Dvino is the Laredo Morning Times’ lifestyle magazine.
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Volume XX
Number 3 (231) 5711 McPherson Rd Suite 203A Laredo, TX 78041 (956) 728-2500
COVER
Giselle Gonzalez styled by Javier Menchaca and photographed by Gabriela Qualley in wardrobe by La Sposa Bridal Salon
EDITOR'S NOTE
April marks our annual Bridal Issue, another Dvino Magazine tradition that began long before my tenure and one I’m glad to present to you this month.
Our annual celebration of matrimony coincides with the bloom of spring flowers, longer days and the arrival of warmer weather.
Wedding ceremonoes are often a lifelong dream for many young women, and we hope to inspire ideas for brides and grooms-to-be in this issue.
In our trademark fashion editorial, we partnered once again with La Sposa Bridal Salon to showcase extravagant gowns, perfect for a walk down the aisle of any cathedral.
Styled by our creative director Javier Menchaca, the shoot features this year’s Miss Southwest Texas Teen and last year’s Miss Texas Teen, Giselle Gonzalez.
Fresh off her 18th birthday, Giselle said she’s far from her own wedding day, but you wouldn’t know it by the way she wore the beautiful attire lent to us by Ariel Gomez of La Sposa.
We shot the fashion editorial in a historic building originally constructed in the 1800s.
The site, which formerly housed the iconic Gallery 201, once hosted many art shows but is now on the market after the Gallery closed its doors at the start of this year.
We thank our friends at Killam Development for allowing us to use the space for the shoot.
In celebration of matrimony, we are featuring one of Laredo’s most prominent power couples, Anna and John Galo.
The pair, who recently celebrated their 32nd wedding anniversary, are well known in the Laredo community for their giving spirit and dedication to improving the lives of local Laredoans in numerous ways.
This issue also features a story on the SXSW Festival, which annually celebrates music, film and entertainment in Austin, Texas.
Our music columnist Michelle Thorpe attended the festival and recounts her SXSW journey in this month’s column.
As part of our SXSW coverage, we are featuring the story of a Laredoan who helps turn the conference from a plan into reality.
Alany Rodriguez, a
conference programmer at the world-renowned festival, shares her journey from high school student to president of UT-Austin’s record label, to Grammy representative for Texas, and finally to joining the team at SXSW.
We are also spotlighting the story of Tejas Financial Advisors, a local financial firm whose strong family ties have been a catalyst for its success.
And as always, we include the literary talents of the strong Dvino writing staff you have come to expect in these pages.
Returning contributors include Hannah Frey, who writes about the wisdom found in our local schoolchildren.
Monica MartinezHamilton wrote about her love of ballet and the journey of a family member who became a dancer of renown.
Ellie Bednarz wrote about a family trip to explore the national treasures of New Mexico.
Lastly, Alicia V. Cantu, Thomas R. Brown and the Dvino staff return with their monthly contributions.
As always, happy reading!
Louis San Miguel Dvino Editor
CONTRIBUTORS
CONTRIBUTORS
Thomas R. Brown Writer
Alany Rodriguez Contributor
Monica Martinez-
Thomas R. Brown Writer
Hannah
Javier Menchaca Creative Director
Alma Alexa Gonzalez Model
Alli Flores Writer
Ashley Dowler Contributor
Monica MartinezHamilton Writer
Rebekah Rodriguez Writer
Michelle James Thorpe Writer
Michelle James Thorpe Writer
David Gomez Jr. Writer
DVINO PICKS
The staff at DVINO Magazine is picking out some of our favorites in fashion, movies, music, TV, restaurants, food, drinks and more every month. So if you're looking for a new obsession, why not try a recommendation from the staff at Dvino.
RED DEAD REDEMPTION 2
Red Dead Redemption 2 continues to prove to be a masterpiece nearly eight years later after its release.
The open world western survival game is arguably Rockstar Games’ perfect game. It's is a lot tamer than anything the Grand Theft Auto series has to offer. It is honestly impressive how creative the game studio is, thinking in the mindset of a settler in the west. Whether it's bounty hunting, train and stagecoach robbing, hunting and fishing for legendary animals or searching for gold, this game has it all.
I have yet to even tell you about the game’s protagonist Arthur Morgan.
He’s just the most loyal muscle any gang could have. Playing as him makes you feel like a real outlaw, with nothing to prove to anyone because you know he’s as capable as you are with a controller in your hands.
It’s been so long, but I remember looking up the many video essays done on this game alone and dissecting every minute detail to why it is regarded so high in the pantheon of all gaming. Hell, it’s a prequel to its hit predecessor Red Dead Redemption eight years before it from
2010. Even then, part one felt like a once in a lifetime game, but RDR2 amplifies it to unattainable heights.
—David
AMUSING OURSELVES TO DEATH
Is what connects us today more than just a simple lack of attention? Has television and social media made it harder for us to absorb and understand the kind of information earlier generations once could?
According to social commentator and theorist Neil Postman, the answer is yes. Media, and the way we consume it, is amusing us to death.
Amusing Ourselves to Death: Public Discourse in the Age of Show Business, written in 1985, talks about how the switch from print media to television is less about information than entertainment. Think about it today— but instead of television, social media and modern technological tools take its place. Could you go a full 24 hours without social media, television, the internet? Heck, even basic GPS? Could you function without those digital crutches?
We like to think of ourselves as the most intelligent species, inventing endless ways to connect
through the invisible thread of the internet. We assume we’re in control of it all.
Everyone is sharing. Everyone is speaking. Everyone is watching.
It feels like we all have control. But do we really?
The internet has become essential. You use Google Maps to get to a meeting. You check the TV to catch the news. You play Spotify on your commute just to avoid sitting in silence with your own thoughts.
It’s essential for me too—I’m using it to send this to my friend and coworker (Hi, Louis).
I see it all the time. Friends scroll endlessly, doomscrolling their way through memes, viral videos, and headlines. A video is easier to send than finding the right words. It’s something connecting yet amusing.
Even the man next to me at the airport is scrolling through Facebook Reels beside his wife. One video could show the state of the world, the next is something silly, like a dancing cat.
We’re overstimulated and bombarded with images without absorbing its contents—and we don’t even know it. We are masked by pleasure, by entertainment. But it’s seeped into more than just shows, funny videos or podcasts.
In the 1960s, people speculated Nixon lost to Kennedy not because of what he said, but because of how he looked on television.
Radio listeners favored
Nixon. TV viewers chose Kennedy.
From then on, political debates stopped being about substance. They became about image.
Now, debates are judged by delivery, not content. By appearance, not policy. A presidential debate isn’t a chance to understand—it’s a show.
Everything now is reduced to moments of shock and reaction. We’re not addicted to learning— we’re addicted to feeling. We consume the outrage, the humor, the spectacle.
Politics, war, justice— all squeezed into 15-second clips, stacked one after the other, faster than we can think.
Why is it, as Postman asked, that 19th-century farmers could sit through three-hour LincolnDouglas debates, but we struggle to get through a 40-minute modern one?
Because now it’s not about ideas. It’s about engagement. It’s about keeping your attention.
And yes, I know—it’s ironic that someone who works in media is saying this. But maybe that’s exactly why I have to say it.
I’m not Postman. I didn’t live through the shift from print to screen. I didn’t witness the decline of the written word. I’m still young. Still learning. But I can see what’s happening. I can feel the loss of real conversation.
A future Postman warned us about. One Brave New World quietly predicted (as he states).
Where I used to read one book in less than 24 hours as a middle school-
er, I can’t seem to do the same in my adult years unless I completely disconnect from technology—no phone, no music—nothing.
And it’s amazing to do. Reading is powerful. Writing as an expression, as information is powerful, especially in a day and age where everything seems to be going wrong with the world.
But, despite my thoughts, Postman says entertainment is fine. He enjoys television garbage as much as they next guy. As do I. So it isn’t bad to find entertainment once in awhile.
Sure, enjoy the Super Bowl. Watch the game shows. A little entertainment is fine. But don’t let it be all you consume. Don’t confuse amusement for understanding. Let us not distract ourselves from what is important.
When it comes to politics, leadership, religion, community, the things that matter—read deeper. Look past the headline on Facebook. That headline is meant to grab you—not inform you. There’s always more to the story than what fits in a clip.
Don’t settle for a 90-second summary of a crime. Scroll down. Read the article. Even if it’s a thousand words.
Entertainment is fun. That’s what it’s meant to be. But if everything becomes entertainment—if everything loses its meaning—then where do we learn? Where do we grow? Where do we change as a society?
— Maria
MAKING YOUR HOME YOURS
Welcome back to the home portion of Dvino Magazine, where our interior design expert Alicia V. Cantu teaches you practical ways to keep your home magazine-worthy.
Helping Others and Creating Homes That Inspire
Focusing on relationships instead of closing deals builds trust, which leads to repeat business. It is important to earn our customers' trust, ensuring that the outcome of a project meets their expectations upon completion.
Experience plays a key role in recommending what looks best in your home. Confide in someone who knows what to suggest and look forward to the finished product.
A good business creates a loyal customer base that refers you to others. Word of mouth is the best way to promote your business while saving customers the time of searching for
"Let us begin this year by helping others live better, enjoying the amenities that improve our way of life, and finding ways to stay organized."
new sources.
Helping others brings great satisfaction. It is important to assist
young individuals starting with their new homes and support the elderly as they redecorate their homes to include accessibility necessities.
One of our responsibilities is to focus on areas in a home that need to accommodate new essentials for older family members.
Let us begin this year by helping others live better, enjoying the amenities that improve our way of life, and finding ways to stay organized. By the end of your workday, you can enjoy the beauty of your home. Keep it the way you like it, making every moment count.
Alicia V. Cantu, Cantu Interiors
alany rodriguez
How did your journey into the music industry begin? Was it a childhood passion or something you discovered later in life?
Growing up, I was always immersed in music culture and the love of attending concerts. That part of me definitely came from my dad, who frequently went to concerts during my childhood. His passion rubbed off on me, and I started exploring my love for music in high school.
My friends and I would travel to Austin, San Antonio, or Houston to attend shows, and later, I began attending the Austin City Limits Music Festival. During those times, I became fascinated with what was happening backstage—seeing people with walkie-talkies and learning what went into bringing artists to the stage. While I always loved music, high school was when I actively started exploring it.
smoothly. The experience taught me the fundamentals of live music, which proved invaluable as I moved forward. It was my first real job in the music industry, but also my first real job period.
How did you get involved with the Recording Academy and Grammy U?
Initially, I imagined I’d become a lawyer, like my dad, or go into business, but those paths didn’t resonate with me. Participating in UIL academics revealed a love of writing, which gave me some direction. During my senior year, I attended a summer program run by The New York Times. A course titled "Pop Music as an Art and Business," taught by Ben Sisario, opened my eyes to the possibilities within the music industry. Growing up in Laredo, the industry felt so inaccessible, but that program made me realize there’s a real, multifaceted industry out there.
Why did you choose UT Austin over attending NYU for college?
Although I was accepted to both schools, I chose UT Austin because the city's reputation as the live music capital of the world. I knew it would offer more opportunities to break into the music industry, and I wanted to stay close to home while still pursuing my dreams. Austin felt like the ideal starting point, and it proved to be just that.
What was your first job in the music industry, and how did it shape your career?
My first job was at Bass Concert Hall, the on-campus music venue at UT Austin. I found it during orientation when I saw a flyer for a tour of the venue. On the tour, I learned they hired students—and I didn’t hesitate to apply. They called me back just before the semester started, and I began working as a guest services associate. My job involved managing guest services, helping set up for concerts and Broadway shows, and ensuring everything ran
In my freshman year, in my first semester, I was picking up one of my friends from Laredo at the UT dorms because we were set to drive back home for the weekend. I didn't live in the dorms my freshman year, but the one time I was there, I saw a bulletin board filled with flyers, including one for a Women in Music Business panel. That event introduced me to Grammy U, which is the student membership branch of the Recording Academy. I joined and quickly became involved in its activities. I eventually rose to become the Grammy representative for all of Texas, even working on national-level projects. As part of my role, I attended the Grammy Awards during my senior year post-COVID, which was a surreal experience. Since then, I've grown to have a very close relationship with the people at the Academy, joining as a member now. Those first two jobs really laid the blueprint for my future.
How did your connection to SXSW evolve into a fulltime role?
My first interaction with SXSW happened while working for Grammy U in 2022. I helped organize events like block parties and artist interviews during the festival. That exposure allowed me to grow my network and gain insider experience with how SXSW operates.
I remember how vast it was—how overwhelming—in a good way. There's a million events going on at one time, and there's people from all walks of life. I just did a panel at UT, about a month ago, and I was telling the students that everybody from any industry ever is in town for seven to ten days. I told them to use the opportunity; get yourself downtown, whether you have a badge or not. Somebody's gonna know somebody and you don't know who you're gonna meet.
Then after graduating, I took a short break to reset and was intentional about my job search. When the opportunity to join SXSW arose, I started with a seasonal role, working during the 2023 event. Shortly after, they offered me a permanent position as a conference programmer.
"PUSH YOURSELF INTO SPACES WHERE YOU MIGHT FEEL INTIMIDATED OR CHALLENGED
—IT’S CRUCIAL FOR
Was there a moment when you felt, "I have truly made it"?
Attending the 2023 Clive Davis PreGrammy Gala was one such moment. It’s an exclusive event for top executives and artists. Sitting alongside J. Lo, Jay Balvin, Alicia Keys, and Miguel while Clive Davis orchestrated the evening felt surreal. It made me realize how far I’ve come, even though I’m just 25 years old. This experience reminded me of the value of hard work and perseverance in a competitive industry.
What advice would you share with someone from a city like Laredo who wants to pursue a career in the arts or music industry?
Push yourself into spaces where you might feel intimidated or challenged— it’s crucial for growth. Networking is more about building authentic connections than about quick exchanges. Follow up after meetings and nurture relationships, as they can come full circle later in your career. For example, interns today may become your colleagues in a few years. Most importantly, pursue your dreams for yourself, not to fulfill others' expectations. In places like Laredo, explaining your ambitions might feel daunting, but time and results will earn people's understanding and respect.
Any other artists or music you’re currently excited about?
I’m really excited about Doechii. She’s a powerhouse in female rap and recently won Best New Artist at the Grammys. Her story—rising from setbacks like being fired to performing on the Grammy stage—is inspiring. I've seen a resurgence of the popularity of females in rap and the power they hold. I think she is one of a kind, whether it's creativity, lyricism or artistry. I’m also looking forward to Kali Uchis’ new album, their new song “Like Sunshine and Rain” is phenomenal.
GROWTH."
How do you feel seeing fellow Laredoans, like Adrian Quesada, succeed?
It’s inspiring to see someone from Laredo achieving at that level. It reaffirms my belief that we can pursue our big dreams without losing our roots. Adrian, despite his immense success with Black Pumas, stays grounded and connected to the community. I feel a sense of pride whenever I see someone from our hometown thriving in the industry.
Are there any Laredo artists you’d like to spotlight?
Modern Sofia, the stage name of my friend Sofia Nance, comes to mind. I’ve known Sofia since childhood, and seeing her grow as an artist has been incredible. When I was president of UT Austin’s student-run record label, U Talent Records, she became one of our signed artists—a full-circle moment for both of us.
Is there anyone you’d like to thank for supporting your journey?
My family deserves the biggest thanks for trusting me, especially my dad, who needed time to understand my career aspirations. Originally going to school for journalism and then saying I wanted to work in the music industry was probably the most confusing piece of information that they had to kind to navigate around. But they definitely trusted the process, and I really, really do thank them.
I also have to thank my high school teachers—Beverly Herrera, Mirta Piña and Rick Aguilar—who were also incredibly supportive and instrumental to where I am today.
Is there something about you that would surprise people?
I was actually in the orchestra program in middle school and played the viola! But unfortunately, I quit, and it’s still one of my biggest regrets to this day. If I ever picked it up again, I’m pretty sure I could figure it out. Who knows? Maybe one day I’ll join Adrian Quesada and his band with my viola!
Photos Courtesy of Alany Rodriguez
GIVE ME MORE OF SXSW 2025
BY MICHELLE
JAMES THORPE
When I was 13, my mom took me to my first SXSW. I was in awe. It felt like a culture shock. How could so much art, music, comedy, and film be crammed into downtown Austin? After my first experience, I had a strong feeling that I would be back.
Eight years later, I represented DVINO magazine with a music press badge. Wearing this badge all week allowed me to experience many interactives, such as comedy shows, movie premieres, panels featuring celebrities, and, most importantly, so many concerts. Somebody pinch me because I'm still on my SXSW cloud 9.
SXSW's music festival includes different genres. Something that everyone will love. From major artists to uprising stars. SXSW gives you the best of both worlds. I was lucky to attend shows almost every day, but above all, I had the pleasure of getting to know some of the artists oneon-one.
SNACKTIME is a Philadelphia band with a sprinkle of everything —jazz, R&B, soul, punk, and more. They're the live band for the ESPN talk show They Call It Late Night. Starring former NFL Eagles player Jason Kelce. If you're not watching ESPN, you can hear their music in the background of a Taco Bell commercial. We met dur-
ing the 2024 SXSW, so it was great catching up. You can check out our full interview on YouTube.
When attending SXSW, it's hard being in two places at once. That's why I interviewed Pug Johnson over the phone. Although we were not face to face, I could still comprehend how talented and kind Pug is.
When I first heard his music, I knew he had a unique voice, was a great songwriter and had the potential to be a country superstar. This year was Pug's first SXSW, and he played three sets. His new album, "El Cabron," was a few days away from being released, so we discussed how he created this album.
After interviews, I would rush off to the next adventure. I spent an immense amount of time at the Austin City Limits Live (ACL) Moody Theater. The Rolling Stones Future of Music four-day event, presented by JBL, took place there, and it was by far a few of my favorite nights at SXSW. For each show, the venue had badge holders lined up in front of the staircase entrance and Austinities lining up around the block for hours for a chance to get in.
I enjoyed watching Benson Boone doing front flips all over the stage and playing some unreleased songs. He knew how to put on a show. With his sparkly gold jumpsuit and requests to the crowd, such as, "put your phones away for just this one song." Boone also acted like Freddie Mercury when
instructing the audience to mimic his vocals.
The following night's star was Megan Moroney, a beautiful country Barbie doll. She had the audience cussing out our haters and screaming break-up songs while she played hits from her new and old albums. She brought so much personality to the stage with her cowboy boots, blue jean dress, and sparkly guitar.
Another packed event was Take Action at Mohawk. An "Artist For Action & Sandy Hook Promise" to help end violence. From 7 p.m. to 2 a.m., artists like Laila!, JC Stewart, and more performed.
My personal favorite was the last band of the night, Everclear. Anticipated fans filled the three-story venue, ready to sing along to their songs from the 90s.
There were thousands of concerts during SXSW. I wish I could have been in two or more places at once. A few major artists showcased were John Summit, Grupo Frontera, Suki Waterhouse, Ivan Cornejo, Rema, and more.
I also had the pleasure of attending events I got invited to. ACL Moody Theater gave me and my mom (my plus one) a venue tour. Our guide told the history of how the studio tapes performances like Willie Nelson and Kendrick Lamar with a live audience. They took us backstage to see all the equipment to create the shows. We saw the master control room,
"SOMEBODY PINCH ME BECAUSE I'M STILL ON MY SXSW CLOUD 9."
and we got to see a sneak peek of Ivan Cornejo's soundcheck. It was an experience like none other, and I'm grateful that my mom was by my side.
I was thrilled to attend the iHeartRadio Podcast Award Show hosted at the ACL Moody Theatre. The actors I saw present the awards included Sophia Bush, Ed Helms, Dennis Quaid, Kyle Maclachlan, plus Joe Manganiello. I was losing my mind. While waiting outside to get in, I had no idea I would be in the same room with some idols I grew up watching.
Speaking of famous people, I attended the Last of Us panel featuring the cast, including Pedro Pascal. Seeing Pascal was a dream come true. Although I did not meet him, I witnessed the season two trailer before the public. I heard all the juicy details the actors had to share about their behind-the-scenes experiences and how creepy it was to work with the "infected" characters in their scary makeup.
On the first night of SXSW, I was standing outside of the Paramount Theatre on the phone.
"Mom, I'm gonna have to call you back. I'm about to meet someone famous."
I approached Zoey Deutch and Jonah Hauer-King. They were so kind, took time to chat with me, and Deutch hugged me close as we took some photos. And King took selfies on my phone.
Just when I started to calm down,
I ran into the host of Hot Ones, Sean Evans. I told him about my experience trying his hot sauce, "The Bomb," and we laughed over how it felt like I was fighting for my life. As you can tell, it was a great night.
SXSW also had great comedy shows and brand events. I got invited to the Whataburger Museum of Art, which I loved. There were different forms of art made by Whataburger fans. Plus, activities like placing "No Pickles" stickers on a white wall, grabbing a table tent to take home, and receiving free burgers from the Whataburger truck outside. Could it get any better than this?
The comedy shows had me laughing till my stomach cramped, my eyes were tearing up, and my face was beginning to hurt from my smile. I was shocked to see comedians from all over. Some were from Texas, New York, The UK, and more. I was most surprised to see Netflix comedian Lynne Koplitz. Overall, every comedy show was so entertaining.
I can't believe how fast a week of SXSW went by. I had an incredible time doing this adventure solo. I often thought, "How is this my life right now? How lucky am I to experience all this as press!" However, this would not have been possible without the help of my roommate and parents, who became my "Uber drivers." To the people at SXSW and, most importantly, my editor, Louis San Miguel. Thank you for the opportunity of a lifetime.
ONLINE EXTRA
The humor, kindness, and talent the band SNACKTIME brings to the table is worth seeing. Check out the QR code to see our full interview at SXSW, where we discuss their new music, accomplishments, and our love for football and Taco Bell.
timeless union
model giselle gonzalez
photography gabriela qualley & graciela mezquida
creative director, hair & makeup javier menchaca
wardrobe, accessories la sposa bridal salon
location killam development
dvino editor louis san miguel
Photos shot on Location at 513 San Bernardo Ave. courtesy of Killam Development
FAITH, FAMILY, AND PHILANTHROPY THE HEART OF JOHN AND ANNA GALO’S MARRIAGE
In celebration of our bridal issue, we decided to feature a couple that truly defines what it is to be a power couple.
John and Anna Galo, who recently celebrated their 32nd anniversary, are well known in the community for their commitment to public service. John currently serves as a Webb County commissioner, while Anna serves as a commissioner of the Texas Parks and Wildlife Commission. Both have also served in a variety of roles in local organizations rooted in the mission of helping everyday Laredoans. To honor their partnership, we sat down with them to learn the story behind their relationship, their marriage and their tips for Laredo newlyweds.
Could you tell me how you and John first met?
John and I first met through mutual friends, Robert and Pati Gutierrez
Was there a time in your relationship where you realized that “this is the man that I’m going to be spending the rest of my life with?”
John and I were alone on a date at a special restaurant in San Antonio, La Louisianne. I was looking at him and listening intently to him speak. It was then that I was overcome with the feeling that he was the man I wanted to spend the rest of my life with.
What’s the thing you most admire about your partner? What makes you proud of your them?
Anna: What I admire most about John is his honesty, his intellect, his tender heart and it doesn’t hurt that I still find him extremely handsome.
What makes me proud of him is his work ethic and dedication. I admire how seriously he takes his job and how he always does what he thinks is right. He puts so much thought into the decisions he makes for the community and is steadfast and never swayed by special interests.
I am proud of the son-in-law that he was to my father and is now to my mother, the husband that he is to me and the father that he is to John Roman.
John: What I admire most about Anna is that she is intuitive, very generous, an excellent nurse, very strong, that she helps me keep my faith, she’s kind, she keeps me grounded and she’s still beautiful. Our son is proudest of her altruistic nature; how her genuine kindness and generosity compel her to self-
lessly help others.
How do you support each other in reaching your goals and in your philanthropic efforts?
We always put each other first. We value our faith, our family, our community and each other and we cooperate to get things done.
Do you have a special cause that’s special to you both?
My grandfather, the late Carlos Y. Benavides, Sr. and my late father, Arturo N. Benavides, Sr. worked tirelessly to make a difference in our community. The values that I hold dearest - improving the community, eradicating hunger, providing opportunities through education, protecting our environment and preserving our natural resources were passed down through generations.
Their guidance and example—along with my deep love and faith in God—instilled in our family by my grandmother, Anita Benavides and my mother, Gloria Casso Benavides, form the foundation of the elements that have influenced me to become involved with the South Texas Food Bank and other charitable organizations that provide assistance for families in need.
I am so blessed to have inherited this legacy of giving back to my community and my State from my family and am further blessed that my husband also learned these same values from his family.
Together we champion causes dictated by the needs of the times and work tirelessly to improve our community.
How and when in the relationship were you get engaged?
We became engaged after three months of dating. John proposed to me on Christmas eve in the living room of my home on Rosario. He was wearing a suit with a Christmas tie, he got down on one knee and proposed to me with his grandmother’s ring which he had redesigned for me. We hugged.
I remarked to John that I was so happy that I was hearing music from the heavens! He chuckled and told me it wasn’t the angel’s singing, that the hug had activated his musical tie!
Do you have any places in Laredo that are special to you both?
The downtown area holds a special place in our hearts. We were married at the San Augustin Cathedral, I worked at an early age at a small boutique on the other side of the Plaza, and my great grandmother and my uncle who I spent a great deal of time with lived in the area.
We have a strong attachment to Blessed Sacrament Church which was my Parish growing up and also our Parish for many years after we married and where we celebrated so many important events.
Now we are members of St. Patrick Catholic Church and the importance of our faith and where we worship as a family makes it very special to us as well.
We share a love of the land passed down through generations and so the ranch is also special to both of us.
Do you have a special song or movie?
Our special song is by Chicago's Saturday in the Park because the song says “Saturday in the park, I think it was the fourth of July” July the 4th is the day John Roman arrived and we began our lives with the son we adore.
Could you tell me about your wedding ceremony? Do you have any special memories? How did it feel to walk down the aisle of the San Agustin Cathedral?
My father was running late. At the appointed time, the bridal chorus started. I indicated we needed to wait, so they stopped. A little later, the wedding march began again and again I said we needed more time. Just as the wedding march started for the third time, my father arrived and he walked me down the aisle. I was so
happy. It felt like a dream come true.
your 32nd anniversary
How do you find time for each other within all the responsibilities you have to the community?
Because I had other family members who had been in public service, we knew it would be a challenge. We vowed from the beginning that we would always have two meals a day together as a family. We make time because family is at the core of all we do.
Looking back at your history together, how did it feel to celebrate
This year we celebrated our anniversary together at an emergency visit to the dentist for our son, John. Wherever we are, we feel blessed that we are together.
What is your advice for other couples?
My advice is to acknowledge God as the foundation of your union, pray together in good times and in bad, honor your vows, never go to bed angry with each other, support each other in all things and above all, love each other unconditionally.
ballet dreams from hand-me-downs to pointe shoes
BY MONICA MARTINEZ-HAMILTON
Like Edgar Degas, the impressionist of old, I was always curious about the lives of ballerinas and their everyday routine. Their discipline and grace mixed with tenacity and artistry was fascinating. Although my encounters with ballerinas and ballet were mostly from our television set, there was that one field trip in elementary school.
We went to the local civic center to watch Swan Lake, one of the most widely known ballets. I have a memory of me standing in line with a lot of kids coming in by the busload to watch the performance. As we entered, we chatted, and we were forewarned to have decorum, but we forgot as soon as we got in and saw the stage. The lighting was dimmed. The air-conditioned smell of theater-paint, wood, hot lights, and pointe
shoes, mesmerizing. I do not remember much about the ballet. More than anything, I remember wanting to know more and I had questions. Their bouncy and acrobatic gleeful leaps were impressive. I wanted to be on the stage to see them dance at close range and touch their costumes and try on their pointe shoes. The closest I ever got was hand-medowns from my cousins.
I recall one summer, my mother pulled big brown paper bags overflowing with a mix of clothes from the trunk of our big blue ’76 Pontiac Le Mans. My cousins were only a couple of years older than my sister and me, but when they outgrew their clothes, we got them next. We could always count on a great mix of stuff from matching blouses to skates. One summer we found leotards, and ballet shoes! It became dress up time! We ran to put them on, and I took it a step further running out to the
front yard with my baton. I twirled and threw my baton in the air while wearing my bulky radio headphones with an antenna sticking up a few inches. I was excited and happy to have my own private grassy stage with my own choreography where my imagination ran free. I most likely broke a sweat and needed a bathroom break to realize how annoying leotards are to wear. What I concluded was that I hated the leotards. They were constricting and tight. I was unbearably uncomfortable. My parents could not afford ballet lessons for me anyway. The ballet dream for me ended there in the front yard but my affinity for ballet continued.
Ballet and I did not cross paths again until later in life in my 30s when I learned about Misty Copeland, an up-and-coming ballerina who is also Black. Maybe it was because Under Armor made her their poster girl or maybe it was because she was the first Black principal dancer for the elite American Ballet Theatre. Her amazing artistry and athleticism earned her a spot in Times Square on a ginormous vertical billboard. I remember buying her book, Life in Motion: An Unlikely Ballerina, when I had first moved to Laredo in 2016. Her story of resilience and her challenges which she overcame—and her tenacity and poise—was unforgettable.
ABOVE Charlotte Junge, balancing beautifully on pointe at Boston Ballet as a freshman in 2018.
Simultaneously, my cousin Valerie Santillan’s daughter, Charlotte Junge, was making life changing decisions with ballet while only in middle school. They moved to Dallas to allow Charlotte an opportunity to be a part of the Dallas Conservatory. Although they lived in the Houston area, they adjusted for Charlotte. That went well for Charlotte and her goal remained in place, more ballet. She was about to spend the next two summers far away from home, New York City. She was embarking on a life one could only dream of—to know her grandparents were from the humblest means in their own childhood was a complete juxtaposition and proof that with education, there are amazing opportunities available.
In 2017 and 2018, Charlotte attended the intensive summer program at the prestigious School of American Ballet. Valerie was keeping the family updated with Charlotte’s
ballet life. I did not hesitate to reach out to her in 2018, when I would be in NYC as well. Valerie explained one could watch our family member take a class. Charlotte would be taking her lessons at a Lincoln Center building, the Samuel B. and David Rose building, right next to Julliard, in Lincoln Square and right across from Hearst Plaza.
Valerie made arrangements for me to see Charlotte in action. I took a train from Suffern, New York, where I was staying, to Manhattan then the subway to Lincoln Center. Because the train was delayed, I would only see Charlotte in one class instead of two. I was frustrated. On the bright side, I got to see Charlotte dance pas de deux (with a partner) for the first time.
Upon arriving, I was prepared to adhere to their strict policy. Valerie had warned me, and I did not mind. Safety first. I texted Charlotte and we met in the lobby. I took my selfie, and I put away my phone as there was another strict policy against photos and videos of any kind past the lobby. I presented my identification to the receptionist, got an adhesive temporary badge to wear before leaving the lobby for the secure ballerinas only area.
Young ballerinas could be seen in the hallway of the studio they were about to enter. They were fussing about their attire, adjusting their waistband on balloonish windbreaker fabric shorts and warming up on pointe shoes. Buns were dou-
ble checked, leg warmers were being pulled up and some light chatter could be heard. Once their pointe shoes were wrapped and secured, stretching began.
Upon entering the dance studio where the lesson would be taken, there was little to no fraternizing with us. The room was grand. A row of creaky classic hairpin style chairs lined the wall, and it was the visitors’ designated area. I took my seat next to other observers. I placed my backpack under my chair with my cell phone in it; it was already turned off.
The student ballerinas and danceurs (male dancers) found their spot on the floor facing us and windows behind them. A man with a thick accent and a walking cane like Debbie Allen’s came in with presence and began immediately. As I recall, the lesson started with a quick review of what they would be doing.
The ballerinas would learn to hold their position on pointe while the boys learned to turn them. It was notably awkward for both as it was new to them. I remember Charlotte not only holding herself on pointe but also maintaining her smile as she balanced while the boy spun her gently. The boy wobbled Charlotte a bit and she held her pirouette position. I really wanted to record this moment but there would be no chance of me even trying.
As the lesson went on, the pointe shoes on the wooden floor made for a comfort thud ASMR sound, both
soothing and rhythmic. I watched their feet carefully mesmerized by their abilities to hold their tiny bodies on a 2”x 1” platform on pointe.
These modified pointe shoes are a huge part of their lives and preparation. They are customized, made to fit by a specialist and further adjusted by the ballerina herself. They go through pairs and pairs of pointe shoes in a year.
Pointe shoes are hand-made in Europe mostly. Charlotte uses Freed of London for professional dancers and Misty Copeland uses Axiom by Bloch specially designed for high performance professional dancers. It was interesting to see their pointe shoes in person. Charlotte gifted me a pair of her pointe shoes and Charlotte was later gifted a pair of signed Misty Copeland pointe shoes. By the end of a season, they accumulate so many. They are expensive and wear out quickly.
Each professional ballerina gets their supply of pointe shoes from their company, but they are also conservative in their use and know how to repair them to give them new life, albeit the lifespan of a butterfly at best. They customize them further with the tools and supplies they carry to break shanks, scrape the bottoms, trim the sole, duct tape the insides, even a marker to mark a left and right side. Ballerinas sew on the elastic straps and ribbon sometimes with dental floss or nylon upholstery thread, then they burn the ends to prevent fraying. They crush
BELOW,
CLOCKWISE FROM TOP RIGHT
Charlotte was gifted a pair of signed and worn Misty Copeland high performance Bloch pointe shoes.
While in NYC, Valerie arranged a photoshoot for Charlotte in Times Square.
In the summer of 2008, while walking through Central Park, I stopped and donated some money to this ballerina busker which caused her to change her position.
Charlotte Junge in a photo shoot in Madison, Wisconsin.
the toe box gently by stepping with their heel on it, they may bang them in the stairwell, trim the satin toe part and darn the edges to prevent slipping and give a more stable platform. It sounds destructive, but it is carefully curated.
Once the shoes are sewn, torn, banged, cracked and scraped by the ballerina, they try them on for fit and comfortability, wrapping the ribbons around their ankles and tucking the ends under the ribbon.
One final step is to go on pointe in a wooden box of crushed rosin for tacky pointe shoes. They will prepare several pairs at once as they go through about four pairs, easily, in a weekend of performances. They use dead (worn-out) pointe shoes after they are repaired by dropping Jet glue in through the vamps to prolong their life. They are ready for use in practices, keeping fresh pairs for performance nights.
As for Misty Copeland, her process I have seen sparingly in documentaries on her daily life. I have always been concerned by the condition of dancers' feet and how they take a beating in pointe shoes for every practice and every performance.
What I did not consider is the beating to the rest of their body. Misty, in her documentary, had a major injury to her tibia right before the performance of her life as Firebird—just as she became principal dancer for American Ballet Theater. She had a stress fracture that was in danger of splitting her bone in half the long way. She had surgery and a long recovery. Yet she still dances. Charlotte's next adventure continued with the pre professional division of Boston Ballet School. Through the years, Valerie posted and I read and watched from afar. Keeping up with Charlotte and her adventures feels like experiencing her world in the minimalist way. I know that ballet is a privilege and I was delighted to see her thrive and be successful. In her journey, I could see the generations of our family and the opportunities taken to get to the point where ballet is a viable option for her career.
In her last two years of high
school, Charlotte attended a private boarding performing arts high school with the rest of the ballerinas from Boston Ballet. There, outside of Boston, is where Charlotte lived, trained, and went to high school until graduation in June 2022.
Charlotte could have gone to any university in the world; she had wings to fly. She also got a scholarship to a university with a top ballet school. The wings she chose were those to continue ballet and pause her degree.
She was given an apprentice position in Wisconsin at the Madison Ballet and off she went. One year later, in 2023, she was promoted to company artist.
In the summer of 2022, I went to Valerie’s house, Charlotte happened to be home for a few days. She and her younger sister, Lauren, had a custom-made swing set in the backyard where they like to take some time in the evenings and simply swing. We watched from inside the dining area through big picture windows as they went almost 180 degrees, alternating, with their hair in the wind. We watched; we had a conversation regarding their love of swinging. I admired their youth and how their life was distinct from our upbringing and that of our grandmothers. I loved how Valerie made sure their needs were met and even their wants. Charlotte and Lauren are sweet, poised young ladies living their best life. Today, Lauren is a college student living out-of-state, while Charlotte continues her ballet journey.
As a ballerina aficionado, I am impressed with anyone dedicated to the artistry, athleticism, and discipline of ballet just like Degas, whose muses were ballerinas. After hours of practice, blood, sweat and tears, they fly freely on a stage looking so effortless and bewitch the audience. They dazzle us with costumes, tutus and emotional expressions on pointe. Like Degas, I am more interested in their backstage life and how a rigorous practice session becomes a grace and delight for audiences.
The process of becoming is my fascination and the product is trans-
forming and magnificent. As for me, ballet can be symbolic for anything someone wants to do that may seem unattainable and far reaching.
Perhaps emulating ballerinas is the key. Be graceful under fire and do the difficult thing, find joy in the process and tiny wins because when they culminate on the stage of life, it can be flawless. Perhaps this is the real reason I love ballerinas.
True to life, I believe in the words of Degas, “Art is not what you see, but what you make others see.”
I see Charlotte’s spectacular life, in a tutu wearing a tiny tiara taking a bow at the closing of her performance and the generations of women in our family long gone who did not have opportunities as they proudly applaud her tenacity, discipline, courage, talent, and grace on pointe.
A WEEK AMONG NEW MEXICO’S NATURAL TREASURES
BY ELLIE BEDNARZ
Last month, I had the trip of a lifetime.
I know that statement might sound exaggerated. I didn’t leave the country or even travel to a place many would consider a “trip of a lifetime,” but for me, it was because I was fully immersed in natural beauty and spent it with some of the best people I’ve ever met.
For those of you who already know, I was born and raised in Michigan. If you ever get the chance to go, do it. The summers are filled with plenty to do, especially on the lakes. I can’t even describe the beautiful array of colors the state has during all four seasons. Ever since I moved to Laredo, I’ve had a hard time enjoying outdoor activities since it’s not what I’m used to.
But once I was invited to travel and escape Texas for a little bit to Ruidoso, New Mexico, I was all for it. I heard the word "snow" and was immediately in. When I thought of New Mexico, my mind went straight to Albuquerque, the home of the legend Walter White.
I wanted to see what I was getting myself into with the 12-hour journey to Ruidoso. Let me tell you, this week-long trip I shared with people I consider family did not disappoint.
The entire drive up, I was in awe of how beautiful everything was. I had never been to West Texas before and had never seen such a stunning landscape. These weren’t just hills— they were true mountains all around. That alone made the drive so much
more peaceful.
I was able to lose connection on my phone for a bit, listen to some music, read a book, and connect through conversation.
Our first day was spent driving, but we made an overnight stop in Carlsbad, New Mexico, since we wanted to check out Carlsbad Caverns National Park the next morning. I was excited for this stop, having seen a few videos on social media about the park and knowing it would be incredible.
Personally, I had never been to a national park before—only national lakeshores back home in Michigan.
As soon as you arrive at the park in the mountains, you feel excited for what’s to come.
What I thought would be a quick 30-minute stop turned into a threehour hike 800 feet down into the cavern. Hidden beneath the surface are more than 119 caves, formed when sulfuric acid dissolved limestone, leaving behind caverns of all sizes.
To truly experience everything the cavern had to offer, we took our time examining the rocks that had formed over thousands of years. No two rocks were the same. From the ceiling to the floor of the cavern, each rock formation told a different story.
Once you reach the very bottom point, you enter what is called the "Big Room," where you walk in a circle surrounded by the most stunning rock formations. Crystallized, almost like limestone, these formations were surrounded by pools of dripping water.
It felt like a scene straight out of a movie—it was indescribable to hike
to the bottom of the cavern and experience a landscape that has never seen sunlight before. It was a time to escape and truly take in everything around us. It was a National Park I had never heard of before, but one I do not regret visiting.
Most of our vacation was spent in Ruidoso, where we enjoyed tubing at the snow park and a drive up to Ski Apache. There, we saw real snow and breathtaking views as we traveled up the mountain. My favorite day of the trip, however, was a visit to White Sands National Park.
At first, we weren’t sure if we would make it out that way to experience the park, but I know now that none of us regretted that decision.
I know what you’re thinking: “Sand? How is that cool to look at?”
But when I tell you it was one of the most beautiful landscapes I’ve ever seen, I’m not joking.
As soon as you enter the park, your eyes are blinded by the whiteness of the sand, and you can see hundreds, maybe thousands, of dunes. The park itself is 275 square miles, and everywhere you look, there is sand, nestled between two long mountain ranges. To the east and west, the peaks of the mountains looked like they lept from movie theater.
We spent at least four hours enjoying everything the park had to offer. Before arriving, the kids
bought plastic sleds and wax so they could slide down the massive dunes. Watching them sled repeatedly, as if on snow, was highly entertaining.
For me, sitting in awe for hours was a feeling I don’t think I’ll ever experience again. When you feel that kind of joy with the people you are closest to, it becomes even more memorable.
Of course, I had to bring my camera with me. Over the last few months, I’ve realized that my brandnew Nikon Z5 is one of the best purchases I’ve ever made. The moments I captured will last a lifetime. Since we were there quite some time, I knew I needed to take family photos with the sunset.
Ever since buying this camera, I felt defined by my work or its quality, but now I feel so much more than that. I’m truly blessed to capture photos that will last a lifetime.
My beautiful Ortiz family—Joey, Laura, and JR—fully embraced the moment for their family photos. Over the last few months, they’ve embraced me as one of their own.
While taking the photos, I felt like I was in a scene from a movie, or as if AI had created the setting. The white balance of the sand looked like snow, and the colorful hues hitting the mountains resembled a fresh Bob Ross painting.
The east mountain range was
bathed in the pink and purple aftereffects of the setting sun, and a full moon appeared. Naturally, I captured all of it—a full 360 degrees of God’s perfect design in motion.
No sunset is the same, no landscape is the same, and we could all feel the beauty of God’s creation.
At the same time, I started working with the Soler family—Alex, Espie, Lexi, Sean, Lucas, and Savannah. For months, they’ve been my go-to for photography and have always embraced my creative photo ideas. Every photo I take of them brings me excitement because I know how meaningful they are.
With the sunset and colors as a backdrop, I stood in amazement, taking it all in.
I’ve been embraced and loved by the Ortiz and Soler families for months, and this trip with them meant so much to me. Experiencing two amazing national parks in a week’s time is something I will cherish forever.
I can’t stop looking at the photos— these memories mean the world to me. Time is fleeting, but the photos will remain forever, all thanks to the love and acceptance I’ve found here in Laredo.
If you ever get the chance to visit New Mexico, make sure to add these stops to your itinerary—you won’t regret it.
OUT OF THE MOUTHS OF BABES LIFE LESSONS FROM LAREDO MIDDLE SCHOOLERS
BY HANNAH FREY
Over the last two months, I have had the privilege of visiting Clark Middle School to attend the school’s GT Showcase in Social Studies. Spending time with these incredible students is one of my favorite things to do. I am always blown away by their wisdom and intelligence and the lessons I learn from them have both strengthened and challenged my grown-up soul.
At this particular event, several of the students had created presentations about fight for civil rights, and the heroes we admire from that time, which sparked the most amazing conversations. We talked about Rosa Parks and the responsibility of the citizens to fight laws that are bad and harm our neighbors and ourselves. We talked about how it only takes a few brave citizens and a few brave lawyers to challenge these laws, and how it takes all of the people, working together, to fight injustice.
In addition to finding myself extremely impressed with the depth of their wisdom and their desire for justice in our society, I also found myself extremely humbled. At one point, I asked a couple of the students what happens if peaceful protests don’t work? Hypothetically, is there ever a line for escalation, and if so, where do we as humans draw that line? This question is an uncom -
"I am always blown away by their wisdom and intelligence, and the lessons I learn from them have both strengthened and challenged my grown-up soul."
fortable one—and not one we find ourselves asking very often.
The students had to take some time to ponder such a question, yet each one had a strikingly similar answer. The basic consensus was that we are compelled to fight back when those fighting for our rights peacefully are attacked for exercising their rights and when people are snatched up and disappeared or
injured or killed indiscriminately for speaking out against the government.
My heart felt pierced by their responses-which were so beautifully innocent, and yet so very wise. And as impressed as I was by these kids, my heart felt equally troubled with the realization that I needed to challenge myself to answer the same questions I was asking them.
Because the reality is that the peace and security we have achieved thus far in our lives has been the result of the blood, sweat, and tears, and sometimes even the lives of those who came before us. Many of our heroes are still living, like Ruby Bridges, the first African American girl to attend a public school in Louisiana that had been “whites only” until 1960, and was tormented mercilessly for it. Ruby Bridges is only 70 years old and has her own Instagram account, which tells us how recent this history actually is.
These kinds of questions are vital for our own growth as humans, and to keep us from becoming mired in complacency—which can blind us and cause injuries for ourselves and others that we don’t realize until its too late. These questions create even more uncomfortable questions as well. Because standing up for justice often involves consequences. What kinds of of consequences might we face for speaking up for what is right? And what do those consequences say about the current situation we may find ourselves in?
When my grandfather, the Bishop William Frey, was a missionary in Guatemala, he and his family witnessed countless injustices committed against citizens by the United Fruit Company—which wanted to sell cheaper bananas to consumers. In an effort to protect the interests and the profits of the United Fruit Company, the CIA sponsored a coup, toppling the democratically elected Guatemalan president Jacobo Arbenz Guzman, and installing regimes that would further their cause, resulting in the displacement, disappearances, and genocide of hundreds of thousands of people. His life had become one of those moments that the students at Clark Middle School and I had been discussing. And he had to make that hard decision. Unable to witness these injustices any longer, my grandfather penned a letter, to be published in the newspaper, denouncing the government and the CIA-backed killing squads doing their dirty work. He did this with the help of an editor, who fled the country before the news hit the presses.
The next day my father and uncles and aunts, children at the time, were taken from their classrooms at school by armed guards, threatened, and forced to flee the country, a story my grandfather recounted in detail in his book, Cancelada. It was not easy for any of them.
Standing up for injustice doesn’t always mean fighting a government directly-these moments can enter our daily lives in all kinds of ways. Witnessing abuse or domestic violence, witnessing corruption or sexual abuse in the workplace, or seeing someone being harassed on the street or in a restaurant-these moments can happen all around us.
And when more of us practice moving through the discomfort and standing up for what is right. Standing up for one another and against injustice, we become stronger and more powerful and capable of making a real difference in this world. We have a lot to learn from the wisdom of the incredible children of Laredo, and a responsibility to make the world a better place for them, and our beautiful community.
FAMILY-DRIVEN SUCCESS
TEJAS FINANCIAL ADVISORS EXPANDS AND THRIVES
Tejas Financial Advisors recently celebrated a major milestone with the grand re-opening of their newly renovated office in Laredo.
Originally established in 2016 by Oscar Lopez Sr., the firm has steadily grown over the years in both size and reputation. Fittingly, the updated office space reflects its growth and commitment to serving the local community with the trust and reliability that have defined the firm since its founding.
When Tejas Financial Advisors first opened its doors, the team was small but determined, consisting of Oscar himself, his brother Ruben, and Diana Chaires, the client service manager who have all been part of the team since the start.
“We moved in, and it was great,” Oscar recalled. “But now we’ve grown. Gilbert, who is my nephew,
Louie, who’s also a nephew from a different side of the family, and now my son have all joined the firm. We needed more space, and this renovation allowed us to expand and really improve our working environment.”
The re-opening event included the traditional ribbon-cutting ceremony and an open house for clients, providing an opportunity for them to explore the newly updated space.
“We’ve had clients visit us all afternoon yesterday and all day today,” Oscar said. “It’s been great to reconnect with everyone and show them how far we’ve come.”
The renovations included fresh flooring, new paint, the addition of professional meeting areas and three new offices. Personal touches, such as artwork by local artists and Oscar’s wife, further add the office’s welcoming atmosphere.
“We want our clients to feel comfortable and secure in a space that reflects our professionalism,” he
added.
Oscar’s professional journey spans more than four decades, beginning in 1984 at AG Edwards before transitioning through various mergers to Wachovia Securities and Wells Fargo Advisors. His experience with larger firms shaped his perspective on the importance of personal client relationships.
“When I decided to go independent in 2016, I wanted the focus to be on the clients,” he explained. “It’s about creating trust. That’s foundational to everything we do here.”
The growth of the company has been fueled in part by the addition of new team members, all of whom share Oscar’s emphasis on client-first service. Nephew Gilbert Bermea, who joined the firm in 2018, described the atmosphere.
“It’s not just a financial firm—it’s a family,” he said. “That creates a special dynamic where we’re all working toward the same goal: helping our cli-
ents achieve peace of mind.”
Louie Mendoza, who came on board in 2021, added, “We’re very retail-oriented. Our focus is on individuals, whether they’re retirees, business owners, or landowners. It’s about understanding where they want to go and being there every step of the way.”
Most recently, Oscar’s son—Oscar Jr.—joined the firm in 2023, adding yet another layer to the family business.
“It’s invaluable to learn from family,” he said, reflecting on the new role. “I feel like everything I do for the company directly benefits people I care about. That’s very rewarding.”
Oscar Jr. also shared that he had recently welcomed a new baby—Oscar III—, further deepening his connection to the firm’s mission of serving families.
“We’re growing in so many ways— professionally and personally,” he said.
The commitment to growth is evident in the firm’s physical expansion, but also in its long-standing client relationships.
“I had a client here last night who told me we opened her account when her daughter was born,” Oscar Sr. said. “That daughter is now 35 years old. It’s humbling to have that kind of trust and to see the generational impact of what we do.”
Building trust is at the heart of Tejas Financial Advisors’ philosophy.
“Everything revolves around the client,” Oscar remarked. “If we make a mistake, the mistake has to favor the client. That’s just how we operate. You need to do things the right way, always.”
Gilbert echoed this sentiment.
“We focus less on specific stocks or products and more on helping clients align their financial plans with their life goals. It’s really about providing peace of mind and building lifelong relationships.”
The firm’s name "Tejas" itself reflects this tenet. Derived from a Native American word meaning “friends” or “friendship,” it’s also a nod to Oscar’s time at the University of Texas, where he was a member of the Tejas Club, a fraternity emphasizing brotherhood, service, and diversity.
“I wanted the name to reflect what’s important to us as a firm— friendship, trust, and community,” he said. “The decision to name the firm Tejas felt right, and it still does.”
That commitment to community is also evident in the firm's charitable endeavors. Their signature event, the Tejas Cup, has become a cornerstone of these efforts.
The golf tournament pits alumni from Texas A&M and the University of Texas against one another while
raising funds for local scholarships.
“In just four years, we’ve raised over $300,000,” Oscar Sr. said. “It’s amazing to see the impact we can have on local students. Education is so important, and being able to contribute is incredibly fulfilling.”
The team also contributes to causes like children’s advocacy, food banks, and organizations like United Way.
“There’s a lot of need out there,” Bermea noted. “We try to support as many causes as we can because we owe so much to this community—it’s where our clients come from, where we’ve built our lives.”
Reflecting on his 41 years in the industry, Oscar Sr. recalled the lessons learned from navigating market fluctuations and economic crises.
“I’ve been through everything: 1987’s stock market crash, the dotcom bubble, 9/11, the financial crisis, and the pandemic,” he said. “What all of that teaches you is that you can’t control everything. What you can control is how you respond. And that’s what we focus on with our clients—helping them navigate whatever comes their way.”
He added, “Our business is less about stocks and bonds now and much more about life planning. It’s about creating a roadmap that helps our clients achieve their dreams while giving them peace of mind along the way.”
By T. Rob Brown Instructional Associate Professor of Visual Communication College of Arts & Sciences
A&M
University
‘Lava chicken,’ ‘Flint and steel,’ ‘Chicken jockey,’ ‘I … am Steve’ take cinema, memes by storm
Twenty years ago, you might have been relaxing on your front porch with your pals, after sundown, taking a break from the Laredo heat. With a carbonated apple beverage in hand, you might have listened to Jack Black and bandmate Kyle Gass bellow out a tune about battling a demon.
Fast forward to 2025 and you might find yourself on that same porch drinking aguas frescas with your kids as you listen to Black bellow out the lyrics to Steve’s Lava Chicken or Peaches.
Last time on Black’s music, we heard him sing as Bowser in The Super Mario Bros. Movie (2024) to Princess Peach, “I’ll make you mine …” Now, as Steve, he’s in the mines of Minecraft. What a segue.
“I … am Steve.”
From the heyday of Tenacious D to his family friendly tunes, Black has made a massive impression on U.S. pop culture in terms of music, films, and video games. His newest work, A Minecraft Movie, is certainly no exception to that pixelated tradition.
To be honest, it feels more like a Black film that just happens to feature Minecraft than a Minecraft film featuring Black. He really steals the show: “Flint and steel!”
At times, it feels like the other four main characters stand around watching Steve with the most bewildered or shocked looks on their faces. It’s as if Jack Black becomes Jack Block in this film, which calls cubes “orbs,” while centering its theme around the importance of creativity.
Try as he might, co-star Jason Momoa (Garett Garrison) can’t quite keep up with the antics and silliness of Black. The Game of Thrones alumnus and former Aquaman actor is slated to play the villain Lobo in James Gunn’s new DC Universe films. Gunn hasn’t reported yet on when we might first see Momoa in that role. In this film, he does his best to pair up with Black’s insane comedic ramblings.
Black has the best songs in kids’ movies today.
He offers four songs in the new film alone. Steve’s Lava Chicken is 34-sec-
onds, a short song that’s frantically collecting likes and plays on YouTube, as if they were going out of style. There’s even a 1-hour-long looped version available. It already hit No. 57 on the Official Singles Downloads list and comes in at No. 59 on the Official Singles Sales ranking. This song kicks in during the film when Steve burns a chicken alive with lava and then breaks into a joyful, silly commercial jingle about it.
“You hear that? That’s the sound of sizz-a-lene!”
Somehow, he refers to an entire chicken as “a snack” in the song before calling it “a lava attack!”
Surprisingly enough, the CGI on the lava chicken makes it look tasty enough to actually eat. I predict that some fast-food chain is going to offer a Lava Chicken entrée in the near future—and they already have a popular commercial jingle for it, despite Garett’s response, “One thing I try to do is not have my jingles suck.”
“La-la-la-la-lava chicken!”
Another humorous note about this scene is to watch the villagers in the background of the shots. They are com-
pletely unphased by Steve’s singing—apparently, they’ve seen it all before.
Near the end of the film, Steve sings “Ode to Dennis,” a song about his wolf companion. There is also an extended version available with the soundtrack on YouTube.
Inspired by Black’s famous Sax-A-Boom performances, both solo and with Tenacious D, he and Momoa perform “Birthday Rap” together during a diversion in the film. Both play blocky, Minecraft-style versions of the Sax-A-Boom. This song is also available on the soundtrack and on YouTube, as is the fourth and final Black song, I Feel Alive, from the film’s closing.
This fertile meme factory has blossomed into numerous YouTube videos and tons of memes based on the movie’s quotes and scenes; most center around Black’s lines.
“Flint and steel!”
That’s quite a lot of memes for a movie about two men with beards, and crew, being chased by pig people, skeletons, and zombies. Yes, even baby zombies riding on the backs of chickens.
“Chicken jockey!”
Some might call the narrative incoherent, which it can be a times; it’s absolutely just mindless fun. The film’s filled with easter eggs for Minecraft players and parents. The original Minecraft game released in 2009. Reportedly, Black played 100 hours of Minecraft to prepare for his role in the film.
Black’s days with Tenacious D went public in 2001 with the Epic Records release of the band’s self-titled album. It included the hits Tribute, Wonderboy, and Dio. The duo’s second album was also the soundtrack to their 2006 film Tenacious D in The Pick of Destiny with the title song POD. The third album, Rize of the Fenix, released in 2012. Since then, they’ve mostly released singles like a 2020 cover of the Rocky Horror Picture Show (1975) song Time Warp, originally sang by Richard O’Brien, Patricia Quinn, and Little Nell; Video Games (2023); and a 2024 cover of Brittany Spears’s … Baby One More Time (from her debut studio album, 1999).
The latter was the closing song for the animated Kung Fu Panda 4 (2024), which Black stars in as the lead voice actor (Po). The music video is available on YouTube and features Black and Gass performing kicks and punches with the rest of the voice actors from the film.
That wasn’t the first time Black sang on a Kung Fu Panda soundtrack, though. Back in 2019, he joined Cee-Lo to perform the first film’s song, a cover of the 1974 classic Kung Fu Fighting by Carlton George Douglas.
… Baby One More Time wasn’t just a massive hit for Spears when it originally released. It became an iconic song. Her original video was voted by Billboard to be the best music video of the 1990s. In 2020, Rolling Stone named it the greatest debut single of all time and in 2021, they ranked it No. 205 on their list of the 500 Greatest Songs of All Time. Numerous acts have covered that hit song.
While Spears performed the original as more of a schoolgirl-despair style, many of the covers that followed took on a darker tone. Obviously, Tenacious D played it up in a more positive and humorous manner for a kids’ film.
The more famous covers include: Panic! At the Disco frontman Brendon Urie with Dresden Dolls (2006), Tori Amos during her Sinful Attraction Tour (2009), British death metal band Ten Masked Men (2000), and famous British singer Ed Sheeran covered it acoustically on NOW 100.5 FM (2012) and again with a rap verse a year later on Z100’s Elvis Duran and the Morning Show. The song has been featured in numerous films: animated Ro -
bots (2005), Hitman’s Wife’s Bodyguard (2021) trailer, Ready to Rumble (2000) soundtrack cover by Ahmet and Dweezil Zappa, Freaky Friday (2003) soundtrack cover by American pop punk band Bowling for Soup, the cast of the Nickelodeon film The Boy Who Cried Werewolf (2010) performed it during the end credits and a cover in Spring Breakers (2012) performed by the actresses, including Selena Gomez. It also appeared in several TV shows: Glee, Season 2 (2010) in “Britney/Brittany” which featured a cover and a Spears cameo, as well as the sitcom Superstore (2018), Season 4, Episode 2, in “Baby Shower” with America Ferrera as Amy Sosa.
For his Peaches song from the Mario Bros. film, you can see two different music videos on YouTube. One is an animated video with villain Bowser singing the song. The other is a hilarious live-action version with Jack Black performing the song on a giant peach-pink-colored set.
Video game culture is a big deal for Black. His recent two films aren’t anything new to his interests. Black has been the main subject of video games for quite some time, has worked on the development of several games, and likes to sing about video games.
In 2009, he starred in the heavy-metal-themed video game Brütal Legend as Eddie Riggs. He did the motion capture and voice for Eddie. In 2020, he became a playable skater in Tony Hawk’s Pro Skater 1 + 2. In 2021, he voiced Helmut Fullbear in Psychonauts 2 and lent his voice work for the song Cosmic I on the soundtrack.
As part of Tenacious D, the band named after “tenacious defense” in basketball, he and Gass performed a song called Video Games. In it, he sings about how he doesn’t play video games anymore, yet he still does. He goes on to clarify that today’s games, like Red Dead Redemption 2, aren’t really video games because they are more like William Shakespeare than what people typically think of as video games.
Two other Black movie songs come to mind. One, when he teamed up with HAIM for We Are Here Together from The Croods: A New Age (2020) soundtrack. The second was much earlier in his career when he co-starred with John Cusack in High Fidelity (2000) and sang a cover of Marvin Gaye’s Let’s Get It On (1973). Now a 50-year-old song, Gaye’s original peaked at No. 1 on the Billboard Soul LPs chart and No. 2 on the Billboard Top LPs chart.
Black is a conundrum. He writes these super silly songs that you can’t hardly take serious at the lyrical level but then he performs them with such strong emotions and charisma that you feel like no one could ever possibly top those vocals ever again. While other musicians are lucky to hit 10/10 on their vocals, Black is always at 11 in intensity. He never phones in a performance; he is the most serious comedic singer who ever lived.
Directed by Jared Hess, A Minecraft Movie, Rated PG, stars Black, Momoa, Sebastian Hansen, Emma Myers, Danielle Brooks, and Jennifer Coolidge, with the voices of Rachel House (Malgosha) and Jermaine Clement (Daryl). Even the director lent his voice for the character of General Chungus. It runs for 1 hour and 41 minutes. It received a 47% Tomatometer score and an 87% Popcornmeter score—formerly called the audience score at Rotten Tomatoes, plus a 6.0/10 on the International Movie Database. Note the vast difference between the critics’ score and the fans’ score—I tend to agree with the fans on this one. I give it two thumbs up—one for its silly humor and music, with the other for being a good video game film.
