Supermarket 2019 catalogue

Exhibition Catalogue SEK100/€10/£8.80/USD12

issue#9

ISSN 2000-8155

artist-run art magazine

2018 SUPERMARKET 2019

Temporary moratorium:

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issue#8 SUPERMARKET issue#9

PATARA GALLERY

LILIPUT GALERIA EXPERIMENTAL

GREYLIGHT PROJECTS

VIDEOKAFFE

CORA TURPS ART SCHOOL

GALLERI GOTLAND

WC

SHELTER ARTISTS RUN SPACE

SWOJSKIE TROPIKI

STUDIO44

KROPOTKINA 11

FOKIANOU ART SPACE

TAK

A.C.S BUNKERN

BITEVILNIUS AIR

IDEAS BLOCK ALLARTNOW

TA·DA FFTN

TM• GALLERIA NULOBAZ

ORMSTON HOUSE

INTERFACE

ALMA MARFA / KALASHNIKOVV

BERLINSKEJ MODEL

MATCA ARTSPACE LAND 404

DURDEN AND RAY

CENTRALA GALLERI VERKLIGHETEN

STICHTING VHDG

KUNSTVEREIN FAMILIE MONTEZ

NIEUWE VIDE

CHMURA ED VIDEO MEDIA ARTS CENTRE

KUNSTHALLE GRAZ

SIGN

VIDÉOGRAPHE

GALERIE SAW GALLERY

CX SOYUZHUDOZHNIKOV

KUNSTHALLE KLEINBASEL

GALLERIA HUUTO

ALTERNATIVE ART GUIDE

ENTRANCE

TALKS & PERFORMANCE STAGE +CAFE & WC

OUTDOOR STAGE

4–7 April 2019 Opening hours: Thursday 18–22 Friday–Saturday 11–20 Sunday 11–18 www.supermarketartfair.com info@supermarketartfair.com

COVER IMAGE

SUPERMARKET 2019 is organised by Supermarket Art Fair economic association.

PROJECT DIRECTORS Pontus Raud Andreas Ribbung PROJECT MANAGER Alice Máselníková TALKS & PERFORMANCE PROGRAMME COORDINATOR Franziska Sperling

Charles Inge, ‘Psycho’, oil on canvas, 60 x 50 cm, 2018 Featured artist @ Turps Art School’s booth 2019

PROFESSIONAL NETWORKING PARTICIPANTS PROGRAMME COORDINATOR Lucie Gottlieb MEETINGS PROGRAMME COORDINATOR Katarina Evasdotter Birath PRESS OFFICER Felicia Gränd PRESS ASSISTANT Kasia Syty SOCIAL MEDIA ASSISTANT Kenneth Pils PHOTOGRAPHY AND EDUCATION COORDINATOR Anna Ekros

ACKNOWLEDGEMENTS

INFORMATION AND VOLUNTEERS COORDINATOR Paulina Granat INFORMATION ASSISTANT Sophie Lindberg

Many thanks to the last year’s volunteers, helpers and supporters: Anna Aldefors, Mimi Andrews, Laura Cemin, Letty Cole, Nora Cserhalmi, Pär Elfventyr, Maria Eriksson, Zackarias Flemming, Gabriel González, Henrik Green, Miriam Gustavsson, Amr Hamid, Michael Hamory, Minna Havstad, Lauren Johnson, Josefin Kamf, Mattias Larson, Amanda Larsson, Håkan Lutz, Olof Löf, Agatha Lewandowski, Stephanie Lisak, Therese Lyander, Marie Mannewitz, Alexandra Marin, Johannes Matl, Felicia Mebus, Love Misgeld, Belinda Morén, Sanna Neumann, Tijana Pajovic, Jean Ploteau, Nicholas Ralph, Niklas Sandberg, Jasmina Saric, Marc Savior, Ida Seffers, Anastasia Semashko, Henrik Sjöberg, Darinka Slijepcevic, Alexandra Spendler, Cecilia Spendler, Fanny Svärd, Vanessa Steiner, Chih‑Lin Yeh

BOOKKEEPING Jörgen Helte GRAPHIC DESIGN Andreas Ribbung GRAPHIC DESIGN, CATALOGUE AND MAGAZINE Katharina Peter ART MAGAZINE EDITOR Alice Máselníková LANGUAGE EDITING AND PROOFREADING Alice Máselníková, Stuart Mayes WEBMASTER John W Fail AD SALES Nadja Ekman

All rights to the photographs belong to the artists or galleries if nothing else is specified. © Supermarket Art Fair ekonomisk förening 2019

SUPERMARKET 2019 was made possible with the support of: CULTURAL SUPPORT Stockholms Kulturförvaltning, www.stockholm.se/KulturFritid Statens kulturråd, www.kulturradet.se Kulturförvaltningen, Stockholms Läns Landsting, www.kultur.sll.se

SUPPORTING OUR EXHIBITORS Mondriaan Fund, www.mondriaanfonds.nl Canada Council for the Arts, www.canadacouncil.ca Culture Ireland, www.cultureireland.ie The Arts Promotion Centre Finland (Taike), www.taike.fi/en Romanian Cultural Institute in Stockholm, www.icr.ro Ontario Arts Council, www.arts.on.ca Stichting Stokroos, www.stokroos.nl STEP (European Cultural Foundation/Compagnia di San Paolo), www.steptravelgrants.eu Konst i Blekinge, www.konstiblekinge.se Gemeente Haarlem, www.haarlem.nl Embassy of Spain in Stockholm, www.exteriores.gob.es/Embajadas/Estocolmo Svenska Kulturfonden, www.kulturfonden.fi Adam Mickiewicz Institute, www.culture.pl Sanatorium, www.sanatorium.com.tr/en Lithuanian Culture Institute, www.en.lithuanianculture.lt Polish Institute in Stockholm, www.polskainstitutet.se YES gallery, www.yes.pl Tomasz Machciński Foundation, instagram.com/fundacja_tm Platform, Vaasa, www.platform.fi Czech Centre in Stockholm, www.stockholm.czechcentres.cz COOPERATION PARTNERS Atrium Ljungberg, www.al.se Konstfrämjandet, People’s Movements for Art Promotion, www.konstframjandet.se

MEDIA PARTNERS Artguide Sweden, www.konstkalendern.se artlyst – London Art Network, www.artlyst.com Konstperspektiv, www.konstperspektiv.nu textur, www.texturmag.com Arterritory, www.arterritory.com Contemporary Lynx, www.contemporarylynx.co.uk Berlin Independents Guide, www.bpigs.com

SPONSORSHIP FOR THE VOLUNTEERS Zita, Folkets Bio, www.zita.se Tidskriften Hjärnstorm, www.hjarnstorm.com 10TAL, www.10tal.se Thielska Galleriet, www.thielskagalleriet.se Moderna Museet, www.modernamuseet.se Spritmuseum, spritmuseum.se

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contents Exhibition stands 7 AllArtNow Damascus, Syria / Stockholm, Sweden 8 Alma Marfa / Kalashnikovv Gallery Vaasa, Finland /

Johannesburg, South Africa 9 Alternative Art Guide The Hague, Netherlands 10 Berlinskej Model Prague, Czech Republic 11 BiteVilnius AiR Copenhagen, Denmark / Džiugai, Lithuania 12 Bunkern Örebro, Sweden 13 Centrala Birmingham, United Kingdom 14 cx – soyuzhudozhnikov Perm, Russia 15 Durden and Ray Los Angeles, USA 16 Ed Video Media Arts Centre Guelph, Canada 17 Kunstverein Familie Montez Frankfurt, Germany 18 FFTN Saint Petersburg, Russia 19 FokiaNou Art Space Athens, Greece 20 Galleri Gotland Visby, Sweden 21 Greylight Projects Hoensbroek, Netherlands / Brussels,

Belgium 22 Galleria Huuto Helsinki, Finland 23 Ideas Block Vilnius, Lithuania 24 Interface Recess, Ireland 25 Kropotkina 11 Saint Petersburg, Russia

26 27 28 29 30 31 32 33 34 35 36 37 38 39

40 41 42 43 44 45 46

Kunsthalle Graz Graz, Austria kunsthallekleinbasel Basel, Switzerland Land404 Jämjö, Sweden Liliput Galeria Experimental Puebla, Mexico Matca Artspace Cluj-Napoca, Romania Nieuwe Vide Haarlem, Netherlands Nulobaz Cooperative Gallery Tel Aviv, Israel Ormston House Limerick, Ireland Patara gallery Tbilisi, Georgia Galerie SAW Gallery Ottawa, Canada Shelter Artists Run Space İzmir, Turkey SIGN Groningen, Netherlands Studio44 Stockholm, Sweden Swojskie tropiki Wrocław, Poland Ta·da Copenhagen, Denmark tm•galleria Helsinki, Finland Turps Art School London, United Kingdom Galleri Verkligheten Umeå, Sweden Stichting VHDG Leeuwarden, Netherlands Vidéographe Montréal, Canada Videokaffe Finland / Germany / Russia / USA

Presentation stands 47 47 48 48

A.C.S. Seoul, South Korea Chmura Visual Culture Foundation Gdańsk, Poland Kulturtidskriften Cora Stockholm, Sweden Tak Gallery Poznań, Poland

Associate Galleries 49 49 50 50 51 51

Stockholm, Sweden

Candyland Detroit Stockholm Galleri Majkens Grafiska Sällskapet Konstnärshuset Tegen2

Professional Networking Participants 2019

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AllArtNow Damascus, Syria / Stockholm, Sweden AllArtNow, Almansha street, 14136 Damascus, Syria

Älvkarleövägen 6 BV, 115 43 Stockholm, Sweden

boukhari.abir@ gmail.com | www.allartnow.com

Muhammad Ali, ‘Silent Alienation’, 2018 Rezan Arab, ‘Out of Time and Space’, 2018 Nisrine Boukhari, untitled, drawing, pen and golden paper, 2018

AllArtNow, Syria’s first venue for contemporary art, was co-founded in 2005 by artist Nisrine Boukhari and curator Abir Boukhari. It promoted Syrian artists through local and international events including exhibitions, residencies, talks and workshops. In 2012 it gave its building in Damascus old town to refugee families and became nomadic.

AllArtNow continues to create opportunities for artists and has been selected to participate in many international events. In 2011 it produced the first contemporary art festival in Damascus and organised an informal school for contemporary art.

In 2019 it opened a temporary space in Stockholm and launched AllArtNow Lab. Here we are developing new partnerships, planning for the future, and investigating issues of mobility, displacement and exile.

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Alma Marfa / Kalashnikovv Gallery Vaasa, Finland / Johannesburg, South Africa Alma Marfa, Meteoria, 65100 Vaasa, Finland kazoo.liveart@ gmail.com | www.alma-mater-project-space.tumblr.com Kalashnikovv Gallery, 153 Smit Service Street, Braamfontein, 2001 Johannesburg, Gauteng, South Africa info@ kalashnikovv.co.za | www.kalashnikovv.co.za

Ayanda Mabulu, ‘Infant Democracy’, oil paint and gold leaf on canvas, 235 x 175 cm, 2017 Ayanda Mabulu, ‘Unmasked Piece of Shit’, serigraph on original World War II Nazi flag, 320 x 180 cm, 2018 Juliana Irene Smith, ‘Hello Pussy’, 2014. Part of the zine ‘You Are So Boring’.

Ayanda Mabulu walks into Juliana Irene Smith’s Safe Space. They discuss through open holistic communication strategies and a gun war…

Kalashnikovv Gallery and Alma Marfa It can be argued that Ayanda Mabulu is interested in firing shots at institutions and leaders oppressing black people in South Africa. His work, depicting satirical versions of powerful South Africans, has prominent politicians to question whether Mabulu should be censored. Intimidation, armed men entering his studio, death threats and the removal of his paintings from art fairs have not stopped Mabulu from producing and exhibiting in his native South Africa.

Juliana Irene Smith works with post-trauma in her art. For the past few years she has been working on a project called ‘Access Intimacy’ which serves as a guide to creating safe spaces.

Both artists challenge the current patriarchal hierarchy, one by confronting the viewer and the other by comforting: they are equally important.

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Alternative Art Guide The Hague, Netherlands Alternative Art Guide, 2512 CN The Hague, Netherlands  info@ alternativeartguide.com | www.alternativeartguide.com

Alternative Art Guide (The Naked) during Marrakech Biennale 2014 presenting Roy Villevoye

The largest guide to alternative art spaces around the world.

The Alternative Art Guide is a new tool to discover art spaces that are often difficult to find. With over 1,200 worldwide listings it is the largest online overview of non-profit, artist-run and independent   art spaces. The interactive map makes it easier to get the most out of visiting a new city, or to find what is around the corner.

The Alternative Art Guide provides insight into local conditions for contemporary art with a collection   of articles. These are contributed by artist-run spaces and curators in the field, raising questions about locality versus globalisation and how different art practices take shape around the world.

The guide is continually updated with new spaces, and keeps track of spaces when they move or close.

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Berlinskej Model Prague, Czech Republic Pplk. Sochora 9, 170 00 Prague, Czech Republic berlinskejmodel@ gmail.com | www.berlinskejmodel.cz

Berlinskej Model is a non-profit gallery based in art district Holešovice, Prague. It was founded in 2011 and is known as a meeting point for the contemporary art scene, crossing borders of local districts, genres and generations. The gallery organises workshops, discussion panels and concerts, and issues an magazine called RAJON. It focuses on contemporary art with overlaps in political and social activism. Probably the most interesting thing about the gallery is its concept of day-long exhibitions (every Wednesday) – a vernissage/dernissage with dinner made by exhibiting artist.

At Supermarket Berlinskej Model presents: Lenka Balounová, lenkabalounova.tumblr.com Alžběta Krňanská, alzbetakrnanska.tumblr.com Radek Brousil, www.brousil.name/rade Vít Svoboda, Instagram: #Weed_svoboda 10

BiteVilnius AiR Copenhagen, Denmark / Džiugai, Lithuania BiteVilnius AiR, Džiugai 6, 29240 Džiugai, Anykščiai region, Lithuania bitevilniusair@ gmail.com | www.bitevilnius.nu

Redas Dirzys, ‘ReFormat’, performance, BiteVilnius festival, 2015 Kaspar Aus, workshop, BiteVilnius projects, 2017 3, 4: Marija Griniuk, ‘Carnival of the eternal touching’, performance, BiteVilnius projects, 2018 5, 6: BiteVilnius AiR, Džiugai, Anykščiai region

BiteVilnius AiR (mainly active in Denmark and Lithuania) focuses on art, art meetings, learning, mentoring and research across borders.

The BiteVilnius Artist-in-Residency idea is built upon six years’ experience of BiteVilnius projects for Nordic and Baltic collaborative artistic practices. It is Lithuania’s first artist-run residency focusing on performative pedagogy and has the aim of building networks of Nordic and Baltic artists.

The programme is in picturesque natural surroundings historically connected with the first Lithuanian festivals of happenings and actions AN88 (1988) and AN89 (1989). The residency building is a unique 19th century farm with a large garden which may be used for events. Site-specific large scale projects, process-oriented work and interdisciplinary events are encouraged.

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Bunkern Örebro, Sweden Bunkern, Kyrkogatan 13, 703 40 Örebro, Sweden info@ konstbunkern.se | www.konstbunkern.se

Henrik Jonsson, ‘Rembrandt’ (working title), an ongoing project since 2010, each sculpture is based on one of Rembrandt’s self portraits.

Henrik Jonsson, ‘Gattamelata’

Bunkern is an artist studio collective providing two gallery spaces focusing on young visual arts. Bunkern started in 2015 as a platform for young contemporary artists in the Örebro region to work and exhibit; it also is an opportunity to showcase artists from other parts of Sweden. Our aspiration is to make Örebro a good and vibrant place for young artists to live. Apart from exhibitions and studio space Bunkern have organised art festivals, workshops, and curatorial work as well as one-off art events and happenings. This year we are exhibiting Henrik Jonsson, a local artist who just graduated from the Royal institute of Art in Stockholm.

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Centrala Birmingham, United Kingdom Centrala, Unit 4, Minerva Works, 158 Fazeley Street, B5 5RT Birmingham, West Midlands, United Kingdom centrala@ polishexpats.org.uk | www.centrala-space.org.uk

Tamara Kametani, ‘Total Security Life’, mixed media installation, 2018 Zoe Aiano, Nebeski šeta, ‘Skywalker’, video file, 16:9, 2019 Anna Jochymek, ‘Director’s Cut (in progress)’, 3-channel video installation, 2019 Jens Masimov, ‘Mapping Through Network Technologies’, mixed media digital installation, 2019

Centrala is a Birmingham-based creative space focusing on socially-engaged art and artists from Central and Eastern Europe. For Supermarket Centrala is collaborating with Short Circuit, an international platform for digital media and moving image. The booth represents a metaphorical screenshot of the expanded exhibition, ‘The Digital Diaspora’ in situ at Studio 44, Stockholm until 7 April 2019.

Based on the topics of unity and division this timely project lays particular emphasis on Europe marking 30 years of the fall of the Berlin Wall and the opening up of Eastern Europe. Contrastingly taking place during the British Exit from the EU, the exhibition explores the themes of migration, borders and identity realised by artists Tamara Kametani, Anna Jochymek, Jens Masimov and Zoë Aiano.

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cx – soyuzhudozhnikov Perm, Russia cx – soyuzhudozhnikov, fulltimejobnomadicspace, Perm, Russia soyuzhudozhnikov@ gmail.com | www.instagram.com/cx_perm; www.soyuzhudozhnikov.tumblr.com

Documentation of the first annual group exhibition ‘cx I’, Centre of Urban Culture, Perm, Russia, 2018

cx is the abbreviation of the informal union of artists, which appeared a year ago in Perm, Russia, as an alternative to the conservative union of artists, whose ideals and methods have not changed since the USSR. In the absence of a clear hierarchy system, our union has a flexible structure and is horizontal organisation. For non-metropolitan cities in Russia it is the one way for artists to survive in the absence of a developed system of contemporary art.

In the framework of Supermarket, we plan to set up a tent for a few ‘surviving artists’ to present their works inspired by a ‘survival kit’. Each of them will be a document, instruction or some kind of survival tool. We plan to erase the line between intervention, performance and conventional exhibition space.

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Durden and Ray Los Angeles, USA Durden and Ray, 1206 Maple Avenue #832, 90015 Los Angeles, California, USA dandrart@ gmail.com | www.durdenandray.com

Max Presneill, ‘MiT#10’, oil, enamel, plastic tape, fabric, vinyl stickers on canvas, 163 x 213 cm, 2018 Carlos Beltran, ‘Arechiga, Banquero’, acrylic, enamel and caulking paste on bed linen, 50 x 40 cm, 2018 Jenny Hager, ‘Mohawk of the Alleyways’, acrylic on canvas, 132 x 132 cm, 2018 Dani Dodge, ‘My ugly/beautiful friends No. 2’, photograph, video still, wedding dress, spray paint, thread, 81 x 50 cm, 2019 Steven Wolkoff, ‘tangled up in blue’, acrylic on canvas, 56 x 71 x 4 cm, 2018

Founded in 2009, Durden and Ray is comprised of artist/curators who work together to create exhibition opportunities at their downtown Los Angeles space as well as in concert with artist groups and gallery spaces around the world. Durden and Ray concentrate on small, tightly curated group shows at the space, organised by the members, as well as the hosting of international artists as part of their commitment to global exchange and alternative networks. The Durden and Ray model expressly overlaps multiple strategies, including the commercial potential and visual identity of a gallery, the democratic structure of an artists’ group, and the shared fiscal support of its programmes by group members and project partners similar to a non-profit organisation.

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Ed Video Media Arts Centre Guelph, Canada Ed Video Media Arts Centre, 404 York Road, N1E 3H4 Guelph, Ontario, Canada scott@ edvideo.org | www.edvideo.org

Ivana Dizdar, video still from ‘IDP Africa’, video, dimensions variable, 2018 Sophia Oppel, ‘How to patent a trace’, video installation, dimensions variable, 2018

Ed Video is delighted to return to Supermarket in 2019 after a five-year hiatus. Curated by Angel Callander, Ed Video’s booth features video, sculpture, and photography by four young women who are rapidly gaining attention in Canada and internationally – Ivana Dizdar, Sophia Oppel, Xuan Ye, and Becca Wijshijer. Presented together, the work examines the entangled and accepted structures of politics, technology, education, business, and global economics. Referring to the Supermarket’s theme, the unspoken rules that artists choose to adhere to (or reject) are redefined by a new generation with bold proposals about the future of contemporary art.

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Kunstverein Familie Montez Frankfurt, Germany Kunstverein Familie Montez, Honsellbrücke am Hafenpark, Honsellstraße 7, 60314 Frankfurt am Main, Hessen, Germany macke-frankfurt@ t-online.de | www.kvfm.de

Warhol and Macke, ‘Happy Birthday Andy!’, 2018 Hermann Nitsch and Mirek Macke, 80th Birthday Celebrations, 2018 Puschan Mousavi Malvani and Mirek Macke, ‘Klassik Montez’, photo: Christoph von Löw, 2014

Kunstverein Familie Montez was founded in 2007, and is based in Frankfurt am Main. It is an official independent art association/artspace which exhibits international contemporary art.

Kunstverein Familie Montez organises group and solo exhibitions, talks, performances, film showings, micro residencies, fashion shows and music events. It houses an archive of Hermann Nitsch’s work and a newly curated archive of contemporary performance.

Kunstverein Familie Montez will present at Supermarket a series of works curated by Mirek Macke and Elizabeth Coleman-Link (KVFM) working with the theme Sound and Vision: films, performance, happenings and visuals, also featuring live work by Frankfurt based artists plus special guests.

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FFTN Saint Petersburg, Russia FFTN, 3d Sovetskaya street, 2, 191024 Saint Petersburg, Russia fftn@ gmail.com | www.f-f-t-n.tumblr.com

Nikita Seleznev, untitled, audio installation, 2018 Kirill Garshin, ‘Six of cherished’, 2018 Liza Bobkova, Alexander Sedelnikov, ‘I hope nobody heard us’, 2018, photo: Anna Zavediy

FFTN (fifteen) is a non-commercial art micro-space of 4.5 m2 in the center of Saint Petersburg. It was launched in the end of 2017 by Irina Aksenova and Ilya Grishaev as a “room for happiness” which means a freedom of expression and tender support for artists and art workers. Since then the space has become one of the key art places in the city. FFTN presents from two to four projects every month. One of the frequent formats of work is an individual tour, when a visitor takes keys to a secret spot and enjoys the art in a private atmosphere. FFTN exhibits both young and well-established artists, hosts cultural events and works as a temporary shelter for art workers in need.

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FokiaNou Art Space Athens, Greece FokiaNou Art Space, Fokianou 24, 116 35 Athens, Attiki, Greece info@ fokianou247.gr | www.fokianou247.gr

John Bicknell, ‘When bullets fail’, oil on linen, 50 x 60 cm, 2017 Iliana Theodoropoulou, ‘Silence’, video still, duration 4:09, 2016 Nikos Podias, ‘Paper Scales’, mixed media, 23 x 32 cm, 2018 Panajotis Daramaras, ‘Scratched bookpage in a wooden box’, paper, wood, plastic toy, 30 x 24 cm, 2018

FokiaNou Art Space is an artist-run project space in an intimate apartment in an old building in Athens.

FokiaNou encourages collaborative creative efforts between Greek and foreign artists, and promotes the local art community. Founded in 2014 this self-funded, non-commercial space hosts exhibitions, workshops, talks and performances under the direction of two artists, Mary Cox and Panagiotis Voulgaris.

At Supermarket FokiaNou presents artists whose work reflects the current climate in Athens: diverse, creative, difficult but at the same time optimistic. John Bicknell, Mary Cox, Panajotis Daramaras, Sarah Ettlinger, Nikos Podias, Ioanna Terlidou, Iliana Theodoropoulou, and Panagiotis Voulgaris show painting, textiles, video, and mixed media.

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Galleri Gotland Visby, Sweden Galleri Gotland, Klosterbrunnsgatan 1A, 621 56 Visby, Sweden gallerigotland@ outlook.com | www.gallerigotland.se

Agneta Gazelius, ‘Oidipus’, analog photo, 2018, photo assistant: Patrik Hörberg Siri Iversen-Ejve, ‘Dick collection’, limestone, ongoing collection

Galleri Gotland in Visby is run by The Gallery Association in Gotland which consists of about fifty artists and a board of six representatives. We aim to show interesting contemporary art and encourage cooperation and exchanges with local, national and international artists, collectives and organisations.

During Supermarket two members from the gallery will exhibit and represent Gallery Gotland.

Oedipus x 2 - the living complex?

What is taboo today? When we live in a society where people accept more and more things from one day to another, we must go into the depths and find the most banal thing we can to find today’s taboo. We go to the core of time and the past to find a taboo that is universal, as current today as it was yesterday – and that is Oedipus.

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Greylight Projects Hoensbroek, Netherlands / Brussels, Belgium Greylight Projects, Burgemeester Kessenplein 1, 6431 KM Hoensbroek, Netherlands

Rue Brialmont 11, 1210 Sint Joost ten Node, Brussels, Belgium

office@ greylightprojects.org | www.greylightprojects.org

The Display, Greylight Projects in Hoensbroek, Netherlands

Greylight Projects (started in 2009) is an independent artist-run organisation based in Brussels (BE)   and in Hoensbroek (NL) that focuses on supporting artists in their research and practices by facilitating the production and presentation of their work.

Greylight Projects invites (inter)national artists for projects with different formats: solo or group shows, performances, screenings, concerts, talks, open studios or projects in the public realm.

Greylight Projects has no restriction in terms of medias or origins of the artistic practices. Since the beginning it has been an organic and intuitive development with the focus on the work of the artist, and how this could be enhanced by others through dialogue and interaction with the public.

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Galleria Huuto Helsinki, Finland Galleria Huuto, Eerikinkatu 36, 00180 Helsinki, Finland director@ galleriahuuto.net | www.galleriahuuto.fi

Wheel of Fortune prizes, 2019, photo: Nuutti Koskinen Nuutti Koskinen and Huuto working group, ‘Wheel of Fortune’, sketches, 2019, photo: Nuutti Koskinen

The Great Wheel of Fortune keeps on turning – come in, spin and win an exhibition opportunity, fame and glory, masterpieces by Huuto artists as well as by anonymous geniuses, lost and found art objects, words of wisdom or a shiny badge. When the game is art, everybody wins!

Galleria Huuto is an artist-run organisation in Helsinki, Finland, active since 2002, with more than 100 members. Huuto runs four gallery spaces in Eerikinkatu, city center. Annually more than fifty-two contemporary exhibitions are organised in Huuto’s premises. Huuto functions as a platform for solo and group exhibitions covering the broad range of contemporary art styles and media, as well as a space for international collaboration, non-commercial art, screenings, performance events and other artistic statements.

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Ideas Block Vilnius, Lithuania Ideas Block, Pylimo 60, 01337 Vilnius, Lithuania contact@ ideas-block.com | www.ideas-block.com

‘The Quality of Life’, exhibition opening, 2018 Hasan Alp Çelikel, ‘Toxic Ocean’, performance at exhibition opening, 2018 David Scuadra, ‘Mind Art’, talk, 2018 Ceramics workshop, 2018

Ideas Block is a creative space and café in the upcoming train station area of Vilnius. Our intention is to be a physical space that also enables a mental space of freedom, with the understanding that this in turn fosters creation, organisation, exchange, education and community building, and that this later makes a direct contribution to an international culture and society.

With that in mind, we hold discussions, talks, workshops, concerts and a variety of events, within and outside our physical space. Ideas Block is a non profit organisation.

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Interface Recess, Ireland Interface, The Hatchery Building, Cloonacartan, Recess, Co. Galway, Ireland info@ alannahrobins.com | www.interfaceinagh.com

Jasmin Märker, ‘My Immortals’, digital print on silk, ca 360 x 120 cm, 2018, photo: Alannah Robins Jasmin Märker, ‘My Immortals’ (detail), digital print on silk, ca 360 x 120 cm, 2018, photo: Alannah Robins 3, 4: Old Salmon Tanks, Interface, Connemara, photo: Alannah Robins

Interface is a non profit studio space and residency programme on the West Coast of Ireland. Our mission is to provide catalysing opportunities for artists-in-residence to engage with other international artists and local people through a unique platform, within an area of outstanding natural beauty, that explores the intersections between scientific research and art.

Jasmin Märker’s work ‘My Immortals’ is a silk wall hanging reminiscent of a Thangka painting featuring a Mandala as centrepiece – both a microcosm and a symbolic representation of the cosmos.

Instead of using paint or sand the patterns are made up of images of the microbes Jasmin has cultured from her own body (ear, armpit and gut) and her environment (dog, shower, sinks, fridge, soil) as well as slime-mould and mushroom cultures.

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Kropotkina 11 Saint Petersburg, Russia Kropotkina 11, Kropotkina 11, 197227 Saint Petersburg, Leningradskaya oblast, Russia kirkakh@ gmail.com | www.facebook.com/kropotkina11

‘The Mistake of Paul Klee Repairs’, Kropotkina 11, 2018

Kropotkina 11 is a space for different practices with a pre­ arranged death date (18.7.2019) that work with social, cultural and political events from across time as a way of rethinking the present and its continuity. It is an artistic project, where critical theory, aesthetics and community practices merge, forming a transversal hole that produces a proximity beyond friendship, a possibility of research beyond institutions, and art outside the museum infrastructure. We dedicate time to slow irregular work with communities, marginal practices, mistakes, as well as tentative, contemporary, obsolete and timely historical layers and characters. It stems from a group reading ‘A Thousand Plateaus’ (Guattari) that continues on its path of deterritorialisation and wonders: what is possible to do right now?

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Kunsthalle Graz – Verein für zeitgenössische Kunst Graz, Austria Kunsthalle Graz – Verein für zeitgenössische Kunst, C. v. Hötzendorfstr. 42A, 8010 Graz, Styria, Austria office@ kunsthallegraz.at | www.kunsthallegraz.at

Los Dadores de Dolor, ‘Augmented circumstances’, performance, 2018

The Kunsthalle Graz is a non-profit art association that provides a platform for artists and people interested in contemporary art and culture. It was founded in 2014 and organises individual and group exhibitions, in addition Kunsthalle Graz also organises readings, film programmes and performances. It is dedicated to local, national artists. An important task of Kunsthalle Graz is to develop exchanges and cooperation with similarly oriented international institutions and to strengthen networks with other art associations in Europe and around the world.

This year the artist collective Los Dadores de Dolor will be presented: Niki Passath niki.xarch.at/wordpress Jani W. Schwob www.janischwob.mur.at Arnold Reinisch www.arnoldreinisch.com 26

kunsthallekleinbasel Basel, Switzerland kunsthallekleinbasel, Steinenbachgässlein 13, 4051 Basel, Switzerland kontakt@ kunsthallekleinbasel.com | www.kunsthallekleinbasel.com

Fabian Frei, ‘keep watching’, intervention in public space, 2017, photo: Katharina Good Silja Zimmermann, ‘unpassend’, acrylic on wood, 120 x 100 cm, 2018 Levente Fazekas, ‘Black Angel’, acrylic on canvas, 160 x 120 cm, 2018

At Supermarket the artist-run initiative kunsthallekleinbasel presents the group exhibition RE:ACT with works by five artists and a short presentation of two associated initiatives. The exhibition includes paintings by the Hungarian artist Levente Fazekas; an interactive installation by the Basel based artist Mirjam Spoolder invites visitors to linger; the artist and art historian Ana Vujić presents ink drawings and represents the art space Voltage and Voltage Press from Basel. Fabian Frei and Silja Zimmermann intervene throughout the fair and in public space. They also represent the Swiss art festival Guck Mal Günther Kunst, which takes place annually in Lenzburg. The show is curated by Jasmin Glaab and Roy Andres Hofer.

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Land404 Jämjö, Sweden Land404, Gullholma 404, 373 75 Jämjö, Blekinge, Sweden contact@ land404.org | www.land404.org

Sidsel Bonde, ‘Four Trees Fell Silent’, installation, 2018 Paige Silverman, ‘Voegel‘s Net’, installation, 2018 Evelina Hägglund, ‘Monument to a Hole’, 2018 Robert Mathy, ‘Connatural’, sound installation, 2018

Land404 is an artist-run residency and curatorial platform based in a farmhouse on the coast of southern Sweden. The premise of Land404 is to create a dialogue between rural and urban spaces. Each year we invite a small group of artists to live with us and build a site specific exhibition in the area through a collaborative, experimental and intimate process. They explore ideas of the rural, the urban and people’s relationship to nature. Once the residency is closed we continue to work with the artists to adapt the exhibition and show it in urban spaces. This way the artworks mimic the depopulation from rural areas to cities and open a parallel path of interpretation: one that asks both how we are affected by the spaces we inhabit and what we win or lose in the process.

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Liliput Galeria Experimental Puebla, Mexico Liliput Galeria Experimental, Diagonal 18 sur 4563, 72580 Puebla, Mexico liliput.xperimental@ gmail.com | www.liliputxperimental.wixsite.com/liliput

Devin Asher Cohen, ‘Subcutaneous. Dermis’, oil on canvas, 2018 Ana Vizcarra Rankin, ‘Kung Fu’, paint on linen, 180 x 180 cm, 2016, photo: Rebeca Martell Rebeca Martell, ‘Nightmares by the sea’, giclée print on cotton paper, 30 x 35 cm, 2018 Jaime Zuverza, ‘Winter Reading’, digital illustration, 50 x 60 cm, 2017 Catarina Ascencio Dahl, untitled, oil on canvas, photo: Rebeca Martell

Founded by the Mexican photographer Rebeca Martell and the American multidisciplinary artist Devin Cohen aka Alien Architect, Liliput is a house restructured as gallery, residence and arts workshop.

A multidisciplinary space that opens its doors in Puebla, Mexico – propelled and inspired by urgency, inclusion, borderlessness, and art itself.

Over the past three years they have hosted 55 artists from 18 countries. Liliput has become a bridge of creativity between the U.S. and Mexico as well an international hub for artists from around the world. Our spirit is to bring contemporary art to different parts of the city and embrace those who have been separated by the country’s structure.

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Matca Artspace Cluj-Napoca, Romania Matca Artspace, Calea Turzii 21, 400246 Cluj-Napoca, Romania contact.matca@ gmail.com | www.instagram.com/matcaartspace

Bandi Sasha Robert, ‘night shock’, inkjet on book cover, 13 x 16 cm, 2018 Alexandra Mocan, ‘Trans – the skin is where is at’, collage transfer on BCA block, audio loop, dimensions variable, 2018 3, 4: Andreea Victoria Anghel, ‘Suvenir Souvenir’, digital prints on archival paper, wooden frames, original Vache Qui Rit cheese labels sold in Libya, France and Belgium, 70 x 50 x 5 cm Alexandra Mocan, ‘Pursuit – desires and ambitions under control’, pencil drawing and collage on wooden panel, 24 x 32 cm, 2018 Matei Toșa, video still from ‘But we don’t have that problem, do we’, single video channel, 4’51”, 2018

DIY artist-run space managed by three local artists. Since 2017 it has been following an ongoing mindset of shaping its know-how along with its collaborations – most of them being presented in the form of group shows.

Underlying the necessity of being in touch with the conscious form of artistic practice and research, the space is coagulating its purposes by drawing a thin border between aesthetics and content. Essential for the space is getting in touch with the principles which drive an artwork to be produced, so here is where a dialogue can be set. The space is meant as a tool for research into local contemporary art in order to establish connections with bright minds who have something relevant to say about the world.

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Nieuwe Vide Haarlem, Netherlands Nieuwe Vide, Minckelersweg 6, 2031 EM Haarlem, Netherlands info@ nieuwevide.nl | www.nieuwevide.nl

Data Bosma, ‘Poes’, installation, 2017

Nieuwe Vide presents Data Bosma. Her work researches human aspects of technology and the web, using the digital platform to analyse people and herself. The work is about desire or obsession, shown in offline sculptures and installations.

We are an exhibition space, artists’ studios and project space. Studios are rented by designers, animators and illustrators. We work with these artists and creatives whenever possible and are a launch pad for artists’ careers. The project space is used for workshops and gatherings. True to our squatters roots twenty years ago, we are socially engaged. We operate on a community level with a weekly soup lunch for artists and local residents, each year we offer a professional art course for teens, and we have a film club for people with non-western backgrounds.

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Nulobaz Cooperative Gallery Tel Aviv, Israel Nulobaz, 19 Zvulun, 6652419 Tel Aviv, Israel nulobazart@ gmail.com | www.facebook.com/Nulobaz

Avi Levin, ‘Sunset on the Yarkon River’, archival pigment print, 30 x 45 cm, 2008 Rakefet Viner Omer, ‘Mother Fucker Poet’, mixed media, 200 x 180 cm, 2017 Elyasaf Kowner, ‘Dreaming in The Hague #6’, oil on canvas, 103 x 134 cm, 1997

Three artists from Nulobaz gallery are joining in the spirit of Josef Kowner (b.1895), a prolific painter who survived the holocaust and after the war immigrated to Sweden. He continued making art in Kalmar until his death in 1967. Each artist will be dealing with their personal take on the subject of immigration as well as estrangement. Avi Levin is a photographer who examines the Israeli society and its multi layered character. He focuses on immigration and the dreams behind it. Rakefet Viner Omer is a feminist, interdisciplinary, bad painting painter. Her feverish artistic world looks upon human whims with an amused, forgiving air. Elyasaf Kowner is a multidisciplinary artist who specialises in painting and video art. He often focuses on transformation. Josef Kowner was his great uncle.

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Ormston House Limerick, Ireland Ormston House, Cultural Resource Centre, V94 V089 Limerick, Ireland info@ ormstonhouse.com | www.ormstonhouse.com

Ormston House, installation view of the ‘Museum of Mythological Water Beasts’, 2018, photo: Jed Niezgoda Joy Gerrard, ‘Protest Crowd, (The North is Net. Dublin Castle. June 2018)’, ink on paper, mounted on aluminium, white box frame (glazed), 40 x 58 cm, 2018, photo: Ros Kavanagh Jens & Morten, ‘AGORA’, installation view, Ormston House, 2018, photo: Jed Niezgoda Ormston House, preview of ‘Scissors Cut Paper Wrap Stone’, 2017, photo: Crude Media / Shane Serrano

Ormston House is a meeting place for the arts in the heart of Limerick City. We opened in 2011 as a Cultural Resource Centre to welcome audiences seeking more maverick and experimental projects.

As an agile organisation with an alternative ethos, Ormston House offers an intimate experience with direct access to and interaction between artists, participants and staff. The three pillars of our programme are artistic ambition, professional development and public/community engagement. Our core question is: How can we better support artists?

For Supermarket, we present work by Joy Gerrard. Drawing on themes of protest and urban space, Gerrard remakes media-borne crowd images from around the world. Recent work documents Brexit protests in the UK and the Repeal the 8th movement in Ireland.

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Patara gallery Tbilisi, Georgia Patara gallery, Republic square, underground passageway, 102 Tbilisi, Georgia pataragallery@ gmail.com | www.pataragallery.com

Tea Stražičić, ‘Chrome Air’, digital render, 2018 Ani Gurashvili, untitled, oil on canvas, 2019 Tea Stražičić, ‘Guts for Parkingstone’, digital render, 2018 Salome Dumbadze, ‘La salina montaña’, oil on canvas, 2019 Salome Dumbadze, ‘Snow has fallen in the Sahara Desert’, oil on canvas and plaster, 2019

Patara (meaning ‘small’ in Georgian) is an artist-run gallery in a tiny shop window beneath one of Tbilisi’s many underpasses, surrounded by small kiosks and Persian night clubs. Our intervention in the place of an ‘unpleasant’ smell and content provokes art that looks for reality – that bears a real sense of ‘real’. Looking for honest or political, sweet or rude, cheerful or unconventional, stupid or wild, or ‘all together’ works and nice people, we give a rotating cast of artists the chance to create installations that people can stumble on as they navigate the city.

At Supermarket we will present three completely different artists, each of them will design their own wall in our booth and present their works as they desire. We give them total freedom just as we give it in our gallery.

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Galerie SAW Gallery Ottawa, Canada Galerie SAW Gallery, 67 Nicholas Street, K1N 7B9 Ottawa, Ontario, Canada jason@ galeriesawgallery.com | www.saw-centre.com

Installation view of the exhibition ‘F is for Fake: Art, Cinema and Forgery’, 2017, photo: David Barbour

Established in 1973, the artist-run centre SAW supports politically and socially engaged art, focusing on performance and media arts. Many of the world’s best-known artists have exhibited at SAW early in their careers. In 1981, the centre founded SAW Video to support video artists and documentarists.

At this time Club SAW was also initiated, which became the most important multidisciplinary space in the region. With an audience of over 40,000, SAW aims to be a premier artist-run centre in Canada and the world, engaging in innovative programming, outreach and exchange initiatives.

Set to reopen in July 2019, SAW triples its size to 15,000 square feet with expanded exhibition spaces, a state-of-the-art live performance venue, a new circumpolar artistic research space called Nordic Lab and an outdoor courtyard.

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Shelter Artists Run Space İzmir, Turkey Shelter Artists Run Space, General Kazım Özalp Mah. 46. sokak No: 171, 35140 İzmir, Turkey shelterartistsrunspace@ gmail.com | www.spaceshelter.wordpress.com

Ali Kanal, ‘Halvet’, assemblage, 6 x 20 cm, 2018 Tufan Baltalar & İrem Tok, ‘Digging on the Shore’, curated by Borga Kantürk, Shelter Artist Run Space, İzmir, 2018 Cenkhan Aksoy, ‘ink-s’, marker ink on paper, 2017 Ezgi Tok, Furkan Öztekin, ‘Gaping Abyss’, curated by Ezgi Yakın, Shelter Artist Run Space, İzmir, 2018 Shelter Artists Run Space, ‘All about the Benjamins’, documentary video, 2019

Shelter Artists Run Space was established with the idea of transforming their studio into a space of dialogue among artists by Şerife Aslan and Mert Yavaşca. It is a non-profit project space based in Izmir and opened its doors in December 2017. Every year in its activities in May and December, Shelter creates a place for contemporary art events where artists can express themselves in an interdisciplinary communication environment. It opens its structures to project partnerships and event recommendations to strengthen its identity as a contemporary art space.

In the ‘All about the Benjamins’ project we analysed how the economic crisis in Turkey impacted on artists and culture managers – the economic difficulties, overcoming these difficulties, and the transformation in art production.

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SIGN Groningen, Netherlands SIGN, Winschoterkade 10, 9711 EA Groningen, Netherlands signnl@ gmail.com | www.sign2.nl

Jip de Beer, ‘Webspace Wikipedia.com’, 3D printed PLA electroplated with copper, corrosion, 8 x 15 x 11 cm, 2016 2, 3: Jip de Beer, ‘Web Spaces – (Re)Discover Stockholm’

SIGN is project space for young professional artists and initiates the production of new work. The activities SIGN organises in its space and elsewhere are interdisciplinary and experimental with attention for contexts.

At Supermarket SIGN presents Jip de Beer (1992) who operates at the intersection of art and computer science. Under the title ‘Web Spaces’ he makes architectural models/prints of websites. ‘(Re)Discover Stockholm’ is a site specific interactive installation that allows the visitor to explore the virtual world of lots of web pages in the immediate surroundings of the Supermarket art fair venue transformed into ‘Web Spaces’. Hereby a parallel city emerges which the visitor can actively explore (walking or flying) by controlling the virtual character with a game controller.

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Studio44 Stockholm, Sweden Studio44, Tjärhovsgatan 44B, 1tr, 116 28 Stockholm, Sweden info@ studio44.se | www.studio44-stockholm.com

Nina Wedberg Thulin, ‘Sweet dreams from heaven’, installation at Studio44, 2018

Studio44 is a gallery and an artist-run organisation – characterised by its diversity and openness to different forms of artistic expression. Studio44 consists of 25 visual artists showing their own work as well as inviting artists from other countries to participate in themed exhibitions and seminars. The working process is democratic, allowing different artistic approaches to exist side by side.

Studio44 presents ‘Sweet dreams from heaven’ by Nina Wedberg Thulin, an installation giving voice to artists’ dreams from all over the world and members of Studio44. It is a visual and sound installation answering the question: what are your dreams as an artist? Whether we are well known as artists or not, we are joined in the power of our dreams and they are all unique. What do we know about each other’s dreams?

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Swojskie tropiki Wrocław, Poland

Swojskie tropiki, aleja Jana Kochanowskiego 21/1, 51-602 Wrocław, Poland swojskietropiki@ gmail.com | www.instagram.com/swojskietropiki; www.facebook.com/swojskietropiki

Drawing of the Niewiadow N126 caravan from the user manual, Domestic and Tourist Equipment Department of Predom Prespol in Niewiadów, ca 1996 Fragment of the ceiling inside the caravan (parrots inherited from the previous owner) Swojskie tropiki, ‘Sea Breeze’, restroom arrangement, 2017

Polish Tropical Pavilion is a mobile art space in a traditional Polish caravan Niewiadów n126a run by Swojskie tropiki (Karolina Włodek, Adam Martyniak) with Joanna Kobyłt. Inside it, under the tropical epidermis, a multi-dimensional exhibition of several Polish artists will blossom, showing some native Polish phenomena with a note of sentiment for the exotic.

Swojskie tropiki (homely tropics) is an artistic project focused on longing for the exotic, which often materialises in free creativity manifested as ‘intimate semi-public places’ or more private ones. Swojskie tropiki is about affirming such free creativity as universal activity and common for every single person.

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Ta·da Copenhagen, Denmark Ta·da, Fanøgade 36, 2100 Copenhagen, Denmark contact@ tada.space | www.tada.space

Inger Sif Heeschen, ‘Vascoteteque / Discotheque’, plaster, opening show, 2018 Matti Sumari, ‘non-human itch ll’, polypropylene plastic and coins, 2018 HARD-CORE, ‘Be like me’, print and installation, daily life at Ta·da, 2018 Anne-Louise Knudsen, ‘Hommage’, printed fleece blanket, 2018 Rikke Goldbech, ‘Pull You Up By The Bootstraps’, fabric, clay and metal, 2018 Jens Ivar Kjetså, ‘Reptilian Hyper Bodies #5’ print and objects, 2019

Ta·da is an exhibition space, run by Rikke Goldbech and Anne-Louise Knudsen, currently located in a laundromat in Copenhagen, Denmark. The exhibitions always consist of nine A3 formats placed above the washing machines. In addition, the exhibiting artists, both local and international, have interacted differently with the space; showing live streamed performances, film screenings, sculptural objects and launching a newspaper, to mention but a few.

The laundromat breaks with the notion of a traditional exhibition space, being a public space usually stripped of any information not relating to laundry – at Ta·da art interacts with the daily life of the laundromat. The project is community-based and relates to the local site, this vision is more important than a fixed space for Ta·da.

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tm•galleria Helsinki, Finland tm•galleria, Erottajankatu 9 B, 00130 Helsinki, Finland tmgalleria@ painters.fi | www.painters.fi/tmgalleria

Arvid Hedin, untitled, oil and ink on canvas, 130 x 110 cm, 2018 Ville-Veikko Viikilä, ‘Chase’, oil on canvas, 185 x 125 cm, 2018 Henni Alftan, ‘Décolleté’, oil on canvas, 73 x 92 cm, 2017 Raija Malka, ‘Prada 1’, oil on canvas, 55 x 70 cm x 10 cm, 2018

tm•galleria, located in the centre of Helsinki, has a versatile profile focusing on new Finnish painting. The gallery is managed by Finnish Painters’ Union, which is a nationwide artists’ association, and with about 1,300 members the biggest artists’ association in Finland.

This year the association turns 90 years which will be celebrated across Finland with an extensive programme featuring painting and painters. The association also organises exhibitions in collaboration with art museums. Annually in March the association organises The Sales Event at Cable Factory, Helsinki. At the event over 1,600 works by about 600 artists from all over Finland are on display.

At Supermarket tm•galleria exhibits four contemporary painters: Henni Alftan, Arvid Hedin, Raija Malka and Ville-Veikko Viikilä.

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Turps Art School London, United Kingdom Turps Art School, Taplow House, Thurlow Street, SE17 2UQ London, United Kingdom turpsartstudents@ gmail.com | www.turpsbanana.com/art-school

Charles Inge, ‘Psycho’, oil on canvas, 60 x 50 cm, 2018 Michael Coppelov, ‘Non-stop Cacti’, oil on cardboard, 50 cm x 90 cm, 2018 Eigil Nordstrøm, ‘Solar flare’, oil on canvas, 32 x 32 cm, 2018 T. D. MacGregor, ‘Cloud Seeding’, oil on mdf, 20 x 15 cm Gina Birch, ‘Still life with beers’ (detail), acrylic, charcoal and oil on canvas, 190 x 190 cm Tom Farthing, Dieppe, ‘Seagull’, oil on canvas, 18 x 14 cm, 2018 John Wyatt-Clarke, untitled, charcoal and pastel on paper, 30 x 30 cm, 2018

Turps Studio Programme is an independent art school run by painters for painters. Since its launch in 2012 it has quickly established itself as a major player on the London art scene. It does not carry a singular position or attitude about painting, but is as open as possible, in order to allow dialogues to develop. It has a cohort of twenty-three students of which seven are represented at Supermarket.

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Galleri Verkligheten Umeå, Sweden Galleri Verkligheten, Pilgatan 16, 903 31 Umeå, Sweden info@ verkligheten.net | www.verkligheten.net

Ulla Thøgersen, ‘I denna Jämmerdal’, textile, 157 x 118 cm, 2015, photo: Fanny Carinasdotter Ulla Thøgersen, ‘Pengar talar’, textile, 130 x 170 cm, 2017, photo: Fanny Carinasdotter Verkligheten, photo: Mattias Olofsson Ulla Thøgersen, installation view, 2017, photo: Fanny Carinasdotter

Verkligheten is a non-commercial art space managed by a board of artists. Verkligheten (‘reality’ in English) opened in 2001 with the idea of strengthening artists’ conditions and their possibilities to exhibit experimental projects. We want Umeå to be a city where artists choose to stay, and by mixing local and international initiatives with music, literature and other genres we create a platform for discussions about art and reality.

This year at Supermarket Verkligheten is proud to present Ulla Thögersen. Ulla works with artists’ working conditions through embroidery.

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Stichting VHDG Leeuwarden, Netherlands Stichting VHDG, Ipe Brouwerssteeg 10A, 8911 BZ Leeuwarden, Netherlands contact@ voorheendegemeente.nl | www.voorheendegemeente.nl

Margriet van Weenen, ‘Secret Mountain, an imaginary hike’, painted photograph, 17 x 28 cm, 2018 Margriet van Weenen, ‘Secret Mountain, an imaginary hike’, painted photograph, 27 x 17 cm, 2018 Margriet van Weenen, ‘Secret Mountain, an imaginary hike’, print on ChromaLuxe, 75 x 50 cm, 2018 Margriet van Weenen, ‘Secret Mountain, an imaginary hike’, photograph, 2018 Margriet van Weenen, ‘Secret Mountain, an imaginary hike’, print on Chromaluxe, diptych 30 x 20 cm each, 2016

Voorheen De Gemeente (VHDG) is an art initiative based in Leeuwarden, the Netherlands, that stands for new, exciting and uncompromising forms of contemporary art. We offer emerging artists a dynamic context for experiment, artistic development and production of new work. We actively seek ways to present art that connects with everyday life. Through our artist-in-residence, nomadic and international projects, and exhibitions we encourage artists and audience to engage in conversation.

VHDG presents artist Margriet van Weenen (1983, NL). Based on her collection of vintage photographs and archival finds, the site-specific installation ‘Secret Mountain, an imaginary hike’ evokes a journey through a fictional landscape using painting, collage, photography and ceramics. www.secret-mountain.org 44

Vidéographe Montréal, Canada Vidéographe, 4550 Garnier, H2J 3S7 Montréal, Québec, Canada collection@ videographe.org | www.videographe.org

Jean-François Caissy, ‘Exposition agricole’, video 17:09 min, 2017

In this single-channel video installation, Jean-François Caissy presents the particular yet ordinary world of agricultural fairs in rural Québec. Beyond the document’s anthropological aspect, ‘Exposition agricole’ covers highly aesthetic issues, perceptible, for example, in the two-part rhythm that animates this series of tableaux vivants, as the stillness of the frames contrasts with the movements of the animals, machines, and humans that cross them. A contemporary musical score by Julien Bilodeau lends an emotive element to the film and offsets the filmmaker’s distanced posture.

Established in 1971 in Montréal, Vidéographe is an artist-run centre dedicated to the research and the dissemination of experimental moving image practices.

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Videokaffe International artist collective, Finland / Germany / Russia / USA Videokaffe, Merikulmantie 76, 20250 Turku, Finland info@ videokaffe.com | www.videokaffe.com

Olli Suorlahti, ‘Videokaffe poster 2’, 2016

Videokaffe explores the intersection of handcraft and modern technology through exhibitions, art residencies and connecting artist studios worldwide.

Since 2011 Videokaffe has exhibited at galleries and art residencies in Japan, Russia, United States and Finland. The members show their individual works and together build workspaces / labs onsite, where they work collaboratively and create artwork. During the exhibitions, Videokaffe invites the audience to enter the workspace to witness, learn about, and participate in the art making process.

The members of Videokaffe include Heini Aho (FIN); Mark Andreas (USA/GER); Stas Bags (RUS); Andrew Demirjian (USA); Jenny Mild (FIN); Olli Suorlahti (FIN); Jack Balance (FIN); Erno Pystynen (FIN); Thomas Westphal (GER/FIN); Sebastian Ziegler (GER/FIN/USA); and guest artist Tom Burtonwood (UK/USA).

Presentation stands A.C.S. Seoul, South Korea

Chmura Visual Culture Foundation Gdańsk, Poland

A.C.S., 402 Youngsang Building 567-42, 3990 Seoul, South Korea

Chmura Visual Culture Foundation, Olowianka 1c/14, 80-751 Gdańsk,

piljooj@ gmail.com | www.curatorsalon.com

Poland fundacjachmura@ gmail.com | www.fundacjachmura.pl

Chmura Visual Culture Foundation is an independent nomadic organisation founded in Gdańsk. We are developing an online artists’ archive and also host events.

At Supermarket Chmura presents Angelika Fojtuch, Agata Nowosielska, Florian Tuercke and our online archive.

Team: Aleksandra Grzonkowska, Anna Ratajczak-Krajka, Karolina Staszkiewicz.

ByungWook BAE, ‘I am Artist or I am not Artist’, paper tape installation, performance, 2018 Suo Jeon, ‘Women fighting ghosts’, performance, 2018

Conceptual Yeonnam takes place every two months in a white-cube-like office and each event lasts about an hour. It is run by A.C.S. whose president is Pil Joo Jung – art critic and sociologist from South Korea.

To enhance the scale of experimental art A.C.S. features innovative conceptual and performance art. Art that does not fit existing genres or exhibition forms is especially welcome.

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Kulturtidskriften Cora Stockholm, Sweden

Tak Gallery Poznań, Poland

Kulturtidskriften Cora, Bengt Ekehjelmsgatan 2B, 118 54 Stockholm,

Tak Gallery, Mielżyńskiego 27/29, 61-725 Poznań, Wielkopolskie, Poland

Sweden

m.szaefer@ natak.pl | www.galeriatak.pion.pl

info@ cora.se | www.cora.se

Rachel Maclean, ‘Make Me Up’, 2018, on the cover of Cora, issue 55, 2018

Cora is a magazine about women in art and culture. Printed quarterly in Swedish, our approach is global. No topic is too big or too small. To keep up, subscribe to our Youtube channel Cora Culture or visit us on www.cora.se.

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Tomasz Machciński, untitled, photography, varied dimensions

TAK Gallery, dedicated to outsider art, organises projects combining different cultural disciplines and artists – both professionals and outsiders. These projects build a network of relations and influences between participants. 2018 marked the launch of ‘Brut Now’ – pursuing broad-scale educational and promotional activities devoted to outsiders whose work bears similarities to other practices.

Associate Galleries Candyland Stockholm, Sweden

Detroit Stockholm Stockholm, Sweden

Candyland, Gotlandsgatan 76 NB, 116 38 Stockholm, Sweden

Detroit Stockholm, Roslagsgatan 21, 133 50 Stockholm, Sweden

galleri@ candyland.se | www.candyland.se

mail@ detroitstockholm.com | www.detroitstockholm.com

Zahra Zavareh, ‘Disjoint’, animation still, 2018, and scene from installation, 2019

Detroit Stockholm is a non-profit organisation – a free platform for artists, with 24 studio spaces and gallery in central Stockholm. Representing the gallery at Supermarket is Zahra Zavareh (Iran). In this work she battles the notion of detachment and death anxiety. Through installation and technology Zavareh explores the questions – What connections are real? Which connections are fake or augmented?

Mats Petersson, ‘Firewatch’, photograph, 2018

Candyland’s dynamic programme is the result of each of the founding members being free to invite any artist without the consent of the group. United by their common interest in promoting a wide variety of contemporary art they have produced more than 160 exhibitions since 2004.

For their exhibitions at Supermarket the Candylandians make collective decisions and this year they invite Mats Petersson, a photographer who has been following controlled burns of forests in South Sweden.

A controlled burn, also known as hazard reduction burning, is a wildfire set intentionally for improving wildlife habitat and short-term fodder for grazing; it also controls tree disease and perpetuates fire dependent species.

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Galleri Majkens Stockholm, Sweden

Grafiska Sällskapet Stockholm, Sweden

Arenan, Dieselverkstaden, Marcusplatsen 17, 131 34 Nacka,

Grafiska Sällskapet, Hornsgatan 6, 118 20 Stockholm, Sweden

Sweden (temporary address)

galleri@ grafiskasallskapet.se | www.grafiskasallskapet.se

info@ gallerimajkens.se | www.gallerimajkens.se

Beth Savage, ‘Mesh’, paracord, hoop, fox mask, scaffold netting, glass wolf eyes, 2017

Galleri Majkens is a women artist-run gallery, producing feminist‑themed exhibitions and events in Stockholm. The gallery aims to interrupt the male-dominated cultural scene by highlighting artists with feminist, queer and critical practices.

The show UNRELIABLE NATURALISTS* presents artistic positions that challenge the idea of a profound separation of nature/culture, theory/practice and magic/science. *The title uses the name of the concept and framework by featured artist Beth Savage, which she develops as part of her PhD at Teesside University England.

Eric Saline in front of some of his artworks, Grafik i Väst Gallery, Gothenburg, 2018 Jakob Leijonhielm, riso prints, 29.7 x 21 cm, Grafiska Sällskapet’s booth at Supermarket, Stockholm, 2017

Since 1910 The Swedish Printmakers’ Association promotes the interests of printmakers, and arranges national and international exhibitions as well as distributing information about printmaking as an art form. The Association runs a gallery in central Stockholm.

Jakob Leijonhielm and Eric Saline present an exhibition along the theme of ‘JAPAN FANS’. With the blazing colors of Risograph prints, from BABYMETAL to Japanese technical and material sensibilities.

These aesthetics, minimalist and maximalist at the same time, have left their indelible impressions on both artists. Come make a rubber stamp of their work for yourself!

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Konstnärshuset Stockholm, Sweden

Tegen2 Stockholm, Sweden

Konstnärshuset, SKF: Sveriges Konstnärers Förening,

Tegen2, Bjurholmsgatan 9B, 116 38 Stockholm, Sweden

Smålandsgatan 7, 111 46 Stockholm, Sweden

tegen2@ gmail.com | www.tegen2.se

info@ konstnarshuset.org | www.konstnarshuset.org

Henrik Olsson, ‘Sink realism’, oil on canvas, 60 x 80 cm, 2018 Thomas Carlsson, ‘The quality of imagination is to flow and not to freeze’, ink on cardbord, 50 x 70 cm

Tegen2, ‘0,5’, 2019, photo

Peter Wiklund, ‘Markings’, 55 x 45 cm, oil on panel Karl Patric Näsman, ‘Untitled (Dyed Stripe)’, canvas, cotton bag, bone glue, indigo fabric, dye, pearlescent pigment, spray paint, wooden frame, 145 x 104 x 4 cm, 2018 Birgitta Heiling, ‘After K still inspires’, oil on canvas, 27 x 35 cm, 2018

Tegen2 – exhibition space, project place and stage – spanning art, sound, music, readings and political actions since 2006. Seeking the burning / turning point in a multi field of expressions and techniques.

Konstnärshuset is an open forum for art and culture – past, present and future. The Swedish Artists’ Association (SKF) is the main owner of Konstnärshuset – where the association hosts diverse exhibitions, awards grants, and conducts activities for 850 professional members.

‘Tipping point’, ‘threshold’, ‘breaking point’ – suggest crossing a point of no return. To gaze into a world beyond the tipping point is to confront something outside our collective experience.

Konstnärshuset presents the 2018 grant recipients: Karl Patric Näsman, Peter Wiklund, Henrik Olsson, Birgitta Heiling and Thomas Carlsson.

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Professional Networking Participants 2019

First launched in 2016, the Professional Networking Participants (PNP) programme was introduced to provide a designated meeting place for Swedish and international art professionals to expand their networks beyond the limitations of an exhibition space. Our objective is to facilitate exchange of knowledge and experience, increase mobility for artists and artist‑run organisations worldwide, and strengthen the network of artist-run galleries and self‑organising artists’ initiatives. Although PNPs do not exhibit in the art fair, they are invited to Supermarket Forum, Meetings programme, Exhibitors party and special discussion seminars, and have access to the VIP Exhibitor lounge. We have focused on inviting artists and art professionals who act as exhibition organisers and other influential members of artistic communities across the world to meet and exchange experiences and strategies, enabling the possibility of new international collaborations.

Saltiel Kabelo Tselapedi Afro-Digital Thabazimbi, South Africa www.facebook.com/Afrodigital1 tselapedisk@yahoo.com

Maria Gracia de Pedro Hiato Projects Madrid, Spain www.hiatoprojects.com hello@mariagraciadepedro

Gideon Smilanski Alfred Institute & Artist-Run Alliance Tel Aviv, Israel www.alfredinstitute.org www.artistrunalliance.org gidizm@gmail.com

Emil Clement Lüth Kunstkritikk Havdrup, Denmark www.kunstkritikk.com emil.luth@kunstkritikk.com

Tereza Nováková Lenka Sýkorová Altán Klamovka Gallery Prague, Czech Republic www.aug.cz/altan-klamovka-praha augdesign@email.cz Mauro Defrancesco ARTE MAGGIORE Contemporary Art Festival Moena, Italy www.artemaggiore.it mauro.defrancesco@pec.artemaggiore.it Andrea Blumör Ausstellungsraum EULENGASSE Frankfurt, Germany www.eulengasse.de mail@andreablumoer.com Peter Westman Daily Temporary Ödsmål, Sweden www.peterwestman.com info@peterwestman.com 52

Rina Eide Løvaasen Malmö Open Studios Malmö, Sweden www.malmoopenstudios.se mail@rinaeidelovaasen.com

Ulrika Gunnarsdotter Julia Lichtenstein Matilda Löfgren Råmaterial Solna, Sweden www.instagram.com/raamaterial ulrika.gunnarsdotter@solna.se David Lundström Ottie Marusarz Redan Malmö, Sweden www.redanonline.nu redankontakt@gmail.com

Sebastian Franzén Cecilia Sering Carina Stankovic Galleri Rostrum Malmö, Sweden www.rostrum.nu info@rostrum.nu

Clara Black Starck Staldgade 74 Copenhagen, Denmark www.facebook.com/staldgade74 cstarckart@gmail.com

Vasiliki Sifotratoudaki Pieternel de Winter Yellow Brick Nea Ionia, Greece www.yellowbrick.gr info@yellowbrick.gr Jeremy Gales Stockholm, Sweden www.jeremygales.com jeremygales@gmail.com Stuart Mayes Enköping, Sweden www.stuartmayes.com mail@stuartmayes.com Carlota Mir Stockholm, Sweden www.carlotamir.com mir.carlota@gmail.com Lisa Sharp Pymble, Australia www.lisa-sharp.tumblr.com jolibeol@hotmail.com

PNP programme coordinator Lucie Gottlieb pnp@supermarketartfair.com lucie@supermarketartfair.com