Reichenau Gospels, Walters Art Museum MS. W.7

Siede, Irmgard. Zur Rezeption ottonischer Buchmalerei in Italien im 11. und 12. Jahrhundert. St. Ottilien, Germany: EOS, 1997, pp. 75, 77-78, 269-270. Contributors

Principal cataloger: Walters Art Museum curatorial staff and researchers since 1934 Cataloger: Walters Art Museum curatorial staff and researchers since 1934 Editors: Herbert, Lynley; Noel, William Copy editor: Bockrath, Diane Conservators: Owen, Linda; Quandt, Abigail Contributors: Archibald, Elizabeth; Bockrath, Diane; Davis, Lisa Fagin; Dutschke, Consuelo; Emery, Doug; Hamburger, Jeffrey; Noel, William; Sciacca, Christine; Tabritha, Ariel; Toth, Michael B.; Valle, Chiara

Generated: 2012-07-16 15:31 -04:00

Reichenau Gospels, Walters Art Museum MS. W.7

Published on Jul 19, 2012

The Walters Art Museum

About

This Gospel Book is believed to come from the Abbey of Reichenau, on Lake Constance, on the basis of its script and illumination. The decoration of the manuscript places it in the so-called Luithar school of Reichenau. Its ornamental motifs compare very closely with those in Munich, Bayerische Staatsbibliothek Clm. 4453, and its palette is nearly identical to that in the Reichenau manuscripts of the Bamberg Cathedral Treasury. Gold uncials begin each paragraph as well as the introductory words of each chapter; they are a distinct mark of Reichenau manufacture. The manuscript's text is written in Caroline minuscule. It is paleographically related to Bamberg, Staatsbibliothek Mss. Bibl. 76 and Bibl. 22, and also Munich, Bayerische Staatsbibliothek Clm. 4454. As a whole, it is an excellent example of Ottonian book illumination.

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