No. 31 KING A.K.A. SAMPLEKING - English

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JOANNA COELHO CLOSE 2024 WITH TWO EPS FOR DRS DIGITAL & RAVE4LOVE

Brazilian artist Joanna Coelho continues to shine as a producer, exploring all the sounds of hard techno and, as is her wont, focusing on energetic tracks with catchy vocals. Undoubtedly one of the most representative figures of the Catalan scene in Barcelona, the city where she lives.

2025 will come hand in hand with two new projects for the Brazilian, “Voltar” a single on Hong Kong’s Purple Fly Records due for release on January 24th and another 4 track EP on Expell Your Demons that will be out on February 14th.

NO DRUGZ
JOANNA COELHO
NAMA
JOANNA COELHO

Joanna is a cyclone in the booth who takes the term ¨Once a raver, always a raver¨ to its maximum expression. Proof of this are her live sets and her latest productions where she is creating music for dancefloors, leaving aside the mechanical side and focusing above all on passion and pure rave sounds. In this way, she is immersing herself in the hard techno universe with no strings attached, proof of which are these EPs. ‘No Drugz’, which was released on 13 December by DSR Digital, is an attempt at liberation where the energy is overflowing thanks to two very complete tracks.

The first, ‘No Drugz’, which gives the EP its name, is a welter of sounds that progress from industrial to neo-rave and is embellished by a female vocal that appears at the track’s peak. The combination of the industrial kick with the rest of the elements makes it a perfect track for dancefloors.

On the other hand, we have ‘Wide Awake’, a track with psytance cut base that combines with a soft kick of hard techno and a small melody that surrounds the classic vocal of ‘I Got Money Every Day’. A vocal that, when it breaks, is accompanied by several fake drops culminating with neorave kicks that give a nonstop touch to such a vocal track. The ending, built with acid games, gives a different but enriching touch.

Talking about the second EP ‘Nama’, this one was released on December 27th by RAVE4LOVE. We find again two tracks whose main feature is energy. The first, ‘Get the F Out’ combines industrial, early hardstyle and stands out for the construction of fake drops which seem to be apotheosis but, to be a track so fast they can not break with the fury and space that they would like. Literally, the track lives up to its name and violently expels them.

In ‘Nama’, we find again the psytrance base and melodies. A theme more enveloping than aggressive but equally rhythmic and with a vocal in the middle of the same that gives the mystical touch until it is distorted and we return to listen to the base of psy of the melody. A different experience where we hardly see the hard techno more than in some loose kick but that demonstrates the versatility of the artist.

Alysh, the stage name of Alessia Mariano, is an Italian DJ and music producer known for her fusion of genres such as trance, psytrance, and hard techno. She began her musical career at the age of 15, performing at renowned clubs in southern Italy and Rimini. Additionally, she has participated in festivals like the Amorgos Festival.

Her style is characterized by energy and intensity, blending elements from various subgenres of electronic music to create unique auditory experiences.

In addition to her live performances, Alysh shares her music and updates through platforms like Instagram, where she maintains an active presence.

Recently, she has expanded her presence on streaming platforms, allowing her followers to enjoy her music online.

Alysh is a versatile and passionate artist who has made a significant mark on the electronic music scene, standing out for her ability to combine diverse styles and her energy on stage.

How did you start your career as a DJ at the young age of 15?

From a very young age, I have always loved electronic music. In fact, my parents used to take me to clubs when I was just 4 or 5 years old.

At 13, I tried mixers for the first time, decided to buy them, and started curating the best hypnotic techno and trance music. I practiced daily for a year, and by 15, I was already performing in clubs and large pubs near where I was born.

What musical influences have been crucial for the development of your style from the beginning to the present?

When I started in the early 2000s, I was captivated by the hard trance of Tiesto and Armin Van Buuren and the groovy, hypnotic techno of Carl Cox and Chris Liebing. They were my idols, my guides. They had a significant influence on me, and that’s why I’ve always tried to combine the strength and powerful beats of techno with the emotional melodies of trance. Today, I can define myself as a producer of hard trance/dance and psy hard techno.

What transition have you made in terms of the musical genres you’ve mixed over the years?

In the beginning, I used to play more techno at a slower pace, around 130/135 BPM.

However, over time, I found the path where I truly recognized myself. It’s an incredible journey that I enjoy as I produce and perform for the audience.

Musical selection is very important. I spend hours in the studio listening to music and producing my own. In every set I play, I always include several of my own tracks and the best ones I’ve selected from other artists.

In which major clubs in southern Italy have you performed, and how have you been received there?

In southern Italy, I’ve performed several times at “Industrie Musicali” (formerly known as “Living”), where some of the best artists still active in the scene have played.

It was an honor for me, at just 17 years old, to close sets for artists like Luca Agnelli and Paolo Bolognesi at the Diabolika event. Another very important club where I performed is Guendalina, in Salento.

With the fusion of hard techno and psy trance, what distinctive characteristics define your style?

I love producing tracks that convey feelings, emotions, and truly connect with the audience’s hearts.

That’s why I’ve always enjoyed blending the emotional and creative melodies of psy trance and raw trance with the strong beats and drums of hard techno.

When I create a track, everything comes from the depths of my heart, and I try to connect and express my purest self to others through my music.

How has collaborating with major labels like IAMT Group, Rave Plus, and We Are Existence impacted your career?

The first EP of my career, “Align the Stars,” was released on Rave Plus, which is now part of the We Are Existence Music Group.

I named it that because it’s the phrase I always repeated when I started studying production and releasing my tracks. Thanks to its success, I had the opportunity to be invited to perform in Finland at the Existence Showcase, where I met people with whom I’ve stayed in contact for future events.

In May 2024, you presented your EP “Align the Stars” in TuneInMag. What is the theme or concept behind it?

I consider and define it as the most intimate track of 2024 due to the deep meaning behind its first piece. I was able to show myself to others in the most personal way possible.

I combined celestial synths and arpeggios with a more intense experience as the track progresses into a robust symphony of powerful beats and deep basslines.

I would define it as an experience that blends energy and mysticism, aligning not only the stars but also the hearts and minds of the listeners.

What other recent releases have you had, and how have they been received by audiences and critics?

After these initial releases, I collaborated with T-Records, with whom I released “Darkness,” reaching the TOP 100 of the Beatport Chart Hard Dance. With Gain Plus, I launched another incredible track called “Take Me,” which was also very well received, reaching the 2nd position on the chart.

They were very successful, which allowed me to enter the artist chart on BeatStats. Now I am preparing to present the first release of 2025 with an important Italian label called Rave4Love, where I will release an amazing three-track EP along with a remix by a great artist, Sandro Cardio.

The release date is set for January 17, so I invite everyone to listen!

I am also working on several collaborations with international artists to be released this year, so it’s very important for me to make it the best it can be.

At which upcoming events outside of Italy are you scheduled to perform, and how are you preparing for them?

I have several events planned outside of Italy. On January 11, I performed in Spain at M7Club in Barcelona.

I am very grateful for this opportunity. Looking ahead to summer, I will return to Finland and Greece. I’ll keep you all updated on upcoming events!

How does the combination of the rough textures of hard techno with the mystical charm of psy trance contribute to the unique experience you offer in your sets?

Every artist needs to recognize themselves and be recognized by the world for a particularity or characteristic sound, and I think I succeed in connecting with the audience through the music I create and select. Combining these two genres allows me to express my emotions with a rhythm that invites you to dance, jump…

Music is not just noise; it has meaning, purpose, and importance, even when it’s harder than classic genres. I enjoy blending the two genres in a set, and the audience appreciates it as well because they love it.

I have very important goals for the future. In the short term, I aim to open my own label this year, for example. I’m grateful for everything I’ve achieved so far. I continue to improve day by day, creating and showing who ALYSH is.

I had the great honor of opening the set for Luca Maier, an incredible artist.

The plan is working very well, so let’s keep moving forward and let the universe guide me.

Kappa FuturFestival unveils the first phase of its 2025 lineup featuring over forty artists

The lineup includes exclusive performances such as Carl Cox Hybrid Set, Adam Beyer B2B Maceo Plex, Artbat, Charlotte de Witte, Fantasm, Nina Kraviz, Nico Moreno, Reinier Zonneveld, and Vintage Culture B2B Beltran

Kappa FuturFestival, one of Europe’s leading festivals for electronic music and digital arts, has announced the first wave of artists for the 12th edition of the festival in the Piedmontese capital. The eagerly anticipated initial lineup features over forty names distributed across thirty-four performances, kicking off the 2025 edition, which will run from Friday, July 4, to Sunday, July 6. This announcement follows recordbreaking past editions, attracting attendees from nearly 200 different nationalities.

This first reveal includes over thirty names, forming part of a lineup that will continue to grow, already showcasing one-third of the festival’s full roster. Among these, several acts will be making their debut at Kappa FuturFestival, including Airod b2b Anxhela, Alignment, Artbat, Binh, Caribou, Chris Avantgarde, Cloudy b2b Novah, DJ Hell, DJ Stingray, Fantasm, Francesco Del Garda b2b Ben UFO, Ogazon b2b Ryan Elliott, and Prospa. In total, seventeen artists will perform in Turin for the first time this summer.

The Parco Dora in Turin will once again serve as the main stage for this epic event, hosting over a hundred artists during three consecutive days where electronic music takes center stage. Additional locations across the city will also play a role, including the venues for the opening parties on Thursday, July 4, which mark the official start of Kappa FuturFestival, as well as the captivating Art & Techno program curated for this new edition.

The festival will

take place on Friday, July 4, Saturday, July 5, and Sunday, July 6, 2025, at the post-industrial Parco Dora space

in Turin.

In addition to newcomers debuting at Kappa FuturFestival, veteran names have also confirmed their presence in this first phase. Among them is Carl Cox, a regular at the festival, who will present a special performance as Carl Cox Hybrid Set. Seth Troxler, marking his 20th appearance at the festival, joins the lineup alongside Adam Beyer, performing in a B2B format with Maceo Plex. Other highlights include Russian artist Nina Kraviz, Reinier Zonneveld, French sensation Nico Moreno, Dixon, Tini Gessler, and Spanish icon Paco Osuna, who will return once again to Turin.

Many of the unique performances at Kappa FuturFestival will feature tandem acts in the popular Back-to-Back (B2B) format. This initial lineup includes several B2B collaborations on stage, such as the mentioned Adam Beyer B2B Maceo Plex, Airod B2B Anhxela, Cloudy B2B Novah, and Ogazón B2B Ryan Elliott. Additional standout pairings include Adiel B2B Quest, DJ Stingray 313 B2B Helena Hauff, Francesco del Garda B2B Ben UFO, Joe Claussell B2B Ron Trent, Skream B2B Prospa, and Vintage Culture B2B Beltran.

This first phase of the lineup is rounded out with new trailblazers in techno and digital sounds across a diverse range of genres, including Anyma, Azyr, Charlotte de Witte, Donato Dozzy, Fleur Shore, Miss Monique, Shlømo, and YOUniverse, all set to perform at Kappa FuturFestival 2025.

Toni Sizer’s latest track, “My Heart,” is a soulful and rhythmic masterpiece in the Afro House genre.

This track captures the essence of heartfelt storytelling through its deep, tribal beats, rich percussive textures, and emotive vocal elements. Infused with vibrant melodies and a groove that’s both hypnotic and uplifting, “My Heart” creates a perfect blend of traditional African-inspired sounds and contemporary house production.

The track’s energy is infectious, making it a standout for late-night sets or intimate dancefloor moments. Toni Sizer’s impeccable attention to detail and passion for Afro House shines through, delivering a track that is both spiritually resonant and dance-inducing. A must-hear for fans of Afro House and those looking to connect with music that speaks directly to the soul.

We start this new year 2025 with a new interview in this special section.

On this occasion, we are joined by a talented Colombian artist who has a lot to offer to the global electronic scene, both as a DJ and a producer. His name is TRXPS... Let’s go!

We are delighted to interview you for Sync Beat Magazine… Can you share with us a brief introduction about who you are? Your name, country of origin, musical style, etc. Anything you think is important to share with us and the audience?

My name is Cristian Mauricio Ardila Vera, I’m 27 years old, I’m Colombian, and I’m a DJ and electronic music producer. I consider myself a very versatile artist, capable of blending various subgenres of electronic music, ranging from House to Techno, including styles like Deep House, Afro House, Tech House, Minimal, Progressive House, Melodic, and Techno.

It’s important for me to share and define the concept behind my project and my artist name, “TRXPS.” First of all, it’s pronounced “TRIPS,” which means “trips” in English. For creative and aesthetic reasons, I decided to replace the “i” with an “x,” and also, many of my lifelong friends know me as “TRIX,” a nickname given to me by a close friend from my teenage years, who is no

longer with us but left me that legacy. In short, to summarize, TRXPS means “A journey beyond the human psyche.”

Tell us more about you… your more personal side.

I was born on March 7, 1997, in Bucaramanga, and grew up here, spending most of my life in this city. I come from a big family, humble and with values. We weren’t rich, but we weren’t poor either.

Since I was little, I was very skilled in various activities, showing an innate talent for things like soccer, chess, swimming, theater, dancing, and video games (e-sports), among others. However, I always had problems with discipline and wasn’t consistent with my projects.

But there was something that I was much more passionate about than soccer and the other activities, something that truly filled my soul. Although I didn’t fully understand it back then, it caused me a great deal of curiosity and joy: music.

What motivated you to start your career as a DJ?

Since I was little, I loved music, but over the years, I got distracted and put my passion aside, which led me to study Chemical Sciences at the Industrial University of Santander. However, it was during university that I began attending the Municipal Música Viva bar/club, where I discovered underground electronic music. After several events, I realized that I no longer wanted to be part of the audience; I wanted to be the DJ.

During my high school years, I was also passionate about rap and improvisation, but the energy I felt for music in general, especially the 4/4 rhythm present in genres like reggaeton, rap, and EDM, led me to transition into electronic music. My turning point came when I attended Boris Brejcha’s festival in 2018, an event that changed my life, and a trip to Miami, where I met Sebastián Martínez, who introduced me to Underground and Progressive House.

During that trip, in a conversation at Space Miami, Sebastián told me I should be a DJ, something I didn’t understand at the time, but today I know it was the necessary push to find my purpose: bringing joy to the world through music. From then on, I began learning to produce music digitally with a MIDI controller and Ableton Live Lite, starting my journey as a music producer in 2018.

When I returned to Colombia, I continued my DJ training at Elite School, but I couldn’t continue due to financial problems. Despite the difficulties, with the support of my family and friends, I managed to finish my chemistry degree and earned my diploma. Once I freed myself from that burden, I fully focused on music.

Who are your influences?

Since I was little, I was influenced by Hip Hop culture, which had a huge impact on my career as an electronic music artist.

My brother, who listened to a variety of genres such as Hip Hop, Spanish Rock, English Rock, Metal, and some Electronic music, was one of my biggest influences. Artists like Tiesto, Benny Benassi, Gigi D’Agostino, and Deadmau5 shaped my musical childhood.

After returning from the United States, where I met Boris Brejcha and Green Velvet, I attended several major festivals. In 2018, I went to Resistance Medellín with artists like Matador and Luciano; in 2019, to Buenavida Beach to see The Martinez Brothers and Joseph Capriati; in 2022, I returned to Buenavida Beach for Solomun, and I also went to Baum Park to listen to Boris Brejcha, Marcel Dettman, and Amelie Lens. In 2023, I experienced Afterlife Medellín with artists like Tale Of Us and Camelphat.

My love for electronic music is broad, but I especially enjoy Progressive House, Tech, and Techno. Some of my recent influences include Camelphat, Cristoph, Dosem, Franky Wah, Simon Doty, Marsh, Sasha, and Hot Since 82.

How would you describe the music you play?

My music is a journey that goes beyond the soul, something we cannot fully comprehend with our minds. I feel that there is a divine force behind all of this, and although I’m the one playing and creating the music, it’s God who makes it through me. Or rather, I do what I can, and He helps me.

My style is a mix of the joy and repetition of House, the percussion and groove of Tech, the darkness and intensity of Techno, the melodies and harmonies of Progressive, deep basses, rhythmic hats, and emotional vocals. When I do long sets, I like to create an intensity curve that increases as time goes on. I don’t like to limit myself to a single genre, so I can start with House and end with Techno. In shorter sets, like those lasting an hour, I keep a constant line but with nuances from different styles.

Music, like everything, is energy. It’s essential to play with the audience’s energy, knowing when to give it all and when to take a pause. That’s why some tracks can be softer than others, but the key is in the song selection, the mix, and how you manage these energy levels.

What challenges do you face as a DJ and producer?

As a producer, one of the biggest challenges is promoting my music globally, as it’s not always easy to reach a wide audience. I also face the lack of inspiration, as there are weeks when I can’t create a single track, while other weeks, I can make almost an entire album.

What key skills do you think a DJ and producer needs to succeed?

The most important thing is the love for music, not doing it for fame or money. You need dedication, discipline, and to avoid procrastination. If you feel lazy, learn to educate your ear, as laziness can hinder your progress. We all go through difficult and frustrating moments, but those moments make us stronger.

It’s crucial to let go of fear and step out of your comfort zone, advancing step by step, because success in this career rarely comes overnight. I’ve been doing this for almost 7 years, and I feel like I’m just starting.

Everyone has their own process, don’t compare yourself to others, compare yourself to your previous version. Ask yourself every day, “Did I do something today that brings me closer to where I want to be?”

As a DJ, one of the main challenges I face in my city is keeping the crowd happy, as there’s still a lack of musical education and a developed ear culture. Many people stick to just one genre and get bored easily, which doesn’t happen in larger cities like Medellín or in Europe, where the love for electronic music is broader and more diverse. In my city, events are few, lineups repeat, and the audience is the same, which can become monotonous. Additionally, the pay for performances is often low.

And most importantly, enjoy the process. It’s not just about reaching the final goal, but valuing every step of the journey and enjoying every moment along the way.

How do you stay informed about the latest trends in music?

I keep up to date with the latest trends and industry news through some of the biggest and most influential publications, such as DJMag, Mixmag, Resident Advisor, and Sync Beat Magazine. I also closely follow event organizers like Cercle and DropTV, as well as record labels and artists on social media, especially Instagram.

I also check YouTube channels, SoundCloud, and receive and send promos via platforms like Inflyte and email. Additionally, I look for music on digital stores like Beatport, Spotify, Traxsource, and Juno, always searching for new inspiration and sounds that can enrich my productions and sets.

Can you describe the methods you use to captivate and attract your audience?

Without a doubt, the passion for music is what has allowed me to connect most with my audience and those around me.

When creating music, my main goal is to capture an emotion or feeling and convey it to the dancefloor; for me, that’s the most important thing.

On social media, I try to be as active as possible, sharing my new releases and performances. I also make an effort to send and share my new tracks with people close to me to help me reach a wider audience and grow my community.

What aspect of being a DJ brings you the most personal satisfaction?

The simple yet complex fact of being able to do what you love, that’s it.

How are you living this new and exciting challenge at Hypecue?

Since I met Ertan Koculu, the prestigious DJ and producer and founder of Hypecue, I’ve experienced significant growth in my career, especially regarding the global reach of my streams. I started working with him creating music for Hypecue, and our first collaboration, “Angel Dust,” was a great success.

We managed to stay in the Top 100 Hype of Progressive House on Beatport for two weeks, reaching the Top 25, and we also managed to enter the Top 100 overall of Progressive House. This achievement has allowed me to secure this interview with you, Sync Beat Magazine, a highly renowned publication, which fills me with motivation. I’m excited to continue working with Hypecue and am ready to face any challenge or additional work that comes my way.

How do you divide your time between production and performances?

I usually spend more time in my production studio than performing. I love being a DJ, but in my city, being a DJ isn’t easy, as they only hire you for 1 or 2 hours, at most 3, from time to time.

I believe the optimal number of performances would be about 4 sets a month. On the other hand, production allows me to invest much more time, enjoy, learn, create, and innovate. For me, producing is a release, a mental exercise, and an emotional therapy.

How has your workflow changed with new technologies?

I don’t have much to add about this, I just hope that artificial intelligence doesn’t surpass humans. I trust that we can use it as a tool for collaboration. Personally, I have used it mainly to create vocals in Melodic Techno, but I also think it’s very fun to create everything yourself, if possible.

Considering your role as a DJ and producer, what areas do you consider most important for the growth of your career?

Promotion and music marketing. Continuing to improve my sound design and advanced mixing techniques.

What distinguishes you as a DJ? What makes you different from others in your field?

I’m not one of those who only seek to be in the spotlight to have control over people or enjoy fame. I do it with a life purpose, a spiritual path of healing and rebirth.

As a DJ and producer, I have the advantage of understanding both worlds. Being a producer allows me to think like a DJ, and as a DJ, I can think like a producer; they are the perfect complement. However, there are producers who don’t understand what it means to be a DJ, and DJs who know nothing about production.

There are also those who claim to be famous DJs or producers thanks to productions they didn’t create themselves. While this may sound confusing, it’s the reality. However, what’s important is always focusing on the progress of my own path, comparing my past self to today’s self.

Where do you see yourself in 2 to 4 years? What are your professional goals for 2025?

I see myself in key cities like Medellín, Miami, Ibiza, and Bali, expanding my reach and connection with the global audience.

For 2025, my main goal is to strengthen my community and maintain a steady audience across all my digital platforms, achieving higher numbers. Additionally, I would love to schedule dates in Europe, as I plan to be there next year, which will present an opportunity to grow further and connect with new audiences.

If you weren’t a DJ, what would you be doing now?

I’d probably be lost. Music has an immense power to transform and heal, and it can guide us in the right direction when we feel everything is lost. It saved my life.

Any final thoughts or comments you’d like to share with us?

I want to express my gratitude to all the people who have supported me and believed in this project. I also thank God for allowing me to do what I love most: creating music and sharing it with the world, bringing joy and healing to people.

If you’d like to know a little more about what I do, I invite you to check out my set “TRXPS at SyncOff Topocoro Boatparty 2023” on YouTube, recorded in the beautiful locality of Topocoro, near my city.

It’s a Sunset Mix that holds a very special meaning to me, and I hope you can feel a bit of my love for music when listening to it.

A hug to everyone, may God bless you. I am extremely grateful to Sync Beat Magazine for this wonderful interview.

A very powerful and balanced lineup, featuring 999999999, Lee Ann Roberts, Fantasm or Bad Boombox, a great community of ravers, and a perfect venue, like the Carlos Lopes Pavilion for the event, are the key elements of this second edition in Lisboa.

Sound Waves is, without a doubt, the leading festival in Portugal for hard techno. Following its success in past Winter and Summer editions, February 8, 2025, in Lisbon stands out as an important date for techno lovers and its subgenres, featuring 10 hours of festival from 8:00 PM to 6:00 AM.

1

The return of 999999999 as headliners: Carlo and Giovanni are two icons of the hard techno, acid techno, and neorave scenes. Two years ago, they closed the summer edition, and now they return with an even more complete new visual show.

2

Female Talent: Sound Waves has always stood out for gender parity in its lineups. Lee Ann Roberts and Ornella will represent the female side. Lee Ann Roberts, an icon of the scene who has triumphed in every possible venue, comes to showcase her talent and versatility in Lisbon. Representing her country, we have Ornella, Sound Waves’ resident artist and one of the most prominent names in the schranz sound.

3

Industrial more present than ever: This genre will be represented by two young talents. The great producer and showman Fantasm arrives at the peak of his career with anthems like Place On Fire, and the force of nature Hades, known for blending demonic melodies as in I Am Everything I Hate.

4

A different touch: Bad Boombox. This act is one of the leading representatives of the techno groove movement and the owner of Hot Meal Records, set to delight the audience.

5

A magical venue, the Carlos Lopes Pavilion: one of the most iconic and historic buildings in the city of Lisboa.

Sound Waves kicks off 2025 with the Winter Edition in Lisbon, but there’s much more to come. A Sound Waves Invites edition on March 8 at Hard Club in Porto, featuring Winson, Fernanda Martins, Tanja Miju, Negitiv, and Ornella alongside Pestdokter, as well as the date for their highly anticipated festival, celebrating its 20th anniversary on July 5 in Esmoriz.

FIND ME

Cold Mind and Alex Yikker’s new release, *Find Me*, brings a fresh energy to the Indie Dance genre. Combining smooth electronic rhythms, ethereal melodies, and atmospheric vocals, the track embodies the essence of indie dance music with its captivating grooves and infectious beats. The artists create a perfect blend of emotive depth and dancefloor appeal, making it both introspective and uplifting.

*Find Me* is likely to resonate with fans of both chilled, atmospheric sounds and the more upbeat, euphoric vibes of the indie dance scene. The collaboration showcases the talents of both Cold Mind and Alex Yikker, offering listeners a track that’s perfect for both personal listening and club settings.

King, also known as Sampleking, is a prominent DJ and electronic music producer based in Madrid. His career has led him to perform at some of Spain’s most important clubs and festivals, such as Fabrik, Pacha Madrid, and various stages in Ibiza. Additionally, he has participated in international events in countries like the United States, Colombia, France, Russia, and Ukraine, including the renowned Kazantip Festival. He was the official DJ of the “Pacha Russia Tour” and has performed at high-profile events like the White Party Sensation in Russia.

As a producer, he boasts over 120 releases, including vinyl records, CD singles, and compilations, working with well-known labels such as Universal Music, Hotfingers, and Deeperfect. He has also collaborated with other artists both in the studio and live. Moreover, he has been an influential figure in the media, contributing to the radio program World Dance Music on Los 40 Principales and appearing on television shows on networks like TVE1, Antena 3, and Tele5.

Throughout his career, he has received significant accolades, including 2 gold records and 3 platinum records for his compilations “Technics The Original Sessions”, as well as multiple nominations for Best Spanish DJ and Best Radio Program. For over 9 years, he was affiliated with Vicious Magazine and Vicious Radio, and he currently leads projects such as “ClubAtlantic Radio” on Who Electronic Magazine & Radio, with broadcasts reaching several cities in Spain.

Additionally, he is the co-founder of DropTV, an innovative Spanishlanguage television platform for electronic music, where he hosts shows like “Droppin’”, “Connected”, and “Reloaded”. His influence and creativity position him as a key figure in the electronic scene both in Spain and internationally.

King, also known as Sampleking, is a true icon in the Spanish electronic music scene, boasting an extensive professional career as an artist, producer, DJ, radio host, and content director for various electronic music platforms, both written and broadcasted.

Since 2020, when the pandemic brought the country (and many others) and the electronic music world to a standstill, he has been involved in numerous projects. This “forced” reinvention turned out to be an opportunity that he made the most of.

In this more personal interview, the artist shares all the details, inviting readers to discover his past, present, and future projects!

We are thrilled to have you with us.

We were just talking about how it has been almost five years since the coronavirus brought the entire world to a halt, and how artists like you had to adapt to the new situation. How has this period been for you?

First of all, thank you for your interest in learning more about my projects and for the support I receive on your social media platforms and in Sync Beat Magazine regarding the reviews of the tracks I’m producing— fortunately, there are quite a few of them, and I’ll be sharing more about them throughout this interview.

From 2020 and for several years, the scene came to an almost complete stop worldwide, and its recovery has been slow. But, fortunately, we’ve managed to regain full stability. After working for nearly nine years

at Vicious Magazine/Vicious Live and hosting the Hispanic American Electronic Music Awards in 2019, I focused on developing a new project called DropTV alongside Karim Haas.

The main idea behind this project was to produce and broadcast weekly shows featuring artists, live and inperson, from a studio in Madrid.

The lockdown “forced” us to adapt to the new circumstances, and to avoid “abandoning” our most loyal followers, we transformed the concept into a daily live interview program with electronic music artists who, due to the situation we were living through, were unable to perform.

We know that this didn’t stop you, and as you mentioned, by redirecting the content, you improved the media’s positioning, right?

Exactly. Karim Haas, just days before the lockdown, traveled to Colombia to host a party with live streaming and ended up being stuck there for several months.

Given the situation, we had to transform the content on DropTV, and we decided that he would be in charge of producing the live shows with guests, while I would focus on scheduling the artists and additional content such as music videos, interviews, reports, and advertising for collaborators… this way, we managed to create a true live TV show, about an hour long.

When the de-escalation began, we had the opportunity to do several live streaming sessions: the first one with Edu Imbernon in Mallorca, and the second from the top of Castillo de Cullera with Marc Marzenit and Mendo, under the series “Aüra”.

We were nominated for “Best Live Streaming” by specialized media outlets in electronic music.

In the meantime, you were aware that in other countries, the restrictions that we had in Spain didn’t exist. What did you do then?

It really surprised me, but I seized the opportunity. Due to personal reasons and the stagnation of the electronic scene in Spain, I decided to move to the Russian Federation.

Once in this country, I received constant messages from artists based in Spain expressing their frustration and outrage because they knew that here in the Russian Federation, performances were possible in clubs and festivals, while in Spain, the activity was non-existent.

In Russia, you continued developing and expanding DropTV, live streams, and performing at clubs and festivals in the country…

Exactly, the live streams continued until my partner decided to leave Spain for Colombia, where he settled, built a video and sound studio, and opened a successful club in the city of Medellín alongside Levanah, a Colombian artist.

Despite everything, DropTV remains active from my location in Eastern Europe. Its current concept is collaboration with artists and audiovisual media like Woxe Radio (with live streaming from the Shambala Studios and their events), and it has become a hub for audiovisual content, especially on YouTube and Instagram.

We know you had temporarily put your producer role on hold, but you’ve decided to resume it again…

That’s right. So far, I’ve released over 150 vinyls, numerous compilations, and CDs. Those who follow me know that I keep everything.

I also had a record label on Beatport, which, due to a lack of time, I couldn’t fully develop when I joined Vicious Magazine, and I had to close it. However, fortunately, after the pandemic and with my new location, I resumed it by releasing several tracks on different labels. Some of them were collaborative, and others solo.

Just two years after being between Spain and Russia, the current conflict in the region began... Has this affected you?

Anyone who knows me knows that I’ve been traveling to Russia since the year 2000. I have friends here and have performed in many clubs across different cities.

This part of the world has always fascinated me due to its magic, traditions, musical culture, etc. For me, there has never been any kind of cultural shock or anything like that.

When I decided to be between the two countries, I never thought such a situation could arise, but I had to adapt to it. I’ve never been a very political person; I’ve always focused on purely musical and artistic matters.

Focusing on the present, how are you developing your artist career nowadays?

Currently, I’m focused on DropTV, artistic production, and performances across this part of Europe and in other countries like Uzbekistan, etc.

I’m present in the best clubs and festivals during every summer

season, so I’m very happy to continue evolving as an artist.

One must evolve, always look forward, and, most importantly, reinvent oneself!

What is the electronic music scene like in Eastern Europe, and what stands out most to you about the audience and clubs in all these locations?

The people I talk to are convinced that electronic music is deeply rooted in Spain, and I can’t help but agree.

However, it’s true that when they refer to Spain in a general sense, they are

specifically talking about Ibiza, which changes the story.

Spain is “anchored” in the past. It’s stuck in “Remember,” Techno, and Tech House, which I don’t criticize because it’s good to remember where you come from and who you were. But the present is what we must focus on, center our attention on it, and look to the future.

Currently, there are hardly any electronic music radio stations. The clubs and festivals are “Remember” or limited to bringing the “same names” year after year, without giving opportunities to new artists, of whom there are many and they are very talented. Musical recycling is essential in all areas of life, and even more so in the electronic scene.

Honestly, the Eastern European scene has nothing to envy about the one in Spain.

Here, I find a thirst for knowledge, new artists, new music, new trends… They are richer in trends and genres that are currently on the rise, such as Afro, Melodic Techno, Melodic House, Indie Dance… genres that in Spain you only find in Ibiza, basically.

In fact, I’m focused on these genres, producing music across all styles with truly spectacular results.

The audience, the clubs, and the festivals in Eastern Europe have infinitely more musical culture.

Which record labels are you currently releasing your music with?

Over the past 4-5 years, I’ve released music with several labels. I started by releasing with Sumision, a Spanish label. I’ve also worked with Symmetic (a label based between Germany and Poland, owned by the great Marc Van Linden and Ewelina Koll), Triple Moon (Israel), MSolDeep, and HypeCue. With the latter, owned by Ertan Koculu, a great artist and friend, I’ve released my most recent tracks, “SI AI” and “Acid Dreamstate.”

Although it’s Tibetania, the label where I release most of my tracks regularly.

I truly appreciate their support. They frequently include my tracks in their compilations, and the relationship with the artists is excellent.

Tell us about “ClubAtlantic Radio Show.”

This radio project has been on air for over 25 years, uninterrupted, and has been broadcast on various radio stations… some of which are still operational, while others have disappeared.

It is currently broadcast live every Monday on different radios worldwide. In Spain, it airs on BeachGrooves Radio on the Costa del Sol, Sync Beat Radio (the radio of your publication), Fresh Radio in Mar del Plata (Argentina), and Fusion Radio, the most important radio station in the Russian Federation.

In recent months, “ClubAtlantic,” in its more intimate and special version, has been airing on a new radio station in Ibiza called “Ibiza Orgánica.” It has two FM frequencies on the island, mobile apps, is broadcast in web-player format, and is available via DAB+ system on TDT in cities like Madrid, Ibiza, Valencia, Alicante, Murcia, etc.

This station is making a huge impact for its “Top” content and its working philosophy.

Year 2025… Can you give us a preview of what you have planned for the new year?

I’ve already planned 2025 several months ago.

The new year began excellently with a headliner performance at the “Technotau” festival, held at the Arkhiz ski resort in the Caucasus Mountains. It was spectacular!

I have several trips planned to Spain, where I will host some parties, in addition to continuing to perform at the best clubs and festivals in Eastern Europe.

My goal is to produce and release at least one track per month, which will allow me to complete 12 tracks in 12 months, all with good promotion.

Of course, I will continue collaborating with the booking and management agency I’m currently with, Medïterränean Promo Group, which has agents in Eastern Europe (Dikiye Sound) and collaborates with Rehucoa Agency in Spain, as well as with Creative Events Promoter in Europe, the Middle East, and South Africa.

They treat me very well, and they do an exceptional job.

Now, readers have direct access to all the information about what you’ve been doing in recent years and what you’re currently working on. But is there anything else you’d like to add that hasn’t been mentioned during the interview?

First of all, I want to thank the team at Sync Beat Magazine for giving me this window of communication to the world, and taking this opportunity, I’d like to encourage those who for different reasons lost track of me to enjoy reading this interview the same way I enjoyed doing it. I also don’t want to forget every single one of my loyal followers, who are many, and despite everything that’s happened in recent years, they continue to enjoy my passion by my side.

I also encourage everyone to follow me on my social media (Instagram, Facebook, and Threads) and on my YouTube channel, where I post interesting audiovisual content about my travels, performances, and other curiosities related to my journey as an artist.

See you on the dance floors!

The festival will take place on October 10th and 11th at the IFEMA MADRID Fairgrounds.

Time Warp returns to Spain for its second edition. After its debut experience in October 2024 as part of the brand’s 30th anniversary celebration, Time Warp Spain confirms its second edition once again in October in the capital. A weekend dedicated to techno in two independent pavilions at the IFEMA MADRID Fairgrounds.

The first edition of this international brand made a strong statement, with a lineup spread across two independent stages and a top-tier production that marked the brand’s debut in Spain. Now, it returns in 2025, on Friday, October 10th, and Saturday, October 11th, 2025.

The Time Warp event in the capital will once again be held at the IFEMA MADRID Fairgrounds, a regular venue for cuttingedge advanced music projects in Madrid. Time Warp will take over two interconnected pavilions, including the largest space at the fair, creating a first-class setup and an atmosphere fully dedicated to techno over two consecutive nights.

The Time Warp concept was born in 2004, and throughout its long trajectory, it has carved out its own space as a brand focused on techno and high-level production in the international scene, celebrating its 30th anniversary in style. Time Warp is returning to Madrid for its second edition, once again exceeding all expectations.

Spicy Jam by Karretero

Included in MÜSE’s Best of the Year Compilation

Dennis Cruz’s label features the Madrid-based artist’s track in its New Year’s Eve Compilation, available since December 27, 2024.

As a summary of the productions from 2024, Müse presents its New Year Compilation, showcasing tracks from notable names such as Fer BR, LondonGround, Misha, and Gauss. Among these standout productions is the Original Mix of Spicy Jam by Madrid producer Karretero.

The DJ and producer has maintained a strong release streak following his recent collaborations with Stereo, Overtones, and Techaway in November and December.

This hypnotic track delivers a unique sonic progression, capturing an authentic club atmosphere. A dancefloor-centric hit, Spicy Jam stands out as one of Müse’s top productions of the year.

King a.k.a Sampleking, a Spanish producer and DJ, has unveiled his latest release titled *Acid Dreamstate*, a track that immerses listeners in the world of Progressive House. Known for blending deep, atmospheric elements with vibrant beats, King’s new single explores an acid-infused soundscape, pushing the boundaries of the genre while staying true to its roots.

“Acid Dreamstate” carries a driving bassline and intricate synth work, layered with hypnotic acid grooves that gradually build into an uplifting and energetic drop. The track blends rhythmic complexity with emotive melodic elements, creating an immersive experience that evokes a sense of dream-like euphoria and forward momentum. Fans of Progressive House will appreciate the deep, evolving arrangement that keeps the listener engaged from start to finish, with moments of tension and release that are characteristic of the genre.

This release further solidifies King a.k.a. Sampleking’s reputation for creating innovative, emotionally charged dance music that resonates on the dancefloor while maintaining a distinct signature sound that stands out in the Progressive House scene.

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