The Spill - 2025 Edition

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E D I T I O N

Essay in Purity Vincent Van Duysen’s new expansive collection, featuring his first wallcovering designs!

Shape of Water

A modern lakeside retreat saturated with color by Britt Design Group

California Warmth

Amanda Lindroth creates a coastal oasis with The Dunlin Auberge

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From awards to events, discover what Perennials and Sutherland has been up to!

The inaugural Round Top Show House featured country charm with elevated modern touches.

News

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Celebrated designer and architect Vincent Van Duysen reveals his travel necessities.

Perennials’ summer collection of wallcoverings and rugs offers a contemporary take on nautical design.

Globe Trotter

9 P H O T O G R A P H Y B Y C L AY G R I E R ; C O U R T E S Y O F P E R E N N I A L S A N D S U T H E R L A N D ; T H E D U N L I N A U B E R G E

Must Reads

Check out the latest design books that we’re adding to our bookshelf.

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Fearless Green

Learn about Perennials’ signature hue, Fearless Green, and how to incorporate the sophisticated shade into your projects.

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In The Heart of Texas

Come Sail Away

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Get a glimpse into the creative process of designing a colorful custom rug for a family home.

Vincent Van Duysen’s fall collection speaks to his eye for warm spaces and tactility.

Fresh from our fall photoshoot, renowned stylist Colin King discusses his unique process for achieving the perfect shot.

Grounded in Artistry

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Wanderlust

Be inspired by design destinations with unique perspectives on craftsmanship and style.

Soulful Intent

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Belgium Calling

Where to sightsee, shop, and eat in Vincent Van Duysen’s hometown, according to the designer himself.

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Charting Her Own Course

Yacht designer Kate Seremeth reveals how she got her start and the biggest challenges she faces designing luxury vessels.

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The Shape of Water

Britt Design Group walks us through designing an ultra-modern lakeside home in Austin.

Beauty in Restraint

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Sweet Carolina

Queen of coastal design, Amanda Lindroth, reflects on blending patterns and calming hues for The Dunlin Auberge property.

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Cocktails, anyone?

Sees Design’s Sara See on choosing textiles for hospitality projects–plus, a cocktail recipe you can make at home!

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L E T T E R

H

here we are in the fourth issue of

S P I L L B Y P E R E N N I A L S A N D S U T H E R L A N D

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E D I T I O N

Essay in Purity Vincent Van Duysen’s new expansive collection, featuring his first wallcovering designs!

E D I T I O N

Shape of Water

A modern lakeside retreat saturated with color by Britt Design Group

California Warmth

Amanda Lindroth creates a coastal oasis with The Dunlin Auberge

All rights reserved.

The Spill Magazine is a production of Perennials and Sutherland, LLC. Any reproduction or reuse of the articles, images, and content without the express written consent of Perennials and Sutherland, LLC. Is strictly prohibited.

Perennials and Sutherland, LLC, 1600 Viceroy Drive, Suite 500, Dallas, Texas 75235 ©2025 All Rights Reserved.

Kerri McCulloch

Chief Marketing Officer 4

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P H O T O G R A P H Y B Y C H L O E S A LTA R E L L I A N D C L AY G R I E R

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teak furniture. Vincent has worked with our product development teams to provide an aluminum version of his beloved frames that can now be powder coated in all 18 color options we offer. The collection also boasts six new fabrics, four rugs and six wallcoverings which grace our cover story shot in beautiful West Hollywood this May. We’re also turning up the heat this fall by introducing fire tables designed by GOWER + WOOLF, because grownups need their own spaces to relax, too (sorry, toddlers).

As we look to the future, we are excited to offer what clients have been requesting for years - florals and gingham! In the meantime, all of our new products can be found on newly curated “Fresh Finds” boards in each showroom.

We continue to love your applications of Perennials and Sutherland, so keep tagging us in your installs for us to share on social–and who knows, you may just end up in our next issue of The Spill!

T H E

The Spill! You may have been following along since its inception as our website blog. Since it was first born, I have loved the name and content, and I love what it has grown into now as a full-fledged toddler! And we all know how toddlers are. Toddlers are often our inspiration for performance. We know performance fabrics are particularly suited for outdoor use as they resist mold and mildew, as well as fading from direct sunlight.

But indoors, they are just as useful for families with sticky little fingers. Last June, we were thrilled to introduce our first wallcoverings collection. While not all are performant like our fabrics, many are, and they have been a great extension for adding another surface to your home that can withstand life’s messes.

This Fall, we are thrilled to introduce our third wallcovering collection - Vincent Van Duysen’s first foray into wallcoverings - alongside his second collection of furniture, fabrics and rugs! Since it was introduced in 2018, clients have adored Vincent’s Franck collection of

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And The Winner Is... pop the bubbly ! sutherl and furniture took home a best of ye ar

Award in the Outdoor Seating Collection category for Eugeni Quitllet’s Wabi Sabi collection. Quitllet’s architectural Spring 2024 collection wowed the judges with statement pieces like the Wabi Sabi Lounge Chair. Wabi Sabi also earned a 2024 GOOD DESIGN™ Award in the Furniture category.

Founded in Chicago in 1950 by Eero Saarinen and Charles and Ray Eames, GOOD DESIGN remains the world’s oldest and most recognized program for design excellence worldwide. Merely six months after launch, Perennials Wallcoverings won a PaperCity Dallas Design Award for Palmetto in the Best in Wallcovering Design category. An instant client favorite, Palmetto is a surface print design featuring a vibrant palm pattern.

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2025 EDITION

N E W S

Perennials, je t’aime designers and friends from around the globe joined

Perennials and Timothy Corrigan for a Paris Déco Off soirée at the exclusive private club, Le Cercle de l'Union Interalliée. Guests were welcomed by champagne and a mademoiselle dressed in Perennials, then treated to an evening of music and mingling within a stunning Parisian ballroom. Attendees also enjoyed takehome gifts like Perennials-adorned berets and custom silhouette portraits. Guests included Jim Druckman, Carolina Trabatonni, Benjamin Reyneart, Jennifer Bruno, Isabel Ladd, Angelika Müller, Natalia Bianchi, Eric Chang, Nichole Mika, and Penny Drue Baird.

Hospitality Minded In May, Perennials and Sutherland returned to the Mandalay Bay in Las Vegas for the 2025

C'est toi, Spring

HD Expo, exhibiting wares ideal for hospitality designers

Perennials showcased

and specifiers.

a sophisticated Spring

Perennials’ contract-

2025 collection, Down

grade fabrics, rugs,

to Earth, alongside

and wallcoverings

Timothy Corrigan’s vibrant Fall 2024

PHOTOGRAPHY COU RTESY OF PEREN N IALS AN D SUTH ERLAN D

collection during Paris Déco Off this year.

Bringing the outdoors in with rich textures and hues, Down to Earth reflects nature’s artistry with wallcoverings, fabrics, and rugs that will add a bit of whimsy to any space.

The custom pop up showroom featured fun touches, such as a colorful beret green wall and gardening tools draped in spring wallcoverings.

from the Spring

Disco Inferno for fall 2025 , sutherl and furniture is e xcited to

launch the Luka Fire Table alongside Franck aluminum pieces. Conceived by innovative design firm GOWER + WOOLF, the Luka Fire Table is manufactured with glass fiber reinforced concrete (GFRC) and a removable slatted teak top - easily transitioning it from a heat source to a sophisticated coffee table. The Luka Fire Tables “embody a sculptural aesthetic that complements any contemporary outdoor setting,” says Paul Woolf Boettiger, Principal. Available in Chalk and Fog, each piece is fueled via gas line or propane as the team designed a complementary propane tank cover that doubles as an occasional table.

2025 Down to Earth collection were displayed alongside Sutherland Furniture’s aluminum Crescent collection, designed

by Eugeni Quitllet.

David Sutherland Showroom partner, Pavoni, showcased their assortment of hospitality and contract leathers.

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P A C K I N G

L I S T

MBR

Awake & Lift Patches “When I’m traveling, I use the Awake & Lift eye patches by MBR, a German brand.” mbr-cosmetics.com

Globe Trotter CREED

RIMOWA

Original Vétiver “My go-to fragrance is Creed Vétiver.” creedfragrance.com

PRADA

Re-Nylon Travel Pouch “In my black nylon Prada pouch, I place my passport, wallet, iPhone, pen, earplugs, keys, and reading glasses.” prada.com

ASICS

Men’s Gel-1130 “Garments-wise, I take blue clothing or trousers with me, as well as comfortable sneakers.” asics.com

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Original Cabin Suitcase “I always try to travel light, so my packing needs to be as compact as possible.” rimowa.com

APPLE

iPad Pro “I always take the iPad with me to avoid paper magazines, so I download them on my device.” apple.com

BOTTEGA VENETA

Intrecciato North South Tote “For short trips, I like to place a black leather Bottega Veneta tote bag on my carry on.” bottegaveneta.com

2025 EDITION

P H O T O G R A P H Y C O U R T E S Y O F C R E E D ( F R AG R A N C E ) ; P R A DA ( N Y LO N P O U C H ) ; A S I C S (S H O E S) ; A P P L E ( I PA D) ; R I M O WA (S U I T C A S E ) ; M B R C O S M E T I C S ( E Y E P AT C H E S ) ; B O T T E G A V E N E TA ( T O T E B A G ) ; V I N C E N T VA N D U Y S E N P O R T R A I T B Y S T E F A A N T E M M E R M A N

Vincent Van Duysen reveals his must-haves for being on the go!

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ISLAND DREAMING:

Amanda Lindroth Design (Vendome) Known for her tropical designs, Lindroth shares insights on creating spaces that feel delightful and airy.

THE ROMANCE OF HOME

Houses by Mohon Interiors (Rizzoli) Infusing spaces with a sense of sophistication and warmth, Marcus Mohon shares tips on transforming uninspiring rooms into enchanting interiors.

P H O T O G R A P H Y C O U R T E S Y O F A S S O U L I N E ( B U R G E S S , D O R S E Y ) ; R I Z Z O L I ( M O H O N ) ; V E N D O M E ( L I N D R O T H ) ; G I B B S S M I T H ( K I P S B AY )

ICONIC ROOMS:

Kips Bay New York Decorator Show House at 50 (Gibbs Smith) Marking their 50th anniversary, Kips Bay New York created a retrospective of impactful Show House spaces to celebrate the design community coming together for a great cause.

Must Reads

Discover the books giving us endless inspiration CHAD DORSEY:

Relaxed Luxury (Assouline) Dorsey’s signature effortless style is showcased through his most notable projects over the past two decades.

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BURGESS

(Assouline) The stunning luxury coffee table book, which celebrates 50 years of Burgess, explores the superyacht company’s adventurous past and innovative future.

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ROOM ENVY

Shea McGee of Studio McGee updated her home’s pantry with Portola Paints’ Inspiration. “Going dark in the pantry is something I’ve wanted to do for quite some time. It’s a big change in a small space and I love it so much. It’s a windowless, small space, so it’s going to feel like that regardless of cabinet color. I decided to lean in.”

INSPIRATION Portola Paints

Fearless Green A luxury shade of green that clients are digging.

BY J O R DA N M U R P H Y

when perennials underwent a br and

facelift in early 2021, Founder Ann Sutherland decided Perennials’ signature green needed to evolve as well. The original brand color was a lighter citrus shade, which felt a bit out of date. To match Perennials’ level of sophistication, Sutherland chose a deep forest, akin to a British racing green, which she aptly named Fearless Green. “After being known as an outdoor fabric company for many years, the color change indicates Perennials is also an indoor brand with the new shade being ideal for interiors,” explained Sutherland. Ever since, Perennials has launched client-favorites, like Plushy and Rough ‘n Rowdy, plus new offerings, in the Fearless Green colorway. Discover our fresh finds to live with the earthy hue.

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2025 EDITION

P H O T O G R A P H Y C O U R T E S Y O F S T U D I O M C G E E ( K I T C H E N ) ; P O R T O L A P A I N T S ( I N S P I R AT I O N ) ; B E N J A M I N M O O R E ( E S S E X G R E E N , H U N T E R G R E E N ) ; P AT E K P H I L I P P E ( W AT C H ) ; S U T H E R L A N D F U R N I T U R E ( B A R C A R T ) ; T O M F A U L K N E R ( TA B L E ) ; P E R E N N I A L S ( W A L L C O V E R I N G , F A B R I C , R U G ) ; S K L O ( P E N D A N T L I G H T )

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Paint Picks

ESSEX GREEN

HC-188 Benjamin Moore

HUNTER GREEN 2041-10 Benjamin Moore

ROYCROFT BOTTLE GREEN

SW 2847 Sherwin-Williams

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1. Cubitus Steel Watch with Sunburst Olive Green dial, Patek Philippe, patek.com 2. Rough ‘n Rowdy in Fearless Green, Perennials, perennialsfabrics.com 3. Pillow Pendant in Smokey Gray Frosted, SkLo, sklo.com 4. Set in Stone wallcovering in Fearless Green, Perennials, perennialsfabrics.com 5. Story Lines flatwoven rug in Fearless Green, Perennials, perennialsfabrics.com 6. Ava Round Dining Table in Bottle Green, Tom Faulkner, tomfaulkner.co.uk 7. Peninsula Bar Cart in Pine, Sutherland Furniture, sutherlandfurniture.com

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S O C I A L

In the Heart of Texas Perennials and Sutherland visits the Round Top Antique Fair Spring Show

BY J O R DA N M U R P H Y

E

ach spring and fall ,

designers from across the country descend upon the tiny town of Round Top, Texas (population: 93), for the Round Top Antique Fair–a sprawling network of tents and dealers all hawking antique and handmade wares. In recent years, there’s been a noticeable uptick in trade brands and media partners leveraging designer attendance—most notably this

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year’s debut of the Round Top Show House, sponsored by Luxe Interiors + Design. Participating designers Marcus Mohon and Darla Bankston May incorporated Perennials and Sutherland pieces into their stunning spaces, capturing the distinctive charm of Round Top. l ayered living

Marcus Mohon, principal of Austin-based firm Mohon Interiors, knows a thing or two about creating warm, luxurious, and

2025 EDITION

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inviting rooms. Mohon’s space for the Round Top Show House included the kitchen, dining, living room, and lounge areas, so designating separate but cohesive moments was no easy feat. A rustic wood dining table surrounded by chairs and banquettes sets a communal tone for the space. Layering pattern and texture, Mohon upholstered the dining banquettes in Tatton Stripe in Basalt. Echoing the green, rolling hills of Round Top, he brought deep green accents into the home—from emerald plaster walls to a living room sofa covered in Big Softy in Matcha.

PHOTOGRAPHY BY J U LIE SOEFER

outside on the r anch

Tasked with designing all exterior spaces–plus transforming a two-car garage into a bar lounge–Darla Bankston May of Bankston May Associates turned to Sutherland Furniture for sourcing a range of outdoor lounge and dining pieces.

Bankston May framed the front door with a sculptural Plateau Left Arm Facing

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Daybed and a pair of mid-century modern Sag Harbor Lounge Chairs in Black.

On the back patio, a Studio Bar Table provides the perfect perch for enjoying a glass of wine. The dining area is anchored

by Sutherland’s Franck Rectangular Dining Table, surrounded by Neo-Classic Dining Arm Chairs, as well as Monaco II Dining Arm Chairs in Aluminum. A cozy lounge moment is created with a Franck sectional, topped with Heirloom in Cadet cushions, and grounded by Perennials’ Crescendo flatwoven rug in Grey Matter.

Bankston May completed her outdoor retreat with a Sutherland Cortina Fire Pit—ideal for relaxing after dinner and taking in the sunset.

Road Trip To celebrate the arrival of spring, we hosted a special Round Top excursion for a group of Austin designers.

Our guests began the day with a tour of the Round Top Show House, followed by a fabulous lunch at Bader Ranch. Afterward, we indulged in a bit of shopping— including a stop at Sissy Light, where our guests picked out sun hats complete with Perennials fabric bands. Following successful stops at Blue Hills and Marburger to browse antiques, our time at Round Top came to an end. Until next year!

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Come Sail Away

Sun Kissed, Perennials’ summer collection, is a love letter to coastal hues and fluid patterns sunlight dancing across the pool surface . waves

breaking on the sand. The sights and sounds of warm summer days have long been an inspiration for designers.

Sun Kissed captures these moments with five new wallcovering and 100% solution-dyed acrylic rug designs featuring dynamic patterns and calming colorways.

Starboard, seen here as a hand-tufted rug in Soapstone and a wallcovering in Breakers, offers vertical movement with crisp lines.

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PH OTOG R APH Y BY K AIT LI N SAR AG USA AN D PE RE N N IAL S

A Type II performance wallcovering, Sky Sail is a fluid design inspired by sails in the wind, complete with metallic accents.

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Reminiscent of the way water plays with light, High Seas is a tranquil hand-tufted rug, seen here with Clean Slate in Vapor.

(above) Seaside is a hand-tufted rug with rich layered foliage design. (this photo) Soothing blues and metallic touches round out a serene summer collection.

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2025 EDITION

Pictured with Sutherland Furniture's Crescent Dining Arm Chair, Clean Slate is a woven-inspired wallcovering with sophisticated dimension alongside the hand-tufted Sky Sail rug design in Bluestone.

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C U S T O M

R U G S

Grounded in Artistry The Perennials rug studio designs a charming rug fit for an active family

BY J O R DA N M U R P H Y

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2025 EDITION

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P H O T O G R A P H Y B Y C L AY G R I E R

when a client asked perennials to

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design a rug for her boisterous family’s living room, the rug studio jumped into action, crafting a Tibetan knot design to complement the colorful space. The client needed a rug that would pair beautifully with a sofa upholstered in Perennials’ Soft Touch in Cerulean, as well as a pair of green-and-blue Galbraith & Paul patterned lounge chairs. She approached Perennials because she knew the brand’s performance rugs would be ideal for her home with two active teenage boys and two dogs. “For this project, our client provided a lot of inspiration, including fabrics, an antique tapestry, floral photographs, and a swatch of our Tibetan Knot rug,” explains Callie Mooney, Vice President of Product Development–Rugs and New Categories at Perennials. “She

had a clear idea on what style of rug would complete the space, but she didn’t have the design fully fleshed out.”

Where does a custom rug begin, you might ask? “The medium we start with really depends on what the designer is looking for and what method we feel would best create the vision we’re all trying to achieve,” explains Mooney.

“Every designer, project, and rug is unique–and each one starts off just a little differently. Often, it’s a custom painting or a sketch, but we also love to use marbling, stamping, collaging, digital pen sketches, and photography.” For this client, the team picked up a paintbrush and got to work on a floral art piece.

The client, no stranger to color with an overall transitional elegant style, wanted calming hues that were not too loud. Per Mooney, “While we do have 8,000+ poms in our arsenal, more often than not, we custom blend poms for a client in order to match project swatches or materials they send us.” For this design, the team narrowed down shades of blue with green accents that result in a gorgeous rug that grounds the entire space. The client loves the whimsical design, and the fact it will withstand teenagers and pups for years to come.

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M A R K E T

O U T L O O K

n a W derlust Artistry and inspiration abound in these under-the-radar design destinations.

STORY BY

P H O T O G R A P H Y B Y E L I Z A B E T H L AV I N

SAMANTHA EMMERLING

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Belgium

Vincent Van Duysen’s former Antwerp home reveals his enduring architectural sensibility and captures the essence of Belgian design. embodying the hallmarks of belgian

interior design—warmth, authenticity, and a restrained, muted palette—architect Vincent Van Duysen’s 1988 Antwerp living room set the tone for his entire career. “This room became the backbone of the ambiance I created at the end of the 80s, when my original [design] DNA was born, which is still current and up to date," says Van Duysen.“It’s a warm minimal style, with the use of desaturated colors and materials, as well as little furniture with basic forms, mixed with vintage pieces.”

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Rather than altering the room’s architectural integrity, Van Duysen enhanced it—preserving raw wood floors and steel-framed windows, while painting the walls a warm white and using screens to create soft, filtered light.

Belgian design’s preference for neutrals is echoed here, evoking the country’s subdued grey skies and reserved, quiet culture. Honest materials like whitewashed brick, linen, and reclaimed oak foster a sense of soul and authenticity.

The overall effect is pure, yet rich in texture, emphasizing atmosphere over decoration. Even more than a style, this space illustrates Belgian design’s commitment to timelessness, restraint, and a serene expression that remains as vital today as it was thirty years ago.

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V I N C E N T VA N D U Y S E N I N T E R I O R , P H O T O G R A P H Y B Y G I O R G I O P O S S E N T I ( 1 ) COU RTESY O F PE RE N N IALS (2) COU RTESY O F RH (3) COU RTESY O F SUTH E RL AN D ( 4 ) C O U R T E S Y O F N AT H A L I E VA N D E R M A S S E N ( 5 ) C O U R T E S Y O F V E R E L L E N

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O U T L O O K

1. Flanders luxury performance fabrics by Vincent Van Duysen, Perennials, perennialsfabrics.com 2. Reclaimed rustic oak rectangular dining table, RH; rh.com 3. Melides planters by Vincent Van Duysen for Domani, Sutherland, sutherlandfurniture.com 4. The SAN divider, Nathalie Van der Massen, nathalievandermassen.com 5. Willow daybed, Verellen, verellen.biz

(above) Raw textures, soft silhouettes, and neutral tones shape Vincent Van Duysen’s 1988 living room.

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Japan

Designer Tobias Petri of Holzrausch Studio creates a meditative alpine retreat rooted in Japanese ideals. in a 1960 s house in germany ’s tegernsee

Valley, an apartment renovation by Holzrausch Studio draws deeply from the essence of Japanese design to create a calm, contemplative retreat. Seeking to counterbalance the dark, over-decorated façades typical of the region, the design was inspired by the minimalist, high-functioning atmosphere of Japanese hotels like the Aman in Kyoto. “Modern Japanese interior design is timeless and avoids decorative or eclectic elements,” says designer Tobias Petri of Holzrausch Studio. “Spaces are serene and strong in their presence.” With a minimalist aesthetic and restrained earthy palette of untreated larch wood and Maggia Gneis stone, the apartment achieves what Petri calls “lasting relevance and elegance” through high-quality, natural materials and exquisite craftsmanship.

Light plays a a subtle-but-vital role in the space’s mood. With only one façade open to large windows, natural light is introduced in a very deliberate way, while indirect lighting schemes are integrated into custom built-in furniture. No artifi24

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cial ceiling lights were used, enhancing the meditative atmosphere. “There are only a few loose pieces of furniture, which can be changed over time, but the core materials and the custom-built elements are extremely timeless and will remain of high quality even 50 years from now,” says Petri. The space proves how the principles of Japanese aesthetics—serenity and simplicity—translate seamlessly into other cultures and contexts far beyond their place of origin.

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HOLZRAUSCH STU DIO I NTERIOR, PHOTOGRAPHY BY OLIVER JAIST (1) COU RTESY OF I N V I S I B L E CO L L EC T I O N (2) CO U RT E SY O F P H A I D O N (3) CO U RT E SY O F P E R E N N I A L S (4) C O U R T E S Y O F L I A I G R E ( 5 ) C O U R T E S Y O F I P P I N P R O J E C T; ( 6 ) © YA M A M O T O M A S A O , C O U R T E S Y O F T H E A R T I S T A N D YA N C E Y R I C H A R D S O N , N E W Y O R K

(left) Earthy materials and an abundance of natural light help define this Japanese-inspired bedroom designed by Tobias Petri of Holzrausch Studio.

1. Mousse armchair by Noé Duchaufour-Lawrance, Invisible Collection, theinvisiblecollection.com 2. Japanese Interiors by Mihoko Iida, Phaidon, phaidon.com 3. Arigato wallcoverings, Perennials, perennialsfabrics.com 4. Nagoya desk, Liaigre, studioliaigre.com 5. Hakeme Chrysanthemum plate by Daisuke Anayama, IPPIN PROJECT, ippinproject.com 6. Untitled #1650, 2016, gelatin silver print with mixed media by Yamamoto Masao, Yancey Richardson Gallery, yanceyrichardson.com

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Peru

Marina Vella achieves a quiet architecture that honors the Peruvian landscape and local craft.

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casa chontay, conceived by architect

Marina Vella, embraces its rural Peruvian setting through a deliberate dialogue between architecture and landscape.

Sited above the Lurín River on a scenic plot overlooking the valley, its two volumes—“high” and “low”—are separated by an open garden, ensuring constant contact with nature as one walks about.

Thick locally sourced adobe walls, dry-stone curving walls, and cane from on-site, create textural continuity with the land. Eucalyptus wood from the riverbanks supports a reed-thatched roof over the terrace, and recycled wood comprises floors, windows, shutters, and

doors. Large boulders, unearthed during construction, are arranged as sculptural elements across the property. Climbing vines—bougainvillea, bignonia and jasmine—add color and ornamentation, while vetiver grass stabilizes the slope.

In Casa Chontay, traditional building techniques and native materials together dissolve the house into its environment, inviting one to lose themself in their natural surroundings.

“I think this house—built nearly a decade ago—was like a pioneer here in Peru, because it realized that our landscape is beautiful, our materials are beautiful,” says architect Marina Vella. “There are people that like very modern—with concrete and steel—and there are people that realize there’s beauty in simple things. I think there are both. That’s what I want to show.”

2025 EDITION

M A R I N A V E L L A , C A S A C H O N TAY P H O T O G R A P H Y B Y G O N Z A L O C Á C E R E S DAN C UART (1) CO U RT E SY O F SAN T E PE RU (2) CO U RT E SY O F U N CO M M O N G OO DS (3) C O U R T E S Y O F F O R T U N Y ( 4 ) C O U R T E S Y O F H O L LY W O O D AT H O M E ( 5 ) C O U R T E S Y O F R O B E R T O R I O F R I O N AVA R R O ( 6 ) C O U R T E S Y O F R F S T U D I O

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(left) With native materials like stone, adobe, and riverbank eucalyptus, architect Marina Vella designs a home deeply rooted in place.

1. Tortora reed cylinder baskets from Peru, Aero, aerostudios.com 2. Hand-painted ceramic plate, Santē Perú, IG @sante.peru 3. Manta alpaca throw, Hollywood at Home, hollywoodathome.com 4. Peruviano Inca fabric, Fortuny, fortuny.com 5. Silla i1 chair, Roberto Riofrio Navarro, rrmr.com.pe 6. Objects of Light No. 1 onyx lamp, RF Studio, rfstudioperu.com

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An Essay in Purity Belgian designer Vincent Van Duysen gives his iconic Franck Collection a modernist twist while introducing a subtle sophistication to exciting new wallcoverings.

STORY BY

SUZANNE IMRE

A sofa upholstered in Ardennes in Celadon is paired with an ottoman in Weathered Stripe in Chartreuse.

Pillows in Waffle in Lichen and Weathered Stripe in Chartreuse, along with a Brickwork hand-tufted rug, round out a tranquil space.

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ST YLED BY

COLIN KING PHOTOGRAPHY BY

R I C H S TA P L E T O N

A career-first for Van Duysen, his Perennials wallcovering designs include Tableau, a plaster-like performance vinyl.

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ew names in today ’s design world

Cushions in Weathered Stripe in Camel, a new chenille quality, top a pair of Franck Aluminum Adjustable Chaises. Brickwork in Putty toss pillows complete the design.

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carry the weight and prestige of Belgian architect and designer Vincent Van Duysen. With his signature timeless aesthetic, consistent authenticity and uncluttered simplicity, Van Duysen’s influence stretches around the globe, from groundbreaking residential and retail space designs to furniture collections par excellence.

It was his quietly sophisticated design approach and sensitivity to natural materials that led to Van Duysen’s acclaimed first Franck Collection of dining and seating for Sutherland Furniture,

launched in 2018. Seven years later, this fall, the designer returns to breathe new life into the collection, aiming, in his words, “give it a fresh energy while staying true to its spirit”.

Reworking the teak designs in sleek aluminum with mesh sling seats, Van Duysen instills a modernist quality in the furniture that resonates with both Sutherland Furniture’s aesthetics and the legacy of 1930s designer Jean-Michel Frank, whose work inspired the original collection. Compared to wood, the metal framing and seating introduces a new lightness, coupled with a more contemporary quality, that offers great durability and resilience in an outdoor environment.

“The new interpretation allows for a complete re-reading of the collection,

Fabric

ANTWERP

ARDENNES

BRICKWORK

A chenille checkerboard, Waffle in Pigeon cushions adorn Franck Aluminum Dining Arm Chairs, seated next to a Franck Aluminum Rectangular Dining table with Belgian Bluestone top.

PARQUET

WAFFLE

WEATHERED STRIPE

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Wallcoverings

ASHLAR

FILAMENT

Van Duysen's Filament wallcovering, shown here in Peppercorn, features a subtle horizontal stripe.

The hallway runner is Waffle in White Sands.

GROOVES

STITCHERY

TABLEAU

TIERCERON

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both visually and stylistically,” explains Van Duysen. “It appears lighter, softer and firmly anchored in the modernist universe that is so dear to me. The materials and proportions have been reconsidered to express a sense of quiet sophistication, while maintaining the timeless elegance of the original spirit.”

But it was not only furniture design that occupied Van Duysen in his collaboration with Perennials and Sutherland. This season sees the launch of an exciting first collection of wallcoverings by the designer. With six wallcovering designs for Perennials, Van Duysen explores texture and material with subtle sophistication. From the rhythmic interplay of texture in Filament, an organic stripe design woven from raffia

grass, hemp and cotton yarn, to Tableau, a striking wallcovering inspired by the weathered elegance of Old-World concrete walls, the collection is a new departure even for Van Duysen.

“This was my first time exploring wallcoverings, so I approached it as an opportunity to translate both my architectural language and personal sensibility into something expansive and textural,” says the designer. “I’m someone who is deeply drawn to the tactile nature of materials. I need to feel them, to connect with them.

Each design in the collection expresses a different facet of that vision, playing with rhythm, structure, and materiality in a way that feels both intimate and architectural.”

Experimentation, openness, and trust were essential in the collaboration. “I

Tierceron is a wood veneer wallcovering boasting the timeless artistry of inlaid wood, shown in Butterscotch.

A handmade paper, Ashlar in Pigeon accents the walls. Flanders in Ice Blue covers a bench, while chairs are upholstered in Ardennes in Denim (left) and Waffle in Silver Birch (right), topped with a pillow in Antwerp in Belgian Blue. The space is grounded with Lignes in Camel.

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was curious to explore as many material possibilities as I could,” the designer explains. “We tested different weaves, textures, finishes… always searching for the right balance between visual subtlety and tactile richness.”

The collaborative process was equally rewarding for the Perennials team, as Amy Williams, VP Creative of Perennials, recalls: “Vincent is an extraordinary designer and architect — an encyclopaedia of knowledge and insight. His ability to visualize the end result with clarity and excitement is truly inspiring.

He brought thoughtful energy to every conversation, and his decisiveness, con-

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fidence, and ease made him an absolute pleasure to work with. Collaborating with Vincent has been such a privilege.”

The ambition was to create a new collection of wallcoverings that felt elevated, but also grounded in Van Duysen’s understanding of materiality. The result is a versatile collection of quality textures and refined finishes. Each design has its own identity. Some, like Stitchery, with its printed pattern on vertical textile strings, are more graphic, while others like Ashlar, a luxurious design on handmade paper, inspired by the elegance of hand-cut stone, feel more artisanal. But much like the Franck Collection, they all

Chairs with cushions in Brickwork in Lavender and Ardennes in Lavender complement the Lignes hand-tufted rug in Jasmine.

Waffle is a chenille checkerboard hand-tufted rug that offers effortless sophistication, shown in White Sands.

Rugs

PASSER

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LIGNES

BRICKWORK

WAFFLE

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Lightweight Franck Aluminum pieces are highlighted with favorites from his collection: Weathered Stripe in Ice Blue (sofa cushions), Antwerp in Belgian Blue and Heirloom in Soapstone (pillows), Brickwork in Slate (lounge chair cushions), and a new flatwoven rope rug, Passer.

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Franck Aluminum Dining Chairs are paired with a Franck Aluminum Rectangular Dining Table with aluminum top, shown in a Slate powder coat.

share the essence of Van Duysen’s vision: a quiet, pure and elegant language that transcends whims and trends to define future classics for homes the world over.

The Perennials upholstery palette, complete with six new fabric qualities, was carefully curated to bring a sense of warmth and intimacy to the designs, in earthy neutral and sun-washed shades.

“I wanted the colors to feel natural and comforting in tones that resonate with the softness of the new shapes and materials,” he adds. From the micro-chenille ottoman weave, Antwerp, to the smallscale herringbone, Parquet, his fabric designs ooze comfort.

Van Duysen compliments the beautiful fabrics with four rug designs–Passer, Lignes, Brickwork, and Waffle–that

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embrace his passion for tactile appeal.

For instance, a checkerboard pattern also available in fabric form, Waffle is a hand-tufted rug alternating between plush cut pile and loop. A flatwoven rug, Passer fuses craftsmanship and performance with a linear pattern.

“There is definitely a visual language that runs through the entire collection,” Van Duysen comments. “A quiet elegance, a focus on texture, rhythm, and material presence. But each design also stands on its own, with its own identity and atmosphere…some are more graphic, others more subtle and tonal. I wanted them to offer versatility, to speak to different spaces and sensibilities, while still feeling like part of the same thoughtful, textural universe.”

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T R A V E L

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G U I D E

FROM LEFT: PHOTOGRAPHY BY ADOBE STOCK; PHOTOGRAPHY COU RTESY OF COBRA; © T I B O D S ; M A R K S E E L E N ; © T H O R VA N D A M M E , A U G U S T H O T E L

Vincent Van Duysen reveals his Guide to Antwerp Knowing it is a rarity - you are very busy! - and you spend quite a bit of time at your second home in Portugal, how do you spend your day off in Antwerp?

When I am in Antwerp, I like to stay at home, and enjoy my dogs and my partner. I like to take it slow, perhaps work from home or go to the office for some meetings. I do not go out that much, anymore. However, from time to time, I like to explore Middelheimpark, De Voetgangerstunnel – the underpass tunnel under the river Schelde – Sint-Carolus Borromeus Church, the Cogels Osylei neighborhood, and the KMSKA (Royal Museum of Fine Arts Antwerp).

Say you have friends visiting for a few days… What are restaurants that they cannot miss?

cobr a : A cutting-edge dining spot with

COBRA

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AUGUST HOTEL

an avant-garde menu that blends local and international flavors, making it a haven for food enthusiasts looking for innovative culinary experiences. gr a anmark t 13 : A multi-concept venue where a refined restaurant, boutique, and rooftop bar come together to offer a chic, elevated dining experience with a focus on seasonal, gourmet cuisine. august : Housed in a beautifully restored monastery, August provides an elegant setting and a menu that highlights refined Belgian cuisine with a modern twist, perfect for a sophisticated dining experience thanks to Nick Bril’s talent. het fornuis : Renowned for its cozy ambiance and traditional Belgian fare, Het Fornuis delivers comfort food with a touch of authenticity, making it a beloved spot for a hearty, classic meal. br asseurs : Known for a relaxed atmosphere and extensive selection of craft beers paired with hearty, well-crafted

AUGUST HOTEL

dishes, Brasseurs is my go-to place for a laid-back, flavorful dining experience.

Best spot for antique shopping?

Goldwood by Boris offers a curated mix of craftsmanship, artistry and timeless design – plus rare mid-century gems and statement collectibles.

Besides antiques, what are your favorite shops?

Graanmarkt 13 and a shop in my neighborhood, Louis.

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Charting Her Own Course S T O R Y B Y A LY S S A B I R D

From luxury yachts abroad to houses around the country, designer Kate Seremeth enjoys doing it all

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A custom Tibetan knot runner lines a yacht hallway Toss pillow in Perennials' Ink Blot in After Midnight

for k ate seremeth , design has alw -

ays felt natural. “Both my parents are designers and artists, so I spent a lot of time in galleries when I was young,” she says. “My mother’s focus was interiors, while my father designed cars.” After studying industrial design at Savannah College of Art and Design, the Kennebunkport, Maine, native landed a job crafting yacht interiors at a company in North Carolina. “Growing up on the ocean, I was always fascinated by boats,” says Seremeth, who later did a two-year stint as an interior designer at an architecture firm in New York City before accepting yacht industry gigs in Michigan 42

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and Texas. In 2009, she moved back to her home state, settling in the Portland area and taking on freelance projects for various yacht companies while working as an art director at a shelter magazine.

In 2017, she founded her own design firm, Tack, and began taking on client commissions, whether for new buildouts or refits of older vessels. “Forming a connection with my clients is the most special thing,” says Seremeth.

“I take time to get to know them and understand what they like so I can weave them into the design. A boat is the client’s passion place, and they want to have fun with it and show who they are.” Building these personal relationships led Seremeth to expand her scope of work. For several years now, she has not only taken on larger yacht commissions around the world—from a

P O R T R A I T B Y E M I LY D E L A M AT E R / P H O T O G R A P H Y C O U R T E S Y O F K AT E S E R E M E T H

F

Perennials toss pillows on a lower deck banquette.

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A sectional upholstered in Perennials sits atop a custom Perennials Tibetan knot rug.

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Seremeth often works with the Perennials Rug Studio on custom rugs for vessels.

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Seremeth's favorite Perennials fabrics include Shadow Stripe, Paper Crane, Blurred Out, Nit Witty, and Fresh Angle.

sailboat refit in Maine to motor yachts in Malaysia and Italy—but has also been designing homes for some of the same clients across the country.

The return to residential design has been seamless, with more similarities than one might expect. In both cases, says Seremeth, “there’s a sense of intimacy. You can tell when a project is personal and when it’s not.” Some of the vendors even overlap. “With boats smaller than 60 feet, the furnishings are all built in, but I’m able to select freestanding furniture pieces for vessels larger than 100 feet. And because megayachts have great climate control, the materials can be just as luxurious as a home.”

Seremeth still considers potential spills, fading, mildew, corrosion, and pet damage when selecting materials—especially for smaller vessels. “There’s so much to

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think about when it comes to boats,” she continues. “You have to account for stowage, changing conditions, sun exposure, salt air, and needing three sets of everything. We select every item you see on the boat, from the materials down to the tableware and crew uniforms.”

It’s the experience managing this long list of moving parts that has convinced Seremeth that the transition from yachts to residences is much easier than the other way around. However, one thing that doesn’t change is the collaboration with the client. “The final aesthetic is dictated by the information we receive from the owner,” says Seremeth, who loves incorporating vintage pieces, organic materials, and a variety of textures and colors whenever possible. “As we move through the design process, I watch the client’s face to see what they react to.” Whether it’s someone’s home or boat, Seremeth has the same goal in mind. “When they see it, I want them to melt,” she says.

“They should feel like they’re walking into their own special space.”

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POOL

Sutherland Furniture Beachside Armless Chaises line the pool

LOGGIA

A Sutherland Furniture Great Camp Adirondack Chair graces an exterior walkway

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The

Designer Laura Britt went with the flow and created a tranquil jewel box on the shores of Lake Austin.

STORY BY

L AU R A KOS T E L N Y

of

PHOTOGRAPHY BY

CASEY DU N N

Location, location, location isn’t only the number one rule in real estate, it’s one of Laura Britt’s top decrees, too.

The Austin-based interior designer has built a reputation for her ability to create sublimely serene spaces that seamlessly integrate the architecture and surrounding landscape. She’s brought her expertise to projects all over the world, including the streets of Paris, the mountains of Colorado, the fields of Michigan, and the shores of Lake Austin, where she collaborated with LaRue Architects on a “floating jewel box” a few years ago.

Stunning views of the man-made lake are a huge feature of the five-bedroom, five-and-a-half-bath contemporary home, thanks to the abundance of floor-to-ceiling windows. Britt echoed the hues of the backdrop and flow of the

water with sculptural lighting installations, a collection of contemporary and abstract artwork, and a mix of heirloom antiques and modern furnishings. “The owners love being on the water and having their home surrounded by it, so they wanted to carry that same sense of fluidity and color throughout the space,” Britt says “Our main goal was to carry a sense of organic movement throughout the home – not just in the larger gestures like lighting and artwork, but in the more subtle moments too, like the flowing pattern of the rugs or the soft sheen of the console behind the piano.”

Because functionality was just as important to the homeowners as aesthetic appeal— especially when it came to entertaining and day-to-day living—Britt took pains to balance the more whimsical nods to surf with plenty of sensibility.

Take the dining room, which features a custom light fixture composed of more than 400 handblown glass discs that

DINING ROOM

Friends and family happily gather around the custom dining room table, seated in Costantini Pietro chairs from Haptor Barrett. A Madison Lily rug and a custom lighting installation—featuring 400 handblown glass discs—capture the movement of the reflection pool beyond the curved Italian glass windows.

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LIVING ROOM

The living room offers a front-row seat to exceptional lake views, courtesy of a sectional

by A. Rudin. Britt paired it with customcommissioned tables

by Caprice Pierucci and a rug by Madison Lily. A linear three-dimensional acrylic art sculpture

by Katherine Houston on the fireplace is another call back to the surrounding water.

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KITCHEN

Ethereal fixtures highlight the kitchen’s integrated color concrete countertops and modern cabinetry. A table built into the island and Costantini Pietro chairs from Haptor Barrett create a cozy space for casual dining.

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DINING ROOM CONSOLE

Britt created a bold moment in the dining room with an Art Deco French grande buffet in burled and ebonized walnut, topped with Italian Murano glass “Avventurina” lamps and an Italian mirror by Luigi Brusotti.

capture the dynamic movement of the reflection pool just beyond the windows.

Down below, there’s a dining table that can seat as many as 16 for dinner parties but can be rearranged for smaller, more intimate affairs.

The sentiment continues in the kitchen, which is illuminated with a stunning lighting installation inspired by “the ethereal reflection of clouds in the lake.”

Britt doubled down with a hardworking

PRIMARY BEDROOM

Britt laid the groundwork for a dreamy primary suite with a Madison Lily rug, layering in a custom bed, antique Art Deco side tables, and artwork

by Tony Saladino. A pair of Gallotti & Radice chairs frame a sitting area with lake views.

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PRIMARY BATHROOM

A custom his-andhers cantilevered vanity balances form and color in this blackand-white Art Deco space, with textured 3D Matrix Granite grounding the flowing Panda White marble and enhancing the clean lines.

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PIANO

The homeowners brought cherished pieces to the project, including a baby grand piano, which Britt and her team spotlighted with a custom fixture and a Tai Ping rug.

BATH

A sculptural bathtub carved from Nero Marquina marble adds drama to the space, paired with a locally commissioned handblown glass chandelier that mimics suspended water droplets and adds a sense of movement.

island that offers plenty of prep space. ”We used integrated color concrete countertops to create a lighter, airy feel that balances the straight lines of the modern cabinetry,” she says. “It also complements the breathtaking panoramic view of Lake Austin and pays homage to the tranquil hues of the water.”

A sense of tranquility carries over to the primary suite, where Britt complemented the modern architecture with rich Art Deco influences. “The soft

curves of the jewel-toned furnishings bring warmth and softness to the room’s clean lines, while materials like silk, walnut, and grasscloth add depth and texture,” she says. “Every detail, from the watercolor-inspired silk rug to the velvet chaises positioned to take in the lake view, was chosen to evoke a sense of calm, comfort, and timeless style.”

Because the interiors are so uniquely tailored to their setting, the homeowners have a place that’s primed for both quiet reflection and raucous lake gatherings. “I’m thrilled with how seamlessly the design flows and tells a story of both personal heritage and contemporary style,” Britt says. “The surrounding water is expressed in every single element, and it’s incredibly rewarding to see how the design reflects my clients’ passions.”

OUTDOORS/FIREPIT

“We embraced a lighter, more serene shade of blue in the outdoor area to complement the natural surroundings and enhance the feeling of calm that comes with being outdoors,” says Britt. To that end, she chose to surround the firepit with beautiful blue Perennials fabric on Beachside Swivel Tub Chairs from Sutherland Furniture. Britt also added a pair of Sutherland’s Great Camp Adirondack Chairs in a blue powder coat.

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OUTDOORS/DINING

The great outdoors becomes a perfect setting for alfresco entertaining, thanks to a kitchen and grilling area and a dining “room” outfitted with a table by Barlow Tyrie and blue aluminum Zephyr Stackable Dining Side Chairs, designed by Philippe Hurel for Sutherland Furniture.

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S T Y L I N G

How to Style a Space with Colin King The celebrated interior stylist gives us a glimpse into his creative process for years , most interior photography

felt stale and bereft of life. Designers prioritized very clean spaces devoid of personal objects, leading to project photos that could feel… sterile. Fortunately, the past few years have seen an uptick in designers treating shoots like a magazine might–by hiring stylists to add a sense of authenticity and warmth, as if people actually live in the home. As a result, interior stylists have begun to make a name for themselves. One in particular is Colin King. King’s career has catapulted in recent years, thanks to collaborations with high-profile designers and photographers–projects that have landed in every major shelter publication–and the launch of his own coffee table book 54

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in 2023, Arranging Things (Rizzoli). King expertly styled our cover story for this issue, and he was kind enough to chat with us about his creative process and his tips for styling the perfect shot.

How do you first approach a space? Does your approach differ according to designer aesthetics?

I always begin by listening—to the architecture, the light, the silences in the room. Every space has its own rhythm, and I try to tune into that before doing anything. While I’m always sensitive to a designer’s language and materiality, my approach is rooted in restraint. Whether it’s a Vincent Van Duysen interior or something more maximalist, I aim to honor what’s already there, editing rather than adding.

How did you approach our Vincent Van Duysen collection shoot?

P H O T O G R A P H Y B Y R I C H S TA P L E T O N

Vincent’s work speaks in hushed tones—there’s an inherent discipline to his designs that I deeply admire. For this shoot, I wanted the styling to feel almost invisible, as though the objects had quietly found their place over time.

It was about amplifying his sensibility through small gestures: a branch casting a shadow, a book left slightly ajar, a material juxtaposition that catches the eye but doesn’t shout.

Do you typically “add” a lot to a shot or work with what has been provided? How do you discern if a shot is too busy?

I try to work with what’s there first. I’ll remove more than I add—sometimes all it takes is turning an object slightly or changing the axis of view. A shot feels too busy to me when it stops breathing.

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You can sense it—when the eye has nowhere to rest, or when the composition starts to feel like performance rather than presence.

Where do you find inspiration?

Inspiration is everywhere, if you’re paying attention. Living in New York, I’m constantly moved by the city’s quiet moments—sunlight on a wall, the shape of something left behind. I often return to museums like The Met or the Noguchi Museum, where the placement of objects feels like choreography.

But more than anything, I find inspiration in community. I’m in constant dialogue with artists, designers, florists, dancers—people who see the world dif-

ferently. Supporting other creatives isn’t just meaningful; it keeps the creative ecosystem alive. We learn from each other, often in ways that are unspoken but deeply felt.

What is the one thing you wish designers knew about styling?

That negative space is just as powerful as the object itself. Styling isn’t about filling every corner—it’s about creating tension, intimacy, and rhythm within a space.

The eye needs somewhere to rest. Often, the instinct is to add, but I’ve found the most compelling moments come from restraint. It’s in what you choose to leave out that a space starts to feel intentional, lived-in, and emotionally resonant.

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SWEET CAROLINA The queen of coastal design, Amanda Lindroth, conceives a charming cottage-style retreat in Charleston’s Sea Islands STORY BY

RH O N DA RE I N HART

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A guest suite mirrors the lush outdoors with green textiles throughout, including Perennials Canvas Weave in Rosemary on the window bench.

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W

hen the te am at

Auberge Resorts Collection sought out an interior designer for The Dunlin, the brand’s chic new oceanside escape in South Carolina’s Sea Islands, they found their ideal match in Amanda Lindroth.

With offices in Charleston, Palm Beach, and the Bahamas – and a penchant for wicker furniture, pops of color, and boldly patterned textiles – the South Florida native has become the go-to designer for

well-heeled coastal dwellers from Maine to the Caribbean. She has even authored two design books on the topic: Island Hopping and Island Dreaming.

At The Dunlin – a 72-room boutique hotel on the banks of the Kiawah River, 20 miles outside Charleston – Lindroth’s entertaining-friendly, comfort-first

PHOTOGRAPHY COU RTESY OF TH E DU N LI N , AU BERGE RESORTS COLLECTION

A loveseat, upholstered in Perennials I Love Stripes in Rosemary, creates the perfect outdoor lounge area.

Lounge chairs upholstered in Perennials Jake Stripe in Chocolate complement the space's glam gold details.

approach fit right in. “We were mandated to create a generational Lowcountry summer house,” she says of The Dunlin team’s design direction. “And we elaborated on our own romantic ideas of what that meant.” The resulting interior spaces teem with classic shiplap walls, cozy upholstered seating, and neutral hues paired with peaceful shades of green that mimic the surrounding marshlands.

“They wanted it to be a serene place, a river house where you can rest and recoup. That’s kind of the DNA of The Dunlin,” adds project manager Mimi Whelan.

“The neutral tones let the marsh and the landscape sing. You have a beautiful view of the marsh and the ocean from every spot in the hotel, and these browns and greens are the tones of the Lowcountry, so they sparkle everywhere.”

From the guest rooms to the common areas, the entire campus is a lesson in laid-back luxury, offering an elevated take on the time-honored early 20th-century homes of the South Carolina countryside.

In the Saltgrass Suite, for example, the bedroom features a beckoning four-poster bed draped in gingham, and the living

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Guests can take in marsh views over breakfast at Linnette’s, complete with dining banquettes upholstered in Perennials Ticking Stripe in Hello, Sailor!

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With cane accents and soft green hues, including umbrellas in Perennials Ticking Stripe in Rosemary, the pool area is the ultimate oasis.

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room–which boasts a fireplace set into a board-and-batten wall–opens onto a covered balcony outfitted with an upholstered sofa. Meanwhile, the hotel’s homey-yet-stylish Willet Room bar offers plenty of comfortable seating, including a series of plush sofas that encourage lingering for a nightcap or simply some conversation and relaxation.

In fact, every space at The Dunlin exudes the easygoing charm of a seaside home. One way Lindroth achieved that goal was by incorporating Perennials fabrics inside and out, a technique she frequently employs in her residential work. “Naturally, these are hotel rooms with a lot of wear and tear, so we had to keep in mind that the materials had to have a robustness and had to stay fresh,” she says. “Thus, we turned to a lot of Perennials performance fabrics. A lot of times you can’t tell that the fabrics are outdoor fabrics versus indoor fabrics, and that’s a really great trick for longevity and durability.”

Lindroth’s love of stripes, which she attributes to “working in the tropics

A perfect s'mores set up, featuring lounge chairs adorned with cushions in Perennials Rough 'N Rowdy in Grass.

forever,” also keeps Perennials at the top of her list. For The Dunlin, she used Perennials’ Ticking Stripe, Jake Stripe, and I Love Stripes in various spaces throughout the property. “We love the fact that Perennials has so many stripes,” she says. “Stripes are festive.

They represent happy times.” And now, thanks to Lindroth’s expert touch, so does The Dunlin. “I think the takeaway is that Perennials fabrics were a great tool for us,” she adds. “They were part of a big toolbox to create this wonderland of a summer house.”

E N T E R T A I N I N G

Cocktail Hour A Bar Charles favorite, the Italian Old Fashioned is a

classic with an elevated twist!

I TA L I A N O L D FA S H I O N E D

2 oz Heavens Door Whiskey 1 oz Cynar

Expressed Orange Peel Build in a rocks glass

with a fat ice cube, and stir until incorporated.

Garnish with an orange

peel, and a Luxardo cherry 64

on a skewer.

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Backstory Designer Sara See talks textiles and hospitality projects

design director of sees design , sar a

PHOTOGRAPHY COU RTESY OF SEES DESIGN

See, was a textile junkie from a young age. With her mother’s passion for quilting instilling in her a love of pattern and color, Sara felt confident in pursuing a career in design. She met her husband, Corbin, soon after college, and both went on to work for Sees Design, which was founded by Corbin’s father. As a Perennials alum–she did a stint as Perennials’ Design Director–Sara continues to be a strong advocate for the brand, designing for residential and now hospitality projects. In 2018, Sees Design debuted The Charles, a stunning restaurant in the heart of the Dallas Design District.

Soon after, Duro Hospitality, which was co-founded by Corbin and Ross See of Sees Design, dominated the Dallas restaurant scene, opening hot spots like El Carlos Elegante and Mister Charles.

Sara walks us through her process in choosing textiles for hospitality spaces.

A design developed

by See, Perennials’ City Kitty upholsters a booth, while Sutherland Furniture Sag Harbor Dining Chairs complement a nearby table.

How do your roots in the textile industry and residential design influence how you work on Duro hospitality projects?

Luckily, textiles are the only part of our restaurant design that I get involved in.

But I start with Duro’s design narrative and pull together schemes that are comfortable, durable, and on-brand. Perennials is a go-to when we need cleanable fabrics that are design-forward.

What guides you most while designing restaurant concepts– menu, location, or setting?

We’re very intentional with our Duro design narratives. Each restaurant has its own story, so the setting and its story drive the design. One concept may be inspired by many eras of Italian design, and another by a multi-generational Mexican establishment. Each calls for a unique approach.

What is the biggest challenge you have overcome in hospitality design?

Time! Things move much faster in hospitality design. Whereas a residential client may be more willing to wait for something they have their heart set on, the show must go on with hospitality design.

What is your dream project?

I dream of finishing my own home. You know the saying…the cobbler's children have no shoes.

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by Vincent Van Duysen