Casino, Hotel & Restaurant Projects:
Showboat Casino Atlantic City Casino / Restaurant Atlantic City
Ground Floor– 2,500 sq. ft.
Owner : Harrah’s Entertainment, Inc.
Publication: Various News papers ’ TV ADS Open : March 2006
Scope of Work: Concept Development / Interior Design / Art works / Antiques / Graphic Design / Millwork Fabrication Management
Caesars Casino Atlantic City Casino / Restaurant
Atlantic City, Casino Floor 9,500 sq. ft.
Owner : Harrah’s Entertainment, Inc.
Scope of Work: Concept Development / Interior Design / Art works / Antiques /Graphic Design / Millwork Fabrication Management
Bally's Casino Atlantic City Casino / Restaurant Atlantic City
Casino Floor– 6,000 sq. ft.
Owner : Harrah’s Entertainment, Inc.
Scope of Work: Concept Development / Design Administration / Art works / Antiques /Graphic Design / Millwork Fabrication Management
Horse Shoe Hammond Casino - Asian Gaming Pit / Noodle bar
Casino / Restaurant Hammond, Indiana, Casino Floor 15,000 sq. ft.
Owner : Horse Shoe Hammond Casino, IL Design Administration / Art works / Antiques / Graphic Design / Millwork Fabrication Management
S. Lake Tahoe Harrah's Casino Hotel - Gi Fu Loh Chinese Restaurant
Restaurant S. Lake Tahoe, NV, 4,000 sq. ft.
Owner : Harrah‘s South Lake Tahoe Casino and Hotel, NV
Concept Development / Interior Design / Art works / Antiques / Graphic Design
Biloxi Grand Casino Asian Gaming Pit / Noodle bar
Casino / Restaurant Biloxi Mississippi, 2,500 sq. ft.
Owner : Biloxi Grand Casino and Hotel
Scope of Work: Concept Development / Interior Design / Art works / Antiques / Graphic Design / Millwork Fabrication Management
St. Louis Harrah’s Asian Gaming Pit / Noodle bar
Casino / Restaurant St. Louis, 5,500 sq. ft.
Owner : St. Louis Harrah’s Casino and Hotel
Scope of Work: Concept Development / Interior Design / Art works / Antiques / Graphic Design Millwork Fabrication Management
River Rock Casino Hi End Gaming Pit / Private Lounge / Restaurant
Casino / Restaurant Vancouver BC, Canada, 15,500 sq. ft.
Owner : Canadian Gaming Corp.
Scope of Work: Concept Development / Interior Design / Art works / Antiques / Graphic Design Millwork Fabrication / Millwork installation
Louisville Horseshoe Casino / Noodle Bar
Casino / Restaurant Louisville KT, 659 sq. ft.
Owner : Caesars
Scope of Work: Concept Development / Interior Design / Art works / Antiques / Graphic Design / Custom Millwork Fabrication / Millwork installation / 2 hour music video for projector
Foxwood Casino
Hi Limit Foxwood CT, 950 sq. ft.
Owner : Foxwood
Scope of Work: Concept Development / Interior Design / Art works / Antiques / Graphic Design / Custom Millwork Fabrication / Millwork installation
Casino, Hotel & Restaurant Projects: (Continue)
Great Cedar Hotel lobby renovation
Hotel Lobby Foxwood CT, 10,000 sq. ft.
Owner : Collaboration:FoxwoodMaier Design Group LLC
Scope of Work: Concept Development / Interior Design / Art works
Great Cedar Casino Entry renovation
Casino entry Foxwood CT, 5,000 sq. ft.
Owner : Collaboration:FoxwoodMaier Design Group LLC
Scope of Work: Concept Development / Interior Design / Art works
Fox tower hotel room renovation
823 Hotel rooms– Foxwood CT, 23 floors.
Owner : Collaboration:FoxwoodMaier Design Group LLC
Scope of Work: Concept Development / Interior Design / Art works /
Antiques / Graphic Design / Custom Millwork Fabrication / Millwork installation
Horseshoe Casino Cincinnati
Hi Limit Cincinnati OH, 950 sq. ft.
Owner : Caesars
Scope of Work: Concept Development / Interior Design / Art works /
Antiques / Graphic Design / Custom Millwork Fabrication / Millwork installation
Horseshoe Casino Baltimore
Casino / Restaurant Baltimore MD, 10000 sq. ft.
Owner : Caesars
Scope of Work: Concept Development / Interior Design / Art works / Antiques / Graphic Design / Custom Millwork Fabrication / Millwork installation
Harrah’s Casino North Kansas City
Casino / Restaurant Kansas City, IN 989 sq. ft.
Owner : Caesars
Scope of Work: Concept Development / Interior Design / Art works / Antiques / Graphic Design / Custom Millwork Fabrication / Millwork installation
Horseshoe Casino Lake Charles
Restaurant Lake Charles, LA 1,500 sq. ft.
Owner : Caesars
Scope of Work: Concept Development / Interior Design / Art works /
Antiques / Graphic Design / Custom Millwork Fabrication / Millwork installation
Hawthorne Race Course & Casino
Casino / Restaurant Chicago, IN 7,500 sq. ft.
Owner : Hawthorne Race Course & Casino
Scope of Work: Concept Development / Interior Design / Art works /
Antiques / Graphic Design / Custom Millwork Fabrication / Millwork installation
Back ground:
Design concept is introducing Chinese arts and culture through the sister city of Cincinnati. This town Liuzhou Guangzhou, China site on the bank of river and the shape of river and geographical location of these two town is very similar to each other.
Cincinnati has very little Asian population historically and I thought this is great opportunity to introduce beauty of Chinese culture and arts through its sister city’s crafts and folk tales. Liuzhou town is known for their wood and stone carving, unique selections of precious stones, silver and timber.
Liuzhou, Guangxi China. The Liuzhou city was founded in 111 BC, the Tang dynasty the city was changed to Longcheng or "Dragon City"' This name is variously ascribed to the river resembling a dragon curled around the city or to a legend in which says that during the Northern and Southern Dynasties (420 589), eight dragons emerged from the Liujiang River. Liuzhou town is known for their wood and stone carving, unique selections of precious stones, silver and timber.
Façade:
To keep unity with Hi limit design, Molding frames, materials and shapes / size / heights are same kept original.
Within the Hi limit frame and border, At center over head, hand carved wood panels of antique map of Liuzhou town with accent of stone to accentuate the caving.
Center circle display holding by two jade stone ball and a pair of dragon carp.
Interior walls:
Hand carved sand stone on honey cone aluminum panel. Caved panels are in white, just caving into sand stone. Over head recessed track lights are located to cast shades and shadows of carving to reveal design.
Caving panels are surrounded by antiqued finished wood molding and lattice work as frame of the caring art panels. Each section, over head transom lattices are also caved images of people and life of old days.
Each panel depicted folk tales from the town of Liuzhou, making one story.
Main display cabinet:
Museum display shelving design is based on classical Guangxi wall shelving. Antiqued lacquered finish with protective safety glass doors. (Please see attached photo from Showboat Atlantic city Asian pit)
Back wall are upholstered with silk like fabric, with cascading LED strip light to glow the fabric behind shelving and artifacts.
Artifacts are from Guangxi area to introduce the sister city of Cincinnati. All replica of arts and statue in similar colors / material. Such as in Jade, silver or lacquered wood.
Ceiling:
In the center of the space, fan shaped ceiling with painting (fan shaped drywall ceiling with Gold leaf / patina paint wall paper).
Antiqued lacquered finished aluminum ceiling molding with upper LED strip light to frame ceiling design.
All three side of ceiling to have recessed track lights casting light to art and display.
Three pendant lights:
Design: Eight globe light surrounding one large globe representing the sun and eight planets of solar system. White globes with blackened steel frame. (Please see attached draft 3D rendering)
Three functions in one pendant, 1 ambient lighting, 2 eight adjustable table lights, security camera
Façade:
At top of façade, a display of hand carved wooden replica of Tang Dynasty map of Liuzhou. Center circle display shelf, supported by a pair jade stone ball and dragon carp.
Proposed Façade design
Façade: Map
Hand Carved map of Liuzhou with inlayed Mother of Pearl at Liujiang river. Center circle display is made from hand carved solid Burmese Teak wood, supported by a pair of solid jade stone ball and solid Teak wood dragon
Tang Dynasty map of Liuzhou
Hand Carved Carp-Dragon
Hand Carved Antique Map of display
3” Thick Sand stone panels were cut from Quarry in Guangdong, Hand carved by Master stone carver from Liuzhou. depicting an antiquity city life with river based on folk tale from town of Liuzhou. Overhead recessed track lights are located to cast shades and shadows of carving to reveal carved design. Caving panels are surrounded by antiqued finished wood molding and lattice work to frame the panels. Above each Sandstone panel, transom lattices are caved in images of town people and life of old days.
Stone carving wall panel production
Sand Stone blocks Sand Stone block to slab
Sand Stone slab rough cut
Sand Stone slabs
Stone carving by Master stone carver artists
3” Thick Sand stone panels were hand carved by Master stone carver from Liuzhou. Carving images are based on “The Prosperous Suzhou” by Xu Yang (1712-1777 AD). Original scroll was commission by Emperor Qianlong (1711-1799) after his first southern inspection tour (1751). It took several years to complete this master piece total of 12 meter (approx. 40 feet) long scroll. The scroll is packed with details include over 4800 figures and 2,000 architectural structures. Carving starts at right side of room as river runs towards city to left side room, with large museum display of artifacts acquired from the city of Liuzhou.
Main display cabinet:
A museum display shelving design is based on classical Guangxi style wall shelving in antiqued lacquered finish with protective tempered glass doors.
Display of folk arts and artifacts from the city of Liuzhou to introduce the sister city of Cincinnati. Such as stone wares, ceramic wares, and wood wares from daily life of Liuzhou. Baskets, wood wares and fish baskets were acquired from local fisherman and farmer. Ceremonial dresses are purchased through curator of Liuzhou museum.
Display Artifacts
Ceiling:
Fan shaped ceiling with painting at the center of Asian gaming pit is based on “Fish swimming amid falling flowers” the hand scroll by Liu Cai (1075) gift to St. Louis by Chinese government.
Guangxi artist hand painted on silk. To study his version of this painting and the carp, the artist purchased a Carp fish from a fish market. After he completed his art, he told us that he cooked his carp for the completion dinner party.
Pendant light:
Three pendant lights are located over each tables. Eight small globe lights surround Central large globe, representing the sun and eight planets of solar system.
Three functions in one pendant fixture, 1 ambient lighting, 2 eight adjustable table lights, 3 security camera
Transom panels:
Every and each the transom panels are uniquely hand carved by Liuzhou wood carving artists. Artist depicted designs from antique books and paintings of life in Liuzhou.
At the center of pit back wall, one can find the Liuzhou’s famous Chengyang (程陽橋) Bridge.
Teamwork across the ocean: the hands of artist, from Liuzhou to Cincinnati.
Every pieces of artworks, wood works, furniture are carefully crated and shipped in several containers. Traveling across the ocean from Hong Kong to LA, then onto train across USA to Cincinnati. Every inches of spaces are carefully coordinated and prepared by Cincinnati team. All works of arts are meticulously installed by Cincinnati local artists and crafts men.
Project Details
Design and construction period: 4 Months (2004 November 2005 February)
o Total (Include kitchen, dining, gaming & restroom): 4,000 Sq.ft.
o Gaming area: 3,000sq.ft .
o Number of table, types of table, each type of table chair number: 18 tables (17 small tables with 7 chairs and 1 large table with 14 chairs )
o Noodle bar (Include kitchen) Area: 1,000 Sq.ft.
o Dining area and number of chair: 500 Sq.ft. (16 chairs for counter, and 16 seats for table)
o Kitchen area: 500sq.ft.
o Restroom: 200sq.ft. (Unisex)
Concept
Our vision of the Chinese themed gaming and dining area was inspired from various literature and photos of the classical eras of Chinese Ourhistory.focus has been on the middle to upper class residences and palaces found during the Song and Ming dynasties. The Showboat collection is derived from various well known Asian scholars and collector, as the 3 main countries represented in this collection include Korea, Japan, and China.
Feng Shui
The dimensioning of all structures, lattice and icons are in multiples of lucky Chinese numbers 3, 5, 6, 8, 9, which can be divided by other numbers and leave no remainders.
In the center of façade, the water cascade from the rising dragon’s mouth is made of a white jade fountain for good fortune, as a wood carved dragon rises with a 30-inch diameter central column. The dragon’s eyes are intentionally set higher than the game players’ eye level for good luck, and the corner brackets of each beam and column depict a scene of “Carp to dragon”, as an image from the folk tale of the carp rising above the dragon gate water fall.
Production Background
Each piece of the massive facade is hand carved and hand stained in a rich finish on over century old timber which took a hundred artisans under one Master carpenter in Canton China, taking a hundred days to complete. The distinct central fountain located next to the entryway is carved out from solid white jade stone. Working three shifts a day, the entire team in China dedicated themselves wholly to this project so that not only would it be ready for the grand opening, but moreover, the deep history of China may be represented through this one of a kind masterpiece. At completion, the entire facade and fountains were transported by air to its new home.
Massive Masterpiece
The main and most valuable piece of this collection is an entirely original Korean 10 panel screen from the Chosun Dynasty (1392 1910). This massive piece measures close to 14 ft in length and dates from the early 1800's. The screen depicts the royal lifestyle through a continuous image of a palace scene. Natural mineral pigments (tang-chae) are painted on a silk canvas. The vibrant colors and the provenance of this historical treasure create the setting for the other 50 plus items that are also on display.
Valuable Collections
Also included in this collection are rare pottery from China and Korea, bronze dragons from China, 150 year old original manuscripts, an original Japanese Koto (stringed instrument), and more museum quality paintings all from the 18th and 19th century just to name a few. For viewing ease, the entire collection has been made available throughout the fifteen museum specification cabinets that line the walls at this new gaming area.
Project Details
Design and construction period: 11 Months (2005 August – 2006 July)
o Total (Include kitchen, dining, gaming & restroom): 9,500 Sq.ft.
o Gaming area: 6,500 Sq.ft.
o Number of table, types of table, each type of table chair number 20 table + 2 BACC. + Slot pit (20 small tables with 6 chairs, 2 BACC. table with 14 chairs, and 22 chairs for slot pit. )
o Total sq.ft. of noodle bar (Include kitchen): 3,000 Sq.ft.
o Dining area: 1,800 Sq.ft. 23 seats
o Number of chair (If counter and table, separate number): for counter, and 47 seats for table (2 Bar counter and 16 tables)
o Kitchen area: 1,200 Sq.ft.
Concept
To ensure wider audiences, the concept of Caesars Atlantic City Asian Gaming Pit was combined multiple Asian philosophies such as Taoism, Feng Shui (Wind and water), Pa Kua (Octagon), I Ching (from Book of Changes), and Yin and Yang (Two Opposing forces) to determine parts of its design and choices of material placement.
Design
Overall design is the grand palace like atmosphere with historically-inspired elements such as the lattice works and the motif of Korean roofing tile design from the centuries ago.
The entire space was designed to influence players’ luck by the iconography, the direction, and the placement of elements, so one could find most lucky seating with in the Asian gaming pit. Every second and minute of the day, the player can find his or her lucky seating by finding the harmonious elements to one’s birthday, by the location of birth, by one’s name, and etc. All direction, the placement of Iconography, and the locations of materials are chosen and based on those philosophies to bring good luck and fortune for the players. The all-faced column is decorated with the symbols of I Ching in Patina Bronze embedded with the Esmeraldo Onyx stone. It stands tall and bold as if it is enclosed in a strong wave of fire, based on the principals of good fortune. Asian wooden capital blocks holding massive beams span between the I Ching columns and classical roofing above.
The center of each roofing structure, embossed on the octagonal ceiling panel is decorated with the 24 Karat gold leafing. On the side wall, the massive 84 ft. long hand carved wood relief is designed from the image of cranes, pine trees, far mountains, and river leading from water fall to the ocean in gold leaf.
Noodle Bar
The noodle bar is designed in a modern setting with complimenting colors and materials from the Asian gaming area. The same Patina bronze, wood, and stone are used throughout the dining area. The seating is situated in a unique arrangement along curves and crooked lines, visually appealing for customers.
Project Details
Design and construction period: 4 Months (2005 November 2006 February)
o Total (Include kitchen, dining, gaming & restroom): 6,000 Sq.ft.
o Gaming area: 2,500 Sq.ft.
o Number of table, types of table, each type of table chair number 11 tables (6 small tables with 7 chairs and 5 large table with 9 chairs )
o Total sq.ft. of noodle bar (Include kitchen) 3,500 Sq.ft.
o Dining area sq.ft. and number of chair (If counter and table, separate number) 1,500 Sq.ft. / 23 seats for counter, and 40 seats for table (1 Bar counter and 16 tables)
o Kitchen area: 2,000 Sq.ft.
Concept
In our design concept for the Bally’s Atlantic City Asian Gaming Pit, we explored and presented the co existence of opposing ideas, such as a linear shape as opposed to a curved shape, front to back, concealed to revealed, light to dark, and Western as opposed to Eastern designs.
Shape & Color
In the gaming area we created a contrast between linear façade panels as opposed to the curvy ceiling tiles, creating geometric rhythms and a sound diffusing effect. The golden vertical light channels hangs out from each open lattice and noodle bar, slanted at an angle and creating an inviting effect towards the occupying space. The vertical light channel behind the rice paper creates a silhouette of Chinese vines with wrought iron, where the light glows from the gold leafed panels over a silver leafed soffit.
Revealed/Concealed & Light/Dark
The façade has six open lattices and columns that create the visual separation without enclosing the area. The openings at the Noodle bar provide the view from both sides by using 3 dimensional wood block lattice while creating a separation and sound attenuation for each
Thespace.classical
Chinese capital block is modified as the wall sconce, illuminating perimeter of the room. At the rear side, the wall has the recessed displays of gold leafed and lacquered seasonal Asian flower. The lighting from the noodle bar channel blocks creates a dramatic effect of halo light above, with a cast of shade underneath to make the noodle bar stand out from its surroundings.
Material
The material choices were inspired by “Wabi Sabi” (Wabi suggests rustic simplicity, as a symbol of freshness or quietness. Sabi is beauty or serenity that comes with age). As for design and materials, walnut simulated random size flooring is used, and the walls are decorated with nine feet tall natural shaped wood planks floating over the classic Asian straw stucco. The pastries are displayed in the random shaped raw steel boxes on the wood plank wall panels.
Dining Area & Noodle Bar (百楽宫) Bai Le Gong
At the dining area, the communal table is a wood slab over 10 ft long, with natural edges and butterfly joints. Artistic lighting fixtures hang over the table, replicating an image of a rice straw. The wall behind the communal table and an adjoining wall have Asian rice wine display cases. Each display represents various Asian countries and its regional wines and artifacts. The entrance for the dining room combines a vertical alignment of bamboo crossing with horizontally aligned pieces to create an impactful entry.
At the Noodle bar, or “Bai Le Gong” (百楽宫), the façade has chest height lattice hand-railing similar to the Classical Chinese garden railings behind a bench seating. It functions as a separation between the general gaming area and the noodle bar. Series of tall rattan woven columns inspired by south Asian shrimp Crab fishing basket illuminate and indicate the fresh seafood at the noodle bar.
Concept
Our main focus was to maximize the limited work space and its serving capacity while creating the traditional Chinese market façade setting.
Concept: Façade of Traditional Market
Main focus was to use limited space to maximize work space, servicing capacity, while creating setting of Traditional Chinese Market Façade.
The flow of the counter as the buffet tables was in our mind when we design this challenging space. The menus are located at behind and in front of POS station to eliminate the possibility of confusion where to order. By walking along cooking line, customer can interact with the chief to request special order to their dishes. The pick up station is located at the other end of the counter.
Design
The background design consists of a Chinese rooftop effect that extends out from the wall, creating a welcoming atmosphere for the customer. The cabinet doors are made to appear as Chinese blinds. With the distinct combination of bold red and golden colors with green roofing, it can be easily recognized by customers.
The restaurant features an open kitchen that utilizes state-of-the-art equipment and woks, allowing customers to catch a glimpse of their meal as it is being prepared.
By walking along a cooking line, customers can also interact with the chefs to request special order to their dishes. In order to eliminate confusion, the menus are located at behind and in front of POS station so that customers know exactly where to order.
Project Details
Design and construction period: 3 Months (2007 July 2007 October)
Total Area: 700 sq.
Project Details
Design and construction period: 6 Months (2006 December – 2007 June)
o Total (Include kitchen) : 6,500 Sq.ft.
o Dining area: 4,500 Sq.ft.
o Number of chair (If counter and table, separate number): 19 seats for Bar area, 49 seats and 5 booths for Dining area (2 Bar counter and 14 tables)
o Kitchen area: 2,000 Sq.ft.
Concept
The design concept is based on good luck using principles of Feng Shui principals.
Design
Our design goal was to take the limited space, which contained several columns and duct risers, and take advantage of them by creating interesting paths and lighting elements in the space.
Firstly we created a new entrance towards the space in the elevator lobby at the dead end wall. Secondly, from the study of water behavior, we utilized existing obstacles to create narrow paths for the corridor for faster movement, and widen the seating areas for slowing down movement.
Feng Shui
All elements were placed based on Feng Shui, including a large fish tank, water cascade, copper panels, stone flooring and backlit columns. Each of the display artifacts were collected from various places in China and had them air shipped to the jobsite.
Design
One main feature of the 5,000 sq ft restaurant, which can be found on the floor of the entryway, is a 60 sq ft circle shaped mosaic medallion featuring a large dragon design. The medallion, which features a variety of material including marble, Murano glass and 24 karat White Gold, was handcrafted by SICIS' mosaic artists in Italy.
The floor tile surrounding the mosaic medallion is comprised of Palais Pierre Azur. Furthermore, the reception desk tops were fabricated from slabs of Azul Bahia granite.
In addition to the mosaic medallion, Sicis also supplied glass mosaics for ceiling lighting pendants and illuminated columns, ceiling panels and ceiling canopies. Using Sicis' transparent Glimmer and Water glass mosaics with a hint of opaque Murano Smalto, the ceiling pendants were artistically produced to resemble the radiance of the sun.
There are two illuminated columns in the restaurant. One was produced to resemble fire and flames, and features Neoglass Domes in gradation of color from light to dark. The other was produced in a blue rendition of a traditional Chinese character, in a gradation of color light to dark, using transparent blue glass mosaic colors from the Glimmer, Water glass and Iridium series.
Project Details
Design and construction period: 4 Months (2007 June – 2007 October)
o Total (Include kitchen, dining, gaming & restroom): 2,500 Sq.ft.
o Gaming area: 1,500 Sq.ft.
o Number of table, types of table, each type of table chair number 6 tables (3 small tables with 7 chairs and 3 large table with 9 chairs )
o Total of noodle bar (Include kitchen): 1,000 Sq.ft.
o Dining area: 500 Sq.ft.
o Number of chair (If counter and table, separate number): 24 seats
o Kitchen area: 500 Sq.ft.
Concept
The overall design concept is based on aspects of good luck for the customers, using principles of Feng Shui and Chinese fortune methodologies.
Feng Shui
The entire space is designed and divided by lucky Chinese numbers such as 3, 5, 6, 8, 9 and its multiples, which can be divided with other numbers and providing no remainders. The concepts of Feng Shui are displayed in: Vertical lighted columns which were constructed with 6 inch openings and with 3 inch frames at the height, for a total sum of 9ft 9 inches.
In the 6ft diameter of the Dragon and Phoenix display, the Dragon gives the power and strength while the Phoenix gives rebirth of the entire area.
A division of numbers is used in gold etching lines of the green marble stones at the façade as a symbol of good fortune.
The 8 sided polygon shape in the pit simulates a large turtle, as if it is settling in this new Grand Biloxi Asian Gaming pit for the next thousand years. In Asian cultures, the turtles are believed to live a thousand years as a sign of longevity.
At the center of the gaming room, 18 hexagon shaped translucent tiles also show images of the beginning of universe, Nebulas. The Artist painted and created each tile by hand.
A series of glass panels are designed with the etched Vietnamese’s own longevity sign, which is similar to but different from its Chinese counterpart (12 inches wide, 9ft 9 inches tall). Entries to the pit are deliberately placed on the East and South for welcoming good fortune. South-West walls are decorated with etched glass to filter in luck, and North East walls are sanded to maintain positive energy. Game tables are designed with fish, representing growth of fortune each year, and playful children which represents good luck. The Large wooden medallion shows the Longevity of all Biloxi area.
The carpet design originates from multiple dynasty treasure stamps of Ancient China. The colors chosen relate to positive energy and
Eachpower.face of the noodle bar is decorated with genuine green jade stone as a symbol for health.
In Asian Cultures, bamboo is believed as the source of life and Vietnamese has a good old folk-tale about a happy marriage between a famer and a rich girl with a bamboo tree of one hundred sections.
Project Details
Design and construction period: 2 Years 7 Months (2006 January 2008 August)
o Total area (Include kitchen, dining, gaming & restroom): 7,500 Sq.ft.
o Gaming area: 6,000 Sq.ft.
o Number of table, types of table, each type of table chair number 23 tables (10 small tables with 7 chairs, 12 middle tables with 8 chairs and 1 large table with 14 chairs )
o Total of noodle bar (Include kitchen) 1,000 Sq.ft.
o Dining area: 600 Sq.ft.
o Number of chair (If counter and table, separate number): 15 chairs for counter, and 16 seats for table (1 Bar counter and 8 tables)
o Kitchen area: 400 Sq.ft.
o Restroom for men / women 700 Sq.ft. (300Sq.ft. for men and 400 Sq. ft. for women)
Concept
The “Asian Gaming Pit” was inspired from the concept of the ancient Chinese Silk Road. Connecting various countries from China to the Mediterranean Sea, knowledge and wealth were exchanged between these routes for centuries. In order to host the international travelers and merchants, major ports and trading cities (like Hong Kong, Guangzhou, and Shanghai) developed larger hotels. The hotel accommodations also offered food, entertainment, and served as community center.
We envisioned a similar aspect for the Casino, facing the challenges of simultaneously implementing the security installations and lighting fixtures together, while keeping the grand scale of the high ceiling and concept of the Beijing Forbidden Palace.
Design
All design elements were combined together in harmony with the lighting effects to arouse a glamorous royal experience of the Chinese Forbidden Palace.
The simulated mezzanine (12 ft above floor) is to create an illusion of a second floor like hotel suites and rooms with a hallway around the main hall. At the mezzanine wall, wooden lattices with mirrors simulate windows and reflect the high ceiling (20 ft above floor) to create an illusion of a continuous ceiling beyond the wall.
Columns were hidden using these hand carved wooden panels, uniquely resembling different scenes from the ancient Chinese village lifestyle, as each panel tells a unique story and are custom made individually.
The ceiling grid design is inspired from various historical palaces in China (possibly the first drop ceiling system similar to Armstrong acoustical ceiling), and each tile is decorated with a Dragon and Phoenix in antique gold as a symbol of power and fortune. Wooden frames are used to hide upper light so that they glow from the ceiling tiles, and all carpets are designed from classic images of a Chinese horse, gold fish, crane, flowers, and palace in the view from the sky above the cloud, making customers feel like the palace is in the sky.
Main Gaming Pit
The concept of the main gaming pit, or “Le Cheng” (楽城), comes from large classical Chinese hotels and restaurants and from the time of the horse carriage on the Silk Road.
As a customer enters the main gaming area, they are greeted by a huge display of the water cascade on the beautiful etched art glass work, neatly embedded in the classic rose wood stained cabinet.
At the main hall of the Asian Gaming Pit, twenty eight pairs of over 9 ft tall lattice doors open to the customer, and wooden wall panels with lattice surrounds the main hall with displays of various scroll paintings.
Between the wall panels which are 6 ft apart, the classic Chinese columns and the capitals holds wooden beams and the mezzanine above.
Semi Private Room
The ceiling is decorated with rose wood stained wood trim and Asian Stucco (warm beige), and creates an eight directional star that signifies a universe with central dragon sculpture. The center wall of this room displays one special glass etched artifact, and the carpet has a patina green back ground and has the same design theme as the Main gaming floor.
At the most northern part of the area, the octagonal shaped room is based on fundamental philosophical concept in ancient China, Baqua (EIGHT SYMBOLS). It is generally represented with an octagonal diagram with one trigram on each side, as seen in Taoism, I Ching, Fenshui, etc.
Private Room
These two special rooms inspire to the customer as if one was invited into the most private library, study, or cigar room within the classic Chinese palace. Each room has a theme that relates to the name of the room displaying art works, such as "dragon (春風 Chun Feng) and phoenix (得意 De Yi),” or "Sun and Moon”. All wood are Rose wood stained, and have hand carved columns, wood paneling and lattice
Thescreens.ceiling
has wood trim and Asian Stucco (warm beige) with all hidden cascading light. One side of the wall has Chinese terracotta tiles (warm gray) that you see in beautiful old houses. It is ceiling is treated with wood trim that points all Baqua’s eight directions with central dragon sculpture.
The entry door is extra large at 36-inch x 9 ft tall and is hand carved with a classic rose pattern lattice, just enough to create a "peek-a-boo". One side of wall will have silk-like wall coverings between the classical columns to soften the light and sound. The seating area depicts the old style pagoda room for the extra comfort and privacy, extra wide wooden seating with silk cushions, and personal tables for each customer.
Noodle Bar 福 Foo
The noodle bar, or “Foo” (福), is furnished with the same elegant rose wood stained wood material as the Asian gaming rooms. This spacious area contains Chinese artifacts hanging on the walls. The high 5-sided lattice above the bar counter is layered in two parts, slanted at an angle. The center each lattice façade also holds hand-carved artifacts.
Light Fixtures
The pendant fixture embodies a security camera for video surveillance, enclosed in a golden bubble dome mount at the center, as it subtly monitors each one of the game tables below.
Just like the lantern shade used in the Beijing Forbidden Palace, the structure has laser cut aluminum plates applied with anodized paint, and the rice-paper effect was brought through the translucent fire-rated Lexan sheets to ease the weight and improve stability.
Hanging from the high ceiling 20 ft above, each of the sixteen 3 ft pendant fixtures (and one large 6 ft fixture) were custom-made and emphasizes the grand scale effect of the Beijing Forbidden Palace while preventing light to spread to other areas than it was intended for. Durable and energy saving LED spot lights are installed in all lanterns; six for each pendant fixture and sixty-eight are applied on tin plates fixed up on the ceiling. LED light strips are installed hidden above the ceiling grid to create a halo effect on these ceiling tiles.
Feng Shui
Lighting and design principles were determined by an octagonal formation in accordance with the Chinese fundamental philosophical concept of Feng Shui, based on the principle of Baqua with 8sectors in ancient China.
The purpose of its practice is to identify the human built environment and the positive or negative life force, determining the suitable location for each element.
The ceiling is treated with wood trim that points to all Baqua’s 8 directions with a central dragon light sculpture, while the sixteen smaller pendant fixtures come in multiples of eight, all acting as a symbol of longevity and ancient wisdom with the intent to inspire luck.
Color
Specific carpet colors schemes are selected for each gaming area.
Main gaming pit - Wine Red (for excitement)
Private room - Navy (for dignity)
Semi private room - Patina Green (for wealth)
Material
All wood are Rose wood stained (simulated to have look of rose wood). Columns and capitals are from classic era of Chinese architecture. All wood within the Asian gaming and noodle bar are made with rich rose wood color.
All lighting fixtures were assembled with sturdy reclaimed wood from Chinese historic houses and palaces, originally demolished for new development projects.
Asian Gaming Pit Entrance and Water Feature
General Gaming Area
General Gaming Area and Game Tables
Semi-private Room
Noodle Bar
Noodle Bar
Project Details
Design and construction period: 10 Months (2009 February 2009 October)
o Total (Include kitchen, dining, gaming & restroom): 2,700 Sq.ft.
o Gaming area: 2,000 Sq.ft.
o Number of table, types of table, each type of table chair number 8 tables (4 BJ. tables with 6 chairs and 4 BAC. table with 8 chairs )
o Total of noodle bar (Include kitchen): 700 Sq.ft.
o Dining area: 350 Sq.ft.
o Number of chair (If counter and table, separate number): 11 seats for counter, 4 seats for table (1 Bar counter and 2 tables)
o Kitchen area: 350 Sq.ft.
Concept
The overall design concept is based on aspects of wellness and longevity for the customers, using principles of Feng Shui and Chinese fortune methodologies.
Gaming room
All made from Bamboo (pressurized solid bamboo plywood) or bamboo simulated product (Bamboo inlayed plexi glass, bamboo simulated plastic laminate for game table).
Using a Green product (Bamboo)
Ceiling are 24-inch x 24-inch bamboo simulated resin coffer ceiling with embossed copper ceiling and LED upper lights on all four side, with back lit bamboo lattice grid.
Carpet is green-tea green (or spring bamboo leaf green)
Game tables are fished with black bamboo plastic laminate
Façade
30-inch x 30-inch Bamboo octagon columns at both end of gaming façade with 30-inch x 30-inch horizontal archway supported by 4 lighted bamboo columns.
RGB LED light glows bamboo lattice grills and bamboo inlayed Plexiglas from inside of columns and archway.
Noodle bar
Flooring are ceramic tile, wide plank of simulated bleached wood flooring
Chairs are brass bamboo simulated chair with green tea upholstery.
Upper soffit and die wall of bar counter will be laminated with vertical bamboo inlayed plexi glass on ¾” S.S. Stem.
Façade of Noodle bar will be decorated with Chinese terracotta tiles from floor to ceiling.
Feng Shui
The dimensions and measurements of each space apply Chinese lucky numbers of 3, 5, 6, 8, 9 and its multiples, and are divisible with other numbers bringing no remainders. The handmade bamboo lattice grills are made from the number 3, while ceiling grids are made in multiples of 6, 12, 24, 48, 72, 96, or 120, and so forth. All lighting columns are placed 8 ft apart and are 24 inch wide. The back wall center artwork consists of 9 dragons each with a different colored Jade stone, and placement is based on 8 magnetic directions based on the concept of I-Ching (North: Black, North East: Green, East Green, South East: Purple, South: Red, South West: Pink, West: white, North west: Gray and center: Yellow). Other Feng Shui elements are:
Using 3 form Plexiglas with purple flowers at four corners of the pit.
Back wall center artwork containing 9 dragons.
Small fish tank with 12 gold fish with 2 stone figures at back corner near High Limit Metal elements at the right corner of the pit
Above metal elements 5 figures art work
Brass Chinese coin at edge of noodle bar counter
Some vegetation on top of counter at both ends
Longevity
Circular logos throughout the space are called “Sign of Longevity” and symbolize the Chinese character of Shou (long life). For St. Louis, the Vietnamese presidential palace longevity sign is used for back wall containing three large carvings and brass medallions, and the Chinese longevity sign is applied on the carpet.
Material
As a symbol of longevity, bamboo is used over many areas for its strength and growth. The gaming room consists of many bamboo parts, also reflected on the carpet coloring and for the game table finish. The ceiling is a 24” x 24” bamboo simulated resin coffer and have LED upper lights on all four sides, with a back lit bamboo lattice grid. Bamboo is also incorporated into the noodle bar on the chairs and the upper soffit and die wall of the bar counter. Entire pit’s wood products are made from Bamboo, harvested in Hangzhou China during early summer in the year of its construction.
Color
Façade Octagon columns are illuminated with RGB (Color changing) LED lighting, programmed in 12 preset colors for special occasions and seasons. The colors are programmed by season and will change very slowly.
For Seasons: Shade of blue in summer Shade of orange in autumn Shade of red in winter Shade of green in spring
For Holidays: Chinese New Year (Red, Yellow, and purple) July 4th (Red, white and blue)
Gaming Area
Gaming Area
Noodle Bar
The SI Horseshoe Asian Gaming Pit Design Concept
Space:
1. 4th deck high limit / diamond lounge area
2. 659 sq.ft. 22’-10” x 28’-10” CH (ceiling height)= 8’-0”
3. Existing Diamond lounge
4. Connection at 22’ 10” one side wall
Design:
Reused:
1. Existing ceiling tiles (repaint)
2. Existing light fixtures (Relocated and added 4 fixtures)
3. Existing Surveillance Camera (Relocated and added 4 cameras)
4. Existing Air supply duct (Reconnected to new location)
5. Existing Fire suppression system (Relocated to new location)
6. Existing house speakers for announcements (Relocated to new location)
1. Based on classic Chinese design elements commonly used though out Asian countries, we want to connect culture through architectural elements and forms. From the time of the Silk Road trading, many of the design, symbols, philosophy, folk tales and beliefs found in Asian cultures were influenced by trading countries such as India, early central and eastern Asia/Europe, Portugal, Greece, and the Roman Empire.
2. By changing the projected image and sound from the shadow box, our hope is that the space will transform its feel and design to, not only an Asian aesthetic but, a reflection of many cultures.
Room:
Shape: By adding 4 corner triangle display cabinets, Rectangular shape was transformed to octagon shape (Baqua 8 corners, 8 magnetic directions, lucky number)
Color: All wood work is painted red on bard brown base, with gold streaks to simulate antique wood finish.
Most of the beams, columns and panels are made with honeycomb aluminum sheets (same material used for aviation) for the fire rating and weight.
1. Ceiling:
a. Octagon shaped ceiling frame for 8 directions of earth.
b. Ceiling tiles are the spirit of this space. These beautiful Western (Roman) design tiles are now transformed to a Chinese aesthetic, simply by painting them with a “million dollar red” color.
2. Wall:
a. Divide long walls into 3 sections and tied column lines to the octagon ceiling frame (3, 5, 6, 8, 9 are lucky numbers). 3 is the first, minimum and most stable formation for the support structure.
b. Each section’s wainscoting is also divided into 3’s.
c. Metal ornaments are designed in 8 corners
d. Each metal ornament is designed with icons of luck, and longevity, such as bats (bats are known as a lucky animal. Bats eat insects such as mosquitoes and gives longevity of family and offspring).
1. Japanese Stucco:
a. Traditional wall finish for classic homes in Korea and Japan.
b. This particular product uses “far infrared ceramics”. It is known to increase metabolism, blood circulation, and skin revitalization.
c. Reduce room odors
d. Regulated air moisture for healthier condition
1.Entry:
Moon gate:
a. For SI Horseshoe we designed 24” deep archway to signify passing through to an imaginary room between the gardens.
b. Custom Lattice design on moon gate is based on hexagon (6 corners) design, the form use though out Asian culture as a symbol of the turtle or turtle shell. The turtle is considered a lucky animal for its longevity and knowledge as it was the first recorded animal in folk tales to know how to write.
c. 8’ 8” dia. Moon gate opening.
2. Copper Bamboo:
a. To create partition without claustrophobic solid enclosure, bamboo garden separates two spaces with just enough peek a boo effect.
b. Hand cut, welded, bent copper bamboo poles, braches and leaves.
c. Copper is a metal known as a symbol of wealth.
d. Bamboo is known as for its fast growth and strength.
e. Bamboo is symbol of knowledge, it was used as a writing apparatus as well as to keep written record.
f. Bamboo is one of the four Noble plants in Chinese culture. Plumb Blossom, Orchid, Bamboo, and Chrysanthemum.
g. Bamboo is one of the Three Friends in winter (Chinese poetry). Pine tree, Plum blossom, and Bamboo. Known for their perseverance under harsh conditions.
h. There are many myths and folk tales based on bamboo throughout Asian culture.
3. Chinese Tiles:
a. Made from Chinese volcano ash clay, hand formed, air dried and fired with wood, just as they did many years.
b. Each tile is a slightly different color depending on the distance from the firing wood, some are darker than others.
c. Traditional Chinese homes, palaces and fortress walls are surrounded with these gray terracotta bricks.
Gaming Pit:a.
Four corner cabinet:
i. Four corners of the space in respect to direction is decorated with hand carved jade Dragon, Tiger, Phoenix and Turtle ornament to protect the inhabitants of the room.
ii. Ceramic base lamps are made in Guandong, China.
b. Shadow art cabinet:
i. When you are standing at the entry, it fills the negative space of Moon gate. 8’ 8” cabinet is also decorated with Turtle shell shaped 5’ 5” hexagon lattice work.
ii. The inside of the cabinet houses an “8” shallow throw projector. Any type of media can be rear projected onto simulated rice paper in HD.
iii. 4 recessed ceiling mount speakers are installed at the four corners of the space.
iv. Original 60 minute shadow art and music was created in collaboration with musical artists for the Southern Indiana Horseshoe.
1. Fine art artists: Ms. Maki Kahori
a. http://www.k maki.com/
2. Graphic artist: Ms. Shiho Minami
a. s@44373.jp
3. Music composer: Mr. Yo Muramatsu / Muramax
a. muramax@m6.dion.ne.jp
a. Center Pendant light:
i. Octagon shaped lamp (8 magnetic direction)
ii. Entire body of lamp is made in copper
iii. 8 circles and one center circle design is used throughout in Asian culture. Symbol of Eight planets and the sun.
iv. Each face of the lamp and bottom features 8 circles of color which are chosen to match Feng Shui 8 direction for good fortune, such as North blue (Water), South Red (Fire), West white (Metal), East Green (wood).
v. Center circle of each face is decorated with etched glass, each etched glass was a part of antique etched glass windows dating back 200 years old, salvaged from old homes in the Guandong area of Southern China (Guandong glass etching technique is based on the Portuguese technique)
b. Pit stand:
i. Symmetry to pendant light, ceiling frame, also octagon shape located in the center of the space.
ii. All sides are decorated with hand painted 9 circles (Sun and 8 planets).
c. Carpet:
i. Carpet was originally designed for Horseshoe Hammond Asian gaming pit / Private rooms
ii. Motifs are based on Chinese lucky symbols, and horseshoe casino. Chinese Horse, Gold fish, Crane, classic Chinese palace with mountain at back, and cloud as if the customer is floating in the sky.
iii. Navy blue is to customers feel calm while enjoying the gaming.
d. Game Table layout:
i. 麒麟 (Chinese mandarin: Qilin (Cantonese: Keileon) / Vietnamese: kỳ lân / Japanese: kirin / Korean: Girin / Thai: Kilen) is a hoofed Chinese mythical creature known throughout various East Asian cultures, and is said to appear in conjunction with the arrival of a sage. It is a good omen that brings rui (Chinese: 瑞; pinyin: ruì; roughly translated as "serenity" or "prosperity"). It is often depicted with what looks like fire all over its body. It is sometimes called the "Chinese unicorn" due to conflation with the unicorn by Westerners. (http://en.wikipedia.org/wiki/Qilin)
ii. A boy with lotus flower: Bravely, and peace
iii. Old coin in chain (square holed money): Prosperity / Amulet to ward off evil and disease. Old days worn by children (one coin added each year until age 15)
Façade:
Octagon column: encasing structural column. Two side facing Hi limit and hallway is back lit display case with artist hand cut shadow art. Game tables layouts are matched designed by the artist.
o Shadow art design: The fox was believed to be a servant of spirits which brought millet, red beans, wheat, soy, silkworm, and rice to ancient Japan. This traditional image of the fox was a combination of a variety of Asian cultures. It had an element of Indonesian agricultural myth. It was also said to be originated in India as a jackal which was a messenger of a goddess, transmitted to China where it was turned into a fox, then introduced to Japan combined with its native folklores arose from rice cultivation in around the 6th century. Eventually, Japanese people started to treat the fox itself as a symbol of harvest and made offerings to it. It was believed to have a magical ability to grant people's wishes of becoming rich immediately as long as they kept being loyal to it. Therefore, in the Edo period the fox became popular among gamblers for it was thought to bring fortune and success. Even nowadays, founding families of some big corporations (such as the Mitsui group) in Japan worship the fox on the rooftops of their ultra modern buildings. The motifs I took for the artwork include the agricultural products mentioned above and jewels (Mana balls, the image related to the Indian jackal) which are all associated with this characteristic of the fox in old Japanese agricultural folklore.
o Artist bio: Mayuko Fujino is a self taught paper cutout artist from Japan who currently lives in Queens, NY. She has been working on her art since 1999. Her first artistic influence was Japanese traditional stencil dyeing. After years of experimentation, she found her current style of papercut mixed with collage and other modern techniques. All of her works are created with a cutting knife, paper and often magazine pages.
Column: One of Chinese five elements (wood) 21 columns are made from reclaimed columns, over few hundred years as part of old structure. Hand carved in shape of classic entasis design.
Column base: Marble Column base is carved stone with “Foxwoods” logo on each face.
Column structure: Column base, column, Capital block and header are interlocked each other to create structural support.
Lattice: All lattice is designed just for Foxwoods casino. All lattice are made by hand.
Glass: Each logos and sand blast on glass is done by hand.
Doors: 12 sets of bi-folding doors and 4 corners of single doors total of 28 classic Chinese doors are constructed without nails and screws. Each transom panels are hand carved with “Foxwoods” logo
Stucco: One of Chinese five elements (Water) specified for the space is made from ceramic particle known to covert positive ion to negative ion as the water fall. Also remove odor from air.
Chinese terracotta tiles: One of Chinese five elements (Earth). Classic Chinese tiles use in old homes and palace. Gray color tiles are made just as they did for thousands of years, these manufacture use volcanic ash, mix in mold, sun dry, and burn them with fire woods. Each tiles are unique in color, depend on distance from the fire wood, some are darker than other.
Gaming area:
Copper bamboo: One of Chinese five elements (Metal), prosperity, growth.
Window: Traditional design window with “Foxwoods” logos on each enter of windows, stone column base and wainscoting panel. Rice paper to soften the sun light and LED light to simulate sun light at night.
Carpet: One of Chinese five elements (Fire) Carpet is designed just for Foxwoods. Longevity sign and classic Chinese cloud with lotus design. Yellow color is for royal palace, red is for excitement.
Art works: acquired from collector in Guanzhou for Foxwoods casino.
Hallway:
Carpet: same design as gaming pit. Longevity sign with lotus and clouds. Navy blue for calmness.
Gong: 6 feet diameter gong is made by hand hammered steel and copper.
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Design:
The Asian gaming and Noodle bar is designed using various symbols and colors of Baltimore and translated in Chinese iconography throughout the space.
General:
o All hand crafted lattice works (Moon gates, ceiling borders, balcony doors and noodle bar windows) are based on the Tang Dynasty (618-907), a Southern province style motif of Black Eyed Susan flower pattern.
o Symbols of Baltimore are used through out the space, Baltimore Oriole, Black Eyed Susan, White Oak leaf.
o All wood works are made from White Oak wood.
o All wood works are lacquered in Baltimore Ravens black.
Gaming area: 彩鶯宮 (Caiying Gong or Tsuai Ying Gong) : Oriole Palace
o 16 feet high, copper bamboos simulating bamboo forest at the façade of gaming pit. Each and every aspect of the bamboo are made by artists’ hands in copper to create privacy while providing the actions and the excitements of the rest of the Casino floor.
o Lattice grill design decorating three entry Moon gates, ceiling borders, balcony doors and noodle bar windows are based on the Tang Dynasty (618 907), a Southern province style motif of Black Eyed Susan flower pattern throughout.
o The design of the Carpet is based on the classic Chinese paper cut style and the Baltimore Orioles team colors Black Eyed Susan and White oak leaves.
o Centered with Main Moon gate, on the back wall, floor to ceiling and 14 feet wide hand caved monument depicted the classic Chinese calligraphy painting of the Mountains and waterfalls. This hand carved sculpture is not only beautiful work of art, but will also featured as a water cascade with water is running to the river and waterfall within the carved image.
o Ceiling design is based on historical Asian palace, coffered ceiling design created using today's technology. Embossed panel design will be a reflection of the carpet design with hand painted copper and patina. Simulated wood coffers are made from F.P. resin with four sides of LED upper lighting hid within the framework.
o The Museum display cabinet will houses various artifacts from the Far East.
Noodle bar:
o The Noodle Bar will be partitioned from the Gaming pit using open lattice grill of Windows (behind bench seating) and Moon gate, allowing for the actions and the excitement of gaming pit to be shared and is never too far.
o Noodle bar ceiling is decorated with Antique birdcages commemoration of the Hong Kong “Yum Cha (Dim Sum)” scene.
Birdcage Chinese Lattice study
Birdcage
Copper Bamboo & Moon gate
Calligraphy Study
Stone Carving
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