Independent Student voice of Boise State since 1933 Vol. 38,
2 September 11, 2025
04 Continuing a cheeky tradition
Students stripped down and showed out outside of Chaffee Hall for the eighth annual Undie Run.
05
Beer is back at Realms Arcade
After a sober summer, the beloved all-ages arcade, bar and venue gets its beer and wine license back and moves to expand.
Broncos bounce back with blowout win
14
One small step for man, one giant leap for Boise State
The Department of Physics invited a retired NASA astronaut to the unveiling of a moon tree on campus.
10 ‘Coming together as a community’: Boise Pride Festival 2025
Rain or shine, the lively festival brought energetic performances and space for LGBTQ+ Idahoans to be their authentic selves.
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The Boise State Broncos crushed the Eastern Washington Eagles at the first home game of the season following a devastating loss to Florida State. Coach Spencer Danielson shared that the team’s strategy for success is explosive plays and clear communication.
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SEPTEMBER 11, 2025 | ARBITERONLINE.COM
STUDENTS CATCH A BREEZE FOR A CAUSE AT THE EIGHTH ANNUAL UNDIE RUN
Grace Stark and Hudson Lehew | News Editor, News Reporter | news@stumedia.boisestate.edu |
For most people, finding yourself in your underwear at school sounds like a nightmare. For the Boise State students who participated in the annual Undie Run, it’s a casual Wednesday night.
On August 27, hundreds of students gathered outside Chaffee Hall, rallied by Boise State junior Carson Winter who was wearing nothing but his underwear and a Batman mask.
After a few minutes of spirited chanting, the run began on Winter’s countdown. Students took off, leaving the surrounding area littered with discarded sweatshirts, pajama pants and baggy t-shirts. At first, students looked around anxiously, hesitant to remove their array of shirts and sweatpants, but by 10 p.m., what students lacked in clothing was made up for in energy.
The eighth annual Undie Run brought students together to run a predetermined 1-mile route through campus, along the Greenbelt and back to Chaffee Hall. As students stripped down to their underwear, the clothing left behind was placed in bins and donated to the Boise Rescue Mission.
While it remains unknown who started the event at Boise State, the Undie Run has been a tradition at several other universities for decades.
Boise State juniors Austin Julian and Carson Winter became the event’s organizers after volunteering to run the Undie Run’s Instagram account. Both participated in the run in 2024 and had the torch passed to them by the previous organizer, Paula Vivas, who graduated in May 2025.
“Being a part of a seemingly short list of people who get to not only experience an event like this, but coordinate such a unique and fond memory for everyone
is such an honor,” Julian said of his first year leading the tradition.
Vivas volunteered to organize the Undie Run during her sophomore year and continued to do so throughout her time at Boise State. She recalled the success and turnout of the event during her years as a student and is excited to see the tradition continue.
“Everyone loves a good tradition, and I loved being a part of it,” Vivas said.
Vivas noted that while the Undie Run is not affiliated with the school, students seize the opportunity to do something “raunchy” and “exciting” that also gives back to the community.
Many students attending the run were underclassmen and succeeded in connecting with other participants, as well as feeling a sense of involvement within the university and Boise community at large.
Freshmen Peter Bamer and Michael Clocksin met and ran alongside each other at the Undie Run. Both emphasized the importance of new experiences during their first year at Boise State, which compelled them to participate.
“It’s my first year of college, you’ve got to go out and do everything you can,” Baker said. “This is something fun, a little different. I’ve never done anything like this, so that’s why I wanted to show up.”
Some students, like sophomore Hope Dickmann, attended the Undie Run after participating in 2024. Dickmann brought her friend and fellow sophomore Regan Baker to “relive freshman memories” and connect with other students.
“I would have loved to experience it as a first year coming here, but even experiencing it now is a great way to socialize,” Baker Said.
Julian and Winter donated all clothing from the Undie Run to the Boise Rescue Mission on Thursday, September 28, to support the needs of community members in the Boise area.
“Hosting something like this has been a blessing in disguise, and I hope that those who carry the torch in the future think so too,” Julian said.
Photos By Omar Saucedo
REALMS ARCADE REGAINS ALCOHOL LICENSE, ANNOUNCES PLANS FOR EXPANSION
Emily Carmela Nelson | Editor-in-Chief | news@stumedia.boisestate.edu | Photos by Emily Carmela Nelson
As previously reported by The Arbiter, Realms Arcade, which has been serving the Treasure Valley as an all-ages arcade, bar and concert space since 2023 faced a tough decision in late June. An anonymous complaint about the business’s alcohol-to-food sale ratio prompted an investigation by the Idaho Alcohol Beverage Control (ABC) that determined Realms Arcade did not meet the requirements to be classified as a restaurant due to its limited food menu.
This left partial owner Tanner Nielsen with two options: become a 21+ venue or temporarily cancel Realms Arcade’s beer and wine license until they could meet compliance standards.
“It sucked,” Nielsen said of the situation. “Not losing [the license], but being forced to decide. I knew the all-ages thing was just a must.”
On Thursday, September 4, Realms Arcade announced via Instagram that it had regained its alcohol license after nearly three months of working to meet the ABC’s standards, allowing the venue to continue operations as an all-ages space while serving alcohol.
“Thank you so much for the patience and support during our sober summer…,” the post read. “All ages always.”
“I think [our decision to remain all-ages] helped our case,” Nielsen added. “It really did come down to the perception of ‘are we being perceived as a bar arcade?’ Which, to be frank, I can see from [the ABC’s] point of view. It just kind of sucks that we weren’t given any leeway or notice.”
During their “sober summer”, Nielsen and his team focused on expanding the arcade’s food offerings. Their revamped menu now includes five new sandwiches, hot dogs, pizza and an assortment of shareable snacks.
“I was definitely nervous. Their requirements are kind of vague,” Nielsen said, reflecting on the ABC’s reevaluation. “There was no checklist that said how many food items you needed to have. We upgraded our equipment, have way more food and already had been selling a ton of food before the meeting [with the ABC]. Having that as proof definitely solidified it.”
Nielsen noted that while alcohol revenue had never been the arcade’s “main bread and butter”, the most noticeable
loss in revenue came on nights the venue hosted concerts.
“Venues make the majority of their revenue from bar sales on show nights,” Nielsen explained. “Working in the booking world, in the venue world, you learn most venues aren’t making a ton of money off of tickets because there’s a certain level of expenses you have to cover. For Realms, there’s sound, the door, equipment usage, guarantees — all while trying to keep prices fair for fans. ”
Despite this obstacle, the arcade saw a great turnout of community support during this transitional phase, so much so that it fueled Nielsen’s next project for Realms — Chaz’s Corner.
Set to tentatively open in late October, Chaz’s Corner will host an array of novelty and skill-based Japanese games and serve as a relaxed venue and hangout space for meetings, comedy shows, listening parties, concerts and more. Nielsen plans to keep the space free of charge, with the expectation that visitors will purchase food or drinks or engage with the prize machines.
Located in the commercial space adjacent to Realms Arcade, Chaz’s Corner is currently only accessible from an exterior
door. Nielsen plans to tear down one of the walls to add a double door that will create a free flow between the arcade and new space.
“Hap Hap Lounge is nice because they do vinyl nights sometimes and it has that lounge feel, but it is 21 and up and is primarily based around alcohol,” Nielsen said, discussing the inspiration behind the expansion. “There are so many people that come to Realms or who still haven’t come who would benefit from a space to hang out, a listening lounge of sorts, that could be treated like a third space, a social space that is all ages.”
Nielsen hopes the hybrid venue will feel “atmospheric”, and is actively seeking community input regarding how to decorate and design the space in efforts to “embrace the organic nature” of building a true community-centered third space.
“I’m just glad I never gave up,” Nielsen said of all the recent changes to the foundation of Realms Arcade. “I can’t let people down — we’ve already built it so far. I’ve just got to stay strong and keep going. I’m very excited to continue unveiling all of this.”
‘SPRINTING BEYOND THE FINISH LINE:’ UNBRIDLED CAMPAIGN NEARING $500 MILLION GOAL
Grace Stark | News Editor | news@stumedia.boisestate.edu | Photo by Carter Nash, Graphic by Naomi Brown
Boise State’s blueprint for success, the Unbridled Campaign, works towards three pillars: student success, faculty innovation and athletics.
Student success focuses on establishing need and merit-based scholarships, as well as additional academic support. Faculty innovation supports faculty members in their research endeavors and establishes faculty-led internship opportunities. Unbridled’s commitment to athlete support is illustrated through continuous updates of athletic facilities and providing athletes with resources that allow them to thrive not only on the field or court, but in the classroom.
The campaign began in 2017 and publicly launched in October 2023. Executive Director of Communications and Marketing for the Boise State Foundation, Kelci Lucier, said by the time of the campaign’s launch, donors had already helped raise $295 million.
Boise State alumni are the leading donors for the campaign, with community members, organizations, and parents also playing key roles as contributors to the fundraising effort.
Interim President Jeremiah Shinn discussed the progress of the Unbridled Campaign’s fundraising efforts in the State of the University Address, as previously reported by The Arbiter.
“As of August 13, our Unbridled Campaign had raised more than $465 million in support for students, faculty and athletics,” Shinn said. “That’s more than 93% of the way toward our original $500 million campaign goal. We are way ahead of schedule.”
“Despite nearing our original goal of $500 million, we’re not winding down,” Shinn added. “We’re sprinting beyond the finish line.”
Randy Hales stepped into the role of Campaign Chair in 2022 after serving on the foundation board since 2015.
Hales said the campaign aims to “raise the attention level of the community” and address the diverse needs of faculty, students and athletics.
To ensure long-term support for the university, the campaign focuses on endowed faculty and student support rather than solely one-time donations, as outlined in the Unbridled Campaign Volunteer Handbook.
Endowments are invested, and the growth of those investments is used to support scholarships, faculty and other areas of giving to honor the donor’s intent. According to Hales, this “allows that endowment to last into perpetuity”.
“An area that I’ve really enjoyed watching grow is the faculty support with endowed professorships and endowed chairs,” Hales said.
Boise State uses these donations to recruit and retain faculty, as well as support development in university research. Hales also emphasized the great visibility of athletics at the university. Because of this, donors interested in giving to athletics programs can donate set amounts or endowed funds to improve
facilities, travel costs, student athlete scholarships, health and nutrition.
According to Shinn, $192 million has been raised for Boise State Athletics so far.
Lucier said the Boise State Foundation participates in outreach to identify and receive interest from potential donors and discern which area they want their donation to support.
“Everyone gives back in their own way, and we are happy to accommodate that,” Lucier said.
As the campaign nears its goal of $500 million, Hales said the momentum its work is gaining will continue improving the University even after surpassing this goal. He expressed gratitude towards the support coming from donors, alumni and people across the nation who support Boise State.
“I have a strong sense of gratitude for those around the country who support the university,” Hales said. “When I think of the community, I’m seeing it come from all over the nation.”
DEPARTMENT OF MEDIA STUDENTS AND FACULTY RESPOND TO USE OF AI IN FILM
You may have used artificial intelligence (AI) for homework help, but now the AI tool is seeping into the entertainment industry as AI-generated films make their way into movie theatres. Last month, IMAX teamed up with Runway AI to bring ten AI films to life at various theatres across the country.
The expanding role of AI in media production, both in the industry at large and at Boise State, has raised concerns amongst local creatives, students and professors.
“The scary part [about AI for] a professor is that I don’t have any way — and this extends into the professional industry — of determining if they did their own work,” said Jim Warrick, a producer, screenwriter and film professor at Boise State University.
Warrick added that AI will inevitably result in the elimination of staff writers in the film industry, as scripts can now receive written feedback from
AI. Warrick noted writers aren’t the only professionals at risk. AI can now replicate an actor’s facial features and performance, meaning actors are now facing a potential income loss. While certain safeguards have been put in place for some studio employees, these do not extend to writers and actors.
As far as non-fiction production goes, Professor Lee Emmert explained his curriculum is actively incorporating AI into the program in order to remain relevant to students. Emmert explained his department feels less threatened by AI, as the content they’re creating is mainly local, nonfiction stories.
“I’m actually optimistic about how AI is playing out in my area of focus,” Emmert said.
Emmert described how AI can assist in menial tasks, such as applying color grading across footage and removing background noise from audio tracks without replacing human expertise in those areas.
The increase of AI usage in production and within the classroom has proven discouraging to several Film & Television majors, such as Isaac Shelton.
“It’s going to devalue the skills of real people in the eyes of the bigger companies,” Shelton said.
Andrew Azcona, another Film & Television major, expressed concern about AI in the film industry as it’s already a challenging field to break into.
“It’s very scary for me because AI is essentially a cost-cutting tool and a cheap way to get stuff done without hiring more people,” she said.
As AI continues to advance and alter the entertainment industry, the video production community at Boise State finds itself traversing between protecting creative professionals and embracing technological innovation.
SABRINA CARPENTER’S ‘MAN’S BEST FRIEND’ IS ALL BARK AND NO BITE
Olivia Brandon and Emily Carmela Nelson | Managing Editor, Editor-in-Chief | opinion@stumedia.boisestate.edu | Graphics by
Pop sensation Sabrina Carpenter’s newest album, “Man’s Best Friend”, sparked endless online debate upon announcement over its controversial album cover which features Carpenter on her knees below a faceless man. After months of heated internet discourse on whether or not the album would be a satirical feminist critique or the raunchy older sister to her previous work on “Short and Sweet”, the album simply ended up as a decent pop album.
While the lyricism on the album is not as sharp as its predecessor, the instrumentals and ad-libs on nearly every song were pure magic. Clearly inspired by a vintage pop sound mixed with a little bit of twang, the almost instantaneous choruses and sparkly sound effects are enough to get anyone dancing.
1. Manchild
The album’s single, “Manchild,” didn’t exactly feel like much of a departure from Carpenter’s “Short n’ Sweet” era, but its fun 80s instrumentals made it the perfect song to belt with the windows down all summer long.
2. Tears
I struggled with discerning the tone of the song. While the lyrics seem to be practically dripping with sarcasm as Carpenter sings of just how… excited her man doing the bare minimum makes her, aspects of “Tears” make it sound like genuine admiration.
3. My Man on Willpower
I was honestly shocked at the tone of this song. Based on the title alone, I was expecting the song to be about a man living up to his full potential, but instead, it felt centered on Carpenter attempting to revive a dying relationship where her lover slowly loses interest. That being said, the beat is infectious and we’ve all dealt with the self-help book-obsessed man who suddenly realizes it’s not him — it’s you.
With the perfect mix of country and synth, there’s no wonder why “Manchild” was the belated song of the summer for jaded lovergirls everywhere. While Carpenter earnestly swears she isn’t “choosing them” (the manchildren in question), the lyrics of this track say otherwise.
Irony and a fun beat can really only take a girl so far. Paired with the rest of the album, second single “Tears” falls incredibly flat. With lyrics like “Baby just do the dishes / I’ll give you what you want / A little communication / Yes, that’s my ideal foreplay”, this track practically begs listeners for an unenthusiastic eyeroll at best.
On “My Man on Willpower”, Carpenter is living in a “romantic dark comedy” style “nightmare” where her partner begins to have a wandering eye for practically anything but her. As the newfound “least sought after girl in the land”, she grapples with what to do with herself and her lover’s distance. This track is a clear stand out, with Carpenter’s mix of witty self-awareness and frustration bringing the otherwise fantastical album back down to earth.
4. Sugar Talking
“Sugar Talking”, an obvious twist on the phrase “sweet talking” explores Carpenter as she grapples with a man being all talk when she needs physical validation as well. While the vocals on this track were stunning, the lyrics fell flat.
While ”Sugar Talking” may be one of the most sonically unique tracks on the album with deep vocals reminiscent of Carpenter’s earlier works, I was let down by its lack of direction and weak lyricism making it feel forgettable.
5.
We Almost Broke Up Again Last Night
This was the turning point of the album for me. With an almost musical theatre-esque quality, Carpenter relives the humiliating ritual of going back and forth with a “situationship” — and your friends knowing about all of it. I loved the bridge where Carpenter details a conversation with her lover about the constant pattern of getting to the point of almost breaking up.
I likely won’t be replaying “We Almost Broke Up Again Last Night” again. The make-up sex inspired ballad hits all of the weakest points of “Man’s Best Friend” — hollow instrumentals, an outstanding lack of lyrical depth and awkwardly placed innuendo.
Naomi Brown
“Nobody’s Son” was hands down my favorite from the album and I will have it stuck in my head for at least four to five business days. The songs’ bouncy instrumental is juxtaposed with the emotionally hopeless lyrics and will be a go-to breakup song for decades to come. The bridge felt very reminiscent of Manchild’s iconic line, “I choose to blame your mom.”
An alternate title for this song could be “Please, Please, Please”’s older sister. We’ve been here before, between the previously mentioned track and “Taste”, Carpenter already has two songs exploring the insecurity and jealousy of an ex moving on after you. The outro of the song felt completely unnecessary and out of place alongside the other ironically supportive lyrics of the rest of the track.
8. When Did You Get Hot?
Featuring an infectious beat and witty innuendos, this track was more in line with what I originally thought the tone of the album would be. With the album coming out just weeks after James Gunn’s Superman, Carpenter missed the opportunity to change the line, “Can you lift my car with your hand? You were an ugly kid but you’re a sexy man.” to “Can you lift my car with your hand? You were a nerdy kid but you’re a super man.”
For a track about Carpenter’s despair towards not finding a lover to “believe in”, it is nearly impossible to not dance to “Nobody’s Son” — or at the very least break into a good shoulder shimmy. Jack Antonoff’s hand in this album is undeniable and shines on this track. The songs’ reverb and build up feels reminiscent of Taylor Swift’s “Now That We Don’t Talk”, produced by Antonoff only a little under two years ago.
While the instrumental feels nothing short of magical, Carpenter’s satirical, jealous wishes for her former lover on “Never Getting Laid” are unmemorable. The spoken word sing-song style outro at the end of the track is oddly tonguein-cheek and adds a level of interest to an otherwise “meh” track.
“When Did You Get Hot” is a much needed pick-me-up on the b-side of “Man’s Best Friend”. As Carpenter does a “double take, triple take”, the earworm invites listeners to join in on the fantasy in this seductive track.
6. Nobody’s Son
7. Never Getting Laid
‘COMING TOGETHER AS A COMMUNITY’
Cole
O|
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n the opening day of the 36th annual Boise Pride Festival, raindrops struck the tops of the sequoia trees at Ann Morrison Park. At the Flying M Coffeehouse booth, event-goers could be seen ordering hot coffee as the forecast showed little sign of the downpour letting up. As Boiseans filled the festival, sunlight emerged and a rainbow came into view over the festival, as though a friend were arriving late to a party.
Event-goers enjoyed performances from local drag artists, queer singer-songwriters such as Zolita and Fancy
Hagood, national drag talents including RuPaul’s Drag Race contestant Plane Jane and other performers. The festival also featured an array of free goodies, like clack fans found at the St. Luke’s booth and protein bars at the Fred Meyer stand. Knick-knacks from event sponsors were scattered throughout the park, with companies like Adam & Eve selling adult products and Humpin’s Hannah’s nightclub selling drinks in terracotta pots.
“Boise Pride is awesome because it’s so inclusive and brings the community together,” said Madison Butler, a licensed professional counselor for Tree City Wellness, a sponsor of Boise Pride 2025.
“It’s more important than ever to show support. I feel really proud to work for a place that not only stepped up, but doubled down, wanting to show up for the community,” added Lily Archuleta, an intern counselor for Tree City Wellness.
Boise Pride acts as a non-profit organization, relying on sponsorships and donations from companies and community members alike to support the annual event. On their official Instagram, Boise Pride stated they received almost $200,000 less in sponsorship funding compared to donations for last year’s festival.
Despite the severe lack of funding compared to Boise Pride 2024, the electric energy continued all weekend long. The significance of the event was evident
from the reactions of attendees as they were provided a space free from judgment that may persist in their daily lives.
“Everyone should be able to be loved and express their love,” said Erica LeBronte, an attendee of the festival. “Knowing that this movement has been around for so long and how much more traction it’s gaining is huge. We needed this.”
Other Boiseans shared a similar sentiment regarding the inclusive space Boise Pride fosters. Celebrating Pride in September rather than in June, the designated month for LGBTQ+ pride in the U.S., serves as a reminder that being proud of one’s identity isn’t limited to one particular month — it can be cele -
brated every day.
“I know that this year we had a lot less funding than normal, and the fact that it’s September, not [June], shows that we’re still here,” said Moira Young, attendee of the festival. “For non-queer people, coming and seeing that [we are] a bunch of people having a good time and that there’s nothing so scary about it. [Pride] allows non-queer people to see normalcy, to be able to recognize that it’s all it is.”
In a world where identity is now at the forefront of conversation, LGBTQ+ members in Idaho desire a sense of belonging and acceptance. As recently as the Fall 2025 semester, Boise State has drawn back certain diversity efforts in
McAdams
Online Editor
culture@stumedia.boisestate.edu | Photos by Oliver Rhoades, Graphics by Amber Jansson
order to comply with Idaho Senate Bill 1198, which prohibits higher education from teaching course material and providing resources related to diversity, equity and inclusion (DEI).
One of the results of Senate Bill 1198 was the closing and rebranding of the Gender Equity and Student Equity Centers. Having to close its doors late last fall, the centers were rebranded as the Student Connections and Support Center, with a new focus on fostering community for first-generation students.
“The Gender Equity Center (GEC) was a space that supported all students via a few different services,” said former GEC Program Coordinator Kate Gaga. The GEC supported students with confidential services offered by professionals, “including students who were struggling with how other people were reacting to their gender identity or sexual orientation – commonly family estrangements or BSU community members treating them poorly because of their identity.”
Gaga stressed the GEC not only supported LGBTQ+ students, but all students regardless of sexual orientation and gender identity, “because all of these topics can impact anybody and everybody,” but especially students whose sexual orientation or gender identity are in the minority, they added.
The importance of student support centers is stressed by students and professors alike, as they provide spaces
where critical conversations and cultural identities are expressed and discussed.
“It is a horrible instance that Boise State Administration cannot stand up to State legislation and a hostile political environment and stand up for all of its students,” Gaga remarked. “Diversity [is] important because for students who may be hiding their identities or feeling unsupported may be less successful in a university environment, due to the lack of space to talk; they may feel silenced, unheard or undervalued. It is a disservice to students who are in the identity majority in that they cannot broaden their empathy.”
Boise Pride and the guests attending expressed a similar message to Gaga’s.
“[Pride] is a place where we could all come to be ourselves. Honestly, I don’t have to come here and hear that people are going to look at me like I’m a fucking weirdo,” said Laila Wallace, an attendee at Boise Pride. “It’s not exclusive to anybody, just come and have fun.”
Whether the Boiseans who attended Boise Pride 2025 were members of the LGBTQ+ community or not, those who attended felt the support, empathy and excitement. Although less funding and cultural support on both a state and university level plagued the festival, LGBTQ+ members and allies brought this year’s festival to life through resistance, community and vitality.
CULTURE
BREAKING THE MOLD: JULIA FAY NEWMAN’S JOURNEY TO ESTABLISHING HERSELF IN THE BOISE ART SCENE
Samantha Caccamo | Culture Reporter | culture@stumedia.boisestate.edu | Photo by Julia Fay Newman
From April to October, Sunday mornings on Boise State’s campus buzz with customers filling the streets of the Albertsons Stadium parking lot and local vendors stationed on every corner.
Found nearest to the entrance, some customers find themselves drawn to a particular booth, Julia Fay Clay. Under a white tent, tables are decorated with dozens of eclectic pieces, their earthy tones and textures glittering with handmade charm.
To the artist, the pieces are more than sculpted clay. Each groove, nook and cranny holds a story. Born in Boise, life has been anything but predictable for 21-year-old third-year student Julia Fay Newman. Newman wasn’t always drawn to the art scene, she found herself stuck in the hectic routine of her early academics, but her senior year of high school would tell a different story. It was another first period for 17-yearold Newman. She enrolled herself into a class she always felt interested in, but was unsure if it’d have a lasting impact: Pottery 101.
“The minute my hands touched the clay, I couldn’t put it down,” Newman said, her eyes brightening with nostalgia. “I just immediately knew it was my thing. I couldn’t stop learning more. It was almost infectious.”
As the year went on, Newman found herself spending as much time as she possibly could, honing her craft outside of the classroom.
“The class started at 8 a.m. in the morning, and I’d come in at 7:30,” Newman said. “I’d come in even [earlier] if the woman would let me. I’d be there any chance I got, I couldn’t put the
clay down.”
Lunch, free period or after-school, nothing could stop Newman from molding clay into art. Beginning with hand-building, a craft accomplished by only using your hands to form wet clay into art, Newman upgraded to the spinning wheel most are familiar with.
By the end of her senior year, Newman felt confident in her pottery-making abilities. In celebration of the closing year, the school hosted an art exhibition to highlight graduating talent. Newman decided to enter her best piece: a woman’s figure. Carefully shaped with curves, stretch marks and dimples, it was a showstopper to the judge’s panel.
“I had gotten an email from one of the judges, and she told me how much she [adored] the piece,” Newman said. “She immediately wanted to buy it, and didn’t care about the price. I sold it to her $100 — it was such an amazing feeling.”
This was just the beginning for Newman, and a one-time purchase quickly sparked a pattern.
“After that, people kept asking me to make different pieces constantly,” Newman said. “I really had to focus on pricing and building a clientele.”
Sourcing and developing a clientele came naturally to Newman, beginning with her social circle and word-of-mouth.
Positive reviews began to pile in by the week.
“Julia has added so much joy to not only my life, but also to my cupboards,” Hannah Amick, a friend of Newman, said.
“Her pieces are made with [extreme] precision, you can tell how passionate she is
just by looking at her pieces.”
Selling and sourcing within her neighborhood was just the beginning for Newman. While brainstorming how to further her craft, she decided to reach out to the Boise Flea Market, where she began selling this summer.
“It was so convenient and it’s local to the campus,” Newman said of the Boise Flea. “It was also just amazing to see people look at my work and admire it. It was such a beautiful experience.”
So, what fuels her inspiration?
“I’m of Jewish heritage, and the most important word to me is ‘hutzpah’,” Newman said before pointing to an arm tattoo she has dedicated to the word.
“It’s a Yiddish word and it basically means to get it done. Get it done, have guts and vigor.”
Hutzpah — the golden word she’s reflected through her work throughout the years. Newman recommends the idiom to everyone.
“Rejection is redirection,” Newman said. “Hutzpah really just symbolizes that. No matter the redirection, have that passion.”
Businesses like Newman’s inspire Boiseans to shop small and support their local community as much as possible.
“Supporting small businesses and [especially] student businesses is great,” communications major Maci McKinley added while shopping at the Boise Flea. “You’re getting such unique pieces, and it gives people an opportunity to show their individuality.”
‘INSPIRATION ON PUBLIC LANDS’ EXHIBIT HIGHLIGHTS THE IMPORTANCE OF IDAHO’S NATURAL LANDSCAPES
Idaho’s diverse and beautiful landscapes are taking center stage in Boise during the month of September through the art of local painter Heather Hainsworth.
Hainsworth’s solo exhibit, “Inspiration on Public Lands”, will be on display at Art Source Gallery in Downtown Boise through September 27. The collection is inspired by the landscapes she sees as an avid hiker, climber and adventurer.
“I find myself out on public lands a lot, and there is an ongoing battle right now to protect them,” Hainsworth said. “I thought this solo exhibit would be a great way to put some focus on how much it means to have access to those lands.”
For Hainsworth, the exhibit isn’t just about showing Idaho’s beautiful landscapes, it’s a reminder of their fragility and the importance of preserving them.
“There are a lot of reasons to protect these lands other than our own personal enjoyment, like the wildlife and history of them,” Hainsworth said. “A lot of my good friends and I spend a significant
time in nature, even just here in the foothills of Boise. Those things we take for granted might not always be accessible to us.”
Her art showcases the full spectrum of outdoor landscapes, from Joshua Trees in the desert to wildflowers in grassy plains and rivers winding through wooded forests.
Hainsworth described showcasing her art for the public as a vulnerable, yet rewarding experience.
“All of my work from the past year is up there,” she said. “It’s a very vulnerable thing, but it’s exciting to have people see your work.”
Using acrylic paint on canvas, Hainsworth blends realistic details with expressive touches in her work.
“I never feel like I’m trying to make a [painting] look like realism,” Hainsworth noted. “I’m focusing more on those values of highlights, shadows and movement.”
Hainsworth’s personal style and combination of artistic elements create
immersive scenes bursting with vivid, natural color.
“[Hainsworth’s] art is incredible,” said Nicole Chodkowski, an attendee of the exhibit’s opening ceremony who knows Hainsworth from their local climbing gym. “It really speaks to me because it’s the places I get to climb and the places I get to explore.”
Chodkowski added that she admires Hainsworth’s advocacy for preserving public lands.
“Having access to public lands and recreation is so important,” Chodkowski said. “I like the wildlife that I get to see when I get into these remote spots.”
Prints and original paintings by Hainsworth are currently available for purchase at the exhibit.
“I love [Hainsworth’s art],” said Amber Ellis, another opening reception guest and acquaintance from the climbing gym. “I own a piece of her art because I really enjoy getting to bring a bit of nature home.”
Art Source is a co-op gallery, owned and operated by a group of 40-45 local art -
ists, including Hainsworth, who is also a member of the gallery’s board.
All the art on display at the gallery is created by member artists, and Hainsworth said she finds it rewarding to collaborate and connect with other local creatives.
“One of my favorite things about being a member of the gallery is that I’ve gotten to know a lot of the artists in the community,” Hainsworth said. “I’ve been able to learn a lot, and everyone is so supportive of each other.”
Hainsworth added that Art Source gallery offers the public a chance to support local artists, a gesture very meaningful to those who dedicate their time to the arts, a sentiment echoed by some guests at the exhibit.
“It’s wonderful that [Art Source] represents local artists,” said Jessica Markley, a guest at the opening reception. “It’s important to support local in general, so having an avenue for local artists to display their work is really great.”
CULTURE
ASTRONAUT PARTICIPATES IN UNVEILING OF ‘MOON TREE’ ON CAMPUS AT FIRST FRIDAY ASTRONOMY EVENT
The seedling traveled around the moon before making its final landing in Idaho
If you’ve ever dreamed of visiting the moon, you can now take one small step closer without ever leaving campus.
On September 5, the Boise State Physics department planted a “moon tree” in front of the Education building — a Douglas fir seedling that traveled around the moon aboard NASA’s Artemis I mission in 2022.
“Back during the Apollo era, when the astronauts first went to the moon, NASA ran a moon tree program,” said physics professor Brian Jackson. “Apollo capsules carried seeds of different kinds of trees around the moon and brought them back to Earth.”
Jackson explained that the Artemis missions, NASA’s latest moon exploration program designed to reestablish a human presence on the moon, reinitiated Apollo’s moon tree program with 1000 seeds aboard Artemis I.
The program is designed to study the effects of outer space on the trees as they grow back on Earth.
“Our program applied to get one of these moon trees two years ago,” Jackson said. “This last spring we heard back from NASA that we were awarded one of these trees.”
Boise State’s moon tree was unveiled as part of the Physics department’s First Friday Astronomy events, a monthly series where experts share lectures on space science and exploration.
This month’s installment featured retired NASA astronaut and Boise State Distinguished Educator in Residence Steve Swanson, who delivered a lecture and helped unveil the cosmic tree seedling.
“The Artemis missions are a great thing,” Swanson said in an interview with The Arbiter. “[This event] helps students be a part of that, and it gets people excited about these missions and what NASA is doing.”
Swanson has an impressive resume. He’s been to space three times, has spent a total of 195 days in space and is a proud recipient of the NASA Exceptional Achievement Medal. He has also completed multiple spacewalks and commanded the International Space Station.
Swanson can also add “social media pi
oneer” to that list. He made the very first Instagram post from space, a distinction he was proud to share with the audience at the First Friday Astronomy event.
Swanson’s lecture explored life aboard the International Space Station, touching on everything from groundbreaking scientific research to the everyday troubles of life in space, such as trying to eat in zero gravity.
He also shared some of the more serene moments of life in space, such as the feeling of watching Earth from above.
“We don’t see countries or borders,” Swanson said. “We see ecosystems. We see thunderstorms. Sunrises happen very quickly, but we get 16 of those every day.”
“It’s fantastic to see [Earth] on a daily basis, and to see it change over the seasons,” Swanson continued. “I wish more people could have that viewpoint of it. They might have a different perspective on our planet and how fragile it really is.”
Swanson shared with The Arbiter his experiences as an astronaut reaffirmed his belief that everyone should see the planet for what it is — the only home we have.
“Everybody worries about their own little city, state, or country,” Swanson said. “It’s not really that way, because from my view from outer space, I see it all together as one ecosystem that blends together. It’s not these divided areas — it’s just one planet.”
First Friday Astronomy events will continue throughout the year, with various guest speakers visiting campus to deliver lectures free to the public. When the weather is clear, the Physics department offers attendees an opportunity for stargazing on the quad.
October’s installment of the series will feature Drs. Ariel Graykowski, Rachel
Huchmala and Patrick Treuthardt as part of the Stellar Collective, a conference designed to invite the public to explore the future of astronomy.
Braydon Dietrich, a Physics major with an emphasis in Astrophysics, attended Swanson’s lecture and said he appreciated the opportunity to learn from the experts who speak at the First Friday Astronomy events.
“It’s a very humbling thing to hear from these people and realize that they’re just people,” Dietrich said. “They’re very smart, but they’re very personal, too. [Swanson] has a lot of experience, and now he’s teaching that to everyone here. It’s a very unique experience having somebody like that out here.”
Before unveiling the moon tree, Jackson explained the program to the audience of over 100 people. He said while the main goal of the moon tree program is to study the effects of space on tree growth, there is another reason, and it all has to do with NASA’s mission to “inspire and excite the public, educate and engage.”
“The moon seems kind of far away,” Jackson said. “These moon trees are a little piece of space brought back to Earth. The program is NASA’s way of bringing that little piece of space back home, and wrapping a little wreath around the fathomless cosmos that hangs above us.”
DO WE EVER GROW UP? THE CAST OF “PETER AND THE STARCATCHER” DISCUSSES FINDING YOUR INNER CHILD
Set sail for Neverland with Angela Utrera and Joe Wegner in ‘Peter and the Starcatcher’
Olivia Brandon | Managing Editor | culture@stumedia.boisestate.edu | Photos by Strotz Photography and Roger Mastroianni
As this bittersweet installment of Behind the Curtain marks the end of the Idaho Shakespeare Festival’s summer season, it feels only fitting to close out the column with “Peter and the Starcatcher”, a play that encapsulates the joy and playfulness of pretending.
Long-time cast members at ISF, Joe Wegner and Angela Utrera, who play Black Stache and Molly in “Peter and the Starcatcher,” discussed the magic of the show and its ties to the iconic story of “Peter Pan”.
“Everything that is [featured] in the play somehow makes it into the original Peter Pan,” Utrera said. “There are some new puppets and animals and magic. One of my favorite things about ‘Peter
and the Starcatcher’ is it explains the origin of pixie dust.”
One of the new characters audiences will encounter is Molly, Wendy Darling’s mother. While crafting the character, Utrera explained she looked to the historical context of England in 1885.
“I took inspiration from Queen Victoria — I obviously didn’t want to play Wendy. One of the most surprising elements about Molly and playing her is that she is very different from who you’d think Wendy’s mother is,” Utrera said of her character. “She has this fascination with female leadership and is living in a world where Queen Victoria is the leader of her country, so I just looked at what was going on in her life at that time.”
While Black Stache is not a new character to the story of Peter Pan, Wegner explored what Captain Hook would be like in his youth, drawing inspiration from films like “Hook” (1991), which offer a deeper understanding of the character.
“I did a lot of research. I watched all the different versions of Captain Hook and put my own interpretation based on this text, which is really fast-paced,
farcical and witty,” Wegner said. “This version of Captain Hook is very poetic and he thinks of himself as an intellectual and I took all of that and then added my own physicality and perception to the role.”
As you explore Neverland, you also encounter the original Lost Boys in all their goofy glory, as well as some mystical and hilarious mermaids.
One of the key themes of the play is leaning into childhood wonder and imagination. Utrera described the process of living in this storyline as both heartbreaking and healing.
“It is heartbreaking and very healing to be able to play a child and grow into an adult as the play continues,” she said. “Our director always says play is literally playing and when I was a child I was playing all the time, the number one priority was to play and find that sense of wonder.”
“Growing up does not mean giving up on wonder,” Utrera continued. “It means protecting it.”
Despite playing an adult, Wegner said the character of Black Stache still possesses a sense of childlike playfulness.
“I get to play the juxtaposition to that which is the adult,” he said. “But ironically, Stache is as childish as any character in the play and throws tantrums and fits, so there was that reconnection to that and weaving in the projection he puts on of how much he hates children from his childhood.”
Both Utrera and Wegner agreed while we may get older, there are ways to keep the magic of childhood alive.
“We don’t ever grow up. I think we grow up every day we have to,” Utrera began. “We adjust to social norms,” Wegner jumped in. “The norms of what you’re supposed to do as an adult. We are actors. We chose a profession that is literally going out and playing and pretending,” he said.
The audience is asked to ‘pretend’ in this play, with actors playing multiple roles and props being used to represent a multitude of objects. “If you jump on that imagination train, you’re going to have a good time,” Wegner said.
To witness the magic for yourself, come to “Peter and the Starcatcher” September 5-28 at the Idaho Shakespeare Festival.
SPORTS
BRONCOS BOUNCE BACK WITH BLOWOUT WIN IN HOME OPENER
Boise State made a statement in their Friday night home opener, rolling past the Eastern Washington Eagles 51-14 at Albertsons Stadium.
From the opening kickoff, the Broncos took control and never let go of their momentum, securing their 13th straight home win and extending their win streak against FCS opponents to 22. First quarter
The Broncos wasted no time in redeeming themselves. On the opening series, running back Sire Gaines ripped off a 46-yard run, followed by a nineyard carry from Malik Sherrod. Sherrod then capped the drive with a 20-yard touchdown scamper — all within the game’s first three plays.
On defense, Jaden Mickey forced and recovered a fumble at the Eagles’ 41-yard
line. Madsen pulled the offense together, stringing some good passes to get themselves into the red zone. The drive ended with an eight-yard touchdown run by Gaines to make it 13-0.
“When you have a guy like Mickey making plays that early, it sets the tone,” head coach Spencer Danielson said. “The game’s never too high, too low for him — he’s just a competitor.”
After another defensive stand, Madsen hit Ben Ford deep for a 60-yard touchdown with 2:49 left in the first quarter, pushing the lead to 20-0. The Broncos tore away the Eagle’s defense with a series of explosive plays as the quarter came to a close.
Second quarter
Despite Eastern Washington answering midway through the second quarter with a five-yard Jared Taylor touchdown
run, Boise State’s offense kept rolling.
Madsen punched in an eleven-yard touchdown run to extend the lead, and a 35-yard Canaan Moore field goal before halftime gave the Broncos a 23-point cushion at the break.
Madsen looked different this week — his confidence grew and the hunger for a win drove him to be better. Ford notes the difference was Madsen’s command of the game.
“He’s such a calming presence,” Ford said. “He makes it easy for us as receivers because we know the ball is going to be there.”
Third quarter
Boise State’s ground game took over in the second half. With just under five minutes left in the third quarter, wide receiver Cameron Bates broke tackles on a 20-yard touchdown run, making it 37-7.
The defense stayed sharp as well, limiting the Eagles to short possessions and keeping the game out of reach.
Safety Ty Benefield led the Broncos in tackles tonight with nine, three of
them being tackles for loss. Despite his own production, he showed appreciation for his teammates, recognizing cornerback Jaden Mickey as a key part of their defense.
“He flew to the ball on every rep, he gives it his all and keeps the guys going,” Benefield said. “It’s about all of us guys in the middle eight to stay focused and on the same page and I’m so glad he was able to shine today.”
Fourth quarter
The Broncos put the game away in style. Madsen led a 12-play, 90-yard drive that ended with a touchdown pass to Ford, their second connection of the night. Running back Dylan Riley ripped off a 34-yard gain to set up a missed field goal, but later iced the game with a 77yard touchdown run.
Eastern Washington managed one more touchdown, but the Broncos had long since sealed the blowout. The Eagles’ final drive was cut short by an interception by Broncos cornerback Trey Tolmaire.
The Broncos’ explosive performance
After the game, Danielson mentioned that the Broncos dominated in explosive plays while balancing their offensive attacks and strategies — and that’s how you win football games.
Boise State rushing combined for 328 total yards split between 5 big contributors. Bates had a single rush attempt for 20 yards and a touchdown and Madsen had 35 yards and a touchdown on 4 attempts. Within the running back room, Gains had 109 yards and a touchdown on 14 attempts, Sherrod had 42 yards and a touchdown on 7 attempts, while Riley had 128 yards and a touchdown on 6 attempts.
Madsen led the helm with 307 passing yards and two touchdowns distributed among 7 playmakers. Ford hauled in both of Madsen’s passing touchdowns with 82 yards on three receptions. Standout wide receiver Chris Marshall also produced heavily in the receiving game with 132 yards on four receptions.
“Explosive plays don’t just happen. They come from preparation, from blocking, from doing the right things,” Danielson explained. “Tonight, our guys executed that vision.”
BLUE TURF SHINES AS USA TODAY’S TOP SPORTS FAN ATTRACTION FOR THIRD
CONSECUTIVE YEAR
One of Boise State’s most iconic landmarks, the blue turf, has put the university on the map once again.
USA Today’s 10Best recently named Albertsons Stadium’s iconic Blue Turf the best sports fan attraction in the country for the third straight year, reinforcing its place as one of college football’s most recognizable landmarks.
Lavender recalled a night when a family from Chicago pleaded with staff to unlock the stadium after hours, saying they couldn’t leave Boise without seeing The Blue.
For Isaac Celedon, Boise State’s student body president, stories like these capture the essence of what the turf represents.
A different look from last week
This win marked a sharp turnaround from Boise State’s season-opening loss at South Florida, where slow starts on both sides of the ball proved costly.
The Broncos set the tone immediately and never let up, pairing an explosive run game with a defense that swarmed Eastern Washington and played lights out football.
Much of the improvement came from better communication and composure on the field. Benefield said the biggest change on the field was communication.
“Communication breeds confidence,” he said. “You call things out, you see it happen, and then you play fast. That’s what we did tonight.”
As Danielson put it, having Madsen in rhythm while the defense dominated gave Boise State “a chance every time.”
The Broncos now enter the bye week at 1-1 with Air Force up next, a game Danielson framed as the real test of consistency. “We’ll celebrate this, but then we flip the switch,” he said.
“When you look at all the other attractions that were up for this — museums, historic venues — it really is an honor to see The Blue come out on top,” said Suzanne Lavender, senior associate athletic director. “It’s become such a signature of Boise State and the city of Boise. People see it and instantly know who’s playing.”
Bob Behler, longtime play-by-play voice of both Boise State football and men’s basketball, said it belongs in the same conversation as some of the most iconic venues in sports.
“When I think of The Blue, I put it right there with Wrigley Field, Fenway Park and Lambeau Field,” Behler said. “If you’re sitting in a sports bar and see highlights on a blue field, you don’t need a graphic. You know exactly it’s Boise State.”
“The Blue is the front porch of the university,” Celedon said. “It sparks the conversations that connect students, alumni and fans across the country. This recognition shows our athletics program’s continued commitment to innovation and to building one of the greatest ideas in college sports history.”
Lucas Gebhart, associate director of sports sales for Visit Boise, said the recognition also has ripple effects far beyond campus.“It gives people a reason to come to Boise. Whether that’s coming to a football game or it gives us a venue that we can go out and sell and market for different events that aren’t football related, The Blue is a top attraction.”
The idea for the uniquely colored field dates back to 1986, when a forward-thinking athletic director decided Boise State needed something to set it apart. Nearly 40 years later, it continues to draw more than 18,000 visitors annually on non-game days.
From its junior college days to the Big Sky, Big West, Mountain West and now the Pac-12, Boise State’s rise has been inseparable from its iconic blue turf field.
“The field gave the program an identity, but the success of the teams made it matter,” Behler added.
The recognition affirms The Blue’s place as one of the most powerful symbols in both college football and among other iconic sports landmarks across the nation.
BOISE STATE WOMEN’S SOCCER LOOKS TO FIND THEIR STRIDE AS THEY APPROACH CONFERENCE PLAY
Jake Zamora | Sports Editor | sports@stumedia.boisestate.edu | Photo by Carter Nash
The Boise State Broncos
Women’s Soccer began their season 2-3-2 through their first seven games, a slow start that is atypical for a team led by accomplished head coach Jim Thomas. Despite the rocky start, with a talented roster, including impactful returning players and freshmen, the Broncos continue to look forward in hopes of capturing a Mountain West title.
“Kenzie’s impact has been amazing,” head coach Jim Thomas said of forward Kenzie MacMillan. “She’s been such a lightning rod for our attack.”
Redshirt senior MacMillan has scored four goals through the team’s first seven games, the highest on the team, and collected two assists. MacMillan was named to the All-Mountain West First Team in 2023 and has been a key component of the Bronco attack since her arrival in Boise in 2021.
As far as the defense goes, Thomas noted there have been both veterans and newcomers who have made names for themselves this season.
“Having Teryn come back into the midfield has been huge,” Thomas said of senior Teryn Newkirk. “She’s given us stability and strength to build around.”
Newkirk, a native of Cypress, California, was sidelined for 15 months before the start of the season due to injury, but her return has proven to be prolific. Thomas noted her consistency on the defensive side of the ball has helped young players like Madie Donovan come to prominence.
Thomas also highlighted freshman goalkeeper Ava De Leest as another catalyst for the team this season.
“Ava’s been tremendous,” Thomas said. “She’s really taken on some of the responsibilities as a leader, and to get those out of a freshman, it’s really unique.”
De Leest had 17 saves through the first seven games of the season, proving herself to be one of the most skilled freshmen on the team. As a member of the Troy High School team in Fullerton, California, she was awarded all-league honors in 2023.
The proficiency the defense has had comes at a time when the back line has gone through a shift in terms of personnel, mostly due to multiple injuries. These include long-term injuries lingering from training camp, as well as ones that were suffered a few games into the season.
Despite the slow start to the season in terms of performance and the adversity faced by the team due to injuries, Thomas encouraged his players to ignore the results and simply strive to improve a small amount each day.
“We just try and get 1% better every day,” Thomas said. “Our record is not great right now, but we try to only pick apart one or two things each week to make the improvements bite-sized.”
The composure Thomas approaches the game with, despite subpar results, is a testament to coaching prowess.
As head coach for Boise State since 2013, Thomas led the team to their three most successful seasons in program history in 2017, 2018 and 2019. He led the Broncos to a regular-season Mountain West title in 2018 and a Mountain West Tournament Championship in 2019. The Broncos’ 18 wins in 2019 set the program record for most wins in a regular season, and their eight conference wins set the program record for most regular-season conference wins. Additionally, Thomas broke the record for most wins by a head coach in Bronco program history in the victory over Nevada on Oct. 19, 2023. This marked his 112th win as Boise State head coach.
Hailing from Bangor, Wales, Thomas served as the head coach at the University of Washington from 2008 to 2012. During this time, he led the Huskies to four NCAA Tournament appearances, which included a trip to the Elite Eight in 2010.
For soccer fans at Boise State, Thomas’s presence as the head coach is a point of pride.
“I remember doing some research on Jim Thomas when I first started following the soccer team my freshman year and I was really impressed,” Boise State student and soccer fan Mitch Theis said.
“Seeing how good his coaching career has been at a high level, it’s cool to have someone like that as your school’s soccer coach.”
Despite not having as big a market as other programs, such as football and basketball, Boise State soccer is still able to reach students who love and appreciate the game.
“I’ve been to a few games and they are awesome to watch.” Boise State student AJ Garcia said. “Seeing how fast and talented some of the players are really impressed me, and I can see why they’ve been so good the past 10+ years.”
The Broncos will look to harness that same talent and speed in their next game when they take on North Dakota on Thursday, Sept. 11 at home. As they gear up for conference play which begins on Sept. 25 against Wyoming, the team will continue to search for its rhythm in hopes of capping off the season with a Mountain West Championship.
The mascot of Boise State’s opponent who didn’t soar at this year’s home opener.
The name of a NASA mission as well as the Greek goddess of the wilderness.
This campaign, pioneered by Marlene Tromp, is nearing its $500 million goal.
Bronco Lane, Boise, Idaho, U.S
An annual s tudent-led event that does not require pants. The first name of a musician who's known to ask, “Have you ever tried this one?”
