TATIANA STAMATI ARCHITECT
portfolio 2013 - 2017
T A T I A N A S T A M A T I mail : tatiana_stamati@hotmail.com date of birth : 02/10/1991 tel. : 0030 693 2322978 Born in 1991 in Patras, Greece and since then I’m discovering the world. I find myself interested in designing with concern for the environment and exploring different materials and techniques. Thereby, I can practice architecture in a creative way and experiment with new living concepts and conditions. I have worked in the realization of landscape projects, as well as housing restoration, so I had the opportunity to see architecture and constructions in practice. I’m also involved in arts and crafts, graphic design and photography, activities which also helped me explore new outlooks on architecture.
CURRICULUM VITAE
EDUCATION 2009 - 2016 Masters Degree, University of Patras, Department of Architecture 2013 - 2014 Erasmus student, Universidad Alfonso X El Sabio, School of Engineering and Architecture, Madrid 2006 - 2009 College Degree, Arsakio School, Patras
EXPERIENCE 2014 - 2016 Working experience in an architecture practice, Patras 2016 - 2017 Participation in Erasmus for Young Entrepreneurs program and expanding collaboration with the landscape architecture practice Creatief Beheer, Rotterdam 2015 - 2016 Private architectural drawing lessons to canditates for architectural studies
PARTICIPATION IN • ENYA Competition “Elevating the public realm”, Queens, 2014 • Dakpark “Bijzonder buiten, zoekt innovatief binnen” Competition, in collaboration with IRIX architects and Creatief Beheer, Rotterdam, 2017 • Workshop - Seminar «About the natural building and the alternative approach to restoration», SADAS - PEA, Volos, June 2017 • Occasional projects for buildings’ restoration, 2016
SOFTWARE SKILLS
LANGUAGES
Adobe Photoshop, Illustrator, In Design, Premiere Pro
Greek (native)
Autodesk Autocad, Rhino, Sketch Up, V-Ray
English (Β2)
MS Office
Spanish (Β2)
CONTENTS
• CONFINED PLACES
p. 07
Έγκλειστοι Τόποι diploma research thesis
• LAND OF ELEGIAC LETHARGY
p. 11
Μεταπέα Άκρα Τόπος πένθιμης ραστώνης ανάμεσα σε δύο θάλασσες diploma thesis
• BROWNFIELD
p. 21
public | landscape
• REDEVELOPING MESOLOGGI
p. 31
residential | public
• OP.PO.SITE
p. 41
Queensway ENYA competition 2014
• HET VROLIJKE TUINCENTRUM
p. 49
The Cheerful Greenhouse
Dakpark Pavillion Rotterdam Competition 2017
• FLYERS / POSTERS
p. 55
6
CONFINED PLACES Έγκλειστοι Τόποι
7
8
CONFINED PLACES Έγκλειστοι Τόποι diploma research thesis professor: A. Spanomaridis collaborator: Ioanna Vlanti Place expresses the specification of neutral space to a special identity created between areas and people. Approaching the place in a process of recognition and appropriation, it is in fact, an interfering act on the ground, an active presence of a human through his artefacts, which aims to the creation of places of residence and inhabitation. Primary need in this process, is the demarcation of the space in which the person is confined, in order to realize his position and his relationship with the world. In an effort to detect the foundations of the concept of “inhabitation” and the implications of settlement of a human in a place, various “recognitions” of the quest of inhabitation are revealed. Demarcation activates human desires and principles, which reflect either to the primitive instincts for protection, or into the formulated elements which contribute to the creation of relations between people within a social context. We are referring to the need of a person to set the boundaries of his accommodation, to establish his own shelter, a condition of “intimate confinement”. On the other hand, the notion of a compromise in which life is a subject to restrictions and suggestions from a sociopolitical norm, places the human being into a society occupied by mechanisms of unobstructed control, confined into an ensemble of enforced rules. The person in the end, accepts confinement as a natural consequence of his inhabitation and either consciously or not, he settles in these “confined places”. The interesting element of the above phrasing, is the analysis of the endless search for the ideal “inhabitation”. This means that by translating the notion of ‘ideal’ into the place of Paradise, which is an eminently depiction of the completely blissful living, we can observe that even in the “ideal notion”, the meaning of “being confined” works as a condition that must exist. This existence is obstructing the three primary forces of evil: hostility, falsehood and hunger. The first human’s compromise is to live confined, although blissful. The Garden of Eden has served as a model of reconciliation between the human and the natural environment, as an example of self-sufficiency, which maybe approaches the utopian dream of absolute freedom. Nature is still the place, where the human being relates with, without being afraid. The expectation of perfection is visualized in the image of inhabitation in nature, resulting in today’s talk about nature’s establishment instead of the establishment in nature.
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10
LAND OF ELEGIAC LETHARGY Μεταπέα Άκρα Τόπος πένθιμης ραστώνης ανάμεσα σε δύο θάλασσες
11
12
masterplan
LAND OF ELEGIAC LETHARGY Μεταπέα Άκρα Τόπος πένθιμης ραστώνης ανάμεσα σε δύο θάλασσες diploma thesis professor: A. Spanomaridis
In the epic poem Theogony - i.e. «The genealogy or birth of the gods» Hsiod describes the origins and genealogies of Greek gods, composing the greek mythology as it formed through the human perception. ”First of all Chawos [Gap] came into being...” and give birth to Gaia, the notion of mater and Tartaros, the notion of time and death. Inside the endless dark of Tartaros, ”...pitch-dark Night’s children have houses, Sleep and Death, dreadful gods.” Searching for the land of murky Tartaros, the mythology leads us to the southest point of the Balkan peninsula, Cape Tenaro. In this rocky land there is the mythical Gate to Hades, which can lead to the vast dessert of darkness, where Sleep and Death combine their habitation into a site of an elegiac lethargy. Death lives in seven rooms. Seven monumental and imposing spaces, each of one host a different burial rite that has been developed by cultures around the world for housing the bodies of the dead – the ossuary, the burial in the water, the hanging tombs, the tower of silence, the crematorium, the pyramid and the cenotaph. At the end of the path through the rooms of Death, there is the garden of Sleep, where he waits for his somnolent guests. The garden, as the prototype of heaven’s situation, encapsulates the concept of the dream, where the unconscious is being formed into images of unexpected fantasies. Based on the archetype of the maze, the fantasy in Sleep’s garden appears through the experience and the observation of life itself. There, Sleep distributes his temper and his impulsions to his three or thousand sons, who live inside the follies, elements that complete this enigmatic scenery. Morfeas stands on the cross points of the labyrinth, seeking after the irrational encounter that has to happened. Inside the ground, Phobetor transforms into monstrous beings, unfolding the unconscious fear and Phantasos creates pleasure from the vitality of nature and the images of objects of the routine. Finally, rooms around the maze can host eventually the slumberous nomads, who will unwillingnessly or not meet Sleep and his sons. The refusal of decline forms shelters that stand like boulders in the landscape, separated from the life. Memorizing the lamentation and the image of a ghost, we create a scenery of another reality. A reality of questioning, doubt and paradox. Like our irrational unconscious that fights with uncertainty, this reality rephrases the disputes of life. Wandering worryingly, the subject stands between contradictory situations. He may be asleep, he may be dead. Drunk or immersed in a contemplation. Exiled from the life or exiled from reality.
13
THE ROOMS OF DEATH
+43.53
+31.04
+17.73
+7.33
+0.00
section 2 / entrance
+58.80
+48.55
+29.35 +26.50
+20.40
+9.17
+0.00
-15.70
section 3 / burial in the water
+70.50
+58.80
+48.55
+39.90
+33.90
+24.50
+15.67
+0.00
section 4 / hangigng tombs
+58.80
+48.55 +44.50
+37.10 +32.50 +29.80
+0.00
section 6 / pyramid
+67.05
+58.80 +55.75
+26.45
+20.45
+11.60
+0.00
14
section 7 / cenotaph
THE ROOMS OF DEATH
0
10
20
50
plan / entrance the willow forest
15
THE ROOMS OF DEATH
16
entrance
ossuary
crematorium
tower of silence
THE ROOMS OF DEATH
burial in the water
hanging tombs
cenotaph
pyramid
17
THE GARDEN OF SLEEP
folly / Morfeas
folly / Phantasos
18
0
folly / Phobetor
plan the maze
THE GARDEN OF SLEEP
+58.50
+57.30 +56.60
+55.70 +55.00
0
10
20
50
1
2
5M
plan / section the room
19
20
BROWNFIELD
21
3
3
2
2
1 στάθμη -4.00
1
0
20
masterplan 22
40
100 m
BROWNFIELD public | landscape professor : A. Spanomaridis collaborator : Ioanna Vlanti
Subject of this project is the new coast zone of Patras. The aim of the proposal is the creation of a new unified public space and simultaneously the development of the conditions of vertical dwelling. Particular emphasis is placed on reintegration of the industrial complex of Peraiki Patraiki in the surrounding area. The desing of the public spaces develops in four parts: the museum, the market, the lake (with a promenade towards the pier), the library and the hill. The museum is an open space placed next to a heavy wall. The main circulation of a possible excibition takes place through a ramp which encircles the building and ends to the lower level of the rest area. The market gives life to a complex of preserved buildings and creates mysterious and surprising spaces in between them. The library is a building that hides its excistence under the landscape with an inclined, green roof. A high, glass facade though allows the perfect lighting of the building without setting bounders. The “study boxes” are a sequence of the activity of the library, which creates a common place. The reuse of the old industrial buildings, combined with the addition of new facilities (cultural, recreational, commercial), aims to the creation of a new magnet for the area. Trying to explore the meaning of the vertical dwelling, we experiment with a different model of habitation, where glass residencies develop into a heavy and compact shell. These “towers” function as landmarks in the area, because of their morphology, and also mark the limits of our proposal. One of these three volumes, the lighthouse, is located in the port and it also provides access to the site. The other towers, the residencies, are located in the hill and the industrial zone.
23
PUBLIC BULDINGS
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THE MUSEUM / THE LIBRARY
front view
ground floor plan
front view
ground floor plan
25
THE MUSEUM / THE LIBRARY
section 3 / lighthouse - museum
26
THE HILL / THE MARKET
section 1 / residencies - hill
27
THE TOWER
section / the tower
floor plan / version of housing
section 2 / promenade pier - lake - tower 28
THE TOWER
29
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REDEVELOPING MESOLOGGI
31
masterplan
32
REDEVELOPING MESOLOGGI residential | public professor : G. Panetsos collaborator : Katerina Selekou
This project proposes the reuse and redevelopment of the south area of Mesologgi. After a research for the needs and the requirements of Mesologgi, the basic aims are to feature the local culture in dwelling design, create ephemeral residencies, in order to attract visitors to the city and also develop residencies for the locals that can reinforce the interaction between them. Our proposal is to give water again to the dry river that delimits the main center of Mesologgi and parallel to the river to locate places for commercial and recreational activities. Also a promenade goes through the site and connects the center with the sea. West of this pedestrian street there are the temporary residencies, which adopt the form of the traditional “pelada� - floating, fishing house. From the other side, there is the permanent residency, between which there are structures of agricultural activities and also narrow channels that can be used for water supply.
33
PUBLIC SPACES
1. 2.
1. hotel services: reception lobby, restorant bar, parking area, etc 2. public services: market, athletics, playground, parking area, etc
3.
4.
3. meeting point, outdoor amphitheater 4. deckkkkkkkk fishing area
salt marsh / fishing area
program diagram
new port
1. hotel 2. temporary housing / “pelada�
1. 2.
3.
program diagram / housing 34
3. permanent housing agricultural / farming area
PUBLIC SPACES
meeting point / the amphitheater
the deck 35
ANOITACUDE KSEPHEMERAL EDOTUA NRESIDENCIES A YB DECU/DHOTEL ORP ROOMS
front view of house block
floor plan of house block
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
floor plan / hotel room
36
EPHEMERAL RESIDENCIES / HOTEL ROOMS
ephemeral housing
section / hotel room - reception lobby
37
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PERMANENT RESIDENCIES
a
PRODUCE
ground floor plan
a PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
section a - a of house block 38
PERMANENT RESIDENCIES
ED BY AN AUTODESK EDUCATIONAL PRODUCT
housing and farming
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OP• PO• SITE
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OP• PO• SITE Queensway ENYA Competition 2014 “Eleveting the public realm” team : Areti Fakitsa, Dimitra Chrysoula, Dimitris Hatziioakimidis, Ioanna Vlanti, Fani Dimopoulou The route between the upper and the ground level is the key issue on which this proposal focuses. Therefore two basic elevating routes are created, an external perimetric one beginning with a ramp on the north-east view which focuses on the continuation of elevating whereas the internal route is formed by a series of multi-layered platforms that allow you to take a rest, pausing your ascension to the other level. The perimetric route starts with a ramp, reaches a lifted square on the top and connects through a linear path with a platform that stands over the 101st avenue. The series of platforms in different heights that are embraced are mostly planted and can serve a variety of open space activities of the diverse groups of the area and can also function as an open theater. These two routes cross each other forming a junction in the middle of the site. On the ground floor two juxtaposed open spaces are created. The first stands in the back of the shops providing the potentiality of an outdoor market . The second one is located in front of the platforms functioning also as a potential stage for the layered theater when needed. The space under the upper linear route accommodates the different shops and businesses maintaining the characteristic archs on the view of the road . The typical metallic frame of the old structure is in great extent maintained bridging the old with the new structure.
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CONCEPT
urban furniture
44
longitudinal section
CONCEPT circulation diagram
concept diagram
vegetation diagram
+ 8.80 + 5.80 + 2.70 + 0.00
1
5
10
20 m
45
PLANS
a
b
a
b
masterplan
a
b
a
b
ground floor plan
+ 8.80
section a - a
46
1
5
10
+ 5.80
+ 5.80
+ 2.70
+ 2.70
+ 0.00
+ 0.00
20 m
section b - b
1
5
10
20 m
VISUALS
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HET VROLIJKE TUINCENTRUM The Cheerful Greenhouse
49
masterplan
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HET VROLIJKE TUINCENTRUM The Cheerful Greenhouse Dakpark Pavillion Rotterdam Competition 2017 “Bijzonder buiten, zoekt innovatief binnen” team : IRIX architects, contractor Wands, Creatief Beheer Our design is based on the needs of the community and the spatial relationship between all the elements that form the character of the Dakpark. We propose a concept that will become part of the landscape and extract all the benefits from the current situations and conditions. The pavilion will be formed in two levels that will be connected through the landscape by itself. On the first level the façade itself transform into seating elements creating an interactive disposal between passengers of the main path and users of the pavilion. The first level will host the main facilities; WC,storage space, kitchen and the gathering space for educational and social activities. A pergola limits and shadows an outdoor space which in relation to the entrance, creates a smooth transition from the out to indoor space. The second level provides an open balcony with great overall view of the Dakpark which is also served as the entrance of the greenhouse. The facade that separate the terrace from the greenhouse can open and unite the two spaces in a way that can create covered but open event space. The two levels are connected with a ramp that follows the incline of the landscape and ensures close experience connection between building and nature. One of our main purposes is to create and reinforced the feeling that urban and common spaces can and must be familiarized by the residents and users themselves. This concept will be our priority also to the construction face by involving the community into the building process. We separate the construction on two faces. The first face is the construction and the placement of the basic elements by a contractor; wooden frames, wall frames, windows. The second face is as we call it “social - community power“. We build the filling of the walls, the kitchen and the decorating of the floor with volunteers. In order to prepare and educate people about sustainability design and ways to implement it in our lives, we will organize daily workshops guide by experienced builders on the field. This process will help to the environmental, economical and social sustainability of the project to be lifted and make the project an example for the rest of the city, maintaining the qualities that already exist in the Dakpark.
51
CONCEPT / PLANS
section a - a
section b - b
floor plan
b
a
by constructors
52
by members of the community / volunteers
ground floor plan
b
VISUALS
a
53
54
FLYERS / POSTERS
55
56
57
2018