Architectural Works from 2019-2021 by 鮫島卓臣 Takuomi Samejima

TA K U O M I S A M E J I M A ARCHITECTURAL WORKS FROM 2019-2021

01. The Six Allegories of Beirut 01

02. Out in the Street 13

03. The Hover

04. Mono-Sensory Dwelling

05. The Soundtrapper 37

06. Ori-Ori-An

Individual Studio / Fall 2021

Group Studio / Spring 2021

Individual Studio / Fall 2020

Individual Studio / Spring 2020

Individual Studio / Fall 2019

織折庵

Competition / Fall 2019

07. Border, Plaza, or Pomerium...

08. A House for 4 Furnitures 5

Competition / Fall 2020

The Six Allegories of Beirut

01.

On August 2020, one of the warehouses in port Beirut exploded causing a catastrophic damage to the entire city. In the midst of a supernatural disaster, Architecture, which is meant to guarantee human protection, becomes completely powerless. This project is an investigation and speculation on the role of architecture in such post-traumatic occasion. The proposed "allegories" does not manifest any programs nor functions, but represents only the cyclical process of everyday lives - ie: destruction and construction. Here, Architecture remains only in the form of process. Location: Term: Type: Instructor: Others:

Portfolio by Taku Samejima

Port Beirut, Lebanon September 2021 - December 2021 Individual Studio Lina Ghotmeh / Michael Surry Schlabs Nominated for school publication

The Six Allegories of Beirut Fall 2021

Drawings as a way of knowing "Trauma"

The project began by analyzing one's individual trauma. To approach the unconscious memory, series of pencil drawings were conducted, later, becoming a dominant method of analysis, research, representation and design. The process of pencil drawing and its product introduced the "simultaneity of destruction and construction" as a significant idea of trauma (pencils die out while drawing remains, memories get forgotten while some gets intensified). The process of drawing not only became a representation, but the very idea of "Trauma" itself.. 03

Portfolio by Taku Samejima

SpatializingtheExperienceofPersonalTrauma The Six Allegories of Beirut Fall 2021

Cycle of Destruction and Construction

Henri Lefebvre defined Everyday Lives as simultaneity of "Cyclical construction and linear destruction". Despite its continuous "destruction" of the built environment from civil war, religious conflict to catastrophic explosion, people in Beirut have always found a way to "construct" their Everyday Lives. It is in fact within this parallelism between Trauma and Everyday Lives, and the "simultaneity of destruction and construction" that manifests the beauty of the quotidian. The physical model is an exploration on this simultaneous process. 05

Portfolio by Taku Samejima

The Six Allegories of Beirut Fall 2021

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Intervention on 6 Debris in the Port

The cyclical nature of "destruction and construction", a significant quality identified within the process of Everyday Lives, is what allows the constant overcoming of the Trauma in Beirut. In order to relate Architecture to this process, 6 debris that retained the quality of both destruction and construction (ambivalent state between being broken and built) were chosen as the site of intervention. Fragmented remains of warehouses, half-broken silo, mashed up cargo blocks became the initiating point of the 6 allegories on the Everyday Lives of Beirut. 07

Portfolio by Taku Samejima

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The Six Allegories of Beirut Fall 2021

A MOSQUE FOR MILLION SPECIES

6 Allegories on the Everyday Lives of Beirut The 6 proposals negates every aspect of architectural intention; no program, no function, no client. Instead, it materializes the "pure process" of overcoming the Trauma, ie; the constant cycle of destruction and construction. In the Post-traumatic landscape, a physical idea of "Architecture" cannot sustain it's autonomy without being hypocritical. Rather, the purpose of Architecture here is to celebrate the beauty of the intermittent progression of Everyday Lives, stimulating an open-ended imagination through it's architectural medium. Architecture, becomes an allegory. 09

Portfolio by Taku Samejima

A HOUSE FOR NON-HUMANS

THE SECRET WEDDING HALL

A GATEWAY FOR MOVING BODIES

THE FORBIDDEN OFFICE OF CRAFTSMEN

A CANTEEN FOR NINE MONKS

ZoomedinSectionfortheSecretWeddingHall The Six Allegories of Beirut Fall 2021

Portfolio by Taku Samejima

The Six Allegories of Beirut Fall 2021

Out in the Street

02.

Ongoing climate crisis calls for a radical change in both the spatial and pedagogical structure of school education. Upcoming generation will have to acquire different knowledge in dealing with resources, waste, environment, while simultaneously dismantling the modern spatial logic that facilitates further carbon usage. As a case-study, the project repurposes one of the "Open Street Learning" site in Brooklyn as a permanent site for education, introducing both spatial and pedagogical strategy for occupation, while subverting modern conception of street spaces. Location: Term: Type: Instructor: Collaborator:

Portfolio by Taku Samejima

Brooklyn, New York January 2021 - May 2021 Group Studio Elisa Iturbe (elisa.iturbe@yale.edu) Anjiang Xu, Tian Wang

Out in the Street Spring 2021

Pre-colonial Dirt-paths

Analysis: Stratification of the Street "Liquid Modernity", coined by Zygmunt Bauman depicts the characteristics of modern street that facilitates smooth transportation of various resources; cars, trains, electricity, sewage and even pedestrians. Such qualities have been achieved by series of stratification that divides the streets into certain usages, erasing the actual organicity and opportunities that could happen in the space. The analysis identifies regulations, infrastructures that de-humanizes the street, while depicting the organic resources that could be used for future education. 15

Portfolio by Taku Samejima

1830s Horse transportation

now Modern Roads

LayersofStratificationandOrganicResourcesinStreets Out in the Street Spring 2021

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Cruciform Module as an Act of Occupation

In order to "slow down" both the physical and conceptual fluidity of the modern street, the project proposes a cruciform module as a spatial strategy for occupation. The module allows various ways of expansion through self-build, that is integrated within the curriculum of the nearby elementary school, PS154. The module captures the local resources that would otherwise be processed as waste. The captured resources will foster an educational program, that allows students to understand the sustainable cycle and management of local materials. Portfolio by Taku Samejima

4. Identify

100

200

Farm/Gardening pot

3. Occupy

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The Green-Wood Cemetery

2. Create

400

800m

Animal Feed

Water Capture

Water Reservoir

1ft

TypologiesofPotentialCruciforms Out in the Street Spring 2021

Out in the Street: Radical Occupation

In 2050, the intermediary space between housings in Brooklyn, that was originally known as "Roads" for vehicles, are now occupied by local communities and students from the nearby elementary school. Farming classes, Petting zoo, compost tutorials, and various school programs are now happening on the street, fostering the local knowledge as a communitywide effort. As the elementary school spills out on to the street, education becomes a community resource. Here, the neighbors are simultaneously the teacher and the student. 19

Portfolio by Taku Samejima

Out in the Street Spring 2021

The Hover

03.

"The Hover" is an Artist Center proposed on a sloped hill adjacent to a local river, located in East Rock, New Haven. The project incorporates multi scaled programs varying from Individual Artist Studios to Public Gallery, Auditorium and Event spaces, offering a creative platform for local artists and neighboring communities. As an anti-thesis to a conventional "white cube", the project investigates the potential of architectural spaces as a "stimulus of inspiration", actively engaging with the creative impetus of each artists and visitors. Location: Term: Type: Instructor:

Portfolio by Taku Samejima

East Rock, New Haven September 2020 - December 2020 Individual Studio Mark Foster Gage (gage@mfga.com)

The Hover Fall 2020

Framing, Poche, Piloti...

The project examines the relationship between three specific "architectural language", which are "Framing", "Poche" and "Piloti".This un-conventional hybridization responds to the context by reserving the riverfront space as a "piloti" for community activities, while the elevated square mass protrudes out from the hill, framing three individual objects containing public functions. The poched periphery incorporates artist programs by carving out variety of spaces with an individual balcony, allowing each of the artists to own their specific views. 23

Portfolio by Taku Samejima

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13.

1.Opengallery

6.Reception

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2.Gatheringspace 7.Childcare

12.Fabricationshop

3.Grandstaircase

8.Computerroom

13.Largestudio2

4.Officespace

9.Artiststudio

14.Parkingspace

5.Auditorium

10.Kitchen

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175ft GroundFloorPlan The Hover Fall 2020

Open Gallery: Mediator of Public and Private The space between the Artist studios on the periphery and the protruding objects is reserved for Open gallery where public audience can access from the Grand staircase connected to the existing trail. Each protruding objects contain public functions including Auditorium, Childcare room, which expresses a distinguished spatial quality from the Open gallery, allowing the visitor to experience a dramatic spatial transition within a single building. Thus, the Open gallery functions as an integrative mediation between private artist studios and public programs. 25

Portfolio by Taku Samejima

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48ft SectionAA' The Hover Fall 2020

Artist Studios for Creative Inspiration

The artist studios located on the periphery of this building are spaces for "Creative Inspiration", where artists are immersed into various lighting conditions provided by Confetti window openings. The private balconies assigned to each of the studios, allow each of the artists to occupy the view for another source of inspiration, that is the surrounding nature. These studio spaces challenge the conventional and neutral "White cube studios", by positively incorporating diversity of lighting, texture, color conditions to create varieties of spatial conditions. 27

Portfolio by Taku Samejima

Childcare Studio

Auditorium

OpenGallery

Studio

Artiststudioceiling 45'-1

Firstfloorbase 28'-5

GL 0'-

48ft SectionBB'

The Hover Fall 2020

getting up

shower

cook

breakfast

free-time

Agriculture

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Vision

Touch

Mono-Sensory Dwelling

04.

According to Yi-Hu-Tuan, humans identify spaces through combination of four individual senses, that is Vision, Touch, Hearing and Scent. Using such premise, this project explores a speculative form of architecture, where four types of individuals that has only one of each senses, dwell under the same roof, helping each other to successfully make living. The project questions the current mode of architecture dominated by "Vision", and re-imagines a spatial environment where all human senses actively engage in our daily lives. The Mono-Sensory Dwelling as a whole, becomes an Architecture for Human Being. Location: Term: Type: Instructor:

Portfolio by Taku Samejima

Gowanus, Brooklyn, New York January 2020 - April 2020 Individual Studio Miriam Peterson (miriam@pro-arch.com)

7. 5.

Scent

Hearing

le Breeding

cook

lunch

free-time

sales

movies

music

flower observing

DIY

cook

dinner

shower

support

sleep

12.

7. 11.

15.

10. 2.

14.

5. 16.

13. 6. 17.

20ft

SectionAA'(Bottom)&CooperativeItineraryofIndividualSenses(Top) Mono-Sensory Mono-Sensory Dwelling DwellingSpring Fall 2020

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After the invention of Perspective by Brunelleschi, "Vision" has been dominantly used both for constructing and percieving spaces in Architecture. Such monopolization of Vision created spaces that are highly insensitive to other senses, mutually transforming human themselves as a being that are muted to "minor" senses. The project reinvents series of design languages that incorporate crucial factors for initiating such senses (i.e.Air, Steam, Textures, Noise...etc), and constructs an environment that are guided through mutual interacton of these four senses. Portfolio by Taku Samejima

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De-constructing the dominance of "Vision"

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0 LivingSpace

Kitchen

Bathroom

Bedroom

60ft GroundFloorPlan

Mono-Sensory Dwelling Spring 2020

PathofVision PathofTouch PathofScent PathofHearing

Complementary Relationship of Individuals

The dwelling is composed by series of "Trigger moments", where a specific person's activity initiates a certain form of stimulus for other person's senses. Through these continuous nodes of such moments, each individuals construct a complementary relationship with others, allowing all the residents to make daily living as a whole. Thus, each of the senses maintain an equal importance within this dwelling, creating an environment which challenges the current spatial paradigm that are entirely dominated by visionary senses. 33

Portfolio by Taku Samejima

60ft SecondFloorPlan

Mono-Sensory Dwelling Spring 2020

Threshold: Blends and Cracks

The threshold of the complex blends with the surrounding environment through texture, material and vegetation. However, the threshold shows a "cracking moment", such as walls and vegetation eroding into the interior, huge gap generating sounds. These moments of abrupt disjunction in the threshold are the entrances for the specific individuals, helping to identify the entrance through contrast with the surrounding environment and interior. Each of the Architectural thresholds manifest a complex intertwining of various senses, reshaping the spatial configuration that would otherwise be homogenous if vision was the dominant sense.

NEElevation

Portfolio by Taku Samejima

0 LivingSpace

Kitchen

Bathroom

Bedroom

20ft SectionBB'

Mono-Sensory Dwelling Spring 2020

The Soundtrapper

05.

"The Soundtrapper" is a music hall constructed by 4560 equally thin walls, driven by a hypothesis that "Every music halls have 16% of poche ratio compared to the site area". Instead of qualitatively defining the form of the music hall, the project radically expresses this quantitative nature of such typologies, which were identified throughout previous examples. The extraordinary amount of walls resulted in creating an environment where any sort of sound will be decomposed and diffused by continuous reflection, eventually been trapped, lost somewhere in the interior. Location: Term: Type: Instructor:

Portfolio by Taku Samejima

Downtown, New Haven September 2019 - December 2019 Individual Studio Michael Szivos (mszivos@softlabnyc.com)

The Soundtrapper Fall 2019

Music Hall, re-defined by the Poche ratio Series of analysis depicted a common characteristic shared among previous examples of music halls: they all had 16% of poche ratio compared to the site. Building up on this observation, this building was generated by quantitatively dispersing the required area of poche using equally thin panels on the site. The overall form of the building takes a circular shape, which the arrangement of each walls are programmed to be denser on the periphery and sparser on the center. Each walls dissipate the source sound in complete random manner that would be otherwise homogenous in a conventional setting. 16%

16%

Portfolio by Taku Samejima

17%

83%

15%

85%

84%

1. The wall density for Music Programs

1. Gradational arrangement of 4560 walls filled in Site

84%

2. Breaking the density into equal wall panels

2. Solidified agglomeration of walls created at dense zones

3. Create a Gradation of wall arrangement

3. Independent clusters of walls created at sparse es zon

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4. Series of rooms created by wall boundaries

5. Create larger spaces by excavating from dense solidified zones

6. Create Sound Holes that reaches to the exterior The Soundtrapper Fall 2019

Architecture as Phenomenal Mediator

In this building, most of the walls are transparent making them function as a series of invisible mediator of various sounds generated at the hall. While the building is planned through the logic of "Poche", the phenomenal sound turns into the dominant feature of spatial cognition, where the dissipated sound becomes the signifer of particular spaces. The Architecture dissapears in the background by bringing sound to the forefront, which essentially is the purpose of music halls, to let people immerse into the "mystery" of sound. 41

Portfolio by Taku Samejima

The Soundtrapper Fall 2019

Ori-Ori-An < 織折庵 >

06.

"Ori-Ori-An" is a tea-ceremony house entirely made of recycled steel hangers, collected from the local neighborhood. The combination of material flexibility and unique geometry of steel hangers provided an opportunity to create a foldable and feasible unit structure. The tea-ceremony house was made by aggregating series of such units, allowing the structure to be foldable, transportable, but also, light weight. Location: Term: Type: Collaborator:

Award:

Portfolio by Taku Samejima

Flexible/Transportable April 2019 - October 2019 Competition Hiroki Shigemura, Mei Morimoto Muxi Yang, Norimi Kinoshita Shinichi Nishibori, Yuki Mori 3rd Place at Tea-ceremony House Competition

Ori-Ori-An Fall 2019

Hanger and the pattern of "Aya < 綾 >"

The concept of the tea-ceremony house was initially thought of as "Aya", which indicates a Japanese traditional pattern of fabric weaving. Based on this idea, series of studies in choosing the main structural material were conducted on the criteria of both "low-cost" and "light weight". Eventually, we have identified that a used steel hanger shows both flexibility and a certain amount of rigidity despite of its light structure, while showing a beautiful woven pattern when they are aggregated, woven into a structural whole. 45

Portfolio by Taku Samejima

10'

Ori-Ori-An Fall 2019

10'

Foldable and Transportable Structure

By meshing each of the hangers based on the logic of its geometry, a structural unit in the shape of cruciform combined with 8 hangers were identified. The entire structure was then proposed as an aggregation of these base units, loosely clutched with each other by the hook of the hangers. Because of this loose joint, the structure became both foldable and expandable, as well as transportable due to its light weight, achieving a rather ephemeral quality that is essentially an inherited characteristic of Japanese tea-ceremony houses. 47

Portfolio by Taku Samejima

Ori-Ori-An Fall 2019

Border, Plaza, or Pomerium...

07.

"Border, Plaza, or Pomerium" re-imagines the form of borderline between US and Mexico. The exclusive wall constructed by the Trump administration not only divided people, but also separated various animals living on site, causing 93 species to be endangered within 4 years. Responding to this, the project envisions to insert a circular plaza for human beings between the border wall, while reconnecting animal species through an intentionally given gap between the proposed building. The border becomes a reunion space for both human and non-humans. Location: Borderline between Mexico and USA Term: December 2020 Type: Individual Competition Award: 4th Place at 27th Union Design Award Competition Juror: Junya Ishigami

Portfolio by Taku Samejima

Border, Plaza, or Pomerium... Fall 2020

Reconnecting Human and Non-humans

The project is formed by series of architectural objects in a circular form, which each of the objects are given slight gap so that smaller non-human species can trespass freely. The focal point of the circle is a plaza for reunion, encircled by series of programs, including passport center, immigration center, rainwater collection/reservoir and Museum of endangered species. The proposal will be inserted between the current border wall, functioning as a critical node for both human and non-human reconnection. 51

Portfolio by Taku Samejima

A 2. 3. 1.

9. 8. 10.

5. 7.

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2.ImmigrationCenter

7.Bathroom

3.RainwaterReservoir

8.PlazaofReunion

4.MuesumofEndangeredSpecies

9.theUnitedState

5.Short-stayHostel

10.Mexico

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6.Dining

1.PassportCenter

Site&FloorPlan Border, Plaza, or Pomerium... Fall 2020

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Ecological Pomerium: the Future Ruin

The proposed plaza will create a concentration of local biodiversity by acting as a significant node for non-human reunion. Inspired by the Roman idea of "Pomerium" (a stone object that marks the borderline) the plaza will turn into an "Ecological Pomerium" as an anti-thesis to the current border wall that divides every living beings. Hoping that the border will be dismantled within the next 50 years, the project is designed to be a "future ruin", that marks the location of former borderline that should never be forgotten. 53

Portfolio by Taku Samejima

PassportCenter-SectionAA'

10m

WaterReservoir-SectionBB'

Border, Plaza, or Pomerium... Fall 2020

A House for 4 Furnitures

08.

As houses are embodied with more complex and diverse programs, we often overlook the fact that our daily rituals revolve around 4 furnitures: chair, table, bed and toilet. While our houses are increasingly isolated in the absence of communal life, the fundamental rituals we left with are constituted by our domestic routines and habits. Seemingly insignificant furnitures become the world to us, providing us with both physical and psychological means of Home. The project exposes this current paradigm of our domestic lives by proposing a house that revolves around 4 furnitures: chair, table, bed, and toilet. Location: Term: Type: Collaborator: Award:

Portfolio by Taku Samejima

N/A October 2020 Competition Calvin Yang Yue (yang.yue@yale.edu) Director's Choice at Home Competition 2020

A House for 4 Furnitures Fall 2020

FirstFloorPlan

1.Table

2.Toilet

4 furnitures as 4 spatial focal points

The 4 furnitures act as an apparatus of a domestic behavior of working, dining, sleeping, and cleaning respectively. Such rituals are placed at 4 focal points along a continuous circulation loop, nested within tailored spaces for each corresponding performance. A continuous developable surface on the exterior echoes the interior circulation loop, wrapping around the house while delineating the infinite cycle of daily rituals. A House for 4 Furnitures amplifies our essentials and reminds us the monumental importance of our domestic rituals. 57

Portfolio by Taku Samejima

SecondFloorPlan

3.Chair

4.Bed 0

12ft

A House for 4 Furnitures Fall 2020

Takuomi Samejima

Nationality:Japanese takuomisamejima.com taku.samejima@yale.edu (+1)475238

Experience

2021-present 9months

Graduate Teaching Fellow YaleSchoolofArchitecture,NewHaven,USA Instructor:PeterEisenman Classes:FormalAnalysis1&2 Responsibilities:weeklypresentationanddeskcrit,critiqueinweeklyreview requiresfullknowledgeofarchitecturaltheoryfromRenaissancetoPost-Modern

201

Henning Larsen NewYork,USA Position:DesignIntern Projects:ResidentialTower,UniversityCampus Responsibilities:schematicdesign,designdevelopment designstudy,visualization,program/buildingcodeanalysis,3Dmodelling

3months

Kengo Kuma & Associates Tokyo,Japan Position:InternshipfollowedbyPart-timejob Projects:SereneMeditationHouse,JyubakoTrailer,Hotelfacility Responsibilities:facadedesignandstudy,structuraldetailing facade3Dmodelling,structuraldiagramming,detailsection/plandrawings

2019-present

Yale School of Architecture MasterofArchitecture1,3rdyear

2018-9

Keio University Graduate School, Japan MasterofEngineering,ScienceforOpenandEnvironmentalSystems DarkoRadovicLaboratory

2014-8

Keio University, Japan BachelorofEngineering,SystemDesignEngineering DarkoRadovicLaboratory

Education

2017-9 24 months

Awards & Scholarship

2021-present

Paul Katz Fellowship Nomination NominatedfromYaleSchoolofArchitectureforhighacademicstandard

2021-present

Yoshida Scholarship Foundation (YKK) Graduate Study Program ReceivingfinancialsupportforgraduatestudiesatYaleSchoolofArchitecture

2019-present

Fulbright Scholar 2019 ReceivingfinancialsupportforgraduatestudiesatYaleSchoolofArchitecture 27thUnionDesignAwardCompetition(4thPlace) HomeCompetition20(Director'sChoice) Tea-ceremonyHouseCompetition2019(3rdPlace) ArtinSerbiaExhibition"Embassydesignproposal"(GrandPrix) CircosInternationalArchitecturalDesignCompetition(HonorableMention) FukuokaDesignReviewtheBestAcademicWorksinJapan(FinalistTop8) SendaiDesignLeaguetheBestGraduationThesisinJapan(FinalistTop1)

201 20 2019 9201 2018 2018 2018

Publication & Media

Skills

2022-present 1 year

"Situation of Dismantling Architecture in Contemporary Discourse of USA" AIJ(ArchitecturalInstituteofJapan)WebMagazine,"ArchitecturalDebate" 6timesserialpublicationtobeconductedintheyear20 https://medium.com/kenchikutouron

201

"Architecture as Disturbance" AIJ(ArchitecturalInstituteofJapan)MonthlyMagazine,"ArchitecturalMagazine" DeliveredanessayforDecemberissue"IsinnovationpossibleinUrbanCities?" https://www.aij.or.jp/books/categoryId/709/productId/65329/

ProficientinRevit,AutoCAD,MicrosoftOfficeandAdobeCreativeSuite Proficientin3Dmodellingtools,Rhino,Grasshopper,Maya,ZBrush Experienceinbothstructuralengineeringandsustainabledesign Proficientinhandcraftingandphysicalmodelmaking Experienceinorganizingexhibitions,publicationsandteammanagement FluentinJapaneseandEnglish

Thank you f or your c onsideration of my ap plic at ion.

TAKUOMI SAMEJIMA 3 rd Year M. Arch1 , Yale School of Architecture