Music News aka Houston Music News aka Texas Music News

Vol. 43 - No. 5 • FEBRUARY 2024 • www.houstonmusicnews.net • FREE

EAGLES! Also In This Issue

The Movement • Mickey Darling • Twin Temple Dorian Electra • Lettuce • Gov’t Mule Jamie Lynn Vessels • Marisela • Al Stewart Church Of Cash • And More!

https://www.facebook.com/theHOLE19TH/

GRILL & SPORTS BAR 202 Sawdust Rd. (The Woodlands) • 281-363-2574 • http://www.19th.cc

February 2024 Friday, February 2 Paperanvil, Apex Fallen Saturday, February 3 Coverpalooza with Time Capsule, Alter Ego Alien Shore Friday, February 9 Awaken The Giant, Sevvven, 5Fifteen, Tab Cocchia Saturday, February 10 Zombilly, Swellin, Bardo Friday, February 16 Band TBA Saturday, February 17 Band TBA Friday, February 23 Band TBA Saturday, February 24 American Witch

Every Thursday Night

Live Jam Session! @ 8:00 PM

All Musicians Welcome!

Special Events at The 19th Hole Tuesdays Karaoke Wednesdays Bingo Fridays 10 oz. Steak Lunch Special Only $13.99

The 19th Hole Grill & Bar is celebrating our 32nd Year Anniversary of being a live music venue

DART TOURNAMENT EVERY MONDAY NIGHT!!

Take I-45 to the Rayford/Sawdust exit in Spring • Go west on Rayford/Sawdust • Make a right turn at the first red light We’re at the end of the strip center on your left!

2

Music News • February 2024

February 2023

Hi Folks,

Hello Music News readers. I hope you had a great January.

Our cover story for this month is the Eagles. The Eagles are bringing their “The Last Goodby” Tour to the Toyota Center. This concert is scheduled to showcase almost all of their biggest hits and is reported to be the last time that the band will ever be appearing in Houstoon. It will definitely be one concert you won’t want to miss. The show will take place February 16th Now, on to the new issue. In this issue, as usual, we have some great stories and information to pass on to you.

Check out stories in this month’s issue on The Movement, Mickey Darling, Dorian Elektra, Gov’t Mule, Lettuce, Al Stewart, Church Of Cash, Robert Jon & The Wreck, Twin Temple, and much more, as well as another installment of the original story, THE BIKER! Also in this issue are a ton of great pictures of bands performing around the Houston area. I’m sure you’re going to be familiar with a lot of these bands. Those bands include Chris Ruest, Drifters & Grifters, Firecracker Smile, High Society, Maniacal Grind, Rockasol, Mark & The Misphits, Static Blues Band, Tweed Smith & The Internationals, and more!

Also be sure to check out our Spanish section. In this month’s issue we have stories on Marisela. The story isin English and Spanish.

I sincerely hope that everybody reading this new publication finds something here that they like and I would like to encourage you to let your friends and colleagues know about us. Just look for us every month at http://www.houstonmusicnews.net. I would also like to encourage you to email us for a free subscription to Rock And Blues International as well. Just email us at musicnew@airmail.net and in the subject line simply put “Sign Me Up” and we’ll email you a copy each month when it is published. Remember, for your convenience, Music News is also now downloadable. You can download the issue into your computer or storage device and save it and read it at your convenience without having to get logged on to the internet every time.

Try it now and save every issue. It will make things a lot easier for you.

Kevin Wildman Kevin Wildman Editor and Publisher

Kevin Wildman Editor and Publisher Web Address http://www.houstonmusicnews.net Mailing Address Box 1162, League City, TX 77573 Phone 281-650-1953

For Advertising email us at musicnew@airmail.net or call 281-650-1953 For A Free Subscription email us at musicnew@airmail.net and in the subject line put “Sign Me Up Now” February 2024 • Music News

3

Contents

VOL. 43 NO. 5

Page 6 The Eagles The Eagles Bring Their “The Last Goodbye” Tour To Toyota Center

FEBRUARY 2023

ISSUE NO. 532

Page 12 Gov’t Mule Gov’t Mule Bring Their “30 Years Strong Tour” To Bayou Music Center February 25

Page 22 Marisela Marisela Performs March 1st at The Arena Theater

Page 16 Lettuce Lettuce Perform At The Heights Theater February 17

Page 10 Jamie Lynn Vessels

Page 18 Al Stewart

Jamie Lynn Vessels Performs At Green Oaks Tavern February 24th

Al Stewart And The Empty Pockets Perform At Dosey Doe March 3rd

4

Music News • February 2024

Page 28 Twin Temple Twin Temple Perform At Warehouse Live

Contents

VOL. 43 NO. 5

FEBRUARY 2023

Page 30 Robert Jon & The Wreck

Page 38 Church Of Cash

Robert Jon & The Wreck Perform At The Continental Club

Page 32 The Movement The Movement: A Reggae Odyssey Unveiling in Houston at White Oak Music Hall on February 8

Page 36 Mickey Darling Mickey Darling Perform At White Oak Music Hall February 10

Church of Cash Performs At Main St. Crossing

ISSUE NO. 532

Page 52 Marisela Marisela se presenta el 1 de marzo en el Arena Theater

Page 43 Dorian Electra Dorian Electra Performs At Warehouse Live On March 3rd

Page 48 The Biker The Continuing Saga Of A Lone Biker On The Road To Explore The Freedoms Of America.

Page 56 On Random Shots featuring Chris Ruest Drifters & Grifters Firecracker Smile High Society Maniacal Grind Mark & The Misphits Rockasol Spiral Static Blues Band Stress Level Red Super Pop Tweed Smith & The Internationals Ultimo Instincto When The Sun Dies Zak Perry February 2024 • Music News

5

The Eagles Bring Their “The Last Goodbye” Tour To Toyota Center

By Kevin Wildman On the eve of February 16th, under the dazzling lights of the Toyota Center in Houston, Texas, the Eagles, a musical juggernaut spanning over five decades, are poised to unleash a sonic spectacle that transcends time itself.

The excitement in the air is palpable as fans prepare to embark on a journey through the storied history of a band that has not only defined an era but left an indelible mark on the tapestry of rock ‘n’ roll.

As the curtains rise on “The Long Goodbye” tour, the Eagles, featuring the indomitable Don Henley, the virtuoso Joe Walsh, the harmonic Timothy B. Schmit, the soulful Vince Gill, and the heir to the legacy, Deacon Frey, stand at the precipice of a night that promises to be more than a mere 6

Music News • April February 20232024

concert – it’s a testament to an extraordinary career that has shaped the very fabric of American music.

The story of the Eagles is one that begins in the fall of 1971, when Glenn Frey, Bernie Leadon, Randy Meisner, and Don Henley converged in Los Angeles, each bringing a unique musical flavor to the mix. Their debut album, aptly titled “Eagles,” released in June 1972, marked the beginning of a journey that would redefine the landscape of rock. Hits like “Take It Easy” and “Witchy Woman” soared to the top of the charts, setting the stage for a musical odyssey that would span generations.

The Eagles’ sophomore effort, “Desperado,” released in April 1973, showcased their versatility, delivering a concept album that delved into the

theme of outlaws. The title track, though never released as a single, became an anthem in its own right, solidifying the band’s ability to craft timeless classics.

As the ’70s progressed, the Eagles’ dominance in the music scene became undeniable. “On the Border,” released in March 1974, marked a shift toward a more rock-oriented sound.

The addition of guitarist Don Felder and producer Bill Szymczyk further fueled their creative fire. The album’s lead single, “Already Gone,” reached the Top 20, foreshadowing the monumental success that awaited them.

The turning point came with “One of These Nights,” the Eagles’ fourth studio album released in June continued on next page

Eagles (continued from previous page) 1975. An instant smash, it went gold in the same month and reached the coveted number one spot. The title track, “Lyin’ Eyes,” and “Take It to the Limit” became anthems of an era, earning accolades, including a Grammy for Best Pop Vocal Performance by a Duo, Group, or Chorus for “Lyin’ Eyes.”

In 1976, the Eagles unleashed “Hotel California,” a magnum opus that not only defined the ’70s but became one of the greatest albums in rock history. The eponymous single, with its haunting guitar solos and enigmatic lyrics, captivated audiences and earned the Grammy for Record of the Year. The album’s success, certified platinum in one week and eventually selling over 10 million copies, solidified the Eagles’ status as global icons.

Amidst the musical prowess, the Eagles faced personnel changes.

Bernie Leadon departed, making way for Joe Walsh, and the band continued its journey with “The Long Run,” released in September 1979. The leadoff single, “Heartache Tonight,” topped the charts and won a Grammy for Best Rock Performance by a Duo or Group with Vocal.

The Eagles’ legacy was further immortalized in their live performances. The double LP “Eagles Live,” released in November 1980, captured the essence of their stage prowess. The single “Seven Bridges Road” soared into the Top 40, showcasing the band’s ability to transcend studio recordings and deliver electrifying performances.

The ’80s brought a hiatus for the Eagles, and though rumors of a reunion persisted, it wasn’t until 1994 that the iconic “Hell Freezes Over” album emerged. The MTV concert special, featuring the Eagles’ timeless hits alongside new recordings, became a chart-topping success. The album’s single, “Love Will Keep Us Alive,” claimed the number one spot on the adult contemporary charts.

Inducted into the Rock & Roll Hall of Fame in 1998, the Eagles continued to soar, releasing “Long Road Out of Eden” in 2007. The double-disc album, marked by its rich harmonies and profound lyrics, quickly went multi-platinum. The Eagles had not only stood the test of time but had proven their ability to evolve and create music that resonated with new generations.

In 2013, the band delved into their storied history with the documentary “History of the Eagles,” providing fans with an intimate glimpse into their journey. The tour that followed, stretching until mid-2015, showcased the enduring appeal of the Eagles’ music.

The untimely passing of Glenn Frey in 2016 cast a shadow over the band, but like a phoenix rising from the ashes, the Eagles regrouped with Deacon Frey and Vince Gill joining the lineup. The Classic West and Classic East festivals in 2017 became a poignant tribute to their fallen comrade, a celebration of a legacy that refused to be silenced.

As the 2020s dawned, the Eagles navigated the challenges of the COVID-19 pandemic, briefly halting their touring endeavors. However, they returned in 2021, proving that their music was not confined to a bygone era but continued to resonate with audiences old and new.

In September 2023, against the

backdrop of their extensive catalog, the Eagles embarked on “The Long Goodbye Tour.” So far the band has announced about 25 dates for the tour, but it is possible that more dates will be added. The upcoming UK residency at the Co-Op Live Arena Manchester will become a pivotal chapter, featuring fellow Hall of Famers Steely Dan, commemorating their 50+ year careers.

Two giants of the music industry, sharing the stage and creating memories that would echo through the ages.

The Toyota Center in Houston will transform into a sacred space where the Eagles, in all their glory, will become a hall of musical brilliance on February 16th. Each note that will performed there will become a chapter in a story that spans not just the history of a band but the collective consciousness of those who have been touched by their melodies.

As the final chords resonate through the Toyota Center, the Eagles will bid adieu to their Houston fans, leaving an indelible mark on the hearts of those who witnessed the magic.

“The Long Goodbye” is not just a tour; it’s a pilgrimage through the annals of musical history, a testament to the enduring legacy of a band that dared to dream and created a soundtrack for generations to come. The Eagles, with their transcendent melodies, have etched their name in the pantheon of rock gods, and the echoes of their music will reverberate through time, a timeless ode to the power of harmony and the spirit of unbridled creativity.

February 2024 • Music News

7

Shady Acres Saloon www,shadyacressaloon.com 1115 W. 19th Street, Houston 713-534-1112

NEVER A COVER! Party With Us Every Night In The Backyard We Have Pit Fires and Warm Heaters Outside Everyday Stay Warm and Party!

Be Sure To Reserve Our VIP Party Room For Your Private Party!

(Rental Details Available On Our Website) Attention Food Trucks And Pop-Up Vendors We Are Looking For More Food Trucks and Pop-Up Vendors - Check Out Our Website For More Details @ http:// www.shadyacressaloon.com Links to our Facebook Page & Instagram are also located on our website!

8

Music News • February 2024

Shady Acres Saloon www,shadyacressaloon.com 1115 W. 19th Street, Houston 77008 713-534-1112

NEVER A COVER! Dog Friendly

Houston Blues Series February 1 Sonny Boy Terry February 8 Steve Gilbert February 15 Nathan Quick February 22 Band TBA February 29 Chris Chrochemore

February 1 Sonny Boy Terry

February 8 Steve Gilbert

February 10 Hardluck Revival

February 15 Nathan Quick

February 23 Eric Korb

February 29 Cris Crochemore

Sundays - Bingo @ 3 - 6 pm February 2024 Entertainment Schedule 2/1 - Sonny Boy Terry 2/2 - Havoc Wagon 2/3 - Tyler Bigley 2/8 - Steve Gilbert 2/9 - Patrick B Ray and the

Waymores 2/10 - Hard Luck Revival 2/15 - Nathan Quick 2/16 - Eddie Robbins Band 2/17 - DeSoto Rose

2/22 - TBA 2/23 - Eric Korb 2/24 - Kevin Anthony & G Town Feb. 29 - Cris Crochemore February 2024 • Music News

9

Jamie Lynn Vessels Performs At Green Oaks Tavern February 24th

By Greg Fontaine Jamie Vessels, a singer, songwriter, and guitarist, is making waves in the roots music culture of New Orleans with her original New Orleans Roots Rock. Her music is aimed at connecting with wanderers, dreamers, and fighters, echoing the off-the-beaten path that has defined her own life.

10

Music News • February 2024

Vessels has established herself as a notable figure in New Orleans, where her voice and honest lyrics forge a sense of community among strangers. Her latest album, “If I’m Being Honest,” promises to maintain this connection with its bluesy, hardhitting guitar riffs and lyrics delving into the challenging and hopeful aspects of the human experience.

The lead track, “Damn Dirty

Demons,” explores addiction, while “Eulogy at Joshua Tree” reflects on the legacy of country music icon Gram Parsons. “Pulse” addresses the Pulse nightclub shooting in Orlando, offering a reflection on the tragic event and the hatred and violence it represents.

Vessels acknowledges the dual nature of her honest songwriting, incorporating both dark and hopeful themes. The album includes love songs like “Down,” expressing determined loyalty even in the face of darkness, conveying an element of hope.

The theme of community runs through the entire album, which took shape during quarantine. Vessels, like many artists, turned to livestreaming to connect with her audience and maintain a sense of community. The lockdown period also prompted her to delve deeper into her personal life, addressing issues such as trauma, recovery, mental health, and selfreflection.

Raised with a love for folk rock and singer-songwriters, Vessels initially pursued music, forming her first band at a young age. After a hiatus for education, she returned to music in New Orleans, drawing inspiration from the diverse musical scene and forming connections with fellow musicians.

Vessels collaborates with a group of musicians who contribute to and enhance her artistic vision. The creative process involves bringing her songwriting to rehearsals and allowing the team to add their unique flavors. The result is a dynamic blend of rock and roll energy and lyrical complexity. “ If I’m Being Honest” not only captures this musical power but also serves as a catalyst for creating a community for those who resonate with the stories of wanderers, dreamers, and fighters. Jamie Vessels aims to make everyone feel seen and included through her music, emphasizing the importance of shared human experiences.

Green Oaks Tavern

211 E. Main St. • Humble, TX • 281.570.4344 • www.greenoakstavern.com Friday, February 2 Malford Milligan with Mark May and Mike Karm Saturday, February 3 Jonn Dell Toro Richardson Saturday, February 10 Gino V Band

Friday, February 9 Eric Demmer & Chris Duarte Friday, February 16 Ruby Dice and the Calloway Ritch Band Saturday,February 17 The Repeat Offenders

Sunday, February 18 Lubas Dvorak and Willie T Golden Friday, February 23 Mark May

Saturday, February 24 Jamie Lynn Vessels

FEBRUARY 2024

RESERVATIONS RECOMMENDED (call, email or FB message us) • Happy Hour Tues-Sat @ 4-7pm February 2024 • Music News

11

Gov’t Mule Bring Their “30 Years Strong Tour” To Bayou Music Center February 25

12

Music News • February 2024

Gov’t Mule “30 Years Strong Tour” (continued from previous page)

By Troy Wilson In 2024, the illustrious quartet Gov’t Mule, led by the multifaceted Warren Haynes, is on the cusp of celebrating a remarkable milestone – their 30th Anniversary. To commence the revelry, they are embarking on the “30 Years Strong Tour” in February, a grand odyssey that promises to be a testament to three decades of musical prowess.

This momentous occasion follows the release of their latest studio album, the critically acclaimed “Peace…Like A River.”

Released this past summer, the album stands as the band’s 12th studio venture and a sequel to their chart-topping and GRAMMY-nominated blues album, “Heavy Load Blues.”

Lauded as “perfection,” “captivating,” and “riveting,” the 12-song rock collection has been praised as one of the band’s crowning achievements. The singles from the album, including “Dreaming Out Loud” featuring Ivan Neville and Ruthie Foster, “Same As It Ever Was,” and “Made My Peace,” showcase Gov’t Mule’s ability to captivate audiences with their soulful and evocative sound.

The album also features guest appearances from luminaries such as Billy F Gibbons, Billy Bob Thornton (on “The River Only Flows One Way”), and Celisse.

Recorded concurrently with “Heavy Load Blues” at The Power Station New England and co-produced by John Paterno (known for his work with Elvis Costello, Bonnie Raitt, Los

FOLLOW GOV’T MULE: Website @ https://mule.net/ Facebook @ https://www.facebook.com/govtmule Twitter @ https://twitter.com/govtmuleband Instagram @ https://www.instagram.com/govtmule/ YouTube @ https://www.youtube.com/@gmmule TikTok @ https://www.tiktok.com/@govtmuleband Scott (bass) – has crisscrossed the Lobos), “Peace…Like A River” retains its distinct identity despite U.S., Canada, and Europe with their acclaimed live shows. Their sharing sessions with its blues tours included headline perforcounterpart. Thematically, the mances and notable appearances album delves into the seismic at festivals, such as the summer changes the world has experiDark Side of the Mule amphitheenced over the past few years. ater run and multiple stops on Influenced by what Warren Willie Nelson’s Outlaw Music Haynes describes as “the golden era of rock, soul, jazz, and blues,” Festival Tour.

Gov’t Mule masterfully weaves As Gov’t Mule stands on the enduring qualities from these threshold of their 30th year, the musical strains, creating a time“30 Years Strong Tour” promises less piece of art that could have seamlessly emerged in the 1970s. to be a jubilant celebration of a musical journey that has left an indelible mark on the hearts of Before embarking on the fans worldwide. This tour is more 30th-anniversary celebrations, Gov’t Mule will conclude another than a series of concerts; it’s a testament to Gov’t Mule’s endurmomentous year with a 3-night ing legacy and their unwavering New Year’s Run in Philadelphia commitment to delivering power(December 29th) and New York ful and soul-stirring music. The City (December 30th and 31st). stage is set for a year filled with Throughout the past year, the musical festivities, reflective of quartet – Warren Haynes (guitar, the band’s remarkable journey vocals), Matt Abts (drums), Danny Louis (keyboards, guitar, continued on next page and backing vocals), and Kevin February 2024 • Music News

13

changing currents of the music landscape. “Shout,” released in 2013, marked their return after an extended recording break, offering 11 new songs accompanied by a bonus disc featuring an array of guest vocalists, a testament to the band’s collaborative spirit. In their quest to commemorate the 20th anniversary, archival recordings like “Dark Side of the Mule” and “Sco-Mule” emerged, adding further dimensions to their sonic tapestry.

Gov’t Mule “30 Years Strong Tour” (continued from previous page) over the past three decades.

In the vibrant tapestry of the jam band scene, Gov’t Mule stands as an enduring emblem of musical prowess and innovation.

As the renowned quartet, led by the incomparable Warren Haynes, gears up to celebrate its 30th Anniversary in 2024, the anticipation is palpable. The “30 Years Strong Tour” looms on the horizon, promising to be a spectacular commencement of the festivities set to unfold in February.

Gov’t Mule’s journey, much like their music, has been a mesmerizing odyssey through the realms of bluesy hard rock and virtuosic improvisation. Originally a power trio, the trio of Warren Haynes, bassist Allen Woody, and drummer Matt Abts made waves with their distinctive sound, a harmonious blend of Southern rock’s roots and the psychedelic, bluesy power trio feel reminiscent of Cream. However, in the year 2000, tragedy 14

Music News • February 2024

struck with the untimely passing of bassist Allen Woody. Undaunted by the loss, Gov’t Mule displayed resilience uncommon in the face of adversity, opting to continue their musical expedition with guest bassists like Flea and Bootsy Collins for their subsequent endeavors.

The inaugural chapter of their musical saga was etched in 1995 with a self-titled album on Capricorn Records. It was a prelude to their stellar concert date, “Live at Roseland Ballroom,” a testament to their magnetic stage presence. Subsequent studio releases like “Dose” in 1998 and “Life Before Insanity” in 2000 showcased the band’s evolution, a trajectory that became all the more poignant with “Déjà Voodoo” in 2004 — the first studio album post-Woody, featuring bassist Andy Hess and keyboardist Danny Louis.

Over the years, Gov’t Mule continued to navigate the ever-

As the band approached its 25th anniversary, the milestone was celebrated with the release of “Bring on the Music: Live at the Capitol Theatre,” a concert film capturing the essence of two shows in Port Chester, New York.

The film not only showcased the band’s musical prowess but also provided a glimpse into the lives of band members, family, and friends.

In 2021, Gov’t Mule presented “Heavy Load Blues,” a Grammy-nominated back-tobasics collection, featuring six originals and covers paying homage to blues legends. In an unexpected turn of creative fervor, another album emerged during the same recording sessions, in a different room, with entirely different gear and instruments.

“Peace ... Like a River,” unveiled in June 2023, carried the torch forward, inviting collaborations with Ruthie Foster, Ivan Neville, Billy Gibbons, Celisse, and Billy Bob Thornton.

Before plunging into the 30th-anniversary revelries, Gov’t Mule bid adieu to another momentous year with a 3-night New Year’s Run in Philadelphia and New York City. The past year saw them crisscrossing the U.S., Canada, and Europe on various headlining tours, leaving an indelible mark on diverse audicontinued on next page

Gov’t Mule “30 Years Strong Tour” ences worldwide.

As Gov’t Mule stands on the precipice of its 30th year, the legacy woven into the fabric of blues, rock, and improvisation

continues to resonate. The “30 Years Strong Tour” is not merely a concert series; it’s a celebration of three decades of musical alchemy that has not only shaped Gov’t Mule but has left an endur-

ing imprint on the soul of the jam band scene. With each note, they continue to carve their indomitable path, inviting music enthusiasts around the globe to join in the jubilation of 30 years strong.

2024 • Music News December 2023 • January Rock and Blues International

15 21

Lettuce Perform At The Heights Theater February 17

By Troy Wilson The city of Houston buzzed with excitement as the news spread like wildfire: the legendary eclectic funk sextet, Lettuce, was set to make a triumphant appearance at The Heights Theater on February 17 as part of their Winter 2024 Tour. The announcement came on the heels of the band unveiling the first batch of dates for what promised to be a remarkable tour.

However, the excitement wasn’t confined to the concert alone. Lettuce had an additional surprise up their sleeves – the digital release of ‘VIBE,’ a single-track, all-improvised album that had, until now, only been available on vinyl since its recording during the Resonate sessions in 2020. The 48minute session captured the essence of Lettuce’s spontaneous musical expression – no planning, no editing, no overdubbing.

Ryan Zoidis, the band’s talented saxophonist, provided insights into the creation of ‘VIBE’: “We got into a vibe and hit record. 48 minutes went by like a blink of an eye. This is our first purely improvised recording. Nothing planned, nothing edited or overdubbed. This is a 16

Music News • February 2024

true spontaneous musical expression captured in its entirety.”

As fans eagerly awaited the upcoming concert, they delved into the extensive discography of Lettuce, a Grammy Award-nominated ensemble comprised of Adam Deitch, Adam “Shmeeans” Smirnoff, Erick “Jesus” Coomes, Ryan Zoidis, Eric “Benny” Bloom, and Nigel Hall. The band’s musical journey spanned from their debut Outta Here (2002) to the Grammynominated Resonate (2020) and the recent Unify (2022).

‘VIBE’ served as a testament to Lettuce’s boundary-pushing innovation, seamlessly blending jazz chords, psychedelic passages, big horns, soul, go-go, and hip-hop elements into an uplifting and improvisational sound uniquely their own.

The story of Lettuce traced back to 1992 when the band first came together during a summer program at Boston’s Berklee College of Music. United by their shared love for Earth Wind & Fire, Tower of Power, and jazz-funk acts, they formed a bond that would withstand the test of time.

After reassembling in 1994 upon returning to Berklee as undergrads, Lettuce embarked on a musical journey that took them from local jazz clubs to the global stage. Their name, derived from their humble beginnings, became synonymous with fine material and an energetic live show.

As the band’s lineup evolved over the years, members explored side projects and joint ventures. Eric Krasno, Neal Evans, and Sam Kininger formed the groove trio Soulive, Lettuce’s brother band, while Adam Deitch found himself collaborating with artists ranging from John Scofield to 50 Cent.

Throughout the years, Lettuce continued to evolve, experimenting with various genres like hip-hop, jazz, New Orleans R&B, blues, and rock, creating a musical gumbo that defined their New York-based collective. Their debut album, Outta Here (2002), marked the beginning of a remarkable journey that included chart-topping albums like Crush (2015) and Grammy-nominated works like Resonate (2020). continued on next page

Lettuce continued from previous page The Winter 2024 Tour promised to be a celebration of three decades of Lettuce, an experience where time and musical boundaries would blur, leaving only the pure, unfiltered essence of their spontaneous expression. Fans eagerly anticipated the opportunity to witness Lettuce’s fusion of genres and unmatched improvisation in a live setting.

The band’s storied history was peppered with highlights such as the release of Crush (2015), featuring an extended reading of War’s classic “Slipping Into Darkness” and a tribute to the legendary New Orleans arranger and composer Zigaboo Modeliste entitled “Ziggawatt.” This period also saw Lettuce playing with the Soul Rebels Brass Band on Jam Cruise 2013, reentering the recording studio with coproducer/engineer Joel Hamilton, and featuring Rashawn Ross as a second trumpeter.

In 2017, after a quarter-century together, they issued their live tribute to Miles Davis with Witches Stew, showcasing the band’s ability to pay homage to jazz legends while maintaining their signature sound. Later highlights included 2020’s Grammy-nominated Resonate and 2022’s Unify, each contributing to the band’s legacy of pushing musical boundaries.

of Lettuce’s sound, felt the magic unfold as the band effortlessly blurred the lines between jazz, funk, and everything in between.

The Heights Theater became a melting pot of musical influences, with Lettuce seamlessly blending hip-hop, jazz, New Orleans R&B, blues, and rock into a sonic masterpiece. Each member of the sextet brought their unique flair to the performance, creating a symphony of sound that resonated with the audience.

The Winter 2024 Tour was more than just a concert; it was a journey through Lettuce’s evolution, a testament to their ability to innovate and captivate audiences over the years.

The concert at The Heights Theater was set to be a culmination of these decades of musical exploration, with Lettuce taking the stage to weave a new chapter into their storied journey. The venue, steeped in musical history, became the perfect backdrop for a night of funk, jazz, and unbridled creativity as Lettuce promised to showcase their timeless talent and prove once again why they were pioneers in the world of eclectic and innovative music.

As the night unfolded, Lettuce delved into their extensive repertoire, taking the audience on a musical odyssey that spanned decades. Hits like “Slipping Into Darkness” and “Ziggawatt” showcased the band’s ability to pay homage to their influences while putting their own spin on classic tracks. The live performance of “He Made a Woman Out of Me,” featuring Alecia Chakour, brought a wild update to Bobbie Gentry’s original, marking Lettuce’s foray into EDM-influenced sounds.

As the lights dimmed on February 17 and the crowd erupted in cheers, Lettuce stepped onto the stage, ready to create a musical experience that transcended time and genre. The Winter 2024 Tour was not just a tour; it was a celebration of Lettuce’s journey from their humble beginnings to becoming a powerhouse in the world of music. The audience, immersed in the rich tapestry

The concert also paid tribute to the late Miles Davis, with Lettuce’s rendition of his classics from the Witches Stew album. The addition of trumpeter Rashawn Ross, a Berklee alum like the band members, added an extra layer of brilliance to the performance. It was a night of musical fusion, where Lettuce seamlessly navigated through genres, leaving the audience in awe of their

versatility and creativity.

The Winter 2024 Tour didn’t just showcase Lettuce as a band; it presented them as musical pioneers who had successfully navigated the ever-changing landscape of the music industry. The audience, comprised of both longtime fans and newcomers, felt the energy and passion that Lettuce brought to the stage.

As the final notes of the concert reverberated through The Heights Theater, the crowd erupted in thunderous applause, a fitting tribute to a band that had not only stood the test of time but had also evolved with each passing year.

Lettuce had once again proven that they were more than just a band; they were a musical force to be reckoned with.

In the aftermath of the Winter 2024 Tour, Lettuce continued to make headlines. Their innovative approach to music, exemplified by the digital release of ‘VIBE,’ garnered widespread acclaim from critics and fans alike. The album’s fusion of jazz chords, psychedelic passages, big horns, soul, go-go, and hiphop elements solidified Lettuce’s position as true musical trailblazers.

As the band prepared to embark on the next chapter of their journey, fans eagerly anticipated what Lettuce had in store for the future. The Winter 2024 Tour had not only been a celebration of their past but also a glimpse into the endless possibilities that lay ahead. For Lettuce, the adventure was far from over, and their legacy as innovators in the world of music was destined to continue for years to come.

February 2024 • Music News

17

Al Stewart And The Empty Pockets Perform At Dosey Doe March 3rd

By Greg Fontaine In the enchanting town of Spring, Texas, an air of anticipation blankets the surroundings as the vibrant community eagerly counts down the days to an upcoming musical spectacle set to unfold at the renowned Dosey Doe Big Barn on the highly anticipated evening of March 3rd. The stage is meticulously prepared, the instruments finely tuned, and the atmosphere charged with an electric energy that hints at the exceptional experience about to be unveiled by none other than the legendary Al Stewart and his talented ensemble, The Empty Pockets.

The venue, with its rustic charm and inviting warmth, stands as a perfect canvas for an extraordinary night of 18

Music News • February 2024

music, storytelling, and the harmonious fusion of folk-rock melodies with the intricately woven tales of historical characters and events. The mere thought of Al Stewart gracing the stage on that imminent March 3rd night sends ripples of excitement through the community, igniting a buzz that can only be compared to the thrill of discovering hidden treasures in a musical time capsule.

Al Stewart, a name synonymous with brilliance and innovation in the realms of folk-rock, has been an influential figure in the British music scene since the legendary folk revival of the ’60s and ’70s. The very notion that this luminary, known for his enchanting melodies and intricate storytelling, will be stepping onto the Dosey Doe stage is

enough to captivate the imagination of music enthusiasts and history buffs alike.

As one delves into the layers of Al Stewart’s illustrious career, the depth and richness of his musical journey become apparent. Armed with 19 studio albums spanning from the debut “Bedsitter Images” in 1967 to the captivating “Sparks of Ancient Light” in 2008, Stewart’s discography serves as a testament to his unwavering commitment to artistic exploration. The live album “Uncorked,” a collaborative masterpiece with Dave Nachmanoff in 2009, stands as a living testament to the enduring magic of Stewart’s musical prowess.

In the ever-evolving landscape of continued on next page

Al Stewart continued from previous page the music industry, Al Stewart continues to defy the passage of time, embarking on extensive tours across the U.S. and Europe. While the hits “Year of the Cat” and “Time Passages” etched his name as a soft rock troubadour during the late ’70s, Stewart’s artistry transcends the confines of a singular genre. His commitment to exploring diverse themes and genres throughout his career marks him as a true musical maverick, unafraid to venture into uncharted territories.

The anticipation surrounding the impending March 3rd performance at Dosey Doe Big Barn only intensifies when considering Stewart’s eccentricities and groundbreaking decisions that have left an indelible mark on the music industry. The bold inclusion of an uncensored “f******” on his 1969 album “Love Chronicles” serves as a testament to Stewart’s willingness to challenge conventions and push boundaries.

The late ’60s witnessed Stewart’s ascent through the ranks of the British folk underground, sharing a flat with none other than Paul Simon in London.

The ’70s unfolded as a chapter of controversy and opulence, with albums like “Orange” in 1972 incorporating ornate pop elements and prog rock aspirations. “Past, Present & Future” in 1973 saw Stewart’s preoccupation with historical epics, epitomized by the sprawling “Nostradamus.”

The subsequent decade marked the pinnacle of Stewart’s career with hits like “Modern Times” (1975), “Year of the Cat” (1976), and “Time Passages” (1978), each contributing to his iconic status as a soft rock troubadour. As the soft rock era gracefully bowed out with the rise of MTV, Stewart continued to write, record, and tour, delving into themes dedicated to the Cold War and wine. Albums like “24 Carrots” in 1980 signaled the end of his mainstream hitmaking era.

The ’90s and beyond saw Stewart cultivating a devoted fan base with albums such as “Between the Wars” (1995), “Down in the Cellar” (2000), and “A Beach Full of Shells” (2005). The live album “Uncorked” in 2009, featuring guitarist Dave Nachmanoff, show-

cased Stewart’s unwavering dedication to his craft. Concerts in the 2010s, where he showcased albums like “Past, Present & Future” and “Year of the Cat” in their entirety, exemplified the enduring appeal of his timeless compositions.

As the sun sets on March 3rd, the Dosey Doe Big Barn will come alive with the melodic brilliance and captivating narratives of Al Stewart. The audience, on the cusp of witnessing a musical journey through the corridors of time, will find themselves transported to an era where each note carries the weight of history and each tale unfolds like a carefully crafted tapestry.

Hits like “Year of the Cat” and “Time Passages” will not be mere echoes from the past; they will be timeless narratives that resonate with a crowd eager to experience the magic of Al Stewart’s musical odyssey. In the intimate setting of Dosey Doe, the Scottish troubadour will unfold his tales, each note carrying the weight of history and the essence of a career that spans generations.

As the clock ticks towards that magical March 3rd night, the barn will echo with applause, and the legacy of Al Stewart, the soft rock troubadour with a penchant for history and storytelling, will continue to unfold. It will be a chapter in the ongoing saga of Al Stewart’s musical adventure, a story that will echo through the ages, much like the timeless tunes that will resonate within the walls of Dosey Doe Big Barn on that unforgettable March 3rd night.

February 2024 • Music News

19

20

Music News • November 2023

September 2023 • Music News

23

Marisela Performs March 1st at The Arena Theater

By Jose Martinez In the dazzling realm of Latin music, there exists a figure often hailed as the “Latin Madonna” – none other than the captivating Marisela. Her journey em-

22 Music News • February 2024

barked at a tender age, releasing her inaugural album at the mere age of 15. A Los Angeles native, Marisela’s allure extended beyond her girlish vocal style to her sexy outfits and blond hair, all of which contributed substantially to her rise to

stardom. Yet, beneath the seemingly superficial veneer of her music lies a career that stretched well into the ’90s.

So, who exactly is Marisela? Born continued on next page

Marisela continued from previous page Marisela Hernandez on April 24, 1966, in Los Angeles, California, she is a MexicanAmerican singer and actress who has etched her name into the annals of Latin music history. From the outset, Marisela displayed a fervent passion for music, gracing local talent shows and events with her enchanting voice.

Her musical repertoire includes powerful vocals and romantic ballads, with hits such as “Enamorada y Herida,” “Sola con mi Soledad,” and the chart-topping “Ya No.” Beyond her musical endeavors, Marisela ventured into acting, leaving her mark in the 1988 Mexican telenovela “Teresa” and several films during the ’90s.

Despite grappling with personal tribulations, including a highly publicized relationship with controversial music producer Sergio Andrade, Marisela’s resilience as an artist remained unyielding.

Over the span of her illustrious career, she has released over 20 albums, earning accolades such as the Lo Nuestro Award for Best Female Pop Artist in 1991.

Marisela’s influence on Latin music is immeasurable, and she endures as a beloved figure in the genre. With a voice that resonates powerfully and performances laden with emotion, she continues to captivate audiences globally.

In 1984, at the age of 18, Marisela recorded her debut album, marking the commencement of a prolific career that extended into the 1990s. Her rendition of Barbara George’s “I Know (You Don’t Love Me No More),” titled “Ya No,” soared to the summit of the Billboard Latin Songs chart in 1990.

Acknowledged as the “Latin Madonna,” Marisela found early success at the age of 6, starring in the children’s television show “Villa Alegre” and later making appearances on various soap operas. Recording her first album in 1984 marked the genesis of a musical odyssey that saw the release of more than a dozen albums over subsequent decades.

Her cover of Barbara George’s single “I Know (You Don’t Love Me No More)” as “Ya No” topped the Billboard Latin Songs chart in 1990, affirming her status as a formidable force in Latin music. Marisela graced the stages of top Mexican variety shows, including “Siempre Domingo” and

“Sabado Gigante,” showcasing her magnetic stage presence.

As a testament to her enduring popularity, Marisela remains connected to her fans through live performances, particularly relishing the opportunity to connect with audiences in small towns. For Marisela, the journey continues, fueled by the unwavering support of her adoring fans and a passion for music that knows no bounds.

Amidst the vibrant tapestry of Marisela’s career, her impact on Latin music is not just defined by chart-topping hits but by the nuances that make her a revered artist. Born in 1966, her journey began on the children’s television show “Villa Alegre,” a stepping stone that paved the way for her illustrious musical career.

From TV commercials to soap operas, Marisela’s trajectory was marked by early success, setting the stage for the musical prowess that would unfold.

In 1984, the year Marisela turned 18, she ventured into the recording studio to lay down tracks for her debut album, signaling the emergence of a prodigious talent. The ensuing decades saw her unleash more than a dozen albums, each

contributing to the mosaic of Latin music.

Notably, her cover of Barbara George’s “I Know (You Don’t Love Me No More),” rechristened “Ya No,” ascended to the summit of the Billboard Latin Songs chart in 1990, securing her a firm foothold in the industry.

Yet, Marisela’s narrative is not confined to the realm of music alone. The ’80s and ’90s witnessed her foray into acting, with appearances in the 1988 Mexican telenovela “Teresa” and various films, showcasing the versatility that defines her artistic essence. The intricacies of her life, including a tumultuous relationship with Sergio Andrade, only serve to amplify the resilience embedded in her artistry.

As Marisela embarks on tours, connecting with audiences in small towns and embracing the enduring legacy of her hits on XM radio shows, the chapters of her story unfold with every note. With a voice that resonates across generations and a passion that transcends boundaries, Marisela’s journey stands as a testament to the enduring power of music.

February 2024 • Music News

23

Check us out at http://www.rockandbluesinternational.com

Also available on Spotify, Google Podcasts, Podcast Index, Amazon Music, Podcast Addict, Podchaser, Pocket Casts, Deezer, Listen Notes & More!

624 6 Music Music Music Music News News News News•••November •November December December February 2024 2020 2020

https://www.thebigeasyblues.com February 16th Rick Lee’s Birthday Blast!

February 18th John Calderon’s Sunday Session 6-10pm February 29th HBS Jam Hosted by Leonard Lowdown Brown

Saturday, February 17 The Big Easy’s 30th Anniversary Celebration Hosted by Keeshea Pratt

February 2024 • Music News

25

6 Music Music News News December 28 Music News•• •November September 2020 2023

Daily Specials & Events

http://www.acadiabarandgrill.com 3939 Cypress Creek Parkway Houston, TX 77068 281-893-2860

COME CHECK OUT OUR NEWLY REMODELED PATIO!

Happy Hour Every Day from 12pm to 7 pm $3.75 Domestics and $1 Off All Imports from 7pm till close Monday POOL LEAGUE ($3 WashingtonApple and $4 Jaeger all day) Tuesday POKER (happy hour open to close) Wednesday OPEN MIC ($5 Dom Pitcher’s 7pm to close) FREE POOL! Friday $4 fireball open to close Sunday $3Jaeger 12pm to 7pm (ladies night 7pm to close ladies get discounted drinks) Buy an Acadia cup for $5 and bring it back every Thursday and Sunday and get $1 Domestic and $2 imports draft beer

Check Out The New Improved Acadia Bar & Grill Under New Ownership • We Now Have Hookah!

20% Off All Drinks For All Veterans The First Monday of Every Month!

Live Music Schedule Friday, February 2 - Carranza, Colournoise, Therapy is a band Saturday, February 3 - Mad Honey, Subpenguin, The Coverholics Sunday, February 4 - Beside Jupiter, Radiolock Friday, February 9 - TenFour, Wild Fire, Chaotic Reckoning Saturday, February 10 - Garbage Girlfriend, Beside Jupiter, Radio Lock Friday, February 16 - Spit, Poison Apple, Happier Than You Saturday, February 17 - Dangerous Toys, Revolution, Dead Mans Hand, Stress Level Red Sunday, February 18 - Miranda’s Warning, The Urbans Friday, February 23 - Gherkin Dolls, Alien Shore, Time Capsule

Saturday, February 24 - WACKEN METAL BATTLE USA: HOUSTON REGIONAL Sunday, February 25 - Walking Ghost, Jidora February 2024 • Music News

27

Twin Temple 28

Music News • February 2024

Twin Temple Perform At Warehouse Live

By Johnny Ghoul In the shadowy realms where Satanic rituals meet the haunting melodies of doo-wop, the mysterious duo Twin Temple emerges as an enigma in the musical landscape. As their upcoming appearance at Warehouse Live Midtown on February 18 looms closer, the anticipation for an immersive experience is palpable. The story of Twin Temple is not merely about a band; it’s a saga of creative exploration, the fusion of diverse influences, and the bold embrace of the unconventional.

The tale begins on Halloween night in 2016, when the union of Alexandra and Zachary James—both musically inclined and ardent practitioners of Satanism—gave rise to the concept of Satanic doo-wop. A married couple and creative partners, their journey had its roots in 2008 when vocalist Alexandra (then Alexandra Lee) invited guitarist Zachary into her ’70s glitter rock-influenced band, Alexandra & the Starlight Band. Little did they know that this initial collaboration would become the foundation for a musical venture that defied the boundaries of genre.

As the years unfolded, Twin Temple meticulously crafted a sound that defies categorization. Drawing inspiration from a diverse palette of influences ranging from classic girl groups like the Marvelettes to the rootsy guitar rock of Chuck Berry, and infusing it with the Satanic pop iconography of the Misfits and Screamin’ Jay Hawkins, the duo carved a niche for themselves in the alternative music scene.

The culmination of their creative endeavors manifested in 2018 with the release of their debut album, “Bring You Their Signature Sound...Satanic Doo-Wop.” Recorded in mono over a swift two-day session, the album showcased their gritty and soulfully kitschy mix of old-school R&B, pop, and rock, earning them a cult following. The standalone single “Satan Is a Woman” in 2019 further solidified their position as trailblazers in the Satanic doo-wop movement.

The journey of their debut album, initially released independently and limited to 666 vinyl copies, took a significant turn with a full-scale release on Rise Above in Spring 2019. Heralded as a beautifully conceived and executed piece, the album sounded like a long-lost classic from the ‘60s, unearthed from some dusty studio vault. With Alexandra’s soulful yet siren-like vocals and Zachary James’ dazzling, authentic arrangements, tracks like “The Devil (Didn’t Make Me Do It)” and “I’m Wicked” pledged their allegiance to Satan in a strangely accessible and infectious manner.

The decision to limit the production to mono and embrace old-school recording techniques became a hallmark of Twin Temple’s approach. Alexandra James explains, “Something we’re sick of is all the overproduced records. It just takes the soul out of music. With this record, we wanted to get rid of all of that.” Their commitment to authenticity, including live recording to tape and selecting the best takes from two or three live sessions, added a rawness to the album, capturing the very

essence of the human element.

Twin Temple’s Satanic philosophy extends beyond their music, embodying values of individualism, respect, equality, and defiance. In a society marked by division and hostility, their transgressive act of musical mischief serves as a subversive force, challenging norms and fostering a sense of outsider culture. Alexandra James reflects on the connection between Satanism and rock ’n’ roll, stating, “Historically, American rock ’n’ roll played an integral role in social justice and equality. In the face of racist Jim Crow laws of the south & segregation, you had black and white teenagers dancing together at the Frankie Lymon shows. This was about social change, about breaking down boundaries and all oppressive norms of the old guard. In our minds, vintage rock’n’roll, doowop, and Satanism go hand in hand.”

As Twin Temple prepares to grace the stage at Warehouse Live Midtown on February 18, the anticipation is not just for a musical performance but for an immersive journey into a realm where the unconventional reigns supreme. Hail Twin Temple, the purveyors of Satanic Doo-Wop, as they continue to defy expectations and weave their mesmerizing narrative through the sonic tapestry of the ages. In a world where conformity often reigns, the Satanic sweethearts offer an invitation to revel in the audacious spirit of their music, promising an evening that transcends the ordinary and beckons the adventurous to step into their captivating world.

February 2024 • Music News

29

and the high-energy rock anthem “Stone Cold Killer,” “Ballad of a Broken Hearted Man” takes the spotlight as the latest single from their highly anticipated new studio album scheduled for release in 2024. Alongside these chart-toppers, the band recently treated fans to the studio album “Ride Into The Light” and the mesmerizing concert film “Live At The Ancienne Belgique,” underscoring their live prowess and ability to captivate audiences.

As we step into 2024, Robert Jon & The Wreck gears up for an expansive Winter tour across the US, promising to bring their dynamic live shows and new music to a diverse array of audiences.

The tour is slated to feature performances in cities from Phoenix to Nashville, staying true to the band’s tradition of delivering electrifying live performances and weaving musical tales.

Having amassed thousands of new fans from supporting sold-out shows headlined by Blackberry Smoke and Maverick, the band is steadily cultivating a loyal, die-hard fan base.

Robert Jon & The Wreck Perform At The Continental Club

By Albert Schwartz Robert Jon & The Wreck’s New Track “Ballad Of A Broken Hearted Man” Brings a Fresh Perspective to High Octane Southern Rock Mark your calendars for a musical spectacle as Robert Jon & The Wreck prepares to unveil their latest track, “Ballad of a Broken Hearted Man,” at The Continental Club in Houston on February 17. This much-anticipated release promises a fresh perspective on high-octane Southern Rock, setting the stage for an exhilarating worldwide tour starting next month and fueling an exciting new year of musical exploration.

Southern rock trailblazers Robert Jon & The Wreck once again seize the spotlight with their latest single, “Ballad of a Broken Hearted Man,” now available on all digital platforms. This soulstirring composition features exhilarating slide guitar, potent whiskey-soaked vocals, and captivating lyrics that weave 30

Music News • February 2024

a vivid tapestry of heartache and resilience, striking a profound chord with listeners. The Wreck’s unique fusion of roots and Southern Rock channels the hard-hitting country rock vibe reminiscent of Chris Stapleton, Whiskey Myers, and Blackberry Smoke.

Transport yourself to the set of a classic western with the band’s vivid description of “Ballad of a Broken Hearted Man.” An intro that immerses you in the atmosphere and a mesmerizing guitar riff that thrusts you into the heart of the action—the song unfolds a narrative of two individuals navigating the challenges of life together, yet somehow falling short of finding a resolution. Produced by the acclaimed Kevin Shirley (known for his work with Aerosmith, Black Crowes, Iron Maiden), the track showcases the musical prowess of Robert Jon & The Wreck, leading listeners through a captivating journey.

Fresh off the success of previous hits like “Help Yourself,” “Hold On,”

As prolific songwriters with a wealth of new material, Robert Jon & The Wreck rejects the confines of traditional release strategies. Their new partnership with Joe Bonamassa’s Journeyman Records provides them the opportunity to collaborate with top producers and unleash a continuous stream of high-quality singles. This strategic approach cuts through the chaos of the industry, ensuring that their new music reaches fans as intended.

Originating from the sun-soaked landscapes of Southern California, Robert Jon & The Wreck reshapes the Southern rock sound, infusing it with their distinctive essence since their inception in 2011. The ensemble, comprising Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, background vocals), Henry James Schneekluth (lead guitar, background vocals), Warren Murrel (bass), and recently joined keyboardist Jake Abernathie, continues to electrify audiences worldwide. Their performances, marked by soaring guitar leads, rich vocal harmonies, and unforgettable tunes, make it an irresistible experience when these talented musicians take the stage. As they venture into an exciting year ahead, Robert Jon & The Wreck’s musical journey promises not just to contribute to the Southern rock legacy but to etch their name as torchbearers of a genre propelled forward by a commitment to musical excellence and storytelling.

Show Your Tribe!

Order Yours Today!

February 2024 • Music News

31

The Movement continued on next page 32

Music News • February 2024

By Greg Fontaine The stage is set for an unforgettable evening of reggae rhythms and alternative vibes as The Movement, the venerable alternative-reggae band, takes center stage at White Oak Music Hall on February 8th. Riding the wave of their latest musical endeavor, “Always With Me,” released on July 29, 2022, the Columbia, SC-born ensemble is ready to enchant Houston audiences with their distinctive sound that seamlessly blends reggae, rock, and alternative influences.

Founded in 2003, The Movement has been a steadfast force in the alternative-reggae scene, capturing the hearts and minds of fans with each musical evolution. Drawing inspiration from the likes of Sublime, 311, Slightly Stoopid, and John Brown’s Body, The Movement has solidified its place as reggae shapeshifters, crafting a sonic foundation anchored in heavy drum and bass.

The current lineup comprises founding member Joshua Swain, who serves as the lead vocalist and guitarist, bassist Jason Schmidt, drummer Gary Jackson, keyboardist/ multi-instrumentalist Matt Goodwin, and saxophonist/percussionist Kyle Jerome. Together, they form a musical collective that explores new territories while staying true to their champion sound.

The journey of The Movement began in Columbia, South Carolina, rooted in the friendship of Joshua Swain and Jordan Miller. The duo later enlisted the skills of John Ruff, also known as DJ Riggles, into their musical mix. In 2004, taking cues from a diverse range of influences, including Sublime and Pixies, Swain, Miller, and Ruff launched The Movement with their “alternative reggae” debut, “On Your Feet.” The album received favorable reviews,

The Movement: A Reggae Odyssey Unveiling in Houston at White Oak Music Hall on February 8 setting the band on a path of continuous exploration and growth.

Over the years, The Movement navigated through a series of lineup changes and geographical shifts. By 2008, Riggles had left the band, but the duo found a kindred spirit in Chris DiBeneditto, a Philadelphiabased producer known for his work with acts like Slightly Stoopid and G. Love & Special Sauce. Relocating to Philadelphia, the band recorded the breakout album “Set Sail” in 2008 at DiBeneditto’s Philadelphonic Studios, marking a significant turning point in their musical journey.

With Gary Jackson joining on drums and Jay Schmidt on bass, the trio version of The Movement released “One More Night” in 2012 before making another geographical leap to San Diego to record their fourth effort. The results were seen in the form of “Side by Side,” landing in 2013 and debuting on the Bill-

board Reggae Albums Chart at an impressive number two. The album marked a return to the band’s reggae roots, earning them a dedicated fanbase and establishing their position in the reggae-rock landscape.

In 2016, “Golden” topped the Billboard Reggae chart, further solidifying The Movement’s place among reggae royalty. By this time, keyboard and horn man Matt Goodwin had become an integral part of the lineup. The band continued their relentless touring schedule and festival appearances, showcasing their infectious energy and solidifying their reputation as a must-see live act.

The shimmering pseudopsychedelia of “Ways of the World” (2019) saw The Movement pushing continued on next page February 2024 • Music News

33

Stoopid, and SOOM T, further cementing The Movement’s ability to draw inspiration from their influences-turned-peers.

“Always With Me” was not only a musical journey but also a contender for a Grammy Award nomination in the “Best Reggae Album” category at the 65th Grammy Awards in 2023. The band showcased their commitment to continuous artistic exploration by releasing the deluxe version of the album on August 4, 2023. The deluxe edition featured two brand new original tracks (“At the End of the Day” and “We Are Young”), five remixed songs, and a piano version of “U Don’t Know Me.”

The Movement continued from previous page musical boundaries and experimenting with new sounds. The album featured collaborations with artists such as Stick Figure, Iya Terra, Jacob Hemphill of SOJA, and Chali 2na of Jurassic 5. It debuted at #1 on the Billboard Reggae Albums chart, marking another milestone in their career.

Despite their successes, the journey was not without challenges.

Lead vocalist Joshua Swain faced alcoholism-related complications during the late 2019 tour, leading to a period of introspection and recovery.

This pivotal moment resulted in a strict sober rule being enforced on the band’s tour bus, emphasizing the importance of health and well-being.

The Movement’s impact 34

Music News • February 2024

extends beyond their original compositions, as evidenced by their inclusion in Collie Buddz’s riddim album, “Cali Roots Riddim 2020,” featuring their single “Alien.” In 2021, they contributed to “The House That Bradley Built,” a charity compilation honoring Sublime’s lead singer Bradley Nowell, showcasing their commitment to causes close to their hearts.

The band continued to push their creative boundaries, releasing their seventh studio album, “Always With Me,” on July 29, 2022. This marked a significant milestone as the band’s first self-produced album on their own R4RE Records since their debut in 2004. The 15-track record featured collaborations with Clinton Fearon, HIRIE, Iration, Slightly

The Movement remained an active force in 2023, participating in the reggae rock compilation “Pop Punk Goes Reggae, Vol. 1.” The 16track album, produced by frontman Nathan Aurora of Iya Terra, showcased the band’s versatility with their cover of “Until the Day I Die” by Story of the Year.

As anticipation builds for their upcoming performance at White Oak Music Hall on February 8th, Houston audiences can expect a night filled with the band’s signature sound and infectious energy. The Movement invites fans to join them on this musical odyssey, where the only path is forward, pushing the boundaries and the future of reggae. From the roots of Columbia, SC, to stages around the world, The Movement’s journey continues, and Houston is next in line to witness the reggae resurgence brought to life by this extraordinary band. Don’t miss the chance to be part of The Movement as they unfold their reggae odyssey at White Oak Music Hall on February 8th, promising a night that will echo in the hearts of fans long after the last note resonates.

bedroom pop acts such as Boy Pablo, Gus Dapperton, and Rex Orange County.

The inception of Mickey Darling traces back to the early fall of 2018 when Skyler Molina, in a light-hearted jest, challenged Austin Medrano to create a bedroom pop song. To their surprise, less than two hours later, Austin sent back the instrumental that would go on to become the duo’s third single, “Shane Dawson.”

Blown away by the musical genius before them, Skyler then proposed the idea of forming a band, and thus, Mickey Darling was born.

Mickey Darling Perform At White Oak Music Hall February 10

By Sheena Johnson Brace yourselves for an electrifying night of indie-pop magic as Mickey Darling, the dynamic duo consisting of Skyler Molina and Austin Medrano, prepares to grace the stage at White Oak Music Hall on February 10th. Hailing from the heart of San Antonio, this selfproclaimed “world’s sexiest boy-band” has not only become a breath of fresh air in the indie music scene but is set to captivate Houston audiences with their infectious tunes and playful charisma. As the anticipation builds, fans and music enthusiasts alike can mark their calendars for an unforgettable evening filled with the unique blend of creativity and quirkiness that defines the Mickey Darling experience. Don’t miss the chance to witness their live performance and be part of the indie-pop sensation that is sweeping across the nation.

Mickey Darling is here to set the stage ablaze, and White Oak Music Hall is the place to be on February 10th. Get ready for a night of musical enchantment that 36 Music News • February 2024

will leave you humming their tunes long after the final notes fade away.

Nestled in the vibrant music scene of San Antonio, the indie-pop duo Mickey Darling, comprising the dynamic duo Skyler Molina and Austin Medrano, has emerged as a breath of fresh air with their infectious tunes and playful charisma. This self-proclaimed “world’s sexiest boy-band” has not only captured hearts but is also making a significant impact on the indie music landscape.

At the forefront of Mickey Darling is Skyler Molina, a prolific content creator whose talents extend beyond music. Skyler not only takes on the role of lead vocals but also provides the band’s creative direction. On the other side of this creative coin is Austin Medrano, the multi-talented instrumentalist responsible for performing on all instruments, handling recordings, and occasionally contributing his creative insights. Together, they form a duo that draws strong comparisons to notable

Originating from central Texas, Mickey Darling officially marked their musical journey in the fall of 2018 with the release of their single ‘Shia Labeouf,’ initially shared on YouTube. Skyler, not only the voice of the duo but also the lyrical storyteller, crafts narratives that resonate with their audience. Meanwhile, Austin showcases his versatility in music production and instrumentation, creating a seamless blend of creativity that defines the Mickey Darling sound.

The duo’s repertoire includes notable tracks like “Big Sad,” “Vroom Vroom,” “I Want I Want I Want,” “You Were Perfect & I’m Sorry,” and “Protein Shake.” Each song serves as a testament to Mickey Darling’s ability to master danceable, light-hearted bedroom-pop with ear-worm choruses. Their unique sound not only sets them apart in the indie-pop landscape but also invites listeners to embark on a musical journey that seamlessly merges creativity with quirkiness.

Describing their music as a descent into the madness of bubblegum absurdity, Mickey Darling welcomes listeners to experience their catchy and unforgettable tunes. Beyond the catchy hooks and infectious melodies, the duo brings a refreshing take on the indie music scene, proving that they are not just a passing sensation but a force to be reckoned with. As Mickey Darling continues to evolve and captivate audiences, their blend of creativity and quirkiness promises to leave an indelible mark on the indie-pop genre, ensuring their lasting presence in the world of music.

So, buckle up and join the ride – Mickey Darling is here to stay, and their music is the soundtrack to an exciting journey into the heart of indie-pop innovation.

January 2024 • Music News

37

behind Church of Cash, shares his vision for the tribute band, stating, “I want to be known as the best Johnny Cash tribute show in the world. This is in my blood.” His dedication is evident in the band’s four studio albums, including the latest release, “Flowers for June,” which features inspired covers of Johnny Cash classics.

Church of Cash Unleashes the Legendary Spirit of Johnny Cash in an Unforgettable Concert Experience

By Nathan Pugh Tomball, TX is set to witness an electrifying musical journey as the award-winning Church of Cash takes the stage to channel the mystique and resonance of the legendary Johnny Cash. On February 29th, at 8 pm (doors open at 6 pm) in the iconic Main Street Crossing venue, audiences of all ages will be treated to a powerhouse performance that promises to transcend time and bring the Man in Black back to life.

Led by the charismatic Jay Ernest, Church of Cash stands as the premier Johnny Cash tribute show band with not just the attitude but also the unparalleled musical prowess. Ernest, along with bandmates Jonathon TeBeest, “Jumpin’” Jack Mansk, and Tony Wirth, forms a formidable ensemble that captures the raw essence of Johnny Cash’s iconic sound.

38

Music News • February 2024

The concert, a mesmerizing blend of nostalgia and contemporary energy, will feature Cash classics that have become the anthem of American music. As the house lights dim, audiences will witness the immortal spirit of Johnny Cash resurrected through Jay Ernest’s resounding vocals and masterful acoustic guitar, accompanied by the rhythmic beats of TeBeest, Mansk’s electric guitar expertise, and Wirth’s solid bass foundation.

Church of Cash, born in 2009 in Honolulu, Hawaii, has evolved into a musical powerhouse with a mission to honor the enduring legacy of Johnny Cash. Having toured across the United States, Europe, and Asia, the band has garnered accolades, including the prestigious “Best Tribute Act 2019” from the Midwest Country Music Organization.

Jay Ernest, the driving force

Beyond singing covers and recording tribute albums, Church of Cash’s authenticity and commitment to their craft shine through. The band’s journey has taken them across continents, and in 2021, Jay Ernest was inducted into the Minnesota Music Hall of Fame, a testament to their lasting impact on the music scene.

Adding another dimension to their artistic repertoire, Jay Ernest, in collaboration with Tom Pickard, has created the original musical theatermeets-concert event titled “Folsom Prison Experience,” showcasing the depth of their creativity.

As they step onto the Main Street Crossing stage in Tomball, TX, Church of Cash promises an unforgettable evening that transcends mere tribute and becomes a genuine celebration of American music.

Whether you’re a seasoned listener who grew up with Johnny Cash or a new fan discovering the Man in Black’s melodies, Church of Cash guarantees a performance infused with their unique style and vibrant energy.

What sets Church of Cash apart is their unwavering loyalty to Johnny Cash’s timeless messages and melodies. With a youthful spirit, they breathe life into his words, ensuring that audiences are not just entertained but captivated by the enduring legacy of the Man in Black. Prepare to be transported through the pages of musical history as Church of Cash embodies the very soul of American music in a concert experience like no other.

Check Us Out Online at katiesbar.com

Open 6 Days A Week Tuesday thru Sunday

Wednesday’s @ 7:00 pm - 10:00 pm Thursday, February 1 - EZ3 Friday, February 2 - Sparky Parker Saturday, February 3 - Tony Vega Sunday, February 4 - Katie’s Sunday Blues Jam with guest host Paul Ramirez Wednesday, February 7 - Wednesday Night Jam with Pierce Thursday, February 8 - Paul Ramirez Friday, February 9 - Mike Zito Saturday, February 10 - Pizazz Sunday, February 11 - Katie’s Sunday Blues Jam with guest host Mark May Wednesday, February 14 - Wednesday Night Jam with Bob Emmons Thursday, February 15 - Chad Ware Friday, February 16 - Bayou Gipsies Saturday February 17 - Wake Zone Sunday, February 18 - Katie’s Sunday Blues Jam with guest host Mark May Wednesday, February 21 - Wednesday Night Jam with James Wilhite Thursday, February 22 - Static Blues Friday, February 23 - Jonn Del Toro Richardson Saturday, February 24 - Pierce And The Purple Moon Sunday, February 25 - Katie’s Sunday Blues Jam with guest host Bayou Gipsies Wednesday, February 28 - Wednesday Night Jam with Bob Emmons Thursday, February 29 - James Wilhite

February 2024 • Music News

39

Friday,February 2, 8:00 pm - 11:00 pm Katy Crossing 5733 Second St - Katy, TX 77493 Saturday, February 10, 9:00 pm – 1:00 am Aspens Bar & Grill 817 Clear Lake Rd - Kemah, TX 77565 Friday, February 16, 8:30 pm - 12:00 am Scotty’s Saloon 114 Agnes Rd - Richmond, TX 77469 Saturday, February 24, 8:00 pm – 12:00 am 3 Doors Down Bar 102 20th St - Galveston, TX 77550

Friday, March 15, 8:00 pm – 11:00 pm Mo’s Irish Pub College Station 1025 University Dr Unit 101 - College Station,

Saturday, March 2, 3:30 pm - 6:30 pm Haak Winery 6310 Ave T - Santa Fe, TX 77510

Saturday, March 23, 8:00 pm – 12:00 am Sharky’s Tavern 504 25th St - Galveston, TX 77550

Saturday. March 9, 8:00 pm – 12:00 am Backwoods Saloon 230 Lexington Ct - Conroe, TX 77385

Saturday, April 13, 8:00 pm – 12:00 am 3 Doors Down Bar 102 20th St - Galveston, TX 77550

June 2023 September 2023• •Music MusicNews News 2345

42

Music News • February 2024

Dorian Electra Performs At Warehouse Live On March 3rd

By Nathan Pugh boundaries and transcending the ordinary. The anticipation for their upcoming appearance at Warehouse Live Midtown on March 3rd is akin to the building crescendo of a symphony, fueled by a trail of groundbreaking releases that have left an indelible mark on the auditory senses of fans worldwide.

The journey began with the unveiling of “Freak Mode” on April 7, 2023. This single was more than just a musical composition; it was a declaration, a bold statement of artistic intent that set the stage for what would become a musical odyssey. Electra’s ability to seamlessly blend audacious sounds with visually striking aesthetics turned “Freak Mode” into more than

just a song—it became a sonic manifesto that echoed across genres.

As the musical narrative unfolded, “Sodom & Gomorrah” took center stage on June 2nd.

Electra’s signature eclectic sound was on full display, captivating audiences and solidifying their reputation as an artist unafraid to traverse uncharted territories. The single became a sonic adventure, a theatrical spectacle that not only challenged musical norms but redefined them.

The heat of summer witnessed the release of “Anon” on July 19, a track that not only expanded Electra’s discography but also marked the beginning of a new chapter. With a strategic announcement, the revelation of their third

studio album, “Fanfare,” became the heartbeat of anticipation. Set to be unleashed on October 6, “Fanfare” promised to be more than an album—it was positioned as a magnum opus, a testament to Electra’s artistic prowess and their unique ability to encapsulate the complexities of contemporary culture within a melodic narrative.

To build anticipation for the grand unveiling of “Fanfare,” Electra orchestrated the release of two more singles. “Puppet,” dropped on August 31, and “Idolize,” released on October 3, served as not just auditory delights but visual spectacles. The accompanying music videos were intricate works of art, weaving seamlessly into the narrative fabric of continued on next page February 2024 • Music News

43

sonically immersive shows, Electra’s stage presence is anticipated to be nothing short of a transformative experience. The convergence of their groundbreaking singles, coupled with the imminent release of “Fanfare” and the promise of a world tour, underscores Electra’s status as a trailblazer in the contemporary music landscape.

Dorian Electra’s trajectory in the music scene has been meteoric, and with the impending world tour, they are poised to enchant audiences on a global scale. The convergence of their groundbreaking singles, the imminent release of “Fanfare,” and the promise of a world tour highlight Electra’s influence as a visionary artist pushing the boundaries of contemporary music. As the countdown to March 3rd intensifies, fans can prepare for an expansive and immersive experience that transcends the ordinary, courtesy of Dorian Electra at Warehouse Live Midtown.

Dorian Electra continued from previous page the singles, and added layers of depth to Electra’s storytelling.

The culmination of these five singles created a harmonic resonance that reverberated across the music landscape. Each release became a chapter in the grand story that was “Fanfare,” elevating the anticipation to unprecedented heights. The stage was set for an album that would transcend musical boundaries and redefine the very essence of what an artistic masterpiece could be.

“Fanfare,” true to its title, is not merely a collection of songs but a grand celebration of artistry and culture. Exploring themes of celebrity and fandom in the social media age, Electra’s latest offering goes beyond the realm of traditional music, positioning them as a cultural commentator. The album promises to be a thought-provoking commentary 44

Music News • February 2024

on the dynamics of fame, presented in a sonic landscape that only Electra could craft.

Amidst the buzz surrounding the album release, Dorian Electra unfurled yet another ambitious endeavor on October 13 — “Fanfare: The World Tour.” This globetrotting spectacle, scheduled to traverse the Americas and Europe, marks a milestone in Electra’s career. The world tour, set to unfold from October 2023 to March 2024, promises to be an immersive experience that brings the essence of “Fanfare” to life on stages across continents.

As the anticipation for the world tour builds, fans around the globe are preparing to witness the magic of Dorian Electra’s live performances. With a reputation for delivering visually stunning and

The journey promises to be not just a concert but a celebration of artistry, innovation, and the boundless possibilities of musical expression, as Electra continues to leave an indelible mark on the musical landscape. With each release, they forge a path that challenges conventions and invites audiences to join them on an exploration of sound, culture, and the limitless potential of artistic creation. As Dorian Electra prepares to step onto the stage at Warehouse Live Midtown, the world awaits a performance that will not only entertain but redefine the very essence of what a live musical experience can be.

SATURDAY, MARCH 9

SUNDAY, MARCH 10

THURSDAY, APRIL 49 FRIDAY, FEBRUARY

ALL AGES SHOW!!

DOORS @ 6:00 - SHOW @ 7:00

WITH PIXEL GRIP & KING YOSEF ALL AGES SHOW!!

ALL AGES SHOW!!

DOORS @ 7:00 - SHOW @ 8:00

DOORS @ 6:00 - SHOW @ 7:00

FRIDAY, APRIL 12

SATURDAY, APRIL 20

FRIDAY, APRIL 26

ALL AGES SHOW!!

ALL@AGES SHOW!!

DOORS 7:00 - SHOW @ 8:00 DOORS @ 5:30 - SHOW @ 6:30

DOORS @ 6:00 - SHOW @ 7:00

DOORS @ 7:00 - SHOW @ 8:00

ALL AGES SHOW!!

2600 Travis Street, Houston. • 832-767-0513 • CALL US TO BOOK YOUR EVENT OR PARTY FOR TICKETS: WAREHOUSELIVEMIDTOWN.COM OR CALL 832-767-0513

The Biker, The Blues, Beaches And Lots Of Open Road If you are up on two wheels and want to scoot non-stop with cold libations and good music at the other end then the highway between mainland Florida and the keys is for you.

From Key Largo to Key West this is one cool ride and a really good time. Obviously the bike festivals on the mainland such as at Daytona Beach are way cool but nothing beats letting your pipes breathe once you hit seven mile bridge. When it comes to a place to park, drink and chow down The Caribbean Club in Key Largo is hard to beat.

Check out that sunset (left) and they present live acoustic performances on their dock. This place is living proof that life is good. Hotels and motels close by. Now I don’t know about you but a lot of things catch my attention while traveling especially a sign near a bar that reads Attention Beyond This Point You May Encounter Nude Bathers.

Well one just has to drop in as if it were a call to duty and that is what I did while making my trek south down to Key West. Interesting beach for sure. Not much to say about this topic but it’s there and if you are into being a sun bather in the nude or maybe watching a sun bather in the nude Florida has the seven top rated nude beaches in America. I fired up Ole Red and made my way to another nice place named the Tiki Bar. Kind of humorous situation - I was tilting back a cold regional brew outside on one of their landings and this dog came up to me (see below). Really cool attitude and so we talked a bit. Well this guy comes up to where I am sitting, sees the dog and asks if it’s ok to pet her. I said well the dog isn’t mine but you can pet her and I think the bar gets five bucks. He didn’t know how to come back to me and immediately turned and went his own way. So later as I go back into the bar to get another cold one there was that guy again. So I told the bartender privately what I had said to the guy and he chuckled a bit. Well being who I am I just couldn’t pass up an opportunity to have some more fun with this guy. So while the bartender was drawing me another draft I moved over next to him to receive the beer. When the bartender came over I asked him if a person has to pay twice to pet the dog or just once for the whole day. Without missing a beat the bartender said no sir just once per day. It helps defray the cost of his food and any vet bills. You should have seen the look on that guy’s face, man that was a kodak moment. I mean sometimes you meet a guy with a stick up his ass and you just want to brighten his day and if humor doesn’t do it well you’ve brightened up your own anyway. I remember another time this guy, out of nowhere, asked me what I did for a living. I told him that I was with the Save The Twinkie movement. His eyebrow furled and he replied “really” to which I sais that continued on next page

26 48

October 2020 Music News • February 2024

Side 2

The Biker, The Blues, Beaches And Lots Of Open Road the government was out to keep Twinkies from kids. He bit right in, pardon the pun, then I couldn’t help myself. He asked if I was kidding and I said no really that’s what I do I am with the Save The Twinkie foundation out of Washington DC. He was amazed and I could see that he was searching my face for any glimmer of humor slipping out but I had been there longer than he had and I had this story down pat. There had been a gal sitting on my left and she was listening to all of this, I could see her smiling in the mirror. She got up and left but returned soon and when she did she pulled her bar stool closer saying almost in a whisper “I have to hear the rest of this”. I mean the guy was gullible and now I had an audience, well what was a man to do? I had fun, the lady on my left enjoyed the humor and the guy on my right left after a short while. I never let him in on it. Somewhere there was a guy walking around that was possibly searching the net for the Save The Twinkie foundation.

Moving along: myself I made my way to Plantation Florida, another “key” location. I went to a place named Rock & Brews and this place hosts Florida blues great Joel DeSilva. Joel and his band sport a polished look reminiscent of a mid seventies R&B band and deliver righteous blues. Rock & Brews itself has a picture gallery of rock, blues and R&B artists and take it from me the food is very good there too. You can hear live music just about any night of the week. If you get to see Joel perform trust me you won’t be sorry, the man gets it done. Later I checked in at a motel close by and hit the road in the morning about brunch time. I was anxious to get to Marathon, not sure why only that I seemed to remember that one of the Allman Brothers owned a place named the Brass Monkey there. I was wrong they didn’t own it but Greg did play there a couple of times. What’s really cool about the Brass Monkey is both its regulars who are just over the top and the fact that artists can jam there in their sandals. It caused me to remember that “you ain’t in Kansas anymore baby”. Like the Jimmy Buffet song goes, “I blew out my flip flops” yep that’s where you are smack dab in the middle of people kicking back just being cool. Anyway, being anxious I wheeled on to route one also known as Overseas Highway which by the way is appropriate as the highway is over the sea of course. It was a gorgeous day and my bike was purring right along. People were passing me, honking and waving hi, not a mean soul among them. By the way blues lovers the Southwest Blues Society keeps an ongoing list of blues events on Facebook so travelers always know what’s cooking in the keys.

I was coming into Big Pine and it was time to get some gas and check the oil. Across the pumps was a good looking gal and I asked her where I could hear some good blues and blues rock. continued on next page February 2024 • Music News

49

Side 3

The Biker, The Blues, Beaches And Lots Of Open Road She asked which way I was headed and I said south. She told me about this place named Looe Key Tiki Bar in the next town down the road. I thanked her and got back on route one heading south. The GPS had found the place in nothing flat and it wasn’t going to be out of the way. One of the first things I noticed when I arrived was a pair of legs sticking out of a thatched roof with fins on. The second thing I noticed was that it was daytime and I was not going to be alone inside this place, nope not by a long shot. I asked the bartender what time the band started and she said whenever they wake up.

Laughed my ass off. Yep, this place could work and yet I still wanted to get to Key West. I went outside to contemplate the decision and fired up a Macanudo and to devour a sandwich and the cold brew she had just served me. Beautiful day, couldn’t be better, the keys definitely kill many stress levels. I began to think about washing and polishing Ole Red but then again it was a kick back day if there ever was one. Now about that decision to leave: Well first of all the Albert Cummings’ song “Blues Makes Me Feel So Good” began to play and that grabbed my attention. Then this vivacious waitress came by and brought a dessert menu. Oh ya you could say I was hooked. Good cigar, good beer, good music and something nice to look at, of course I am referring to the local scenery, the indigenous fauna and nothing else. You know I wonder if you go to hell for lying the same as you do for stealing because while all those things might possibly be true my mind was not on the local landscape. Shame on me, shame on me, shame on me. Well believe it or not I decided to leave and made tracks for Key West. Don’t know why but something was pulling me that way. Turned out it was Hogs Breath Saloon. A bustling, crowded place both in the daytime and at night too after all it’s Key West and these people know how to enjoy life. If you want good music and miles of smiles this place has got it working. World famous you know. Key West itself is a no restrictions location such as in no dress code.

People really are kicked back and it’s easy to stay for a week for example before reality says ok time to get your ass moving. My hunch is that if you go there most likely you will go back. The keys experience is quite cool. Tremendous road trip. The problem I experienced personally however is that when I was scooting south through the mainland (Florida) I kept wanting to stop at all the blues clubs along the way and Florida has tons of them. I could have stopped as I am a no schedule kind of guy but the thought of clean beaches, white sands, sunshine, ice cold beer, blues music, people relaxing and an open highway well they were the drivers for me. I will do it again. If you are looking to get away, kick back and just enjoy a destination’s environment do the keys. Until next time this is the biker out on that long open highway saying, “I swear to God officer the girl told me she was eighteen” but that’s another story for another day.

50

Music News • February 2024

FEBRERO 2023

En Español

Marisela Febrero 2024 • Music News

51

Marisela se presenta el 1 de marzo en el Arena Theater

By Jose Martinez En el deslumbrante mundo de la música latina, existe una figura a menudo aclamada como la “Madonna Latina”: nada menos que la cautivadora Marisela. Su

52

Music News • Febrero 2024

viaje comenzó a una edad tierna, lanzando su álbum inaugural a la temprana edad de 15 años. Nacida en Los Ángeles, su atractivo se extendía más allá de su estilo vocal juvenil, incluyendo sus atuendos sensuales y cabello rubio, elementos que

contribuyeron sustancialmente a su ascenso al estrellato. Sin embargo, debajo de la aparentemente superficial fachada de su música yace una carrera que se prolongó

Continúa en la página siguiente

Marisela (Continuación de la página anterior) hasta los años 90.

Entonces, ¿quién es exactamente Marisela? Nacida como Marisela Hernández el 24 de abril de 1966 en Los Ángeles, California, es una cantante y actriz mexicano-estadounidense que ha dejado su huella en los anales de la historia de la música latina. Desde el principio, Marisela mostró una pasión ferviente por la música, deleitando a los espectadores en espectáculos y eventos locales con su voz encantadora.

Su repertorio musical incluye voces potentes y baladas románticas, con éxitos como “Enamorada y Herida”, “Sola con mi Soledad” y el éxito “Ya No”. Más allá de sus esfuerzos musicales, Marisela incursionó en la actuación, dejando su marca en la telenovela mexicana “Teresa” en 1988 y en varias películas durante la década de 1990.

A pesar de enfrentar tribulaciones personales, incluida una relación muy publicitada con el controvertido productor musical Sergio Andrade, la resistencia de Marisela como artista se mantuvo firme. A lo largo de su ilustre carrera, ha lanzado más de 20 álbumes, ganando premios como el Premio Lo Nuestro a la Mejor Artista Pop Femenina en 1991.

El impacto de Marisela en la música latina es inconmensurable y sigue siendo una figura querida en el género hasta el día de hoy. Con una voz que resuena poderosamente y actuaciones cargadas de emoción, continúa cautivando a audiencias en todo el mundo.

En 1984, a la edad de 18 años, Marisela grabó su álbum debut, marcando el comienzo de una prolífica carrera que se extendió hasta la década de 1990. Su versión de la canción de Barbara George “I Know (You Don’t Love Me No More)”, titulada “Ya No”, alcanzó la cima del Billboard Latin Songs en 1990.

Reconocida como la “Madonna Latina”, Marisela encontró el éxito temprano a los 6 años, protagonizando el programa de televisión para niños “Villa Alegre”, que se transmitió en varias redes durante los años 70. “Fue el ‘Sesame Street’ para la televisión latina”, dijo ella.

“Pero comencé mi carrera antes que eso, en comerciales de televisión. Más tarde, hice apariciones en diferentes telenovelas”.

Grabó su primer álbum a los 18 años en 1984, y continuó grabando más de una

docena de álbumes en las décadas siguientes. Su versión de la canción de Barbara George “I Know (You Don’t Love Me No More)”, titulada “Ya No”, alcanzó el número 1 en el Billboard Latin Songs en 1990. Su carrera musical la llevó a los principales programas de variedades mexicanos, “Siempre Domingo” y “Sabado Gigante”, mostrando su magnética presencia en el escenario.

debut, señalando el surgimiento de un talento prodigioso. Las décadas siguientes la vieron lanzar más de una docena de álbumes, cada uno contribuyendo al mosaico de la música latina. Notablemente, su versión de la canción de Barbara George “I Know (You Don’t Love Me No More)”, rebautizada como “Ya No”, ascendió a la cima del Billboard Latin Songs en 1990, asegurándole un firme lugar en la industria.

Ocupada como está con sus múltiples proyectos, Marisela aún disfruta de giras y actuaciones en vivo. “Tengo hermosos fanáticos en pequeños pueblos que ni siquiera conozco”, dijo ella.

Sin embargo, la narrativa de Marisela no se limita al ámbito de la música. Los años 80 y 90 la vieron incursionar en la actuación, con apariciones en la telenovela mexicana “Teresa” y varias películas, mostrando la versatilidad que define su esencia artística.

Las complejidades de su vida, incluida una tumultuosa relación con Sergio Andrade, solo sirven para amplificar la resistencia que se encuentra en su arte.

En medio de la vibrante cinta de la carrera de Marisela, su impacto en la música latina no se define solo por los éxitos que encabezaron las listas, sino por los matices que la convierten en una artista venerada. Nacida en 1966, su viaje comenzó en el programa de televisión para niños “Villa Alegre”, un trampolín que allanó el camino para su ilustre carrera musical. Desde comerciales de televisión hasta telenovelas, la trayectoria de Marisela estuvo marcada por un éxito temprano, preparando el escenario para la destreza musical que se desarrollaría.

En 1984, el año en que Marisela cumplió 18 años, se aventuró al estudio de grabación para grabar pistas para su álbum

Mientras Marisela se embarca en giras, conectando con audiencias en pequeñas localidades y abrazando el legado perdurable de sus éxitos en los programas de radio de XM, los capítulos de su historia se desenvuelven con cada nota. Con una voz que resuena a través de generaciones y una pasión que trasciende fronteras, el viaje de Marisela se erige como un testimonio del poder perdurable de la música.

Febrero 2024 • Music News

53

1006 McGowen

713-650-1006

Leon’s Lounge Is Now Available For Private Parties!

Make Your Reservations Now!!

This February at Leon’s Lounge Friday, February 2 -4th Quarter Band Saturday, February 3 - White Oak Bayou Band Wednesday, February 7 - Randy Soffar Hosts 19th HLeon’s Open Mic @ 8:00 pm Friday, February 9 - Proverbial Cool Aid Band Saturday, February 10 - No Stairway (Led Zeppelin Tribute) Wednesday, February 14 - Randy Soffar Hosts Leon’s Open Mic @ 8:00 pm Friday, February 16 - Juvenoia Saturday, February 17 - No Stairway (Led Zeppelin Tribute) Wednesday, February 21 - Randy Soffar Hosts Leon’s Open Mic @ 8:00 pm Friday, Februay 23 - Mark & The Misphits Saturday, February 24 - Junebird Wednesday, February 28 - Randy Soffar Hosts Leon’s Open Mic @ 8:00 pm Friday, March 1 - Surprise Band!

Saturday, March 2 - Lightnin’ Brothers Wednesday, March 6 - Randy Soffar Hosts Leon’s Open Mic @ 8:00 pm 38 August 2021 54 Music News Febrruary 2024 52 Music MusicNews News• ••December November 2023 54 2023

8:00 - 12 AM

November 2023 •• Music Music News News Decemoer 2023

53 55

RANDOM SHOTS

High Society Bring A Little Country Music To The Shady Acres Saloon Photos By Kevin D. Wildman 56

Music News • February December2024 2023

December 2023 • Music News

57

RANDOM SHOTS

Maniacal Grind Perform At The Acadia Bar And Grill Photos By Kevin D. Wildman 58

Music News • February 2024

April 2022 • Music News

69

RANDOM SHOTS

Stress Level Red Perform At The Concert Pub North Photos By Kevin D. Wildman

60

Music News • February 2024

June 2023 • Music News

71

RANDOM SHOTS

When The Sun Dies Perform At The 19th Hole Photos By Kevin D. Wildman 62

Music News • February 2024

July 2021 • Music News

65

RANDOM SHOTS

The Zak Perry Band Perform At The Shady Acres Saloon Photos By Kevin D. Wildman

64

Music News • February 2024

April 2023 • Music News

67

RANDOM SHOTS

The Chris Ruest Band Perform At The Big Easy Photos By Kevin D. Wildman 66

Music News • JFebruary 2024

Check us out at http://www.rockandbluesinternational.com Also available on Spotify, Google Podcasts, Podcast Index, Amazon Music, Podcast Addict, Podchaser, Pocket Casts, Deezer, Listen Notes & More!

February 2024 • Music News

67

RANDOM SHOTS

Rockasol Bring Some Spanish Rock To The BFE Rock Club Photos By Kevin D. Wildman 68

Music News • February 2024

February 2024 • Music News

69

RANDOM SHOTS

Tweed Smith & The Internationals Perform At Green Oaks Tavern Photos By Kevin D. Wildman 70

Music News • February 2024

February 2024 • Music News

71

RANDOM SHOTS

Mark & The Misphits Perform At Leon’s Lounge Photos By Kevin D. Wildman 72

Music News • February 2024

RANDOM SHOTS

Spiral Bring A Little Spanish Rock To The 19th Hole Photos By Kevin D. Wildman February 2024 • Music News

73

RANDOM SHOTS

Static Blues Band Perform At Katie’s Bar In Bacliff Photos By Kevin D. Wildman 74

Music News • February 2024

RANDOM SHOTS

Ultimo Instinto Perform at Yolox Photos By Kevin D. Wildman February 2024 • Music News

75

RANDOM SHOTS

Firecracker Smile (STP Tribute) Perform At The Concert Pub North Photos By Kevin D. Wildman 75

Music News • February 2024

RANDOM SHOTS

Drifters & Grifters Perform At The Acadia Bar & Grill Photos By Kevin D. Wildman February 2024 • Music News

77

RANDOM SHOTS

Super Pop Put On A Fantastic Spanish Rock Show at The BFE Rock Club Photos By Kevin D. Wildman