The Pash Aeon

from Beats and Feels: Six Non-Traditional Music Scores for Non-Traditional Western Electron Music (WEM)

The Pash Aeon

Working in the Visual and Audio Space, The Pash Aeon is the Overture to the Installation, Binding Love. The Spatial Sound Installation creates an awe and spell-binding experience as moans, wails, echoes and eery sounds blare and reverberate in the Space. The colors red and blue, plastered on every surface of the room, speak to the experience of the Virgin in Art Historical terms. However the writing on the wall, instruments bound down with embroidery thread and yarn and spider-like “webs,” of thread dangled overhead, create what is more anguished than absolute, more hindered than absolved.

Art Historical references to French Painting; inside jokes; Musical references to children’s songs and the theme from Seseme Street; Literary references to Dr. Suess and children’s books; color; paint and sound making devices adhered to the ediface, all establish the work as an Interdisciplinary, Immersive, Spatial Sound Installation with formal connections to not only differing mediums but varying Schools within the Humanities. The exquisite nature of detail, touch and materiality of the Installation are prefaced by the Overture, The Pash Aeon, as the Sound Art Work plays in looping manner, guiding viewers and listeners through what could only aptly be described as a presentation in Sight and Sound of the artist’s mind.

©Tavarus Blackmon, 2019