In English, "sea" means ocean. In Spanish, "sea" is a form of the verb ser to be. This intersection of meaning inspires my project. I designed and developed a knitted garment inspired by my home, Uruguay—a terrace by the sea. Honoring Iemanjá, the ocean goddess, February 2nd each year connects us deeply to nature, a heritage I reflect in my textile explorations.
I’m drawn to water’s fluidity, motion, and reflective surfaces. Noctilucas, bioluminescent organisms that light up Uruguay’s coast at night, evoke mystery and playfulness. I explore contrasts—light and dark, stillness and movement—along with themes of magic and the sacred, guiding my choice of fuchsias, blues, purples, and iridescent tones.
Knitted samples developed using a single-bed Silver Reed knitting machine, including punch card jacquard samples, partial knitting, lace, slipped stitches, and tucked stitches, as well as various embellishment and finishing techniques such as crystallization and embroidery with pearls and beads
Knitted samples (2024)
Movimiento is a hybrid piece—part garment, part interactive costume, and part performance. In exploring ways to enhance human body motion, used light as a poetic medium to make movement visible, resembling drawn traces.
The costume integrates an electrical circuit with a motion sensor, LED lights, and embroidered optical fiber. Using a camera, projector, and specialized visual design software, the dancer becomes a canvas, with light traces projected onto them, creating a dynamic feedback loop.
Movimiento: An interactive costume for amplified embodied performance (2021)
Interactive Costume
https://youtu.be/Xh0YXBoMfDA
Inspired by 're-designing gender,' this collection prioritizes comfort, movement, and vibrant hues for both men's and women's clothing.
The eclectic blend of satin, organza, and materials like cotton jersey and cu fabric aims to challenge gender stereotypes. This intentional fusion seeks to redefine associations, disrupting the traditional linkage of elegance and delicacy solely with femininity, while also commonly attributing sportswear to comfort, functionality, and masculinity.
This 3D-printed accessory was crafted specifically for Uruguayan artist PHORO's concert—an intimate blend of electronic sounds, visuals, and scenic elements.
The accessory evokes concepts such as depth, introspection, and fragility. Inspired by bioluminescence and the animal world, the subtle neon light vividly contrasts against the surrounding darkness.
(2023) 3D printed accesory
Textiles 3D is an experimental research project focused on the development of new materials. It encompasses both aesthetic and functional exploration, pushing the boundaries between the digital and material realms.
A collection of twenty 3D-printed textile swatches was developed, designed using CAD software and printed with Fused Deposition Modeling (FDM) printers. The collection showcases designs ranging from articulated to chain-like and mesh structures.
TEXTILES 3D (2022-2023)
https://youtu.be/zUmR43vjpHM?si=JvFdy0DrznwbSVgc 3D Printing
PIXELS AND STITCHES (2020)
A video created from embroidery samples, reflecting on themes of heartbreak and how pain manifests within the body. The piece also explores vulnerability and anxiety, focusing on their weight, omnipresence, and unpredictability.
May our tears become mariposas (2025)
Digital and hand embroidery
https://youtu.be/vgfR88o99PY
IDENTITY QUEST (2019)
