Sworders Modern British and 20th Century Art Wednesday 10 June 2020

MODERN BRITISH AND 20TH CENTURY ART

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Wednesday 10 June 2020

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Modern British and 20th Century Art Wednesday 10 June 2020

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MODERN BRITISH AND 20TH CENTURY ART Live Online – Wednesday 10 June 2020 at 10am ORDER OF SALE Lots 1 - 29 The Tony Venison Collection

Lots 30 - 354

Modern British and 20th Century Art

ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge)

MODERN BRITISH ART – PART 2 Timed Auction online at www.sworder.co.uk Friday 29 May to Sunday 14 June

FURTHER INFORMATION Contact:

Jane Oakley Specialist

Amy Scanlon Specialist

Telephone: 01279 817778 Email: auctions@sworder.co.uk

To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk

SECTION THE TONYTITLE VENISON COLLECTION XX-XX 1-29

We are delighted to present for auction works from the estate of Tony Venison. Tony was the Gardens Editor of ‘Country Life’ magazine for many years and visited many of the country’s greatest gardens. Through his interest in horticulture, he became friendly with Cedric Morris. His home, Hill House in Sudbury was a short drive to Cedric’s East Anglian School of Painting and Drawing in Hadleigh near Dedham, and after meeting Morris in 1971, he became a frequent visitor to Benton End. He soon got to know many of the artists living and working there and began to build up his own collection including works by Morris. Tony sought out Cedric Morris as a fellow gardener, and Cedric used to tell him ‘it is such a relief to talk about plants’ (‘Benton End Remembered’, compiled and edited by Gwynneth Reynolds and Diana Grace, Unicorn Press, 2002, p.109). But he also had a huge appreciation of Morris’s paintings. Tony remarked ‘What Cedric strove for in his irises was there in the pictures in his extraordinary colour sense. The colour was so singular they made your eyes pop’. (Ibid, p.112). In the other direction, he was also near to Great Bardfield, another local artistic community where he encountered John Aldridge and the Bawdens. Tony was an avid art collector and over many years amassed an important collection of 20th Century works including works by John Craxton and John Nash. We presented a selection for sale on behalf of Tony in October 2019, however, like any true collector he couldn’t relinquish everything, retaining his favourite pieces as he downsized. Tony sadly passed away shortly after that sale and we now present the remainder of his collection alongside art books from his library.

Lot 1 *John Aldridge RA (1905-1983) BACKS OF GARDENS AND BUILDINGS Pencil 15.5 x 24cm £250 - 350 From the artist’s studio and estate; with the Fry Art Gallery 2010.

There is a similar drawing in the Fry Art Gallery permanent collection cat. no. 2090.

1 Lot 2 *John Banting (1902-1972) LEAVES AND SEED HEADS IN A GEOMETRIC POT Signed and dated 1955 l.r., pencil 25 x 38cm £400 - 600

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Lot 3 *Mary Fedden RA (1915-2012) ‘THE CUT MELON’ Signed and dated 1994 l.r., watercolour 19 x 25cm £800 - 1,200 Provenance: W ith Coram Gallery, London, where purchased by the current vendor in 1994.

Lot 4 *Tessa Newcomb (b.1955) ‘JUDGING RABBITS’ Signed with initials and dated ‘04 l.r., signed, inscribed with title and dated May ‘04 verso, oil on board 21.5 x 37cm £400 - 600

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Lot 5 *Tessa Newcomb (b.1955) ‘CHURCH COTTAGE’ Signed with initials and dated 2002 l.r., also signed, inscribed with title and dated May 2002 on backboard, oil on board 11.5 x 30.5cm £300 - 400

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Lot 6 *John Aldridge RA (1905-1983) ‘LUCIE RUG MAKING’ Bears studio stamp, pencil 18.5 x 24.5cm £150 - 250

Lot 8 *Tirzah Garwood (1908-1951) ‘THE DOG SHOW’ 1929 Numbered 178/500 in pencil, wood engraving 16 x 12.5cm £150 - 250

Lucie Aldridge, (née Brown) the artist’s wife, was a rug designer and maker.

The artist was the wife of Eric Ravilious.

Lot 7 Thirteen books on artists, on Elizabeth Blackadder (2), Reginald Brill, Noel Carrington, Cedric Morris (3), Maggi Hambling (2), Mary Newcomb, Tessa Newcomb (2), Winifred Nicholson £100 - 200

Lot 9 Thomas Hennell (1903-1945) ‘SOLDIERS AND JEEP’ Pen and ink 10.5 x 14.5cm £300 - 400 The estate of the artist’s sister; The Fry Gallery, November Picture Sale 2010.

See Michael Macleod, ‘Thomas Hennell’, Cambridge 1988, ch.5.

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Lot 10 Eight books on John and Paul Nash, including ‘War Through Artist’s Eyes’; ‘Dressing Gowns and Glue’; ‘The Painter as Illustrator’ £100 - 150

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11 Lot 11 *John Craxton RA (1922-2009) ‘LANDSCAPE, LANZAROTE’ 1975 Signed l.l., inscribed on a gallery label attached to the reverse, conté crayon on brown paper 24 x 32.5cm £2,000 - 3,000 Exhibited: C hristopher Hull Gallery, London, 1982 no.33.

Lot 12 *John Nash RA (1893-1977) ‘VILLA, PROVENCE’ c.1970 With studio stamp verso, inscribed on a gallery label attached to the reverse, watercolour 38 x 49.5cm £800 - 1,200 New Grafton Gallery, London 1978.

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Lot 13 *Cedric Morris (1889-1982) ‘SENEGALESE BOY’ Signed and dated ‘21 l.l., oil on board 45 x 34cm £5,000 - 7,000 Exhibited: Tate Retrospective 1984, no.7. Catalogue p.97. An old label states that this work was painted at Tizi-Ouzou, Kabylia.

Philip Mould, ‘Beyond the Garden Wall’, April-July 2018, Catalogue p.19, fig.8.

Like many of us, Cedric Morris was fond of travels to warmer climes and he spent much time around the Mediterranean. In 1921, after relocating to Paris, he travelled to Tizi Ouzou, Algeria, where he found ample variety of subject matter for his paintings. Whilst there he spent time painting the local inhabitants, as well as the exotic plants that so interested him. Morris is best known for his vibrant paintings of flora and landscapes, and it is fair to say that these were his chief areas of interest. However, time spent in Paris had enabled him to enhance his study of human individuals going about daily life in streets and cafes, and he brought this competence with him to Algeria. On the visit to Tizi Ouzou, he made studies of the local people, and his skill at painting the human face and capturing something deeper than just a likeness can be seen in ‘Senegalese Boy’. A slightly disembodied, sculptural quality pervades this work – a quality that can be seen across many of his portraits.

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Lot 14 *Humphrey Spender (1910-2005) ‘SIENA’ Signed, inscribed and dated ‘93 l.l., inscribed on the reverse, crayon and watercolour 10 x 14cm £200 - 300

Lot 15 Richard Bawden: His Life and Work,

by Malcolm Yorke, The Fleece Press 2016, limited edition, hardback 31cm wide 32cm high £100 - 150

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Lot 16 *Richard Bawden (b.1936) ‘BLICKLING’ Linocut printed in colours, signed and inscribed with title in pencil, artist’s proof image 59 x 42cm £200 - 300 Exhibited: Gainsborough’s House, ‘Richard Bawden: A Retrospective’, 2007.

Lot 17 Ten books and pamphlets on Edward Bawden and Eric Ravilious, authors to include: Douglas Percy Bliss; Robert Harling; James Russell; Gill Saunders and Malcolm Yorke; Malcolm Yorke (10) £100 - 150

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18 Lot 18 *Joan Warburton (1920-1996) ‘COTTAGE NEAR FARNCOME, SURREY 1949’ Signed and dated 1949 l.r., and inscribed as titled on the reverse, oil on canvas 39 x 49cm £600 - 800

Lot 19 *Joan Warburton (1920-1996) ‘SUCCULENT ON A CHAIR’ Signed with initials and dated ‘66 l.r., inscribed on artist’s label verso, and verso: STILL LIFE WITH PESTLE AND MORTAR, A DISH OF EGGS AND A WINE BOTTLE Oil on canvas 61 x 51cm £600 - 800

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20 Lot 20 *Joan Warburton (1920-1996) A PORTRAIT OF CEDRIC MORRIS Inscribed ‘Cedric Hadleigh 21.3.43’ l.r., pencil 24 x 19cm £200 - 300 Provenance: W ith James Birch Fine Art, London.

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Lot 21 Eight books on artists at Benton End, including Lucien Freud (3), Kathleen Hale, Glyn Morgan, Cedric Morris (3) £100 - 150

Lot 22 Thirteen books on East Anglian artists and composers, subjects include Benjamin Britten, authors include Ronald Blythe (5), Olive Cook, Ian Collins (13) £100 - 150

Lot 23 Spare lot Lot 24 *Kathleen Hale (1898-2000) ‘CEDRIC MORRIS 1944’ Inscribed and dated ‘Cedric Morris ‘44’, pencil 20.5 x 14cm £200 - 300

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 147-148

1-29 THE TONY VENISON COLLECTION Lot 25 *Paul Hogarth RA (1917-2001) ‘THE BROADGATE, LUDLOW’ Signed, inscribed and dated ‘97 l.r., inscribed on a gallery label attached to the reverse, watercolour over pencil 49.5 x 41cm £200 - 300

25 Lot 26 A Victorian mahogany hall chair, with painted oval flower panel 87cm high £100 - 150

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Lot 27 *Richard Bawden (b.1936) ‘WINTER EVENING’ Etching, signed, inscribed with title and numbered 28/85 in pencil 43 x 37cm £100 - 150

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28 Lot 28 *Maggi Hambling (b.1945) ‘WAVES’ Signed and dated ‘06 on backboard, oil on board 5.5 x 22cm £2,000 - 3,000

Lot 29 *Frank Dobson RA (1886-1963) LANDSCAPE WITH TREES AND CORN STOOKS Signed and dated ‘40 l.r., pen and ink and watercolour 44 x 54cm £400 - 600

From the artist’s series ‘Portraits of the Sea’ miniature no. 39, Peter Pears Gallery, Aldeburgh, 11-30 May 2006.

Dobson was a British artist and sculptor. He began as a painter and his early work was influenced by Cubism, Vorticism and Futurism.

After World War I however, he turned increasingly to sculpture

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Various Properties Lot 30 *John Aldridge RA (1905-1983) ‘CONDEMNED COTTAGES BY THE RIVER PANT’ Inscribed, signed and dated October 1939 verso, oil on board 64 x 79.4cm £2,000 - 3,000 Provenance: W ith Leicester Galleries, London, 1940.

Lot 31 *Mary Newcomb (1922-2008) ‘EWE’ Signed with initials l.r., also signed and inscribed verso, black chalk with coloured washes 21 x 29cm £400 - 600 Provenance: W ith Crane Kalman Gallery, London.

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32 Lot 32 *Olga Lehmann (German, 1912-2001) DANCING FIGURES Signed l.l., gouache and crayon 24 x 74cm £200 - 400

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Lot 33 *Olga Lehmann (German, 1912-2001) ‘ISRAELI GIRL’ Signed l.l., also signed and inscribed verso, oil on canvas laid down on board 42 x 60cm £300 - 500

Lot 34 *John Bratby RA (1928-1992) VENICE BALCONY Signed twice l.l., oil on canvas 76 x 61cm £500 - 700

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35 Lot 35 *Edward Bawden RA (1903-1989) ‘AESOP’S FABLES: THE GNAT AND THE LION’ Linocut printed in colours, 1970, signed, inscribed with title and numbered Artist’s Proof 28/50 in pencil, on wove paper, with margins image 40.8 x 56cm £1,000 - 1,500

Lot 36 *Edward Bawden RA (1903-1989) ‘SUNDAY TIMES PRESS’ Linocut, artist’s proof, signed and numbered 25/50 image 16 x 68.5cm £1,000 - 1,500

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Edward Bawden RA (1903-1989) When Bawden and his friend Eric Ravilious moved to Essex in the 1930s, they gathered a group of fellow artists around them, creating an artists’ community centred around Great Bardfield. The following four lots were among a dozen drawings created by Bawden for use in ‘The English Scene’, a diary and notebook published by textiles firm Morton Sundour Fabrics. At the height of the vogue for the group of figurative artists who lived and worked in and around Great Bardfield, Bawden was invited to illustrate the diary for a number of years in the early to mid 1950s. These date from the edition published in 1955, the year before Bawden was elected as a full Royal Academician.

Interest in Bawden’s work and his life in Great Bardfield (and later in Saffron Walden) has risen again in the past decades. Alongside rising prices for his prints, paintings and drawings, the Morton Sundour Diary and Notebook was republished by the Victoria and Albert Museum in 2012.

Lot 37 *Edward Bawden RA (1903-1989) ‘MORRIS DANCING AT THAXTED’ Signed l.r. and inscribed u.r., pen and ink 27 x 42cm £1,500 - 2,000 Provenance: The Estate of Lady Elizabeth Cavendish CVO.

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Lot 38 *Edward Bawden RA (1903-1989) ‘VILLAGE FETE’ Signed and inscribed l.r., pen and ink 26.5 x 41cm £1,500 - 2,000 Provenance: The Estate of Lady Elizabeth Cavendish CVO.

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30-354 MODERN BRITISH AND 20TH CENTURY ART Lot 39 *Edward Bawden RA (1903-1989) ‘THE PAINTERS’ RIVER, CHELSEA EMBANKMENT’ Pen and ink 24.5 x 27cm £1,000 - 1,500 Provenance: The Estate of Lady Elizabeth Cavendish CVO.

Lot 40 *Edward Bawden RA (1903-1989) ‘GREENHOUSE MANAGEMENT’ Pen and ink 20.5 x 37cm £1,000 - 1,500 Provenance: The Estate of Lady Elizabeth Cavendish CVO.

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Lot 41 *Cedric Morris (1889-1982) GYPSY QUEEN CARAVANS IN A SUSSEX MEADOW Signed, dedicated ‘To Phyllis…’ and dated 1927 l.r., oil on canvas 46 x 59cm, unframed £15,000 - 20,000 The present lot is an early work from 1927, and painted by Morris for his own pleasure.

The dedication in the bottom right-hand corner of the painting ‘to Phyllis from Cedric 1927’ is to the vendor’s mother Phyllis Pitcairn Gage-Brown, who was a childhood friend of Paul Odo Cross, the son of an American heiress and a close friend of Cedric at that time. (See Morris’s portrait of Odo-Cross, 1925, National Museum of Wales).

Gage-Brown owned one of the caravans that appear in the picture and Odo Cross, who was known by the nickname ‘Bud’, the other. It had been the norm for the group to ‘play’ at camping together at Socknersh Manor, the East Sussex estate owned by Cross’s mother. Cross’s gypsy caravan later moved with him to Tidcombe Manor in Wiltshire where he lived with the horticulturalist Angus Wilson. The vendor remembers seeing it when he cycled there from Marlborough for tea in the late 1940s.

It was Wilson who first introduced Morris to the possibilities of iris breeding in 1934.

Irises would become his great passion; while painting and teaching, he cultivated more than ninety new named varieties, many carrying the prefix ‘Benton’. At the time the picture was painted, Morris was working from a studio at Great Ormond Street and had joined the Seven and Five Society of London painters and sculptors.

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Lot 42 Allan Douglas Davidson RBA ROI (1873-1932) BEDTIME Signed l.l., oil on canvas 81 x 67cm £1,000 - 1,500

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Lot 43 *Orovida Camille Pissarro (1893-1968) PORTRAIT OF A LADY HOLDING FLOWERS, BUST LENGTH Signed and dated 1953 u.r., oil on canvas 61 x 51cm £400 - 600

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Lot 44 *François Gall (French, 1912-1987) EUGÉNIE IN THE PARK Signed l.l., oil on board 22 x 27cm £2,000 - 3,000 Sold together with a letter of authenticity from the Comité François Gall confirming the authenticity of the work.

Provenance: Christie’s, London, 7 April 2014, lot 153; Sotheby’s, New York, 16 February 1999, lot 105.

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Lot 45 *William Lee Hankey RWS ROI (1869-1952) A STREET IN GRANADA Signed l.r., oil on canvas 51 x 61cm £1,500 - 2,000

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Lot 46 *William Lee Hankey RWS ROI (1869-1952) MARKET PLACE AT CATHEDRAL, GRANADA Signed l.r., oil on canvas 51 x 61cm £1,500 - 2,000

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47 Lot 47 *Marcel Dyf (French, 1899-1985) LE SEREIN À CHABLIS Signed l.r., oil on canvas 60 x 73cm £5,000 - 7,000 Provenance: With Stacy Marks.

Anonymous sale; Bonham’s, London, 9 September 2014, lot 206.

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 48 *John Piper (1903-1992) EXETER COLLEGE CHAPEL, OXFORD (Levinson 269) Screenprint in colours, 1977, signed and numbered 65/100 in pencil, on wove paper, with margins sheet 93 x 71cm £600 - 800

48 Lot 49 *John Piper (1903-1992) ‘LONG MELFORD CHURCH’ (Levinson 336) Lithograph printed in colours, signed and numbered 220/275 in pencil image 46 x 61.5cm £700 - 900

49 Lot 50 *John Piper (1903-1992) BRIDGHAM PARISH CHURCH (Levinson 413) Etching and aquatint printed in colours, 1989, signed and numbered 59/70 in pencil, on wove paper sheet 57.5 x 68cm £600 - 800

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Lot 51 *Margaret Fisher Prout (1875-1963) A FIGURE SEATED IN A GARDEN Signed l.l. watercolour and charcoal 22.5 x 31cm £300 - 500

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Lot 52 *Patrick Hall (1906-1992) ‘VILLAGE (VENDÉE)’ Signed l.r., inscribed on a gallery label attached to the reverse, watercolour 43.5 x 35cm £300 - 500

Lot 53 *Rowland Suddaby (1912-1972) FISHING BOATS ON A BEACH Signed l.l., pen and ink, watercolour and crayon 35 x 54cm £400 - 600

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54 Lot 54 *Trevor Chamberlain (b.1933) ‘TRAVELLING UPSTREAM PAST ROTHERHITHE’; ‘GAUNT WINTER TREES’; ‘PUDDLE ON THE LANE’ Three, signed and dated ‘81, ‘79 and ‘80, inscribed with titles verso, watercolour 22.5 x 32cm, 17.5 x 24.5cm and 24 x 17cm (3) £300 - 500 Provenance: The property of the late Christopher Dyment (1939-2016), a voracious collector of contemporary Japanese prints, Toscanini memorabilia and 20th century British Art.

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Lot 55 *John Spencer-Churchill (1909-1992) ‘ST JAMES’S PARK, LONDON’ Signed l.r., watercolour 65 x 88cm £400 - 600 Lot 56 *Ian Houston (b.1934) ‘EVENING SKY, GREENWICH REACH’ Signed, l.r. inscribed on a gallery label attached to the reverse, gouache 17 x 24cm £250 - 350 Provenance: With Portland Gallery, London.

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Lot 57 *William Ratcliffe (1870-1955) AN ORNAMENTAL GARDEN POND Signed l.r., pen and ink, watercolour and crayon 38 x 47cm £1,500 - 2,000

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Lot 58 *Norman Wilkinson (1878-1971) ‘TWO LAKES, ROMSEY’ Signed l.r., inscribed on a gallery label verso, watercolour and body colour 13 x 18cm £300 - 500 Provenance: With the Tryon Gallery, London.

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Lot 59 *Edward Middleditch RA (1923-1987) ‘KENSINGTON GARDENS’ Inscribed on the reverse, watercolour and gouache 38 x 31cm £300 - 500

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Lot 60 Charles Garabed Atamian (Armenian, 1872-1947) BUILDING SANDCASTLES Signed l.r., watercolour 21 x 31cm £300 - 500

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Lot 61 *Philip Jones (1933-2008) ‘TROTTISCLIFFE’ Signed, inscribed and dated 1967 l.r., gouache 54 x 75cm £300 - 500

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Lot 62 *Bryan Organ (b.1935) ‘STUDY FOR ORANGE TREE’ Signed and dated Feb 1970 u.r., pencil, watercolour and gouache 30 x 24cm £600 - 800

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Lot 63 *Leslie Worth (1923-2009) ‘BLOSSOM SPLASH’ Signed l.l., titled on a label attached to the reverse, gouache 20 x 30cm £200 - 300

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 64 *Tom Coates NEAC RWS (b.1941) MEDITERRANEAN HILLSIDE TOWN Signed with initials l.l., oil on board 24 x 29.5cm £300 - 500

64 Lot 65 Paul Poiret (French, 1879-1944) ‘MONTMARTRE DANS LA BRUME’ Signed l.c., inscribed and dated 1934 on a gallery label attached to the reverse, oil on canvas 47 x 56cm £300 - 500

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Lot 66 *Terence Cuneo (1907-1996) ‘CHINA CLAY BARGES, BANGKOK’ Signed l.r., inscribed and signed on the stretcher, oil on canvas 50 x 61cm £3,000 - 5,000

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Lot 67 *Ken Howard RA (b.1932) TUSCANY Signed l.r., inscribed and dated 2000 on a label attached to the reverse, oil on canvas board 25.5 x 30.5cm, unframed £250 - 350

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Lot 68 *Paul James Wyeth (1920-1983) ‘USSEC NEAR CAHORS, FRANCE’ Signed and dated ‘78 u.l., oil on canvas 60 x 50cm £300 - 500

Lot 69 *Dick Lee (1923-2001) ‘A GARDEN IN LANGHAM’ Signed l.r., titled on a label attached to the reverse, oil on canvas 66 x 84cm £400 - 600

Lot 70 *Kathleen Tyson (1898-1982) ‘LOCK POOL, WOODFORD’ Signed l.r., oil on canvas 63 x 76.5cm £300 - 500 Exhibited: Probably the Royal Academy, 1937 no. 42.

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30-354 MODERN BRITISH AND 20TH CENTURY ART

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Lot 71 *Diana Armfield RA (b.1920) BELOW THE WALLS AT S. GIMIGNANO Signed with initials l.l., inscribed on a gallery label attached to the reverse, pastel 27 x 19.5cm £300 - 500 Exhibited: New England Art Club, 1989.

Lot 72 *Graham Crowley (b.1950) THE TOP OF THE ESTUARY Signed, inscribed with title and dated 1998/2000 on a gallery label attached to the reverse, oil on canvas 42 x 51cm, unframed £300 - 500 Provenance: W ith Beaux Arts, London.

Lot 73 *Cyril Mann (1911-1980) ‘THE GARDENS OF SPRING HOUSE’ Signed and dated ‘79 l.l., oil on board 59.5 x 59.5cm £300 - 500

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74 Lot 74 *Ronald Ossory Dunlop RA (Irish/British, 1894-1973) ‘BOAT YARD ON THE RIVER BLYTH, WALBERSWICK’ Signed l.r., oil on board 38 x 46cm £400 - 600

75 Lot 75 *Glynn Boyd-Harte (1948-2003) VILLA PISANI A STR. Signed l.l., watercolour 60.5 x 45cm £300 - 500

Lot 76 *Ronald Ossory Dunlop RA (Irish/British, 1894-1973) A CHURCH ACROSS A LAKE, AUTUMN Signed l.r., oil on canvas 41 x 51cm £800 - 1,200

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30-354 MODERN BRITISH AND 20TH CENTURY ART Lot 77 *Douglas Percy Bliss (1900-1984) ‘CONVERSATION PIECE’ Signed with initials and dated ‘39 l.r., also signed, inscribed with title and inscribed ‘Blackheath 1939’ verso, oil on board 51 x 76cm £500 - 800 Lot 78 *Ronald Ossory Dunlop RA (Irish/British, 1894-1973) ORCHARD IN BLOOM Signed l.r., oil on board 29 x 34cm £600 - 800 Landscapes inspired by the energies and profusion of spring were a feature of Dunlop’s oeuvre, particularly in the mid-1950s when the artist produced some of his most expressive and distinctive work. For example, his RA exhibits at this time included ‘Spring comes to Hampshire’ (1955), ‘Hurrah for Spring’ (1956) and ‘Spring in Sussex’ (1957).

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79 Lot 79 *Carel Weight RA (1908-1997)

BY THE CANAL Signed u.r., oil on canvas laid on board 30.5 x 46.5cm £1,000 - 1,500

Lot 80 *Carel Weight RA (1908-1997) ‘ALLOTMENTS, FAVERSHAM’ 1956/7, oil on canvas 40.5 x 50.5cm £600 - 800

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30-354 MODERN BRITISH AND 20TH CENTURY ART

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Lot 81 *Carel Weight RA (1908-1997) BEHIND THE CHURCH Signed l.r., oil on canvas 76.5 x 102cm £3,000 - 4,000

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 82 *Gabriel Deschamps (French, b.1919) ‘LA CORNICHE, NICE, COTE D’AZUR’ Signed l.l., oil on canvas 66 x 54cm £500 - 800

Lot 83 *Alexander Milligan Galt (1913-2000) ‘YACHTS, GOUROCK’ Signed l.l., with title on gallery label verso, oil on board 25.4 x 30.5cm £500 - 700 Exhibited: Panter & Hall, London.

Lot 84 *Alexander Milligan Galt (1913-2000) ‘GOUROCK’ With title on gallery label verso, oil on board 25.4 x 30.5cm £300 - 500

Lot 85 *Peter Kuhfeld NEAC (b.1952) ‘LA CASA TINTORETTO, VENICE’ Signed l.r., with label verso, oil on canvas 27 x 64cm £400 - 600

Exhibited: Panter & Hall, London.

Exhibited: With the New English Art Club, 2002.

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30-354 MODERN BRITISH AND 20TH CENTURY ART Lot 86 *Anthony Eyton RA (b.1923) ‘AMHERST ISLAND, ONTARIO’ Signed l.r., inscribed with title on label verso, oil on canvas board 60 x 45cm £300 - 400

Lot 87 *Tom Coates (b.1941) ‘DOG WALKERS BY THE SEA’ Signed with monogram l.l., oil on canvas 43 x 53cm £300 - 500

Provenance: W ith Austin Desmond Fine Art, London.

Lot 88 *Walter John Beauvais (1942-1998) ‘TROUVILLE’ Signed l.l., signed and inscribed verso, oil on board 18.5 x 23.5cm £300 - 500

Lot 89 *Jane Corsellis NEAC RWS RWA (b.1940) ‘END OF THE DAY, MENTON’ Signed l.r., inscribed on the artist’s label attached verso, oil on board 12 x 29.5cm £300 - 500

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Lot 90 *John Anthony Park (1880-1962) ‘BRIXHAM HARBOUR’ Signed l.r., inscribed and dated 1919 verso, oil on canvas board 31 x 39cm £1,500 - 2,000

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Lot 91 *Fred Cuming RA (b.1930) COASTAL VIEW Signed l.l., oil on board 25 x 25cm £600 - 800

Lot 92 *Fred Cuming RA (b.1930) ALONG THE BEACH Signed l.l., oil on board 11 x 45.5cm £400 - 600

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30-354 MODERN BRITISH AND 20TH CENTURY ART Lot 93 *Perpetua Pope (1916-2013) ‘NORTH SEA’, c.1969 Signed l.r., inscribed with title on stretcher verso, oil on canvas 51 x 76cm, with unfinished painting to the reverse £600 - 800 Perpetua Pope studied under Sir William Gillies at Edinburgh College of Art from 1936, where she formed friendships with artists such as Joan Eardley. This painting dates from the period when Pope taught art at Moray House, Edinburgh. It relates to ‘BREAKING WAVES’, exhibited in 1969 at The Royal Scottish Academy (sold Christie’s 7 March 2002 – Lot 214) and in its physicality and spontaneity echoes Eardley’s own powerful seascapes of the 1960s.

Exhibitions have included six solo shows at the Scottish Gallery, Edinburgh, between 1956 and 2006, and her work is held in numerous major public and private collections.

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Lot 94 *Chris and Steve Rocks (contemporary) ‘DISTANT MEMORY’ Inscribed ‘R’ l.r., signed by both artists and inscribed with title verso, oil on canvas 61 x 61cm £500 - 800

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Lot 95 Walter Gilbert Wiles (South African, 1875-1966) CRASHING WAVES Signed l.r., oil on board 39 x 53.5cm £400 - 600

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Lot 96 *John Kingsley RSW (b.1956) ‘SHADED PATH, HYÈRES’ 2006 Signed l.r., with title on gallery label verso, oil on canvas 40.5 x 40.5cm £600 - 800

Lot 97 *John Kingsley RSW (b.1956) MEDITERRANEAN TOWN WITH CANAL Signed l.l., oil on canvas 46 x 46cm £600 - 800

Provenance: W ith Duncan R Miller Fine Arts, London.

Lot 98 *Ben Levene RA (1938-2010) ‘HEREFORD LANDSCAPE WITH BURNING STUBBLE’ Signed with monogram l.r., inscribed on a gallery label attached to the reverse, oil on canvas 46 x 51cm £300 - 500

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30-354 MODERN BRITISH AND 20TH CENTURY ART

Lot 99 James Bolivar Manson (1879-1945) A LANDSCAPE WITH A FIGURE BEFORE A POND Signed l.r., oil on canvas 24.5 x 36cm £500 - 700

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Lot 100 Hugh Verschoyle Cronyn (Canadian, 1905-1996) ROSES IN A SUFFOLK GARDEN Signed l.r., oil on canvas 37 x 45.5cm £300 - 500

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Lot 101 *Liam Treacy (Irish, 1934-2004) ‘GREY MORNING, CONNEMARA’ Signed l.r., inscribed on artist’s studio label verso, oil on canvas 30 x 41cm £300 - 500

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Lot 102 David Bierk (Canadian/American, 1944-2002) ‘VERMONT, ORANGE SKY - STUDY’ Signed, inscribed and dated 30 June 1988 verso, oil on canvas 23 x 35cm £400 - 600

Lot 104 *David Abercrombie Donaldson (1916-1996) A LANDSCAPE AT SUNSET Signed l.r., oil on board 25 x 34cm £300 - 400

Lot 103 *Gordon Wyllie (1930-2005) RED LANDSCAPE Signed and dated ‘92 l.l., oil on board 19.5 x 23cm £300 - 500

Lot 105 *Lionel Bulmer (1919-1992) ‘THE CAUSEWAY’ Signed l.r., oil on canvas 91 x 122cm £300 - 500

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30-354 MODERN BRITISH AND 20TH CENTURY ART

Lot 106 Daniel Orimoloye (Nigerian, b.1966) ‘WESTWARD HO! BEACH’ Signed and dated 2018 l.r., oil on board 60 x 80cm £600 - 800

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Lot 107 Daniel Orimoloye (Nigerian, b.1966) ‘DAWN AT BLAKENEY’ Signed and dated 2019 l.l., oil on board 60 x 80cm £600 - 800

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Lot 108 Daniel Orimoloye (Nigerian, b.1966) ‘SNETTISHAM SUNSET’ Signed and dated 2015 l.l., oil on board 46 x 61cm £400 - 600

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112 Lot 109 *Simon Laurie RSW (b.1964) FISHING VILLAGE Signed l.c., with title on gallery label verso, acrylic on board 22.9 x 25.4cm £300 - 500 Provenance: With Panter & Hall, London.

Lot 110 *Linda Weir (b.1951) A CORNISH HARBOUR Signed with initials and dated ‘18 l.r., oil on board 40 x 50cm £200 - 300

110 Lot 111 Simmonds, 20th century ‘TIED UP’ Signed l.l, inscribed on the reverse, oil on board 36.5 x 36.5cm £300 - 500 Provenance: With Duncan Miller Fine Art, London.

Lot 112 *John Miller (1931-2002) ‘SUMMER LANDSCAPE’ Signed and inscribed with title verso, acrylic on canvas 51 x 56cm £300 - 500

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30-354 MODERN BRITISH AND 20TH CENTURY ART

113 Lot 113 *Donald McIntyre RA (1923-2009) ‘WINTER RIVER’ Signed l.r., oil on board 52 x 63cm £800 - 1,200

Lot 114 *Padraig Mac Miadhachain (Irish, 1929-2017) ‘TWO CORNISH FISHING BOATS IN THE CANARIAS’ Signed l.l., oil and pencil on board 20 x 25cm £300 - 500

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Lot 115 *Gertrude Harvey (1879-1966) ‘SUMMER BUNCH’ Signed l.r., oil on canvas 51.5 x 56cm £250 - 350 Provenance: With David Messum, 1996.

Exhibited:

The Royal Academy.

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Lot 116 *Rowland Suddaby (1912-1972) ‘FLOWERS IN A JUG’ Signed l.r., oil on board 57 x 50cm £400 - 600

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Lot 117 Vladimir Aldoshin (Russian, b.1951) COMPOSITION WITH FISH Signed l.r., oil on board 38 x 44cm £250 - 300

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30-354 MODERN BRITISH AND 20TH CENTURY ART Lot 118 Elena and Michel Gran (Russian, contemporary) ‘FOUNTAIN OF CARDS’ Signed l.r., oil on canvas 81 x 65cm £1,500 - 2,000 Provenance: C atto Gallery, London.

118 Lot 119 *Leonard Rosoman RA (1913-2012) STILL LIFE OF FLOWERS IN A VASE ON A HEARTH Signed l.r., pencil and watercolour 45 x 49cm £500 - 800

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Lot 120 *Edward Beale (1950-2017) WHITE HYACINTH Signed, inscribed with title and dated 15/3/06 on the reverse, oil on board 40.5 x 25.5cm £300 - 500

121 Lot 121 *Allan Gwynne-Jones RA (1892-1982) FLOWERS IN A PEWTER JUG Indistinctly signed and dated 1942 l.l., oil on canvas laid on board 32 x 40cm £200 - 400

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Lot 122 Oleg Stanichnov (Ukrainian, b.1987) IRISES Signed and dated 2016, also signed, inscribed and dated verso, oil on canvas 50 x 40cm £250 - 300

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30-354 MODERN BRITISH AND 20TH CENTURY ART

Lot 123 *Ken Howard RA (b.1932) YELLOW ROSES IN A GLASS VASE Signed l.r., oil on canvas board 30 x 25cm £600 - 800

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Lot 124 *William Selby (b.1933) STILL LIFE Signed l.r., oil on board 40.5 x 45cm £300 - 500

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Lot 125 *Rachel Nicholson (b.1934) ‘GLASS, COFFEE, JUG AND SPOON’ Signed, inscribed with title and dated 1981 verso, oil on board 25 x 29cm £600 - 800

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Lot 126 *Uriel Eekhoff (Dutch, 1923-2014) ‘STILL LIFE WITH IDOL’ Signed and dated ‘61 l.l., inscribed verso, oil on canvas board 51 x 76cm £300 - 500 Exhibited: The Portal Gallery, London.

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Lot 127 Vladimir Aldoshin (Russian, b.1951) STILL LIFE OF A SLICE OF WATERMELON, A JUG AND PLUMS Signed l.r., oil on board 39 x 49cm £300 - 500

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30-354 MODERN BRITISH AND 20TH CENTURY ART Lot 128 *Brian Kneale RA (b.1930) ROSES Signed and dated 1959 l.l., oil on canvas 102 x 71cm £1,000 - 1,500 Provenance: With The Redfern Gallery, London.

128 Lot 129 *George Gault (British, 1916-2001) ‘STILL LIFE: FLOWERS & MATISSE’ Inscribed and dated 1996 verso, oil on canvas laid on board 60 x 50cm £800 - 1,200

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 130 Sir Eduardo Paolozzi RA (1924-2005) UNTITLED ABSTRACT DRAWINGS Two, one pen and ink and crayon, the other pen and ink, pencil and crayon each sheet 17.5 x 25cm, mounted (2) £500 - 800 Provenance: The artist’s estate; thence by descent.

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132 Lot 132 Margaret Craighead (American, 20th century) JUBILEE STREET PARTY 1935 Signed and dated 1935 l.l., pen and ink and watercolour 49 x 40cm £400 - 600

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Lot 131 *Sophia Rosamond Praeger (Irish, 1867-1954) ‘A WIND FROM THE EAST’ Signed l.r., inscribed l.l., ceramic plaque 33 x 18cm £600 - 800

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133 Lot 133 Margaret Craighead (American, 20th century) LONDON FIRE BRIGADE Signed and dated ‘35 l.r., also signed with initials and dated again l.r., pen and ink and watercolour 38.5 x 49cm £400 - 600

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30-354 MODERN BRITISH AND 20TH CENTURY ART

134 Lot 134 George Keyt (Sri Lankan, 1901-1993) TWO FEMALE FIGURES, 1981 Signed and dated 1981 l.r., acrylic on card stock paper 64 x 38cm £2,500 - 3,500 Provenance: C lars Auction Gallery, Oakland, USA, entered by vendor who acquired directly from artist.

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Keyt was a founding member of Ceylon’s radical 43 Group, formed in Colombo in 1943. The group were committed to free expression and had an admiration for impressionism and post-impressionism. Many of the artists had travelled widely and felt that there was a lack of ambition back in Colombo to move art towards greater modernism. Other members included Harry Peiris, Justin Deraniyagala, Ivan Peries, Richard Gabriel, Aubrey Collette, L P Manjusri, W J G Beling and George Claessen.

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Lot 135 HENRY MOORE: Sketchbook, 1980. Raymond Spencer Company Limited, Much Hadham, 1985 (Cramer 670), the set comprising an etching and aquatint in colour, on wove paper, signed by Moore in pencil, numbered B 21/75, loose within the beige paper wrappers (as issued), with a facsimile sketchbook, signed in pencil and numbered 21/75 on a label on the pastedown of back cover. Bound in burgundy canvas-covered boards with the Ann Garrould catalogue, all within a fitted beige paper-covered solander box, in very good condition (portfolio) £1,000 - 1,500

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136 Lot 136 HENRY MOORE (Signed): Henry Moore Drawings 1969-79. NY, 1980. Inscribed: ‘with best wishes from Henry Moore, Much Hadham, June 28th. 1982’; card covers, fine; 2- Elephant Skull. Original etchings by Henry Moore. Geneva, Gerald Cramer, 1970. Inscribed: ‘For David with best wishes from Henry Moore, Hoglands, Much Hadham 1971’ ALSO: Inscribed, dated ‘Geneva, 14 May 1971’ & signed by G Cramer.

Card covers; VG; 3- Russell, J: Henry Moore Sculptures.

Methuen little library of art, 1965. Inscribed: ‘For David with best wishes from Henry Moore, July, 1968’; card covers, creased; 4- Cramer, G (edit): Henry Moore, the graphic works: 1913-22; 1973-75; & 1980-84. 3 vols.

FINE copies; 5- 12 photographs of Henry Moore’s works, all stamped with his name & address (Hoglands, Much Hadham, Herts), Plus details written in ink at the back of each; 5- Two variations of the poster ‘Henry Moore, Sculptures & Drawing, Forte Belvedere, May-Sept 1972; Firenze’ both rolled; PLUS: 6 OTHER HENRY MOORE RELATED BOOKS, ETC. (qty.) £400 - 800

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137 Lot 137 HENRY MOORE (3 Signed): 1- Mitchinson, D: Henry Moore Unpublished Drawings. NY, Abrams, no date (1971), dw.

Inscribed: ‘For Betty Darby, with best wishes from Henry Moore, Much Hadham, May, 1974’. Fine in plain slipcase; 2- Wilkinson, A G: The Drawings of Henry Moore. 1977. Inscribed: ‘For Mrs. Darby with thanks for all her great help at Hoglands, & with best wishes from Henry Moore, June 28th. 1978’; Also Inscribed & Signed by Alan Wilkinson. 4to. card covers; VG; 3- Henry Moore Catalogo Della Mostra Firenz- 1972, card covers, Inscribed: ‘For Betty Darby, with best wishes from Henry Moore, Much Hadham, March 17th. 73’; 4- Cramer, G (edit): Henry Moore, the graphic works: 1931-72.

Geneva, 1973, 1st. edn. dw. VG; PLUS 6 OTHER HENRY MOORE RELATED BOOKS. (10) £300 - 600

138 Lot 138 HENRY MOORE (3 Signed): 1- Henry Moore. Carvings 1961-1970. Bronzes 1961-1970.

NY, 1970. Inscribed: ‘For Mrs. Betty Darby with best wishes from Henry Moore, Much Hadham May 1970.’. Pictorial card covers and slipcase (torn), o/w Fine; 2- Mitchinson, David: 70 Years of Henry Moore. 1968. Inscribed to Mrs. Darby, dated June 1968 & Signed by Both HENRY MOORE & David. Card covers; 3- Henry Moore in Israel. 1982.

Inscribed: ‘For David Rushant with best wishes from Henry Moore, Oct 14th. 1983’. Card covers; 4- Cramer, G (edit): Henry Moore, the graphic works: 1980-84.

A fine copy with dust jacket, slipcase & shrink-wrapped; PLUS 5 OTHER HENRY MOORE RELATED BOOKS. (9) £300 - 600

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30-354 MODERN BRITISH AND 20TH CENTURY ART

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141 Lot 139 Christopher Richard Wynne Nevinson ARA (1889-1946) ‘SUNDAY EVENING, PUNTS ON THE THAMES AT HENLEY’ Drypoint etching, signed in pencil 25 x 35cm £800 - 1,200

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142 Lot 140 Christopher Richard Wynne Nevinson (1889-1946) ‘THE WILLOWS’ Drypoint etching, signed in pencil 17.5 x 13.5cm £400 - 600 Exhibited: New England Art Club Winter Exhibition, 1926 no.150.

Lot 141 *Dame Laura Knight RA RWS (1877-1970) ‘SPANISH DANCER NO.2’ Etching and aquatint, 1923, signed and inscribed in pencil image 26.5 x 21.2cm £400 - 600

Lot 142 *Bernard Buffet (French, 1928-1999) PORTRAIT OF A MAN IN A BLACK HAT Lithograph printed in colours, signed and inscribed ‘E.A.’ in pencil image 70 x 51cm £600 - 1,000

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144 Lot 143 *Feliks Topolski RA (1907-1989) ‘THE GENERALS’ Signed l.r., ink and watercolour 15.5 x 18.5cm £300 - 500

Lot 144 *Dame Laura Knight RA (1877-1970) ‘SUSAN’ Signed and dated ‘Nov 41’ l.r., pencil 24 x 35.5cm £600 - 800 Sold together with a copy of ‘A Proper Circus Omie’, by Laura Knight with a dedication by the artist in the front, and two gallery catalogues and conservation report

145 Lot 145 *Douglas Swan (1935-2000) FIGURE IN AN URBAN SETTING Signed l.l, mixed media 37 x 54cm £400 - 600

Lot 146 *Alfred Daniels (1924-2015) ‘THE HOUSE ON THE BOMB SITE’ Signed and dated 1953, also signed and inscribed with title on label verso, oil on board 41.5 x 55cm £300 - 500

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30-354 MODERN BRITISH AND 20TH CENTURY ART

147 Lot 147 *Josef Herman RA (1911-2000) ‘THE COCKLE GATHERERS’ Inscribed on a gallery label verso, oil on canvas 38 x 55cm £2,000 - 3,000

Lot 148 *Julian Bailey (b.1963) ‘MEN AT THE BAR, CORFU TOWN’ Signed with initials l.l., inscribed on the artist’s label attached to the reverse, oil on board 34.5 x 37cm £300 - 500

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Lot 149 *Leon Underwood (1890-1975) ‘SAMSON AND DELILAH’ Bronze, signed on leg, on wooden base 25.6cm wide including base 13.5cm high including base £1,500 - 2,000

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Lot 150 Mosè Angelo Tamburrini (Argentinian, 1905-2001) ‘LAMIA’ Bronze with green patina, signed and numbered 1/9 on base 35cm high £300 - 500

Lot 151 Dean Barrett (American, 20th century) GROTESQUE MALE BUST Painted fibreglass resin, impressed signature to reverse 60cm high £500 - 800

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30-354 MODERN BRITISH AND 20TH CENTURY ART

Lot 152 Paul Troubetzkoy (Russian/Italian, 1866-1938) STANDING GIRL Inscribed on base, bronze 15cm wide 42.5cm high £4,000 - 6,000

153 Lot 153 *Sydney Harpley RA (1927-1992) BALLERINA Bronze with black patina, signed and numbered 12/12 on skirt, on marble base 18cm high including base £500 - 800

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Lot 154 *Ivor Abrahams RA (1935-2015) FLOORPIECE Bronze with green patina 25.5cm wide 21cm high £200 - 400

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Lot 155 *Ana Duncan (Irish, contemporary) ‘WISDOM’ Bronze with green patina, signed and numbered 4/8 on lower back, on marble base 23cm high including base £600 - 800

Lot 156 *Ulla Kraitz (Swedish, b.1936) FEMALE TORSO Ceramic, signed underneath, on granite plinth sculpture 21cm high plinth 100cm high £500 - 800

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30-354 MODERN BRITISH AND 20TH CENTURY ART

157 Lot 157 Attributed to Alexander Archipenko (Ukrainian-American, 1887-1964) TWO STANDING NUDES Signed l.l., charcoal and white chalk 42 x 34.5cm £2,500 - 3,500

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Lot 158 *Jacques Saelens, called Kobe (Belgian, 1950-2014) STANDING FEMALE FIGURE Bronze with green patina, signed and numbered 4/8 on base 31cm wide 50cm high £1,500 - 2,000

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30-354 MODERN BRITISH AND 20TH CENTURY ART

Lot 159 *Paul Mount (1922-2009) DANCING FIGURES Bronze with green patina, signed and numbered 5/7 on the slate base 38cm high including base £3,000 - 5,000

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161 Lot 160 *Josef Herman RA (1911-2000) NUDE III Pencil and watercolour, inscribed on a gallery label verso 20 x 12.5cm £300 - 500 Provenance: With Flowers East, London.

Lot 161 *James Butler RA (b.1931) NUDE STUDY Signed l.l., pencil 43 x 30.5cm £250 - 350 Exhibited: Royal Academy, Summer exhibition 2014.

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Lot 162 *Josef Herman RA (1911-2000) ‘EARLY EVENING YSTRADGYNLAIS’ Signed on backboard, inscribed on a label attached to the reverse, watercolour and charcoal 17 x 23cm £500 - 800

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30-354 MODERN BRITISH AND 20TH CENTURY ART

Lot 163 *Geoffrey Key (b.1941) NAB FIGURES Signed and dated ‘66 l.r., inscribed on a gallery label verso, ink and wash on paper 15.2 x 18cm £400 - 600 Provenance: W ith Messum’s Fine Art, London.

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Lot 164 *Rose Hilton (1931-2019) ‘VERANDAH’ Signed l.l., titled on a gallery label attached to the reverse, oil on canvas board 20.4 x 40.2cm £600 - 800 Provenance: W ith David Messum Fine Art, London.

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Lot 165 *Jeffrey Bruce Camp RA (b.1923) ‘RIVERBOATS’ Signed l.l., inscribed on a label attached to the reverse, oil on board 30.5 x 35.5cm £300 - 500

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168 Lot 166 *Charles N. White (b.1933) PORTRAIT OF BERTRAND RUSSELL (1872-1970), BUST-LENGTH Signed and dated ‘67 l.r., pen and ink 41.5 x 31.5cm £250 - 350 A second portrait of Russell by Charles White is in the Bertrand Russell Archive Collection, McMaster Museum of Art, Hamilton, Canada.

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169 Lot 167 *Mario Dubsky (1939-1985) PORTRAIT OF SAMUEL BECKETT (1906-1989) Signed, dated ‘79 and inscribed ‘S Beckett - for Stephen, with my love, Mario 7.VIII.79’, pencil 79.5 x 58cm £300 - 500

Lot 168 *John Bellany RA (1942-2013) ‘ANTOINETTE’ Signed and inscribed verso, ballpoint pen 50 x 37cm £250 - 400 Provenance: From the collection of William Crozier.

Lot 169 *Carel Weight RA (1908-1997) PORTRAIT OF SIR JOHN GIELGUD (1904-2000), BUST LENGTH Signed l.r., inscribed ‘Head of an Actor/ 1973’ verso, oil on board 35.5 x 30.5cm £300 - 500

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Lot 170 *Sophie Von Hellermann (German, b.1975) ‘KARL UND FRANZ’ Signed and dated 2000 on stretcher verso, acrylic on canvas 110 x 180cm, unframed £1,000 - 1,500

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172 Lot 171 *Ivon Hitchens (1893-1979) ‘STILL LIFE - FLOWERS IN A MAJOLICA JAR’ Lithograph printed in colours, c.1938, printed by Curwen Press, published by Contemporary Lithographs Ltd., London, on wove paper 69.5 x 53cm £500 - 700

Lot 172 *Duncan Grant (1884-1978) ‘WASHERWOMAN I’ Lithograph printed in colours, signed and inscribed artist’s proof in pencil, on wove paper, with margins sheet 77 x 56cm £300 - 500

Lot 173 *Graham Sutherland OM (1903-1980) ‘HATCHING I’ (Tassi 180) Aquatint, 1976-77, signed and numbered 56/66 in pencil image 40 x 31cm £300 - 500

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174 Lot 174 Bob Dylan (American, b.1941) ‘LAKESIDE CABIN’ Giclée print in colours, 2008, signed and numbered 62/295 in pencil, from ‘The Drawn Blank Series’, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, with their blind stamp, on Hahnemuhle 350gsm wove paper, with full margins sheet 69.8 x 55.8cm, unframed, within paper folder, with catalogue £1,000 - 1,500

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 175 *Mary Fedden RA (1915-2012) ‘POT OF SHELLS’ Lithograph printed in colours, 1971, signed and numbered 20/70 in pencil, also signed and inscribed verso, on wove paper sheet 57 x 77cm £200 - 300

175 Lot 176 *Julian Trevelyan RA (1910-1988) ‘VILLA JOYOSA’ (Turner 277) Etching and aquatint printed in colours, 1982, signed, inscribed with title and numbered 5/50 in pencil sheet 49.5 x 65cm, unframed £300 - 500

176 Lot 177 Aleksandr Anokhin (Ukrainian, 20th/21st century) ‘REAL ESTATE ESCAPES’ Diptych, one signed l.r., oil on canvas 70 x 140cm (2) £400 - 600

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Lot 178 *Guy Taplin (b.1939) ‘TUFTED DUCK’ Signed and inscribed to base, carved and painted driftwood 11cm wide 8.5cm high £250 - 350

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Lot 179 *Guy Taplin (b.1939) ‘CANADA GOOSE’ Signed underneath and dated 1980, carved and painted driftwood 63cm wide 30.5cm high £500 - 700

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Lot 180 Nettie Firman (contemporary) SEAHORSE Soft steel on revolving pole seahorse 88cm high pole 150cm high £250 - 350 To be mounted in water; comes with ball bearings to be inserted in order to rotate sculpture

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181 Lot 181 *Constantine Kluge (Russian/French, 1912-2003) THE FLOWER STALL Signed l.c., oil on canvas 55 x 74cm £1,200 - 1,800

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Lot 182 Continental School, 20th century JAPANESE SNOW SCENE WITH PAGODAS IN THE DISTANCE Indistinctly signed l.l., oil on canvas 57.5 x 41cm £300 - 400

Lot 183 *Constantine Kluge (Russian/French, 1912-2003) STREET SCENE Signed l.r., oil on canvas 55 x 46.5cm £700 - 1,000

183 Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 147-148

30-354 MODERN BRITISH AND 20TH CENTURY ART Lot 184 *Constantine Kluge (Russian/French, 1912-2003) NOTRE DAME FROM THE LEFT BANK Signed l.r., oil on canvas 54 x 65cm £2,000 - 3,000

184 Lot 185 Maud Eyston Sumner (South African, 1902-1985) PARISIAN STREET CAFE Signed l.l., pen and ink and watercolour 46 x 59cm £1,000 - 1,500

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 186 *John Bainbridge Copnall (1928-2007) YELLOW HOUSE BY THE DOCKS Signed and dated ‘58 u.l., inscribed verso, oil on board 40.5 x 41cm £600 - 800 Provenance: With the Piccadilly Gallery, London.

186 Lot 187 *Trevor Chamberlain (b.1933) ‘AUTUMN MORNING, COLNE ESTUARY’ Signed and dated 1965, l.r., inscribed with title verso, oil on canvas 40.5 x 50.5cm £500 - 800 Provenance: The property of the late Christopher Dyment (1939-2016), a voracious collector of contemporary Japanese prints, Toscanini memorabilia and 20th century British art.

187 Lot 188 Michael Randall (1947-2000) ‘MUDLARKS’ Signed with initials and titled on the reverse, dated 1990, oil on card 51 x 63.5cm £300 - 500 Michael Randall was captivated by drawing and painting from an early age. In the 1970s, he studied at the Royal Academy Schools, excelling in life drawing and winning silver medals for drawing and painting. His RA Diploma exhibition led to Southampton City Art Gallery purchasing ‘Daydream’, the major work of that show, which remains in the Gallery’s permanent collection.

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He moved to Cambridgeshire in 1978, where his studio was located and is still run by his family. He was a figurative painter excited by experimenting with colour and form, driven by the challenge of conveying an intense emotional charge through his work. He was inspired by a wide range of artists, from Rembrandt to Eardley, and developed a style all his own. He had an uncanny eye for the private or fleeting moment: a conversation between friends; a mother talking to her child; the turn of a head as the subject’s attention is caught.

Numerous exhibitions, including several since his death in 2000, have gathered an enthusiastic audience. His work is represented in private collections in England, Europe, Japan, and the US.

Lot 189 *Fred Cuming RA (b.1930) INDUSTRIAL LANDSCAPE Signed l.l., oil on board 26 x 30cm £500 - 800

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191 Lot 190 *Trevor Chamberlain (b.1933) ‘EVENING, ISLE OF DOGS’; ‘ACROSS THE HARBOUR, HOLY ISLAND’ Two, both signed and dated ‘89 and ‘79, oil on board 16 x 21.5cm and 15.5 x 23.5cm (2) £300 - 500 Provenance: T he property of the late Christopher Dyment (1939-2016), a voracious collector of contemporary Japanese prints, Toscanini memorabilia and 20th century British art.

Lot 191 *Peter Kelly (b.1931) ‘FADING LIGHT, ROYAL ALBERT DOCK - LONDON’ Signed with initials l.l., titled on a gallery label attached to the reverse, oil on board 29.5 x 44.5cm £300 - 500

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Lot 192 *Dennis Buchan RSA (b.1937) ‘QUAY, ARBROATH HARBOUR’ Signed and dated 1959 l.l., inscribed with title verso, oil on board 90 x 122cm £300 - 500 Provenance: Peter S Ferguson, Edinburgh; thence by descent.

Exhibited: Royal Scottish Academy, 1960, no. 59.

Lot 193 *Don Linton (20th/21st century) ‘LEIGH FORESHORE’ Signed and inscribed verso, oil on board 92 x 92cm £300 - 500

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 194 *René Cazassus (French, b.1932) FIGURES AT A TABLE Signed l.r., oil on canvas 54 x 65cm £300 - 500 Lot 195 *Zygmunt Landau (Polish, 1898-1962) A BEARDED GENTLEMAN, SEATED, WITH TWO CHILDREN Signed u.c., oil on canvas board 34 x 26cm £300 - 500 Provenance: With the Rowley Gallery, London.

Lot 196 *Peter Smith (20th century) SURREALIST COMPOSITION WITH NUDE FIGURES IN A LANDSCAPE Signed with initials ‘PJS’ and dated ‘78 l.r., oil on board 68 x 60cm £400 - 600

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30-354 MODERN BRITISH AND 20TH CENTURY ART Lot 197 Michael Randall (1947-2000) ‘IN THE RAIN’ Acrylic on card 36 x 52cm £250 - 350

Lot 198 Anatoly Demenko (Ukrainian, b.1979) ‘THE TRAIN SET OFF’ Signed l.r., inscribed verso, oil on canvas 59 x 79cm £400 - 600

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 199 After Alexander Laktionov ‘LETTER FROM THE FRONT’ Signed verso, oil on canvas 170 x 116cm, unframed £600 - 800

Lot 200 Igor Pawlowitsch Ruban (Russian, 1912-1985) ON THE ROAD Signed l.r., oil on canvas 83 x 149cm £600 - 800

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Lot 201 Konstantin Titov (Russian, 1913-1997) ‘BATHTIME’ Signed and dated 1947 l.r., oil on canvas 99 x 129cm, unframed £2,500 - 3,500 Provenance: MacDougall’s, 4 June 2014, Russian Art and Icons, lot 189.

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 202 English School, 20th century DANCERS IN A NIGHTCLUB Oil on canvas 51 x 60.5cm £300 - 500

202 Lot 203 *Juliet Somers (20th century) WARTIME FIELD HOSPITAL Signed l.l., oil on canvas 51 x 61.5cm £400 - 600

203 Lot 204 *Evan Walters (1893-1951) THE BARMAID Signed l.r., oil on canvas 1964 51 x 61cm £300 - 500

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Lot 205 *Ruskin Spear (1911-1990) THE SWING BAND Signed l.r., oil on board 39.5 x 48cm £2,500 - 3,500

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Lot 206 *Carel Weight RA (1908-1997) ‘SELF PORTRAIT WITH NANCY CARLINE’ Signed l.l., oil on canvas 123 x 85cm £800 - 1,200

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Lot 207 *Carel Weight RA (1908-1997) ‘OLD IRELAND’ Signed u.l., inscribed on a galery label attached to the reverse, oil on board 45 x 37cm £400 - 600 Provenance: With New Grafton Gallery, London.

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Lot 208 *Carel Weight RA (1908-1997) ‘SOLITUDE’ With part of label verso, oil on board 36 x 68.5cm £800 - 1,200

Lot 209 *Carel Weight RA (1908-1997) ‘SUDDEN STORM AND FRIGHTENED PEOPLE, ITALY’ Signed u.r. and l.l., also signed and inscribed with title on backboard, oil on board 31.5 x 43cm £400 - 600

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 210 Barbara McGivern (Canadian 1945-2019) ‘MCGIVERN MEETS MODIGLIANI’ Signed, inscribed with title and dated ‘94 verso, acrylic on canvas 153 x 122cm £300 - 500 Born in Toronto, Barbara McGivern spent time in London and worked initially in television before turning to painting full time back in Toronto, graduating in Experimental Arts from Ontario College of Art in 1988. Her work encompasses many styles from richly coloured abstract works incorporating gold leaf, to works based on her interpretations of impressionist and post-impressionist works seen on her travels to Paris. She stated her aim as ‘to create an explosion of energy, to generate an electric shock to the senses that awakens the uninhibited childlike freedom that is within us all but has perhaps been lying dormant’. McGivern exhibited widely in group and solo exhibitions all over the world, including Toronto, New York, Dubai, Austria, Switzerland and London.

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Lot 211 Barbara McGivern (Canadian, 1945-2019) ‘STILL LIFE WITH RED CLOTH (CEZANNE)’ Signed l.r., inscribed with title and dated ‘94 verso, acrylic on canvas 113 x 90cm £300 - 500

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30-354 MODERN BRITISH AND 20TH CENTURY ART Lot 212 Sergei Patikovski (Ukrainian, b.1962) ‘COLOURED FIELDS’ 2014 Signed l.r., inscribed verso, oil on canvas 70 x 110cm £600 - 800

Lot 213 Yevgeniya Kuzina-Lugovskaya (Russian, b.1924) ‘PEASANTS RETURING HOME’ Signed and dated l.l., inscribed verso, oil on canvas 59 x 89cm £400 - 600

212 Lot 214 Vladimir Buzin (Russian, b.1959) WALK ALONG THE PROMENADE, AMSTERDAM Signed and dated ‘98 l.l., oil on canvas 59.5 x 70cm £500 - 700

Lot 215 Vladimir Buzin (Russian, b.1959) BUSY AFTERNOON Signed and dated ‘98 l.l., oil on canvas 70 x 60cm £500 - 700

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MODERN BRITISH ART PART II

TIMED ONLINE AUCTION 29 MAY - 14 JUNE

We We are are delighted delighted to to announce announce aa timed timed online online sale sale of of 20th 20th and and 21st 21st century century paintings, paintings, prints prints and and sculptures, sculptures, to to include include works works by

by Henry Henry Moore, Moore, Robert Robert Sadler, Sadler, Johan Johan de de Fre Fre and and others. others.

This This isis aa fantastic fantastic opportunity opportunity to to purchase purchase original original artwork artwork to to refresh refresh your your collection collection from from as as little little as as £100. £100.

Browse Browse the the catalogue catalogue online online -- bidding bidding will will open open at at 12 12 noon noon on on Friday Friday 29 29 May, May, with with the the last last lot lot finishing finishing at at 6pm 6pm on on Sunday Sunday 14 14 June.

June.

Scan Scan the the QR QR code code to to view view the the lots lots from from this this catalogue catalogue on on our our website website where where you you can can request request and and view view condition condition reports reports and and place place bids bids through through your your Sworders Sworders account. account.

MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 216 *Allan Milner (1910-1984) SURREALIST STUDY Signed l.r. and inscribed ‘K.12.6’, oil on board 36 x 46cm £400 - 600

216 Lot 217 *Fred Bromfield (20th century) FANTASTICAL COMPOSITION WITH NUDE AND FRUIT AND VEGETABLES Signed with initials l.l., signed and dated June 1978 verso, oil on canvas 49.5 x 39.5cm £500 - 700

217 Lot 218 *Karolina Larusdottir NEAC RWS (Icelandic, 1944-2019) ‘FEEDING THE SWANS’ Signed l.l., signed, inscribed and dated 1995 verso, oil on canvas 25.5 x 30.5cm £600 - 800

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Lot 219 *Karolina Larusdottir NEAC RWS (Icelandic, 1944-2019) ‘THE GARDEN’ Signed l.l., watercolour 15 x 30cm £300 - 400

Lot 221 *Karolina Larusdottir NEAC RWS (Icelandic, 1944-2019) ‘FLAT TYRE’ Signed l.l., watercolour 34.5 x 66cm £300 - 400

Lot 220 *Karolina Larusdottir NEAC RWS (Icelandic, 1944-2019) ‘GATHERING’ Signed l.l, watercolour 15 x 22cm £750 - 850

Lot 222 *Karolina Larusdottir NEAC RWS (Icelandic, 1944-2019) ‘GARDENING CONVERSATIONS’ Signed and dated 1998 l.l., watercolour 29.5 x 39.5cm £300 - 400

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Lot 223 *Charles Hodge Mackie RSA RSW (1862-1920) ‘IN THE BORGHESE GARDENS’ Woodblock printed in colours, signed in pencil, numbered 32 in ink, on wove paper, inscribed on a gallery label attached to the reverse 42 x 58cm £600 - 700 Provenance: W ith Bourne Fine Art. Lot 224 Yaroslav Viktorovicz Titov (Russian, 1906-2000) SPRINTERS Signed l.r., oil on board 27 x 53cm £400 - 600

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Lot 225 English School, 20th century A BUSY STREET SCENE Signed with initials DE l.l., oil on canvas 50.5 x 51cm £300 - 500 Lot 226 English School, 20th century ‘THE ENCLOSURE, FULHAM V. TOTTENHAM HOTPSUR, SIMON MORGAN TESTIMONIAL MATCH, 2 AUGUST 2000’ Signed with initials JRB l.r., oil on board 19.5 x 23.5cm £200 - 300 With the match ticket attached to the reverse.

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Lot 227 *Bernard Meninsky (1891-1950) GIRL SEATED ON A LOG Signed and dated ‘29 l.r., oil on canvas 41 x 30.5cm £1,000 - 1,500

Lot 228 *Robert Sargent Austin RA (1895-1973) A LADY RESTING IN A LAUNDRY ROOM Signed l.l., pencil and watercolour 53 x 36cm £500 - 700

Lot 229 Valeri Masyukov (Russian, b.1947) GIRL READING BY A WINDOW Signed and dated ‘90 l.l., gouache 47 x 38.5cm £300 - 500

Lot 230 *Alfred Clive Gardiner (1891-1960) PORTRAIT OF PORTIA Signed l.l., oil on board 45 x 35.5cm £300 - 500

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Lot 231 *David Tindle RA (b.1932) ‘BEACH WITH DARK SHAPES’ Signed and dated 66 l.r., inscribed verso, oil on canvas 92 x 91cm £700 - 1,000

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Lot 232 John Collier (20th century) ‘KITEFLYERS’ Indistinctly signed l.l., signed and inscribed with title verso, oil on canvas 76 x 101.5cm £300 - 500

Lot 233 *Ruth Stage (b.1969) ‘CHELSEA NIGHT’ Inscribed with title verso, tempera on board 47 x 75cm £300 - 500

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Lot 234 *Julian Trevelyan RA (1910-1988) ‘SIENESE LANDSCAPE - VARIATION IV, BLACK’ Signed and dated ‘58 l.l., inscribed on a gallery label attached to the reverse, oil on canvas 44.5 x 54.5cm £3,000 - 5,000 Provenance: With the Zwemmer Gallery, London.

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 235 *Hubert de Vries (Belgian, 1899-1979) BOATS AT HARBOUR Signed l.l, also signed verso, oil on canvas 111 x 110cm £300 - 400

235 Lot 236 *Norman Hepple RA NEAC (1908-1994) ‘ANTI-AIRCRAFT SUCCESS’ Signed l.r., watercolour 23 x 35cm £500 - 600

236 Lot 237 *Clive Uptton (1911-2006) FISHING SCENE WITH A MAN PULLING IN HIS NET Signed l.l., oil on canvas 87 x 112cm, unframed £400 - 600

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238 Lot 238 *Mark Edwards (b.1951) A BUSINESS MEETING IN A SNOWY PARK Signed l.r., oil on canvas 70 x 100cm £1,000 - 1,500

Lot 239 Bruno Marquardt (German, 1878-1916) VIEW OF A WINDING STREET Signed l.r., oil on board 61 x 77cm £250 - 350

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 240 *Fred Uhlman (1901-1985) ‘THE HARBOUR’ Signed l.r., titled on a label attached to the reverse, oil on board 40.5 x 51cm £800 - 1,200

240 Lot 241 *Fred Uhlman (1901-1985) ‘RED SKY’ Signed and dated ‘63 l.r., inscribed and dated on a label attached to the reverse, oil on board 40.5 x 50.5cm £700 - 1,000 Provenance: With the Trafford Gallery, London.

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242 Lot 242 *Fred Uhlman (1901-1985) A ROAD, NORTH WALES Signed and dated ‘61 l.r., oil on canvas 60.5 x 91.5cm £1,000 - 1,500

Lot 243 *Fred Uhlman (1901-1985) ‘WELSH HILLS’ Signed l.r., oil on canvas 60.5 x 91cm £800 - 1,200

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Lot 244 *Darren Baker (b.1976) STUDY OF A MODEL DRAPED IN CLOTH Signed l.l., pastel 28 x 19.5cm £800 - 1,200

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Lot 245 Anatoly Demenko (Ukrainian, b.1979) ‘BY STEALTH’ Signed l.r., oil on canvas 76 x 51cm £700 - 900

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Lot 246 *Michael Clark (b.1959) RECLINING NUDE Signed l.r., oil on copper 19 x 30cm £250 - 350

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Lot 247 Oleg Stanichnov (Ukrainian, b.1987) ‘YOUNG MODEL’ Signed and dated 2012 l.r., also signed, inscribed and dated verso, oil on canvas 50.5 x 70.5cm £300 - 500

247 Lot 248 Russian School, 1940s RECLINING NUDE Signed with monogram l.l., oil on canvas 73 x 100cm £300 - 500

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Lot 249 Peter Denmark (1950-2014) RECLINING NUDE Dated 1992 l.r., acrylic on canvas 97 x 128cm £600 - 800

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Lot 250 Peter Denmark (1950-2014) NUDE Acrylic on canvas 122 x 122cm, unframed £500 - 700

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 251 *Walter Ernest Webster (1878-1959) A GIRL IN A PINK DRESS, SEATED, HOLDING A VIOLIN Signed l.r., oil on canvas 59 x 50cm £600 - 800

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252 Lot 252 *Bernard Fleetwood-Walker RA (1893-1965) SEATED NUDE Signed on stretcher, oil on canvas 49 x 29cm £600 - 800 Lot 253 Anna Cherednichenko (Russian, 1917-2003) PINK DRESS, 1950s Signed l.l., oil on canvas board 62 x 29.5cm £300 - 500

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Lot 255 Daines (20th century) RECLINING NUDE Signed l.l., oil on canvas 66 x 48cm £300 - 500

254 Lot 254 *William Crosbie RSA (1915-1999) SEATED NUDE c.1970 Signed l.r., oil on canvas 75 x 50cm £2,000 - 3,000 William Crosbie’s time as an art student in Paris between 1937 and 1939 brought him into contact with two of the greatest artists then in France – first when studying painting under Fernand Leger and later in taking drawing lessons from Aristide Maillol. The influence of each can at times be discerned in the developing strands of Crosbie’s own work in the coming decades – and innovative echoes of Maillol appear in the statuesque nudes that Crosbie drew and painted from the late 1940s onwards.

This confidently modelled work, distinguished by a near sculptural presence and subtly painted flesh tones, relates to others in Scottish public collections where the model also wears a choker necklace. It is even more closely linked to another work from 1970, ‘Clothilde’, which will be included in ‘William Crosbie: The Devoted Creative’, a major new exhibition scheduled to open later this year at the Scottish Gallery in Edinburgh.

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Lot 256 Aleksandr Anokhin (Ukrainian, 20th/21st century) ‘EDISON BULB’ Signed l.r., oil on canvas 85 x 105cm £400 - 600

Lot 257 Russian School, 20th century ARTIST’S MODELS Oil on canvas 141 x 158cm, unframed £600 - 800

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Lot 258 Oleg Stanichnov (Ukrainian, b.1987) ‘STILL LIFE WITH SUNFLOWERS’ Signed and dated 2012 l.r., also signed and inscribed verso, oil on canvas 45 x 55cm £250 - 500

Lot 259 Vitaly Baranenko (Ukrainian, b.1965) ‘BY THE RIVER’ Signed l.r., inscribed and dated 2019 verso, oil on canvas 40 x 60cm £300 - 500

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Lot 260 *Nicholas Hely Hutchinson (b.1955) ‘FIGURE IN INTERIOR’ Signed with initials l.l., inscribed on a gallery label attached to the reverse, oil on board 20.5 x 25cm £600 - 800

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Lot 261 *Nicholas Hely Hutchinson (b.1955) WINTER MORNING Signed with initials l.l., oil on board 25 x 19cm £400 - 600

Lot 262 *Nicholas Hely Hutchinson (b.1955) ‘EVENING ON LOCH SCRIDAIN’ Signed with initials l.r., oil on board 11 x 22cm £250 - 350 Provenance: With Portland Gallery, London.

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263 Lot 263 *Tai-Shan Schierenberg (b.1962) ‘SELF-PORTRAIT’ Inscribed and dated 1994 on gallery label verso, oil on canvas 30.5 x 25.5cm £600 - 800 Provenance: With Flowers East, London.

Lot 264 *Sarah Raphael (1960-2001) ‘TONY HANDE VI’ Inscribed with title verso, oil on canvas 25 x 17cm £300 - 500 Provenance: With Agnew’s, London.

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265 Lot 265 *Ken Howard RA (b.1932) ‘SARAH REFLECTING’ Signed l.r., dated 2000 on an exhibition label attached to the reverse, oil on canvas 102 x 122cm £8,000 - 12,000 Exhibited: The Royal Academy Summer Exhibition, 2000, no.5.

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Lot 266 *Tom Coates NEAC (b.1941) THE ARTIST’S STUDIO; AND ANOTHER SIMILAR A pair, both signed with initials l.l. and l.r. respectively, oil on canvas board 20.5 x 30.5cm, unframed (2) £300 - 500

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Lot 267 Alexandre Gusarevich (Russian, 1908-1970) TREE REFLECTED IN A LAKE, 1950 Signed l.r., oil on board 39 x 50cm £300 - 500

Lot 268 Anna Cherednichenko (Russian, 1917-2003) CHICKEN YARD Signed and dated ‘64 l.l., pencil and watercolour 49 x 69cm £300 - 500

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Lot 269 *John Houston (1930-2008) ‘JAPANESE MAID, KYOTO’ Signed l.r., inscribed, signed and dated 1994-5 verso, oil on board 26 x 15.5cm £600 - 800 Lot 270 Hugh Verschoyle Cronyn (Canadian, 1905-1996) ‘MORNING’ Signed l.r., dated on label verso, oil on canvas 60 x 49.5cm £400 - 600 Lot 271 *Raymond John Coutu ARE ARCA (1924-2017) ‘TREE FORM’ Signed and dated 1950 l.r., inscribed on a gallery label attached to the reverse, ink and watercolour 41 x 29cm £300 - 500 Provenance: W ith Barry Keene Gallery, Henley-on-Thames.

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275 Lot 272 Robert Sadler (1909-2001) SMALL ABSTRACT Signed and dated ‘00 l.l., oil on board 43 x 26cm £300 - 500

Lot 273 Robert Sadler (1909-2001) PINK FIGURE Signed l.r., inscribed and dated 1976 on a gallery label attached to the reverse, acrylic on board 28 x 23cm £250 - 350 Exhibited: Reades Gallery, 1976.

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Lot 274 Robert Sadler (1909-2001) GIRL IN THE WINDOW Signed l.l., inscribed and dated on a label attached to the reverse, acrylic on board 31 x 40.5cm £300 - 500

Lot 275 Robert Sadler (1909-2001) UNTITLED LANDSCAPE Signed l.l., oil on board 78 x 104cm £800 - 1,200 Exhibited: Cambridge Society of Painters and Sculptors.

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Lot 276 *Michael Seward Snow (1930-2012) ‘SPANISH LANDSCAPE’ Signed, inscribed with title and dated 1961 verso, oil on canvas 63 x 76cm £1,000 - 1,500 Lot 277 *Henry Cliffe (1919-1983) ABSTRACT FORMS Signed with initials l.l., gouache 39 x 56cm £250 - 350

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 278 *Douglas Swan (1935-2000) COMPOSITION Signed and dated ‘62 l.l., mixed media 66 x 48cm £600 - 800

278 Lot 279 Robert Sadler (1909-2001) NO.2 UNTITLED Signed l.l., dated 1971 verso, oil on board 77 x 104.5cm £800 - 1,200 Provenance: Hugh Pilkington Gallery, Orford.

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Lot 280 *Douglas Swan (1935-2000) ‘WINTER HARBOUR’ Signed, inscribed with title and dated November ‘58 verso, mixed media collage on board 113 x 114cm £1,500 - 2,000

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Lot 281 *William Tillyer (b.1938) ‘THE BALCONY 47’ Signed l.r., watercolour 15 x 29cm £250 - 350 Provenance: W ith Bernard Jacobson Gallery, London.

The Balcony series are watercolours painted by Tillyer whilst touring Southern Europe in 2010. They consist of views of the Mediterranean and the Atlantic, painted from hotel balconies. In this instance, we seem to be looking at a sunset through foliage.

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Lot 282 *William Tillyer (b.1938) ‘ENCOUNTER IN THE 3RD STYLE MATRIX’ Signed verso, oil on canvas 71 x 91cm £3,000 - 5,000 Provenance: W ith Bernard Jacobson Gallery.

William Tillyer is an extremely versatile artist whose abstract works have a power and immediacy to them. His work has developed and changed over decades. The current piece shows echoes of his Westwood series, painted during his time in North Yorkshire, at Westwood studios between 1987-1990. Working on a large scale, using a broom head he created huge arcs and commas of paint, exploring ‘the physicality of the medium’ (Norbert Lynton, William Tillyer: ‘Against the Grain’, 2000, 21 Publishing Ltd. London). These bold marks, while appearing accidental and totally abstract, are in fact symbolic of the landscape around him: blue is the sky; brown the earth; green the trees.

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284 Lot 283 *Kenneth Draper RA (b.1944) ‘SILHOUETTE 92’ Signed l.r. and inscribed with title l.l., mixed media on paper 12.2 x 15cm £200 - 300

Lot 284 *David Blackburn (1939-2016) LANDSCAPE IN GREEN, YELLOW, BLUE AND BLACK Signed and dated 1986 l.r., pastel 39 x 33cm £300 - 500

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Lot 285 *Kenneth Draper (b.1944) ‘WHITE SPRAY’ Signed l.r. and inscribed and dated ‘92 on the reverse, mixed media 48 x 43cm £300 - 500

Lot 286 *Kenneth Draper (b.1944) ‘EXCAVATION/BANDELIER CANYON/NEW MEXICO’ Signed l.r. and titled l.l., pastel 48.5 x 43.5cm £250 - 350

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Lot 287 *David Blackburn (1939-2016) ‘EVENING LANDSCAPE, NORTHERN AUSTRALIA’ Signed and dated 1984 on mount, pastel 60.5 x 51.5cm £400 - 600 Provenance: P urchased from an exhibition at the Royal Institute of British Architects, 1985.

Lot 288 *David Blackburn (1939-2016) AUSTRALIAN HILLY LANDSCAPE IN ORANGE, BROWN AND BLACK Signed and dated 1985 l.r., pastel 39.5 x 32.5cm £300 - 500 Lot 289 *David Blackburn (1939-2016) LANDSCAPE IN RED AND BLUE Signed and dated 1986 l.r., pastel 32.5 x 39cm £300 - 500

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Lot 290 *Serge Poliakoff (French, 1900-1969) ‘COMPOSITION LIE-DE-VIN ET ORANGE’ Lithograph printed in colours, signed in pencil, an artist’s proof image 46.5 x 60.8cm £1,000 - 1,500

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Lot 291 *Sir Terry Frost RA (1915-2003) ‘RED AND BLACK ON GREY’ Screenprint in colours, 1968, signed, dated and inscribed ‘Artist’s Proof’ in pencil, on wove paper, with margins image 55.5 x 69.5cm £800 - 1,200

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Lot 292 *Cecil King (Irish, 1921-1986) ‘PASTEL 1966’ Signed l.r., pastel 34 x 25cm £600 - 800

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Lot 293 *Sir Terry Frost RA (1915-2003) ‘9 OF SPADES’ Signed and inscribed verso, acrylic on paper 38.5 x 22.5cm £1,000 - 1,500 Lot 294 *Sir Terry Frost RA (1915-2003) UNTITLED With artist’s estate label verso, mixed media 42 x 28cm £500 - 800 Lot 295 *Sandra Blow RA (1925-2006) ‘QUARTET IN YELLOW’ Etching with collage, signed and numbered 14/20 in pencil, with full margins plate 23 x 27cm £350 - 500

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Lot 296 Nettie Firman (contemporary) ‘FLIGHT’ Soft steel 30cm wide 116cm high Suitable for exterior display. £400 - 600

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Lot 297 *Simon Allen (b.1967) ‘FLUID FORM II’ Signed and dated 2012 verso, gold leaf on carved wood 40 x 40cm £300 - 500

Lot 298 *Victor Vasarely (French, 1906-1997) ‘OPTO-METRI, 1986’ Serigraph, signed in black pen 38 x 33 x 5.5cm £1,000 - 1,500

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Lot 299 *Bridget Riley (b.1931) ‘UNTITLED BLEU’ Screenprint in colours, 1978, signed, dated and numbered 16/75 in pencil, on wove paper image 57 x 83.5cm £4,000 - 6,000

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 300 *Maurice Cockrill RA (1935-2013) ‘GENERATION’ Signed, inscribed with title and dated 1993 verso, oil on canvas 51 x 41cm £400 - 600

300 Lot 301 *Jeremy Annear (b.1949) BIRDSONG Signed with initials and dated ‘97 l.r., oil on board 21.5 x 21.5cm £300 - 500 Exhibited: David Messum Fine Art, London, Spring Exhibition 1997.

301 Lot 302 Barbara McGivern (Canadian 1945-2019) ‘AUTUMN ON A SUNDAY AFTERNOON’ Signed and dated ‘93 l.r., inscribed verso, acrylic on canvas 123 x 122.5cm, unframed £300 - 500

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Lot 303 *Martin Bradley (b.1931) UNTITLED Signed with initials and dated 65 l.l., 61 x 43cm £1,000 - 1,500 Provenance: L ancelot Ribeiro and thence by descent.

Lot 304 *Mark Andrew Godwin (b.1957) ‘ON THE WING’ Signed, inscribed with title and dated 2015 on label verso, mixed media 119 x 89cm £800 - 1,200

Lot 305 *Mark Andrew Godwin (b.1957) ‘VANITAS VANITATUM’ Signed, inscribed with title and dated 2019 on label verso, mixed media 124 x 88cm £700 - 900

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 306 Peter Denmark (1950-2014) RUNNING DOG Signed and dated 1986 verso, oil on canvas 122 x 183cm, unframed £700 - 900

Lot 307 Peter Denmark (1950-2014) ABSTRACT IN YELLOW, BLUE AND RED Signed and dated ‘95 verso, acrylic on canvas 90 x 180.5cm, unframed £500 - 700

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Lot 308 Peter Denmark (1950-2014) INTERIOR SCENE WITH TABLE AND CHAIR Acrylic on canvas 122 x 122cm £500 - 700

Lot 309 Peter Denmark (1950-2014) COCKEREL Signed and dated ‘94 verso, acrylic on canvas 117 x 117cm, unframed £500 - 700

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Lot 310 Peter Denmark (1950-2014) ABSTRACT LANDSCAPE Acrylic on canvas 40.5 x 51cm £300 - 500

Lot 311 Peter Denmark (1950-2014) LANDSCAPE WITH RED SUN AND BUILDING Acrylic on canvas 40.5 x 51cm £300 - 500

Lot 312 Peter Denmark (1950-2014) LANDSCAPE Acrylic on canvas 40.5 x 51cm £300 - 500

Lot 313 Peter Denmark (1950-2014) RED SUN Acrylic on canvas 40.5 x 51cm £300 - 500

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314 Lot 314 *Emvin Cremona (Maltese, 1919-1987) DARK LANDSCAPE Signed and dated ‘74 l.l., mixed media 63 x 50cm £3,000 - 5,000

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315 Lot 315 *Emvin Cremona (Maltese, 1919-1987) FOUR KNIGHTS, A CITY BEYOND Signed and dated ‘74 l.l., mixed media 62.5 x 50.5cm £3,000 - 5,000

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Lot 316 *Scottie Wilson (1888-1972) ‘BUTTERFLY I’ Signed l.r., mixed media 38 x 25cm £400 - 600

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Lot 317 *Scottie Wilson (1888-1972) ‘BUTTERFLY II’ Signed l.r., mixed media 33 x 21cm £400 - 600

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30-354 MODERN BRITISH AND 20TH CENTURY ART

318 Lot 318 *Eileen Agar RA (1899-1991) ‘THE BIRD’ Signed l.r., inscribed on a gallery label attached to the reverse, gouache 55.5 x 43cm £1,000 - 1,500 Provenance: With Cyril Gerber Fine Art, Glasgow.

The present work has been dated to the 1960s, a similar example dated 1969 is in the Jerwood Collection.

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Lots 319 to 321 Paul Peter Piech (1920-1996) Born in New York in 1920, the graphic artist and printmaker Paul Peter Piech was stationed in the UK during the war, going on to study at Chelsea College of Art where he later taught alongside Edward Bawden. After a successful career in advertising, he went freelance in 1968, and devoted his time to his linocuts and woodblock prints and posters. He was known particularly for the political and social messages behind his work, tackling a wide range of issues and also literary subjects. His work spans five decades, his unique style combined type and artwork and was very influential. While his works are numerous, he tended not to produce large editions; generally, although not numbered, they were in editions of no more than 75.

Lot 319 Paul Peter Piech (American, 1920-1996) ‘YOU CAN KEEP YOUR LITTER & YOUR HAY & YOUR OATS. LONG LIVE THE THISTLES OF THE FIELD, FOR THERE YOU CAN PLAY, THE STALLION TO YOUR HEART’S CONTENT’ Linocut printed in colours, signed and dated 1984 in pencil sheet 63.5 x 45cm, unframed £200 - 300

Lot 320 Paul Peter Piech (American, 1920-1996) ‘RACISM IS A POISON’ Linocut printed in colours, signed and dated 1993 in pencil sheet 75.5 x 51cm, unframed £200 - 300 Lot 321 Paul Peter Piech (American, 1920-1996) ‘POLLUTION KILLS’ Linocut printed in colours, signed and dated 1988 in pencil sheet 76 x 51cm, unframed £200 - 300

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322 Lot 322 *Jake and Dinos Chapman (b.1966 and 1962) TIME FOR OUTRAGE/CALIFORNIA ÜBER ALLES Screenprint in colours, 2017, signed in marker pen, numbered 5/50 in pencil, on wove paper, with margins image 36.8 x 45.8cm £300 - 500 Lot 323 *Julian Opie (b.1958) ‘WOMAN TAKING OFF A MAN’S SHIRT’ (Cristea 244) Screenprint in colours, 2003, from an edition of an unknown size, published

by K21 Kunstammlung NordrheinWestfalen, with full margins sheet 100 x 60cm, unframed £400 - 600 Lot 324 *Stik (b.1979) ‘STANDING FIGURE (YELLOW)’ Offset lithograph printed in colours, 2015, signed in black ink, on wove paper folded twice (as issued), with full margins; within the book ‘Stik’, signed in black ink, published by Century sheet 75.5 x 24cm, unframed book 26 x 22 x 2.5cm £400 - 600

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326 Lot 325 *Rourke Van Dal (b.1969) ‘MONROE’ Signed, inscribed with title, dated 2017 and numbered 9/10 verso, stencil and spray paint on canvas 61 x 61cm, unframed £600 - 800

Lot 326 *Banksy (b.1974) ‘BOX SET’ Multiple, 2017, from the open edition, in the artist’s designated frame, with original receipt overall 25.5 x 25.5 x 4.5cm £500 - 700

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Lot 327 *Pure Evil (b.1968) ‘SCREAMING MARILYN’ Signed, inscribed with title, dated 2017 and numbered 10/10 verso, stencil and spraypaint on canvas 76 x 76cm, unframed £600 - 800

Lot 328 *Pure Evil (b.1968) ‘BREXIT NIGHTMARE’ Screenprint in colours, signed and numbered 52/200 in pencil sheet 85 x 70cm, unframed £300 - 500

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Lot 329 *Banksy (b.1974) ‘DI-FACED TENNER’ Offset lithograph printed in colours, 2004 7.5 x 14cm, presented in a double-windowed custom-made frame with hologram £800 - 1,200 Provenance: A ccompanied by a letter of authenticity from Steve Lazarides, Banksy’s previous agent, with hologram on letter matching that on the frame.

Lot 330 *Banksy (b.1974) ‘PEACE DOVE’ Souvenir hand-painted wall piece, numbered underneath overall 13 x 12 x 9cm including original base as issued, with corresponding ‘The Walled Off Hotel’ receipt £700 - 900

331 Lot 331 *Banksy (b.1974) TWO PECKHAM ROCK WOODEN POSTCARDS Two, within box frame overall 36 x 36 x 3.5cm £250 - 350

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Lot 332 *Patrick Hughes (b.1939) ‘LAGOON MULTIPLE’ Signed and inscribed in pencil, from the Artist Proof edition of 10, within perspex box overall 89 x 57 x 15.5cm £4,000 - 6,000

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Lot 333 *Patrick Hughes (b.1939) ‘PERFECT PRESENT’ Signed and dated 2013 verso, mixed-media sculpture, presented in a perspex box specified by the artist overall 78 x 50 x 13cm £5,000 - 7,000

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Lot 334 *The Connor Brothers (b.1968) ‘I DON’T WANT TO GO TO HEAVEN NONE OF MY FRIENDS ARE THERE’ Giclée print with silkscreen varnish, 2019, signed, dated and numbered 21/35 in pencil, on wove paper, with margins image 63 x 38cm £1,000 - 1,200 Lot 335 *The Connor Brothers (b.1968) ‘I CAN RESIST EVERYTHING EXCEPT TEMPTATION’ Giclée print on wove, signed in pencil l.r. and numbered 145/250 sheet 37 x 26cm, unframed £300 - 500

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30-354 MODERN BRITISH AND 20TH CENTURY ART Lot 336 *The Connor Brothers (b.1968) ‘THE EDGE’ Hand-painted vintage book with silkscreen text, 2016, edition 2/2, signed on label verso, in the artists’ designated frame overall 27 x 20.5cm £1,500 - 2,000

336 Lot 337 *The Connor Brothers (b.1968) ‘EVERYONE CATCHES UP WITH THEMSELVES’ Hand-painted vintage book with silkscreen text, 2016, edition 2/2, signed on label verso, in the artists’ designated frame overall 27 x 20.5cm £1,500 - 2,000

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MODERN BRITISH AND 20TH CENTURY ART 30-354 Lot 338 *Pete Doherty (b.1979) ‘SELF-PORTRAIT WITH KATE MOSS’ Signed, indistinctly inscribed and dated 2007 l.r. and further inscribed ‘Ray Heads the son’ u.l., blood and crayon on canvas 51 x 61cm, unframed £1,000 - 2,000 Provenance: Gifted to the present owner by Pete Doherty.

Lot 339 *Grayson Perry RA (b.1960) ARTISTS’ MEDAL Bronze, enamel and ribbon, 2018, number 192/300, designed for the Monnaie de Paris, in presentation box including certificate medal 5cm across box 11.5 x 11 x 4cm £200 - 300

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Lot 340 *Tracey Emin RA (b.1963) ‘BUT YEA’ Digitally printed poster in colours, 2015, signed in silver pen, from the unnumbered edition of 500 published by Emin International, on glossy wove paper, the full sheet printed to the edges sheet 70 x 50cm £400 - 500

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341 Lot 341 *Grayson Perry RA (b.1960) ‘ALIEN BABY’ Glazed ceramic, stamped and numbered to the reverse ‘9’, from a series of 12, executed 2018 27 x 17cm £4,000 - 6,000 Alien Baby was created during his time making the BAFTA nominated ‘Rites of Passage’, a four episode series exploring the topics of Death, Marriage, Birth and Coming of Age. Perry travelled the world exploring rituals across different cultures before returning home to England, to discuss his findings with British families, drawing parallels with seminal moments in their own lives and helping to devise secular rituals to help them make sense of the landmark moments they were experiencing.

Episode three, Birth, followed Essex-based couple Abbie and Laura and their sons Caspar and Ezra who, after being born at 26 weeks, were cared for over 100 days by the neonatal care team at Chelmsford’s Broomfield Hospital. During his visit to the unit the artist noticed the serene calm of the ward, noting the secure environment felt itself ‘like floating around in amniotic fluid.’

He described witnessing the slow motion modern miracle that sees the babies being nurtured into the world by the dedicated team of nurses who help them survive and thrive against all odds. He sees the nurses as the crew of a spaceship, employing modern technology with a sympathetic touch, the twinkling lights of the monitors reminiscent of the light-up controls of the flight deck of a spaceship.

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‘It feels otherworldly like we are on board a spaceship drifting through inner space on our way to the time when they [the babies] should have come’.

Inspired by this cosmic scene and believing there to be a need for the NHS to be ritualised as one of the pillars of modern society, Grayson produced a range of 12 ‘Alien Babies’, each a celebration of the NHS, the technology and, above all, the humanity of the neonatal nurses. The works, each unique and executed in pottery with a metallic gilt glaze, were gifted by the artist to every member of the neonatal team at the Broomfield, as well as to the couples featured in the show.

He states ‘each sculpture represents the spirit of all the little lives bought into the earth by the nursing team’.

It seems only fitting that this sculpture comes to auction to help finance the IVF treatment that will enable Abbie and Laura to continue to grow their family.

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342 Lot 342 Judith Supine (American, b.1979) ‘PERFECT WAVE’ Acrylic and ink relief print in colours, 2008, signed and inscribed in pencil, artist’s proof image 61 x 41.5cm £300 - 500

Lot 343 *Rourke Van Dal (b.1969) ‘SINDERELLA ROCKAFELLA’ Signed l.r., inscribed and dated 2008 verso, mixed-media 76.5 x 51cm, unframed £500 - 700

Lot 344 *Grayson Perry RA (b.1960) ‘THE TEN DAYS OF ALAN: PINK HARLEY-DAVIDSON KNUCKLEHEAD WITH SHRINE’ Silkscreen on linen, with printed signature 35 x 35cm £300 - 400

Lot 345 Lamont White (American, contemporary) ‘EVERYDAY’ Mixed media 36.5 x 37cm £600 - 700

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Lot 346 *Cyclops (Lucas Price) (b.1975) ‘TWO MASKED HEADS/TOTEM POLE SERIES’ Signed and dated 2009 verso, oil on wood 100 x 30.5cm, unframed £500 - 600 Lot 347 Swoon (American, b.1977) ‘ICE MAIDEN’ Screenprint with hand colours, signed and numbered 2/10 in pencil 88.5 x 55cm £1,000 - 1,500 Lot 348 Swoon (American, b.1977) ‘DANIELLA’ Digital archive print in colours, 2005/2018, from the unnumbered edition of 50, on Moab Entrada 335gsm wove paper, with margins sheet 40.8 x 32.8cm, unframed £300 - 500

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Lot 349 Takashi Murakami (Japanese, b.1962) ‘MY ARMS AND LEGS ROT OFF AND THOUGH MY BLOOD RUSHES FORTH, THE TRANQUILITY OF MY HEART SHALL BE PRIZED ABOVE ALL.‘ Offset lithograph with irridescence printed in colours, 2007, signed and numbered 134/300 in silver pen, published by Kaikai Kiki Co. Ltd., the full sheet printed to the edges sheet 69.5 x 83cm £800 - 1,200

Lot 350 Yayoi Kusama (Japanese, b.1929) ‘NAOSHIMA PUMPKIN’ Painted cast resin multiple, 2019, stamped on the base 14 x 14 x 9cm, with box £500 - 700

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Lot 351 Kaws (American, b.1974) ‘SMALL LIES BROWN’ Vinyl sculpture 27cm high; and two canvas tote bags, CLEAN SLATE and RESTING PLACE, designed by the artist and sold alongside his exhibition at the Yorkshire Sculpture Park, 2016 (3) £350 - 500 Lot 352 *Invader (French, contemporary) STICKERS Signed sticker sheet 29.5 x 23cm; included in the DELUX editioned book ‘MORE STUCK UP CRAP’ - STICKERS VOLUME 2 (VERSION 2), signed limited edition book, 238/400, together with other signed sticker sheets

by Shepard Fairey, Swoon, Ron English, Skullphone, Tara McPherson, Kristen Liu Won, Stephen Powers and DB. This edition also features a sticker folio full of 125 usable stickers in either peel-out sheets or individual die cuts, all within clamshell box overall 38 x 31cm £500 - 700

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353 Lot 353 *David Studwell (contemporary) ‘ELTON JOHN: HOME RUN - DODGER STADIUM 1975’ Screenprint in colours with hand embellished diamond dust, signed and numbered 9/50 in pencil, created in collaboration with Sir Elton John and Terry O’Neill, on wove paper, with margins sheet 48.7 x 67.1cm, unframed £600 - 800

Lot 354 *Mary McCartney (b.1969) ‘DARCEY’ Photograph, signed and inscribed ‘A/P Darcy’ [sic] verso 47 x 32cm £2,000 - 3,000

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Each lot is subject to Buyer’s Premium at 30% inclusive of VAT @ 20% Lots marked * will be subject to an additional fee - please see ARR details on pages 147-148

INDEX OF ARTISTS A *Abrahams, Ivor 154 *Agar, Eileen 318 Aldoshin, Vladimir 117, 127 *Aldridge, John 1, 6, 30 *Allen, Simon 297 *Annear, Jeremy 301 Anokhin, Aleksandr 177, 256 Archipenko, Attributed to Alexander 157 Atamian, Charles Garabed 60 *Armfield, Diana 71 *Austin, Robert Sargent 228 B *Bailey, Julian 148 *Baker, Darren 244 *Banksy 326, 329-331 *Banting, John 2 Baranenko, Vitali 259 Barrett, Dean 151 *Bawden, Edward 35-40 *Bawden, Richard 16, 27 *Beale, Edward 120 *Beauvais, Walter John 88 *Bellany, John 168 Bierk, David 102 *Blackburn, David 284, 287-289 *Bliss, Douglas Percy 76 *Blow, Sandra 295 *Boyd-Harte, Glynn 75 *Bradley, Martin 303 *Bratby, John 34 *Bromfield, Fred 217 *Buchan, Dennis 192 *Buffet, Bernard 142 *Bulmer, Lionel 105 *Butler, James 161 Buzin, Vladimir 214, 215 C *Camp, Jeffrey Bruce 165 *Cazassus, Rene 194 *Chamberlain, Trevor 54, 187, 190 *Chapman, Jake and Dinos 322 Cherednichenko, Anna 253, 268 *Cidoncha, Rafael 168 *Clark, Michael 246 *Cliffe, Henry 277 *Coates, Tom 64, 87, 266 *Cockrill, Maurice 300 Collier, John 232 *Connor Brothers, The 334-337 Continental School 182 *Copnall, John Bainbridge 186 *Corsellis, Jane 89 *Coutu, Raymond John 271 Craighead, Margaret 132, 133 *Craxton, John 11 *Cremona, Emvin 314, 315 Cronyn, Hugh Verschoyle 100, 270 *Crosbie, William 254 *Crowley, Graham 72 *Cuming, Fred 91, 92, 189 *Cuneo, Terence 66 *Cyclops (Lucas Price) 346

D Daines 255 *Daniels, Alfred 146 Davidson, Allan Douglas 42 Denmark, Peter 249, 250, 306-313 Demenko, Anatoly 245, 198 *de Vries, Hubert 235 *Deschamps, Gabriel 82 *Dobson, Frank 29 *Doherty, *Pete 338 *Donaldson, David Abercrombie 104 *Draper, Kenneth 283, 285, 286 *Dubsky, Mario 167 *Duncan, Ana 155 *Dunlop, Ronald Ossory 74, 77, 78 *Dyf, Marcel 47 Dylan, Bob 174 E *Edwards, Mark *Eekhoff, Uriel *Emin, Tracey English School *Eyton, Anthony

238 126 340 202, 225, 226 86

F *Fedden, Mary 3, 175 Firman, Nettie 180, 296 *Fleetwood-Walker, Bernard 252 *Frost, Sir Terry 291, 293, 294 G *Gall, François 44 *Galt, Alexander Milligan 83, 84 *Gardiner, Alfred Clive 230 *Garwood, Tirzah 8 *Gault, George 129 *Godwin, Mark Andrew 304, 305 Gran, Elena and Michel 118 *Grant, Duncan 172 Gusarevich, Alexandre 267 *Gwynne-Jones, Allan 121 H *Hale, Kathleen 24 *Hall, Patrick 52 *Hambling, Maggi 28 *Harpley, Sydney 153 *Harvey, Gertrude 115 *Hely Hutchinson, Nicholas 260-262 Hennell, Thomas 9 *Hepple, Norman 236 *Herman, Josef 147, 160, 162 *Hilton, Rose 164 *Hitchens, Ivon 171 *Hogarth, Paul 25 *Houston, Ian 56 *Houston, John 269 *Howard, Ken 67, 123, 265 *Hughes, Patrick 332, 333 I *Invader

352

J *Jones, Philip

58

K Kaws *Kelly, Peter

351 191

*Key, Geoffrey 163 Keyt, George 134 *King, Cecil 292 *Kingsley, John 96, 97 *Kluge, Constantin 181, 183, 184 *Kneale, Brian 128 *Knight, Dame Laura 141, 144 *Kraitz, Ulla 156 *Kuhfeld, Peter 85 Kusama, Yayoi 350 Kuzina-Lugovskaya, Yevgeniya 213 L Laktionov, After Alexander 199 *Landau, Zygmunt 195 *Larusdottir, Karolina 218-222 *Laurie, Simon 109 *Lee, Dick 69 *Lee-Hankey, William 45, 46 *Lehmann, Olga 32, 33 *Levene, Ben 98 *Linton, Don 193 M *Mackie, Charles Hodge 223 *Mac Miadhachain, Padraig 114 Mann, Cyril 73 Manson, James Bolivar 99 Marquardt, Bruno 239 Masyukov, Valeri 229 *McCartney, Mary 354 McGivern, Barbara 210, 211, 302 *McIntyre, Donald 113 *Meninsky, Bernard 227 *Middleditch, Edward 59 *Miller, John 112 *Milner, Allan 216 *Morris, Cedric 13, 41 *Mount, Paul 159 Murakami, Takashi 349 N *Nash, John 12 Nevinson, Christopher Richard Wynne 139, 140 *Newcomb, Mary 31 *Newcomb, Tessa 4, 5 *Nicholson, Rachel 125 O *Opie, Julian *Organ, Bryan Orimoloye, Daniel

323 62 106-108

P Paolozzi, Sir Eduardo 130 *Park, John Anthony 90 Patikovski, Sergei 212 *Perry, Grayson 339, 341, 344 Piech, Paul Peter 319-321 *Piper, John 48-50 *Pissarro, Orovida Camille 43 Poiret, Paul 65 *Poliakoff, Serge 290 *Pope, Perpetua 93 *Praeger, Sophia Rosamond 131 *Prout, Margaret Fisher 51 *Pure Evil 327, 328 R Randall, Michael

188, 197

*Raphael, Sarah *Ratcliffe, William *Riley, Bridget *Rocks, Chris and Steve *Rosoman, Leonard Ruban, Igor Pawlowitsch Russian School 248,

264 57 299 94 119 200 257

S Sadler, Robert 272-275, *Saelens, Jacques *Schierenberg, Tai-Shan *Selby, William Simmonds *Smith, Peter *Snow, Michael Seward *Somers, Juliet *Spear, Ruskin *Spencer Churchill, John *Spender, Humphrey *Stage, Ruth Stanichnov, Oleg 122, 247, *Stik *Studwell, David *Suddaby, Rowland 53, Sumner, Maud Eyston Supine, Judith *Sutherland, Graham *Swan, Douglas 145, 278, Swoon 347,

279 158 263 124 111 196 276 203 205 55 14 233 258 324 353 116 185 342 173 280 348

T Tamburrini, Mosè Angelo *Taplin, Guy 178, *Tillyer, William 281, *Tindle, David Titov, Konstantin Titov, Yaroslav Viktorovicz *Topolski, Feliks *Treacy, Liam *Trevelyan, Julian 176, Troubetzkoy, Paul *Tyson, Kathleen

150 179 282 231 201 224 143 101 234 152 70

U *Uhlman, Fred *Underwood, Leon *Uptton, Clive

240-243 149 237

V *Van Dal, Rourke 325, 343 *Vasarely, Victor 298 *Von Hellermann, Sophie 170 W *Walters, Evan 204 *Warburton, Joan 18-20 *Webster, Walter Ernest 251 *Weight, Carel 79-81, 169, 206-209 *Weir, Linda 110 *White, Charles N 166 White, Lamont 345 Wiles, Walter Gilbert 95 *Wilkinson, Norman 58 *Wilson, Scottie 316, 317 *Worth, Leslie 63 *Wyeth, Paul James 68 *Wyllie, Gordon 103

Lots marked with a ‘*’ may attract the Artist’s Resale royalty charge at the rate of 4% of the hammer price.

This royalty, where applicable, will be charged to the purchaser.

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GLOSSARY OF PICTURE CATALOGUING TERMS A work catalogued with the forename(s) and surname of a recognised destination of an artist is or is probably a work by the artist, eg. David Cox. Nevertheless, intending buyers are reminded that while a full designation is our highest category or authenticity, no unqualified statement as to the authorship is made or intended. A full cataloguing does not necessarily imply a full warranty.

Attributed to David Cox in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Bears/with signature, inscription, date in our opinion the signature/inscription/date are not by the hand of the named artist.

Circle of David Cox in our opinion a work from the period of the artist and showing his influence.

The addition of a question mark (?) after any of the above cataloguing terms indicates an element of doubt.

Follower of David Cox in our opinion a work executed in the style of David Cox After David Cox in our opinion a copy of any date after a work by the artist Signed/inscribed/dated in our opinion the work has been signed/inscribed/dated by the artist

A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, eg. South Netherlands School, circa 1750.

All references to signatures, inscriptions and dates refer to the present state of the work, ie. as at the time of inspection for the purpose of cataloguing.

Condition reports are not included in the descriptions.

ARTIST’S RESALE RIGHT (ARR) What is Artist’s Resale Right?

Following a European Directive in 2006, the Artist’s Resale Right entitles creators of original works of art to a royalty each time their work is resold, with the involvement of an auction house, for 1,000 Euros or more.

This right covers sales of work by living artists and also the beneficiaries and heirs of artists deceased within the last 70 years of the sale.

How are resale royalties calculated?

The artist’s royalty depends on the hammer price (sale price without any VAT or Buyer’s Premium). The higher the sale price of the artwork, the lower the overall royalty rate.

The royalty is worked out according to a sliding scale from 4% to 0.25%.

Austria, Belgium, Bulgaria, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Iceland, Ireland, Italy, Latvia, Liechtenstein, Lithuania, Luxembourg, Malta, Netherlands, Norway, Poland, Portugal, Romania, Slovak Republic, Slovenia, Spain, Sweden, United Kingdom.

Artists who are nationals of these countries are therefore generally eligible to receive resale royalties. The nationality criteria only applies to the artist and not to the beneficiaries or heirs.

From 0 to €50,000

4%

From €50,000.01 to €200,000

3%

Are all sales of artwork covered?

The Artist’s Resale Right does not apply to all sales of artworks. A royalty is only due if the following conditions are met:

From €200,000.01 to €350,000

1%

•

From €350,000.01 to €500,000

0.5%

Hammer Price

Exceeding €500,000

Royalty

0.25%

What is the qualifying threshold?

An artwork must sell for more than €1,000 to qualify for a royalty. The law defines the price threshold in Euros and, because the exchange rate between the two currencies changes daily, the equivalent in Pounds Sterling must be worked out according to the exchange rate on the date the artwork was sold.

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What nationality must an artist be to qualify?

The Artist’s Resale Right applies to the sale of artworks in the European Economic Area (EEA). The following countries are in the EEA:

• • •

the artwork is a copyright protected work of graphic or plastic art; it is sold for more than €1000; it is sold in the secondary market with the involvement of an art market professional (e.g. auction house); and it is sold in the UK or another country in the European Economic Area (EEA).

This royalty, where applicable, will be charged to the purchaser. It is exempt of VAT.

TERMS AND CONDITIONS INFORMATION FOR BUYERS Introduction The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

Methods of Payment Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm on the Friday following the sale.

We accept cash to an upper limit of 10,000 euros equivalent. We accept credit card payments to an upper limit of £5,000. Usually any cheques will need to be cleared before you can take the goods away.

Collection and storage All lots should be paid for and collected by 5pm on the Friday following the sale.

Commission bidders should check the success of their bids and arrange payment and collection within this time. Please note what the Terms of Sale say about collection and storage. Items not removed by 5pm on Friday may be removed at the purchaser’s expense and storage charges of £10 as an administration fee and £2 per lot per day may be charged (plus vat). Please note that we will apply these charges strictly to Furniture purchased in our Homes and Interiors Sales.

Dispatch We are rarely able to pack and dispatch purchases. A choice of shippers is detailed on our web site.

Agency As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

Estimates Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable).

Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot.

They are not definitive.

Electrical goods These are sold as ‘antiques’ only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

Export of goods If you intend to export goods you must find out: a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

Bidding Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding.

Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

Commission bidding You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained).

We recommend leaving commission bids online via our website, though please contact us about leaving bids by telephone or fax/email. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute commission bids received after this time.

Telephone Bidding If you are unable to come to the auction it may be possible to bid on the telephone for higher value lots. Please note that this service is for lots with an estimate of £500 or more. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

Online Bidding Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with rates specified by the online service. From 1 January 2020, these charges will be charged at 0% plus VAT while bidding via Sworders website. If bidding through the-saleroom.com this will be charged at 4.95% plus VAT. Both charges will be payable to us on top of the hammer price and our buyer’s commission.

IMPORTANT NOTICES

Buyer’s Premium The Terms of Sale oblige you to pay a buyer’s premium at 25% on the hammer price of each lot purchased, except for our Fine Wine and Port auctions when it is 15%. In addition, VAT is charged on these premiums (see below).

Removal of lots ALL lots are to be removed from the premises by 5.00pm at the latest on the Friday following each sale. Sworders retain the right to remove lots remaining after this time into safe storage, for which a charge will be made.

VAT Items in our catalogue may be marked with a dagger † or double dagger ‡, which indicates that VAT is payable by the buyer on the hammer price and the buyer’s premium at either the standard rate (currently 20%) or a reduced rate (currently 5%), depending upon the legal requirements relating to that lot.

Electrical Goods All electrical goods offered in this sale have either been tested and certified safe or unsafe by an appropriately qualified electrician. All electrical goods certified safe must be re-commissioned by an appropriately qualified electrician and we recommend those certified safe are similarly re-commissioned.

Lots which do not have either of the above symbols have no VAT payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme. The VAT included within the premium is not recoverable as input tax.

Inspection of goods by the buyer As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

Condition Reports We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale.

Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling.

Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Sworders’ certificate or are aware of its reference number.

It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Sworders Fine Art Auctioneers. Items are marked with this sign §.

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TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the ‘Conditions of Business’). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions.

1. Definitions and interpretation 1.1 To make these Terms of Consignment easier to read, we have given the following words a specific meaning:

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

the dispute in another way. We will act reasonably when deciding how to settle the dispute.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

4. The purchase price As Buyer, you will pay: a. the Hammer Price; b. a premium of 25% plus VAT of the Hammer Price or 15% plus VAT for our Fine Wine and Port Auction; c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the ‘Information for Buyers’ in our auction catalogue for further information.

‘Auctioneer’

means GES & Sons Ltd trading as Sworders Fine Art Auctioneers, a company registered in England and Wales with registration number 6858916 and whose registered office is located at Cambridge Road, Stansted Mountfitchet, Essex CM24 8GE or its authorised auctioneer, as appropriate;

‘Bidder’

means a person who places a bid for Goods at our auction;

‘Buyer’

means the person who makes the highest bid for the Goods accepted by the Auctioneer;

‘Commission’

means the commission that we charge you on the sale of the Goods as set out in Clause 5 below;

‘Consumer’

means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

‘Consumer Contracts Regulations’

means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

‘Deliberate Forgery’

means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

‘FCA’

means the Financial Conduct Authority;

‘Goods’

means the goods that you consign to us for sale at our auction;

‘Hammer Price’

means the level of the highest bid for the Goods accepted by the Auctioneer;

‘Premium’

means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

‘Price’

means the total of the Hammer Price, Premium and any applicable VAT;

‘Proceeds’

means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT;

‘Reserve’

means the minimum price at which the Goods may be sold;

‘Seller’

means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

‘Terms of Consignment’

means these terms of consignment;

‘Terms of Sale’

means the terms of sale for bidders or buyers at our auctions;

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

‘Trader’

means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer);

8. Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

‘VAT’

means any value added tax or equivalent sales tax; and

‘Website’

means our website available at www.sworders.co.uk.

In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words ‘we’, ‘us’, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

Any dispute about a bid will be settled at our discretion.

We may reoffer the Lot during the auction or may settle

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5.2 We will charge VAT at the current rate at the date of the auction.

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed after the hammer falls when the highest bid for the Goods at the auction is written into the Auction book by the Auctioneer.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in any way that we agree to accept payment. Note there is an upper limit of 10,000 euros equivalent for payments in cash.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 5pm on the Friday following the auction.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you.

This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

15.2 Any notice referred in Clause 15.1 may be given:

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.

15.3 Notices must be sent:

12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

13. Deliberate Forgeries 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 30 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms of Sale.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

10. Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements.

Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14. Our liability to you 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for:

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

14.4.3 any liability which cannot be excluded by law.

14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to the following email address: auctions@sworder.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

16. Data Protection We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

17. General 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers

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MODERN BRITISH AND 20TH CENTURY ART

The Stansted Auction Rooms Hertford Office Cambridge Road 42 St Andrew Street Stansted Mountfitchet Hertford SG14 1JA Essex CM24 8GE Tel 01279 817778 Fax 01279 817779 Email auctions@sworder.co.uk

London Office 15 Cecil Court London WC2N 4EZ

Tel 01992 583508 Fax 01992 586074 Tel 0203 971 2500 Email hertfordoffice@sworder.co.uk Email london@sworder.co.uk

Kent Office Tel 01732 757675 Email kent@sworder.co.uk

Wednesday 10 June 2020

www.sworder.co.uk

Modern British and 20th Century Art Wednesday 10 June 2020