Portfolio 2

PORTFOLIO/TANJA RADOVANOVIĆ 2016./17

GENERATOR Sauna building, of Sunila complex, is treated as a white box, which will be the starting pointof activity and life. Using resources such as, coffee waste (FInland no.1 in coffee) the locals can start new kind of industry and also provide food for their own needs. The building will house a cafe, a plants market, mushroom plant and a shop.

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N

GROUND FLOOR R 1:200 LEGEND 1 shop (mushroom/coffee products) 2 selling point 3 office 4 hallway/passing zone 5 coffee storage 6 mushroom production 7 plants grown with coffee 8 gardening storage 9 green roof path 10 garden 11 bicycle rent views

B

new walls

4

3

1

2

11

old walls

16 x 0.175 = 2.800

5 6 7 8 9 10 11 12 13 14 15

5

3

4 12

A

17

16

S-01

S-01

15

14

13

12

11

10 9

8 7

6 18 x

5

0.178

4 3

= 3.200

2 1

6

1

2 10

7 9

S-03

8

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1

1ST FLOOR R 1:200

LEGEND 4 -5 53 19 a l e ur ju 7 4 d an la 19 37 la e 19 ko uus va n ru k nkla ho

1 exibition path 2 model exibition 3 factory viewpoint 4 photograph exibition 5 wood workshop 6 bar 7 toilet 8 caffee 9 terace 10 garden 11 green roof path

1

2

views new walls

mantyla 1937

old walls

3

view of the factory

4

5

7

9

6

S-01

E

8

S-01

10

D

11

URBAN SCAR The scar or main axis, should heal the area. Urban plan of the area is designed to look and feel like combination of old town and Kalamaja grid.

The highest point of the area is the market building, marking the oldest tradition of the area.

LANGUAGE Space of the city can be understood as a medium of communication, as a sistem of messages and signs about how a person should act. We are extending our bodies through our clothes, living spaces, and finaly cities.

The space is spreading from the path, use of the roofs, parks, making new public spaces.

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144,852.378 m2

A PLACE WHERE YOU WANT TO STAY

Third axis of Haifa - connection between neighbourhoods, different functions and atmospheres. The axis is divided 6 stories that blend into one. The flow, scale and density keeps changing, making the space dinamic. The axis is working as a connector on 3 levels, physical, visual and atmosferical

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BINYAMIN GARDEN

3 4

1 23

2

22

3

21

4

20

5

23 x 0.152 = 3.500

2

23 x 0.152 = 3.500

1

19

6 7 8 9

14

10

14

11

13

11

13

7 8

18 17 16 15

3

30 x 0.117 = 3.500

2

12

12

9

1

23 22 21 20

5

19 18 17 16 15

10

6

4 5 6 7 8 9 10 11 12 13 14 15 16

17

18 19 20 21 22 23 24 25 26 27 28 29

23 22 21 20 19 18 17 16 15

25 24

14

23 22 21

13 20

25

12 19

11

24

18

10

23

17

22

16

9

21

8

20

7

19 15

18

6

17

5

3 2 1

16

24 x 0.146 = 3.500

4

14 13 12

15 11 10 9

14

8

13

7

12

6

11 26 x 0.173 = 4.500

5 4 3 2 1

10 9 8 7 6

2

2 3 4

25 24 23 22

5

21

6

20

7

19

8

18

9

17

10

16

11

15

12

14

1 2 3 4

25 x 0.180 = 4.500

1

25 x 0.180 = 4.500

1

26 x 0.173 = 4.500

5 4 3

25 24 23 22

5

21

13

6

20

7

19

8

18

9

17

10

16 15

12

14

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S-02

S-01

S-02

S-01

S-02

S-01

13

11

ENERGY

AGRATED

P

P

1

2

P P

3

P

P

P

P

P

P 4

P

P

P

tram lift foot and cycle path existing foot and cycle path new ski slope

0

100

P

parking

1

olympia stadium

2

tennis club

3

museum

4

school

200

300m

OFFICE BUILDING OPENING THE LAYERS OF THE MOUNTAIN

SPA & WELLNESS GROWING FROM THE LANDSCAPE

ATMOSPHERES

THE HOUSES FLOWING WITH THE VIEW

MATERIALS

3

P

P

0

50

100m

A-A

OFFICE B

22

20

17

18

19

21

16

14

15

7

11

13

12

9

FAMILY HOUSE COUPLE HOUSE

10

9

8

9

A-A

0

5

10

25m

7. pool inside 8. pool inside an outside 9. pools 10. pool in the rest area 11. toiletts 12. changing room 13. rest area 14. massage room 15. atrium 16. bio sauna 17. hamam 18. shower 19. atrium 20. infrared cabin 21. finnish sauna 22. technique room

15

SINGLE HOUSE

G

A

A

BUILDING

31

30

29

28

27

26

25

24

23

22

21

20

19

18

17

A-A

QUIET AREA MEETING AREA

16

5

4

3

2

1

15

14

13

12

11

10

9

8

7

6

31 x 0.161 = 5.000

B

B

B

B

EXIBITION SPACE

3

CONFERENCE ROOM

1 5

B

B

B

B

2 6 4 5

6

51 28

50 27

31

49

54

9 55 10 33 56

3

48 25 2

63 x

47 24 1

0.113

11

34

= 7.091

57

12

46 23

35 58

45 22

13 36 59 14

44 21

37

60 38 61

16 39 62

17

63

41 18

42 19

40

20

15

43

25m

SECTION B-B

4

8

15

7 30 53

A-A

10

26

32

B

B

DATA CENTER

RESTAURANT 5

52

B

29

B

0

SECTION A-A

STAR GAZING ROOM

OFFICES

B

B

B

B

EXIBI TION SPA CE

EXIBITIO N SPACE

CLASS Cortina

0

Centre

ROOM CLASS ROOM

5

SOLO WORK STATIONS / GREEN

10

B

LABARATORY

STORAGE / ARCHIVE

WOR KSH OP ZEN

WORK SHOP

CA FE RESTA URANT

CAFE

KITCHEN CONFE RENCE ROOM

B

B

B

B

RESTA URANT KITCHEN

CONFEREN CE ROOM

GYM

GYM

OFF ICE

QUIET AREA

QUIET AREA

SOLO WORK ZEN

GYM/ACTIVE AREA

GREEN/ZEN AREA

B

B

A

B

A

B

ZEN

OFF ICE SOLO WORK SOLO WORK ZEN

A

25m

1. entrance area 2. changing room 3. staircase staff 4. restaurant 5. kitchen 6. staircase and elevator

15

B

CLASS ROOM

OFF ICE

OFF ICE

MEET ING AREA

MEET ING AREA

RELAX

RELAX

STORAGE

STORAGE

LABAR ATORIES

LABAR ATORIES

ARC HIVE

ARC HIVE

STOR AGE

STOR AGE

DATA CEN TER

DATA CEN TER

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A LISBON ATLAS FOR CONTEMPORARY MUSEUM

B

The aim of the atlas is to show different perspective in experiencing the city. The street is mirrored in the sky, with all of it’s iregularities and angles that can’t be seen when we simply walk on it. The diversity of buildings in one street also becomes very clear. Their heights, the change of them, the curves of the street and the way the buildings are positioned on the street. Atlas is divided in five typologies: straight street, intersection, T-junkction,

A

B

the change of heights and courtyards.

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R 1:100

B

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B

A

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The place for the project is in the heart of Bairro Alto, the intersection between Travess do Poco da Cidade and Rua Diario de Noticias. Although this area of the city is very popular and touristic, there is still big number of houses that are waiting for the rentovation, and are in the state of ruins at the moment. The project is placed in between two of those buildings. By using the abanodoned buildings, the atention is drawn to them and they get a new, temporary life. The street do Poco da Cidade is already very narrow on that point, but it’s made even more narrow, to the point it’s only 2 meter wide, using only the street and hiding the side walks. The walls are 5 meters tall, with the sloped continuation, that makes shade and play with light. Considering the street is orientation East - West it will have sun the whole day, and the light will change as the sun moves. Continuing down the street, the walls spread towards the buildings and show a door into a new space, that is mysterious and unknown. The person enters a cubic frame with only one door and no ceiling, with high walls, that make a frame to the sky. The space is a relief from the noise aorund, and only focus is peace, simplicity and connection that nature brings.

Travessa do Poco da Cidade

g the view above us, we see the

hem. The street is mirrored in the The diversity of buildings in one Travessa do Poco da Cidade

eet and the way the buildings are

view above us, we see the

-junkction, the change of heights

The street is mirrored in the

diversity of buildings in one

nd the way the buildings are

Rua Diario de Noiticias

ss do Poco da Cidade and Rua

ction, the change of heights

ill big number of houses that are placed in between two of those Rua Diario de Noiticias

even moreand narrow, oaking Pocoitda Cidade Rua to the

number of person houses will that look are up for space, the

ed in between of those person enters two a cubic frame with

it even morebuildings. narrow, toInthe ntersection this way

e, the person will look up for

n enters a cubic frame with

ection buildings. In this way

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GROUND FLOOR R 1:100 SECTION B-B

A

A

R 1:10

B

B

GROUND FLOOR R 1:100

A

A

B

B

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SECTION A-A

R

N

R 1:100 N 0

1

2

3

4

R 1:100 5

0

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1

2

3

4

5

R 1:100

?????????

R 1:100

ELEVATION SIDE

B

B

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A

A

A

B

B

A

N

R 1:100 0

1

2

3

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4

5

Travessa do Poco da Cidade

N

SITE PLAN R 1:500 0 1 2 3 4567 N

SITE PLAN R 1:500 0 1 2 3 4567

SECTION B-B

ELEVATION FRONT

R 1:100 SECTION B-B

R 1:100 ELEVATION FRONT

R 1:100

R 1:100

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A

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SECTION A-A

4

R 1:100

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R 1:100

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ELEVATION SIDE R 1:100 GSPublisherVersion 0.5.100.100

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4

5

UMA CASA PARA NENHUM LUGAR / EARTH House is closed and hidden from outside, but made out of open and intertwined spaces inside. Through the walking path, the spaces change from more compressed to decompressed one by one. The spaces are developed in a spiral shape towards the sky.

Dynamics, inside the static object. The light gets in through the roof. The shape is a cube, a pure shape. Contrast made with shape of alienation and the core of habitation.

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HALLWAY | SERRA the long and narrow entrance hallway opens into a larger, heavy and static, space to make a connection with sculpture. Serra masterpiece is positioned in a way that is guiding the path into common space.

COMMON ROOM | ROTHKO the space opens up, it’s high and bright, All of the communications of the house are connected to this space.

Rothko piece can be perseved from more than one perspective. The space has a monumentral feeling.

KITCHEN | MASACCIO Masterpiece is centered beneath a chimney, that is also used to bring light inside the room. From the entrance into the room, the painting is the first thing visible. Space is simple, cubic, made to put accent on the painting.

BATHROOM| EYCK positioned in the heart of the house, this space has hamam atmosthere hiding the painting of Eyck. Mysteious feeling made for the painting. Arched roof brings in soft rays of light.

The bath is a pool, making the water surface beneath the painting

BEDROOM | RICHTER the room on the highest point of the house, looking into the common room. The spiral of spaces in the houses finishes with this one, that gets closest to the skylight opening. The paiting of Bety turning back is the end of the path.