the guide FRIDAY, NOVEMBER 22, 2013
THIS WEEK LIFESTYLE
Contemporary Shakespeare
Addison Williams (COL ’14) starred in the Theatre and Performance Studies Program’s recent production, “Hamlet.” B2
The Other Side of History
The National Gallery is performing “Foreward 54th,” the story of black regiments in the Civil War. B3
FOOD&DRINK
French Delicacies
Bistrot du Coin offers a variety of delectable Belgian and French cuisine at reasonable prices. B4
ARTS&ENTERTAINMENT
BY ANY OTHER NAME Dan Snyder's team has social justice activists seeing red. The press is making sure we notice. PAT CURRAN
Hoya Staff Writer
Sequel on Fire
“Catching Fire,” the sequel to “The Hunger Games,” exceeds expectations. B5
Simple America
“Nebraska” explores the simpler side of life as a son and his father travel across the country to collect a lottery prize. B5
NEW RELEASES ‘ALL BAD’ JUSTIN BIEBER
ISLAND RECORDS
“All Bad” by Justin Bieber is most likely a response to the negative media attention he has been receiving lately. He is definitely not the teenybopper we remember from a few years ago, but there are no excuses for this song. The lyrics are repetitive and juvenile because of Bieber’s penchant for perfect rhyming. While his voice has matured beautifully and the song has a straightforwardly pleasing beat, this track is not one to remember. ‘THE ART OF LETTING GO’ MARIAH CAREY
ISLAND RECORDS
Mariah Carey’s new ballad, “The Art of Letting Go,” is bittersweet. At first, it seems a bit melancholy, but the pure, minimally synthesized vocals give the song strength. For a modern pop song, it’s a bit of a surprise. There are no lewd references, the vocals sound authentic and there’s a nice melody. Some say that Carey has lost her way, but it is refreshing to hear honesty and a deviation from her usual blaringly loud style.
THEHOYA.COM/ THE-GUIDE @thehoyaguide
As the last burgundy and gold leaves cling desperately to the treetops of the nation’s capital, and D.C. residents watch the sun set on another Indian summer, the city’s NFL team finds itself, once again, mired in irrelevance. Washington is the owner of a 3-7 record and the fourthplace spot in the NFC East, the weakest team in what is widely considered the league’s weakest conference. That comes as no surprise. With the exception of two brief but glamorous runs during the Roosevelt and Reagan administrations, Washington has been at best an NFL afterthought and at worst a laughingstock. While the squad has languished on the field, media coverage has focused on an increasingly loud debate off the field. A small group of
American Indian leaders — most p r o m i n e n t l y, members of the Oneida Nation suing to abolish the team’s trademark — have renewed their efforts to force a change in the team’s name. The media are beginning to notice: For a last-place team, Washington is finding its name in the headlines with alarming regularity. But more often than not, it’s to announce that the name will, quite literally, no longer appear in headlines.
W AS HI NG TO N
TIM ES
------------------------------See WASHINGTON, B2
THEATER
Imaginative Snippets Go Back in Time Students showcase their talent in the Donn B. Murphy One Acts Festival JOSEPH KUPERSCHMIDT Hoya Staff Writer
At the Donn B. Murphy One Acts Festival, audiences will be reminded that old-fashioned theatre is anything but stale. This annual event run, by the Mask & Bauble Society, showcases fresh talent in the Georgetown community and gives actors, playwrights and directors the opportunity to hone their skills in front of a live audience. This weekend, these young artists, who have earned valuable experience through creating the production, will bring life to two pieces deeply rooted in the past. The night begins with How to Succeed with Dolls, a new musical written and composed by Tim Lyons (COL ’15). Every spring, writers can submit their work to a panel of judges and the top three works are selected. The director of the festival then chooses which of the three he would like to workshop. Luckily for Lyons, his musical tied for first place with the judges and director Caleb Lewis (COL ’16) decided to pursue it for performance. Knowingly grounded in cliche, See FESTIVAL, B3
ERICA WONG/THE HOYA
Devon Gerzof (COL ’16) (left) and Connor Joseph (COL ’16) perform a comic scene together in “How to Succeed With Dolls,” a musical written by Tim Lyons (COL ’15).