TKUA EA1 SPRING HUAN-YU, LIANG PORTFOLIO PART1

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P0RTFOLIO HUAN-YU,LIANG EA1 SPRING SUMMER
Architecture is a art when one consciously or unconsciously creates aesthetic emotion in the atmosphere and when this environment produces well being.
----LUIS BARRAGAN
EA1 SPRING GROUP 2 TEACHER GUO HSING, WANG TELL 0983407666 HUAN YU LIANG TKU DEPT. OF ARCH PROFILE

Window-scape: in-between

Learning from Masters: Process and Operation principle p2-p11 p12-p33

CONTENT 01 02
03 04
in
Analys and create Put
building base
p34-p71 p72-p89

No.1

Window-Scape: In-Between

Window-Scape: Behaviorology in-between enclosure and disclosure

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3

of the site

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Appearance

section A-A'

5 plan elevation

Site Analysis --------Plant

Plant will grow in diffirent way with diffirent building materials.

6
7

Design Sketch

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Final Model

Final Design

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DEVELOPEMENT OF MODEL

Site Model

Concept Model

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Final Model

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No.2 Learning from Masters: Process and Operation principle

CASA ESTUDIO ---- LUIS BARRAGAN

Location and the external of architecture

Adress:

Gral. Francisco Ramírez 12, Ampliación

Daniel Garza, Amp Daniel Garza, Miguel

Hidalgo, 11840 Ciudad de México, CDMX, Mexico

Surrounding:

Barragan's hose is located in Tacubaya . Tacubaya is the main street in the area, and it features the uniquely Mexico traditional vibe. Meanwhile, it consists of various traditional shops and mexican architecture.

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Basic information:

Exterior:

The external walls look just like rampart, it because of the anti-urbanization concept, Barragan wanted to protect interior space from the disturbance of outside world.

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1948 Construction 1980 Pulitzer Prize 1988 Turnining into public museum 2004 Classified as world heritage

Born: March 9, 1902

Died:November 22, 1988

Birth Place: Guadalajara, Jalisco, Mexico

Regionalism

Being huge influenced by the twice trip to Europe

The first time to Europe---1925

meet artist,Fredinand Bac, and being influnenced by his landscape paintings which drawed the mudejar architecture.

U-shaped geometric stripes vault

The second time to Europe---1931

Being influenced by Le Corbusier and Moroco style (especially the gardan)

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Introduction Of Architect
Luis Barragan Mudejar architecture alfiz Arabesque decoration

流動性: 光線的 反射,

牆是反都市的設計,保護內部不受外影響

牆創造屬於內在的空間。

互相催化, 黃色會使瞳孔飽和 以接收粉紅色。

JESUS CHUCHO 影響

墨西哥建築的用色多元明 亮,馬雅人、阿茲提克人 ,時常用鮮艷多元的顏料 在金字塔或陵墓上作畫, 西哥現今的民居。

多處挑高

似修道院

虔誠的天主教信仰, 家具擺設多宗教性。

高矮牆錯落, 空間和空間的連結 迂迴彎折--神秘感。

最平常的幾何形態,極簡的色彩、

純色,天然材質, 羊毛、木頭、皮革, 凸顯光線的照射。 空間層次

家具擺設

顏色接近墨西哥國花大麗菊, 墨西哥傳統的自然成份染料。 多數由花粉和蝸牛殼粉混合後製成, 絳紅色塗料來自墨西哥的一種昆蟲, 由工匠把昆蟲收集後碾碎獲得。

火山岩 灰泥

當地多火山

當地盛產的灰泥在氣候炎熱的國家 是退暑的功臣,甚至可以殺菌, 這個材料的使用源自於幾千年前

17 空間特色
用色 黃色+粉色
記憶
氛圍 牆的設立
巴拉岡兒時
受藝術家
街道側窗 光線
貫穿到 一樓
自傳式建築 光 線 結 合 顏 色 反 射 不 同 顏 色 光 線 當地材料
從三樓
用色大膽,在衛生紙上作畫, 花園側窗(內外關係對比
巴拉岡粉
當地的土著文化 對比
而這個傳統仍然影響了墨
寧靜、孤獨 裝飾、單一的光源,神秘、純粹的 氛圍,修道院一般寧靜神秘的空間。
Design Analysis

Space introduction

18 飯廳 早餐室 一樓大聽 入口大廳 圖書館 客廳 矮牆書房 工作坊 花園 客廳〸字窗
19 矮牆書房 客房 巴拉岡書房 巴拉岡臥房 夾層書房 二樓更衣室 更衣室 後方樓梯
20 1F PLAN 2F PLAN 3F PLAN

WESTNORTH ELEVATION

21 EASTSOUTH ELEVATION
SECTION A-A'
0 50 150 300 U=CM
SECTION B-B'

StEP 1. Study: Split-level and light and

STEP 2. 1:50 Model

There is more to something than meets the eyes..

Section A-A'

Section B-B'

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Library and Livingroom

Office and Corridoor

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32
Taller
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STEP 3: ANALYS AND CREAT

SKYLIGHT

ASSOCIATION OF SPACE CAVE---BARRAGAN'S HOUSE
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LONG GALLERY

IN-BETWEEN

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COMPRESSED SPACE

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