Surfaces Reporter October November 2021

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October-November, 2021

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India

SR News

Bangalore to have design district like Dubai D3 Touch & feel experience back to the market NAREDCO’S Women Wing & more

An ace in Hospitality & High-end Residential Space!

Sumessh Menon

Sumessh Menon Associates, Mumbai

SR Material Lab

World Bamboo Day Celebration led by Ar Neelam Manjunath

SR Events

The Talk of Town Architecture Meet, Kolkata

SR Spotlight

Wardrobing Possibilities with Kuruvilla Kurian, Aristo India

SR Rising Stars

Architects Tara E Pandala & Ajay Abey, CSBNE, Kerala

SR Tiles Story

Market Share, Growth Strategies, New Launches | 10 Tentalizing Tile Trends

editorial

Do you have an idea worth sharing?

Share it to Surfaces Reporter i3 Talks!

In the past one and a half years, we at Surfaces Reporter heavily diversified into the digital segments with numerous webinars, videos, talks, and discussions. However, i3 Talk was conceptualized in 2017, post which a series of talks were organized alongside 'The Talk of Town' Architecture Events by Surfaces Reporter.

These talks were designed to be crisp and to-the-point, within 3 minutes. Why just 3 minutes and not 2 or 4 minutes? Studies suggest that short and focussed videos grab the audience's attention better and are able to engage and create a stronger impact. A survey suggests, 5% of viewers stop watching a video after one minute, 15% after two minutes, and more than 65% stop after 3 minutes. Videos upto 3 minutes receive the maximum engagement. Users are spending 88% more time on video content so it makes sense to promote the ideas of India's builders, architects, and interior designers through our platform.

The 'i' in i3 Talk was intended to mean ideas, information, and inspiration.

These talks are open to: Architects Interior Designers Builders Building Material Brands Students and Academicians Others It is easy to share the videos. Just hold the mobile phone in a horizontal position and shoot the video. Keep it within 3 minutes.

From 1st December, we are starting to accept the entries for the i3 Talk. All the accepted entries will be shared on our platform while top entries will be awarded during a special ceremony.

The topics and more information are provided in www.surfacesreporter.com/i3talk

VERTICA DVIVEDI Editor-in-Chief, Surfaces Reporter | Founder, WADE ASIA Co-Chair, WEC, PHD Chamber of Commerce & Industry october-November 2021 | www.surfacesreporter.com | 6

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SR Viewpoint

BAMBOO CAN BE A gamechanger with the right focus and direction Covid has not only turned our lives and living upside down.

It has equally changed our perspective towards materials we use and get surrounded with.

There is a renewed focus on materails that are efficient in sequestering carbon and helps in climate change and sustainability.

Bamboo wins in both the cases.

There has been a series of good news that came in for Bamboo.

Recently Nagpur Public Works Department (PWD) has included Bamboo in the State Schedule Rates 2020-21.

That means Bamboo is being considered as a serious mainstream building material.

The Government has directed Council of Architecture (COA) to include bamboo in Architecture curriculum and we know that Bamboo Society of India (BSI) and Council of Architecture (COA) have recently signed a Memorandum of Understanding (MoU) to mainstream bamboo in building sector.

Many of the distinguished speakers have shared about the goodness and possibilities with Bamboo. As part of the audience so far, I have gained deep insights.

3. I urge design startups and product designers to look at Bamboo as an opportunity and design businesses around it.

4. Last but not the least, Market Places for Bamboo are a must in order to mainstream the products and to reach out to the contemporary audience. I urge those who are working with Bamboo as a material to register in Goverment e-Marketplace and get access to all Government departments. A great example is set by Tripura by placing their cane and bamboo products in GeM. Market access is a major concern for small scale industies. It is good to see how GeM is enabling global market access to entrepreneurs. Though most of the Bamboo rich states might be part of it already, it is important to see how small entrepreneur can benefit out of it.

5. Last but not the least, nothing will be offered in a plate.

We all have to do our bit of work for making our products and services reach out. Collaboration can the game changer. And platforms like this definitely puts the good work on a pedestal - a much required initiative.

Read about the Bamboo Day Event where esteemed speakers have shared their views and initiatives for this segment. Refer Page - 40.

Write to me at madhu@surfaces.in

The two big challenges Bamboo is facing today are about making Bamboo win as a construction material and how it can reach out to the contemporary audience. I would like to share some points regarding these.

1. There is a need to work on guidelines and framework for building bamboo structures. Only when the implementation of bamboo will be right, the material will deliver its best.

2. Specifications need to be set for different application areas and needs. Though work is being done in this segment, it is important for the work to reach out.

Madhurima Chowdhury Executive Editor - SURFACES REPORTER

october-November 2021 | www.surfacesreporter.com | 8

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editor-in-chief

vertica dvivedi

vertica@surfaces.in material stories & market research pragath dvivedi executive editor madhurima chowdhury madhu@surfaces.in bureau chief komal gupta editorial support rajiv parashar rekha joshi fuloriya mehak ahluwalia production control swapan das

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images & research are done by going through encyclopedias, industry experts, wikipedia, various blogs, research, some images from web, books & reference, research journals, interviews published in various media and respected magazines, surfaces reporter's published issues and others, all for the sake of dissipating information and creating inspiration on the subject of article, write-ups, mostly through direct interactions with the designer/ business owner. editorial & correspondence: f-1118, chittaranjan park, new delhi-110019 email: vertica@surfaces.in, printed at Modest Print Pack Pvt. Ltd. C-52, DDA Shed, Okhla Industrial Area Phase-I New Delhi-110020 and published from f-1118, chittaranjan park, new delhi-19 by vertica dvivedi on behalf of bigsea marcom (i) pvt. ltd. we accept all materials and publish with care. however, we do not take the responsibility for the authenticity of the same. The views expressed in the columns of surfaces reporter are not necessarily those of the editor or the publisher & they accept no responsibility for them. We take care that colour is matched but take no responsibility for complete matching. Final decisions should not be done about colour without seeing real product/sample. Every design showcased is not about what is available in india-it may as well be for inspiration.

No part of this magazine including advertisements' design, prepared by us or through us should be copied, reproduced or transmitted by anyone without prior written permission of the publisher. surfaces reporter and bigsea marcom wish to promote building material & product awareness in true & unbiased way. We do not claim to be experts so feel free to correct us if something needs correction. We are always eager to learn.

All disputes to be settled in delhi (india) jurisdiction only.

Total Pages - 104

Advertising queries Contact: +91 9867333972 madhu@surfaces.in

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Editorial: 6 & 8 Readers' Views: 10 Content: 12 & 14 16-23 : SR NEWS UPDATES 24-28 : SR TILES STORY Tiles In India, Market Share, Growth Strategies, New Launches and More 30-39 : SR COVER STORY An ace in Hospitality & High-end Residential Space!

40-45 : SR MATERIAL LAB World Bamboo Day Celebration Bamboo Society of India, Karnataka Chapter and World Bamboo Organization Host Bamboo Cultural Fest 2021 SR ADVERTORIAL 46-47: Green Panel 48-49: The Talk of Town, Kolkata by Amulya Mica in association with Surfaces Reporter 50-61 : SR SHOWCASE A showcase materials and products 62-66 : SR EVENT The Talk of Town, Kolkata 67-76 : SR TILES TRENDS Ten Tantalizing, Tile Trends 2021-22 with inputs from Cersai 2021 77-87 : SR SPACES & MATERIAL POETRIES v A Nostalgic Walk Into Yesteryear-Finder Studio, Trivandrum, Kerala v A School resonating the patriotic past of India-Design Forum International (DFI), Delhi v Where Outdoor Meets Indoor-Anudeep Bhandari & Associates, Chandigarh 88-89 : SR Spotlight Indulging in wardrobing possibilities, Taking the Wardrobing Game Higher 90-91 : SR APP ACHE Metals in Facade: ACP- The New Age Material in the Construction Industry 93-101 : SR RISING STARS Ajay Abey & Tara E Pandala, Directors, Centre for Sustainable Built and Natural Environment (C.S.B.N.E.), Kerala

October-November 2021 | www.surfacesreporter.com | 12

CONTENT in Visual I

24 Tiles In India, Market Share, Growth Strategies, New Launches and More

30

Cover Story

An ace in Hospitality & High-end Residential Space!

62 The Talk of Town, Kolkata

90 SR Application-Ache

Metals in Facade: ACP- The New Age Material in the Construction Industry

77 SR SPACES & MATERIAL POETRIES

93 SR Rising Stars

Ajay Abey & Tara E Pandala Directors, Centre for Sustainable Built and Natural Environment (C.S.B.N.E.), Kerala October-November 2021 | www.surfacesreporter.com | 14

SR News Bulletin

Bengaluru To Have World-Class ‘Design District’ Inspired by Dubai’s d3

D

ubai Design District (d3) is a purpose-built hub, established in 2013, where the community of design, art, culture, and fashion co-exist such as famous international design and fashion brands, startups, and entrepreneurs. If everything goes according to Karnataka IT Minister CN Ashwath Narayan’s plan, Bengaluru will soon have its own ‘Design District’ on the lines of Dubai’s d3 or even far better than that. After returning from his four-day visit to Dubai Expo 2020, he said that a delegation of investors from the GCC countries is also showing keen interest to invest in the state.

Arun, Director, Digital, ISDC, CN Meena Nagaraj, Director of IT, Sathar al Karan, founder of ArtUAE, and Ivan A Fernandes, Managing Director, Regent Technologies visited Dubai Design District and al Serkal Avenue, Dubai to explore the art, design and technology ecosystem in Dubai for the set up of a similar venue in Bengaluru.

The IT minister also informed the media that the proposed Bengaluru Design District cost around Rs 1,000 crore, which seems worth it considering the state’s capital investment potential. Keen on investing in State CN Ashwath Narayan also spoke to media persons that the GCC countries such as the UAE, Bahrain, Kuwait, Oman have shown keen interest to invest in the state.

“Investors from the Gulf countries agree that Karnataka is an ideal destination for investments. So it is time Bengaluru gets a world-class Design District, which is even better than Dubai’s,”

Investors from the Gulf countries agree that Karnataka is an ideal destination for investments.

So it is time Bengaluru gets a world-class Design District, which is even better than Dubai’s.

he said. Further, the Gulf Islamic Investment Group will provide Rs 3,500 crore in Karnataka over three years. The group plans to set up its office in Bengaluru to reinforce Indo-UAE investment.

The idea of a Design District that spans over 100-150 acres of land in Bengaluru comprises wonderfully crafted spaces and distinctive community offerings. Further, the Karnataka government plans to organize the ‘Bangalore Design Festival’, which is perhaps the world’s largest design festival, in the Design District. The minister said, “Here, everything businesses need at a global level will be designed. It will be a place where design, art, and fashion will meet.”

october-November 2021 | www.surfacesreporter.com | 16

SR News Bulletin

Rakabganj Sahib Gurudwara Will Have A Unique Dome-Like Auditorium Inside It

The Gurdwara Rakabganj Sahib is a historic Gurdwara near Parliament House, New Delhi. The ICSS Complex shall have a new auditorium constructed inside Gurudwara premises. Mr. Joby Joseph & Er. Nitesh Agrawal have provided complete engineering under the guidance of Er.(Dr) Abhay Gupta in creating another marvelous iconic structural engineering marvel in the historic city of Delhi.

Excellent architectural concept from Renu Robin Design & SGPC have been made possible by structural engineering from Skeleton & Construction

by MTFS. Design team has deployed an innovative concept of shell type of dome construction to give a sense of floating light space within the core of the building. The main challenge was to customize connections considering the existing structure. The construction sequence was meticulously designed so as not to adversely affect the strength and stability of the existing building. Space An innovative auditorium was created giving the sense of floating light space within the core of the building itself. This illusion was created with the help of hanging columns. It led to creating an open space for gathering on the ground floor leading up to the auditorium structure with ramps, making the building barrier-free.

The innovative dome on top again gives a new outlook to the existing dome of the main Gurdwara building.

The project consists of auditorium, gallery, and VIP lounges along with amenities.

Requirements of erection-friendly structure in the existing building and time constraints, steel was a unanimous choice by the team.

This building shall be mainly used for exhibition purposes; hence architects deployed an innovative concept of shell type of dome construction along with other amenities/services to meet the civic project requirement.

The lower frame of the dome is erected as a hemispherical dome having 16.6m diameter & 7.5m height. The area inside the dome shall be utilized as an auditorium. A Pentagon RCC slab inside the whole dome has been constructed for sitting purposes.

The entire auditorium has been housed inside a big hall which had a 225mm thick concrete slab earlier and a large opening of 22m diameter is cut at roof level and covered with a steel dome structure. The benefit considered for the design of the dome is the ability to cover a large distance with minimum thickness. Structural steel hollow tube sections have been used for the construction of the dome. The dome has been designed in such a way that curvature in both, radial & tangential, directions is maintained.

october-November 2021 | www.surfacesreporter.com | 18

SR News Bulletin

Back to the market “Touch & Feel” takes the stage SURFACES REPORTER Market Update

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ith the onset of festive season and launching of new showrooms, the markets is starting to flourish. Brands are also accelerating the efforts towards attracting the customers with touch and feel again surpassing the COVID-19 fear. A report by SURFACES REPORTER (SR).

NO MATCH FOR PHYSICAL EXPERIENCE A physical experience entails a customer to take the buying decision instantly after experiencing any product.

Grandeur and opulence have almost become synonymous with the showroom design. However, with the onset of the pandemic, we saw a major decline in onsite activities leading customers to move to a safer online experience.

Digitization became the key selling point in the branding activities. Nonetheless, there is still no match to the physical experience of browsing a slew of products and selecting among them. As soon as the pandemic started abating, brands have accelerated their efforts to bring buyers in the market again with the opening of more experience centers across the country.

In the last few months, SR observed that many brands, spread across varied categories, have opened specialized showrooms and experience centers in various parts of the country. For instance, Somany Ceramics, a major brand in ceramic and allied products, has launched its largest experience center in Morbi, Gujarat, a city also known as the ceramic hub of the country. Asian Paints, one of the largest paint brands in the country has also forayed into the home decor segment with the launching of a Beautiful Home Boutique in Ahmedabad, Gujarat. Asian Granito India Ltd has inaugurated a 10,000 sq. feet luxurious tiles, marble, quartz and bathware display centre in Kochi, Kerala. Beyond Design, a bespoke luxury furniture brands has also recently opened its second home store. Similarly, many brands have announced their expansion plans in recent months including mattress brands like Duroflex and Wakefit who have also opened experiential stores in the past year.

According to the Retailing Sector Analysis Report, the Indian retail sector in India is emerging as one of the largest sectors in the economy. It contributes 10% to the GDP and 8% to the employment. The country’s per capita retail store availability is also the highest in the world.

The report also suggests that the countrys retail sector is experiencing exponential growth with retail development taking place not just in major cities and metros, but also in tier II and III cities. It pointed out that the unfortunately, the retail sector was among the hardest hit sectors by the Covid-19 outbreak. Fashion, furniture, electronics, luxury retailers and automobiles were the hardest hit as consumers forewent discretionary purchases.

Many brand strategists say that while currently brands are prioritizing the digitized experience, it is mostly complementary to the physical experience and there is no replacement to it.

SURFACES REPORTER TAKE It is true that there is no match to the offline experience.

While most of the brands have digitized their product experience, the need of Touch-and-feel remains the same particularly in the building material segment where the online look of the product often differs from what is being offered due to the peculiarity of colour, shapes, sizes and technical properties. Therefore, the move to launch and expand the in-store experience is very welcoming as SURFACES REPORTER (SR) hopes that it will help to bring back the customers again in the market.

october-November 2021 | www.surfacesreporter.com | 20

SR News Bulletin

A Transparent, Bubble-Like Dome to Cover A Car ParkING | London

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hilean architect Smiljan Radic has designed this transparent, bubble-like dome to showcase Alexander McQueen’s Spring Summer 2022 womenswear collection. The firm topped the 10-story car park in East London’s Tobacco Docklands with this bulbous dome for the show that took place on 13th October. The show marked the arrival of the latest British fashion house, which has been offering its array of collections for the last 20 years. It was designed as a temporary structure that could be dismantled and reused later on.

The clear, inflatable dome in the Tobacco Docklands will offer views across London. The architect was a long-time collaborator of the fashion brand and designed this unique structure on top of a carpark. The structure allows visitors to feel open to the elements and enjoy panoramic views across London. It further allows them to remain protected at the same time.

Design Details The globular form of the structure was supported and constrained by tensile cables that stretched between channels of the swollen membrane. Structural specialist ES Global and creative agency Gainsbury & Whiting worked painstakingly with the architect to supervise the fabrication of the area.

A proper scaffolding system supports the platform on top of which the space is constructed for the show. The scaffolding

work was left intentionally opened at its sides to disclose the bones of its built. The physical space was formed using a transparent paneled membrane, attached to a twisting circular pipe at its foot. The main entrance to the interior of the show is located at the rear of the rooftop.

Inside the Dome Inside, the transparent structure, the design team has organized two sets of circular rows of folding wooden chairs for the show’s audience. The center of the space contains a loose circle of chairs that is combined with a row of chairs mounted from underneath the wooden platform where models entered the space once the fashion show had started.

There were several vents placed on the floor that pumped air to this cloud-like structure to ensure it sustained its inflated form.

It also had air-locked, revolving doors to control escaping air.

The lower level of the car park contains a generator that provides electricity to the space for its various functions. It was powered by hydrotreated vegetable oil (HVO), which is a renewable diesel substitute made from grease, vegetable oils, food waste, and agricultural residues.

The show space can be disassembled post use. It can easily be uninstalled, transported, and reused for several different occasions, such as cultural and educational events.

october-November 2021 | www.surfacesreporter.com | 22

Surfaces Reporter

NAREDCO launches first women wing ‘NAREDCO MAHI’

I

ndian Real Estate is taking major stride towards empowering women in the realty sector. In a major move, under the leadership of newly appointed President Mr. Rajan Bandelkar has launched, ‘NAREDCO MAHI’, the women’s wing of the realty body.

The newly elected body aims at empowering women entrepreneurs and encouraging participation of women in the real estate sector and allied fields. It will also strive to create an environment where women in real estate sector can come together, to share experiences, harness their skills, draw on their resources, influence, grow and bring about lasting change.

NAREDCO MAHI will ensure active engagement of members with other stakeholders in the sector and work towards the development and growth of the sector, with due recognition for the contribution of women in India’s real estate journey.

The activities of the newly formed wing would range from mentoring, networking and access to capital for women entrepreneurs to inspirational talks from women in real estate sector and their journeys. The NAREDCO MAHI members will have access to exclusive training programs and opportunities to sharpen their presentation and business skills along with availing great networking opportunities.

The first panel discussion NAREDCO MAHI was on ‘Women in real estate sector’ by the distinguished founder members where it was noted that initially NAREDCO MAHI will focus on providing access to women entrepreneurs to a world of opportunities, from direct interaction with policy makers, networking with corporate majors of Indian real estate industry and close linkages with the government.

Housing and Urban Affairs are focused on empowering women.

Talking of major changes in the Indian real estate sector, he said that the RERA Act has brought about confidence towards the sector. “There is going to be a great development in the real estate front in the country. A lot of young management professionals are now entering the sector and more women should follow suit,” Mr. Mishra said. On the potential opportunities in the sector, he said that in the next 30 years there will be great growth of urbanization, construction and infrastructure development and there will significant requirement of skilled people.

Mr. Rajan Bandelkar, President, NAREDCO India said “We would strive to mobilize women power at NAREDCO MAHI this year and garner more visibility for the organization. The initiative comes at a crucial time, as it would help more and more women entrepreneurs shed the impact of the pandemic and support economic recovery. The members of the newly-formed women arm are likely to avail unparalleled business growth.”

Ms. Tara Subramaniam, Founder President, NAREDCO MAHI said, “Better gender diversity and representation would not only unlock several opportunities for Indian women, but will also accelerate our great country’s growth momentum and help achieving the target for an Atmanirbhar Bharat.” she said.

In the world and India, as women are taking centerstage in every walk of life, real estate was pre-dominantly dominated by men, owing to the facts that women were not properly represented in the field. only will propel it’s greatness further.

Shri Durga Shanker Mishra, Secretary for the Union Ministry of Housing and Urban Affairs, who was also the chief guest for the launch and first panel discussion stated, “Now you are bringing a new force, this will increase your strength by twofold.” He also said that all initiatives under the Ministry of

SURFACES REPORTER and WADE ASIA, The Largest Platform for Women in Architecture Design Construction in Asia recognize and accolade the step taken by NAREDCO as it was one of the most awaited moves that will lead to a sure change in the gender topography of Indian real estate scenario.

october-November 2021 | www.SURFACESREPORTER.com | 23

SURFACES REPORTER Tiles Story

TILES IN INDIA MARKET SHARE, GROWTH STRATEGIES, NEW LAUNCHES AND MORE

Tiles market in India- An overview India’s ceramic tile market is one of the fastest growing markets in the world owing to factors like rising demand, housing shortage, developing real estate, rising disposable income, expansion of metro cities, government policies etc. According to a market research firm, the Indian Tiles, Sanitary Ware and Bathroom Fittings Market: Industry Trends, Share, Size, Growth, Opportunity and Forecast 2021-2026, the Indian tiles, sanitary ware and bathroom fittings market reached a value of US$ 7953 Million in 2020. Looking forward, the report expects the Indian tiles, sanitary ware and bathroom fittings market to grow at

a CAGR of 9.30% during 2021-2026. The global ceramic tiles market was pegged at US$ 97 billion in 2019 and was expected to expand at a CAGR of 9% between 2019 and 2029 to reach US$ 228 billion by 2029. A large share of the world production came from the Asia Pacific region with China being the biggest manufacturer of ceramic tiles in the world followed by India.

Further, in terms of volume (million sqft.) the market is expected to expand at a CAGR of 7.6% between 2019 and 2027.

India is not only the second-largest producer of ceramic tiles in the world after China but also the second-largest consumer of ceramic tiles in the world after China with a consumption

October-November 2021 | www.surfacesreporter.com | 24

Surfaces Reporter

Anil Beejawat CEO, RAK India

What kind of product development is currently happening in your brand?

Leveraging outdoor spaces to create areas for socialising and collaborating provides greater choice for safer work environments nowadays, RAK Ceramics has launched Aaron Collection, 15 mm thick GVT tiles for outdoor and are most relevant in today’s scenario.

RAK-Sanit collection offers an even wider range of solutions for floors, walls and sanitaryware, made with glazes that inhibit the growth of bacteria, thus reducing the possibility of contagion and contributing to create a healthier environment. Also, use of RAK cool roof tiles under KLIMA sub-brand, we can have ambiente temperature inside the workspaces thereby reducing the need of air conditioners. RAK India has launched its step n riser product range to cater to customers looking at preferable staircases and is available in 9 colours and design. Customers must feel Confident to step on the RAK Step & Riser Confi collection (Confi from Confident).

quantum pegged at 750 million square metres and accounting for almost 6% of the world. India is also the fourth-largest exporter of ceramic tiles with the export quantum pegged at 274 million square metres compared to 228 million square metres in 2017, accounting for a global share of 10%. According a a report by Capital Mind, in the organized tiles space, Kajaria is the market leader, with 11% share of the overall market and 25% of the organized market.

Somany and Prism Johnson have 6% each of the overall market and 15% each of the organized pie. Other players in the organized market are – AGL, Orient Bell, Nitco, RAK, Simpolo, Varmora, Qutone, Sunheart and some more.

Manufacturing operations are hindered by the volatility in the price of natural gas, which accounts for between 15% and 30% of production costs and ever-higher transportation costs.

October-November 2021 | www.SURFACESREPORTER.com | 25

SR Tiles Story

Kajaria Vitronite slabs are the latest offering by Kajaria. It has two positioning statements, one as new age kitchen tops for modern kitchen and second, as new age granite & Italian marble.

Check out the video on www.surfacesreporter.com and www.facebook.com/surfacesreportermagazine

Factors affecting the growth of industry One of the unique qualities of Indian ceramic tile industry is that nearly 40% of the industry is organised, while 60% was largely unorganised comprising players from Morbi, Rajkot and other clusters. The ratio seems to be slowly reversing. And everyone seem to be generating good profits. As India is a big market, it is fact that there is growth for everyone be it organized or unorganized players. Here are few factors that are driving the high growth rate of the industry in India.

Rapid Urbanization Expansion of metro cities and migration of people from villages to cities is a major growth driver for the growth of tiles market in India. There are investments being made in housing, urban transport, power-related infrastructures, smart cities, and other forms of urban expansion that will lead to rise in new cities and ultimately the requirement of raw materials.

Government Policies Schemes like Make in India, Sanitations schemes and Housing for All are already showing their positive impact on the sector with a mjor boost in the demand. The government’s push to housing and sanitation development along with favourable market conditions and initiatives for make in India goods are positively impacting the business of major tiles brands including Kajaria, Somany, AGL etc. Also according to the Indian Tiles industry Report 2021, government schemes - like Pradhan Mantri Awas Yojana (Urban and Gramin) that aim at ‘housing for all’ by the year 2022, with an estimate of providing around 2 crore houses to eligible recipients, out of which 104 lakh houses are already sanctioned till date, will certainly drive the demand for tiles in India for next few years. According to Anil Beejawat, CEO, RAK India, “India is one of the fastestgrowing ceramic tile marketplaces at the global level. Some of the major factors augmenting the growth of the ceramic tiles demand in India are the growing real estate sector coupled with government policies fuelling strong growth in the housing sector. In addition, rising disposable income in India and a corresponding desire for beautification of living and working October-November 2021 | www.surfacesreporter.com | 26

Surfaces Reporter spaces are also driving the need for ceramic tiles in the country. Demand for products like the new touchless and other hygiene-centric products in bath ware and the germ-free tiles will take centre stage and will see traction in coming period.

Due to a shortage of labour, the timely completion of projects has become one of the major challenges for ceramic tile manufacturers amid the pandemic. However, once the lockdown started to reverse back, the tile industry was first to emerge out of the crisis stronger than ever, and the recovery in demand in the ceramic tile industry in India is expected to thrive exponentially. Now, manufacturing operations are hindered by the volatility in the price of natural gas, which accounts for between 15% and 30% of production costs and ever-higher transportation costs. The pandemic has also raised the demand for hygienic and easy-to-clean flooring products.”

Constant need for infrastructure Not only residential, India’s hospitality and retail segment too is expecting higher growth in near future giving a huge traction to the tiles industry. While both industries suffered a major setback during the pandemic, they seem to be recovering as the world moves towards normalization. The hotel industry in India is projected to grow to Rs. 1,210.9 billion by 2023, on the back of high arrival rate of foreign tourists and business delegates once the world normalises.

Also, India is set to add around 65 million sqft of new mall spaces by the end of 2022 and according to a Knight Frank India report, the country’s office leasing volume rose by 27% in 2019, on the back of a surge in leasing activity by information technology companies and this growth is not expected to slow down anytime soon.

Subrata Basu

VP-Design, Nitco

New Products and Initiatives With the relaxations of COVID restrictions and booming real estate activities, tiles brands have too geared up with the new launches and taking measures for higher market penetrations.

As the charm of touch and feel comes back, there are new showrooms being opened up not in the metro but in tier 2 and 3 cities as well in order to get maximum consumer footfall and better leverage opportunities. In addition, brands are also revamping their exisiting showrooms following the covid protocols and in better lieu of the changing customer needs. For instance, customers in west zone can explore new collections at RAK’s recently revamped flagship showrooms at Vega Centre, Pune and Santacruz(w), Mumbai.

Subrata Basu, VP- Marketing, Nitco says, “At NITCO, we have already taken measures to strengthen and reinforce our dealer network in stronger markets, with focus is on improving inhouse share through several support activities such as loyalty programs, annual tie ups etc. For the markets with lower penetration the white spaces have been clearly identified and the partner scouting, evaluation and appointment will be done swiftly to ensure appropriate presence across all markets.”

In terms of sizes and design, bigger format tiles are showing an impact on the market as most brands are coming up with sizes bigger than ever. Not only for the internal purposes, these tiles can now be used for exterior and higher traffic areas thanks to the higher thickness the brands are offering. Lesser grout lines, fast installation and higher aesthatics are some of the factors leading to the development of these tiles. RAK Ceramics has large format tiles under Maximus sub-brand in 1200 x 2400 mm, 1200 x 1800mm, 900 x 1800 mm, 800 x1600 mm, 1200 x 1200 mm sizes in natural stone, concrete, marble, textiles and wood like designs in various finishes and colours giving a bright, clean and sophisticated looks to the walls and floors.

What kind of further innovation can we expect in the coming few months?

We are always innovating when it comes to tile sizes and designs. Our Made In Italy collection of tiles has sizes like 8x4 ft that are the only tiles in India to withstand heavy duty traffic and especially suited for malls, airports, etc. Our Gibraltor collection features tiles in sizes of 600x1200 mm, while our new Wall Tiles collection comes in sizes of 300x600 mm. The designs are a result of various inspirations around. Like, our Enso Décor tile is inspired by Enso is a sacred symbol in Zen Buddhism meaning circle, or sometimes, circle of togetherness. It is traditionally drawn using only one brushstroke as a meditative practice in letting go of the mind and allowing the body to create, as the singular brushstroke allows for no modifications.

We also undertook several initiatives like pre-polished and cut to size marble for sites, factory finish window sills, door jambs, steps, and risers, etc to reduce wastage, improve efficiency and improve quality with a quick turnaround time. With labor shortages at almost all sites, our innovations helped projects go on and stick to their initial timelines. It is a very unique and modern approach towards value addition in this segment.

With the festive season in full swing and consumer sentiment at a record high, housing sales are likely to grow. Thanks to record low interest rates, stable housing prices, stable employment scenario and growing homeownership sentiment, residential sales and new launches have surged in recent months. This can be a positive boost for the tiles market.

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SR Tiles Story Another major shift in the market that has come as a result of COVID-19 is the focus on hygienic products and development of surfaces that inhibits microbial growth. More brands are coming up with such products to cater to the new consumer segment who is health conscious and want a safe haven for his family. For instance, Asian Granito Indi Ltd has launched ‘AGL Tuffguard Anti-Bacterial Tiles’ for better hygiene. These tiles are 99% effective against the growth of bacterial and germs due to its tuff guard plus anti-bacterial glazing made of Silver Ions.

Key Challenges for the market With every growth, comes major challenges and tiles market is no exception. The market is currently facing major challenges that may prove to be a deterrent in its growth drive. One of the biggest challenge is the higher cost of raw materials. With rising cost of raw materials, the rates are constantly going up, leading the customers to look for cheaper options. Also, since there is a large competition among the organized and unorganized players in the tile segment, the manufacturers are bound to keep the rates lower as the customer is spoilt for choice as he can easily get the quality and prices in other brackets.

No matter how good a product is, if it is not laid properly, it is bound to fail.

Dinesh Vyas, Advisor, H&R Johnson says, “Indian tile Industry has performed quite strongly in spite of some constraints which many other industries too faced. Input cost is a big concern.

As the Industry works in much lower margins unlike many others, passing it on to the customer becomes a compulsion.

An increase of Rs. 5 to 15 per square foot in tile’s price is still a very small portion of the total cost of interiors. Other relevant point is that today good tiles are available at various price points and basic ones still work out more economical and technically superior than non-tile options in the long term.”

Echoing the sentiment Subrata Basu, VP-Design Nitco says, “Rising costs and unexpected deviations in raw material price levels destabilize the supply chains and render it difficult for manufacturers to sustain in the competitive ceramic tiles market.”

The largest importer of Indian tiles is the GCC region, 40% of Indian exports are to this region. Recently there has been anti dumping duty on exports from India. GCC the largest importer had announced a provisional duty of 40% to 106% on Indian tiles. These duties will impact Indian players.

Another major concern that manufacturers spoke during their conversation with SURFACES REPORTER (SR) is that there is lack of good quality masons as the brands seem to be investing only in product but not in its laying which is a crucial factor for the success of the product since no matter how good a product is, if it is not laid properly, it is bound to fail.

Pointing towards the major fall, Dinesh Vyas, Advisor, H&R Johnson says, “The real shortfall that Industry should be worried about is - tile laying and not tile making! Availability of trained masons, contractors as well as using right tools and adhesives is a grave concern. Indirectly it is hurting the industry.

No single player seem to be ready to take the lead and I think industry as whole should come forward and do something good with all seriousness, not just one dozen masons meeting and distributing gifts there. I am sure adhesive companies too will join the initiative if and when it happens.”

Hence, the brands need to come up for the proper training of masons and creating a major workforce that will not only aid in generating the employment but will also provide the masons a way to improve their work quality. In this regard, there is one Somany Tile Master Training Program, where Ameya Somany is taking initiative to train the masons and helping them achieve better employment opportunities by training them and providing them with the right tools.

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Dinesh Vyas

Advisor, H&R Johnson Tell us about HRJ’s future plans?

Aesthetics is a subjective decision and to cater wide spectrum of customers, the range becomes big in terms of sizes, colours, textures and themes. HRJ’s product strategy has been to add value to these basic differentiators) by bringing in its some unique benefit.

Johnson has many such innovative laments including few patented features for example – its Germ Free range of products or Anti-static tiles for server room applications. HRJ recently announced production readiness of another breakthrough product – Radiation Shielding Tiles as alternative to presently used sheets of lead. The product is based on CSIR- Advanced Materials and Processes Research Institute research, Bhopal.

SURFACES REPORTER Cover Story

An ace in Hospitality & High-end Residential Space!

Sumessh Menon

Sumessh Menon Associates, Mumbai ited among one of the topmost luxury designers of India, Sumessh Menon is known for creating bespoke, modern, and chic design concepts. Sumessh has carved a niche for his innovative and flamboyant design creations. Above all, his designs beautifully blend style and luxury with comfort thereby harmonizing interior spaces. In an exclusive interaction with Vertica Dvivedi, Editor-in-Chief, SURFACES REPORTER Magazine, he spoke about everything right from the ‘Hole in the Wall’, his very first restaurant interior project to designing residential villas in Dubai.

Creativity had always been a passion for him which drew him towards choosing design as profession. In fact, he picked up ‘Car Designing’ as an alternate profession when asked about to choose a career other than interior designing during the interview. Calling himself a October-November 2021 | www.surfacesreporter.com | 30

globe trotter, he calls his designs bearing a major influence of his travel experiences.

Sumessh Menon is one of the most preferred choices for celebrities for interior designing. His distinguished clientele boasts celebs like Zorawar Kalra and Tham Brothers including others. He is also known for designing the chain of restaurants for Indian Skipper Virat Kohli. His foray into restaurant design commenced in New York, where he designed his first restaurant ‘Hole in The Wall’.

Since then, there is no looking back.

Today, Sumessh Menon creates aweinspiring restaurants that do not follow the conventional design principles.

Hospitality became his forte as he “finds it exciting how design, history, pop culture, food all comes together seamlessly.”

Surfaces Reporter

Although there was a heartbreaking setback for HOSPITALITY sector, it is slowly starting to bounce back in the full form.

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SR Cover Story Here are the excerpts of the conversation. Keep checking www.surfacesreporter.com for more such stories.

Tell us about your journey.

Creative design has always intrigued me right from the start, so making a career of it was a natural result. My frequent globetrotting around the world has been a major influence for me since it helped me absorb diverse design interpretations around the world.

When did you start your own firm and what was your first project?

My rendezvous with restaurant design began more than decade ago with my first restaurant project in New York – ‘Hole in the wall’ - a mini restaurant in East Village, Bleaker Street, New York which I consider my big break and a major landmark in my journey through design. From then on, the transition to restaurant design has been inevitable and there has been no looking back.

What factors or circumstances led to your focus on hospitality and high-end design?

For me every project is a learning experience. So I believe each of the projects I worked on be it residential villas in Dubai or South Africa or restaurants in Mumbai, Delhi, Pune etc., has taught me something new. I evolved and matured through them and thus each has proved to be a milestone for me.

Hospitality design has immensely influenced my range of work.

I find it exciting how design, history, pop culture, food all come together seamlessly.

High end residential design, more than any other spatial design, both allow me to explore materials in their entirety and the charm of reinventing an existing material or concept in an entirely new way. And in this way, inevitably I have now stepped onto the high-end design dais.

What kind of shifts do you see in high-end residential segment - especially post pandemic.

Speaking of the post pandemic scene, more than anything, the residential sector has seen design amplifying threefold. Everyone now wants their homes to be associated with bold and beautiful concepts. Clients are now more open to exploring various design types and larger than life design ideas.

After onset of covid, hospitality industry faced major setback. Do you see a significant revival?

The hospitality industry in the country is revolutionizing every single day. Although there was a heart-breaking setback for this sector, it is slowly starting to bounce back in the full form. While today, the reformed designed hospitality spaces adhere to hygienic spaces and health conscious design aspects more than ever, the gradual growth will easily take another 5-6 years to return to normal.

You are always so calm and composed.

What is the secret?

The calm composure itself is the secret to dealing with and embracing all challenges.

You are considered one of the most celebrated high-end luxury designers in India today, what were some of the challenges in scaling up your firm.

Over the course of my experience in design, I have learnt that the secret to a success story lies in unconventional design and material exploration. Convincing clients to be more open minded to experimental materials and design is often a very harrowing experience and understanding those materials in depth is an equally challenging task. Being able to manage more projects that we could handle became quite a challenging phase.

While slowly and surely forming a team that equally believe in these principles took me quite some time, in the end, we are now a design family managing both residential as well as hospitality design to our very best!

With ever evolving technological innovations, what are some of the must-have inclusions in high end residences and hospitality sector?

The global pandemic has taught us harrowing lessons especially when it comes to giving importance to personal health and hygiene, especially in our country.

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Surfaces Reporter

Rustomjee Elements Residence by Sumessh Menon Associates

Hygiene is the new mantra!

With this in mind, its vital to embrace the many technologically enhanced innovations available in the market today like sensor-based automation designs, sensor based sanitary fittings, voice based locking systems and investing in a good quality HVAC system be it hospitality or residential design because it can directly affect our exposure to bad air quality as well as infections.

These technologically advanced innovations not only reduce health risks and add to personal comfort but they also open wide our exposure to global design on a more locally accessible level.

If you could change just one thing about the way the fraternity works, what would that be?

I believe architects need to essentially play the role only as designers and not as negotiators for clients!

What kind of finishes and textures do you love? How do you see the high-end space in the next few decades?

I love experimenting with materials more than anything whether natural or technologically enhanced ones.

Undulated concrete textures and non blingy finishes are a current favourite.

Every generation is inspired by predecessors in some way or the other. So the interpretation of design today will be a major influence for the new generation. Entire gamut of materials will be up for exploration in the next 30-40 years.

What is your message to aspiring designers?

Every generation is inspired by its predecessors in some way. So the interpretation of design today will be a major influence for the new generation. But more importantly it’s the enthusiasm with which they approach designing that will forever influence the creative process.

One must be experimental with new age materials.

If not a designer, what would Sumessh Menon be?

A car designer perhaps!

Message for SURFACES REPORTER? For me personally, material derives design and not the other way around. So exploring new materials will always influence good design. So do keep up your fabulous work of exploring and exposing all materials in the market!

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SR Cover Story

1522 Mumbai Area: 6100 sq. ft.

Location: Goldfinch Hotel, Mumbai Date of Completion: January 2020

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direct entry into the burgeoning restaurant scene of Mumbai all the way from Bangalore is the culture loaded brand 1522 that recently opened the doors of its new outlet in Andheri. Helmed by Chetan Hegde, Prathik Shetty and Samarth Shetty, the originally Bangalorebased restaurant boasts of a gorgeous indoor dining space with a dedicated live performance stage, a semi outdoor seating space and an entire rooftop space with its very own bar! With its charmingly delightful decor the place promises heaps of gastronomic adventures amidst lush interiors.

Vibrant and Earthy Vibes Washed in a muted green shade on the walls, ceiling and even flooring that has floral motifs, the indoor section displays a vibrant and earthy vibe complete with rivet details and mouldings inspired by English pubs and rustic exposed brick walls in the elevated DJ area as well as the raised private dining nook to create a scintillatingly inviting and warm indoor space! Artwork is predominantly seen catching one’s eye on the indoor outdoor elliptical bar, the walls of the private dining, behind the DJ console, staircase landing as well as other walls!

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Surfaces Reporter

The décor of the terrace floor is like a magical garden that comes to life especially in the evenings!

With its double sloped greenhousestyle roof resting on beautifully designed blue trusses and a quirky mosaic flooring depicting flowers and leaves, the rooftop bar is quite a charming sight!

Taking inspiration from European conservatories the décor of the terrace floor is like a magical garden that comes to life especially in the evenings! With its double sloped greenhouse-style roof resting on beautifully designed blue trusses and a quirky mosaic flooring depicting flowers and leaves, the rooftop bar is quite a charming sight! Real plants are seen speckled across the space, placed amongst furniture and even hung from the roofs!

Varied seating styles are arranged around the entire space from plush private dining sofa seating, to metal high chairs along an entire wall and rattan chairs in various combinations and colourful upholstery. A very unique mid-height amoeboid community table is placed across the entire stretch of the semi outdoor space with a mix of seats arranged around it and even mini size planters placed within them! Each washroom is an explosion of vibrant colours and patterns and the biophilic inspired design is seen even in the column mouldings, laser cut staircase metal riser design, on the flooring pattern and even in the artwork around the space!

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SR Cover Story

FOO

Location: Phoenix Mills Lower Parel, Mumbai Area: 4500 sq.ft. | Date of Completion: June 2018

Inspired by Japanese Rice Wine The design of the entire space has a distinctively Asian essence blended with hints of contemporary design highlighted furthermore by the richly rustic looking backlit arches set against rich burgundy walls that line several walls of the entire restaurant.

Inspired by the traditional Japanese rice wine also called as saké, there is an entire wall decked up as a saké jar display that greets you at the very entrance of the restaurant hinting at the richly Japanese theme of the entire space.

The main bar displays an intricate Asian inspired backlit wooden screen apron with a rich burgundy laminum tile countertop.

Touches of modern Asian design are seen on the wall opposite the bar too which displays a row of wooden panels with modern abstract carvings on it, setting a warm and distinctive backdrop for the pod seating area. The restaurant flooring is done entirely in custom terrazzo cast flooring with metal pattern inlay whereas the ceiling of the restaurant is one of the most unique of its October-November 2021 | www.surfacesreporter.com | 36

The exquisite synthesis of raw terrazzo floors, rust coloured walls and even the cane-cladded ceiling set against a deep colour palette of burgundy, mushroom and grey lends an authentic Asian feel to the restaurant that inevitably enhances the overall dining experience manifold!

Surfaces Reporter The restaurant design has a distinctively Asian essence blended with hints of contemporary elements. The restaurant flooring is done entirely in terrazzo with metal inlay and the ceiling has retained the original saw tooth roofing of the old mills adding an authentic vibe to the entire space!

kinds wherein the designers have retained the original saw tooth roofing of the old mills adding such an earthy and authentic vibe to the entire space! It is this ability of Menon’s to transform the aesthetic sensibility of a space according to the site conditions and the project brief that adds to the charm of the interior design.

Dining Area Further ahead the restaurant closes in to form a more intimate dining area divided by more arched walls and a stunning cherry blossom tree standing as an ode to all things Japanese!

Another arrestingly unique design feature is the gorgeous custom light installation designs across the entire restaurant especially the Abacus lights hung above the bar, crafted entirely of crushed banana paper, lending an ethereal charm to the space. The exquisite synthesis of raw terrazzo floors, rust coloured walls and even the cane-cladded ceiling set against a deep colour palette of burgundy, mushroom and grey lends an authentic Asian feel to the restaurant that inevitably enhances the overall dining experience manifold!

The entire elegant space is masterfully crafted with selection of diverse materials that are seemingly disparate but together build a cohesive design language throughout the space. This blend of elements and influences creates a beautifully balanced and harmonized dining experience.

With its promising menu, FOO is an ultra-chic urban oasis, an ode to Japanese culinary delights.

Flooring The restaurant design has a distinctively Asian essence blended with hints of contemporary elements. The restaurant flooring is done entirely in terrazzo with metal inlay and the ceiling has retained the original saw tooth roofing of the old mills adding an authentic vibe to the entire space!

The main bar displays an Asian inspired backlit wooden screen apron with a rich burgundy laminum tile countertop. Further ahead the restaurant closes in to form a more intimate dining area divided by more arched walls and a stunning cherry blossom tree standing as an ode to all things Japanese! Another arrestingly unique design feature are the custom light installation designs across the entire restaurant especially the 14 feet tall Abacus lights above the bar, crafted entirely of crushed banana paper.

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SR Cover Story

KOKO 2.0 Location: Kamala Mills, Lower Parel Area: 2600 sqft | Date of Completion: May 2018 (Photo credit: Sameer Chawda)

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lready a raging success, the high energy bar- Koko, owned by the renowned restaurateur duo - the Tham Brothers had recently launched its brand new Japanese cuisine extension to Koko – Koko 2.0. There are several reasons to celebrate this new addition to the space. For one, it’s Henry Tham’s newest endeavour. The man who pioneered Asian cuisine in the city, and has over the last several years, conjured up innovative flavours that appeal to the Indian palate has passed on the baton of taking forward this illustrious legacy to his sons, Keenan and Ryan, both of whom kept the flag of innovative cuisine flying high, with Koko. With a renowned UK-based mixologist, Dmitri, to helm things at the bar and an international chef to take care of things in the kitchen, KOKO 2.0 promises great food against an equally tasteful backdrop. The lavish new space scooped out of the neighbouring plot is a bespoke Japanese inspired space divided into a cosy lounge space and a plush dining area separated by a burgundy coloured wire mesh curtain. The dining area has a large communal seating set against an entire wall cladded with scooped-out design siporex blocks and a stunning custom designed light installation sculpted out of banana paper.

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Surfaces Reporter

elements like the charcoal artwork of floating rocks that is splayed across one entire wall and beyond the lounge area there is a beautiful synthetic cherry blossom tree that breathes life into the rich interiors.

Koko 2.0 isn’t just a high end restaurant; it is a transformative dining experience.

All in all Koko 2.0 is as much about the ambience as it is about the food— and Sumessh Menon’s signature.

The high energy bar Koko in Kamala Mills launched its Japanese cuisine extension Koko 2.0.

The entire design of the space was done by keeping in mind the Japanese addition to the cuisine that will reflect onto the interiors as well. All in all Koko 2.0 is as much about the ambience as it is about the food—and Sumessh Menon’s signature. It is has been interpreted perfectly with a bespoke design that will evoke appreciation. Koko 2.0 isn’t just a high end restaurant; it is a transformative dining experience.

The high energy bar Koko in Kamala Mills launched its Japanese cuisine extension Koko 2.0. The lavish new space scooped out of the neighbouring plot is a bespoke Japanese inspired space divided into a cosy lounge space and a plush dining area separated by a burgundy coloured wire mesh curtain. The dining area has a large communal seating set against an entire wall clad with scooped-out siporex blocks and a stunning custom designed sculptural light installation of banana paper.

The entire design of the space was done by keeping in mind the Japanese addition to the cuisine that will reflect onto the interiors as well. Hints of Asian inspiration are evident in elements like the charcoal artwork of floating rocks that is splayed across one entire wall and beyond the lounge area there is a beautiful synthetic cherry blossom tree that breathes life into the rich interiors.

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MATERIAL LAB

World Bamboo Day Celebration

BAMBOO SOCIETY OF INDIA, KARNATAKA CHAPTER AND WORLD BAMBOO ORGANIZATION HOST BAMBOO CULTURAL FEST 2021 Telecast & media partner

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eptember 18, World Bamboo Day, is marked as a day of celebration to raise global awareness to conserve and promote bamboo. On account of its natural characteristics and functionality, bamboo was once a primary building material. Today, bamboo continues to enjoy praises in times of global warming due to it sustainable factor wrapped around contemporary designs and modern engineering. Bamboo can be easily cultivated and harvested relatively in a short time. It can be reused and bamboo structures are easy to bend and lithe.

To commemorate one of the finest and oldest building materials that is not only aesthetically pleasing but also sustainably strong, this event brought together notable Indian advocators of bamboo under one roof.

Chief guest Mr Shankargauda Patil, Special Representative to Delhi, Govt of Karnataka laid down a few futuristic guidelines for the BSI to adopt for the enhancement of the sector such as developing a curriculum syllabus model for technical education, establishing a working committee within the headquarter and state chapter for a design nursery in plantation R&D and more.

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Mr. Shankargauda Patil Special Representative to Delhi, Govt of Karnataka

Surfaces Reporter EVENT BRIEF A full-day deliberation and celebration had been organized by the Bamboo Society of India (BSI), Karnataka Chapter WCArchitecture, Design and Civil Engineering (WC-ADCE, BSI) and World Bamboo Organisation (WBO), in association with media and telecast partner SURFACES REPORTER where prominent members of the design fraternity discussed and commemorated bamboo on the theme of Bamboo Cultural Fest: Rethinking Bamboo in Culture through Design. In association with the Council of Architecture along with IIID Bangalore Chapter, IIA Karnataka Chapter and ISOLA, Karnataka chapter, the event recognized, felicitated and encouraged budding design professionals and students who have incorporated bamboo as a building material in their projects. The event witnessed three technical sessions that included various competitions including Product Design Competition in association with IIID Bangalore Chapter, Street Furniture Design Competition in collaboration with ISOLA- Karnataka Chapter and PreFab Structures Competition in collaboration with IIA Karnataka Chapter.

The competition aimed to highlight and showcase young talent representing organic innovations with regard to the culture and characteristics of bamboo.

With chief guest Mr Shankargauda Patil, Special Representative to Delhi, Govt of Karnataka, the speakers of the events included Ar Neelam Manjunath, Chairperson BSI, KC and World Bamboo Ambassador; Ar Habeeb Khan, President, COA; Prof Uday Gadkari, Past President, COA and WC-ADCE, BSI; Ms Neelam Chibbar, Industree Foundation; Dr Jayshree Deshpande, Director, COA-TRC; Prof Krishnarao Jaisim; Ar C R Raju, President, IIA; and Ar Jabeen Zackaria, President, IIID, Dr M P Singh, Director, IWST, Bengaluru; Dr Shakti S Chavan, Director, IPIRTI; Dr Vishnukanth Chatpalli, Vice Chancellor, Karnataka State Rural Development and Panchayat Raj University, Gadag; Dr Jagadish Vengala, BSI- WC-ADCE; Mr Vidhyadhar Wodeyar, Secretary Treasurer, BSI - KC; Vertica Dvivedi, Editor-in-Chief, SURFACES REPORTER; Dr Sridevi Rao, President, ISOLA; and Prof Arunava Dasgupta, Chairperson, IUDI, among others also graced the event.

Media and telecast partner Surfaces Reporter has always endorsed and encouraged sustainable building materials and the event is an augmentation in the same direction. WADE ASIA, the sister brand of SR supported the event by being the memento sponsor.

ON A BAMBOO BOOMING MISSION Commencing the event, Ar Hemang Mistry, Urban Designer and member of the working committee for Architectural Design in Civil Engineering as part of BSI, welcomed the dignitaries.

While Ar Mistry hosted the first part of the event, second part was hosted by Madhurima Chowdhury, Executive Editor, SURFACES REPORTER. Taking forward the event, Ar Neelam Manjunath, Chairperson BSI, KC and World Bamboo Ambassador, briefed the viewers on the journey of BSI which is headquartered in Bengaluru, Karnataka. “BSI started as a small society with only 15 members, and today it has over 1,350 members living throughout the country and six other nations across the world. It was the vision of promoting the holistic growth of the bamboo sector in India that lead to the formation of BSI by thought leaders of the country,” she explains over a presentation. With seven recognized chapters across India including Andhra Pradesh and Telangana, New Delhi, Maharashtra, Tripura, Madhya Pradesh, Kerala and Karnataka, BSI organizes seminars, workshops, conferences and exhibitions pertaining to bamboo and is constantly involved in organizing training for farmers in the field of management, marketing and value addition, and utilization of bamboo across various sectors.

Chief guest Mr Shankargauda Patil, Special Representative to Delhi, Govt of Karnataka inaugurated the online event by briefing the development observed in the bamboo sector. He laid down a

BSI started as a small society with only 15 members, and today it has over 1,350 members living throughout the country and six other nations across the world.

Ar Neelam Manjunath Chairperson BSI, KC and World, Bamboo Ambassador

few futuristic guidelines for the BSI to adopt for the enhancement of the sector such as achieving innovative measures for the development of the bamboo sector, strengthening its chapters pan India, planning structural awareness and training programmes, developing a curriculum syllabus model for technical education, establishing a working committee within the headquarter and state chapter for a design nursery in plantation R&D and organizing competitions and exhibitions for students and architects.

MARKET VALUE AND PRODUCT BENCHMARKING OF BAMBOO Neelam Chibbar of Industree Foundation feels that though India has phenomenal resources of all the natural fibres, it has a tiny place in the world market. Ms Chibbar quotes Raj Kumar Srivastava, IFS, APCCF-NFAP, Director, KS Bamboo Mission to emphasize her point: ‘India is the world’s second-largest producer of bamboo but we are a net importer of bamboo products. India is the world’s largest producer of agarbatti but we import agarbatti sticks from Vietnam.’ She further brings to notice that despite India being an agrarian society, we have access to so much of all these resources, bamboo, water hyacinth, banana yet why are we not able to build global value chains. After working with Ikea for 10 years, one thing Ms Chibbar realised is that global chains such as Ikea imports bamboo for producing home accessories. Such global chains can

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SR Material Lab create work for thousands of Indian tribal women. “For the last 15 years, these companies have been scouting India because they want to de-risk their supply chain. They want to reduce their buying from China and Vietnam, and COVID has pointed the risk of being too dependent on certain countries for certain things including the climate change factor which is in existence. Global brands have realized that customers are looking for sustainable consumption and the world market for bamboo home accessories is going to explode if it hasn’t already,” she informs. With initiatives like POWER: Producer Owned Women Enterprises and REGEN Pay For Success, Ms Chibbar has some long plans to promote bamboo as a raw material alongside women artisans. “We are in the process of raising $10 million through which we can impact 11,000 farmers and artisans. We will be planting 2,500 acre, of which 1,000 hectares for bamboo; this is additional to the original thousand.

We will be planting this in Karnataka and additionally in Maharashtra,” she informs.

Correspondingly, the Indian Plywood Industries Research and Training Institute (IPIRTI) has been a part of bamboo product development for a long time now. The institute also showcases several bamboo products. Constant comparison with China being the major exporter of bamboo is visibly clear to all. Highlighting this issue, Dr Shakti S Chavan, Director, IPIRTI says, “We always compare with China and feel that why bamboo-based industries have developed there. If we see in India, most of our bamboobased products have confined areas. They are either confined to handicrafts or we have started using them for structural application. It has got a niche market.”

According to Dr Chavan, bamboo should be treated as a raw material for a variety of products that can be produced at an industrial scale. He strongly feels that bamboo as a material can replace wood in any application. He further informs IPIRTI’s developmental thermoform technology which is used to change the shape of bamboo by heating it.

That said, raising a concern on how to market the material, Dr Jayshree Deshpande, Director, COA-TRC states that it is time for all of us to come together to ensure that the coming generations will continue to retain bamboo in their lives as it has been for centuries. “The Council of Architecture-Training Research Centre is a platform where everybody is welcomed to live their dreams.

I call it a dream because today we know that this is a concern and we want to do something about it but somehow we’re not finding the right way to do it.” Dr Deshpande elaborates on the two platforms provided by the council. The first is the Training and Research Centre which is the academic wing of the council, it is the place where people can come together with ideas about training and a place where students sensitize the architecture community on bamboo. “There could be deliberations about how to bring this subject to curriculum, maybe as an elective or maybe in the mainstream,” she adds. The second platform of the council includes the COV social which is the public wing of the council, where all the activities are put up on social.

Although bamboo has a long history of being part of the human habitat, Ar C R Raju, President, IIA feels that like any other material, bamboo has taken a backseat which is why global materials have taken over. Pointing out the glaring difference of adopting sustainable materials, he informs, “There is a lot of concern about sustainability. If you see the civilization of our country, our architecture has always been sustainable until the last century. I think these kinds of programmes that give impetus to materials like bamboo which brings to the core the importance of using sustainable materials.”

Notifying his observation from some of the south-east Asian countries like Indonesia where schools are built out of bamboo, Ar Raju strongly encourages building structures with bamboo.

“Many things can be done with bamboo and I think the time October-November 2021 | www.surfacesreporter.com | 42

The Bamboo Cultural Festival is a virtual celebration and probably one of the longest and most exciting ones that I have enjoyed in the last two years on the pandemic.

Prof Uday Gadkari, Past President, COA and WC-ADCE, BSI

I read a book titled Bamboo Fences of Japan where it is mentioned that they do not used nuts or bolts but different types of joints for outdoors.

I think these things can also be incorporated to make the material sustainably friendly.

Dr Sridevi Rao, President, ISOLA

Surfaces Reporter has come where we should give a thought to natural materials which are available and sustainable. I think we’ll have to sensitize ourselves,” he adds. However, several architects and practitioners have and are already contributing enough to develop bamboo. He further suggests, “Keeping in line the increasing traditional ways of building, I think even the curriculum of various universities should educate and promote traditional ways of building with traditional materials where students learn to sensitize about the whole exercise.”

On similar lines Dr Vishnukanth Chatpalli, Vice Chancellor, Karnataka State Rural Development and Panchayat Raj University, Gadag urges, “We are working at the exit side of the tunnel.

We need to use this opportunity as an organization for bamboo advocacy. It should become a part and parcel of the subject where engineers and architects and those studying understand this passionate topic of the material.”

CULTURALLY REDEFINING BAMBOO Ar Jabeen Zackaria, President, IIID, finds the need to reinvent bamboo in its cultural context or as a part of our culture in the industrial context and make it adaptable for the modern way of life. Describing bamboo as a philosophy, she clarifies, “Look at the shoot that springs every day. It is the ever-green spring for us if you have bamboo in the garden. And the soft murmurs, whether you or happy or sad, it comforts you. And the way it reaches the sky and bends because of its flexibility but never breaks. It’s a huge inspiration for all of us to be rooted to our values.” Resonating her love for the material and urging the crowd, she cities, “Let us not only use bamboo but plant bamboo. And what I am saying is one step ahead. Let us plant bamboo, not just in forest and acres of land but in our hearts as a way of life, as a part of our culture; that can heal us and that can heal the world.”

Prof Arunava Dasgupta, Chairperson, IUDI, lays out the side of designers and architects that goes unnoticed many a times. She feels that designers tend to look at the bigger picture and at times miss out on the grounded one. “Our cities are traversed as well as used day-to-day but the idea of urbanism of the everyday skips us all. We take it for granted,” she informs. Bamboo as a material has played one of the pivotal roles in shaping this everydayness. She draws unlikely parallelism between the material and urbanism. Drawing our attention to the entire range of contributions that bamboo can have for the urban environment, she further elucidates, “The BSI is using its possibility of bringing people together around the idea of bamboo not only as a material plant but also as in a way in which you can see the world through the lens of sustenance, and bamboo

Dr Shakti S Chavan Director, IPIRTI

If we see in India, most of our bamboo-based products are either confined to handicrafts or we have started using it for structural application.

Global brands have realized that customers are looking for sustainable consumption and the world market for bamboo home accessories is going to explode if it hasn’t already.

Neelam Chibber Co-founder, Industree Foundation

Raj Kumar Srivastava

India is the world’s second-largest producer of bamboo but we are a net importer of bamboo products.

IFS, APCCF-NFAP, Director, KS Bamboo Mission

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SR Material Lab

We are working at the exit side of the tunnel.

We need to use this opportunity as an organization for bamboo advocacy. It should become a part and parcel of the subject where engineers and architects and those studying understand this passionate topic of the material.

Dr Vishnukanth Chatpalli Vice Chancellor, Karnataka State Rural Development and Panchayat Raj University, Gadag

is giving us that lens. And for us, it is, therefore, important that we embrace it with all vigor. And that’s why for me, bamboo as a material, as a way of life, as a process has got to do a lot with how every city is going to get shaped and reshaped.”

BAMBOO: A PROMISING AVENUE The event witnessed three technical sessions that included various competitions including Product Design Competition in association with IIID Bangalore Chapter, Street Furniture Design Competition in collaboration with ISOLA- Karnataka Chapter and PreFab Structures Competition in collaboration with IIA Karnataka Chapter. The competition aimed to highlight and showcase young talent representing organic innovations with regard to the culture and characteristics of bamboo.

Prof Jaisim Krishna Roa, Executive Director, BSI-KC opined, “Bamboo as a material should integrate art, technology and the

Bamboo as a material should integrate art, technology and the future timelessness.

Prof Jaisim Krishna Roa Executive Director, BSI-KC October-November 2021 | www.surfacesreporter.com | 44

I think the time has come where we should give a thought to natural materials which are available and sustainable. I think we’ll have to sensitize ourselves.

Ar C R Raju President, IIA

Surfaces Reporter

For me, bamboo as a material, as a way of life, as a process has got to do a lot with how the every city is going to get shaped and reshaped.

Prof Arunava Dasgupta Chairperson, IUDI

Presenters of the event:

Ar Hemang Mistry, Founder, Sthapatya Rachana, Mumbai

Madhurima Chowdhury, Executive Editor, Surfaces Reporter

future timelessness.” Additionally, Dr Sridevi Rao, President, ISOLA elaborated on the flexibility of bamboo and other possibilities of the material. “I read a book titled Bamboo Fences of Japan where it is mentioned that they do not used nuts or bolts but different types of joints for outdoors. I think these things can also be incorporated to make the material sustainably friendly,” she suggests.

Prof Uday Gadkari, Past President, COA and WC-ADCE, BSI who had been touring all through the day watching, listening and experiencing speakers was elated by the long-day virtual celebration. “The Bamboo Cultural Festival is a virtual celebration and probably one of the longest and most exciting ones that I have enjoyed in the last two years on the pandemic. I think this is the first time that there are so many partners who are solidly standing with the main organizers in the BSI-KC, headed by Neelam Manjunath, who is a dynamic and fantastic lady and a powerful leader,” says Prof Gadkari as he shared the vote of thanks, followed by the end note by Mr. Vidhyadhar Wodeyar, thanking all the speakers and awaredees.

Lastly, extending her gratitude toward Ar Manjunath and BSI, Ms. Vertica Dvivedi, Editor-in-Chief, SR comments, “I feel proud to be a part of it. We at Surfaces Reporter and Ply Reporter will stand with each one of you, each one of the participating associations and each one of the organizations for furthering your initiatives for bamboo and other relevant materials for the betterment of the environment.

You will always find us together with you in time when you need us to take your messages forward to a larger audience.”

Let us not only use bamboo but plant bamboo. Let us plant bamboo, not just in the forest and acres of land but in our hearts as a way of life, as a part of our culture; that can heal us and the world.

Ar Jabeen Zackaria President, IIID

You can find the detailed list of Jury and Shorlisted candidates / awardees on www.surfacesreporter.com October-November 2021 | www.SURFACESREPORTER.com | 45

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SR Advertorial

The Talk of Town, Kolkata

by Amulya Mica in association with Surfaces Reporter Hotel Hyatt REGENCY, Kolkata

Audience in rapt attention

A

mulya Mica had organised The Talk of Town for Architects & Interior Designers at Hotel Hyatt, Kolkata on 13th Nov/2021 in association with Surfaces Reporter. The function was inaugurated by Architect Mr. Vivek Ji Rathod, Mr. Ajit Ji Jain & Amulya Mica’s Marketing Director Ms. Shailja Agarwal. From Surfaces Reporter, Ms. Vertica Dvivedi, Editor-in-Chief was present.

Mr. GL Dokhania, Director of the company was also there.

Ms. Shailja Agarwal

The meeting was inaugurated by Mr Ajit Jain, he gave a brief insight on the changing design and trend of Kolkata market.

Amulya Mica’s Marketing Director, Ms Shailja Agarwal in her speech mentioned about the focus of the company on innovation and providing quality products. She explained about the USP’s of the Imperial Premium Laminates, specially sychronised laminates. She also spoke about the introduction of new products like WPC Door frame and textured cladding.

She mentioned about the various awards and accolades received by the company like ‘Most promising brand of the year’. Lastly, she concluded her speech by saying, “We are always there to provide every support to the architects and are known in the industry for our quality.”

Followed by her speech, there were two panel discussions.

The topics for the discussion were very interesting such as Architecture and Culture and the other topic was Design Shifts Post Pandemic: East Region. The panel discussion was graced by renowned names like Ms. Rupande Shah, Ar. J.P. Agarwal, Ar. Kalyan Chakraborty, Ar. Pooja Bihani, Ar. Aditya Goswami. Ar. Anjan Gupta, Ar. Monica Khosla Bhargava and Ms Shailja Agarwal. The discussion gave an insight on the diverse opinions of everyone.

After the Panel discussions, Mr. Neeraj Khandelwal, zonal Manager, Mr Niloy, Deputy Branch Manager, and Mr Palit, Project Head presented the company’s corporate

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Surfaces Reporter

Amulya Mica Team

video which showcased the journey of Amulya Mica and they explained in detail about the different products that the company has to offer like PVC Laminates, Cladding, Plywood, Imperial Laminates, WPC boards and WPC Door frames.

They also answered the questions raised by few members.

The event was a huge success and it was graced by over 140 interior designers and architects from Kolkata, Ranchi and Orrisa.

Everyone enjoyed the event and appreciated the initiative taken by Amulya Mica.

Mr. Prosenjit Dutta thanked all the delegates for attending the event and support Amulya mica’s product.

Lamp lighting and Inauguration

The event was ended with a band performance for everyone’s entertainment.

All the delegates thoroughly enjoyed the events and appreciated Amulya Mica’s style of presentation.

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SR Showcase/Panel & Surfaces

Graphical digital imaging with Karim Rashid Product- Dature wallcovering by TAPLAB This wallcovering is an example of new media art. An interior decoration project that arises from the meeting of the digital world with that of nature, as a representation of the hyperconnection that characterizes our world and our time. www.taplab.it www.surfacesreporter.com/brand/2219/dature-wallcovering-by-taplab

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SR Showcase/Panel & Surfaces

Diamond Cathedral Glass Mosaic Brand: Mosaico+, a division of Mapei S.p.A Application: Wall covering | Size: 365x210x3 mm USP: Vitreous mosaic of stained-glass, obtained from voluminous slabs – 2-3 mm thick – made through a process of extrusion of glass and enamels. Diamond is a mosaic made of chips that are hand-cut with a diamond cut accessory and then mounted on glass fibre mesh to form sheets of 365x210 mm. The cutting process is handmade and produces sharp edges. Diamond can display a full colour or a veined effect.

The design of the mosaic is accentuated by veins of colours which are not repetitive thereby giving every square inch of the surface a distinct pattern. The Diamond mosaic is produced in bright, luminous, artistic cathedral glass, thinner than sanded glass. This artistic glass can be coloured with full tone and plain hues or can have a shaded and veined appearance. The unusual design allows the use of grouts in tone-on-tone shades for a refined effect, or in contrasting colours for a more eccentric, trendy composition. The grout creates a pattern that moves through the sheets of glass and guides the eye over algorithmic shapes. www.surfacesreporter.com/brand/2194/mosaico

Next generation of acrylics with Scratch Removal Technology (SRT) Brand- Tevhnomatt | Colours: 18 A Monotonic surfaces with a multilayer coating of Melamine paper, the latest acrylic resin, referred to as the next generation of acrylic and a special foil to make the surface an extreme matt. These are hardened and fixed with a very high end process called the Electron Beam Curing process.

Use- Kitchen Shutters, Wardrobes, Vanities, Tables, Partitions, or anywhere in the interiors which requires a matt look.

Features- Super matte, Soft touch, Anti fingerprint, Resistance to dry heat, Scratch removal technology, Anti stain, Anti bacterial, UV light protected, and Non porous. All colours have matching edge banding as well, available in 25x1mm and 40x1mm.

Size- 2440x1220mm and 3050x 1300mm www.surfacesreporter.com/brand/2202/techno-matt-srt

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SR Showcase/Panel & Surfaces

Leatherstone Wall Highlighters

Leather Stone, natural stone tiles are clad with exquisitely finished imported leather through a patented process for a plush feel.

Size: Range from 3”x3” to 48”x96”.

Some collections are also made in 20+ mosaic formats like Hex, Chevron, etc. on a 12”x12” sheet. www.surfacesreporter.com/brand/2201/tempesta

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SR Showcase/Panel & Surfaces

Weathered Patinas in Quartz in latest Caesarstone Metropolitan Collection Brand: Hafele Available Colour: Excava, Airy Concrete, Topus Concrete, Rugged Concrete, Cloudburst Concrete and Primordia The collection exemplifies the touches of manufacturing such as oxidized steel, poured plaster and raw concrete. The colours are inspired by factories and lofts that translate into residential and commercial interiors. Nonporous, scratch resistant and highly resistant to stains, all Caesarstone Surfaces by Häfele retain their beauty without sealants or waxes and are practically maintenance-free according to the brand. www.surfacesreporter.com/brand/2039/hafele

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SR Showcase/Bath & Sanitaryware

Pureclean Bidet seat by Kohler Pureclean Bidet seat can be fixed onto your existing toilet with a fully adjustable bidet spray for front and rear wash and for water pressure. This cleansing seat requires no electricity or batteries and installs in minutes.

Kohler Toilet seat is infused with nano-silver ions (AG+) that keep it 99.9% free from bacteria, including highly resistant strains like E.coli. The self-cleaning nozzle automatically cleans itself after every use. www.surfacesreporter.com/brand/2189/kohler

Clean better with VitrA Hygiene VitrA Hygiene is a technology which offers benefits in terms of health.

It has ion technology that prevents harmful bacteria. VitrA Hygiene is a special glaze that prevents the growth of harmful bacteria in the bathroom by 99.9%. The VitrA Hygiene glaze coats all external and internal surfaces prior to firing in a process that ensures VitrA Hygiene protection for VitrAceramicware throughout its lifetime. VitrA has also been accredited by Independent labs from Turkey & Germany that has shown 99.99 % bacteria free product by using in-house glaze technology - VitrA Hygiene. www.surfacesreporter.com/brand/2208/vitra

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SR Showcase/Bath & Sanitaryware

Pulsify by Hansgrohe with PowderRain USP- Equipped with the microfine PowderRain spray mode, a gentle rain is created under the hansgrohe Pulsify showerheads. Further, with the EcoSmart Variation, the flow of water can be reduced according to your wishes and individual shower experience. With the single-spray handheld shower in the “green version,” the hansgrohe shower even has a maximum consumption of only six liters per minute. Pulsify overhead shower comes with an adjustable inclination angle, so that you can thoroughly relax after a stressful day’s work.

Size: Pulsify showerheads are available in two sizes - 260 mm and 105 mm diameter while as the hand held showers come with a diameter of 105 mm Hansgrohe Pulsify also offers numerous advantages when being cleaned. Both the showerhead and hand-held shower are equipped with the well-known hansgrohe QuickClean function. Just briefly and regularly run your fingers over the spray surface after showering to remove annoying lime and calcium deposits. The overhead shower can also be removed completely for general cleaning. This means strainer can be taken out and rinsed.

The 260-millimeter overhead shower even has a draining function, which reduces the necessary yet annoying dripping after showering. This way, the shower itself dries faster and the showerhead stays hygienically clean. www.surfacesreporter.com/brand/2144/hansgrohe

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SR Showcase/ Lighting

WATER LAMP

A moving body of water Product: BE Water Lamp | Brand: WAW Collection | Design: Fernando Correa Awards: German Design Award 2021 | Product Design: Lighting category, and the Red Dot Award

USP: BE WATER Lamp reproduces a hypnotic effect in perpetual flow, emulating sunlight which, reflecting on the moving surface of the water, projects optical games and dances of light on walls, keels of ships or under bridges.

The lamp consists of a motor block unit, from one to five anodized aluminium base modules with the light source, and its correspondent borosilicate glass cylinders with an irregular surface. To create the desired effect, it is necessary to insert the lamp inside a luminous groove grazing up the wall or behind a piece of furniture, leaving only the moving light visible.

Available with three other filters, i.e., WATER, FIRE, AIR, and EARTH that can be applied directly to the light source, allow you to transform the original effect of BE WATER Lamp and obtain an atmosphere with everchanging emotional characteristics. www.surfacesreporter.com/brand/2212/be-water-lamp

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SR Showcase/ Lighting

Sans Souci’s latest lighting installation at Burj Al

Material: 210 crystal Tubes weighing around 450 kilograms The installation seamlessly integrates heritage craftsmanship with the latest nanotechnologies. Using cutting-edge techniques, each glass tube was coated in gold and engraved with a unique leaf motif taken from the luxury hotel’s wallpaper. Designed by KCA International for Jumeirah Group, the newly renovated exit lobby features the magnificent spiral chandelier as the bespoke centrepiece for the interior. The installation’s design plays with light to create a glowing piece of art in the heart of the new space.

Jiří Krišica - Head of Design at Sans Souci, added “The core design for this piece is taken from our Symphony collection and we then worked with the design team to create a truly unique chandelier that highlights the stunning interiors of the hotel. The final effect is an installation that plays with light and shade, creating a beautiful focus for the space.” www.ss-gd.com www.surfacesreporter.com/brand/2216/sanssouci

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SR Showcase/ Lighting

Rose Crystal Chandelier Brand: Manooi Structure: Polished stainless steel Trimmings: Full-cut crystal octagons Pinnings: Nickel plated rings Suspension: Galvanized bowden cable – 2,5 mm Light source: Max. 60W – G9 Cable: Transparent PVC+PVC – 250 cm Ceiling Rose: Polished chrome-plated steel Size (LxWxH): 160 x 60 x 21; 200 x 70 x 21; 240 x 90 x 26 (all in cm) www.manooi.com

www.surfacesreporter.com/brand/2213/manooi

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SR Showcase/ Lighting

lightING DESIGN AN ART WITH onyx www.surfacesreporter.com/brand/2214/kreoo

Brand- Kreoo Onyx, is the foundation of this collection, which includes floor and table lights available in four combination, i.e, Magika, Miro-Meta and Litia; Onyx is the base that holds the LED light source, that dematerializes the veins and creates an union with glass, hand-blown according to the ancient artisan tradition of the Venetian lagoon. The Murano glass has curved shape and is designed, in the two proposals Magika and Litia, slightly oval and perforated on the top, so the light can easily flow in it. In Miro and Meta, on the contrary, it becomes a willowy transparent cylinder, with fluid profiles, a contemporary interpretation of the ancient lanterns.

Finishes: Transparent, fumè or other refined finishes www.kreoo.com

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PHOTO STORY - SURFACES REPORTER

The Talk of Town, KOLKATA Architecture Event WITH AMULYA MICA Hotel Hyatt REGENCY, Kolkata

Mr. Ajit Kumar Jain, President - ABID, Ar Vivek Rathod, Ms. Vertica Dvivedi, and Ms. Shailja Agarwal, with other dignitagies during the lamp lighting ceremony.

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Surfaces Reporter

L-R: Ar. Bipratip Dhar, Ar. Monica Khosla Bhargava, Ar. Anjan Gupta, Ms. Shailja Agarwal, Ms. Vertica Dvivedi, Ar. J P Agarwal, Ar. Sunil Kumar Maniramka, Ar. Kalyan Chakraborty, Ar. Aditya Goswami

L-R: Pooja Bihani, Rupande Shah, Anirban Bhaduri, Amber Chandgothia, Ayan Sen, P. K. Palit,

THE TALK OF TOWN, KOLKATA by Surfaces Reporter (SR) and Amulya Mica, held on the 13th of November at Hyatt Regency, Kolkata was a resounding success.

The event saw participation from the leaders in the Architecture and Designers fraternity in Kolkata discussing two very important topics on ‘Architecture & Culture - Kolkata’ and ‘Design Shifts Post Pandemic’, panels were moderated by Vertica Dvivedi, Editor-in-Chief, SR, and Ar. Anirban Bhaduri, Innate.

The event was hosted by Madhurima Chowdhury, Executive Editor, SR. It also included presentations

by Amulya Mica along with a lot of networking, music amidst design talks.

More at www.thetalkoftown.in & www.surfacesreporter.com

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SR Talk of Town

Ar. Anjan Gupta

Ar. J P Agarwal

Ajit Jain, Studio WB, Guest of Honour

Komal Gupta, Madhurima Chowdhury, Vertica Dvivedi with Amulya Mica team

Delegates and guests at the event

Ms. Rupande Shah

Ar. Anirban Bhaduri

Ar. Ayan Sen

Ar. Amber Chandgothia

Ar. Sunil Maniramka

Ms. Shailja Agarwal

Ar. Pooja Bihani

Ar. Aditya Goswami

Ms. Madhurima Chowdhury

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Surfaces Reporter

Ar. Bipratip Dhar

Ar. Kalyan Chakraborty

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K O L K ATA Panel Discussions

TOPIC 1: ARCHITECTURE & CULTURE TOPIC 2: DESIGN SHIFTS POST PANDEMIC - EAST REGION

13TH NOV, 2021 | SATURDAY | 6PM | HYATT REGENCY, KOLKATA Meet the Speakers

JP AGRAWAL Agrawal & Agrawal Architects

AMBER CHANDGOTHIA

Principal, Amber Creations

ADITYA GOSWAMI

Founding Partner, Architectonic Services

ANJAN GUPTA Design Principal, Anjan Gupta Architects

KALYAN CHAKRABORTY Partner, Polaris

P. K. PALIT Head-Projects, Amulya Mica

MONICA KHOSLA BHARGAVA

RUPANDE SHAH SUNIL MANIRAMKA

Principal, Kham Consultants

Principal, Rupande Shah & Associates

BIPRATIP DHAR

POOJA BIHANI

Principal, Epsilon Architecture & Interiors

SHAILJA AGARWAL

Director Marketing Amulya Mica

Founder, Spaces & Design

Principal, Maniramka & Associates

AYAN SEN

Principal, Ayan Sen Architects Urban Designers & Planners

(MODERATOR)

(MODERATOR)

ANIRBAN BHADURI

VERTICA DVIVEDI

Architect and Founding Partner, INNATE

Editor-in-Chief, SURFACES REPORTER

Contact for Queries : Madhu +91 9867333972 | W: www.thetalkoftown.in | E: hello@thetalkoftown.in

SURFACES REPORTER Tiles TRENDS

TEN TANTALIZING

Tile Trends 2021-22 With inputs from Cersai 2021

Tile is said to be one of the most versatile materials in the decorative surface segment. With innovations happening at light and fast speed, tiles are venturing into unchartered territories and depicting designs, shapes, styles and applications that are earlier unheard of. A designer’s favourite materials, Tiles are being experimented upon every time to create a unique décor statement while being sustainable.

Keeping up with the tradition, SURFACES REPORTER (SR) presents to you Ten Tentalizing Tiles Trends with inputs from Cersai 2021-22, the biggest tile event of the year.

Intermatex Corten Stone

Neolith Himalaya Crystal

Earthen Tones and Matt finishes No longer meant only for exterior spaces, Earthen tones continue to rise and shine with the influences of raw nature and subtlety of pure organic undertones that speak to comfort and home. The clean lines and smooth surface of matt finish reinforce the value of simplicity. These honed looks provide a simple backdrop forthe subtle and natural variation of raw materials allowing them to shine.

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SR Tiles Trend

Exagres Milan Marengo

Rise of blue and Green

Studio Ceramico Tribeca

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While previous chromatic palettes were all about infusing color, this year we anticipate a shift towards more toned-down designs.There will be a strong rise in neutral blues and greens encompassing entire collections to stimulate tranquil and calm settings.

This scheme will be accompanied by accent pieces in super saturated deep blues and emerald greens to add a dose of color.

Surfaces Reporter

Etile materia mink

SUBTLE TEXTURE With the preference for more demure designs, shading becomes vitally important.

The simplest and most effective way to manipulate shade is through texture.

Collections featuring hypnotic surfaces will offer spaces a unique sensory experience full of depth and interest.

Undefasa Geo Perla

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SR Tiles Trend

PORCELANICOS HDC Thuy

Nature takes the centerstage Organic graphics full of simple wood grains mixed with light and dark nuances become tension anchors for designs, in contrast to the aggressive & imposing stone looks of the past. In this trend, we enter into our second range of layered neutrals that spin from deep red and rusty terracotta through the mid-spectrum browns of woods and oxides through to the peachy, honeyed tones of raw lumber or fired earth.

GAYAFORES Lama Haya

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Surfaces Reporter

APARICI Vienna

CERACASA Couture

DYNAMIC DESIGN As technology grows and progresses, we see a rebirth of ceramic art. Painting styles, graphic design and other artforms find fertile soil in decorative ceramic elements. Designed to be flexible in their use and equally suited to be used as accents or entire fields.

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SR Tiles Trend CEVICA trivial

Geometric Sequence Tessellating geometrics with a rise in hexagons, triangles and chevrons abound. The diversity of geometric tiles and the versatility they deliver elevate designs and create a more interesting look. Ceramic collections featuring ornate motifs can be combined with more simplistic designs to infuse drama in residential and commercial spaces. Solid colors finished in both glossy and matte coatings play incredibly well together creating a dynamic yet subtle layer of interest.

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Surfaces Reporter BALDOCER ATLANTIDA

Marble Mania As the efficacy of replicating realistic stones becomes more simplified, we start ranging further afield to create fantastic examples of natural rock. From intricate veining patterns to warm golds and cool silvers, the look of marble can easily be depicted in tiles. Largeformat slabs featuring smoky marbled streaks combined with the soft shimmers of iridescent details will remain the protagonist to conceive glamorous interiors.

ECO CERAMIC Marshall

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SR Tiles Trend GRES ARAGON BIOKLINER SERIES

KERABEN GROUP LIFEKER MICROBAN

HYGIENIC SOLUTIONS & FLEX-USE SURFACES Since the advent of COVID-19, we are more focused than ever on analyzing the spaces we spend most of our time in. Now more than ever we must ask, how do we maintain these spaces to keep them safe and sanitized? Manufacturers from around the world offer ceramic solutions infused with antibacterial properties to adorn countertops, floors walls and more, and quickly halt the spread of germs and lend to quick and chemical-free cleaning to promote more sustainable environments.

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Surfaces Reporter

LAND PORCELANICO Canyon

Digital Augmentation Mid-piece effects and transitions in structure and finish add tiers of detail to build an organic composition. Layered glazes and inks bring depth of tone and finish. Digitally deposited adhesives fix particles of frit to recreate the worn classic glaze.

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SR Tiles Trend

UNDEFASA BALI STONE

Small Scale in the Great Outdoors To celebrate the macro scale capabilities of modern production, we see a return to classic sizes like the 8x8”, that call upon iconic motifs and glazing styles of Modernist times and retro design. The rise of smaller formats, especially for exteriors helps satisfy safety as well as aesthetics.

VITACER Hayden Stone

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Surfaces Reporter | Spaces & Material Poetries

Ar Naveen S, Ar Levin P Joy Ar Jayakrishnan R J Finder Studio

T r i v a n d r u m , K e r ala

Finder Studio is an emerging architectural practice based in Kerala which started in 2017, working on comprehensive architectural and interior design projects.

The firm believes architecture is all about spreading happiness, where spaces are created by drawing inspiration from the traditional spatial language while engaging with the needs of the present.

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SR Spaces & Material Poetries

A Nostalgic Walk

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Surfaces Reporter

Project Details Project Name: Kecherile Veedu Architecture Firm: Finder Studio Firm Location: Trivandrum, Kerala, India Completion Year: 2020 Gross Built Area: 1520 sq.ft.

Project Location: Kecheri, Thrissur Program: Residential Lead Architects: Jayakrishnan RJ, Levin P joy, Naveen S Design Team: Albin Joseph, Meenakshi Ajith Photo Credits: Prasanth Mohan

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raditional Kerala homes are rich in memories; of the long-forgotten smell of the first rain, the sound of raindrops falling in the courtyard, people sitting and conversing around it, the feeling of the warmth of mud walls and wood, the coziness of spaces; one may find him or herself drifting into their nostalgic memories of yesteryears every once in a while. ‘KecherileVeedu’ is an attempt at recalling these memories.

Despite being tightly packed in an odd-shaped 11 cent plot, the two triangular sky courts make the spaces airy and well lit.

Two Layers of Roofing

Airy and Well Lit As a home for an elderly couple enjoying their retirement, all the spaces are limited to a single floor, easing their movement within the house. Despite being tightly packed in an odd-shaped 11 cent plot, the two triangular sky courts make the spaces airy and well lit. These courts are flanked by a long wall facing west, having bricks arranged in a certain pattern forming a series of perforations and projections to catch the wind and block the harsh west sun.

A typical single storey structure attracts more heat gain than its multistorey counterparts. To address this issue, we used two layers of roofing: a flat slab spanning the interior spaces and a truss roof stretching over the entire structure, thus creating an interspace in between which absorbs most of the heat.

The reminiscent of a distant past; the material palette for the Kecheri house is essentially earth tones:- brick, stained concrete, cement plaster, and wood.

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SR Spaces & Material Poetries

Surfaces Reporter | Spaces & Material Poetries

Anand Sharma Design Forum International (DFI)

Delhi Three young architects- Anand Sharma, Anoj Tevatia and Goonmeet S Chauhan- from IIT Kharagpur in 1995 christened an architecture practice which specialized and excelled in developing individual family homes. Initially called Tevatia Chauhan & Sharma Architects, the practice rechristened as Design Forum International (DFI) in 2003 with a clear intention of fostering an egalitarian organizational ethos where distinctive architectural talent finds self-expression and can contribute in a democratic and collaborative work environment.The practice has since grown from strength to strength and is currently marching ahead with a vibrant team of over 100 professionals, each pursuing a distinctive value based architectural spirit. They execute each piece of work undertaken with a deep sense of optimism, excellence, and integrity keeping in mind that each project is a legacy for our future generations.

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Surfaces Reporter

A School resonating the patriotic past of India

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roposed to be located in the historical and cultural node of Uttar Pradesh- Gorakhpur, the Sainik School is an administrative facility that will provide military training to the students who aspire to join the Indian Armed Forces. The students here will be offered admissions in 6th and 9th grade and will undergo formal training along with regular studies. The school is proposed on 50 acres of luscious green land with a major thoroughfare passing through its middle. This public roadway divided the entire site into two land parcels that organically offer two varied pockets of 14 acres and 36 acres, respectively, for the two specific requirements of Academics and Residential zones.

Representing The Valour of the Indian Soldiers Emblematic of the valour of the Indian Freedom fighters, the built volumes are named after the brave revolutionaries of India. In the academic zone, the Sanik school accommodates the Maharana Pratap Academic Block, Chhatrapati Shivaji Auditorium, Maharaja Ranjit Singh Multipurpose

Hall; and in the residential zone, it houses Bhagat Singh Chhatravas, Rajguru Chhatravas, Sukhdev Chhatravas and the Lala Lajpat Rai Bhojan Kaksh. The Indian armed forces carry a massive disciplinary order, which has inspired clear, robust access and systematic linearity to how public buildings are laid out in this project. To make a stark approach, the longest available length has been utilised to create a visual axis, and all the building elements are aligned in reference to it. With the lateral access being the public road and the longitudinal access being the visual axis, a ceremonial plaza is created at the juncture where these two accesses meet.

Taking inspiration from the disciplinary system suggested by the end-users, order and symmetry became the dominant feature of the design. The primary built volumes at the academic zone, namely- the Academic Block, Auditorium, Multipurpose Hall and at the residential area- Dining Hall, Girls Hostel, Boys Hostel, follow a replicating fashion in their orientation on both sides of the central plaza. The Sports facilities make a prominent part of an army school; therefore,

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SR Spaces & Material Poetries

The services at Sainik School have been devised with the objectives of energy efficiency, green building, eco-friendly design, and centralised location of services installation to ensure easy maintenance, state of the art technology, fast track installation and compliance to all statutory regulations. Hydro-pneumatic systems with automatic electronic level controllers channelized the water. The induced HVAC system design has been equipped with energy conservation features to reduce the overall energy demand of the building and to minimize operating costs.

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Surfaces Reporter the induced sports arena lies in close proximity to the Academic Block. It is planned in such a manner that it remains secluded from public view to offer privacy and negate the hustle and bustle of the thoroughfare. The staff quarters are located near the hostel blocks as the students are young middle school kids who would require a guiding influence throughout their training and stay at the Sainik School.

Colonial Architecture With An Essence of Heritage All the built volumes have been devised as modern buildings created with a design vocabulary of Colonial Architecture and a flavour of heritage. The structural system adopted in the Sainik School is the conventional beam-slab system. The main considerations for the structural design of this building project are constructability, stability, durability, economy and availability of materials. Ease of maintenance and meeting the desired aesthetics conceived while designing the built-forms has also been an essential factor. In addition, all the structural elements and the designed forms follow the specifically applicable building codes and standards.

Comply With Sustainable Design Principles Project Details Project: Sainik School, Gorakhpur Project Status: Proposed Architecture Firm: DFI Location: Gorakhpur, U.P. Project Typology: Institution Site Area: 50.48 acres (204296 sq.m.)

Principal Architect: Anand Sharma Design Team: Chanchal Jain Site Area (sq ft & sq m): 56 Acres Built-Up Area (sq ft & sq m): 4.28 Lacs Sqft

The services at Sainik School have been devised with the objectives of energy efficiency, green building, eco-friendly design, and centralised location of services installation to ensure easy maintenance, state of the art technology, fast track installation and compliance to all statutory regulations. Efficient sanitary and stormwater drainage system, adept energy-saving equipment and a well-networked water supply line with provisions for static storage tanks have been incorporated into the design. Hydro-pneumatic systems with automatic electronic level controllers channelized the water.

The induced HVAC system design has been equipped with energy conservation features to reduce the overall energy demand of the building and to minimize operating costs.

Lighting in the outdoor areas like roads, pathways, landscape lights and building façade illumination is devised to be powered through solar energy. The timer-based lighting control adapted here is economical and reduces energy consumption. Features like rainwater harvesting, fire- fighting and smoke extraction systems further suggest a well-thought approach to the serviceability of the design.

There are segregated circulation paths for vehicular and pedestrian access. A conscious approach to opt for renewable energy sources has been taken by offering provisions for solar energy that power LED street lights and water heaters. Smart infrastructures like Wi-Fi enables green parks, toilets, kiosks, billboards, and smart waste management systems have been incorporated into the planning.

Facilities for jogging, walking, sports, yoga & meditation have been provided to promote a healthy lifestyle. An added attention to reducing noise & air pollution has been given by adding numerous tree plantations. Cycling zones with smart mobility features further help in reducing pollution levels.

The proposed design intent for the Sainik School also plans to retain the maximum number of trees existing within the site, and the phases of construction have been planned while being mindful of the density of existing greenery. Multifunctional lights powered by solar panels house the digitally equipped CCTV cameras & signages and have attached smart bins at their feet. Many similar urban adjuncts have been sprinkled throughout the site’s public spaces and open parks, directing towards DFI’s holistic design ideology.

Design Forum International has envisioned the architectural vocabulary of the Sainik School, Gorakhpur to be such that it narrates the tales of patriotism history has blessed us with. Through this institute, the firm has attempted to curate a holistic built environment that inspires the students to embark on their journey towards nationalism by joining the Indian Armed forces amidst serene and sustainable built forms nestled in the lap of nature. october-November 2021 | www.SURFACESREPORTER.com | 83

Surfaces Reporter | Spaces & Material Poetries

Anudeep Bhandari

Anudeep Bhandari & Associates

Chandigarh Anudeep Bhandari serves as the lead designer and principal-incharge of Anudeep Bhandari & Associates. He received a Master of Architecture degree Illinois Institute of Technology, Chicago, USA in 2003 after completing a Bachelor of Architecture from the Chandigarh College of Architecture, Chandigarh, India. He established this practice in 2006, and was a visiting faculty teaching Design and Construction Studios at the Chandigarh College of Architecture and Chitkara School of Planning and Architecture.

The office in Chandigarh is comprised of dedicated design professionals committed to producing architecture of the highest quality, marked by conceptual innovation, investigation of materiality, and a strong attention to detail. Every project is approached as a unique challenge, and the work ranges in scale from the small (furniture and product design, galleries) to the very large and complex (large mixed-use institutional facilities).

The firm provides a variety of architectural and design services (Planning, Interior design, urbanism and cultural analysis) on projects throughout India.

Where Outdoor Meets indoor

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ocated in a small town Shahbad in North Indian state of Haryana, this modern residence on a plot measuring 25m x 23m has 2 floors. On the ground floor there is an entrance foyer along with a formal living room, a family lounge and master bedroom area which has a bedroom, a dress and a bathroom. Another small guest bedroom and a kitchen with an outside sitting deck.

First floor has two bedrooms and a home theatre room with balconies for both rooms. A servant room is on the second floor which has a separate access from the ground level.

Outdoor merges with indoor The site being a square plot has enough space to have good outdoor landscapes all around the house which germinated the idea of distributing the site into public zone on the right and a private zone on the left. These two zones are connected with an entrance foyer which takes you through a green bamboo jungle towards the family lounge and a dining area. The experience of outdoor is amplified with big glass windows on both front and rear of the family area which would become the main activity zone for the house.

The house is facing the south side which on one hand brings a lot of heat in summers but also keeps the house warm in winters. Courtyard concept here is extremely important to

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A major element that becomes a striking feature is the front blank facade which is cantilevered on one side.

These tectonics are revealed inside the house in form of round columns in Master Bedroom and Master bathroom.

Surfaces Reporter

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SR Spaces & Material Poetries

provide light, ventilation and continuity of environment to maximize the benefit of site. Temperature management through critical placement of rooms on both floors is the basis of the design. The plan has 2 courtyards that would have been ideally placed somewhere in the centre of the house. These courtyards are moved towards the front and rear edges of the house leaving one edge of the courtyard open, allowing the necessary sun, light and ventilation but curtail the daily effort to maintain the courtyard through the climatic and environmental extremes. This helps protects the interiors from unforeseen harsh temporary weather conditions.

Features Exposed brick facade reinstates the main tectonics of construction in north India, an area interspersed with local brick kilns all around and that its usage is still prevalent in almost all the houses that are built in the region. Another major element that becomes a striking feature is the front blank facade which is cantilevered on one side. These tectonics are revealed inside the house in form of round columns in Master Bedroom and Master bathroom.

Climate and light play a very important part here. Large windows, open light -courtyards, fenestration in form of louvers, play of sun through the building are some features special to this house. Every room has openable windows that can provide ventilation as per requirement. From infusion of fresh air by partly opening the window to concept of cross ventilation for better internal air movement in various climates - all options are available. Conditioned air is available but not mandatory as per residents desire as an alternate. The blank facade facing south west is devoid of openings and light and ventilation on first floor is accessed from the sides and rear instead.

Facade First look of brick facade sets up the tone while use zinc sheet cladding as a hybrid material imported from a foreign country ensures that globalisation is seen with equity.

The site being a square plot has enough space to have good outdoor landscapes all around the house which germinated the idea of distributing the site into public zone on the right and a private zone on the left. These two zones are connected with an entrance foyer which takes you through a green bamboo jungle towards the family lounge and a dining area.

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Surfaces Reporter

Project Details: Architects: Anudeep Bhandari & Associates Client Name: Mr. Surinder Sidhu Site Area: 575 sqyd Total Built up area: 418 sqm Structural Consultant: Chopra Consulting Engineers. Mr. Pankaj Chopra Photo Credits: Purnesh Dev

Exposed brick facade reinstates the main tectonics of construction in North India, an area interspersed with local brick kilns all around and that its usage is still prevalent in almost all the houses that are built in the region. Another major element that becomes a striking feature is the front blank facade which is cantilevered on one side.

The facade exuberates the contrasting nature of material in both style of construction and texture. The interiors have a rich contrast in floor material as there is a change in the functional space.

The overall form is going from modern towards post modern with straight lines, cantilevers and linear blocks and yet remains rooted due to traditional planning. Also details like the vertical bricks used at junctions of the structure are replaced with a black groove.

Plantation add to the overall ambience but is restricted to local plants with species like variety of bamboo, moulsari, lagerstroemia speciosa, Indian tamarix (inspired by Mughal Gardens), etc are preferred so that they can withstand the local climate for a better period.

Material Credits 1. Zinc Cladding - VM Zinc 2. Bricks - Pioneer Bricks, Derabassi, Punjab 3. Merinolam - Laminates 4. Tisva Lights 5. Aura Kitchens 6. Jotun Paints 7. Jaypore Wall Hangings 8. Fujitsu General Air Conditioners 9. Orient Fans 10. Hunter Douglas Blinds 11. D Decor Blinds and Curtains 12. Dorma Hardware 13. Tonin Casa Furniture 14. LIG Furniture 15. Carre Furniture 16. Chateau Dax Furniture 17. Twils Furniture 18. Anantaya Wall Mirrors 19. Nexion Tiles 20. Bisazza Mosaic Tiles 21. Grohe Bath Fittings 22. Vitra Sanitaryware

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SR Spotlight

Indulging in wardrobing possibilities Taking the wardrobing game higher

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hat we don’t always have is enough storage space!

No wonder the wardrobe plays a crucial role in our bedroom as it solves all our storage woes! A wardrobe is not only a storage option but it also defines the look of our bedroom. Hence, it becomes essential to choose this furniture piece carefully. SURFACES REPORTER (SR) had a conversation with Mr. Kuruvilla Kurian, the Director of ARISTO India - a leading manufacturer & supplier of wardrobe shutters, furniture & aluminum profiles who had recently launched their new range of Openable Series or O’Series through SR LAUNCHPAD. He told us about the new wardrobe series, importance of technology in wardrobe designs, things one should consider before buying a wardrobe, their plans for India, and much more.

Before jumping in, we would like you to know that Aristo India has a global presence spanning 14 countries, with 800

employees, and 1000 stores worldwide. It has production and warehousing facilities with over 1 Lakh Sq ft across the 5 major hubs (Bengaluru, Mumbai, New Delhi, Kochi & Ahmedabad) apart from a direct presence in other key cities such as Hyderabad, Chennai, Kolkata & Pune.

Aristo is known for Sliding wardrobes.

Aristo sliding wardrobes are today synonymous with the Floor-to-Ceiling (F2C®) product category. Aristo created the F2C product category and the market accepted Aristo as the new standard for premium sliding wardrobes.

What sets us apart is the brand promise of Love at First Slide® - a combination of the quality of our sliding and a huge catalogue of design possibilities we provide to our architects and designers.

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Surfaces Reporter

What are the other product lines from Aristo?

Aristo’s core competencies are in the manufacture of interior products with cabinetry, aluminum and glass. We manufacture interior products of European standards including sliding wardrobes, openable wardrobes, kitchens, cabinetry furniture and room partitions.

What is O’Series? And why non-sliding wardrobes too?

The Aristo O’Series, our range of openable (hinged) wardrobes, is the product of our 35-year legacy of manufacturing interiors. The O’Series gives our customers an unparalleled range of designs and finishes in openable wardrobes that define the feeling of space, functionality and luxury.

The Aristo combination of sliding and openable wardrobes gives us an opportunity to provide our customers with unlimited options in design and functionality.

Do people see the importance of designing a wardrobe?

Wardrobes are the largest object in any bedroom and now that new homeowners see the range, possibilities and how to make their wardrobes an integral part of their home design, there is a lot of importance given to it.

Customers need to spend adequate time planning their wardrobes so that they get the best out of their storage space. An ideal approach is to make an inventory of your clothes and other possessions and plan out your needs keeping in mind your growing needs over time.

Your lifestyle should also be reflected in your planning so that you get the best look in terms of design and style. Whether it is classical, contemporary, or rustic modern.

Mr. Kuruvilla Kurian Director, ARISTO India

Aristo can meet the design and functionality demands of even the most discerning of clients. Try us.

Functionality vs design With Aristo, functionality vs design is not a sum-zero game. You get all the functionality you need with zero compromises to design.

What’s the right wardrobe?

Simply put, the right wardrobe is one that fulfills your storage needs and looks great while perfectly reflecting your sense of style.

How is India receiving new age wardrobe technology?

Indians are very practical about the way they embrace technology for their wardrobes and interior products. The emphasis is on functionality, smooth installation and maintainability, and cost.

At the same time, they don’t compromise on technology that truly adds to make their hectic lives easier, like sensor-based lights and Aristo sliding doors.

What are your plans for India?

We are very bullish on our Indian story and we know that our European standard products that have been engineered for Indian

sensibilities, have a huge market waiting to be served.

Today, Aristo is spread across the country with showrooms in more than 20 cities and 6 factories serving all major metro markets, and another 6 distributor factories serving mini-metros. In the near future, we expect to cover 40 cities allowing customers to access our products all over India.

This will be backed up with greater local coverage for product manufacture, installation, and service.

Aristo India has launched its O’series virtually on SURFACES REPORTER magazine’s Facebook platform.

The grand event witnessed the presence of some of India’s Top Designers and Influencers such as Sumessh Menon, Sumessh Menon Associates, Nisha Jamvwal, Nisha Jamvwal Design, Behzad Kharas, BNK Group who shared their expertise and opinion in a panel discussion moderated by Vertica Dvivedi, Editor-in-Chief, SURFACES REPORTER along with Mr. Kuruvilla Kurian, Director, ARISTO India on the Topic: “EVOLVING RESIDENTIAL INTERIORS: FOCUS ON BEDROOM DESIGNS.” The event also saw the LIVE Virtual Walkthrough of the ARISTO India Experience centre in Bengaluru.

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ApplicationSurfaces Reporter’s | Way out

Metals in Facade: ACP- The New Age Material in the Construction Industry

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Mr. Rahul Garg, Director, Alex Panels Group

o matter how nicely the interior of a building is designed, the facade remains the first major impression of the standard and style of any building.

Not only should it define the architectural aesthetics of a building, but it should also be resilient, protective, and easy to maintain. When it comes to choosing the best exterior elevation material for any commercial or residential buildings, one cannot deny the importance of aluminium composite panels (ACP) also commonly known as ACP. Its popularity in the building sector has witnessed tremendous growth in the past few years and is still expanding under the cover of low price, flexibility, durability, lighter weight, energy efficiency and construction possibilities. It is a wonderful material for building ventilated facades or for their refurbishment. SURFACES REPORTER (SR) is thankful to Mr. Rahul Garg, Director, Alex Panels Group for sharing his insights on this new age material, how it is developed, its main attributes, finishes, applications and transformations.

What is an Aluminium Composite Panel and How is it Obtained?

Being the third most common element found in Earth’s crust, Aluminum, in its natural form, is covered with several silicates. It can be obtained from a number of minerals available in the world but the most common mineral is bauxite- a sedimentary rock with a high aluminium content. The aluminium is then later being pressed and rolled into panel form under high pressure.

Aluminium Composite Panel comprises two fairly thin layers of aluminium sheets that are joined together with a thermoplastic core made of polyethylene which binds them together. The structural composition of the aluminium composite panel makes it ideal for exterior cladding systems.

Main Characteristics of ACP Cladding Since the aluminum composite panels have covered a long journey in the building industry, their characteristics have been improved

a lot, thanks to various technological advancements. Owing to its great flexibility, we can find it in both major as well minor works and interiors. Here are the main characteristics of an ACP: v Can bend, fold and turn easily v Lightweight and highly durable v High dimensional stability v One of the most cost-effective materials available in the market v Available in a multitude of colours and finishes like mirror, sand, stone and wood v Can withstand extreme weather conditions such as storms, sun, rain, and so forth. v Corrosion-resistant v Eco-friendly as it lead-free v UV ray resistant

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-Ache capacity under a 70/30 proportion of resin. It is extremely durable, corrosion-resistant and protects against ultraviolet rays. It protects the surface where it is applied from colour fading and stains.

Solid, Metallic and Special finishes Earlier, aluminium composite panels had limited colour and finish options. But now they come in a myriad of different finishes.

Moreover, they can be adapted to any colour and can be added with various texture effects, matt or high-gloss surfaces, special lighting effects and imitating wood or concrete.

Solid and metallic finishes are homogeneous and very popular for large facades and big construction projects. These finishes provide a sense of solidity to the facade and can easily be merged with other finishes.

ACP Sheet Applications Applications of ACP are not only limited to exterior building cladding but can also be used in internal architectural cladding or false ceilings, signage, partitions, machine coverings, container construction, etc.

Exterior usage of ACP sheets: Canopy, facade, soffit, overhang,

v Completely recyclable v No crack risks v Highest gloss retention v Easy to perforate and customize v Quick and easy to assemble v Requires Less Maintenance v Termite, Borer and Fungi resistant v Provide insulation to buildings v Fire resistant

Interior usage of ACP sheets: false ceiling, wall coverings, modular kitchens, tabletops, cupboards, wardrobes, column covers, furniture, skylights, etc. mainly used for external and internal architectural cladding or partitions, false ceilings, signage, machine coverings, container construction, etc. Applications of ACP are not limited to external building cladding, but can also be used in any form of cladding such as partitions, false ceilings, etc.

Usage of ACP sheets in Corporate Identity Design: Kiosks, signage, totems, free-standing displays, POPs, fascia, etc.

Most Common Finishing Paints For Aluminium Composite Panel ACP sheets give liberty to architects and engineers to show their creativity as they can be easily customised into various shapes, colours and finishes. These are the most common finishing paints: HDPE (High-Density Polyethylene)-It is perfect weather and UVresistant coated material. It also allows super gloss and some unique finishes such as textured surfaces. FEVE (fluoroethylene vinyl ether)- It is structurally similar to PVDF, but has less flexibility and more hardness. It provides a high range of gloss.

PVDF (Fluorinated polyvinyl)- the most common and popular finish for architectural applications. It has a higher folding

Technologically Advanced Aluminum Composite Panels ACP sheets of today are a great departure from what they used to be in the past. These days engineers are creating technologically advanced aluminium sheets that help create futuristic facades.

For instance, some developers are using PVDV coating with revolutionary AFT Technology to design fire-resistant and weather-resistant Aluminium Composite Panels.

Aluminium composite panel is genuinely a material that not only gives an elegant and modish touch to any space but is economical, super-flexible, sturdy, easily recyclable and eco-friendly too. And it can be perceptibly concluded that functionality is now at the fore of building design along with character representation.

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#SRRisingStars

SURFACES REPORTER’S

RISIng Stars

Ajay Abey & Tara E Pandala, Directors, Centre for Sustainable Built and Natural Environment (C.S.B.N.E.), kERALA

Tell us how you started and decided to collaborate.

Our learning and exposure in the field of architecture were in different domains. While Tara was accustomed to the practices of residential architecture, I had the opportunity in the commercial architecture and largescale master planning consultancy practices. So we both decided to put together our experiences and start afresh with a small entity where we could practice and perfect our learnings and establish a direction in which we can take forward our architectural philosophy. We are also associated with SCMS School of Architecture, Kochi, Kerala where we believe in enlightening young minds to sustainable practices.

Tara, what has been some of your greatest learning from your father?

Ajay Abey & Tara E Pandala Directors, C.S.B.N.E., Kerala

Centre For Sustainable Built and Natural Environment, C.S.B.N.E, as the name suggests, is a practice that caters around the Designers of biodiversity inclusive sustainable environment. With renowned Architect, Urban Designer and Heritage Conservator, Eugene Pandala as their Mentor Director, Ajay Abey and Tara E Pandala are working under his able guidance to design abodes that are green, using local materials and vernacular technologies. Ajay has Masters in Urban Design from National University of Singapore and has fifteen years of experience in Architecture, Master planning and Urban Design in India and Singapore. Tara Pandala is an Urban Design post graduate from CEPT Ahmedabad. Tara has been handling design concept development and Interior design wing of C.S.B.N.E. and also involved in academics. https://www.csbne.com

My father (Ar Eugene Pandala) has presented a parallel paradigm to the world wherein a bio-diversity inclusive approach in architectural design can deal with the present issues of sustainability. The response he demonstrated through his projects has thrown light to young practitioners like me to decide upon the values we ought to follow in the realm of architecture. Through our small attempts, I was trying to learn from him and the fact that he constantly updates his knowledge base is the greatest learning I had from my father.

For us, every building is an artwork where we collaborate with craftsmen and local artisans.

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SR Rising Star

Tell us about your process of material selection. What are some of the local materials, techniques and crafts you love to work with?

Natural materials and local techniques have always fascinated our methods of architecture. We believe buildings are like mushrooms that sprout from the natural context where they belong to. We prefer local material as we explore mud, stone, sand, bamboo and wood in various context appropriately.

The learning we aim is about the techniques through which we can explore these materials and the physics of the material application in various climate and context. We would like to encourage the local artisans and craftsman through our projects. We believe in creating a platform to enhance their capabilities and curate their work through our projects.

For us, every building is an artwork where we collaborate with craftsmen and local artisans.

Green ratings are universally accepted as the set norms for creating environmentfriendly architecture. Do you agree?

We do not believe in ratings. A universal standard guideline may be effective to create awareness and it helps the journey towards a sustainable future. However the rating system in its present form, is not affordable to common people and we believe that the sustainable ratings have to be affordable also. Through our projects, we try to highlight the possibility of affordable and sustainable techniques using vernacular principles and cost effective materials and indegenious techniques.

What are your thoughts around cost -effective sustainable architecture?

We do not believe in ratings. A universal standard guideline may be effective to create awareness and it helps the journey towards a

Natural Materials, Industrial byproducts, old and reusable materials, waste products. It’s not about what materials we should use; instead how we use it. How to make structures lighter and resource friendly? We Have demonstrated in our project on how to construct a single family house by saving more than 60% of materials than a conventional process.

sustainable future. However

Which are some of your milestone projects?

that the sustainable ratings

Every project irrespective of its scale, is a milestone. There are no specific milestone achievements in our small world of architecture. However “The House of Hope” and “The House of Progression” are the two projects where we have explored our application of sustainability principles. These projects also helped us to set a vocabulary for our practice.

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the rating system in its present form, is not affordable to common people and we believe should be affordable too.

Surfaces Reporter

What are your upcoming projects?

We believe in exploring every project to its fullest and within the capacity what we have. We have committed for projects in the diverse fields of hospitality, institutional etc, where we have the opportunity to do what we believe in. In residential category, we have projects ranging from affordable sustainable to premium sustainable where we can explore the principles irrespective of the scale of the project.

Do you feel, there is any gap in the Indian Architectural Education?

In Indian architectural realm, there is a scenario of arbitrary choices owing to the nature of social systems around us whereas in an international arena, there is always a need to rationalise every small decisions you would come across. This makes you more committed to the specification and details of execution as there is liability associated with every decision you make. This system makes every public or private project answerable to the context and the nature where it belongs to.

So our design pedagogy shall emphasize the need to rationalize the decisions philosophically and technically.

What defines and differentiates Ajay and Tara’s work.

We attempt to create built fabric that is true to the nature where it belongs to. The built spaces compliment the nature around it and there by enhance the liveability of the space.

We would like our projects to cater to all sections of society and meet the aspirations they have about the built space they live in. So we believe in a diverse and inclusive approach.

We would like our projects to cater to all sections of society and meet the aspirations they have about the built space they live in. So we believe in a diverse and inclusive approach.

Your Special message for SURFACES REPORTER. We are delighted and thankful to SURFACES REPORTER for the opportunity to spread our message. Media can do a lot in sending the message to general public and create awareness on climate change and the need for sustainable built practices. You could also play a pivotal role in encouraging budding architects, students and established practices to realise the need of the hour and setting up their philosophy to address the climate change scenario. If you are able to encourage people to save building resources through your inspirational writing, it can bring about immense resource saving and reduction in carbon foot print in the built environment across the geography.

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SR Rising Star

The house of Progression A tropical Abode

he art of space engages the mind as one explores through Madhavam, the bungalow located in scenic neighbourhood of Kumarapuram, on the outskirts of Trivandrum city.

Madhavam creates a canvas to engage “movement in space”.

Dance and Architecture joined together The house is designed for an artist couple. Dance and Architecture joins together in the process of creating spatial layout. Space creation primarily embodies a process of self exploration and creation. Since movement creates space, a realisation of how the spatial flow enhances the inner capacity of performer was the key to design the space. The design creates a built environment conducive to capture the inclination of couple in drama and dance. Space configuration enlists a journey from outside to inside through a series of thresholds of varying degrees of privacy. The relation between private and public spheres is one of the important aspects that define the social qualities of everyday life.

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SR Rising Star

The bungalow sits on a narrow site of 12 M frontage with a spatial segregation capturing varying degrees of privacy and creating rhythmic movement in space. The design emphasises on the spatial progression through form, volume, texture, colour, light and design elements. The project “A Premium Sustainable Built Environment’’ follows the principles of climate, culture and context.

Since the inmates are celebrities with large inclusion in the social sphere, the border of this interactionis a key element that can provide balance and well-being in the individual’s social and personal life. This boundary is well defined in this context tocreatebalance through thresholds of semi open spaces. The bungalow sits on a narrow site of 12 M frontage with a spatial segregation capturing varying degrees of privacy and creating rhythmic movement in space. The design emphasises on the spatial progression through form, volume, texture, colour, light and design elements. The project “A Premium Sustainable Built Environment’’ follows the principles of climate, culture and context.

Salient features of the project: 1. Weaving the inside and outside seamlessly to establish the connect with nature.

2. Emphasis on natural and less energy intensive building material.

3. Multilayer and light weight roofing system to assist natural convective cooling and enhance the spatial volume.

4. Rustic and down-to-earth interiors with high volumes to enhance the spatial experience.

5. Varying regional cultural influences of time and style is complimented with a very unique eclectic style of design.

6. Emphasis on landscape with native species of flora.

7. The built form mushrooms out of the landform as if it was pre-existing in the space and never alienates the natural or cultural history of the place.

8. Bio inclusive approach enables the spaces to respond to the functional needs through nature inclusive solutions.

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Surfaces Reporter

hOUSE OF hOPE

An ‘Affordable’ green housE House of hope The climate change and affordable housing are inseparably linked and also in close parity with the social, economic and ecological well-being of the nation. The current practices of ‘Green certified Housing’ is an unaffordable model for the masses.

A house full of hope This project illustrates a sustainable model that can be adopted across all regions viz, flood plains, hot arid and hot humid zones, cold zones and earthquake zones. This prototype is also a scalable model which can be followed for both low-income housing and bungalow type of premium housing.The highlight of the sustainable affordable prototype is that it consumes 67% less concrete, 75% less steel and no rubbles as compared to conventional house typology of similar scale.

A new methodology of construction is employed in this house which is Energy Efficient-Climatologically appropriate-culturally and contextually relevant-uses reused and economical and ecofriendly materials. The new typology attempts to change both outcomes and process involved in the conventional house building methods and holistically addresses the sustainability and affordability of single-family housing units. The innovative technological solutions introduced in the new typology are listed here.

1. Resource friendly Foundation systems and utilitarian stilt floor By implementing a new method of foundation system, the entire footprint of the building is raised on stilt columns, made accessible and put to use for cattle shed, poultry, fishpond, and dog kennel.

The cooler earth in the semi-accessible footprint will serve as a cold air reservoir to assist convective passive cooling for the built form.

2. Rib and Skin shell slab system An innovative skin shell slab system which requires only 1.5 inch Concrete bed saves the resource by 60% in the construction of slab.

The new shell slab system is light weight and saves considerable load on the foundation and is sufficient to manage the conventional loading on a residential structure. The Shell slab infill is made with non-degradable solid waste such as plastic, glass, etc. Resource saving of construction materials and re-use of waste materials are emphasized in the process. v No formwork is required. v The thickness of concrete can be considerably reduced to only 1.5 inch saving cement/sand and aggregate. v The use of GI metal mesh instead of steel Reinforcement bars reduces weight as well as cost and conserves resources and energy.

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SR Rising Star

A new methodology of construction is employed in this house which is Energy Efficient-Climatologically appropriate-culturally and contextually relevant-uses reused and economical and ecofriendly materials

v Cement, sand, and water usage can be reduced by up to 60%. v A single mason and two helpers can cast 1000 sq. ft in 2 days’ time reducing labour costs. v The technology can be easily taught to local artisans.

3. Lightweight masonry system The walls are built of lightweight aerated concrete blocks made up of fly ash, a by-product of industry. AAC blocks require no water curing on site so as to save the water resources. Lintels are made with reinforced AAC blocks and RCC sunshades are avoided and metal chajjas are used to save resources in concrete and steel. Metal Chajjas are lightweight and can be fabricated and installed swiftly.

Since these blocks are easy to cut with the brick cutter the plumbing and electric conduit could be easily laid beforehand.

4. Multilayer roof system The roof of the structure is made of multilayer lightweight steel fabrication and futureproofing for solar panel installation is already accounted in the design details. The 3 cm air gap between the reused terracotta tile and the roof sheet assists in convective cooling and keeps the structure cool throughout the hot summer.

Qualities/benefits of multi-layer roofing: v Reduces heat emission and cools naturally through convective process. v Lightweight and hence the structural expenses are lower. v Convective cooling is facilitated due to the large volume and the additional span achieved through a lightweight roof. The interiors are much cooler compared to a conventional technology house. v Recycling and reuse made possible through the use of old terracotta tiles as roof texture.

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v GI roof structure and fabrication can future proof the structure for solar panel installation.

v Every bit of available land is put to use through the development of built form on a stilt platform with lightweight floor.

v The stainless-steel water tank provides better structural efficiency and improves water quality.

v A holistic built environment of clean and healthy surroundings pleasing to the aesthetic sense and conducive to the local economy is achieved through backyard farming, cattle, poultry, fish rearing, etc.

5. Cost-effective and environmentally friendly finishes Masonry walls are mud washed which retains the property of masonry as breathable walls and gives a chemical-free surface coating. The windows and doors are made out of thin layers of wooden sheath. Only plantation wood is used considering the replenishable aspects of wood in construction. Deviating from the conventional style of openable glass windows, stainless steel insect-proof mesh was used as window frames which in turn rendered the interiors cooler and insect-free. The continuous inflow of air through this mesh maintains the microclimate achieved inside and allows convective cooling enhanced by the cold air from the stilt floor.

Salient features of this innovative method of house construction are: v The buildings can be erected more quickly with a smaller labour force at the site. v Buildings are lighter in weight resulting in savings on materials and foundation. v Improved systems of layout of spatial planning, ventilation, plumbing, and waste management help in achieving cost-saving and conserves energy.

v The role of aided self-help is emphasized in the solution of low-cost housing problems. v Formwork less casting methods for economy and resource-saving.

Comments from Residents The house was created for the elderly parents of the architect who commented, “We moved into the house 2 months before the national lock down in 2020. During our retirement life, we found the house engaging us at many levels. During the lockdowns, we were completely engaged with vegetable gardens , fish farming, Pets etc. The special design typology of house has helped us to engage ourselves with all these activities which otherwise would not have been possible on a small site. Also the house has economically benefitted us by not eating up into our retirement savings. The microclimate inside the house has been very welcoming and our guests are always wondering how we were able to manage the cool climate inside the house without having to put mechanical supports. The space has been very engaging for our younger son who stays with us to carry out the activities in his creative field of writing.”

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