Wednesday, October 30, 2024 – Volume 38 • Issue 10
@tccthecollegian • collegian.tccd.edu
NORTHEAST
Film collaborative returns with ‘Landman’ Students get insight into film industry FOUSIA ABDULLAHI
editor-in-chief collegian.editor@tccd.edu
The Fort Worth Film Collaborative returns to NE Campus with an advanced screening of Episode 1 of the Paramount show “Landman” on Nov. 4. starting at 5 p.m. The show, which stars Billy Bob Thornton, is set in the 1970 and focuses on oil rigging in West Texas. Students and community members will have a chance to learn more about the growing film industry in Tarrant County and about TCC’s film collaborative certificate program. The event will include a red carpet, Q&A and a panel discussion with industry professionals David Glasser, CEO and co-founder of
SOUTHEAST
101 Studios, other studio executives and TCC students who graduated from the film collaborative program. Instructor Sean Fousheé who is the coordinator of the program said it has grown from 10 graduates to over 200 enrollments with a 100% job placement rate for graduates. For those interested, there will be a mobile registration center for class registration at the event. After the screening, students Beth Hutson and Daniel Vazquez will join 101 Studio’s John Hermansen to discuss their experience in the program and the film industry. Recently, Hutson, Vasquez, Fousheé and Director Taylor Sheridan testified at a Texas Senate Finance Committee hearing about the need for more funding to grow the Texas film industry. The hearing was also attended by actor Dennis Quaid, real estate developer Ross Perot Jr. and several others related to the Texas film industry. Fousheé said that to use state funding from the Texas Moving Image Industry Incentive Program,
Alex Hoben/The Collegian
NE RTVF students preview equipment and techniques that are taught in the Fort Worth FIlm Collaborative certificate program at least 50% of the members working on productions must be Texan. “We’re trying to fill that specific demand, we’re trying to get as many people trained up as we possibly can,” Fousheé said. “Just to give you an idea, Taylor Sheridan,
just on his productions alone, needs 2,500 people to work on his sets.” Last year, the state gave $200 million in funding to bring more shows and films to Texas. This year, the stakeholders asked them to increase that funding to keep Texas
competitive with New Mexico and Oklahoma. “This money is not going to Hollywood, and I think that’s a lot of the misconception is that $200 million are being paid out by Texas taxpayers, and it’s just going straight back to California,” Fousheé said. “That’s not it. It stays locally. These are local dollars.” Hutson, who owned an advertising agency for 20 years, was a publicist and creative director before she joined the film collaborative certificate program. She has always seen herself working on a Hollywood set. “My professors were so great,” Hutson said. “The students you know have become like friends in a community. We just support each other, and opportunities started becoming available.” After completing her certification, Hutson’s first official project was for Nickelodeon, working in the art department on the Kids Choice Awards promos. She also worked on a series of promo pieces and interviews for “Lioness” Season 2. See Film, Page 2
SOUTHEAST
Horror Club offers Friday movie scares ASH PETRIE
campus editor ashleigh.petrie@my.tccd.edu
The moon illuminated students’ faces as they descended to a chamber hidden beneath the library for their sinister gathering to discuss morbid tales of past and present. South Campus’ Horror Club is not for the faint of heart, but if one dared to join them during a Friday night fright they’d be greeted by Hannah Paden with a smile and popcorn. “Face those fears and watch a horror movie, dang it,” Paden said. She is president of the club and works alongside officers Luke Armendarez and Jay Anderson. Every Friday, they meet and transform the Writing Center into a theater dedicated strictly to horror movies. The club chooses a theme for each week’s double feature, and members can make recommendations as to which films are shown. Dedicated member Daniel Green will hang around South until 5:30 p.m. when the club meeting commences. He has been a part of the group since its beginning in 2022. “Getting scared is the best part of Horror Club,” Green said. Before starting any frightful film, the officers provide a brief warning of its content. They strive for their members to feel safe when watching scary movies and have guidelines listed that must be followed. See Horror Club, Page 3
Antonio Reynolds/The Collegian
South Campus Horror Club sets up for the Friday Night Movie Marathon starting with their favorite “Scream.”
Photos courtesy of Madison Durapau
South Campus instructor Yvonne Jocks touches the gravestone of John Willard, who married into her family and was accused of witchcraft in Salem, Massachusetts.
Instructors bewitched by Salem’s rich culture ASH PETRIE
campus editor ashleigh.petrie@my.tccd.edu
Spellbound by the history of Salem, Massachusetts, four SE Campus instructors set off on an enchanted quest to explore the magical town that left them more bewitched by its story than ever before. Yvonne Jocks, Leigh Anne Bramlette, Madison Durapau and Stephanie Hawkins sat in a circle when debating the different theories of the Salem Witch Trials in the late 17th century. Back and forth their conversation went, each possessing a unique expertise on the topic. “I actually am a witch, a practicing Wiccan,” Jocks said. She met the other instructors in 2019 during a trip to York, England. Prior to the pandemic, a program called Faculty Abroad funded their visit. This was when Jocks captivated the other instructors on the topic of witch hunts. “I kept trying to figure out the reasoning behind all of it,” Durapau said defeatedly. “It’s something that does not make sense.” Durapau is mesmerized by all things
spooky, but she discovered Salem’s dark story is too grueling for reason. She and Bramlette enjoyed digging into the psychological aspect of the history, but Hawkins stepped in as they became more exasperated in their discussion.
Before the great witch hunts, it was relatively safe to be a witch throughout Europe.
Yvonne Jocks
South Campus instructor
“What you’re doing is using logic,” Hawkins said. Hawkins was the historian of the group. Each time a new part of the story was brought up, she would interject conversation with historical documents supporting what the other instructors
would say. But, as Hawkins noted, there was no logic to the witch hunts. The four women discussed the fact that the craze began after the printing press was invented, and King James Bible was published, allowing people to read the text for the first time. “All of a sudden, the church is now having to fight these people interpreting the Bible on their own rather than [being] told how to,” Durapau said. Protestants allowed for followers to read the Bible while the Catholics didn’t. The rivalry between the two had already fueled conflict, but this established a religious war. “The second best-selling book after the Bible was a witch-hunting manual,” Jocks said. “Daemonologie”, written by King James prior to taking the throne, actualized witchcraft and claimed it to be evil. The book manifested a fear of what couldn’t be understood and became a term used to accuse people who were different. “Before the great witch hunts, it was relatively safe to be a witch throughout Europe,” Jocks said. See Salem, Page 3