Artists relish opportunity to work in the tallgrass prairie • Aggieville Showdown brings cattle, competition, and country chic to downtown • Manhattan Area Chamber of Commerce celebrates 100 years also in this issue
Taking Her Final Bow
McCain’s associate director to retire
SUMMER/FALL 2025
EDITORS
Leslie Clugston Andres
Jean Teller
ART DIRECTOR/ DESIGNER
Alex Tatro
COPY EDITOR
Gina DeBacker
ADVERTISING AND MARKETING
Angie Taylor | (785) 832-7236 ataylor@sunflowerpub.com
CONTRIBUTING PHOTOGRAPHERS
Nick Krug
Bill Stephens
CONTRIBUTING WRITERS
Lucas Shivers
Jean Teller
PUBLISHER
Bill Uhler
DIRECTOR
Bob Cucciniello
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welcome.
In this issue, we’re taking a moment to appreciate the people, institutions, and traditions that make Manhattan more than just a place on the map. It’s a place that matters.
From a century of growth with the Manhattan Area Chamber of Commerce to the fifth annual Aggieville Showdown, we see how much pride our community takes in its roots—and how that pride continues to shape its future. We talk with longtime leader Terri Lee, the retiring associate director of McCain Auditorium, whose dedication behind the scenes has helped bring the stage to life for decades. And we step into the prairie with Kelly Yarbrough, director of the Tallgrass Artist Residency, to learn how the arts help us stay connected to our landscape and to each other.
Each story in these pages reflects a different kind of investment in place—whether through business, performance, agriculture, or creativity—and reminds us what’s possible when people come together to dream, build, and belong.
Here’s to the stories that remind us why we’re proud to call this place home.
Warmly,
Leslie Clugston Andres and Jean Teller Editors
Kelly Yarbrough stands among the tallgrass near Manhattan. She directs the Tallgrass Artist Residency.
06
100 YEARS STRONG
The Manhattan Area Chamber of Commerce marks a century of growth, connection and civic leadership.
10 THE GRAND DRIVE
Prize cattle, local couture and a live country soundtrack— the Aggieville Showdown brings rural pride to the heart of town.
14 WHERE ART TAKES ROOT
The Tallgrass Artist Residency invites creators from around the globe to find meaning, stillness and inspiration in the Flint Hills of Kansas.
18 TAKING HER FINAL BOW
Long-time associate director at McCain Auditorium to retire this summer.
22 SUMMER/FALL EVENTS
Highlights from the upcoming season—concerts, festivals, fireworks, garden strolls and more.
ON THE COVER
Terri Lee plans to retire this summer from her position of associate director at McCain Auditorium. Photo by Nick Krug
TONY PARKER
100 Years Strong
The Manhattan Area Chamber of Commerce marks a century of growth, connection and civic leadership.
ARTICLE BY Lucas Shivers
PHOTOGRAPHY BY Nick Krug
Since 1925, the Manhattan Area Chamber of Commerce has been bringing citizens together to make the city and region a better place to live, work and play.
The chamber unites businesses, professional firms, organizations and individuals as a central point for community betterment. Jason Smith, chamber CEO, says the 100-year milestone is more than a number—it reflects the chamber’s deep commitment to quality-of-life initiatives.
“Thanks to the vision of our predecessors, the longevity of our organization shows how people view our impact in a positive manner with a celebration to grow Manhattan and create an environment where everyone has the opportunity to prosper,” Smith says.
Members marked the centennial at the annual meeting February 7—with birthday cake, pie, and a celebration of a century of progress.
“We’re organizationally moving forward to think about how we want to look for the next 100 years to deliver services to our members and work in collaboration to be more responsive in our next century of operations,” Smith says.
As records from the chamber’s early years were displayed, several attendees discovered ties that go back generations.
“On some of the organizational documents with lists of the early members, a couple of our people pointed to their grandfathers or great-grandfathers with families, businesses and people.”
Six local businesses still active today trace their roots back to the chamber’s founding: Landmark National Bank, Griffith Lumber, Dunne’s Pharmacy, Wareham Family Companies, Manhattan Broadcasting and Ascension Via Christi.
Stacy Kohlmeier, chamber board president, and Jason Smith, chamber CEO, pose in downtown Manhattan.
A Century in Motion
A legacy of leadership, progress and partnership—one decade at a time
Since 1925, the Manhattan Area Chamber of Commerce has served as a cornerstone of civic leadership, economic development and community growth. The chamber has adapted to changing times while remaining steadfast in its mission to support businesses and improve quality of life in the community.
1920s: Foundation and Expansion
Under early leaders such as George Clammer and S.A. Bardwell, the chamber prioritized membership growth, retail promotion and agricultural support. With events like “Dollar Days” and infrastructure advocacy, the new chamber positioned itself as a unifying force.
1930s: Resilience Amid Hardship
During the Great Depression, the chamber became a lifeline, organizing aid for unemployed workers, advocating for infrastructure and launching beautification and health initiatives.
1940s: Wartime Support and Recovery
As WWII reshaped the nation, the chamber supported military families, sold war bonds and hosted relief drives. Postwar efforts shifted to growth in rerouting highways, beautifying the city and expanding membership, all while reinforcing ties with Fort Riley.
Leaders like Ray Pollom guided efforts to strengthen agriculture, housing and civic stability. The Junior Chamber was chartered late in the decade to engage new generations.
1950s: Building and Beautifying
Led by Lud Fiser, the chamber tackled housing shortages, supported retail and planned off-street parking. A new chamber building opened in 1957, symbolizing progress. Collaboration with 4-H, infrastructure planning and civic events kept momentum strong.
1960s: Vision and Regional Thinking
The chamber adopted a long-term approach to growth under leaders like C. Clyde Jones, the oldest living chamber president. Focus areas included industrial development, airport expansion and recreation.
1980s: Economic Development Milestones
Under Jan Ray, its first female president, the chamber earned national accreditation and embraced new strategies. Highlights included industrial park development, military barbecue, and a shift to flexible councils and task forces.
1970s: Modern Advocacy Transportation improvements and military engagement took center stage. The chamber expanded community calendars thanks to presidents like Robert Brewer and Ward Keller. Beautification, recreation and public education support made Manhattan more livable and welcoming.
2000s: Expansion and Military Ties
The chamber launched Advantage Manhattan, helping create more than 4,300 jobs. Military programs, tourism campaigns and downtown revitalization solidified its influence. Strategic lobbying and leadership development positioned Manhattan as a regional hub.
1990s: Technology and Strategic Moves
With initiatives like Invest in the Vision, the chamber focused on job creation and investment. A new headquarters on Poyntz Avenue opened, and new programs, such as the Diplomat Program and Little Apple Dollars, promoted local commerce and member engagement.
Today: A New Century Begins
With CEO Jason Smith at the helm, the chamber is building on its legacy to focus on innovation, entrepreneurship and inclusive growth. The chamber plans to guide the region into its next era.
2010s: Regional Leadership and Vision
Under CEO Lyle Butler, the chamber championed initiatives like Region Reimagined and The Greater Manhattan Project, strengthening ties with Fort Riley and K-State. Tourism boomed, and leadership programs like Hype and Business After Hours flourished.
Part of the Area Economy
“The chamber keeps a consistent growth theme to thrive economically,” Smith says. “Throughout history, we have been part of creating the economic engines that drive the community and making sure they’re equipped to support our vitality.”
Current board chair Stacy Kohlmeier of Florence Corp. says the chamber has played a pivotal role over the years in shaping the Manhattan area into what it is today.
“The chamber provides a unique forum where business and community leaders can collaborate to envision, define needs and develop strategies to achieve shared objectives,” Kohlmeier says. “The chamber has always been laser-focused on driving initiatives designed to continue to improve our already terrific community.”
Raising her family in Manhattan, Kohlmeier has participated in projects and community initiatives for decades.
“I have found the people and culture to be so welcoming to all and relentlessly optimistic about driving positive change,” she says. “Like all things, objectives and strategic focus certainly change over time as the community evolves. Today, the chamber’s primary focus is to drive growth.”
In 2025, the chamber looks forward to continuing work with its talented team, community partners and business leaders, all focused on implementing the strategic initiatives outlined in the new Manhattan Growth Plan.
“We have an opportunity to take the chamber to a new level, and we’re optimistic about plans that are being discussed with corporate engagement, innovation and
research,” Smith says. “We have great partners, and we’re all interested in more entrepreneurship and startup activity as the highest impact is in how to create an environment for advancement.”
Smith shared his passion for his professional work.
“The reason our family came to Manhattan six years ago was the track record of this community to collaboratively advance in a number of different areas going forward to face the economic headwinds,” Smith says. “We fell in love with the community.”
As the chamber moves forward, it will be even more committed to growth in the face of current conditions.
“We’re facing some of the challenges, and we’re now doubling down to communicate that growth is important to maintain quality of life and do all the things necessary to turn that around,” says Smith.
Envisioning the next 100 years, the chamber plans to continue to focus on advocacy, networking and exposure. Countless leaders and volunteers invest time and resources to work together and accomplish objectives that would be impossible to do alone.
Collaboration, Smith says, has always been at the chamber’s core—and it’s the key to unlocking the next century of shared success.
“We have the tools, wherewithal and ability to overcome anything due to our ability to be collaborative. The chamber has been at the center of anything that has created economic prosperity for Manhattan residents,” Smith says. “At the end of the day, it’s our 850 members of the business community who are dedicated to making Manhattan a better place.”
ARTICLE B
Y Lucas
Shivers PHOTOGRAPHY BY Bill Stephens
The Grand Drive
Prize cattle, local couture and a live country soundtrack— the Aggieville Showdown brings rural pride to the heart of town.
Cheering for cattle along the brick-lined streets, spectators packed the sidewalks on April 6 to witness a celebration of agriculture like no other. The fifth annual Aggieville Showdown turned Moro Street into a show ring, concert stage, and fashion runway, drawing thousands for an unforgettable night in the heart of Manhattan.
“Our mission is to bridge the gap between rural and urban life,” says Christian Calliham, event founder and general manager. “Our cattle exhibitors in the heart of town get a spotlight and spark interest to share what they do and why they do it for those who consume beef every single day. Naturally, a connection forms between producers and consumers.”
The Showdown featured a Western fashion show, a live concert by the Lazy Wayne Band, and $7,500 in prizes in the Grand Drive on Moro Street. As the sun set over the streets of Aggieville, the roars of the crowd focused on agriculture’s finest.
“The Aggieville Showdown is like no other cattle jackpot show in the nation,” Calliham says. “This unique show started at the Riley County Fairgrounds in Cico Park, where exhibitors battled it out to have the chance to show the top six cattle in the streets of Aggieville.”
The Showdown brought together three divisions for the competition: cattle showmanship, market steers, and breeding heifers.
“The Showdown united exhibitors, students, businesses and the public to celebrate agriculture,” Calliham says. “Exhibitors gain confidence, leadership and responsibility, as well as learn proper animal husbandry skills.”
The Grand Drive took place on a central stage and arena set up on Moro Street in front of Rally House between Dusty Bookshelf and Buffalo Wild Wings, allowing thousands to spill over onto the sidewalks and streets in the cool spring air.
“We’re so glad so many took time to learn more about
the cattle industry. We love to share about agriculture. We’re so excited to see the streets of Aggieville filled,” says Calliham, who graduated in May 2020 from K-State in ag business with an emphasis in marketing. “It started with three friends who dreamed up the idea. We spent hours planning and making it happen.”
Calliham gained skills to produce the Showdown through previous internships and work with a number of national stock shows.
“One of the things that always came up was how to educate consumers about what farmers and ranchers do,” Calliham says. “Other shows ask consumers to come to them, but I wanted to reverse the concept to bring the show to them on a Saturday night in the busy times with an immersive experience.”
Showdown Winners
With a record number of cattle and showmanship entries from 13 states—from California to Pennsylvania—the weekend marked the Showdown’s biggest year yet.
“Bearing through the cold weather, the Friday night showmanship competition crowned grand and reserve for showmanship, where several age levels shared their skills,” Calliham says. “The exhibitors are so wonderful. It’s a once-in-a-lifetime opportunity with 2,500 people surrounding the final arena on Saturday.”
The PrairieLand Partners Showmanship winners included Junior Grand Champion Showman LJ Wells from Norfolk, Nebraska; Intermediate Grand Champion Showman Luke Katz from Beatrice, Nebraska; and Senior Grand Champion Showman Dustin Denton from Blue Rapids, Kansas.
The heifer show took over on Saturday with more than 120 entries, while the market beef competition ran simultaneously with judges Colby Taber and Nate Kolterman.
“When you think about this activity as a family, it’s
Judges make their decisions at the fifth annual Aggieville Showdown on April 6.
something we’re all extremely passionate about, and I couldn’t think of a better way to raise our young people with hard work and responsibility,” Kolterman says. “Think about the early mornings and late nights and what it takes to compete at this level to come out on Main Street under the bright lights. It’s impressive and takes a lot of hours. At the end of the day, these kids have bright futures ahead of them.”
The quality of cattle on display ranked among the best in the country.
“Over the years, there’s been constant growth for the Showdown,” Calliham says. “There’s no other place that has a fashion show, concert and show. It gets people’s attention … ‘Wait, there are cattle in the middle of the business district?’”
Superior Livestock & El Dorado Livestock Auctions named Alexis Billeter as Market Beef Show Grand Champion. The CKP Insurance Breeding Heifer Show Grand Champion was Claire Norris, from Eudora.
“It was actually one of the coolest things ever in my entire time of showing in my 13 years,” says Billeter, who is
2025 Grand Champions
Market Beef Show
Alexis Billeter, Loomis, NE
Breeding Heifer Show
Claire Norris, Eudora, KS
Showmanship
• Junior: LJ Wells Norfolk, NE
• Intermediate: Luke Katz
Beatrice, NE
• Senior: Dustin Denton
Blue Rapids, KS
from Loomis, Nebraska. “The atmosphere was great, and it felt like more than a show for all my hard work to pay off. It was a huge honor.”
Billeter’s steer, named Hawk, is from England Show Stock in Oneita, Illinois. In her first year at the show, she plans to return and continue to advocate and educate others.
“There were so many people who had never seen a cow before, and it helps to organize the show this way to teach others about agriculture with the time and effort put into it,” says Billeter. “I’m really passionate about the show world. It’s a community where people have your back forever.”
Fashion Show & Concert
The Western fashion show highlighted retail stores and boutique clothing lines on a runway in the center of Aggieville.
Models took to the runway in outfits prepared by sponsors such as AR Silversmithing Co., Cavender’s Boot City, Gameday Ironworks, Just Plain Crazy, and Honey Rock.
Apparel vendors set up along Moro Street to sell their goods during the event. Jennifer Watchous, owner and designer of Just Plain Crazy, showcased her handcrafted leather goods—including clothing, bags, and keychains.
“For the fourth year, we’ve done this show and love to support the agriculture kids,” says Watchous, who is based in Newton. “It’s so neat to have a different venue in an exciting environment, to shut down Aggieville instead of (holding the event in) an arena or show ring. People mix good food, drinks and shopping, with something for everyone.”
After the fashion show wrapped, Abilene’s Lazy Wayne Band performed some of its top hits.
As for the future, Calliham says, “We’re expanding the concept to other land-grant universities with new events in Ames, Iowa, to continue the mission.” Because landgrant universities were founded to advance agricultural education and community outreach, they offer the perfect environment for events like the Showdown, which blend youth development, public engagement, and rural advocacy in one space.
As the lights dimmed on this year’s event, the countdown to next year’s Showdown had already begun, and Calliham’s enthusiasm is contagious. “We can’t wait for next year,” he says.
Where Art Takes Root
The Tallgrass Artist Residency invites creators from around the globe to find meaning, stillness and inspiration in the Flint Hills of Kansas.
ARTICLE BY Lucas Shivers
PHOTOGRAPHY BY Nick Krug and courtesy Kelly Yarbrough
Welcoming artists, musicians, storytellers and poets from around the world to the unique Kansas ecosystem, the Tallgrass Artist Residency features the tallgrass prairie to foster connection and conversation. In its 10th year, the program has drawn hundreds to the region to learn and create art of all kinds.
“I had an idea that the tallgrass prairie was something special, but I didn’t know how much I would fall in love with it,” says Kelly Yarbrough, the Tallgrass Artist Residency’s lead administrator. “I felt the need to create an opportunity for more artists to visit the Flint Hills and be close with the last remaining pieces of the tallgrass prairie.”
In 2016, while pursuing her graduate degree in drawing at Kansas State University, Yarbrough turned her vision for the program into a reality.
“The residency is a program of the Kansas Arts Commission with a consistent budget, so we can focus on the program instead of fundraising,” Yarbrough says. “We host only about 10 artists per season, and they typically come one at a time. We try to connect each artist with resources that can help further their research or work.”
Residents stay at Matfield Station in the small town of Matfield Green and travel throughout the area. Applicants possess a strong body of work showcasing a unique voice, selfdriven dedication to learning about their surroundings, and an interest in engaging in contemporary dialogue. The residents each present a final showcase to highlight their work.
“Many artists deepen their understanding of a topic, expand definitions or highlight the under-recognized or under-represented,” Yarbrough says.
Resident Highlights
Past residents include composer and musician Susan Mayo, who created a four-part composition for her string quartet inspired by the prairie in 2017.
“The music was incredible to hear at the closing event for the residency. Susan has performed that piece many times in other communities,” Yarbrough says. “She has also gone on to collaborate with another resident, photographer and filmmaker Cyan Meeks, on a number of projects, including Flint Hills Counterpoint.”
Common themes include a focus on the interconnectedness of life and community.
“Many artists are interested in specific ecological topics, but others are more interested in social or historical topics, and many are exploring expressions of personal or familial identity,” Yarbrough says.
Another musician, Ben Cosgrove, a pianist and composer from 2021, produced his album Bearings in 2023 and returned to the Flint Hills multiple times to perform along cross-country tour routes.
“I work with each artist ahead of their arrival to learn what they are interested in exploring or learning while they’re in residence,” Yarbrough says. “I do my best to connect them with local folks or regional resources. We work with local organizations and building owners to host artwork.”
Art Tells the Stories
Based in Kansas City, 2023 resident Sandra ScottRevelle learned of the opportunity on Facebook.
“I was very interested in seeing the Flint Hills,” Scott-Revelle says. “I saw it and said, ‘Yes, that’s what I want to do.’ It was a shock to get in, and I was so excited. I was a fairly new artist at that point when I was putting feelers out for art opportunities, so I was just thrilled to death.”
The ecosystem of the prairie pulled Scott-Revelle into learning more about the people from the region.
Mark the Calendar
Come to the Fall Gathering in Matfield Green on Saturday, October 4, 2025! Follow @TallgrassArtistResidency on Facebook or Instagram and sign up for emails at www.tallgrassartistresidency.org for notifications about artist events.
A Prairie Season: Songs, Stories & Seedlings
Singer Brian Johannesen, 2024 Tallgrass Artist in Residence, initially heard about the opportunity from a songwriter friend on Instagram.
“I spent time working in three areas: fleshing out lots of writing for a new music album, learning about prairies at several area preserves, and being in the Flint Hills environment I was writing about,” Johannesen says. “There are no places like the wideopen prairie where I live, so I was inspired by the landscape to be productive.”
Based in Iowa City, Johannesen started in music 16 years ago. The residency helped him get serious with a new album.
“It was a good fit and time, because during the pandemic, I lost work in booking bands for venues,” he says. “So I went back to school to get a sustainability certificate. I worked with several businesses in Iowa and then went back into the music industry.”
His new album explores human effects on climate change, effectively drawing attention to this issue through music.
“The time got my wheels turning again,” he explains. “Statistics and numbers can’t always connect, but stories matter so much more.”
As a part of the residency, Johannesen played a show at the Dusty Bookshelf to try out some of the songs he had been working on to see how the music landed with locals.
“I needed space, and the folks in the community took me in to share what was going on,” he recalls. “It was so nice to have the context of the region. I was validated that it all sounded right to them. It all resonated with them.”
The Residency allowed for productivity and solitude to take the beginnings of ideas to completion.
“I walked out with complete songs and seedlings of others,” says Johannesen. “Going back to a busy life with a job and kids, it was so helpful to map out the whole project as a destination rather than loose ideas.”
“The last few years of my life have been complicated, complex and cluttered,” Scott-Revelle says. “The Flint Hills is where I love to be.”
Scott-Revelle is a self-taught artist who works with fabrics and textiles. She also creates short stories that accompany her art. During her residency, she researched Exodusters who came to Kansas after the Civil War.
“I discovered a historical figure named Sarah Taylor (1807–1872). The eager people at the historical society were so kind,” Scott-Revelle says. “The whole community works so well together with gracious hearts to make everyone feel welcome, even a city girl like me.”
Many of Scott-Revelle’s inspirations and sources come from historical narratives.
“I got an image for this project in my mind: I saw a woman standing next to a rock looking over the Flint Hills,” ScottRevelle says. “When I learned about Sarah, the art all came together.”
The final artwork turned out to be large, with lots of hand stitching, and she finished it the day of the display.
“I loved how it turned out,” Scott-Revelle says. “Many of my works are not for sale as I’ve noticed such a difference (in having) the original when I share with others … since the (original) art is alive, and people respond so much more to the depth of the stories.”
Her work on Sarah Taylor will be featured in the 2025 Symphony Flint Hills Field Journal
“I was so thankful for the experience to see how my work touches people all across the ranges of life as the stories get into the heart,” Scott-Revelle says. “It’s so encouraging to continue on, thanks to the residency.”
Taking Her Final Bow Longtime associate director at McCain Auditorium to retire this summer.
ARTICLE BY Jean Teller
PHOTOGRAPHY BY Nick Krug
On the campus of Kansas State University, a mainstay at McCain Auditorium is exiting stage left this summer. Although McCain’s associate director, Terri Lee, is retiring after nearly 30 years with the popular Manhattan performance center, her relationship with the auditorium stretches back much further.
Her parents supported the arts, particularly live performances, and introduced Lee to McCain Auditorium as a youngster. Lee remembers the first performance she saw there—a KSU production of the operetta Little Mary Sunshine. “I remember one of the sopranos was singing on a swing that then swung out over the audience,” she recalls. She enjoyed other performances at McCain over the years, and she also worked with Arts in the Park when she was in middle school. That’s when she decided to pursue a degree in technical theater.
One trip to McCain when she was in high school included a backstage tour. She was impressed enough to declare her intention to work there when she grew up.
“I thought it was really great to go backstage,” Lee says. “Not many people can say their childhood career goals actually came true. I can.”
At the Start
After Lee graduated from Manhattan High School in 1978, she enrolled at KSU, declaring a major in technical theater and art administration. Family obligations forced a break in her college career, but she returned in 1993, graduated in 1996, and earned a job at McCain that fall. “I started as the assistant technical director, which then immediately turned into technical director (TD) when the former TD retired within two weeks after I started,” she says.
A TD is responsible for everything the audience sees on stage, including lighting, curtains, floors and
scenery. “It’s everything from the back of the house to the back of the stage,” she says.
She was TD until the position of operations director opened; in that job, Lee took over patron services and the ticket office.
“When the former director, Richard Martin, retired, I acted as interim director until Todd Holmberg [current McCain executive director] could relocate,” Lee says. “Coming back from interim, I stepped into the associate director position.”
As associate director, she is intimately involved in all aspects of the auditorium’s life.
“Todd is the creative leader and the face of McCain. What he thinks up, I find a way to make happen,” she says. “And I excel at pushing papers!”
Lobby Renovation
In 2020, construction began on a $6 million expansion of McCain’s lobby. “We had talked about it for three years before breaking ground,” Lee says. “It took a full year from breaking ground to finishing.
“It was definitely a collaborative project between Todd and our technical director, Kyle McGuffin. We met with architects and contractors almost daily. Since it was during [the pandemic], we were closed and able to do the renovations during that time. It was a mixed blessing that year.”
Other projects she’s been involved with include the first phase of the fly system renovation; the second phase will be this summer. A fly system is the collection of ropes, pulleys and weights that allows the crew to swiftly and safely “fly” (i.e., hoist) curtains, sets, lights, stage effects and even cast members.
Lee was also involved in projects to replace the stage flooring and the system controlling lights and sound. She says there are ongoing talks about what will happen next, but no decisions have been made.
Memories
Lee shares a few memories of her time at McCain.
Outstanding performance: “The Russian National Orchestra performed The Firebird Suite, which is my favorite piece of music. It was magical for me.”
Most complicated: The ice ballets. “We had to get permission from structural engineers that the McCain stage would hold that much ice. We put down black plastic, built a 40-by-30-foot frame, added coolant mats and 2 tons of ice, then every hour for the next 24 hours, we had to add more water to get the ice to the required 8 inches. The staff and students took turns watering the stage. And then you have to take it down. We used ice chippers, filled wheelbarrows and took them outside to the waiting truck. Then back again. It took 24 hours to build and about six hours to tear down.”
The show that didn’t happen: Turandot, an operetta by Puccini (completed by Franco Alfano). “We had the set all built— it took about eight hours to build—and the performers came in the day of the performance. We were waiting for the show to start when the company’s production manager comes up to me and says, ‘We need to hold. The soprano is having a panic attack.’ So we held the show for 15 minutes. ‘It’ll just be a few more minutes.’ Another 15 minutes go by. Then the conductor comes up and says, ‘NO SHOW! NO SHOW!’ They couldn’t get the lead actress on stage, and her understudy wasn’t even in Manhattan. It was a quick load out for the troupe. And I had to go to the bus and ask for the check back.”
Moving Forward
When asked about the best part of being associate director at McCain, Lee doesn’t hesitate: “Definitely the people, all the staff I’ve worked with, the students who certainly add a liveliness, the patrons, the great community members on the board and the artists,” she says. “Not to mention all the wonderful performances and meeting with the performers.”
She says the worst part is a tie. “It’s a tossup between public speaking (there’s a reason I didn’t pursue acting!) and going through artist contracts,” she says.
Retirement’s been on Lee’s mind for a while. She finally decided that the 2024–2025 season would be her last. “McCain is in a really solid position, and there’s a great staff in place. It’s time to let new thoughts and perspectives lead [the facility] into the next phase,” she says. “Plus, I’m ready to enjoy some me time!”
She will miss her colleagues and the interaction with patrons, artists and members of the Friends of McCain organization. She hopes people remember her efforts to imbue the atmosphere at McCain with a sense of welcome and inclusivity.
She plans to see more of her children and grandchildren. Her son Zachary, his wife Desiree, and their two children are in Germany, she says. She’s anxiously awaiting their return this summer. Her daughter Chelsey is in California.
It makes sense, then, that one of her retirement goals is to travel. She’s also looking forward to taking some KSU classes. “Manhattan is fortunate to be part of the K-State community. People over 60 can audit classes for free, so I plan to take advantage of that,” she says. She laughs as she says she’s also looking forward to attending McCain performances when she doesn’t have to worry about the logistics.
“I’ll still fret a little,” she says about her new role as audience member. “Then I’ll say, ‘This is great and I’m enjoying myself so much.’ The first couple of times, I’ll probably be worried about what’s going wrong backstage—then I’ll be able to kick back and relax.”
McCain, Then and Now
1904
The original Kansas State University auditorium is dedicated. The Kansas Legislature had appropriated $40,000 for construction.
1960
The need for a new facility continues to grow. Performers point out the inadequacies, and alluniversity assemblies are discontinued due to limited facilities. In 1962, President McCain announces that the Ford Foundation has chosen KSU’s new auditorium as a special project; funding will be allocated for design and construction consultations. However, the project faces persistent delays.
1965–1966
President McCain requests the Kansas Legislature appropriate close to $3 million to build a new auditorium. In 1965, he organizes a committee to plan the new building, and a wellknown stage designer is hired as a consultant.
1970’s
President McCain notes the total cost of the building is a bit over $3 million; federal funds of $153,833 and state funds of $2,82,100 had been earmarked for the construction..
1955
For years, people had indicated that the auditorium was inadequate for the KSU community. Gov. Fred Hall, attending an all-college assembly in the old auditorium, stands up and proclaims, “One of the first things I’m going to see accomplished is the building of a new auditorium.” James A. McCain is the college president.
January 15, 1965
Two students set fire to the old auditorium, likely in response to the rhetoric suggesting that anyone who destroyed the old building would be doing the community a service. Not only is the building gutted, but the valuable contents— musical instruments and compositions, equipment from the fine arts departments and much more—are also destroyed.
October 3, 1967
University officials and other dignitaries gather for a ground-breaking ceremony for the new auditorium. According to KSU officials, the target finish is November 1969.
Spring 1970
The new KSU Auditorium is complete. The first scheduled event is an all-university convocation on September 2. The first major performance is Broadway musical George M, with curtains going up on October 7.
November 11, 1970
The new auditorium is dedicated. According to the Kansas State Collegian, “McCain dedicated the structure to the ‘enrichment of the human mind and spirit,’ describing [the building] as a ‘center for intellectual gratification.’”
The auditorium quickly becomes a popular destination for townspeople, but KSU student attendance lags. A student board is organized to help auditorium staff, led by director Mark Ollington, bring events that would interest students.
1983
The Friends of McCain organizes to generate community support.
1985
McCain celebrates its crystal anniversary. Improvements include a new speaker system and a road to facilitate attendees’ access.
1987
Richard Martin is hired as McCain director.
2007
Todd Holmberg is named director of McCain Auditorium.
April 17–26, 1975
A 10-day arts festival honors retiring president Dr. James A. McCain. Gov. Robert Bennett officially renames the building McCain Auditorium during a reception and dinner honoring the outgoing president.
1980
Doreen Bauman is named McCain Auditorium’s new director.
1981
The McCain Development Board is formed to promote the facility to students and the surrounding communities.
1984
Richard J. Diehl is named director of the auditorium.
1986
Stephen W. Riggs is appointed auditorium director for one year..
1990’s
McCain celebrates its silver anniversary with an open house and performance by a Manhattan soprano. The movable ceiling is repaired.
2007
A circular drive and a WWII memorial are constructed in front of McCain.
—information from HistoryofMcCainAuditoriumatKansasState University, a brochure produced in 2010 as part of McCain’s 40th anniversary celebration (www.k-state.edu/mccain).
SUMMER/FALL EVENTS
JUNE
June Wildflower Walk
June 1 | Konza Prairie Biological Station
Guided hikes along the Butterfly Hill Trail of Konza Prairie. Groups of 10 accompanied by a guide for an easy 1.5-mile tour. No reservations needed. $10 per person/free for Friends of Konza Prairie members. No pets. events.k-state.edu/event/konza_prairie_ wildflower_walk
Manhattan Juneteenth Celebration
June 13 & 14 | MHK City Park & Historical Yuma Street Area
Grilling cook-off in City Park on Friday, along with music from Heatwave. Traditional unity walk from Longs Park to Douglas Park; mayor’s proclamation on Saturday. facebook.com/mhkjuneteenth
KAWnsas Fest 2025
June 14 | Kansas River City (Saint George, KS)
The biggest small-town music festival with live music, food, art & craft vendors, basketball tournament and more. kawnsasfest.com
JULY
Celebrate Freedom
July 4 | Wamego
Visit Boomtown USA to celebrate the Fourth with live music, a fireworks display and musical soundtrack. Free concert followed by free fireworks show. Soundtrack to fireworks will be simulcast on Hot Country B104.7. Bring a radio (with earbuds), blanket, lawn chairs, water bottle, and earplugs for sensitive ears. visitwamego.com/celebrate-freedom-inwamego
Sunset Zoo Summer Celebration
July 12 | Sunset Zoo
Bounce house, face painting, watermelon and more. Children under 12 free with paid adult admission. Friends of Sunset Zoo members are free. sunsetzoo.com
AUGUST
Konza Farm to Table
August 8 | Gardens at Kansas State University
Dine and relax while strolling the K-State Gardens. Enjoy locally sourced foods and handcrafted tables and chairs by the Awl Thumbs. Limited to 32 guests. k-state.edu/gardens/150
Rock the Plains 2025
August 8 & 9 | Tuttle Creek Lake Campground (Cedar Ridge State Park)
Cashless event. $129 for 2-day general admission ticket; $465 for 4-pack of 2-day GA tickets. $250 VIP upgrade addon available. Parking charge; camping charge. For lineup and reservations, go to Facebook.com at Rock the Plains 2025 outhousetickets.com/events/rock-theplains-2025
SEPTEMBER
September Stroll + Quinlan Society Recognition September 26 | K-State Gardens
Enjoy the fresh air and beautiful fall gardens while saying thank you to our generous K-State Gardens donors. Live music and light refreshments for all. 5:30–7:30 p.m. Quinlan Society Recognition at 6 p.m. k-state.edu/gardens/150
OCTOBER
Oztoberfest
October 4 | Downtown Wamego
A fun fall family celebration in downtown Wamego. Check the website for this year’s events. visitwamego.com/oztoberfest
NOVEMBER
Poinsettia Sales
Online orders November 3–14
(pickup November 20)
In-person sale November 21 | Quinlan Visitor Center
Stroll through the K-State Gardens before purchasing or picking up your seasonal beauty. The event’s proceeds support horticultural students, who are not only learning to grow beautiful plants but also mastering the art of greenhouse management. k-state.edu/gardens/150
Santa’s Luminary Trail
November 29–30 | Sunset Zoo
Stroll along a lighted path in the upper African loop of the zoo, take a photo with Santa, enjoy warm drinks, sweet treats and more. sunsetzoo.com
DECEMBER
22nd Annual Little Apple New Year’s Eve Celebration
December 3 | Aggieville
Join 7,000 of your closest friends to ring in the new year! Check the website for details and events. aggieville.org/events
150th Garden Celebration Finale
December 4 | K-State Gardens
Come see the K-State Gardens in this special holiday celebration! 5:30–7:30 p.m. k-state.edu/gardens/150
