Forests, Foraging and Fires Exhibition Brochure & BIG IDEA Multidisciplinary Project

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Forests, Foraging and Fires August 23–November 12, 2014

Forests, Foraging and Fires offers our community the opportunity to participate in an in-depth conversation about our relationship to one of our most significant natural resources: the forest. The northwestern United States has long looked to its forests for sustenance, renewal and recreation. Our forests not only provide us with trees that heat and shelter us, but they are also a place we look to for spiritual and physical renewal. They are where we recreate and where we retreat. In the Wood River Valley, our forests are our lifeblood; their majestic beauty attracts people to our resort community. The forest is a place of mystery and magic, too—the setting for many a fairy tale. For Shakespeare and other authors and playwrights, the forest is a place of transformation. Visual Arts, Ketchum

And it’s a place of extraction, providing much more than wood. Today in addition to game hunters, people are going into the forest to seek out its wealth, foraging for everything from mushrooms to edible greens to poultices for healing. Simultaneously, the forest is becoming a significant threat as federal fire suppression policy coupled with years of drought has created an explosive tinderbox that poses a danger to our homes and communities. This project asks not only what we take from our forests, but what we need to do to sustain and nurture them.

Forests, Foraging and Fires

top: Shannon Durbin, Forest Fires 01, Series One, 2011, gouache on paper, courtesy the artist and Cullom Gallery, Seattle

Catherine Chalmers has spent several years working on a multimedia project focused on leafcutter ants in Central America. She is drawn to the parallels between human beings and these ants, which live in large colonies with complex social structures and sophisticated communication. Chalmers has created new drawings and a photographic scroll for the exhibition, which will also feature two Leafcutters videos.

left: Catherine Chalmers, Colonize the Earth (detail), 2014, pigment print, courtesy the artist and Ochi Gallery, Ketchum

Based in Los Angeles, Shannon Durbin is fascinated by the conflict between the role of fire in maintaining healthy forests and our need to protect communities from harm. She began a series of paintings on paper after reading about a major fire in Washington State started by a woman burning her diaries. Struck by the enormous consequences of this one personal gesture, she created the drawings to explore “the sometimes transcendent beauty of forest fires.” In the installation Thank You, Fog, Spencer Finch presents 60 photographs made at oneminute intervals as a bank of fog rolled over a densely wooded area of Sonoma County. These misty images allude to the forest as a living organism, ever-changing, and to its transformational qualities. Photographer Eirik Johnson has created two bodies of work considering what we take from our forests. Sawdust Mountain explores the logging industry and “the complicated relationship between the region’s landscape, the industries that rely upon natural resources, and the communities they support.” The Mushroom Camps looks at the lives of seasonal mushroom hunters in Oregon.

Gallery Walk

The paintings in William D. Lewis’s series Fish and Game were inspired by a visit to Idaho’s Fish and Game headquarters, where taxidermied animals line sterile hallways. Struck by this incongruity, he began making paintings of deer, antelope, bears and ducks in settings ranging from universities to consignment shops, giving us a wryly funny look at our relationship to the animals that live in the forest.

Fri, Aug 29, 5–7pm Free at The Center, Ketchum Start your Gallery Walk at The Center! We’ll be screening David Nash’s 12-minute film Wooden Boulder (1978–2003), which traces the twentyfive year journey of a large wooden sphere that Nash pushed into a river in Wales in 1978. Artist William D. Lewis will speak about his paintings at 6pm.

Based in Wales, David Nash has been working with found wood to create sculptures for more than four decades. Working on both small and extremely large scales, he sometimes chars the wood he works with (in part to preserve it) and often makes sculptures in forms he sees as universal: cube, sphere, pyramid. His work suggests the forest is both a natural resource and a place for spiritual and creative transformation.

top left: Anne Siems, Saratoga Tree, 2014, acrylic on panel, courtesy the artist and Gail Severn Gallery, Ketchum

bottom left: Gerri Sayler, Billow (detail), 2014, site-specific installation, courtesy the artist

Idaho artist Gerri Sayler has used 20,000 pipe cleaners—hand crimped and clustered—to create Billow, a site-specific installation evocative of a cloud of smoke rising within The Center’s gallery space. Sayler visited the Wood River Valley in May, spending time in areas affected by the 2013 Beaver Creek Fire. Billow is a response to her visit and to the effects of wildfires. Anne Siems’s paintings combine her fascination with botanical illustration, portraiture and early American painting. Inspired by the trees of the Pacific Northwest, particularly old growth stumps, she began a new series of paintings of figures dressed in 1850s-era costume with stumps she calls “grandmothers.” Her paintings allude to ecosystems’ life cycles and evoke the forest as a place of magic and mystery.

The Center hours & location in Ketchum: M–F 9am–5pm, Sats in Aug, 11am–5pm 191 Fifth Street East, Ketchum, Idaho 208.726.9491 www.sunvalleycenter.org

Sun Valley Center for the Arts

Evening Exhibition Tours Thu, Sep 4, Thu, Oct 16 and Thu, Nov 6, 5:30pm Free at The Center, Ketchum Enjoy a glass of wine as you tour the exhibition with The Center’s curators and gallery guides. We’ll be screening David Nash’s 12–minute film Wooden Boulder (1978–2003) at the end of each tour. Favor de llamar al Centro de las Artes para arreglar visitas guiadas en español.

top right: David Nash, Harp, 2008, walnut, courtesy the artist and Haines Gallery, San Francisco

bottom right: William D. Lewis, Fish and Game (Headquarters Antelope), 2012, courtesy the artist and Ochi Gallery, Ketchum


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