（澳洲）、Mikel Mur （愛爾蘭）、艾德里安 · 諾布爾 Adrian Noble （英國）、梁正雄 Yang Jungung（韓國）及施崇梵 Jovanni Sy（加拿大）等不同的海外戲劇導演合作。 進劇場為香港藝術發展局「二年資助」藝團。 「進劇場打磨着當代劇場的尖鋒」香港南華早報 「香港最創新、最具文化意識的劇團」 Time Out Hong Kong

「香港最創新的劇團之一」 Monocle Magazine 近年製作 2025

回憶吾愛

靈感源自香港作家西西的作品，以及 世上最後一隻北非白犀牛的故事

2024

布萊恩 · 費爾作品

神醫

2023

三姊妹 契訶夫作品，由陳麗珠執導 愛在蔓延時 靈感來自馬奎斯經典小說《愛在瘟疫 蔓延時》，由陳麗珠執導 2022

空海之迴

創作靈感湧現自瑞士劇作家迪倫馬特作 品《老婦還鄉》，由陳麗珠執導

2021

英國戲劇大師哈洛 · 品特名作，由潘 惠森翻譯及執導

時光

Theatre du Pif

Theatre du Pif was formed in Scotland in 1992 by Bonni Chan and Sean Curran and for three years, they conducted daily classes, taught professional and community groups and devised productions that toured around the UK and Europe.

In 1995, Theatre du Pif relocated to Hong Kong and became known for its cross-cultural heritage and bilingual productions performing in Cantonese, English or both. Often using a workshop and devising process as well as collaborations with dramaturges and artists from other disciplines, the company orchestrates movement, text and visual images to create new productions acclaimed for their power and their poetry.

The company has staged plays by a variety of world dramatists including Jean Anouilh, Samuel Beckett, David Harrower, Henrik Ibsen, Sarah Kane, Federico Garcia Lorca, Harold Pinter, Yasmina Reza and Cao Yu. They have collaborated with a number of international theatre directors and artists including Robert Draffin (Australia), Mikel Murfi (Ireland), Adrian Noble (UK), Yang Jun-gung (Korea), Jovanni Sy (Canada) and more.

Theatre du Pif has been financially supported by the Hong Kong Arts Development Council.

“Theatre du Pif operates at the cutting edge of modern theatre.” – South China Morning Post “The most Innovative and cross-culturally aware theatre company in Hong Kong.” – Time Out Hong Kong “Theatre du Pif is one of the Hong Kong’s most innovative performing arts companies.” – Monocle Magazine Recent productions 2025

Must I Cry inspired by the works of celebrated Hong Kong author XiXi and the poignant story of the last northern white rhinoceros

2024

Faith Healer by Brian Friel

2023

The Three Sisters by Chekhov (directed by Bonni Chan) Love in the Time of (insirpired by the novel Love in the Time of Cholera by Gabriel García Márquez, directed by Bonni Chan)

2022

Claire inspired by Swiss dramatist Friedrich Dürrenmatt’s The Visit, directed by Bonni Chan

2021

Old Times by Harold Pinter (directed by Paul Poon)

演員的話

Performer’s Note

白葉群 Pak Ip Kwan

這次演出和綵排都令到 Bonni 很辛苦！好多謝她🥰令我在綵排其間沒 有壓力，和安心慢慢地學習。希望能努力去做得更好。 回顧以前，反而覺得以往的煩惱和壓力都容易接受了。我希望將來可 以有健康的體魄去工作和旅行；認識更多事物。 Bonni works very hard for this performance and rehearsal! Thank her so much for making me feel stress-free during the rehearsal and learning slowly and at ease. I hope I can work hard to do better.

🥰

Looking back, I find it easier to accept the worries and stresses I had in the past. I hope that I can have a healthy body to work and travel in the future and learn more about things.

演員的話

Performer’s Note

曾經有人同我講，無緊要事返香港好嘥錢，這令我忐忑了兩日。不 是！這是難能可貴的機會，可以同相識相知廿多載的姐妹一起延續旅 程，有錢都買唔到！期待我哋可以衝出香港，向世界出發!

Someone once told me that it was a waste of money to go back to Hong Kong if it didn't matter. This made me uneasy for two days. no!

This is a rare opportunity to continue the journey with sisters who have known each other for more than 20 years. Money can't buy it! We look forward to us being able to rush out of Hong Kong and head out to the world!

吳瑞蘭 n a L i u h Ng S

演員的話

Performer’s Note

何淑芬 Ho Shuk Fan

這趟旅程，滿是感恩。感謝Bonni與同行夥伴的聆聽與接納，讓我能坦 然展露內心的軟弱與掙扎。每一次排練，都是一場溫柔的釋放，解開 了生命的纏繞與鎖鏈。如今得以釋懷，輕省地走向未來，重新學會享 受每一步。 This journey is full of gratitude. I am grateful to Bonni and my fellow travelers for listening and accepting me, allowing me to openly reveal my inner weakness and struggle. Every rehearsal is a gentle release, untying the entanglement and chains of life. Now I can let go, walk towards the future with ease, and learn to enjoy every step again.

演員的話

Performer’s Note

今次的演出回想起我童年的美好時光帶給我喜悅的一個人生，劇中的 鍛鍊使我尋求到自己的能力，不畏懼也前進。人生如戲劇活在當下隨 心！過得隨意！要的隨緣！好好善待自己這樣就不會有遺憾！ This performance brings back the good times of my childhood and brings me joy. The training in the play makes me seek my own ability and move forward without fear. Life is like a drama. Live in the present and follow your heart! Live casually! Follow fate! Treat yourself well so that you will not have regrets!

盧婉媚 Mei Lo

演員的話

Performer’s Note

我們一班姊妹 20 年來都維繫著感情，到今年又有機會可以再踏足台 上，真是十分珍貴! 因我要全職照顧兩個外孫，只有星期日才可排練，感謝 Bonni 悉心安 排，我才可以和其他姊妹一齊經歷這次奇妙旅程......

Bonni 感謝有你，才可成就我們!

We have been a group of sisters for 20 years and we have the opportunity to step on the stage again this year. It is so precious!

Because I have to take care of my two grandchildren full-time, I can only rehearse on Sundays. Thanks to Bonni's arrangements, I can experience this wonderful journey with other sisters...

Bonni, thank you for making us what we are!

陸少琼 k u L y l l Po

演員的話

Performer’s Note

梁潔芳 g n o F t i K Leung

估唔到20多年後我們仍可以凝聚一起再次演出，而且咁盛大，好震撼 呀！Bonni 咁夠膽識把這個重任交給我們這班婦女。 我又再懷疑人生，究竟得唔得㗎？在排練過程 Bonni 說：「練習就是我 們的遊戲和幸福，好好去享受這個過程就夠。」對我來說確實是段難忘 的旅程，深深地印在腦海中，隨着演出之後，是否等於結束？我想它 會伴着我們繼續前進的。 回到家中丈夫說我去排練之後「精叻咗」可能是面皮厚咗啦！哈哈！ 都係多得 Bonni 把我「拍醒」，感謝每一位姊妹嘅支持和鼓勵才有今日 的潔芳，還有家寶，你是我們的守護天使！ I didn’t expect that more than 20 years later we would still be able to perform together again, and it was so grand that it was shocking!

Bonni had the audacity to leave this heavy task to us.

I doubt my life again. Is that okay? During the rehearsal, Bonni said, “Practice is our game and happiness. Just enjoy the process.” It was indeed an unforgettable journey for me, deeply imprinted in my mind.

After the performance, did it equal the end? I think it will keep us going.

My husband said that since I started going to rehearsals, I have become more "skilled"—maybe even thick-skinned! Haha! Thanks to Bonni for "slapping me awake," and thanks to every sister for their support and encouragement that brought me to this point. And thanks to Carlene; you are our guardian angel!

演員的話

Performer’s Note

鄧碧華 Annie Tang

「友誼永固」 以為只是小學畢業時在記念冊上隨意寫的四個字。怎料 到從互不認識到現在的我們已認識20年。 珍惜、感恩再次有機會透過戲劇，一同再經歷這旅程。「不在乎天長地 久，只在乎曾經擁有」。 "Friendship forever" I thought it was just the words written casually in the yearbook when I graduated from primary school. I never expected that we have known each other for 20 years.

Cherish and be grateful for the opportunity to experience this journey together again through drama. "It doesn't matter how long it lasts, it only matters that you once had it."

演員的話

Performer’s Note

其實沒想像到廿幾年後會再次踏上舞台去表演，由初次排練帶著恐 懼、擔憂、沒自信到現在能完全融入表演中，真係衷心感謝Bonni 帶領 成就咗今日嘅我！真係一個好好嘅體驗！我希望能從今次演出嘅體 驗，對將來遇到一切嘅逆境時，都能勇敢、自在、輕鬆地去面對我既 下半。 In fact, I never imagined that more than 20 years later, I would step onto the stage to perform again. From the initial rehearsal, filled with fear, worry, and a lack of confidence, to now being able to fully integrate into the performance — I am truly grateful to Bonni for guiding me to achieve what I am today! What a great experience! I hope to face the second half of my life with courage, ease, and relaxation when encountering adversities in the future, drawing from the lessons learned in this performance.

蔡淑卿 Ella Choi

演員的話

Performer’s Note

鄺鳳儀 g n o w K a r Do

透過話劇的排練真係可以認識自己多啲。我有一個經常低頭向下望的 習慣。Bonni 問：「你當時在哪裏?」 這一個問句卻叫我用上不少個早上翻來覆去地思想，又係我嘅人生意 義的課題。 哈哈哈．．．． 我領悟了．．．．． 謝謝你，Bonni !

Through the rehearsal of the drama, I have truly come to know myself better. I have a habit of always looking down with my head bowed.

Bonni asked, "Where were you?"

This one question led me to spend many mornings reflecting on it, and it has also challenged my understanding of the meaning of life.

Hahahaha...

I get it...

Thank you, Bonni!

演員的話

Performer’s Note

我們相隔二十多年沒有演出過，今次大家難得可以重聚演出，覺得好 開心、好榮幸，也勾起了很多我們美好的回憶。 我們相識二十多年，大家互相信任、扶持、體諒，感恩遇到你們，是 一種緣份！亦多謝 Bonni 用心地指導我們，分享演出經驗和心得！ 展望未來，希望大家都要平平安安，姊妹們要多些時間相聚，珍惜當 下！ We haven't performed together for more than 20 years. This rare opportunity to reunite and perform together makes us feel so happy and honored. It also brings back many wonderful memories.

We have known each other for over 20 years. We trust, support, and understand each other. I am grateful to have met you; it truly is fate!

Thank you, Bonni, for your careful guidance and for sharing your performance experiences and insights!

Looking into the future, I hope everyone stays safe, and that we can spend more time together and cherish the present!

陳詠雯 Chan Wing Man

演員的話

Performer’s Note

二十年後 共聚演出 深入交談 眉頭一皺 多少風雨 撥開云霧 蔚藍天空 見十一人 甩甩漏漏 進入戲劇 诗化淨化 化作白云 化作淸風 化作小船 化作星星

Twenty Years Later Reunited on the stage Deep conversations weave Furrowed brows tell tales Of storms we've bravely faced Clearing clouds of doubt A radiant blue unfolds Eleven souls together Shaking off the past's embrace Stepping into the drama's light Poetic whispers rise Transformed into white clouds Flowing as a gentle breeze Drifting like little boats And finally, twinkling as stars

錢志英 Chin Chi Ying

演員的話

Performer’s Note

林嘉寶 Carlene Lam

曾經發過一個夢， 夢裡我是一位年輕母親去做產檢。當醫生責備我時，我回應： 「對唔住，冇人教過我點樣做一個媽媽。學校冇教，屋企都冇教。」 即使腦中不停迴盪祖輩常說的： 「女人的3個階段：女兒、妻子、母親。」… 我還是選擇繼續問Bonni在排練時常提的那一句： 「我呢世人嚟呢度係做咩嘅呢？」 我的回應是： 凡塵走一轉，最緊要識「嘯」。 I once had a dream, In the dream, I was a young mother going for a prenatal check-up.

When the doctor scolded me, I responded: "I'm sorry, no one taught me how to be a mother. School didn’t teach me, and neither did my family."

Even though the words of my ancestors echoed in my mind: "The three stages of a woman: daughter, wife, mother."

I still chose to continue asking the question that Bonni often mentioned during rehearsals: "What am I doing here in this life?"

My response is: In this fleeting world, the most important thing is to know how to "whistle."

Director/ Devisor/ Performer

導演/ 創作/ 演出

Bonni Chan 陳麗珠 進劇場聯合藝術總監。畢業於香港芭蕾舞學院，隨後於香港演藝學院攻讀戲劇，連續三年 獲校內最傑出女演員獎。 畢業後，加入香港話劇團，後赴倫敦深造，並與紀文舜成立進劇場，在英國及歐洲等地進 行創作及教學。1995年回港，繼續創作及導演所有進劇場的原創劇目。 曾分別憑《魚戰役溫柔》及《闖進一棵橡樹的年輪》獲香港舞台劇獎最佳女主角。2015 年，憑諾布爾執導的《海達 · 珈珼珞》獲提名香港舞台劇最佳女主角。2016年獲香港演藝 學院榮譽院士。同年憑《4.48精神崩潰》獲香港小劇場獎最佳女主角、IATC(HK) 劇評人 獎年度演出獎、年度導演獎、年度演員獎、年度舞台科藝／ 美術獎。2018年為香港演藝 學院執導的契訶夫《三姊妹》分別獲香港小劇場獎及 IATC(HK) 劇評人獎提名最佳導演及 年度導演獎。 自2001年起隨美莉茵 · 費花接受魁根斯方法的訓練，為專業的魁根斯方法導師。 Bonni graduated from the Hong Kong Academy of Ballet and went on to study acting at The Hong Kong Academy for Performing Arts, winning the Best Actress of the Year award for three consecutive years.

After graduating, she joined the Hong Kong Repertory Theatre and performed in a number of productions. She moved to London to study with various teachers, and later on founded Theatre du Pif with Sean Curran. Since returning to Hong Kong in 1995, she has continued to devise and direct all of Theatre du Pif’s original productions.

She won the Best Actress at the Hong Kong Drama Awards for her roles in Fish Heads and Tales – A Tender War as well as The Oak Tree – An Odyssey. In 2015 she was again nominated for the Best Actress Award for her portrayal of Hedda Gabler in Adrian Noble’s production of Ibsen’s classic play. In 2016, she received an honorary fellowship of The Hong Kong Academy for Performing Arts. The Hong Kong Theatre Libre voted her Best Actress of the Year for her performance in 4.48 Psychosis – A Staged Reading, she also won IATC(HK) Critics Awards’ Performance of the Year, Director of the Year, Performer of the Year and Scenography of the Year for the performance 4.48 Psychosis. In 2018, she was nominated for the Best Director in IATC(HK) Critics Awards and The Hong Kong Theatre Libre Award for her directorial work on The Three Sisters by Anton Chekhov.

She has been a professional Feldenkrais practitioner since 2001.

Stage Designer / Production Manager

舞台設計 / 製作經理

Lawrence Lee 李浩賢

李氏先後於香港中文大學取得文化管理文學碩士，以及香港演藝學院科藝學院榮譽學位， 主修舞台管理。1995 至 97 年連續三屆獲得校內成龍慈善基金獎學金。1997 年獲成龍慈 善基金獎學金（海外訓練），前往美國紐約實習，於 American Opera Projects, Inc. 任舞 台監督，2001 榮獲第十屆香港舞台劇之「優秀青年舞台管理獎」。過去參與多個本地及海 外表演團體之製作經理、舞台監督及執行舞台監督，包括任白慈善基金之西樓錯夢、帝女 花、再世紅梅記及蝶影紅梨記等作品的製作經理。並曾任香港演藝學院科藝學院駐院藝術 家。曾為香港電影資料館擔任多個展覽設計，陳奕迅《The Easy Ride》演唱會擔任意念 編排，《剎那的烏托邦》擔任助理導演、佈景及服裝設計。李氏現為自由工作者及香港舞 台技術及設計人員協會主席。 Lawrence Lee graduated from The Chinese University of Hong Kong, Master of Arts in Cultural Management, and Hong Kong Academy for Performing Arts with BFA (Hons) Degree in Stage Management. Lee was awarded a scholarship by the Jackie Chan Charitable Foundation Scholarship for three consecutive years from 1995 to 1997, and in 1997 also awarded Jackie Chan Charitable Foundation Scholarship (Overseas), leading to an internship in New York as Stage Manager for American Opera Projects Inc. He also won Best Youth Stage Management Award at the Hong Kong Drama Awards in 2001. Lee has worked for numerous local and overseas performing groups as Production Manager, Stage Manager and Deputy Stage Manager, including as Production Manager of various Yam Kim Fai and Pak Suet Sin Charitable Foundation productions - Dream of the West Chamber, Princess Cheung Ping, The Reincarnation of Red Plum and The Butterfly and the Red Pear Blossoms. He was Artist-in-residence in the Hong Kong Academy for Performing Arts. Lee has also designed various exhibitions for the Hong Kong Film Archive, Concept Arranger for Eason Chan’s The Easy Ride Concert, and Assistant Director, Set and Costume Designer for Utopia, Momentarily. Lee is currently a freelancer, and chairman of The Hong Kong Association of Theatre Technicians & Scenographers (HKATTS).

Costume Designer

服裝設計

Cheng Man Wing 鄭文榮

manwing_

Cheng graduated from L’Ecole Supérieure des Arts Appliqués Duperré in Paris, L’Université de la Sorbonne in France, and The Somerset College of Arts and Technology in the UK, majoring in fine art textile and fabric printing technology.

Cheng explores in the realms of fashion and theatre. He has worked for numerous local performing groups as costume designer including: Theatre du Pif, On and On Theatre Workshops, Actors’ Family, Hong Kong Arts Festival, City Contemporary Dance Company, Theatre Horizon, Y-Space and Hong Kong Repertory, etc.

主修純藝術織物及布料印花技術。曾先後畢業於巴黎 L'Ecole Supérieure des Arts Appliqués Duperré ， L'Université de la Sorbonne 及英國 The Somerset College of Arts and Technology 。熱衷於探索時裝與劇場間的互動關係，而為劇場演出設計服裝的 藝團包括進劇場、前進進戲劇工作坊、演戲家族、香港藝術節、城市當代舞蹈團、天邊外 劇場、多空間及香港話劇團等。

Lighting Designer

燈光設計

Lau Ming Hang 劉銘鏗

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劉銘鏗，立體書故事劇場創作人、紙藝藝術家及資深劇場燈光設計師。二十年來創作多個 「立體書故事劇場」作品，揉合立體藝紙、光影及劇場表演美學，包括《日常生活》、《回 味舊時佮佮冚》及《大家都係一粒塵》等。多次提名香港舞台劇獎最佳燈光設計，2024 年憑香港話劇團《從金鐘到莫斯科》獲第三十二屆香港舞台劇獎最佳燈光設計。燈光設計 作品包括進劇場《回憶吾愛》、香港話劇團《塘西馴悍記》、黃碧琪舞蹈作品《睇．女》 （香港及台灣巡演）及No Discipline Limited《無無題》等。 曾為香港舞台技術及設計人員協會HKATTS董事會成員，先後於2019及2023年擔任《布 拉格劇場設計四年展》策展人，遠赴布拉格策劃展覽活動。剪紙作品曾參與台灣新竹鐵道 藝術村剪紙個展《捏念》、 YMCA The Dooor 《此地是朵泥》、 Artspace K 《剪紙．特 展》、長春社文化古蹟資源中心《香．校變奏：時光藝術展》及《 JCCAC 十五週年展覽 2023「我在！」》等。 Lau Ming Hang is a creator of pop-up book story theaters, paper art artist, and seasoned theater lighting designer. For over two decades, Lau has created numerous "pop-up book story theaters," seamlessly blending pop-up paper art, light and shadow, and the aesthetics of theater performance. Some notable works include "Ordinary Living", "The Good Old Days" and “Ashy is Everywhere.”

Lau has been nominated multiple times for Best Lighting Design at the Hong Kong Drama Awards. In 2024, Lau won the Best Lighting Design award at the 32nd Hong Kong Drama Awards for their work in the Hong Kong Repertory Theatre's production of "Moscow Express." His design works include productions such as "Three Sisters" by Theatre du Pif, “The Tamed and the Tempted” by the Hong Kong Repertory Theatre, Rebecca Wong dance piece "Bird Watching" (performed in Hong Kong and Taiwan), and "Title Untitled" by No Discipline Limited.

He curated the Prague Quadrennial of Performance Design and Space (Hong Kong Pavillion) in 2019 and 2023, organizing exhibition events in Prague. His papercutting artworks have been showcased in exhibitions such as "Nian Nian(Solo Exhibition)" at the Hsinchu Railway Art Village in Taiwan, "TST Story" at YMCA The Dooor, "Paper Cut Art Exhibition" at Artspace K, "The Village School Anthem Project: Exhibition Art x Heritage" by CACHe, and "JCCAC 15th Anniversary Exhibition 2023 'Here I Am!'" at Jockey Club Creative Arts Centre.

Music

音樂

Lau Chi Bun 劉子斌 擬音作樂人。

Souloaksqueezer.

a0000000.0bun

Sound Designer

音響設計

Leung Sze Wah 梁思樺 香港演藝學院舞台及製作藝術學士，主修音響設計。現為自由身工作者。音響設計作品包 括香港話劇團《小島．餘香》、《匙羹》、《中女7號》；中英劇團《錯/覺》；風車草青少年劇 團《缺頁的小說》、《欺凌勿語》、《作弊而已 》；風車草劇團《死亡公路事件 》等。 Leung holds a Bachelor's degree in Stage and Production Arts with a major in Sound Design from the Hong Kong Academy for Performing Arts. Her sound design works include productions such as “Sleep”, “The “Isle”, "Spoon," and "Female N°7" by the Hong Kong Repertory Theatre; “ Land for A Land” by Chung Ying Theatre Company; “Ward 6” by Fableist Ensemble X Artocrite Theater“;“FAITH HEALER by Brian Friel” by Theatre du Pif; The Handbook of Restoration We Lost””,The Discontinuous Chapter," "Copy Bully & Paste it" and “,”Cheating As Usual”by Windmill Grass Youth Theatre; and “Death On A Road Trip" by Windmill Grass Theatre Company.

Video Program Designer

錄像程式設計

Gary Chan 陳家濠 畢業於專業教育學院，修讀創意媒體。現為自由身劇場工作者，以擔任錄像設計師為主。 劇場影像設計合作團體包括樹寧現在式單位、 DGhouse 、中英劇團、影話戲、 Banana Effect 、前進進戲劇工作坊、芳芳劇藝、 iStage 、大細路劇團、普劇場和城市當代舞蹈 團。一直嘗試於劇場上使用影像創作，運用劇場的語言和技術發展不同的影像作品。亦有 參與各種場合的錄像創作，為各類演唱會、活動擔任各錄像處理/設計。 Graduated from Hong Kong Institute of Vocational Education in Creative Media, Gary currently is a freelance video designer. Projection and video designs for the companies including Shu Ning Presentation Unit, DGhouse, Chung Ying Theatre, Cinematic Theatre, Banana Effect, On & On Theatre Workshop, Fong Fron Projet d’ Art, istage, Jumbo Kids Theatre, POP Theatre and City Contemporary Dance Company. Gary has worked on video design in theatre production, using the language and technique of theatre to develop video content. He has also created and designed videos for various concerts, performances and programmes.

演員 Performer / 導演助理 Director Assistant

Carlene Lam 林嘉寶 嘯，2014年畢業於香港演藝學院。近年合作團體包括：進劇場、前進進戲劇工作坊、散 步節奏工作室、浪人劇場、去劇場、劇場方程式等。 Whistle, graduated from the Hong Kong Academy for Performing Arts in 2014. In recent years, Lam has collaborated with groups including Theatre du Pif, On and On Theatre Workshop, Theatre Ronin, Nobodies’ Theatre, Theatre Formula, and more.

Producer

監製

Jamie Wu 胡家欣 進劇場劇團經理及製作人，同為獨立製作人，與不同本地及海外藝術家和藝術機構合作。 今年年初協助籌辦啟德體育園開幕典禮；2017年亦曾應邀赴澳洲阿得萊德藝術中心為澳 亞藝術節擔任助理監製。胡氏亦積極參與國際交流，曾為2017國際表演藝術協會（ISPA） 的獎助金得主，出席其第99屆會議及美國表演藝術經紀人協會領袖課程。她亦被挑選參加 由 Cultural Diplomacy Platform 於 荷 蘭 舉 行 的 全 球 文 化 領 袖 計 劃 2018 及 由 The International Centre for Training in the Performing Arts 及 On the Move 主辦於布魯 塞爾舉行的製作人學院2017。 近年，胡氏探索不同的專業工具來提高個人心身靈發展及表現，她現為一名認證私人健身 及復康教練、美國 NGH 催眠師、神經語言程式學（ NLP ）高級執行師、註冊生命教 練、!nside Cards 認證教練以及 TTI Success Insights 認證行為風格與激勵因子（DISC & MOT）分析師等。她亦為一名化妝師。 Wu is the Company Manager and Producer for Theatre du Pif, she also works as an independent producer, collaborating with various local and international artists and cultural organizations across multiple art forms. This year she was a member of the organising team of the Kai Tak Sports Park Grand Opening Ceremony. In 2017, she was invited to work as an Assistant Producer for the OzAsia Festival at the Adelaide Festival Centre in Australia. As an active participant in international performing arts exchanges, Jamie was a recipient of the 2017 Fellowship from the International Society for the Performing Arts (ISPA), attending its 99th Congress, as well as the Emerging Leadership Institute and Conference organized by the Association of Performing Arts Presenters (APAP) in New York. She also took part in the Global Cultural Leadership Programme 2018 in Amsterdam, hosted by the Cultural Diplomacy Platform, and the Producer’s Academy in Brussels, organized

by On the Move.

In recent years, Jamie has focused on exploring various professional tools to enhance personal development and performance. She holds certifications as Personal Fitness and Rehabilitation Trainer, NGH Hypnotist, master practitioner in Neuro-Linguistic Programming (NLP), registered life coach, an Inside Cards Certified Coach, and a Certified Professional Behavioral and Motivators (DISC & MOT) Analyst through TTI Success Insights. She is also a make-up artist.

Questionaire

問卷

謝謝蒞臨欣賞進劇場《11旅程之⼥》。若您對這場演出有任何意⾒， 請素描以下⼆維碼填寫問卷。您亦可將意⾒電郵⾄ thtdupif@netvigator.com 或 WhatsApp ⾄ 5595 1428。 您的寶貴意⾒對我們⽇後策劃戲劇節⽬將有莫⼤的幫助，謝謝。 Thanks for attending “11 Voyagresses” by Theatre du Pif. If you have any comments on this performance , please scan QR code below and complete the survey. You are also welcome to write to us by email at thtdupif@netvigator.com or WhatsApp it to 5595 1428.

Your valuable opinion will facilitate our future planning of theatre programmes. Thank you.

嗚謝 前進進戲劇⼯作坊

: Acknowledgment: On and On Theatre Workshop

《花⽕

》獲⾹港特別⾏政區政府「藝能發展資助計劃」的資助

2024-25 SPARK 2024-25 is financially supported by the Arts Capacity Development Funding Scheme of the Government of the Hong Kong Special Administrative Region

節⽬內容並不反映⾹港特別⾏政區政府的意⾒

The content of this programme does not reflect the views of the Government of the Hong Kong Special Administrative Region

⾹港藝術發展局⽀持藝術表達⾃由，本計劃內容並不反映本局意⾒

The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council

. . . f o g n i Mak

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