No. 31 KING A.K.A. SAMPLEKING - English

No. 31 · JANUARY 2025

MANAGEMENT MAY OUTEIRAL FRONT PAGE, ART DIRECTION AND LAYOUT NEREA CARRIÓN EDITORS MAY OUTEIRAL JUANJO BLANCO JONATHAN GUTIERREZ COLLABORATOR BEEPDMUSIC LM PR JUANJO BLANCO JONATHAN GUTIERREZ URBANREBEL PR

CONTACT info@syncbeatmag.eu WEB www.syncbeatmag.eu

JOANNA COELHO .............................. PAGE 1

KARRETERO ........................................ PAGE 37

TONI SIZER .............................................. PAGE 11

KING A.K.A. SAMPLEKING .......... PAGE 39

COLD MIND & ALEX YIKKER ..... PAGE 23

KAPPA FUTUREFESTIVAL ............................................... PAGE 5 SOUND WAVES..................................................................... PAGE 21 TIME WARP..............................................................................PAGE 35

JOANNA COELHO CLOSE 2024 WITH TWO EPS FOR DRS DIGITAL & RAVE4LOVE Brazilian artist Joanna Coelho continues to shine as a producer, exploring all the sounds of hard techno and, as is her wont, focusing on energetic tracks with catchy vocals. Undoubtedly one of the most representative figures of the Catalan scene in Barcelona, the city where she lives.

NO DRUGZ

NAMA

JOANNA COELHO

JOANNA COELHO

2025 will come hand in hand with two new projects for the Brazilian, “Voltar” a single on Hong Kong’s Purple Fly Records due for release on January 24th and another 4 track EP on Expell Your Demons that will be out on February 14th.

Joanna is a cyclone in the booth who takes the term ¨Once a raver, always a raver¨ to its maximum expression. Proof of this are her live sets and her latest productions where she is creating music for dancefloors, leaving aside the mechanical side and focusing above all on passion and pure rave sounds.

In this way, she is immersing herself in the hard techno universe with no strings attached, proof of which are these EPs. ‘No Drugz’, which was released on 13 December by DSR Digital, is an attempt at liberation where the energy is overflowing thanks to two very complete tracks.

The first, ‘No Drugz’, which gives the EP its name, is a welter of sounds that progress from industrial to neo-rave and is embellished by a female vocal that appears at the track’s peak. The combination of the industrial kick with the rest of the elements makes it a perfect track for dancefloors.

On the other hand, we have ‘Wide Awake’, a track with psytance cut base that combines with a soft kick of hard techno and a small melody that surrounds the classic vocal of ‘I Got Money Every Day’. A vocal that, when it breaks, is accompanied by several fake drops culminating with neorave kicks that give a nonstop touch to such a vocal track. The ending, built with acid games, gives a different but enriching touch.

Talking about the second EP ‘Nama’, this one was released on December 27th

by RAVE4LOVE. We find again two tracks whose main feature is energy. The first, ‘Get the F Out’ combines industrial, early hardstyle and stands out for the construction of fake drops which seem to be apotheosis but, to be a track so fast they can not break with the fury and space that they would like.

Literally, the track lives up to its name and violently expels them.

In ‘Nama’, we find again the psytrance base and melodies. A theme more enveloping than aggressive but equally rhythmic and with a vocal in the middle of the same that gives the mystical touch until it is distorted and we return to listen to the base of psy of the melody. A different experience where we hardly see the hard techno more than in some loose kick but that demonstrates the versatility of the artist.

Alysh, the stage name of Alessia Mariano,

In addition to her live performances,

is an Italian DJ and music producer known

Alysh shares her music and updates

for her fusion of genres such as trance,

through

psytrance, and hard techno. She began her

where she maintains an active presence.

platforms

like

Instagram,

musical career at the age of 15, performing at renowned clubs in southern Italy and

Recently, she has expanded her presence

Rimini. Additionally, she has participated

on

in festivals like the Amorgos Festival.

followers

Her style is characterized by energy and

Alysh is a versatile and passionate artist

intensity, blending elements from various

who has made a significant mark on the

subgenres of electronic music to create

electronic music scene, standing out for

unique auditory experiences.

her ability to combine diverse styles and

streaming to

platforms, enjoy

her energy on stage.

her

allowing music

her

online.

How

did

you

start

your

career

as a DJ at the young age of 15?

However, over time, I found the path where

I

truly

recognized

myself.

It’s

an incredible journey that I enjoy as I From a very young age, I have always loved

electronic

music.

In

fact,

produce and perform for the audience.

my

parents used to take me to clubs

Musical selection is very important. I spend

when I was just 4 or 5 years old.

hours in the studio listening to music and producing my own. In every set I play, I

At 13, I tried mixers for the first time,

always include several of my own tracks and

decided to buy them, and started curating

the best ones I’ve selected from other artists.

the best hypnotic techno and trance music. I practiced daily for a year, and

In

which

major

clubs

by 15, I was already performing in clubs

Italy

have

you

performed,

and large pubs near where I was born.

have

you

What musical influences have been

In southern Italy, I’ve performed several

crucial for the development of your style

times at “Industrie Musicali” (formerly known

from the beginning to the present?

as “Living”), where some of the best artists

been

in

southern and

received

how there?

still active in the scene have played.

When I started in the early 2000s, I was captivated by the hard trance of Tiesto

It was an honor for me, at just 17 years old,

and Armin Van Buuren and the groovy,

to close sets for artists like Luca Agnelli

hypnotic techno of Carl Cox and Chris

and Paolo Bolognesi at the Diabolika

Liebing. They were my idols, my guides.

event. Another very important club where

They had a significant influence on me,

I performed is Guendalina, in Salento.

and that’s why I’ve always tried to combine the strength and powerful beats of techno

With

the

fusion

of

with the emotional melodies of trance.

and

psy

trance,

what

Today, I can define myself as a producer of

characteristics

define

hard

techno

distinctive

your

style?

hard trance/dance and psy hard techno.

I love producing tracks that convey feelings, What in

transition

terms

you’ve

of

mixed

you

made

emotions, and truly connect with the

musical

genres

audience’s hearts.

have

the

over

the

years?

That’s why I’ve always enjoyed blending

In the beginning, I used to play more

the

emotional

and

creative

melodies

techno at a slower pace, around 130/135

of psy trance and raw trance with the

BPM.

strong beats and drums of hard techno.

When

I

create

comes

from

the

a

track,

depths

everything

of

my

heart,

and I try to connect and express my purest self to others through my music.

How has collaborating with major labels like

IAMT

Group,

Are

Existence

Rave

impacted

Plus,

and

your

We

career?

The first EP of my career, “Align the Stars,” was released on Rave Plus, which is now part of the We Are Existence Music Group.

I named it that because it’s the phrase I always repeated when I started studying production and releasing my tracks. Thanks to its success, I had the opportunity to be invited to perform in Finland at the Existence Showcase, where I met people with whom I’ve stayed in contact for future events.

In

May

2024,

“Align

the

is

theme

the

you

Stars” or

presented in

your

TuneInMag.

concept

EP

What

behind

it?

I consider and define it as the most intimate track of 2024 due to the deep meaning behind its first piece. I was able to show myself to others in the most personal way possible.

I combined celestial synths and arpeggios with a more intense experience as the track progresses into a robust symphony of

powerful

beats

and

deep

basslines.

I would define it as an experience that blends energy and mysticism, aligning not only the stars but also the hearts and minds of the listeners.

What

other

have

I am very grateful for this opportunity.

you had, and how have they been

Looking ahead to summer, I will return

received

to Finland and Greece. I’ll keep you

by

recent

releases

audiences

and

critics?

all

updated

on

upcoming

events!

After these initial releases, I collaborated with T-Records, with whom I released

How does the combination of the rough

“Darkness,” reaching the TOP 100 of the

textures of hard techno with the mystical

Beatport Chart Hard Dance. With Gain Plus,

charm of psy trance contribute to the

I launched another incredible track called

unique experience you offer in your sets?

“Take Me,” which was also very well received, reaching the 2nd position on the chart.

Every

artist

needs

themselves

and

to be

recognize recognized

They were very successful, which allowed

by

me to enter the artist chart on BeatStats.

characteristic

Now I am preparing to present the first

succeed in connecting with the audience

release of 2025 with an important Italian

through the music I create and select.

label called Rave4Love, where I will release

Combining

an amazing three-track EP along with

me to express my emotions with a

a remix by a great artist, Sandro Cardio.

rhythm that invites you to dance, jump…

The

release

January

Music is not just noise; it has meaning,

17,

so

listen!

purpose, and importance, even when it’s

I am also working on several collaborations

harder than classic genres. I enjoy blending

with international artists to be released

the two genres in a set, and the audience

this

appreciates it as well because they love it.

I

date invite

year,

so

it’s

is

set

for

everyone

very

to

important

for

the

world

for

a

sound,

these

particularity and

two

I

genres

think

or I

allows

me to make it the best it can be.

I have very important goals for the At

which

upcoming

events

outside

future. In the short term, I aim to open

of Italy are you scheduled to perform,

my own label this year, for example.

and how are you preparing for them?

I’m grateful for everything I’ve achieved so far. I continue to improve day by day,

I have several events planned outside of

Italy.

in

Spain

On at

January M7Club

11,

I

performed

in

Barcelona.

creating and showing who ALYSH is.

The plan is working very well, so let’s keep moving forward and let the universe guide

I had the great honor of opening the set for Luca Maier, an incredible artist.

me.

Kappa FuturFestival unveils the first phase of its 2025 lineup featuring over forty artists The lineup includes exclusive performances such as Carl Cox Hybrid Set, Adam Beyer B2B Maceo Plex, Artbat, Charlotte de Witte, Fantasm, Nina Kraviz, Nico Moreno, Reinier Zonneveld, and Vintage Culture B2B Beltran

Kappa FuturFestival, one of Europe’s leading festivals for electronic music and digital arts, has announced the first wave of artists for the 12th edition of the festival in the Piedmontese capital. The eagerly anticipated initial lineup features over forty names distributed across thirty-four performances, kicking off the 2025 edition, which will run from Friday, July 4, to Sunday, July 6. This announcement follows recordbreaking past editions, attracting attendees from nearly 200 different nationalities.

This first reveal includes over thirty names, forming part of a lineup that will continue to grow, already showcasing one-third of the festival’s full roster. Among these, several acts will be making their debut at Kappa FuturFestival, including Airod b2b Anxhela, Alignment, Artbat, Binh, Caribou, Chris Avantgarde, Cloudy b2b Novah, DJ Hell, DJ Stingray, Fantasm, Francesco Del Garda b2b Ben UFO, Ogazon b2b Ryan Elliott, and Prospa. In total, seventeen artists will perform in Turin for the first time this summer.

The Parco Dora in Turin will once again serve as the main stage for this epic event, hosting over a hundred artists during three consecutive days where electronic music takes center stage. Additional locations across the city will also play a role, including the venues for the opening parties on Thursday, July 4, which mark the official start of Kappa FuturFestival, as well as the captivating Art & Techno program curated for this new edition.

The festival will take place on Friday, July 4, Saturday, July 5, and Sunday, July 6, 2025, at the post-industrial Parco Dora space in Turin.

In addition to newcomers debuting at Kappa FuturFestival, veteran names have also confirmed their presence in this first phase. Among them is Carl Cox, a regular at the festival, who will present a special performance as Carl Cox Hybrid Set. Seth Troxler, marking his 20th appearance at the festival, joins the lineup alongside Adam Beyer, performing in a B2B format with Maceo Plex. Other highlights include Russian artist Nina Kraviz, Reinier Zonneveld, French sensation Nico Moreno, Dixon, Tini Gessler, and Spanish icon Paco Osuna, who will return once again to Turin.

Many of the unique performances at Kappa FuturFestival will feature tandem acts in the popular Back-to-Back (B2B) format. This initial lineup includes several B2B collaborations on stage, such as the mentioned Adam Beyer B2B Maceo Plex, Airod B2B Anhxela, Cloudy B2B Novah, and Ogazón B2B Ryan Elliott. Additional standout pairings include Adiel B2B Quest, DJ Stingray 313 B2B Helena Hauff, Francesco del Garda B2B Ben UFO, Joe Claussell B2B Ron Trent, Skream B2B Prospa, and Vintage Culture B2B Beltran.

This first phase of the lineup is rounded out with new trailblazers in techno and digital sounds across a diverse range of genres, including Anyma, Azyr, Charlotte de Witte, Donato Dozzy, Fleur Shore, Miss Monique, Shlømo, and YOUniverse, all set to perform at Kappa FuturFestival 2025.

Toni

Sizer’s

latest

track,

“My Heart,” is a soulful and rhythmic masterpiece in the Afro House genre.

This

track

essence

captures of

the

heartfelt

storytelling through its deep, tribal beats, rich percussive textures, and emotive vocal elements. vibrant

Infused

melodies

with and

a

groove that’s both hypnotic and

uplifting,

“My

Heart”

creates a perfect blend of traditional sounds

African-inspired

and

contemporary

house production.

The

track’s

infectious,

energy

making

it

is a

standout for late-night sets or intimate dancefloor moments. Toni Sizer’s impeccable attention to detail and passion for Afro House shines through, delivering a track that is both spiritually resonant and dance-inducing. A must-hear for fans of Afro House and those looking to connect with music that speaks directly to the soul.

We start this new year 2025 with a new

interview

in

this

special

section.

On this occasion, we are joined by a talented Colombian artist who has a lot to offer to the global electronic scene, both as a DJ and a producer. His name is TRXPS... Let’s go!

By Juanjo Blanco

We are delighted to interview you for Sync Beat Magazine… Can you share with us a brief introduction about who you are? Your name, country of origin, musical style, etc. Anything you think is important to share with us and the audience?

My name is Cristian Mauricio Ardila Vera, I’m 27 years old, I’m Colombian, and I’m a DJ and electronic music producer.

I consider myself a very versatile artist, capable of blending various subgenres of electronic music, ranging from House to Techno, including styles like Deep House, Afro House, Tech House, Minimal, Progressive House, Melodic, and Techno.

It’s important for me to share and define the concept behind my project and my artist name, “TRXPS.” First of all, it’s pronounced “TRIPS,” which means “trips” in English. For creative and aesthetic reasons, I decided to replace the “i” with an “x,” and also, many of my lifelong friends know me as “TRIX,” a nickname given to me by a close friend from my teenage years, who is no

longer with us but left me that legacy.

In short, to summarize, TRXPS means “A journey beyond the human psyche.”

Tell

us

your

more

more

about

you…

personal

side.

I was born on March 7, 1997, in Bucaramanga, and

grew

up

here,

spending

most

of

my life in this city. I come from a big family,

humble

and

with

values.

We

weren’t rich, but we weren’t poor either.

Since I was little, I was very skilled in various activities,

showing

an

innate

talent

for

things like soccer, chess, swimming, theater, dancing, and video games (e-sports), among others. However, I always had problems with discipline and wasn’t consistent with my projects.

But there was something that I was much more passionate about than soccer and the other activities, something that truly filled my soul.

Although I didn’t fully understand it back then, it caused me a great deal of curiosity and joy: music.

What motivated you to start your career as a DJ? Since I was little, I loved music, but over the years, I got distracted and put my passion aside, which led me to study Chemical Sciences at the Industrial University of Santander. However, it was during university that I began attending the Municipal Música Viva bar/club, where I discovered underground electronic music. After several events, I realized that I no longer wanted to be part of the audience; I wanted to be the DJ.

During my high school years, I was also

My brother, who listened to a variety of genres

passionate about rap and improvisation,

such as Hip Hop, Spanish Rock, English

but the energy I felt for music in general,

Rock, Metal, and some Electronic music,

especially the 4/4 rhythm present in genres

was one of my biggest influences. Artists like

like reggaeton, rap, and EDM, led me to

Tiesto, Benny Benassi, Gigi D’Agostino, and

transition into electronic music. My turning

Deadmau5 shaped my musical childhood.

point came when I attended Boris Brejcha’s festival in 2018, an event that changed

After returning from the United States,

my life, and a trip to Miami, where I met

where I met Boris Brejcha and Green

Sebastián Martínez, who introduced me

Velvet, I attended several major festivals.

to Underground and Progressive House.

In 2018, I went to Resistance Medellín with artists like Matador and Luciano; in 2019,

During that trip, in a conversation at Space

to Buenavida Beach to see The Martinez

Miami, Sebastián told me I should be a DJ,

Brothers and Joseph Capriati; in 2022, I

something I didn’t understand at the time,

returned to Buenavida Beach for Solomun,

but today I know it was the necessary push

and I also went to Baum Park to listen to

to find my purpose: bringing joy to the

Boris Brejcha, Marcel Dettman, and Amelie

world through music. From then on, I began

Lens. In 2023, I experienced Afterlife Medellín

learning to produce music digitally with a

with artists like Tale Of Us and Camelphat.

MIDI controller and Ableton Live Lite, starting my journey as a music producer in 2018.

My love for electronic music is broad, but I especially enjoy Progressive House, Tech, and

When I returned to Colombia, I continued

Techno. Some of my recent influences include

my DJ training at Elite School, but I couldn’t

Camelphat, Cristoph, Dosem, Franky Wah,

continue

Simon Doty, Marsh, Sasha, and Hot Since 82.

due

to

financial

problems.

Despite the difficulties, with the support of my family and friends, I managed to

How would you describe the music you play?

finish my chemistry degree and earned my diploma. Once I freed myself from

My music is a journey that goes beyond the

that burden, I fully focused on music.

soul, something we cannot fully comprehend with our minds. I feel that there is a divine

Who

are

your

influences?

force behind all of this, and although I’m the one playing and creating the music, it’s God

Since I was little, I was influenced by Hip Hop

who makes it through me. Or rather, I do

culture, which had a huge impact on my

what I can, and He helps me.

career as an electronic music artist.

more diverse.

M y style is a mix of the joy

events

are

few,

In

lineups

my

city,

repeat,

and

and repetition of House, the percussion and

the audience is the same, which can

groove of Tech, the darkness and intensity

become

of Techno, the melodies and harmonies

the pay for performances is often low.

monotonous.

Additionally,

of Progressive, deep basses, rhythmic hats, and emotional vocals. When I do

As a producer, one of the biggest challenges

long sets, I like to create an intensity

is promoting my music globally, as it’s not

curve that increases as time goes on.

always easy to reach a wide audience. I also

I don’t like to limit myself to a single

face the lack of inspiration, as there are weeks

genre, so I can start with House and end

when I can’t create a single track, while other

with Techno. In shorter sets, like those

weeks, I can make almost an entire album.

lasting an hour, I keep a constant line but with nuances from different styles.

What key skills do you think a DJ and

producer

needs

to

succeed?

Music, like everything, is energy. It’s essential to play with the audience’s

The most important thing is the love for

energy, knowing when to give it all and

music, not doing it for fame or money.

when to take a pause. That’s why some

You need dedication, discipline, and to

tracks can be softer than others, but the

avoid

key is in the song selection, the mix, and

learn to educate your ear, as laziness can

how you manage these energy levels.

hinder your progress. We all go through

What face

as

challenges

do

a

producer?

DJ

and

you

procrastination.

difficult

and

those

moments

If

frustrating make

you

feel

moments, us

lazy,

but

stronger.

It’s crucial to let go of fear and step out of As a DJ, one of the main challenges I

your comfort zone, advancing step by step,

face in my city is keeping the crowd

because success in this career rarely comes

happy, as there’s still a lack of

overnight. I’ve been doing this for almost 7

musical education and a developed

years, and I feel like I’m just starting.

ear culture. Many people stick to just one genre and get bored

Everyone has their own process, don’t

easily,

compare

which

doesn’t

happen

yourself

to

others,

compare

in larger cities like Medellín or

yourself to your previous version. Ask yourself

in Europe, where the love for

every day, “Did I do something today that

electronic music is broader and

brings me closer to where I want to be?”

And most importantly, enjoy the process.

When creating music, my main goal

It’s not just about reaching the final goal,

is

but valuing every step of the journey and

and

enjoying every moment along the way.

me, that’s the most important thing.

How

do

the

latest

you

to

capture convey

it

an

emotion

to

the

or

feeling

dancefloor;

for

stay

informed

about

On social media, I try to be as active as

trends

in

music?

possible, sharing my new releases and performances. I also make an effort to

I keep up to date with the latest trends

send and share my new tracks with

and industry news through some of the

people close to me to help me reach a

biggest and most influential publications,

wider audience and grow my community.

such as DJMag, Mixmag, Resident Advisor, and Sync Beat Magazine. I also closely

What

follow event organizers like Cercle and

you

aspect the

of

most

being

a

personal

DJ

brings

satisfaction?

DropTV, as well as record labels and artists on

social

media,

especially

Instagram.

The simple yet complex fact of being able

to

and receive and send promos via platforms

How

are

like Inflyte and email. Additionally, I look

exciting

do

what

you

love,

that’s

it.

I also check YouTube channels, SoundCloud, you

living

challenge

this

new

and

at

Hypecue?

for music on digital stores like Beatport, Spotify,

Traxsource,

and

Juno,

always

Since I met Ertan Koculu, the prestigious

searching for new inspiration and sounds

DJ and producer and founder of Hypecue,

that can enrich my productions and sets.

I’ve experienced significant growth in my career, especially regarding the global

Can you describe the methods you use

reach of my streams. I started working with

to captivate and attract your audience?

him creating music for Hypecue, and our first collaboration, “Angel Dust,” was a great

Without a doubt, the passion for music is what has allowed me to connect most with my audience and those around me.

success.

We managed to stay

How

in the Top 100 Hype of

with

has

your

workflow

new

changed

technologies?

Progressive House on Beatport for two weeks,

I don’t have much to add about this, I just

reaching

25,

hope that artificial intelligence doesn’t

and we also managed to

surpass humans. I trust that we can use

enter the Top 100 overall

it as a tool for collaboration. Personally,

of Progressive House. This

I have used it mainly to create vocals in

achievement has allowed

Melodic Techno, but I also think it’s very fun

me to secure this interview

to create everything yourself, if possible.

the

Top

with you, Sync Beat Magazine, a highly renowned publication,

Considering

your

role

as

a

DJ

and

which fills me with motivation.

producer, what areas do you consider most

I’m excited to continue working

important for the growth of your career?

with Hypecue and am ready to face any challenge or additional

Promotion

work

Continuing to improve my sound design

that

comes

my

way.

and How

do

you

time

between

divide

and

advanced

music mixing

marketing. techniques.

your

production

What distinguishes you as a DJ? What makes

performances?

you different from others in your field?

I usually spend more time in my

I’m not one of those who only seek to be in

production studio than performing. I

the spotlight to have control over people

love being a DJ, but in my city, being a

or enjoy fame. I do it with a life purpose,

DJ isn’t easy, as they only hire you for 1

a spiritual path of healing and rebirth.

and

or 2 hours, at most 3, from time to time.

As a DJ and producer, I have the advantage I

believe

of

of understanding both worlds. Being a

performances would be about 4 sets a

producer allows me to think like a DJ, and

month. On the other hand, production

as a DJ, I can think like a producer; they are

allows me to invest much more time,

the perfect complement. However, there

enjoy, learn, create, and innovate. For

are producers who don’t understand what

me, producing is a release, a mental

it means to be a DJ, and DJs who know

exercise,

nothing about production.

and

the

an

optimal

number

emotional

therapy.

There are also those who claim to be

Any

famous

you’d

DJs

or

producers

thanks

to

final

thoughts

like

to

or

share

comments with

us?

productions they didn’t create themselves.

While this may sound confusing, it’s the

I want to express my gratitude to all the

reality. However, what’s important is always

people who have supported me and

focusing on the progress of my own path,

believed in this project. I also thank God

comparing my past self to today’s self.

for allowing me to do what I love most: creating music and sharing it with the

Where do you see yourself in 2 to 4 years?

world, bringing joy and healing to people.

What are your professional goals for 2025?

If you’d like to know a little more about I see myself in key cities like Medellín,

what I do, I invite you to check out my set

Miami, Ibiza, and Bali, expanding my reach

“TRXPS at SyncOff Topocoro Boatparty

and connection with the global audience.

2023” on YouTube, recorded in the beautiful locality of Topocoro, near

For 2025, my main goal is to strengthen

my city.

my community and maintain a steady audience across all my digital platforms,

It’s a Sunset Mix that holds a very

achieving higher numbers. Additionally,

special meaning to me, and I

I would love to schedule dates in Europe,

hope you can feel a bit of my love

as I plan to be there next year, which

for music when listening to it.

will present an opportunity to grow further and connect with new audiences.

A hug to everyone, may God bless

If

you

would

weren’t you

be

a

you.

I

am

extremely

DJ,

what

grateful to Sync Beat Magazine

doing

now?

for this wonderful interview.

I’d probably be lost. Music has an immense power to transform and heal, and it can guide us in the right direction when we feel everything is lost. It saved my life.

5 REASONS WHY YOU SHOULD ATTEND

A very powerful and balanced lineup, featuring 999999999, Lee Ann Roberts, Fantasm or Bad Boombox, a great community of ravers, and a perfect venue, like the Carlos Lopes Pavilion for the event, are the key elements of this second edition in Lisboa.

Sound Waves is, without a doubt, the leading festival in Portugal for hard techno.

Following its success in past Winter and Summer editions, February 8, 2025, in Lisbon stands out as an important date for techno lovers and its subgenres, featuring 10 hours of festival from 8:00 PM to 6:00 AM.

1

The return of 999999999 as headliners: Carlo and Giovanni are two icons of the hard techno, acid techno, and neorave scenes. Two years ago, they closed the summer

edition, and now they return with an even more complete new visual show.

2

Female Talent: Sound Waves has always stood out for gender parity in its lineups.

Lee Ann Roberts and Ornella will represent the female side. Lee Ann Roberts, an

icon of the scene who has triumphed in every possible venue, comes to showcase her talent and versatility in Lisbon. Representing her country, we have Ornella, Sound Waves’ resident artist and one of the most prominent names in the schranz sound.

3

Industrial more present than ever: This genre will be represented by two young talents. The great producer and showman Fantasm arrives at the peak of his career

with anthems like Place On Fire, and the force of nature Hades, known for blending demonic melodies as in I Am Everything I Hate.

4

A different touch: Bad Boombox. This act is one of the leading representatives of the techno groove movement and the owner of Hot Meal Records, set to delight

the audience.

5

A magical venue, the Carlos Lopes Pavilion: one of the most iconic and historic buildings in the city of Lisboa.

Sound Waves kicks off 2025 with the Winter Edition in Lisbon, but there’s much more to come. A Sound Waves Invites edition on March 8 at Hard Club in Porto, featuring Winson, Fernanda Martins, Tanja Miju, Negitiv, and Ornella alongside Pestdokter, as well as the date for their highly anticipated festival, celebrating its 20th anniversary on July 5 in Esmoriz.

FIND ME COLD MIND y ALEX YIKKER

Cold Mind and Alex Yikker’s new release, *Find Me*, brings a fresh energy to the Indie Dance genre. Combining smooth electronic rhythms, ethereal melodies, and atmospheric vocals, the track embodies the essence of indie dance music with its captivating grooves and infectious beats. The artists create a perfect blend of emotive depth and dancefloor appeal, making it both introspective and uplifting. *Find Me* is likely to resonate with fans of both chilled, atmospheric sounds and the more upbeat, euphoric vibes of the indie dance scene. The collaboration showcases the talents of both Cold Mind and Alex Yikker, offering listeners a track that’s perfect for both personal listening and club settings.

King, also known as Sampleking, is a prominent DJ and electronic music producer based in Madrid. His career has led him to perform at some of Spain’s most important clubs and festivals,

such

as

Fabrik,

Pacha

Madrid, and various stages in Ibiza.

Additionally, he has participated in international events in countries like the United States, Colombia, France, Russia, and Ukraine, including the renowned

Kazantip

Festival.

He

was the official DJ of the “Pacha Russia Tour” and has performed at

high-profile

events

like

the

White Party Sensation in Russia.

As a producer, he boasts over 120 releases, including vinyl records, CD singles, and compilations, working with

well-known

Universal

Music,

labels

such

Hotfingers,

as and

Deeperfect. He has also collaborated with

other

artists

both

in

the

studio and live. Moreover, he has been an influential figure in the media, contributing to the radio program World Dance Music on Los 40 Principales and appearing on television shows on networks like TVE1, Antena 3, and Tele5.

Throughout received

his

career,

significant

he

has

accolades,

including 2 gold records and 3 platinum records for his compilations “Technics

The

Original

Sessions”,

as well as multiple nominations for Best Spanish DJ and Best Radio Program. For over 9 years, he was affiliated

with

Vicious

Magazine

and Vicious Radio, and he currently leads projects such as “ClubAtlantic Radio”

on

Who

Electronic

Magazine & Radio, with broadcasts reaching

several

cities

in

Spain.

Additionally, he is the co-founder of DropTV, an innovative Spanishlanguage

television

platform

for

electronic music, where he hosts shows like “Droppin’”, “Connected”, and “Reloaded”. His influence and creativity position him as a key figure in the electronic scene both in Spain and internationally.

King, also known as Sampleking, is a true icon in the Spanish electronic as

an

various

music

artist,

scene,

producer,

electronic

music

boasting DJ,

an

extensive

professional

radio

host,

and

content

platforms,

both

written

and

career

director

for

broadcasted.

Since 2020, when the pandemic brought the country (and many others) and the electronic music world to a standstill, he has been involved in numerous projects.

This “forced” reinvention turned out to be an opportunity that he made the most of.

In this more personal interview, the artist shares all the details, inviting readers to discover his past, present, and future projects!

We are thrilled to have you with us.

at

Vicious

Magazine/Vicious

Live

and hosting the Hispanic American We were just talking about how it

Electronic Music Awards in 2019, I

has been almost five years since the

focused on developing a new project

coronavirus brought the entire world

called DropTV alongside Karim Haas.

to a halt, and how artists like you had to adapt to the new situation.

The main idea behind this project

How has this period been for you?

was to produce and broadcast weekly shows featuring artists, live and in-

First of all, thank you for your interest

person, from a studio in Madrid.

in learning more about my projects and for the support I receive on

The lockdown “forced” us to adapt

your social media platforms and in

to the new circumstances, and to

Sync Beat Magazine regarding the

avoid “abandoning” our most loyal

reviews of the tracks I’m producing—

followers, we transformed the concept

fortunately, there are quite a few of

into a daily live interview program

them, and I’ll be sharing more about

with electronic music artists who,

them

due to the situation we were living

throughout

this

interview.

through, were unable to perform.

From 2020 and for several years, the scene came to an almost complete stop worldwide, and its recovery has been slow. But, fortunately, we’ve managed

to

regain

full

stability.

After working for nearly nine years

We know that this didn’t stop you, and as

you

by

mentioned,

redirecting

the

content, you improved the media’s

positioning,

right?

Exactly.

Karim

just

Haas,

days

before the lockdown, traveled to Colombia to host a party with live streaming

and

ended

up

several

being

stuck

there

for

months.

Given

the

situation, we had to

W

e

transform the content on DropTV, and

w e r e

we decided that he would be in charge

nominated

of producing the live shows with guests,

for “Best Live

while I would focus on scheduling the

Streaming”

artists and additional content such

by

specialized

as music videos, interviews, reports,

media

outlets

and

electronic

advertising

for

collaborators…

in music.

this way, we managed to create a true live TV show, about an hour long.

In the meantime, you were aware that in other countries, the

When the de-escalation began, we

restrictions that we had in Spain

had the opportunity to do several

didn’t exist. What did you do then?

live streaming sessions: the first one with Edu Imbernon in Mallorca, and

It really surprised me, but I seized

the second from the top of Castillo

the opportunity. Due to personal

de Cullera with Marc Marzenit and

reasons and the stagnation of the

Mendo,

electronic scene in Spain, I decided

under

the

series

“Aüra”.

to move to the Russian Federation.

Exactly,

the

streams

continued

until

my

live

partner

decided to leave Spain for Colombia, where he settled, built a video and sound studio, and opened a successful club in the city of Medellín alongside

I

and

outrage

Russian

performances

DropTV

Eastern

Europe.

Its

current

country,

concept is collaboration with artists

received

and audiovisual media like Woxe Radio

(with

live

streaming

from

the Shambala Studios and their

in

events), and it has become a hub

expressing

for audiovisual content, especially

frustration

on

YouTube

and

Instagram.

because

Federation,

were

everything,

in

they knew that here in the

Despite

artist.

in this

based

their

Colombian

remains active from my location

messages from Spain

a

Once

constant artists

Levanah,

possible

We know you had temporarily put your producer role on hold, but you’ve decided to resume it again…

in clubs and festivals, while in Spain, the activity was non-existent.

That’s right. So far, I’ve released over 150 vinyls, numerous compilations,

In Russia, you continued developing

and CDs. Those who follow me

and

know

expanding

DropTV,

live

streams, and performing at clubs and

festivals

in

the

country…

that

I

keep

everything.

I also had a record label on Beatport,

When I decided to be between the

which, due to a lack of time, I couldn’t

two

fully

Vicious

a situation could arise, but I had to

Magazine, and I had to close it. However,

adapt to it. I’ve never been a very

fortunately, after the pandemic and with

political

my new location, I resumed it by releasing

on purely musical and artistic matters.

develop

when

I

joined

countries,

I

person;

never

I’ve

thought

always

such

focused

several tracks on different labels. Some of them were collaborative, and others solo.

Focusing on the present, how are you developing your artist career nowadays?

Just two years after being between Spain and Russia, the current conflict in the

Currently, I’m focused on DropTV, artistic

region began... Has this affected you?

production,

and

performances

across

this part of Europe and in other Anyone who knows me knows that I’ve

countries

like

Uzbekistan,

been traveling to Russia since the year 2000.

I have friends here and have performed

I’m present in the best

in many clubs across different cities.

clubs and festivals during

This part of the world has always fascinated me due to its magic, traditions, musical culture, etc. For me, there has never been any kind of cultural shock or anything like that.

every

summer

etc.

season,

so

continue

I’m

very

evolving

as

happy an

to

artist.

specifically which

talking changes

about

Ibiza,

the

story.

One must evolve, always look forward,

Spain is “anchored” in the past. It’s

and, most importantly, reinvent oneself!

stuck in “Remember,” Techno, and Tech House, which I don’t criticize because

What is the electronic music scene like

it’s good to remember where you come

in Eastern Europe, and what stands

from and who you were. But the present

out most to you about the audience

is what we must focus on, center our

and

locations?

attention on it, and look to the future.

The people I talk to are convinced that

Currently, there are hardly any electronic

electronic music is deeply rooted in

music radio stations. The clubs and festivals

Spain, and I can’t help but agree.

are “Remember” or limited to bringing

However, it’s true that when

the “same names” year after year, without

they refer to Spain in

giving opportunities to new artists, of whom

a general sense,

there are many and they are very talented.

clubs

in

all

these

they

are

Musical recycling is essential in all areas of life, and even more so in the electronic scene.

Honestly, the Eastern European scene has nothing to envy about the one in Spain.

Here, I find a thirst for knowledge, new artists, new music, new trends…

They are richer in trends and genres that are currently on the rise, such as Afro, Melodic Techno, Melodic House, Indie Dance… genres that in Spain you only find in Ibiza, basically.

In fact, I’m focused on these genres, producing music across all styles with

truly

spectacular

results.

The audience, the clubs, and the festivals

in

infinitely

more

Which

Eastern

record

Europe

musical labels

have

culture. are

you

currently releasing your music with?

Over the past 4-5 years, I’ve released music with several labels. I started by releasing with Sumision, a Spanish label.

I’ve also worked with Symmetic (a label based between Germany and Poland, owned by the great Marc Van Linden and Ewelina Koll), Triple Moon (Israel), MSolDeep, and HypeCue. With the latter, owned by Ertan Koculu, a great artist and friend, I’ve released my most recent tracks, “SI AI” and “Acid Dreamstate.”

Although it’s Tibetania, the label where I release most of my tracks regularly.

I

truly

They in

appreciate

frequently their

their

include

support.

my

tracks

and

the

compilations,

relationship with the artists is excellent.

Tell us about “ClubAtlantic Radio Show.”

This radio project has been on air for over 25 years, uninterrupted, and has been broadcast

on

some

which

while

of

others

various are

radio still

have

stations…

operational, disappeared.

It is currently broadcast live every Monday on different radios worldwide. In Spain, it airs on BeachGrooves Radio on the Costa del Sol, Sync Beat Radio (the radio of your publication), Fresh Radio in Mar del Plata (Argentina), and Fusion Radio, the most important radio station in the Russian Federation.

In recent months, “ClubAtlantic,” in its more intimate and special version, has been airing on a new radio station in Ibiza called “Ibiza Orgánica.” It has two FM frequencies on the island, mobile apps, is broadcast in web-player format, and is available via DAB+ system on TDT in cities like Madrid, Ibiza,

Valencia,

Alicante,

Murcia,

etc.

This station is making a huge impact for its “Top” content and its working philosophy.

Year 2025… Can you give us a preview of what you have planned for the new year?

I’ve already planned 2025 several months ago.

The new year began excellently with a headliner performance at the “Technotau” festival, held at the Arkhiz ski resort in the Caucasus Mountains. It was spectacular!

I have several trips planned to Spain, where I will host some parties, in addition to continuing to perform at the best clubs and festivals in Eastern Europe.

My goal is to produce and release at least one track per month, which will allow me to complete 12 tracks in 12 months,

all

with

good

promotion.

Of course, I will continue collaborating with

the

booking

and

management

agency I’m currently with, Medïterränean Promo Group, which has agents in Eastern Europe (Dikiye Sound) and collaborates with Rehucoa Agency in Spain, as well as with Creative Events Promoter in Europe, the Middle East, and South Africa.

They

treat

me

very

well,

and

they

do

an

exceptional

job.

Now, readers have direct access to all the

information

about

what

you’ve

been doing in recent years and what you’re currently working on. But is there anything else you’d like to add that hasn’t been mentioned during the interview?

First of all, I want to thank the team at Sync Beat Magazine for giving me this window of communication to the world, and taking this opportunity, I’d like to encourage those who for different reasons lost track of me to enjoy reading this interview the same way I enjoyed doing it. I also don’t want to forget every single one of my loyal followers, who are many, and despite everything that’s happened in recent years, they continue to enjoy my passion by my side.

I also encourage everyone to follow me on my social media (Instagram, Facebook, and Threads) and on my YouTube channel, where I post interesting audiovisual content about my travels, performances, and other curiosities related to my journey as an artist.

See you on the dance floors!

The festival will take place on October 10th and 11th at the IFEMA MADRID Fairgrounds.

Time Warp returns to Spain for its second edition. After its debut experience in October 2024 as part of the brand’s 30th anniversary celebration, Time Warp Spain confirms its second edition once again in October in the capital. A weekend dedicated to techno in two independent pavilions at the IFEMA MADRID Fairgrounds.

The first edition of this international brand made a strong statement, with a lineup spread across two independent stages and a top-tier production that marked the brand’s debut in Spain. Now, it returns in 2025, on Friday, October 10th, and Saturday, October 11th, 2025.

The Time Warp event in the capital will once again be held at the IFEMA MADRID Fairgrounds, a regular venue for cuttingedge advanced music projects in Madrid. Time Warp will take over two interconnected pavilions, including the largest space at the fair, creating a first-class setup and an atmosphere fully

dedicated

to

techno

over

two

consecutive

nights.

The Time Warp concept was born in 2004, and throughout its long trajectory, it has carved out its own space as a brand focused on techno and high-level production in the international scene, celebrating its 30th anniversary in style. Time Warp is returning to Madrid for its second edition, once again exceeding all expectations.

Spicy Jam by Karretero Included in MÜSE’s Best of the Year Compilation Dennis Cruz’s label features the Madrid-based

artist’s

track

in

its New Year’s Eve Compilation, available since December 27, 2024.

As a summary of the productions from 2024, Müse presents its New Year

Compilation,

tracks

from

showcasing

notable

names

such as Fer BR, LondonGround, Misha,

and

Gauss.

these

standout

Among

productions

is

the Original Mix of Spicy Jam by

Madrid

The

DJ

streak

producer

Karretero.

and

producer

has

following

his

recent

Overtones,

and

Techaway

maintained in

a

strong

release

collaborations

with

Stereo,

November

and

December.

This hypnotic track delivers a unique sonic progression, capturing an authentic club atmosphere. A dancefloor-centric hit, Spicy Jam stands out as one of Müse’s top productions of the year.

King

a.k.a

Sampleking,

a

Spanish

producer and DJ, has unveiled his latest release titled *Acid Dreamstate*, a track that immerses listeners in the world of Progressive House. Known for blending deep, atmospheric elements with vibrant beats, King’s new single explores an acid-infused soundscape, pushing the boundaries of the genre while staying true to its roots.

“Acid

Dreamstate”

carries

a

driving

bassline and intricate synth work, layered with hypnotic acid grooves that gradually build into an uplifting and energetic drop.

The track blends rhythmic complexity with emotive melodic elements, creating an immersive experience that evokes a sense of dream-like euphoria and forward momentum. Fans of Progressive House will appreciate the deep, evolving arrangement that keeps the listener engaged from start to finish, with moments of tension and release that are characteristic of the genre.

This release further solidifies King a.k.a. Sampleking’s reputation for creating innovative, emotionally charged dance music that resonates on the dancefloor while maintaining a distinct signature sound that stands out in the Progressive House scene.