THE TIMES-DELPHIC The weekly student newspaper of Drake University Vol. 140 | No. 16 | March 24, 2021
FEATURES
SPORTS
COMMENTARY
A plaque honoring former Delta Gamma house mother Stephanie Markert was installed on a fence between the Delta Gamma sorority house and Trinity Lutheran Church.
After earning a spot in the NCAA March Madness tournament, the Drake Men’s Basketball team lost against University of Southern California, 56-72.
One writer laments the lack of Spring Break along with the other mishaps of March thus far.
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“I shouldn’t have to be afraid to walk home.”
Sarah Everard’s murder highlights culture of violence against women Maia Songer Contributing Writer maia.songer@drake.edu
Drake students and faculty share their thoughts on how to move forward with women’s safety in response to the tragic murder of Sarah Everard in the UK. Everard was walking home from her friend’s house late at night on March 3. In an effort to stay safe, Everard called her boyfriend as she walked and stayed solely in well-lit areas. Despite these safety precautions, Everard was kidnapped and murdered by Wayne Couzens, a Metropolitan police officer. Her body was eventually found on March 10. “The fact that [Everard] was still attacked when she did everything right tells us that it’s not the woman’s fault,” Jennifer Konfrst, Drake University professor and state representative, said. “That right there should send a message that the woman wasn’t to blame in this instance. She never is, but the fact that she followed all the precautions and was still attacked shows you that there’s a problem with the man who attacked her and murdered her.” Konfrst advocates for “a societal shift onto who is doing the attacking and how to stop the attacking from happening.” Jenna Baker, a firstyear student majoring in environmental science, expressed frustration with the way the police handled Everard’s disappearance. “I think that they should have made it known that this was happening instead of telling women to stay at home,” Baker said. “Women are already being hypervigilant because as women, we know that these situations happen and sadly they probably happen more frequently than they should.” Student Tess Dorman expressed similar frustrations.
“I shouldn’t have to be afraid to walk home,” Dorman said. “I shouldn’t have to carry around pepper spray. I shouldn’t have to carry my keys between my fingers. It’s scary and it scares me that I can’t walk home at night. Every girl I know carries pepper spray around with them and every girl I know has thought about that scenario in their head where they may have to fight back against someone.” Melisa Klimaszewski, director of the Women and Gender Studies Program at Drake, revealed the harm of police telling women in London to stay home and the danger behind naturalizing the experience which women endure.
“Every girl I know carries pepper spray around with them and every girl I know has thought about that scenario in their head where they may have to fight back against someone.”
“I think I really agree with the critiques that say that this response has been a problem because it has made women’s safety entirely the burden of the women,” Klimaszewski said. “That is doing nothing but reinforcing the norm of violent culture, of a culture that is violent against women, and it puts the responsibility on women as to putting the responsibility on the men who commit the acts of violence. It doesn’t emphasize the notion of freedom. If women are to live complete lives and if women are to live with complete freedom, women must be able to be outside at any hour of the night or day, by themselves.”
Carrie Dunham-LaGree, a professor at Drake, brought up the events from Everard’s vigil, where police suppressed the women’s protest. “I think they were trying to do the right thing,” DunhamLaGree said. “But I don’t think they really were thinking about the reasons the women wanted to come and protest and have a vigil and honor that experience and so it was not intentionally terrible, but then it just escalated. There are ways to plan for safer vigils that I think should have been the goal because I think that’s really what made this story explode internationally. Just seeing the way that some of the women were treated at the protest was visually shocking, especially knowing that a police officer had been arrested for her murder.” Dorman echoed these sentiments. “I don’t think that they’ve handled it very well,” Dorman said. “I think honestly their response to the protests have been pretty hypocritical considering that these women are protesting feeling unsafe walking home and their protests have been met with responses that are exactly what women are afraid of. They’re attacking them and arresting them and tear gassing them and I don’t think that that’s right. I think that these women have every right to be outraged and I think that they should have the freedom to protest.” Klimaszewski proposed how to move forward in putting an end to this oppression of women’s rights and safety. “It’s crucial not to naturalize a lack of freedom for women,” Klimaszewski said. “So, when you talk about the long history you have to make sure you do it in a way that does not naturalize it, because there is nothing inevitable about violence against women.” Konfrst also has suggestions for where to go from here.
SARAH EVERARD’S murder has caused women from around the world have shared their own experiences with gender-based violence. PHOTO BY CHARLEIGH REINARDY | STAFF PHOTOGRAPHER
“I think it’s a cycle so language perpetuates attitudes and attitudes perpetuate language,” Konfrst said. “I really think it means we need to have more women in leadership, more women in media, more women in government.” Beyond Klimaszewski and Konfrst’s insights, Baker admitted that this is “a man and women problem,” therefore everyone needs to be “educated collectively.” She said that these types of situations enforce a stereotype which is damaging to men as well. “I feel like sometimes guys who are sympathetic or empathetic of women, who don’t treat women like they’re disposable, are labelled and cast in a really negative and critical way,” Baker said.
students prepare for production of
Madeline Cisneros Contributing Writer madeline.cisneros@drake.edu
Under the direction of Erin Horst, Drake University students hope to captivate audience members with their production of “Into the Woods” from April 1 to April 4. “We are not stopping trying
to entertain people and tell relevant stories and teach lessons,” said Shane Scandurra, a senior who is majoring in musical theatre and plays the baker in the musical. “We’re not stopping that because we’re not barred from a virus, we’re just making sense of it.” “Into the Woods” combines many popular fairytale stories,
said Horst. Each character is striving to achieve something and they go out into the woods to get what they need. When each character gets their happily ever after, things take a turn for the worse. “They all do things that have affected their person, their morals and so that takes a toll,” Horst said. “And so, they suffer
WATCH “INTO THE WOODS” on the live stream or in the studio theater. Viewing is currently open to members of the fine arts department. PHOTO BY CHARLEIGH REINARDY | STAFF PHOTOGRAPHER
Konfrst agreed with this notion of toxic masculinity. “I think it implies that men can’t control themselves and that all men are murderers and when women are around, they just can’t help themselves,” Konfrst said. “That’s not true.” Klimaszewski narrowed down all of the reactions and responses to Everard’s case into a succinct proposal for what must be done in order to ensure that women are advancing toward a future of equity and freedom. “Challenge every person in every context who makes any excuse for women not being completely free,” Klimaszewski said.
“into the woods”
the consequences.” Scandurra said the main lesson that audience members can learn from his character is how people “have to be able to accept the past in order to move forward into the future instead of clinging onto mistakes.” Horst said that one of the reasons she decided to put on “Into the Woods” at Drake is to give students experience working with difficult music. The musical score is written by Stephen Sondheim, a composer known for difficult and intricate music. “You see these beautiful musical motifs and themes for each of the fairytale characters constantly being intertwined and mixed together,” Horst said. “I really wanted the students to get the experience because if you don’t have experience with Sondheim, you’re lacking a big part of your musical theatre training.” Originally Horst wanted to do the show in a black box theatre to create an immersive experience for the audience. However, that is not possible due to the pandemic. “We’re doing it in our big proscenium theatre, but we’re still doing it in an around style, and we’re doing it with four
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cameras,” Horst said. “We’ve placed the cameras around the whole set and so that’s been really complicated.” The COVID-19 protocols have made it difficult for the cast to bond, said sophomore musical theatre major Rachel Kelsey, who plays Little Red Riding Hood in the show. “The biggest thing I’ve noticed is that the students are missing connection between human beings,” Horst said. “I think that one of the biggest, most important parts of theatre and of acting is the connection you make with your fellow actors and the connection that you make with your audience.” The production will be streamed in real time and shown in the studio theatre where the audience will be watching it on a screen. It is currently open to students and faculty in the fine arts department, but Horst is working on getting approval to open it up to the general public. “It’s extra important now that our world is really lacking empathy and so I think theatre teaches empathy,” Horst said. “It connects us as a society, it bonds us as a society, it helps us understand other people’s perspectives.”