the guide FRIDAY, OCTOBER 11, 2013
THIS WEEK LIFESTYLE
A Caffeinated Culture
Saxbys founder Nick Bayer created his company with a vision of bringing good lattes and better service to students. B2
Campus-Ready Shakespeare
Both “Hamlet” and “Rosencrantz and Guildenstern Are Dead” will be performed this theater season. B3
FOOD&DRINK
Sticking With the Basics
Rialto, a new Italian restaurant, focuses more on the quality of their dishes than innovative traditional recipes. B4
ARTS&ENTERTAINMENT
Just Being Miley
Bangerz, Miley Cyrus’ newest album, blends genres for plenty of pop hits. B5
The CW Does It Again
“The Originals,” a spinoff of “The Vampire Diaries,” features a vampire family living in New Orleans. B5
NEW RELEASES ‘EDEN’ BEN KHAN
Lasting Effects ‘I
t felt so good. I just kept rolling my head around and around and around.” “I opened my eyes, and I felt like a newly empowered individual.” “Music came on, and my arms started moving and flailing. I was watching my arms move.” “The worst thing in the world could have happened, and I would have had absolutely zero clue that it was bad until the next morning.” This is how a collection of Georgetown students described their highs on MDMA. “Intense euphoria, feelings of connectedness and empathy and [increased] energy,” on the other hand, is how Carissa Winland, a neuroscience Ph.D. candidate at Georgetown who teaches the course “Drugs, the Brain and Behavior” characterized the effects of the drug, which increases levels of the happiness-inducing neurotransmitter serotonin in the spaces between brain cells in the same way as prescription antidepressants like Prozac, often causing mild hallucinations. Like cocaine, MDMA affects con-
centrations of dopamine, the neurotransmitter involved in movement and sense of reward. MDMA, short for 3,4-methylenedioxy-N-methylamphetamine, first gained notoriety in the 1970s when psychologists administered it to patients to reduce anxiety and inhibition. It was outlawed in the United States in 1985, but by the late 1990s, it had become popular on the rave scene in its street-pill form, ecstasy. Following a brief decline, it made a comeback in the late 2000s in its powdery form — known colloquially as Molly. But Winland and Amanda DiBattista, who also teaches “Drugs, the Brain and Behavior,” are quick to point out MDMA’s negative side effects, including difficulty concentrating, an urge to grind your teeth, changes in sleeping patterns, hyperthermia and overdose in the short term. A prolonged period of depression, known as “Suicide Tuesday,” can last up to a week after use of the drug. Winland adds that there is strong evidence of long-lasting neurological damage
BRADEN MCDONALD & GRIFFIN COHEN Hoya Staff Writer
Special to The Hoya
from MDMA: Several studies show that adults who took Molly in their teens or early 20s on a recreational basis (i.e., a few times a month and without being addicted) had damaged serotonin systems into their 30s, despite having abstained from the drug for months or years. DiBattista rattles off studies in which the drug has been linked to memory problems and neurotoxicity, or death of brain cells. Despite these risks, recreational use of the drug has skyrocketed in the United States in recent years. In a June 23 article, The New York Times reported that MDMA-related visits to U.S. emergency rooms have doubled since 2004; United States Customs and Border Protection reports 2,670 confiscations of MDMA in 2012, a dramatic jump from 186 in 2008. Academics speculate that the rise in the drug’s use has been linked to the popularization of electronic dance music, or EDM, in See MOLLY, B2
LIFESTYLE
BEN KHAN
Following his sultry, bluesy album Drive Part I comes British singer Ben Khan’s new single, “Eden.” While Khan may strive to evoke a breathy, almost slinky groove, “Eden” is far from musical paradise. Frequent horns annoyingly blare over the melody. The electronic tone of the song is too sluggish for dancing but not melodious enough for a ballad. “Eden” ends up sounding like cheesy background music for a dated 1980s detective movie. ‘BLOW IT SOUTH’ WHITE LUNG
College Problems No Match for Apps Student-created mobile tools bring the social scene to our fingertips KELLY LUI
Hoya Staff Writer
In an age when individuals are inseparable from their smartphones, mobile apps have virtually permeated every aspect of our lives — from Facebook to Snapchat, Fruit Ninja to Google Maps — but it is sometimes easy to forget that in addition
to all the people using them, there are also teams behind the creation of the apps. Georgetown alumni among the latter have used their technological know-how to turn vision into reality. Bobby Pinter (COL ’16) spent the summer working on his solo project, EventString, a mobile app that focuses on easier, more personal-
ized time management and logistics planning. The app is still under development, but Pinter is aiming to launch it by December. The Loop, created by Seun Oyewole (SFS ’14) and Keegan Carter (MSB ’14), is an event app that provides information about activities, both public and private, in the area so that college students will not fall
DERANGED RECORDS
White Lung, the loud, aggressive Vancouver all-women punk band, is back with a bang. Although their passionate howling and screechy guitar accompaniment might not appeal to all music lovers, their vigor and enthusiasm cannot help but be infectious. Abandoning the tormented tone of their previous album, White Lung embraces their rage and fury in “Blow It South” for an almost urgently-paced, authoritative single.
THEHOYA.COM/ THE-GUIDE @thehoyaguide
KELLY LUI/THE HOYA
Seun Oyewole (SFS ’14) and Keegan Carter (MSB ’14) are the creators behind The Loop, an event app that keeps students aware of what’s going on both on campus and in the D.C. area.
out of the social loop. Their project was runner-up in the Commercial Track of the Hoya Challenge 2013, and the program is now available for free in the Apple App Store. Catherine Cook (MSB ’11) is a co-founder of MeetMe, previously known as MyYearBook.com, a social networking app and associated website that enable users to make new friends. The app is immensely successful, and in 2011, was acquired by Quepasa for $100 million. The team of developers now consists of 100 people and is based in in New Hope, Penn. They are now working on another mobile app, Unsaid, for which details are still under wraps. While the scale of teams and ventures differ and the ways they choose to reach their goals vary, many share a similar starting point. “Initially, it was just like, we had a problem, and I think we have a solution, so how do we make it happen,” Carter said. Although The Loop has been successful, Carter and Oyewole did not initially set out for profit. “It’s not necessarily that we are doing it for the money. We are doing it to solve a problem, and in order to solve the problem we have to make money,” added Oyewole. The two came up with the idea of The Loop in their sophomore year at Georgetown. It was inspired by a need to stay up to date on the college social scene and create a central location where people can find everything that is going on in D.C. See APPS, B3