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In collaboration with

An important new survey of American printmaking from the 1960s to now, published to accompany the first major UK exhibition on the subject at the British Museum, London. Stephen Coppel is curator of modern prints and drawings at the British Museum. Catherine Daunt is Monument Trust project curator at the British Museum. Susan Tallman is editor-in-chief of the journal Art in Print.

388 illustrations 28.0 x 25.0 cm 332pp hardback ISBN 978 0 500 239605 March £40.00

The American Dream pop to the present

The American Dream pop to the present

Also available in paperback


978 0 500 292822 £25.00

Stephen Coppel, Catherine Daunt and Susan Tallman With contributions from Isabel Seligman and Jennifer Ramkalawon In the early 1960s, American printmaking experienced a dynamic resurgence that placed it at the heart of artistic practice. Such was the medium’s attraction that by 1970 virtually every major American artist was exploring its creative potential in collaborative print workshops. Throughout the past six decades, as leading artists have experimented with different materials and new techniques, prints have continued to reflect their central concerns. The American Dream: pop to the present presents an overview of this extraordinarily vibrant period of American printmaking, from the moment pop art burst onto the New York and West Coast scenes in the early 1960s, through the rise of minimalism, conceptual art and photorealism in the 1970s, to the engagement with issues such as race, AIDS and feminism right up to the present day. Particular attention is given to key figures such as Andy Warhol, Jasper Johns, Robert Rauschenberg and Ed Ruscha as well as to more recent practitioners, including Jenny Holzer, Kiki Smith, Glenn Ligon and Julie Mehretu. The vital role of several print workshops is also discussed. Fully illustrated with more than 200 key works by almost 70 artists, informative commentaries on the prints and concise biographies of the artists, this book reveals the unprecedented scale, boldness and ambition of American printmaking since the 1960s.

Thames & Hudson Spring 2017 Catalogue  
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