Chaotic Noir Annotated Process Journal (ANPJ)

GR 425 01: Visual Systems 2 Annotated Process Journal (ANPJ) Instructor: Hunter Wimmer

A Quentin Tarantino Film Festival

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ANnotated Process Journal

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table of contents INITIAL RESEARCH

DELIVERABLES

DIRECTOR BIOGRAPHY FILMOGRAPHY DESIGN BRIEF PLOT GRAPH DIRECTOR CONNECTIONS FILM MOOD BOARDS

BUSIENSS IDENTITY POSTERS SOUNDTRACKS APP SCHEDULE SOCIAL MEDIA TICKETS WEBSITE ADVERTISEMENTS CATALOG

SYSTEM DEVELOPMENT VISUAL BUCKETS

EVOLUTION OF BUCKETS

IDENTITY SKETCHES FINAL LOGO GRAPHIC ELEMENT

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INITIAL RESEARCH DIRECTOR BIOGRAPHY FILMOGRAPHY DESIGN BRIEF PLOT GRAPH DIRECTOR CONNECTIONS FILM MOOD BOARDS

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DIRECTOR QUENTIN TARANTINO Born in Tennessee in 1963, Quentin Tarantino moved to Cali-

Tarantino's love of movies led to a job in a video store, during

fornia at age 4. At 14 years old, Tarantino wrote one of his

which time he wrote the scripts for True Romance and Natural

earliest works, a screenplay called Captain Peachfuzz and the

Born Killers. Tarantino’s directorial debut came with 1992’s

Anchovy Bandit, based on Hal Needham's 1977 film Smokey

Reservoir Dogs, but he received widespread critical and com-

and the Bandit starring Burt Reynolds. The summer after his

mercial acclaim with Pulp Fiction (1994), for which he won an

15th birthday, Tarantino was grounded by his mother for

Academy Award for best screenplay.

shoplifting Elmore Leonard's novel The Switch from Kmart.

He was allowed to leave only to attend the Torrance Community Theater, where he participated in such plays as Two Plus Two Makes Sex and Romeo and Juliet. At age 15, Tarantino dropped out of Narbonne High School in Harbor City, Los Angeles. He then worked as an usher at an adult movie theater in Torrance, called the Pussycat Theater. Later, Tarantino attended acting classes at the James Best Theatre Company, where he met several of his eventual collaborators.

While at James Best, Tarantino also met Craig Hamann, with whom he would collaborate to produce his first film in 1987.

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WHY QUENTIN? Tarantino is known for his crude humor, symbolism and violent scenes. However, when observing deeper, Tarantino explores redemption, philosophy and morality within his movies.

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FILMOGRAPHY Reservoir Dogs 1992

Kill Bill Vol. 1 2003

Pulp Fiction 1994

Kill Bill Vol 2 2004

Jackie Brown 1997

Django Unchained 2012

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DESIGN BRIEF The design brief is used to establish the purpose of the festival and its components. The thread of the design brief is the theme of the festival based on five of Tarantino's movies with the theme of redemption.

PURPOSE The purpose of this film festival is to celebrate the works of Quentin Tarantino that focus on the theme of redemption. Below are the titles and subtitles that best describe the overall experience of the festival and the ties to the theme of redemption.

TITLES Chaotic Noir Records and Radicals Underworld Exploits Vengeance Unleashed Redemption Personified Thrills, Steals & Kills

SUB-TITLES “Chaos in the mist of redemption with a side of Tarantino's random conversations” “Experience the underwold, its exploits and seek redemption while challenging philosphical ideas ” “Explore Tarantino's methods of mass restitution and how it feels to receive redemption” “No deed goes unpunished...through the method of Tarantino's madness” “Hell hath no fury like redmeption in the violent eyes of Tarantino ”

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LOCATION/DATES Melody Ranch 24715 Oak Creek, Newhall. The location where Django and Dr. Shultz have their first meeting.

Festival date October 14, 2024 ( October 14 was the release date of Pulp Fiction) the movie that started Tarantino’s career.

POSITIONING / HISTORY OF FESTIVAL

THREAD

This festival will be to celebrate some of Quentin Taran-

A Characters B

of the shadowy underworld/ under-

tino’s prolific works, the movies that really established him

dogs

as a great director and screen play writer. This festival will

they C challenge philosophical ideas, question the

illustrate some of his directorial and storytelling tech-

spiritual, violently challenge enemies along the way

niques. This festival will intrigue audiences because fans of

and E come out on top by doing what’s best for

the movies will be able to come dressed as their favorite

them.

character from one of Quentin’s movies. This ties in the

Target Audience

comic book elements of his movies to the famous comic

People who consider themselves the underdog and are

con convention.

looking for redemption in their personal life.

receive redemption. During their journey

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PLOT GRAPH The plot graph illustrates the relationship between time and redemption and the amount of time it would take for Tarantino's protragonist to achieve redemption. The plot graph is based on the thread (theme) of Tarantino's movies.

THREAD (THEME) A

Characters of the shadowy underworld/ under-

dogs they

B C

receive redemption. During their journey challenge philosophical ideas, question the

spiritual, violently challenge enemies along the way and

D

come out on top by doing what’s best

for them.

C

REDEMP TION

D

A

B

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Director’s Connections Connections of director Quentin Tarantino’s connections.

Writers, directors, art directors, and influences that connect the two together.

DIRECTOR He is known to fans of cult horror films for the handful of 1960s horror movies he directed, some co-directed with his friend Eddie Romero

DIRECTOR Quentin Tarantino drew on Twilight People as an inspiration for his

Ser ian and as t gh

“grindhouse” homages.

DIRECTOR Cirio Hermoso Santiago was a prolific Filipino film producer, director, writer and cinematographerIn the 1970s, he directed mostly English-language action/adventure films.

Um Pulp F

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CINEMATOGRAPHER Robert Richardson filmed The Hateful Eight Django Unchained Once Upon a Time in Hollywood Inglorius Basterds Kill Bill vol 1 & 2

WRITER Roger Avary co-authored Pulp Fiction with Tarantino which won best screenplay at the Academy Awards WRITERS CINEMATOGRAPHERS

MUSIC

DIRECTOR rgio Leone was an Italfilm director, producer d screenwriter, credited the creator of the Spahetti Western genre.

COLLABORATORS & PREFERRED ACTORS

COMPOSER Ennio Morricone was an Italian composer, orchestrator, conductor, and trumpeter.

R&B OLDIES Al Green is heard in Pulp Fiction and the DelFonics 60’S SURF ROCK is played in Jackie Brown.

Rock music associated with surf culture, particularly as found in Southern California.

“Miserlou” by Dick Dale and the Deltones becomes Pulp Fiction’s theme. “Stuck in the middle” in Reservoir Dogs.

EDITOR Sally JoAnne Menke was an American film editor, who worked in cinema and television.

COUNTRY MUSIC Johnny Cash’s “Tennessee Stud” is found in Jackie Brown.

ACTOR ma Thurman Fiction, Kill Bill Vol. 1&2

DIRECTOR Robert Rodriguez Co-directed Sin City, Death Proof, Grindhouse & Four Rooms

ACTOR Samuel L. Jackson Pulp Fiction, Jackie Brown ACTOR Harvey Keitel Reservoir Dogs, Pulp Fiction

DIRECTOR Tarantino co-authored the screenplay for True Romance, directed by Tony Scott

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FILM MOOD BOARDS The following are mood boards that consist of images from the film.

These films are a part of the Chaotic Noir film festival and best represent the theme of redemption for the festival.

th

PULP FICTION Samuel L. Jackson and John Travolta, two gangsters that enjoy sharing philosophical ideas and rhetoric encounter other misfits Bruce an ex-boxer that works for Wallace, Mia, Wallace’s wife who has a drug problem and doesn’t like to be alone, face trials and tribulations that test their morals and ethics, leading to their redemptions or fates.

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KILL BILL VOL. 1 After awakening from a four year coma, an ex assassin seeks vengeance on a team of assassins who’ve betryaed her.

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KILL BILL VOL. 2 Bill’s bride continues to seek vengeance against Bill, her former lover and boss, bouncer Budd and one-eyed Elle.

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JACKIE BROWN Jackie Brown, a flight attendant, smuggles money from Mexico into the United States for Ordell Robbie, a gun runner in Los Angeles.

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DJANGO UNCHAINED A freed slave rescues his wife from a plantation owner in Mississippi with the help of a German bounty-hunter.

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SYSTEM DEVELOPMENT VISUAL BUCKETS EVOLUTION OF BUCKETS IDENTITY SKETCHES FINAL LOGO GRAPHIC ELEMENT

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VISUAL BUCKETS

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Photo Style Macro Black & white Nostaligic

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PHOTOGRAPHY BUCKETS

Photo 2 Black and White Noir Exploitation

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Photo 3 Blood Violent

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VISUAL BUCKETS A refined collection of photo, graphic and typography pulls that relate to spiritually descriptive keywords that best describe the director's work and are implemented within the visual system of the Chaotoic Noir festival.

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Typography Style Bold Chaotic Vertical stretched

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EVOLUTION OF BUCKETS

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Graphic Style Screen tone Duo tone Minimal

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GRAPHIC ST YLES

Graphic Style 1 Duotone Halftone

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Graphic Style 2 Minimal Modern Shapes

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SKETCHES Identity sketches for the Chaotic Noir logo.

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SKETCHES Refined computer sketches for the Chaotic Noir logo.

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FINAL LOGO The final logotype illustrates the roller coaster ride Quentin Tarantino's movies take the viewer on. Contrast of thin and thick typefaces shows the intense experience of Tarantino movies depicted by the top typeface and the bottom bold typeface exhibits a nod toward old noir films.

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LOGO TYPEFACES

SYSTEM TYPEFACES AKU & KAMU Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1234567890

SYSTEM TYPEFACES RUBIK MEDIUM Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1234567890

RUBIK ITALIC

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1234567890 GR425 Visual Communications 2 | Fall 2021

GRAPHIC ELEMENT The graphic element of the line seen within the system is inspired by modern and minimal Swiss design. This element is used to align type above and below it and to the right and left of it.

*Images shown illustrate where the graphic element can be found within the system. Top Right: Social Media, Poster, Soundtrack, Business Identity, App, Website.

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GUIDED NARRATIVE The guided narrative

DIRECTOR QUENTIN TARANTINO

THREAD A Characters

of the shadowy underworld/ underdogs B receive re-

demption. During their journey they C challenge philosophical ideas, Festival Name Pulp Redemption

question the spiritual, violently challenge enemies along the way and E come

out on top, doing what’s best for them.

Chromatic Restoration

FILMOGRAPHY

GUIDING NARRATIVE Thread // Everyone wants redemption...but it’s how we find it that makes us

Reservoir Dogs 1992 Pulp Fiction 1994

Who // I’m a person scorned, seeking vengeance for the wrong that’s been done to

Jackie Brown 1997

me by the antagonist

Kill Bill Vol. 1 2003

Where // ... I’m headed their way to pay them a visit to settle a score

Kill Bill Vol 2 2004

What // ...the antagonist waits for me armed with a gun, and the sound of music

Death Proof 2007 Inglorious Bastards 2009 Django Unchained 2012 The Hateful Eight 2015 Once Upon a Time in Hollywood 2019

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unique.

plays in the background.

Master Board Photo / Level 1

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Master board photo / Level 2

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Master board photo / Level 3

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QUENTIN TARANTINO

FILM SELECTIONS Pulp Fiction 1994

Kill Bill Vol. 1 2003

Jackie Brown 1997

Kill Bill Vol 2 2004 Django Unchained 2012

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R E D E MP T I O N

T IME

CHAOTIC NOIR, Melody Ranch 24715 Oak Creek, Newhall. The location where Django and Dr. Shultz have their first meeting. Schmid Ranch is the film location of The Hateful Eight. The date of the festival October 14 was the original release date of Pulp Fiction, the movie that started Tarantino’s career.

GUIDING NARRATIVE Thread // Everyone wants redemption...but it’s how we find it that makes us unique.

Who // I’m a person scorned, seeking vengeance for the wrong that’s been done to me by the antagonist Where // ...as I’m headed their way to pay them a visit to settle a score What // ...the antagonist senses I’m coming and calmly waits for my arrival before we battle it out one last time...the antagonist dying at the hands of my gun and me with redemption on my mind.

THREAD A

Characters of the underworld/ underdogs

tion. During their journey they

C

B

receive redemp-

challenge philosophical ideas,

question the spiritual, violently challenge enemies along the way and

E

come out on top, doing what’s best for them.

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MATERIALS NARRATIVE The materials narrative are physical materials that could be used within the visual system such as paper, tape, a polaroid etc. My system does not have these elements, so I placed my updated graphic style that best represents the system instead.

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Graphic Style Modern Shape Halftone

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CONTENT GATHERING Content gathering is a collection of information for the catalog that consists of movie reviews, plot synopsis, cast and crew etc.

PLOT The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

TECHNICAL INFORMATION Directed by Quentin Tarantino Writers Quentin Tarantino & Robert Avery Music Rock n’ roll, surf rock, pop, soul, country Cinematographer Andrzej Sekula Release Date October 14, 1994 Running time 2hr 45min Location Glendale, Los Angeles, North Hollywood, Beverly Hills, and Hawthorne, California, USA

PULP FICTION

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CAST UMA THURMAN MIA SAMUEL L. JACKSON Jules Winnfield JOHN TRAVOLTA Vincent Vega MARIA DE MADEIROS Fabienne BRUCE WILLIS Butch TIM ROTH Pumpkin VING RHAMES Marcellus Wallace AMANDA PLUMMER Honey Bunny

REVIEWS “Quentin Tarantino’s retro-fetishism was the future of American cinema.” - Adam Nayman The Ringer “It’s full of perfect Tarantino moments, with meta references, B-movie sleaze and a sheer sense of fun.” - Jay Carr Boston Globe “A seminal piece of filmmaking, perfectly capturing its era and a zeitgeist, while also being oddly timeless in terms of its neocrime, post modern, darkly comic approach.” - Tony Black Cultural Conversation “Pulp Fiction actually uses its non-linear story telling structure to hinge its entire complex narrative around one man’s redemption in light of a divine intervention.” - Ed Travis Hollywood Jesus

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CONTENT GATHERING PLOT Jackie Brown, a flight attendant who gets caught smuggling her boss’s gun money on the airline she works for. Luckily for her, Fed Ray Nicolet and L.A. cop Mark Dargus decide to team up in order to arrest the arms dealer she works for, whose name they don’t even know. Max Cherry, her bail bondsman, falls in love with her.

Jackie comes up with a plan to play the Feds off against Ordell and the guys he works with-Louis Gara and Melanie Ralston, among others-and walk off with their money. But she needs Max’s help.

No one is going to stand in the way of his million-dollar payoff.

TECHNICAL INFORMATION Directed by Quentin Tarantino Writers Quentin Tarantino Music Robert Rodriguez, Nora Orlandi, RZA Cinematographer Robert Richardson Release Date December 25, 1997 Running time 2hr 35min Location South Bay area of Los Angeles, around Los Angeles International Airport (LAX)

JACKIE BROWN

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CAST PAM GRIER JACKIE BROWN SAMUEL L. JACKSON Ordell Robbie ROBERT FORESTER Max Cherry MICHAEL KEATON Ray Nicolette ROBERT DENIRO Louis Gara CHRIS TUCKER Beaumont Livingston

REVIEWS “The tale is filled with funny, gritty Tarantino lowlife gab and a respectable body count, but what is most striking is the film’s gallantry and sweetness.” - David Ansen Newsweek “A twisty comedy of betrayal and greed.” - Michael Wilmington Chicago Tribune “Loaded with all the crisp dialogue, trademark camera work, and memorable characters that we’ve come to expect from every Tarantino film.” - Jason Zingale Bullz-Eye.com

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CONTENT GATHERING PLOT A former assassin, known simply as The Bride (Uma Thurman), wakes from a coma four years after her jealous ex-lover Bill (David Carradine) attempts to murder her on her wedding day. Fueled by an insatiable desire for revenge, she vows to get even with every person who contributed to the loss of her unborn child, her entire wedding party, and four years of her life. After devising a hit list, The Bride sets off on her quest, enduring unspeakable injury and unscrupulous enemies.

TECHNICAL INFORMATION Directed by Quentin Tarantino Writers Quentin Tarantino & Robert Avery Music Rock n’ roll, surf rock, pop, soul, country Cinematographer Andrzej Sekula Release Date October 14, 1994 Running time 1hr 51min Location Glendale, Los Angeles, North Hollywood, Beverly Hills, and Hawthorne, California, USA

KILL BILL VOL . 1

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CAST UMA THURMAN MIA

REVIEWS

VIVICA A. FOX Vernita Green LUCY LIU O-Ren ishi DAVID CARRADINE Bill BRUCE WILLIS Butch DARRYL HANNAH Elle Driver CHIYAKI YURIKAMA Gogo Yubari

“The violent set-pieces and bloodshed take more of a “Mr. Orange” backseat - but equally bloody - ride in The Bride’s second outing as Tarantino doubles down on what he does best: emphasising everything that makes his larger than life characters tick..” - Howard Gorman NME

JULIE DREYFUS Sofie Fatale

“A gleefully ultraviolent homage to the B-movie martial arts films of the 1970s. It’s pure bloody pulp fiction packed into a tightly wound feature.” - Michael Compton Bowling Green Daily News “Visually striking, but also very violent.” - Nell Minow Common Sense Media

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CONTENT GATHERING PLOT The Bride (Uma Thurman) picks up where she left off in volume one with her quest to finish the hit list she has composed of all of the people who have wronged her, including ex-boyfriend Bill (David Carradine), who tried to have her killed four years ago during her wedding to another man. Leaving several dead in her wake, she eventually tracks down Bill in Mexico. Using skills she has learned during her assassin career, she attempts to finish what she set out to do in the first place.

TECHNICAL INFORMATION Directed by Quentin Tarantino Writers Quentin Tarantino Music Robert Rodriguez, Nora Orlandi, RZA Cinematographer Robert Richardson Release Date April 16, 2004 Running time 2hr 17min Location Beijing, China; Lancaster, Los Angeles, and Victorville, California, USA; Careyes, Jalisco, Mexico

KILL BILL VOL . 2

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CAST UMA THURMAN MIA DAVID CARRADINE Bill DARYL HANNAH Elle Driver MICHAEL MADSEN Budd

REVIEWS “The best “Kill Bill” so far and very different from the first. It is extremely well written and balances out Vol. 1’s delightfully over-the-top style with some serious character development and some very bold and epic cinematography. This is a film that brilliantly examplifies QT’s versatility as a writer/director, as well as his deeply auspicious understanding of film.” - Super Reviewer “This is a movie of head-spinning richness.” - Glenn Kenny Premiere Magazine “Wildly entertaining and smart, the Kill Bill movies are full of genre-loving savvy, grind-house vigor and liberating energies..” - Robert Denerstein Denver Rocky Mountain News

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CONTENT GATHERING PLOT With the help of a German bounty-hunter, a freed slave sets out to rescue his wife from a brutal plantation-owner in Mississippi.

TECHNICAL INFORMATION Directed by Quentin Tarantino Writers Quentin Tarantino Cinematographer Robert Richardson Release Date December 25, 2012 Running time 2hr 45min Location Grand Teton National Park

DJANGO UNCHAINED

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CAST JAIME FOX DJANGO CHRISTOPH WALTZ Dr. King Shultz LEONARDO DECAPRIO Calvin Candie SAMUEL L. JACKSON Stephen KERRY WASHINGTON Broomhilda

REVIEWS “Quentin Tarantino has made a spaghetti western and crosspollinated it with a blaxploitation picture, but it’s fully formed, unapologetic and easily one of the best popcorn flicks of the year.” - Tom Charity CNN.com “Bold, original, mesmerizing, stylish and one hell of a piece of entertainment.” - Rex Reed Observer “An almost entirely enthralling piece, oozing with thoughtful gore, a wildly unique style, and curious characters all of which could only come together so well through notably cohesive filmmaking” - Perri Nemiroff Shockya.com

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SCHEDULE

SYSTEM

APP

Festival identity consists of a busi-

5 screens. About the festival, sched-

ness card, envelope and stationary.

ule, movie line up, tickets, map

PASSES

PRODUCTS

Festival passes. One will be a VIP

Gun or knife keychain. A T-shirt,

package and the other will be a gen-

socks (Tarantino's foot fetish theme).

eral admissions pass. The VIP pass gives access to a meet and greet with Tarantino.

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WEEK 1

DIRECTOR SELECTION

WEEK 2-5

ROADMAPPING

POSTER

CATALOG

WEB

SYSTEM

PASSES

SCHEDULE

APP

LINKSITE

PRODUCTS

WEEK 5

WEEK 6

WEEK 7 WEEK 8

WEEK 9

WEEK 10 WEEK 11

WEEK 12 WEEK 13

WEEK 14

WEEK 15

DEVELOP

DESIGN

DEPLOY

FINAL

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CATALOG STRUCTURE The following are icons of the catalog structure.

MOVIES Movie 1: Pulp Fiction Movie 2: Jackie Brown Movie 3: Kill BIll Vol. 1 Movie 4: Kill Bill Vol. 2 Movie 5: Django Unchained

PAGNATION Tarantino's Themes/ What makes a Tarantino film...well a Tarantino Film Director biography/ Tarantino's early childhood & career Filmography/ Movies in the festival, along with honorable mentions Movies/interviews/ Tarantino and actor interviews about movies within the festival, their experience, the character themselves etc.

Synopsis of each movie & lead characters & their their relations to other characters & the actors who play them Movie release dates Song(s) played within the movie (some songs have become synonymous to Tarantino's movies i.e. "Miserlou" for Pulp Fiction and the "Whistle Song" in Kill Bill.

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BC

TITLE

TABLE OF

DIRECTOR

CONTENTS

FC

BC

FC

TARANTINO'S

TARANTINO'S

DIRECTOR

DIRECTOR

THEMES

THEMES CON'T

BIOGRAPHY

BIOGRAPHY CON'T

BC

NOMINATIONS

FC

NOMINATIONS CON'T

BC

BC

MOVIE 1

PULP FICTION

PULP FICTION

BC

MOVIE 2

MOVIE 2

INTERVIEW ABOUT

JACKIE BROWN

JACKIE BROWN

JACKIE BROWN

BC

FC

MOVIE 4

MOVIE 4

KILL BILL VOL. 2

KILL BILL VOL. 2

BC

BC

IMAGE

FC

INTERVIEW ABOUT IMAGE DJANGO

BC

FC

IMAGE

TIMELINE

BC

IMAGE

FC

INTERVIEW ABOUT PULP FICTION

BC

FC

MOVIE 3

MOVIE 3

KILL BILL VOL. 1

KILL BILL VOL. 1

FC

BC

FC

INTERVIEW ABOUT

MOVIE 5

MOVIE 5

KILL BILL VOL. 1

DJANGO

DJANGO

UNCHAINED

UNCHAINED

FC

BC

FESTIVAL

FESTIVAL

CLOSING RE-

SCHEDULE

SCHEDULE

MARKS/ TARAN-

FC

END

TINO QUOTES

UNCHAINED

BC

FILMOGRAPHY/

FC

IMAGE

INTRODUCTION

BC

FC

MOVIE 1

FC

IMAGE

FC

BC

FC

BC

FC

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DELIVERABLES BUSIENSS IDENTITY POSTERS SOUNDTRACKS APP SCHEDULE SOCIAL MEDIA TICKETS WEBSITE ADVERTISEMENTS CATALOG

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BUSINESS IDENTIT Y The business identity is designed for potential venues/companies to reach out to the director of the festival for future ventures.

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POSTERS Posters for the festival inspired by Swiss design.

Macro crops of images are a nod towards the macro shots of Quentin Tarantino.

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SOUNDTRACK Soundtracks made for the movies in the festival continued in the Swiss design. Music is a major component in Tarantino's movies.

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SOUNDTRACK CON'T

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APP The app helps festival goers and those curious about the festival buy tickets, merch and view the schedule of film screenings and the map.

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APP CON'T

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SCHEDULE This schedule is given to attendees of the festival and lets them know when each feature film is showing. The back is a poster.

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SOCIAL MEDIA Social media holds updates about the festival and lets Tarantino fans connect with one another.

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SOCIAL MEDIA CON'T

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TICKETS Admission tickets for the festival. The red is for general admission and the yellow is for VIP.

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WEBSITE Similar to the app, the website allows users to buy tickets, merch, have access to the schedule and find important information about what is allowed at the festival and festival entry guidelines.

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WEBSITE CON'T

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ADVERTISEMENT Advertisements are designed similar to the posters and are used to announce the arrival of the festival.

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CATALOG Catalog for the films of Quentin Tarantino.

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CATALOG CON'T

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