ICE escalates in Los Angeles
ICE protest is occurring in Downtown L.A. Feb. 17, 2025
Fears of invasive patrols and racial profiling a shift that is disproportionately targeting lowincome immigrant communities, intensifying anxiety in schools and neighborhoods as well.
Recent policy changes and the judicial decisions are intensifying community concerns as Immigration and Customs Enforcement (ICE) operations in Los Angeles escalate.
The agency’s tactics are increasingly invasive, targeting vulnerable immigrants and heightening real fears among residents who have been in fear all this time but felt there was some sort of protection in place for racial profiling.
Something not uncommon to Angelenos.
The changes have allowed law enforcement to operate with greater latitude than ever before, causing widespread alarm over potential violations of civil liberties.
Communities that have long lived in the shadow of these policies are now grappling with the dual threats of physical raids and heightened surveillance in public spaces.
Local advocates report that ICE operations are disproportionately affecting low-income neighborhoods and immigrant communities, where many residents already suffer from economic and social vulnerabilities.
Residents are wary of routine checks, worried that a minor encounter could lead to detention
Following the U.S. Supreme Court’s decision to lift restrictions on roving patrols and racial profiling, ICE has expanded its presence in Los Angeles neighborhoods.
or deportation, regardless of their legal status.
The decision from the U.S. Supreme Court has not only emboldened ICE but has also raised significant concerns about racial profiling.
Under the court’s ruling, roving patrols have become more prevalent, allowing officers to conduct random stops without the previous limitations designed to prevent discriminatory practices.
This shift sets a dangerous precedent that could seep into other public sectors, including the education system.
Schools in Los Angeles are already feeling the ripple effects.
With increased ICE activity, educators are reporting a growing number of students who experience anxiety related to potential family separation following an encounter with immigration authorities.
You can see how parents are afraid to come to school events or even pick up their children after hours.
The fear this has done to our communities also affects every aspect of a student’s life.
Not just academic performance but mental health as well. This unease is ICE’s new operational guidelines.
Community groups, advocacy organizations, and legal aid societies are mobilizing to address these issues.
Mutual aid networks have been established to offer legal support and emergency translation services for those affected during ICE raids.
Civil rights organizations are organizing town hall meetings to voice their concerns. These groups argue that the policy changes represent a step backward in protecting the rights of all residents, regardless of
immigration status.
While national security remains a concern, the rights and safety of residents in the communities must not be compromised by these enforcement actions.
As debates over immigration policy continue to ignite passions on both sides, Los Angeles stands at the center of a much larger national conversation about balancing enforcement with civil liberties.
For now, as ICE ramps up its activities, the challenge remains for community leaders and policymakers to ensure that the pursuit of security does not affect the freedoms and safety of an already vulnerable population.
A real stark reminder that immigration policy, when implemented without adequate oversight, can deeply impact the fabric of local communities.
Karina Soriano Editor in Chief
Fall Club Rush 2025
advisor, was proud and gladly showed off the students and station’s hard work.
On Sept. 2nd, between 11 a.m. and 1 p.m., the Cerritos College Student Center was transformed into a bustling center of activity. Clubs from all parts of the campus showed up to display tables and demonstrations of their activities and offerings to students.
From Improv Club to Computer Science Club, a wide array of organizations presented students, staff and faculty with resources and activities for all members of the college to participate in.
Between 30 to 36 clubs were present, and each and every club member in attendance was excited, and ready to show everything their clubs had to offer.
Among those present were new and established clubs and groups from the campus. Some clubs took the opportunity to reinvent themselves and provide a fresh look and event roster.
Vice President Sam of the anthropology club shared how their club is doing just that. She spoke about the amazing diversity within the field and how this club welcomes and encourages all majors to take part.
From science, liberal arts, biology and sociology all the way to linguistics and history, all majors can find a way to participate and make new discoveries through anthropology.
This year, they are committed to reinventing the club and bringing fresh life to it as they shake things up and create new explorative pathways.
Returning again, with 50 years of experience, a hidden gem of college broadcasting at Cerritos College was WPMD Radio.
WPMD is a student-led radio broadcasting station and is tuned into by citizens around the world. The station has been broadcasting for decades and shows no signs of slowing down.
Casey Piotrowski, the WPMD
“We have listeners from all over. Russia, Germany, and I know that we have a few regulars in Houston, Texas,” Piotrowski said. “All my students are very proud, and I am very proud of them.”
A new addition was the Puente Community Alliance. Danny, the event coordinator, and Erick, the alliance president, were helpful and eager to share about their club.
“We help students who might be the first of their families to pursue higher education or even finish high school,” Danny said. “We give them resources, tools and support to make the process less scary and easier. Especially students from the Latino community.”
This club is available and committed to helping first time, and first generation higher education students. They are committed to assisting those who may be the first of their family to pursue higher education, or are among the first to complete school.
They have taken up residence in the Upspace, hosting their events and meetings in their new permanent location.
In the hustle and bustle of the Student Center, there were a handful of standouts that had students and staff gathering and buzzing with interest.
One of these draws was the SAFE Club, a vibrant, joyous space that was buzzing with activity.
Niel, the club advisor, was bright and bubbly as he spoke to students about the club. He proudly spoke about their Pride scholars, and their outstanding club or organization award from Cerritos College itself.
The club hosts an array of events and opportunities for those in the LGBTQ+ community and beyond. SAFE coordinates
workshops, field trips, academic programs and support groups. Whether part of the LGBTQ+ community or not, all students of all majors are welcome to join and partake in the events hosted.
Making waves and loudly proclaiming their ideals and convictions was The Young Democratic Socialists of America.
Vice President Leon Mateo shared the story of how the club was founded and the rise in membership.
The YDSA is a progressive club for students interested in political and social change. Members Zain and Taj explained that this club is a platform for students to make their voices heard.
Mateo went on to say how the president of the club witnessed an attempted ICE raid in a Home Depot parking lot one day, which occurred during the initial ICE raids in Paramount. The club president then mobilized members of the club and other activists, and successfully managed to protest ICE out of the area.
The club is also active and involved in such causes as Stand Up to ICE, Free Palestine and other social justice issues. They hold regular panel discussions in the student center, opening up an inclusive forum for all students,
members or not, to make their voices, opinions and beliefs heard.
The Movimiento Estudiantil Chicana/o De Aztlán’s table was decorated with colorful papel picado and flores de papel. Gisela and Emily, both members of the group, shared that this club is a safe place for Latinx and Chicana/o individuals to gather, socialize, and share their experiences.
They strive to be inclusive and provide a comforting place for those of Mexican or Latin descent to “gather without the fear and stress of current events and anxieties weighing them down,” Gisela said.
There were numerous clubs with a broad net of interests and activities students could take interest in. Child Development/ Future Teachers Club, Teacher Trac, Immigration Student Alliance, Chinese Club, Improv Club, Robotics Club, Econ Club, Humanitarian Club, STEM and Alliance of Latino Professionals, to name a fraction of the clubs present.
Students claimed rewards through a sticker collecting game, getting a Club Rush Passport upon entering at the check in table, which they could collect stickers from visiting tables and get a meal ticket to redeem at the outdoor grilled cheese food truck.
Campus life get involved in upcoming events on campus
Cerritos College 70th Anniversary
Celebrate 70 years with the Rev’d Up since ‘55 high energy car show.
DATE: Sept. 19
TIME: 5 P.M. - 8 P.M.
Stress Survival Kit
Learn practical ways to manage daily stress and improve mental clarity with Angela Williams
DATE: Sept. 17
TIME: 3P.M. - 4 P.M.
Paws, Play, & Produce
A mini break with a pet therapy zone, pop-up market de-stress shop
DATE: Sept. 23
TIME: 11 A.M. - 12:30 P.M. Snack on this: Mental health Mental health workshop presented by the Los Angeles Department of Mental Health.
DATE: Sept. 18
TIME: 11 A.M. - 12 P.M.
Personalize a journal and learn about journaling for wellbeing
DATE: Sept. 24
TIME: 12:30 P.M. - 1:30 P.M.
Rest and Express
Theraputic art-based rock painting workshop.
DATE: Oct. 1 TIME: 12:30 P.M. - 2 P.M.
Spark Zone A gathering for students with ADHD DATE: 11:30 A.M. - 1:30 P.M. TIME: Oct. 10 The Focus Flow Mindfulness for ADHD minds. Find your calm. Fuel your focus.
DATE: Oct. 10
TIME: 11:30 A.M. - 12:30 P.M.
Margarita Vaca Multimedia Editor
MARGARITA VACA/TM
Sam, with members of the club showing off their display at the club rush event on Sept. 2, 2025.
Aya Takano’s exhibition closes in Los Angeles
Visitors had until Aug. 29 to see Aya Takano’s solo exhibition, “How Deep How Far We Can Go,” at the art gallery Perrotin in Los Angeles.
The exhibition filled the gallery with bright color and flowing lines, creating an atmosphere that feels both intimate and expansive.
Visitors describe the experience as stepping into a dream, surrounded by works that blur the boundary between illustration and fine art. Many of them took it as an opportunity to take photos.
The show focuses on the Japanese artist’s whimsical style, blending cute illustrations with themes of memory, ancestry and vulnerability.
Aya Takano, 48, is associated with Japan’s Superflat movement, a postmodern art style developed by Takashi Murakami.
While Aya Takano has showcased her work in Asia and Europe, the Los Angeles exhibition offers new audiences an opportunity to be exposed to an artist whose dreamlike figures carry emotional weight beneath their delicate surfaces.
Her paintings feature wideeyed, androgynous figures suspended in pastel landscapes filled with animals, plants and whimsical beings.
At first glance, the imagery
evokes a sense of manga and anime.
Looking deeper, it reveals explorations of fragility, tenderness and the shared vulnerability of life.
Delicate dots cover the gallery’s walls, symbolizing DNA strands and representing the interconnectedness of all living beings, the artist says.
It portrays an inward journey as much as an outward one, prompting the audience to reflect on the connection between personal memory and the larger
cycles of nature.
Human figures are rendered with a quiet presence, emphasizing sensitivity instead of strength.
The effect transforms cuteness from something decorative into what the artist frames as a radical openness, a way of exposing vulnerability.
Born in Saitama, Japan, in 1976, Aya Takano studied at Tama Art University before joining Murakami’s Kaikai Kiki collective.
Her art combines Japanese traditions with influences from pop culture and science fiction,
although her recent exhibitions have emphasized a stronger focus on ecology and spirituality.
Critics say her Los Angeles show demonstrates both continuity and growth.
Aya Takano still works with manga-like figures that defined her early career, the themes have evolved to become deeper.
The exhibition positions vulnerability not as weakness but as a source of beauty and compassion.
For Perrotin Los Angeles, the show also serves as an opportunity
to highlight Takano’s evolving international profile.
Although well-known in Japan, she is still gaining recognition among U.S. audiences.
The gallery describes “How Deep How Far We Can Go” as an exploration of “the radiance of all life.”
Visitors are reminded that Takano’s work offers more than visual escape. The exhibition invites viewers to reflect on fragility, connection and the possibility of finding strength in softness.
Dog Day at Downtown Downey night market
Kassandra Lopez Staff Writer
In Downtown Downey, the occasional Night Market held a Dog Day, welcoming all dog lovers and their dogs from the community and surrounding areas on Aug. 28.
The streets were filled with people visiting small businesses’ stands, enjoying delicious food, participating in activities and dancing to the music.
One of the very popular businesses that attracted a large number of customers was Pretty Kitty Pet Accessories, owned by Cintia Saravia.
“We sell pet apparel and accessories, for example, we have fun hats, whimsical crochet hats, a lot of like dresses, tank tops, and goggles as well.”
Saravia continued, “We even have Batman masks for cats and just a little bit of everything for cats and dogs.”
Saravia mentioned that her best seller is pet-friendly cowboy hats and other culturally themed hats.
Another popular dog-based business was the Pup Gang Bakery, which seventh-grader Anahí Cuellar runs.
“I sell doggy accessories, doggy ponchos, doggy mandiles and I also sell doggy cakes and
dog treats.”
Her business first started when she made a pup cake for her dog, Tyson’s, birthday.
Cuellar also discussed that the best items were “the ponchos and cakes, which all started back in Mexico.”
Downey resident Ruth Sandoval and her dogs, Gigi, Cece and Cowboy, came to the night market for a good time and to take in all the dog-themed activities.
Organizer of the Downtown Downey Night Market, Danny Rivas, touched on the theme of the night.
The night was primarily focused on creating an open space for dogs and their owners, featuring giveaways, activities, and vendors.
It may have been Dog Day, but other non-dog-themed stands still drew in many customers.
There were free treat samples for pups and fun activities for dog owners and their dogs to enjoy.
Roxy Carrillo and her two kids appreciated that the night market was a place where she could spend quality time with her kids.
Many members of the community at the night market were in line with their dogs waiting for a caricature drawing of themselves and their dogs.
The Downtown Downey Night Market occurs every second and fourth Thursday of the month.
Jasmin Hernandez Staff Writer
JASMIN HERNANDEZ/TM
Depicts ethereal figures surrounded by animals in pastel tones.
KASSANDRA LOPEZ/TM
KASSANDRA LOPEZ/TM
Downey locals come together for Dog Day at the Downey Night Market on Aug. 28
Fashionable dog having fun on Dog Day at the Downey Night Market on Aug. 28.
La Vuelta: Latinx artists revisit roots and history
Jasmin Hernandez Staff Writer
The 8th Sur: Biennial, titled La Vuelta “The Return,” united artists and community members on Aug. 25, through ancestral experiences through relationships, narratives, and cultural traditions.
The Sur: Biennial, established in 2011, focuses on Latinx artists delving into personal, familial and ancestral histories.
This year’s edition featured a panel discussion with artists Susan Aparicio, Connie Mendoza, Antonio Perez, Isidro Pérez Garcia, Dilan Torres and Kali Victoria.
Deanna Barahona, though unable to attend due to teaching her first class at CSU Bakersfield, was represented in the exhibition. Barahona’s work explores themes of identity, cultural memory, and personal heritage, aligning with the biennial’s mission of revisiting and reinterpreting Latinx narratives through art.
Each artist shared experiences that inform their art. Aparicio, who grew up in Pico Rivera, works with glass and video to reflect on girlhood and pride in her Latina identity.
Connie Mendoza, from Boyle Heights, creates ceramic works inspired by Mesoamerican art and Chicano culture.
Mendoza’s practice often responds to current events and explores feelings of “inbetweenness” tied to history, place, and personal experience. at
the Cerritos College Art Gallery for a panel and reception.
The event explored how Latinx artists utilize cycles of memory and nostalgia to bridge personal, com
Isidro Pérez Garcia, raised in Bell Gardens, said personal loss shaped his art after losing his brother to a brain aneurysm and his father to cancer while studying at Otis College. His interdisciplinary work explores grief, resilience, and identity.
Dilan Torres, originally from El Paso and Juárez, uses his practice to examine masculinity, activism, and life between cultures, inspired by Chicano art
home is not necessarily a place but it’s a feeling.
he discovered in Los Angeles and East LA.
Kali Victoria., from Norwalk, works with ceramics and jewelry as ways of archiving family history.
She explained how oysters and pearls symbolize family lineage, feminine energy, and queer identity, connecting three generations of queer women in her family.
Pérez Garcia, from Hidalgo, Mexico, described how his art reflects his experience as an undocumented person.
He often credits his family as collaborators, noting their presence in shaping his work around politics, identity, and the
body.
When asked how viewers might connect with their work, the artists emphasized honesty over presentation.
“The more specific something is, the more relatable it becomes,”
“Being genuine and personal makes the work resonate with everyone who sees it.”
Dilan Torres Artist
They also reflected on the role of craft. Victoria said labor is genderless, pushing back against the idea of labor as “men’s work.”
Torres explained that technical skill matters because it shows the labor involved and honors his parents’ sacrifices.
Aparicio added that she avoids making work only for beauty’s sake, focusing instead on authenticity and meaning.
Audience members said they left inspired.
Andre Galvez attended after a friend suggested it and said he was surprised by the variety of work. He connected most with Torres’ pieces, which reminded him of childhood memories.
Ada Alvarado, who came with her cousin, said she felt proud to see artists who looked like her represented. She admired Victoria’s sculptures and said she planned to share multiple photos on social media later.
The event highlighted how Latinx artists connect past and present, weaving stories of memory, family, and heritage into art that speaks to both community and broader audiences.
Ángel Sánchez Sports Editor
Top Dawg Entertainment’s in-house producer, Kal Banx, released his debut album on Aug. 15. “RHODA” is an exploration of self, the environment around us and all of the experiences we go through in a way that has not been done previously.
Producers often showcase their music-making abilities with a fully instrumental record. Or tag a variety of artists to sing and rap on their albums, but tend to feel more like a compilation
For Banx, “RHODA” is a 25-track, two-disc project that offers a space for him to push the boundaries of his own artistry, express himself freely and show vulnerability.
Banx begins the first track of the album with a realization that
“Sequoia” finds him climbing that tree, reaching toward a feeling that he once knew as he sings, “I hope that you’re proud of me,” over a mellow medley of all sorts of string instruments and uniquely is the only song on the project that contains no drums.
The intro track sets the tone for the album’s hour-and-15minute runtime, delivering a message that encapsulates the project’s core purpose and key takeaway.
Throughout the album, Banx showcases the smooth, soulful sounds and hard-hitting bass drums that have defined his rise to prominence. These elements, honed through collaborations with artists like Isaiah Rashad, Smino, and others, are woven seamlessly into the fabric of the project.
Both Rashad and Smino find featured on the album. Along with artists like SiR, Maxo Kream, Childish Major and a handful of upcoming artists.
The following tracks take the listeners on a journey of his experiences with friends and love interests.
Providing more upbeat songs like “Tech Tech Tech” that are reminiscent of the sounds that formed dances like Chicago Juke or Dallas Boogie.
Filled with notable samples like Willie Hutch’s “I Choose You”, and The Main Ingredient’s “Let Me Prove My Love to You” all with his own signature style and reflects the sounds of hip-hop that he helped cultivate.
Jhovani Rojas Staff Writer
The movie “Weapons” stands out in the horror genre with its unconventional storytelling and unique structure.
Unlike traditional horror films such as “The Conjuring,” it skips character introductions and background information, plunging viewers directly into suspense and excitement.
The film is structured like a fairytale, divided into chapters that focus on different characters and timelines.
This fragmented storytelling keeps the audience guessing as the mystery of the missing children unfolds.
Aunt Gladys, a witch like antagonist, manipulates events and feeds off others like a parasite, framing Justine, a teacher, for the disappearances.
Justine’s emotional breakdown and relapse into alcoholism add depth to her character.
JPaul Morgan, a police officer and Justine’s ex-boyfriend, becomes entangled in the investigation, while Archer Graff, the father of a missing child, adds further tension. Each scene connects in unexpected ways, and the fairytale inspired style creates a whimsical yet eerie atmosphere.
The film’s originality and suspense make it a standout in the horror genre, offering a fresh and thrilling experience for audiences.
WARNER BROS. PICTURES
“RHODA” album cover shot by IIRONIC.
MARGARITA VACA/TM
Fighting Domestic Terrorism via the Mundaane by Isidro Perez Garcia from the Stdent Art Exhibition, Sept. 11, 2025.
Scan to listen to RHODA by Kal Banx
Bad Bunny: Politics and Culture
homeland of Puerto Rico.
The ticket of the year, bringing fans to Puerto Rico from all over the world, is Bad Bunny’s residency, which kicked off with a two-month residency at the Coliseo de Puerto Rico José Miguel Agrelot in San Juan. It has become a huge success.
Combining musical performances with a deep homage to the island’s rich cultural heritage. The residency, part of the tour titled “No Me Quiero Ir de Aquí,” is an ode to the beauty of Puerto Rico.
It has reportedly generated more than $200 million in revenue, making it one of the most lucrative local entertainment events in recent history.
“No Me Quiero Ir de Aquí” reflects Bad Bunny’s commitment to his roots while fueling economic growth.
The residency has drawn fans from all over the world.
Bad Bunny, whose influence in the music industry has continuously expanded since he burst onto the scene, has made it abundantly clear that this tour is a real heartfelt thank you to his
A message has resonated strongly with many, providing a narrative that has united music fans with a sense of real national pride.
Despite the overwhelming success of the residency, there has been considerable discussion about the tour’s geographical limits among some fans.
The “DeBi TiRaR MaS FOTos World Tour” will begin on Nov. 21 in Santo Domingo, Dominican Republic, and culminate in Brussels, Belgium, on July 22, 2026.
The tour will touch Latin America, Europe, Asia and Oceania.
Bad Bunny will not extend the tour to the United States.
A recent interview with I-D had him open up about his decision. Where he stated, “There were many reasons why I didn’t show up in the US, and none of them were out of hate. I’ve performed there many times,” he said. “All of those shows have been successful. All of them have been magnificent. I’ve enjoyed connecting with Latinos who have been living in the US. There was the issue of…like, fucking
ICE could be outside my concert, and it’s something that we were talking about and very concerned about.”
You could say the decision to sideline U.S. dates is rooted in a mix of political caution and real personal conviction.
Looking at his videos connected to “DeBi TiRaR MaS FOTos,” Bad Bunny remains mindful of the subtle political statement emphasizing the importance of local cultural empowerment over potentially restrictive federal environments.
The decision to skip the U.S. tour’s dates has sparked discussions on online platforms about the role of local artists in endorsing policy reforms, particularly in the heightened enforcement actions by ICE.
“No Me Quiero Ir de Aquí: Una Más” will stream for free via Amazon’s Music app and Prime Video subscribers can also watch it there.
For now, though, Bad Bunny’s practice of real cultural pride with musical artistry appears to be a celebration that will echo throughout Puerto Rico for years to come. With hopes of more musical artist following suit.
the UNDER RATED
Elmjack Chemical x
An American musical duo known for creating “generational music.” Hadji Gaviot and loe4t give us elmjack. Chemical X is a good track to start with, R&B vocals with a twist. Finding a way to reinvent a sound is not always easy,
Young Nudy ICED TEA
Bringing in some heat is Young Nudy, but ICE TEA, produced by COUPE, found a way to pay homage to two different generations of Hip-Hop with features from 21 Savage and Project Pat.
The paradox Bender (feat. Travis Barker)
The Atlanta-based band has been making a name for itself by getting co-signs from the biggest names in pop-punk and put on one of the best performances at Vans Warped tour Long Beach.
Tombochio GAD
Tombochio is a young Mexican Regional singersongwriter from Culicán, Mexico. A softer take on corridos and original mexican regional music.
Maná Revolución de Amor
Maná’s 2002 album that gave us the classic, Mariposa Traicionera is an alternative rock feel good sound. Their poetic lyrics had and continue to have a great influence in topics such as love, unity, and justice.
George Michael
Faith
Released Oct. 1987, this single topped the Billboard Hot 100 at #2 for over a month. George Michael created a memorable music video featuring his iconic leather jacket, cross earring and shades, cementing him as an 80’s staple.
Welcome to Nightvale A Nightvale Presents Podcast
This off-beat fictional radio station podcast blends fact, fiction and total obscurity in the most delightful way.
The fictional destination, Nightvale is “A friendly desert community where the sun is hot, the moon is beautiful, and mysterious lights pass overhead while we all pretend to sleep.”
Karina Soriano Editor in Chief
Gen Z stare: The look of a tired generation
A blank and silent look that can be seen on the faces of customer service employees across the board.
This expression is not a sign of unintelligence or lack of social skills, it is a reaction to unsustainable work environments and obtuse questions from customers.
Inadequate phrasing, understaffed and underpaid jobs, and annoying complaints are the culprits of the baffled and vexed Gen Z stare.
Visiting any retail or food service establishment, interactions with Gen Zers is almost a guarantee.
Going to the counter at a local boba spot and asking for “a boba,” asking a question to a worker when the giant sign next to them clearly says the answer, or being rude and rushed are a few quick and easy ways to trigger this Gen Z stare.
Is it a lack of intelligence, lack of social skills or a blank void of nothingness?
We’re here to tell you it’s none of those things.
It’s simply because of a painfully careless or thoughtless question.
The blank stare is not due to a lack of intelligence or knowledge but due to
an aversion to answering obvious and in some cases, stupid questions.
In Gen Z terms, it’s the silent language that says “Was I seriously just asked that?”
It’s a silent pause to process the painfully obvious question they have just received, and probably a far more polite response than the many more casual responses they wish they could say.
Gen Z has a vastly different view of work and jobs than
most generations.
They have inherited the most debt of any generation, and with the current minimum wage being completely unlivable, they definitely aren’t getting paid enough to explain exactly why the question was painful to hear spoken aloud. If we backtrack even further, service etiquette has eroded to the point where workers are treated more like answering machines than real people.
Taking the time to stop and exchange a couple words can create an entirely different customer service experience.
This generation has come into the workforce under corporations and employers that want to take as much as they can from their employees without proper compensation or benefits.
Gen Z now makes up the vast majority of entry level jobs, and are currently
How Sydeny Sweeney’s American Eagle campaign misses the mark
In today’s fast changing cultural landscape, advertising is becoming a battleground for ideas about identity, inclusion and authenticity.
The debate over Sydney Sweeney’s American Eagle jeans campaign is a perfect example. In the commercial, the actress, known for roles in series such as Euphoria and The White Lotus, sports a classic Americana look in the ad.
At the close of the ad, Sweeney remarks, “Genes are passed down from parents to offspring, often determining traits like hair color, personality and even eye color. My jeans are blue.”
For some viewers, her comment is a marketing message that appears to celebrate a fixed image of what is considered “classic” without fully embracing today’s diverse realities.
Online critics argue that the campaign promotes a narrow vision of beauty and identity, one that conflicts with a society increasingly focused on representing a broad spectrum of body types, races and experiences.
Yet, it is essential to acknowledge that Sweeney is not solely responsible for the commercial’s angle Throughout her career, Sweeney has frequently been cast in roles that tend to focus on her sexual appeal. A position largely assigned by an industry fixated on marketable looks rather than range.
The criticism she received for participating in a campaign with an “old school” message often misses the point that the underlying strategy is one driven by corporate marketing decisions.
By singling out Sweeney, critics are taking the attention away from the brands themselves, whose marketing tactics continue to shape public discourse on beauty and inclusion.
Quickly after this controversy, American Eagle followed with a collaboration with Travis Kelce, which presents a different narrative.
Kelce, famed for his performance on the football field, recently joined the brand for a campaign that
feels refreshingly genuine.
His appearance in the ad challenges the conventional expectations attached to celebrity endorsements.
Kelce’s portrayal, marked by an approachable and relatable demeanor, departs from the more detached images typically associated with high profile talent. Whether it is American Eagle’s reliance on images of classic Americana or Gap’s embrace of inclusive narratives, the real debate should center on how brands choose to communicate values that shape public perceptions of identity in this new era.
Ultimately, as audiences and consumers, we have the power to demand advertising that recognizes our multifaceted society.
By shifting our criticism from the faces in the campaigns to the strategies behind them, we encourage a discussion about accountability and innovation in branding. A move that is as necessary as it is overdue.
entering the long term workforce.
This generation statistically works the most jobs on average, not just jobs held simultaneously, but are projected to go through more jobs in their lifetime than previous generations.
According to an article done by Fortune, research done in 2023 by Paychex stated that “93% of the youngest generation of workers split their time between multiple employers.”
This can manifest into Gen Zers putting in minimum wage effort into minimum wage jobs. They are doing as much work as they are getting paid to do.
A grueling schedule and school assignments looming over their head might just result in a blank stare when they are asked a question that could have been figured out if the customer had taken a few extra seconds to look around or read signage.
The next time a store coffee shop, has some signs or directories up, take a moment to read them and figure out what you can before asking.
In short this generation isn’t averse to helping customers or serving with a smile.
Movie theaters are on their last reel
Remember what it was like to wait in line for a movie premiere? The beauty of being surrounded by people who share the same love for the blockbuster or independent film flickering on screen. This tradition felt sacred, it has been carried on for decades. However, about 15 years ago, movie theaters began assigning seats. Prices increased, and theaters quickly transformed from communal spaces into luxury venues. Streaming services have made movies too accessible. When we think back at movie premieres and why they were so special, we only had a few weeks to catch a movie. You would not know when it would come out on DVD either. The double feature of “Barbie” vs “Oppenheimer” which became extremely popular in 2023. Moviegoers went dressed up in pink, while some wore all black. Now, if we don’t catch a movie, we can watch it on a select movie streaming service whenever we want. That removes the magic of going to the movie theaters. Why does this matter to us? Movie creation and appreciation are historical, especially in Los Angeles. It is something so embedded in our culture that we are seeing it die in front of our eyes. Without the movie magic from before, what is the point? Is nostalgia enough to save theaters?
Scan QR code to subscribe to our weekly newsletter
Karina Soriano Editor in Chief
Samantha Osuna Staff Writer
ILLUSTRATION MARGARITA VACA/TM
The Gen Z Stare: A defiant ode of the overworked and underpaid.
REUTERS/VIA SNO SITES/DAVID ‘DEE’ DELGADO
People walk past an American Eagle ad campaign featuring Sydney Sweeney in New York City, U.S., August
Falcons roll past Vaqueros
Ángel Sánchez Sports Editor
Falcons football team put on a full display of offense and defense as they defeated the Santa Barbara City College Vaqueros by a score of 66-17 on Saturday, Sept. 13.
This victory gives the Falcons a record of 2-1 ahead of conference play and its second win in a row after dropping its season opener.
Cerritos’ defense held Santa Barbara scoreless on the opening drive and allowed for starting quarterback Jeremiah Calvin and the offense to set the tone for the rest of the game.
Calvin connected with wide
receiver Charles Clinton II for a 63-yard touchdown on the offense’s first play of the game.
Clinton finished the game with two touchdowns on the receiving end and five other receivers also caught touchdown passes.
QB’s Calvin and Nick Miali split the majority of the time on the field during the game and passed for a combined 277 yards and recorded three touchdowns each.
Running back Romeo Clark led the offense with 99 rushing yards and two touchdowns, including a 70-yard rushing touchdown in the fourth quarter that capped off the scoring for the
Falcons.
Falcons offense ended the night with a total of 576 yards with help from the defense, who gave the Falcons five sacks in the game and two interceptions from cornerback Kyle Cunningham Jr.
Safety Ezra Mueller’s teamhigh 10 tackles and linebacker Clarence Chaney’s seven tackles aided the defense as well.
With contributions from both sides of the football head coach Dean Grosfeld said, “A ton of guys got to play and that’s always great for them because they put in so much work.”
Vaqueros has been struggling to begin the year, allowing more
Cerritos Falcons adjustments short-lived against Palomar
Ángel Sánchez Sports Editor
An early 2-0 set lead for the Falcons volleyball team vanished against a Palomar College Comets that made adjustments late and took the match in five sets with a final score of 3-2 on Sept. 3.
The starting lineup had a different look for the Falcons as it was without outside hitter Elizabeth Beltran.
Evelyn Soto-Castro took on a new role this season but moved back to her natural outside hitter position while Emma Rivera handled the setter position.
The Falcons found contributions from all over the court in the contest against the Comets.
Cerritos overcame an early deficit in the first set with offensive support from Soto-Castro and opposite hitter Jordin Lewis who accumulated 15 kills in the match.
The Falcons forced attack errors, executed on its kills and key service aces from Gabriella Colombo helped Cerritos distance itself in the second set.
Palomar head coach Karl Seiler attributed Cerritos’ early lead to its ability to perform at the net and exploiting the Comets’
ANGEL SANCHEZ/TM
Isabela Torres (#4) and Evelyn Soto-Castro (#1) failed block attempt against Palomar College at Cerritos College (The Aviary) on Wednesday Sept. 3, 2025.
own weaknesses blocking attacks.
“We haven’t really played against players who have good control and smaller players,” Seiler said.
Cerritos pressured Seiler to make adjustments to the lineup that he said helped the Comets find their rhythm and eventually battle back like they have to begin their season.
Comets outside hitter Reese Maffit recorded a match-high 16 kills on the night. While Caden Pinto led her team with 26 digs and the match with 43 assists setting her team up for the win.
Cerritos made adjustments to the lineup late in the game to combat Palomar’s comeback that placed Soto-Castro back at the
setter position and libero Roselyn Tobie used in an offensive role.
A defensive showing for a Cerritos team that ended the match with 111 digs created multiple chances for the squad but ultimately could not finish on offense.
Lewis said, “I feel like we did a good job with hitting and trying to place it smart, but they just had a really big block.”
While it tries to work through its early-season adjustments, Cerritos followed up with a trio of losses but improved to 4-4 on the season after its most recent win against Glendale Community College on Sept. 12.
The Falcons will return home on Wednesday Sept. 17.
than 60 points in each of its first three games and are now 0-3 to begin the 2025 season.
“It was about us getting better and keep stacking wins, so when the schedule gets a little bit tougher, then we’re in a good spot,” Grosfeld said.
Moving forward in the season, Mueller said, “We’ve just got to be ready. The consistency has got to be there. Got to be better on offense, better on defense and just keep working at it.”
After its first loss of the season, Grosfeld mentioned the athletes’ needing to work on what the coaches ask of them and sticking to their game plan.
OPINION
Get MLB stars in the Olympics
Writer
The Olympic Games are a celebration of human achievement, showcasing the world’s top athletes competing in a spirit of unity and excellence. One glaring omission has long been a topic of debate.
Major League Baseball’s reluctance to allow its star players to participate.
As the world’s most popular sport garners massive global attention, it’s time for MLB to let its elite players shine on the Olympic stage.
The absence of MLB stars is notable. Baseball made its Olympic debut in 1904 and was a staple until its removal after the 2008 Beijing Games. It returned for the 2020 Tokyo Olympics.
MLB’s primary concern is the disruption to its schedule. This argument is outdated.
The lack of top-tier talent diminished the competition’s credibility. Allowing MLB players to participate would elevate the sport’s profile.
With the growing
He said that’s been the team’s concentration. Grosfeld added that his team practices hard and that they’ll do the same thing in their next week of play.
Grosfeld also noted the Falcons’ loss against Mt. San Antonio College and still has his sights on facing them again in the playoffs.
“We definitely want to win the conference. That’s what we’re battling for, but we’ve got to stack these one at a time,” Grosfeld said.
Cerritos’ next game will be its first conference match of the season on the road against 0-3 Orange Coast College on Saturday, Sept. 20.
global popularity of sports and the evolving nature of international competitions, the exposure would be a boon for the sport, drawing in new fans and sponsors.
MLB stars would bring an unprecedented level of competition to the Olympics. Watching superstars like Shohei Ohtani, Aaron Judge, or Ronald Acuña Jr. don their national jerseys and compete for gold.
For baseball players this would be a unique opportunity to compete in a team environment that transcends club loyalties.
It would provide a chance for players from different countries to come together, fostering international camaraderie and sportsmanship.
With the league’s growing popularity in Latin America and Asia, the Olympics would provide a stage for MLB to demonstrate its international footprint leading to increased interest and investment in the sport worldwide.
Allowing MLB stars to participate in the Olympics would be a win-win for the sport, its players, and fans. As the world comes together to celebrate human achievement, it’s time for MLB to join the party and let its stars shine on the Olympic stage.
ANGEL SANCHEZ/TM
Cerritos College football team takes the field and warm up as a team before the start of the third quarter against Santa Barbara City College at Falcon Stadium on Sept. 13, 2025.
Alexa Lopez Staff
