Sudhanshu Mittal Portfolio

Architecture

design

PORTFOLIO Sudhanshu Mittal

2016

Architecture

design

PORTFOLIO Sudhanshu Mittal

Sudhanshu Mittal 19th September 1994

Contact +91 9999 856 469 sudhanshumittal@live.com issuu.com/sudhanshumittal Kailash Hills, East of Kailash, New Delhi - 110 065 India

CV

OBJECTIVE The objective is to join an architectural firm where I can avail an opportunity to learn, enhance my professional capabilities and contribute in a creative work environment, while simultaneously expanding my skill set and gaining exposure in the field. It would be my endeavor to establish myself as a valuable asset to the organization which would best utilize expertise in the technical environment.

TRAINING PERIOD : JULY 2015 - APRIL 2016

SOFTWARE SKILLS

EDUCATION

Autodesk AutoCAD 2D Adobe Photoshop Adobe Creative Suite Sketchup+Layout Autodesk Revit Autodesk 3DS Max CorelDraw Microsoft Office

Bachelor of Architecture MBS School of Planning and Architecture, Dwarka

Senior Secondary School Bluebells School International, Kailash, 12th - CBSE (90.8%)

ACADEMIC PROJECTS 1st semester Bus Stand 2nd semester Residence cum boutique 3rd semester Primary School 4th semester Urban Haat; Dilli-Haat 5th semester Cooperative Group Housing 6th semester Socio-Cultural Center 7th semester Urban Design intervention

1998-2012

CREATIVE INVOLVEMENT & WORKSHOPS 2012

Summer School Programme

2013

Programme detail: Unbuilt London Architectural Association, London

2014

§ Unit Secretary for MBS SPA for NASA India in 2014-15 § Unit Designee for MBS SPA for NASA India in 2013-14

PERSONAL INTEREST

2014 2015

2015

July, 2014

ACHIEVEMENTS

2013

§ § § §

Form and mass evolution Design development though sketching Project management Design flow and evolution

ACADEMIC PROFICIENCY

Urban intervention for INA market

Dissertation

2012-2017

2015

Vertical City: A future of sustainable cities

§ § § §

1st year 2nd year 3rd year 4th year

69.7% 65% 74.78% still pursuing

DECLARATION I hereby declare that all the above information is true to the best of my knowledge.

SUDHANSHU MITTAL Date: 31th March 2016

Place: New Delhi

CONTENTS

1 2 3

ARCHITECTURE DESIGN STUDIO B. ARCH DISSERTATION MISCELLANEOUS

ACADEMICS

undergraduate level architecture design

YEAR 4 / 2015 / Urban Design Studio REHABILITATION OF INA AND ITS PRECINCTS AIIMS, INA, aurobindo marg, New Delhi

YEAR 3 / 2015 SOCIO-CULTURAL CENTRE Vasant Kunj, New Delhi

YEAR 3 / 2014 CO-OPERATE GROUP HOUSING SOCIETY Dwarka Sector -26, New Delhi

YEAR 2 / 2014 URBAN HAAT Dwarka Sector - 12, New Delhi

YEAR 2 / 2013 PRIMARY SCHOOL Dwarka Sector - 6, New Delhi

URBAN INTERVENTION INA AND ITS PRECINTS YEAR 4 / 2015 / DESIGN STUDIO INA and its precincts are located at one end of Aurobindo Marg, with Qutub Complex and Mehrauli on the other end of this road. INA and its precincts include AIIMS and Safdarjang Hospital; Vikas Sadan, Laxmi Bai Nagar, West Kidwai Nagar, the new development of East Kidwai Nagar, INA colony and the INA market. All the places in this region lead to a culmination of many different activities, including office people commuting to Vikas Sadan, CVC office; people shopping at INA market and Dilli Haat; others at AIIMS; and all the other activities of three residential colonies. Another important fact that makes this region all the more important is the fact that Aurobindo Marg is a high density road and helps disburse around the city on a large scale.

The region is in urgent need of design rejuvenation, since it is a historically and culturally important place for Delhi, and it was not originally designed for the kind of density, traffic movement and environment that currently exists. It is and has always been an important area considering Safdarjung tomb, airport, and now INA to keep up its requirement.

The design studio aims at creating a better understanding of architecture on a city level scale, where design interventions have an effect on a city-wide scale. The study of cause and effect of design intervention also creates an awareness about design strategies. The scale of the project plays an important factor, since management of work load and time efficiency are put to a test.

PROPOSED SITE

PERSPECTIVE VIEW OF EXISTING SITE

AUROBINDO MARG AND ITS CONNECTIONS

PROPOSED SITE EXISTING TRAFFIC MOVEMENT ON SITE

EXISTING SITE PERSPECTIVE VIEW

LEGEND Laxmi Bai Nagar AAI Colony INA Market Motor Market

PROPOSED SITE PERSPECTIVE VIEW

DESIGN DEVELOPMENT

FAST-TRACK PEDESTRIAN BRIDGE

INA MARKET

DILLI HAAT

CONNECTION OF MOVEMENT

DILLI HAAT

4-WAY BRIDGE RECREATIONAL BRIDGE

INA MARKET

Buffer-rift

courtyard

COURTYARD

COURTYARD

CREATION OF INA MARKET

TREE OF HOPE Double Decker Bridge RECREATIONAL BRIDGE FAST-TRACK PEDESTRIAN BRIDGE

RECREATIONAL BRIDGE

ARCH

DILLI HAAT AND KASHMIRI HAAT Dilli Haat is already a well established cultural center, relocating and rehabilitating Kashmiri Haat makes this area a cultural hub which will attract thousands of visitors, renovation of the exisitng plan of Dilli Haat to give it more space and a well worked parking also helps to make it more comfortable.

ARCH Arch acts as the gateway to the starting and the end of Aurobindo Marg. It also unites and ties up the two distinct features of this new area.

SIGNAL FREE ROAD A signal free road plays an important part in disbursing trafďŹ c and that too at a fast pace.

This plays an important role since the vehicular movement in the area is high. It also makes the roads safer and less prone to accidents.

TRANSPORTATION HUBS

Apart from the already existing movement pedestrians and vehicles for Vikas Sadan a other institutional buildings along with AIIM Safdarjung hospitals, new movement creat Dilli Haat, INA, Tree of Hope and Kashmiri H needs proper management to provide easy accessibility. Transportation hub facilitates accessibility via all public transport.

TREE OF HOPE A recreational plaza, visible from all over the city, with light shows to accentuate the space, to create a public space for both the citizens and tourists to enjoy the view of the city.

of and MS and ted by Haat, y s

INA REHABILITATION INA has been rehabilitated to include new shops, increasing the overall standard and capacity of the market from a grocery and meat market to a market serving both the basic and recreational needs of the surrounding, which also helps to reduce trafďŹ c movement.

ABOUT THE DESIGN The design ideology that was followed was aimed to elevate and bring the design and quality of the area to an international level, to make the place more pleasurable for the visitors and visitorfriendly. We have tried to convert Aurobindo Marg into a signal-free corridor in the region, which helps to open up blockades created by cross-walking citizens. This brings us to another important aspect of the design ideology, which was to keep the design not only pedestrianfriendly but to actually make it pedestrian oriented as much possible with the given restrictions.

We have also created designated parking zones for both public and private vehicals, as a major identiďŹ ed problem is unplanned auto-rickshaw stands which create a ruckus.

TRANSITIONAL PLAZA IN FRONT OF INA MARKET

BRIDGE AND ARCH

PROPOSED SITE PLAN

SECTION AA’

LONGITUDINAL SECTION THROUGH LANTERN GARDEN

SECTION BB’

CROSS-SECTIONAL THROUGH LANTERN GARDEN

SECTION CC’

SECTION THROUGH INA MARKET

SITE PLAN

LANTERN GARDEN, DILLI HAAT, KASHMIRI HAAT

RG MA ND O

LVL +3000

200

0

AUR

LVL +

185

0

OBI

LVL +3000

LVL +

LVL +3000

RAM

PE 1

A

P

SLO

P

PE 1

LAZ

RAM

SLO

:12

LVL +3000

VEH

LVL

+18

50

LVL

+20

LVL

00

+00

ICU

LAR

ENT

RY P

:12

LVL +3000

LVL +3000

AU

TO

DRO

LVL

PO

FF P

LAZ

A PED

EST

RIA

+20

00

LV

L+ NTR 00 YP LAZ

NE

A

SITE PLAN

INA MARKET

PERSPECTIVE VIEW NIGHT TIME VIEW

SOCIO-CULTURAL CENTER VASANT KUNJ, NEW DELHI YEAR 3 / 2015 / DESIGN STUDIO A Socio Cultural place is where the culture of the society can be shared and such activities can be undertaken. it provides with places where perform, display, learn at.Special attention is also given to provide easy access for the differently-abled, by the use of ramps and elevators, making the complete site as accessible as for any other user.

This proposal tries to create a place where people can perform, learn, stay, display via different means for example dance in the auditorium, or learn at the library. The design studio aims at creating an understanding of how to deal with authority based restrictions and contoured-site.

Importance is also given to climatic conditions, sustainability, accessibility for the differently-abled, contour planing.

PROJECT HIGHLIGHTS SITE LOCATION

VASANT KUNJ, NEW DELHI

TOTAL SITE AREA PERMISSIBLE GROUND COVERAGE PROPOSED GROUND COVERAGE

63,640 M2 33% (21,001 M2) 17% (10,810 M2)

PERMISSIBLE FLOOR AREA RATIO PROPOSED FLOOR AREA RATIO

75 26

PARKING

748

E 300 M LIN

ABOUT THE SITE The site falls in Vasant Kunj in zone J (South West zone) along the proposed 75m ROW Mehrauli-Mahipalpur Road.

The site lies in institutional area and also has schools near-by.

The site is in close proximity to Sultan Garhi Tomb which is an ASI protected monument and hence appropriate approvals need to be taken before hand from the authorities. The site lies beyond the prohibited area for construction.

LINE OF CONTROL 100 m Line from the protected monument; Construction or any such activity is strictly prohibited

100 M LINE

300 m line from the protected monument; Regulated area, where activity with approval can be undertaken

PROPOSED SITE

ASI PROTECTED, SULTAN GHARI TOMB

L E V E L V A R I AT I O N LEVEL IN M ABOVE SEA LEVEL

88 89 90 91 92 93 94 95 96 97 (ROAD LEVEL) 98 99 100 101 102

PROPOSED SITE CONTOUR AND HEIGHT VARIATION

DESIGN DEVELOPMENT The site has been so planned, that the natural and existing elements of the site are highlighted.

Using the natural elements also helps protect the interest of the site, since it is in close proximity to Sultan Garhi Tomb, which is an ASI protected monument.

The main aim hence became to create an axis not only with the tomb, to give it importance, but also to make a connection with the water-body and the undulation of the land.

The focal point of the planning is the administration block, which maintains a direct link with the tomb and also connects to the site and all the buildings. The administration block helps to place the buildings in such a way that none of them block each others view, and at the same time, a clear view of the tomb and the water body is possible from any block or building. This creates an equilateral triangle on both major levels of the site.

CRUCIAL ELEMENTS OF LAYOUT DESIGN: 1. Bring out the connection of the site with the tomb, 2. Utilizing the drop of level, 3. Preserving the natural slope and the water body on the site LEVEL DROP OF 5 M

SULTAN GARHI TOMB

Basement

MAIN VISUAL AND MOVEMENT AXES CONNECTING THE SITE TOGETHER

LEGEND

CONCEPTUAL SECTION OF THE SITE, PRESERVING THE NATURAL LEVELS AND THE NATURAL DRAINAGE OF THE SITE LEVEL DROP OF 5 M

CONCEPTUAL SECTION OF THE SITE, HIGHLIGHTING THE DROP IN LEVEL OF THE SITE

Primary Point Secondary Points

Tertiary Point Other place

Visual Connections

DEVELOPMENT OF AXES

X

M

IT

74

EX

ID

W E AD RO

8

9 Y

6

3 5 7

Y’

1 4

EN

TR Y

2

X’ EXIT

12.5 M WIDE ROAD

PROPOSED SITE PLAN 1. ADMINISTRATION

3. LIBRARY + LEARNING CENTER

6. CONVENTION CENTER

2. PERFORMING ARTS CENTER

4. VISUAL ARTS CENTER

7. PROVISION FOR GUEST HOUSE

5. RESTAURANT

8. OPEN-AIR-THEATRE

AUDITORIUM 1 (SEATING CAPACITY 520) AUDITORIUM 2 (SEATING CAPACITY 220)

9. RESTAURANT CORE AREA (STAIRCASE + LIFT)

PERFORMING ARTS CENTER Y

A

Store

X

g

Dressin Room

g

Dressin Room

Y’ Store Dressing Room

sing Dres Room

X’

FLOOR PLAN AT LVL +102

ELEVATION AT A

LVL +109.5 LVL +108

G. LEVEL +102

SECTION AT YY’

LVL +111.5 LVL +110

G. LEVEL +102

SECTION AT XX’

The Performing Arts Center has two high grade Auditoriums, with seating capacity of 520 and 220 persons each.

Along with each Auditorium, there is individual storage space as per requirement.

ACCESSIBILITY

A R T WA L L

The center has its separate drop-off, along with ramps directly connected to the basement level, this also helps in minimizing vehicular movement inside the site.

Further, the basement parking is directly connected via lifts.

The wall which is on the interior of the site is a Art Wall, which can be used for various purposes including displaying art, projection at night, flex and other such temporary or permanent options.

This creates a more artistic environment on the site, and promotes art at the same time.

LIBRARY + LEARNING CENTER B

Y

Resource Center LVL +102.75

Security Officer

Studio II

Studio IV

Studio III

Studio I Children’s Library

X

X’

LVL +101.25

Y’ FLOOR PLAN AT LVL +102

ELEVATION AT C

ELEVATION AT B

C

LVL +108.5 LVL +106.5

LVL +102

SECTION AT XX’ THROUGH LIBRARY + LEARNING CENTER

LVL +108.5 LVL +106.5

LVL +102

SECTION AT YY’ SHORT SECTION THROUGH LIBRARY

CONVENTION CENTER Conference Room 3

ter I

ss Cen

Busine

ter II

ss Cen

Busine

Dining

Room

Kitchen

Store

Adminis tr

ative S taff

FLOOR PLAN AT LVL +98.5

rence

Confe

Suppo

rt Staff

2 Room

m1

nce Roo

Confere

Banquet Hall II

Banquet Hall I

with outdoor space

with outdoor space

Kitchen

FLOOR PLAN AT LVL +102

FLOOR PLAN AT LVL +102

Kitchen

PERSPECTIVE VIEW BIRD’S EYE VIEW NORTH-WEST

SITE SECTION XX’ SHORT SECTION

SITE SECTION YY’ LONG SECTION

PERSPECTIVE VIEW BIRD’S EYE VIEW SOUTH-EAST

LVL +105.5 LVL +102 LVL +98.5 LVL +95

LVL +105.5 LVL +102 LVL +98.5 LVL +95

CO-OPERATIVE GROUP HOUSING SOCIETY SECTOR - 26, DWARKA, NEW DELHI YEAR 3 / 2014 / DESIGN STUDIO Shelter is a basic human need. Shelter is one of our basic needs: it is a place that can protect us from the elements, keep us warm and safe, and give us the encouragement to satisfy our other needs. Housing satisďŹ es the need of belonging, gives a sense of safety and provides for a comfortable physical environment. Considering the out growth of population in India, there is a need to provide sustainable housing at the same pace, otherwise more and more people will have to live without proper shelter. This proposal may be implemented by Private ownership. The design studio aims at creating an understanding of function driven design keeping in line with the given norms and regulations, as per the city’s civic authority. Importance is also given to climatic conditions, basic human needs, sustainability.

ABOUT THE PROJECT The project is located at sector 26 ,Dwarka, the site is accessible via 30m wide main road and 20m wide service road, giving it good accessibility.

Adjacent to the proposed site exists Bharthal Village covering an area of 4.48Ha. The site surroundings are proposed as Residential zones in the Master Plan of the city.

The project caters to a high population density of 1.75 dwelling unit per hectare, with HIG and MIG housing, apart from the necessary housing for EWS. Thus, a total of 720 units are required for the group housing.

BHARTHAL VILLAGE

HAF - 2

AREA 44.8 Ha

RESIDENTIAL AREA 1.17 Ha

30m W

IDE RO AD

PROJECT HIGHLIGHTS PROPOSED

SECTOR 26, DWARKA

SITE

TOTAL SITE AREA

4.43 Ha PERMISSIBLE GROUND COVERAGE 33% (14751.5 M2) PROPOSED GROUND COVERAGE 33%

AREA 4.43 Ha

HAE - 3 AREA 1.02 Ha

20m W

SITE LOCATION

IDE RO AD

RESIDENTIAL

RESIDENTIAL PERMISSIBLE FLOOR AREA RATIO PROPOSED FLOOR AREA RATIO

200 196

TOTAL PARKING POPULATION DENSITY

1550 1.75 DU/Ha

DESIGN DEVELOPMENT

AREA 1.48 Ha

30m W

RESIDENTIAL AREA 1.04 Ha

IDE RO AD

PROPOSED SITE Placement Of Clusters The clusters are placed on the periphery of the site. This has been done, among other reasons, to improve and highlight the site itself and the space created by the clusters, since the site is surrounded by a main road, a village and other potential unwanted elements. Its a space rich for socializing and safe for children.

Hierarchy of spaces Living Room Bedroom

Toilet

Dining Room Toilet

Kitchen

Bedroom

Community Terraces Community Terraces to provide social break-out spaces which are a little more private to the building, and also act as good green space to sit, have been provided at different levels in different buildings. These will also serve as refuge areas in emergency situations, where people can take cover.

30M W

IDE RO AD

X

3 7 8

9

30M W

EWS HOUSING 6000 M2

IDE RO AD

6

1

4 2 LEGEND 1 Tower Type 1 2 Tower Type 2 3 Tower Type 3 4 Banquet Hall 5 Clubhouse 6 Swimming Pool 7 Badminton Court 8 Basketball Court 9 Parking

30M W

IDE RO AD

PROPOSED SITE PLAN

A

X’

PERSPECTIVE VIEW AERIAL VIEW OF THE SITE TOWER 3 81,200

TOWER 2 63,200 TOWER 1 57,200

G.L. 00.00

SITE SECTION XX`

TOWER 1 2BHK UNITS

TOWER 2 3BHK UNITS

DN

UP

UP

UP

TYPICAL FLOOR PLAN 2BHK

2

Kitchen

Toilet

3.7 x 3.8 m

2

4.1 x 3.8 m

3.3 x 4 m

2

Dining Room 3.6 x 5 m

Master Bedroom

Bedroom

TYPICAL FLOOR PLAN 3BHK

Toilet

2

2

Living Room 3.45 x 6.8 m

2

Dining Room 3.7 x 5 m

2

Living Room 4.1 x 5.4 m

2

Bedroom

Bedroom

4 x 4.1 m

2

3.8 x 4 m

Kitchen

Bedroom

Balcony

3.5 x 4.3 m

2

2.1 m wide

FLOOR PLAN SINGLE UNIT

TYPICAL FLOOR PERSPECTIVE VIEW

FLOOR PLAN SINGLE UNIT

TYPICAL FLOOR PERSPECTIVE VIEW

2

Toilet

1.5 m wide

Toilet

Balcony

Toilet

TOWER 3 2BHK UNITS

X

UP

UP

X’

TYPICAL FLOOR PLAN 2BHK

Kitchen 4 x 5.5 m2

Living Room 4.2 x 5.3 m2

Bedroom 4.3 x 3.9 m2

Balcony 2 m wide

Bedroom 4.3 x 3.9 m2 Dining Room 4 x 4.5 m2

Balcony 2.1 m wide

FLOOR PLAN SINGLE UNIT

TYPICAL FLOOR PERSPECTIVE VIEW

SECTION XX’

SWIMMING POOL ABOVE

30M WIDE ROAD A

SEWAGE TREATMENT PLANT

VEHICULAR MOVEMENT GROUND FLOOR PLAN

KEY PLAN A

ELEVATION AT A SOUTH-WEST

PERSPECTIVE VIEW VIEW TOWARDS THE CLUBHOUSE

TOWER C WORM’S EYE VIEW FROM WEST

URBAN HAAT DWARKA SECTOR - 12, NEW DELHI YEAR 2 / 2014 / DESIGN STUDIO An Urabn Haat is a place where craftsmen, painters and other artists come together at a place to showcase, sell, advertise and promote their art. Dilli Haat is a perfect example of an urban haat, a place where people from all over India come together and showcase the diversity of the country.

This proposal aims to create an environment where art can ourish and artists from all backgrounds and geography can co-ist. The design studio aims at creating an understanding of basic designing techniques, placements of various types of buildings with landscaping. Importance is also given to circulation design, climatic conditions, accessibility for the differently-abled.

PROJECT HIGHLIGHTS DWARKA SECTOR -12, NEW DELHI

TOTAL SITE AREA PERMISSIBLE GROUND COVERAGE PROPOSED GROUND COVERAGE

31,700 M2 30% (9,510 M2) 28% (8,876 M2)

PERMISSIBLE FLOOR AREA RATIO PROPOSED FLOOR AREA RATIO

40 (12,680 M2) 28 (9000 M2)

PARKING

955

ABOUT THE SITE The site is a plot in a residential colony, with a market and Metro Station in close proximity.

The site is also divided by an oil pipeline that crosses from almost the center. The oil pipeline creates a restriction, since any construction with a foundation cannot be undertaken in this region of the site.

The region has excellent connectivity since the Metro station is in close proximity with a bus stand and taxi stand close-by as well.

DWARKA SECTOR 12 METRO STATION

MAHARAJA SAINI APARTMENTS

SITE LOCATION

OI

LP

IP

EL

IN

PROPOSED SITE

E

CLASSIC APARTMENT SAM INTERNATION SCHOOL

PROPOSED SITE DESIGN DEVELOPMENT CHAKRA a chakra in Sanskrit means, "wheel" is thought to be an energy point or node in the subtle body.

Chakras are believed to be part of the subtle body, not the physical body, and as such, are the meeting points of the subtle (non-physical) energy channels called nadi.

EVOLUTION OF PLAN The plan started with two chakras like in a vehicle for movement.

The circulation of the craft bazaar is just like the wheel of life or like a chakra, it is continuous. The movement is such that any direction you go in, your movement and circulation always ends up being in a ow, and the user end will up going through each and every stall and every area.

The circular shape also allows to create an open space in the center which makes an open space in the core area, which helps in dispersing the crowd, and also acts as a buffer space.

X 17

T

I EX

15

16 8

14 7 9 11

11

6

12

X’

3 3

6

10 11

Y’

5

12

20

4

M W E

ID

3

EX IT

AD RO

3

10 11 1

13

ID

E

1

1. TICKETING COUNTER 2. INFORMATION KIOSK 3. STATE PAVILION 4. CAFETERIA 5. COVERED ART GALLERY

6. TOILET 10. TYPE A STALLS 7. COVERED WORKSHOP 11. TYPE B STALLS 8. SEMI COVERED WORKSHOP (OPEN FOR PUBLIC 12. TYPE C STALLS VIEWING) 13. TEMPORARY STALLS 9. GARDENERS STORE 14. FOOD STALLS

EN

PROPOSED SITE PLAN

TR Y

30

M

W

Y

RO AD

2

15. OPEN AIR THEATER 16. OPEN AIR ART GALLERY 17. HOSTEL CUM DORMITORIES

B U B B L E D I AG R A M

SHOWING CONNECTIONS AND MOVEMENT

TYPE B STALLS

STATE PAVILLIONS

DINNING HALL TOILET

CAFÉ

ENTRANCE DISPLAY AREA

TYPE C STALLS

TRANSITION AREA/ BUFFER ZONE

TICKETING & SECURITY CHECK

OAT TYPE B STALLS

OPEN AIR ART GALLERY

ART GALLERY

TEMPORARY STALLS

FOOD COURT

TRANSITION AREA/ BUFFER ZONE

TOILET

STAFF PARKING

ENTRANCE

INFORMATION KIOSK

ADMINISTRATION TYPE A STALLS

BUFFER ZONE

MEDICAL ROOM DROP OFF

ZONING

ZONING PLAN BUFFER ZONE

TRANSITION SPACE

ENTRANCE DISPLAY AREA

FOOD COURT

TRANSITION SPACE

BASEMENT PARKING

S TA L L T Y P E A

S TA L L T Y P E B

ELEVATION

S TA L L T Y P E C

ELEVATION

ELEVATION

D B

A

C

F C’

E

A’

E’

B’ F’

PLAN PLAN

D’

PLAN

SECTION AA’

SECTION CC’

SECTION EE’

SECTION BB’

SECTION DD’

SECTION FF’

TYPICAL FLOOR PLAN HOSTEL DETAIL

GROUND FLOOR PLAN STALL DETAIL

PERSPECTIVE VIEW BIRD’S EYE VIEW NORTH-WEST

SITE SECTION XX’ SHORT SECTION

SITE SECTION YY’ LONG SECTION

PERSPECTIVE VIEW BIRD’S EYE VIEW SOUTH-EAST

ROOF LVL +3600

PLINTH LVL +450 G. LVL +00

ROOF LVL +3260

PLINTH LVL +450 G. LVL +00

BASEMENT LVL -3000

PRIMARY SCHOOL DWARKA SECTOR - 6, NEW DELHI YEAR 2 / 2013 / DESIGN STUDIO A School is an institution that imparts knowledge in a way understandable to its pupils, knowledge that has been built over the information humans have collected over the years of evolution. A Primary school is further more important since it is the foundation on which any person builds himself, and for this foundation to be strong, infrastructure plays an important role.

The design studio aims at creating an understanding of basic design and anthropometry at a small scale level. Importance is given to creating an environment that is creative, playful, inducive and in addition, also to climatic conditions, sustainability.

PROJECT HIGHLIGHTS SITE LOCATION

DWARKA SECTOR -6, NEW DELHI

TOTAL SITE AREA PERMISSIBLE GROUND COVERAGE PROPOSED GROUND COVERAGE

4,000 M2 30% (1,200 M2) 30% (1,200 M2)

PERMISSIBLE FLOOR AREA RATIO PROPOSED FLOOR AREA RATIO

120 105

ABOUT THE SITE The site is a plot in a residential colony, with a high school, Vishwa Bharti Public School, on the adjacent site.

The site is at, without any kind of contours or undulations. It also has no constraints, and is subject to regulations as per the district authority for any other institution.

TREE OF KNOWLEDGE Trees are one of the most basic yet a highly evolved form of life which help in creating a balance on life on Earth. Being one of the oldest life forms on the planet, trees not only depict growth but also are self-sustaining and instead provide food, clean air, shade and a safe habitat to other living creatures.

In India, trees are not only worshiped but are believed to give knowledge, and the earliest forms of school, Ashrams, Vidyalayas started from under a tree, where teachers used to teach dues to the shade of the tree.

DESIGN DEVELOPMENT PROPOSED SITE

GEOMETRY SHAPE

GROWTH RINGS

C R E AT I N G S PAC E GROWTH RINGS IN A TREE TRUNK

C O U R T YA R D D E S I G N

STEEL ARBOREAL STRUCTURE

CENTRAL CORE

ADD GREEN

Y

X

5 6

7

4 3

2 1 1

X’ 7 M WIDE ROAD

Y’

A

PROPOSED SITE PLAN 1. PARKING

3. COURTYARD

5. BASKETBALL COURT

2. SCHOOL BUILDING

4. JUNIOR PLAY AREA

6. MINI-SWIMMING POOL 7. BADMINTON COURT

8

10

12 13

9

8 14

7

9 1. LOBBY

11

2. STAFF ROOM 3. PARENT-TEACHER ROOM 4. PRINCIPAL’S ROOM

6

6

6

3

5. ADMINISTRATION OFFICE

6

5

6. TOILET 7. PLAY GROUP

4

8. PRE-NURSERY

1 2

9. NURSERY 10. K. G. 11. COURTYARD 12. ASSEMBLY HALL/ MULTI PURPOSE HALL 13. CLINIC 14. JUNIOR PLAY AREA

GROUND FLOOR PLAN

MUMTY LVL +13350 ROOF FLOOR LVL +10350 SECOND FLOOR LVL +7150 FIRST FLOOR LVL +3950 PLINTH LVL +450 G. LVL +00

SITE SECTION YY’

SITE SECTION XX’

ELEVATION AT A

FRONT ELEVATION

PARAPET LVL +11360 ROOF FLOOR LVL +10350 SECOND FLOOR LVL +7150 FIRST FLOOR LVL +3950 PLINTH LVL +450 G. LVL +00

FIRST FLOOR PLAN

PERSPECTIVE VIEW BIRD’S EYE VIEW SOU

SECOND FLOOR PLAN

UTH-WEST

B. ARCH DISSERTATION

VERTICAL CITY A F U T U R E O F S U S TA I N A B L E C I T Y YEAR 4 / 2015 / DESSERTATION

People have imagined ideal cities for millennia. Plato's Republic was an ideal city, although lacking in the spatial detail of later schemes.

Renaissance architects designed numerous geometric cities, and ever since architects have been the chief source of imaginative urban proposals. In the twentieth century, Le Corbusier, Frank Lloyd Wright, Paolo Soleri, and dozens of other architects have designed cities on paper. Although few have been realized in pure form, they have influenced the layout of many new towns and urban redevelopment projects.

In his "Contemporary City for Three Million People" of 1922 and "Radiant City" of 1935, Le Corbusier advocated a high-density urban alternative, with skyscraper office buildings and mid-rise apartments placed within park-like open spaces. Different land uses were located in separate districts, forming a rigid geometric pattern with a sophisticated system of superhighways and rail transit.

Frank Lloyd Wright envisioned a decentralized low-density city in keeping with his distaste for large cities and belief in frontier individualism. Areas are also carefully set aside for small farms, light industry, orchards, recreation areas, and other urban facilities.

A network of superhighways knits the region together, so spatially dispersed facilities are actually very close in terms of travel time.

So what will the ideal city of the future? How will our cities evolve to fulfill our growing needs? What will be the main ideas around which our cities will develop and grow?

The vision of a new Vertical City is inspired by how the current urban planning approach that is rooted in the environmentally harmful, energy inefficient, and unsustainable post-World War II mentality of cheap fossil fuels, car ownership, and an exhausted transportation system, and needs a drastic change for the future. It is a call for a new paradigm to address the urgent problems of unprecedented human population totals and tidal waves of rural migration into cities.

The solution it seems lies in the optimization of population density, thereby changing every important aspect of a city. A Vertical City is a high-capacity, high-efficiency ultra-tall buildings occupying a relatively small car-free, pedestrian friendly parcel of land.

In my view, A Vertical City starts with a large piece of land. Then there is a raised podium above which the city exists. The city is surrounded by green land, cropland, and agricultural land. And then rise out of the podium, ultra-high towers, some 250 floor, and even 400 floors above the podium.

These tower connected to each other via bridge like Sky Lobby, which are green and have people shopping, drinking, relaxing, sunbathing, swimming, or just socializing. These sky lobbies are like “village centres”, where people naturally gather, local artists, performers, and even street vendors displaying their skills.

Surrounding this city is open croplands, which help to get produce for the city, which also give a beautiful open view of green lands to the citizens from their ultra-high tower. These farmlands also act as a buffer between the existing city and its gimmicks, separating the two out, connected via a super-highway.

MISCELLANEOUS

U N B U I LT L O N D O N LO N D O N S T U M P S ARCHITECTURAL ASSOCIATION / 2014 / SUMMER SCHOOL PROGRAMME From Cedric Price’s Fun Palace, to Winston Churchil’s Was Room, and the hundreds of spaces, buildings, and years in between and since, London is characterised by the seminal projects that define the form and culture of the city. London has been shaped by both the built and unbuilt projects throughout its history.

At the school we aimed to invent, speculate and design our own London Project by inventing new worlds to challenge the status quo. The programme aims to challenge students to consider London’s major projects as propositions that suggest new architectures alongside cultural, political and social repositioning of the city.

PART 1: EXPLORE

PART 2: FABRICATE

PART 3: OCCUPY

PINNACLE TOWER AS IT EXISTS SINCE 2008 TEST SAMPLE

SKIN LIKE FACADE

POST DRYING OF POP PINNACLE TOWER

Watkin’s Tower 1891

Pinnacle Tower 2008

PIGMENTATION PROCESS

STUMP AS IT EXISTS

WOODEN CONNECTIONS

The point of departure is the ‘stump’: an abandoned structure that was destined to become a tower on the London skyline.

We study and replace a failed London tower using our own imagination. We then built a structure that carries Victorian optimism and embraces a future vision for London.

London’s two stumps, the Pinnacle and Watkin’s Tower were objects of their designers’ highest ambitions to create the tallest and most complex structure in the skyline of London. They do not only represent engineering ingenuity: they were meant to be an icon, a tourist attraction and a market-driven idea that fell just short of riding their wave of momentum.

MOULDING

PRESENTATION OF WORK

AA SUMMER SCHOOL 2014 - UNIT 7

FINAL MODEL

SAMPLING AND TESTING

WORKING DRAWING 340

COOPERATE GROUP HOUSING SOCIETY 12 2

36

50

311 0

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15

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8

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685

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P L A N T O I L E T D E TA I L P L A N SCALE 1:50

85

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F I R S T F L O O R P L A N T Y P I C A L F LO O R P L A N S E C T I O N A L - E L E VAT I O N A

SCALE 1:300

SCALE 1:50

1

2

4

3 2619

5

3615

6

3915

3735

1080

1615

370

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1080

950 1000

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1125

1125

1160

750

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630

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1200

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700 700

950

1270

47000

1185

3110

950

1200

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460

460

1185

810

1000

1400

1000

975

B

700

975

700

795

700

1185

1390

A

900 1020

940

1015

940

1020

590

1175

1175

590

250

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1270

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1270 1015

1100 1100

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2097

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385

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362

310

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760 760

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1250

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860

640

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640

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311

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660

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5600

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615

F

R E F L E C T E D C E I L I N G P L A N TYPICAL UNIT PLAN SCALE 1:200

S E C T I O N A L - E L E VAT I O N D SCALE 1:50

18

17

1615

16 2620

15 3615

14 3915

13 3735

27 2525

26 2280

25 4670

6 2680

5 3735

4 3915

3 3615

2 2620

1 1615

Mumty\ Leve 63200 Level\ 2 60200 Level\ 1 57200 Level\ 1 54200 Level\ 1 51200 Level\ 1 48200 Level\ 1 45200 Level\ 1 42200 Level\ 1 39200

4600

Level\ 1 33200 800

5850

450

Level\ 1 36200

Level\ 1 30200 Level\ 27200

150

Level\ 24200

5850 4600

450

Level\ 21200

800

Level\ 18200 Level\ 15200

Level\ 9200

Living\ Roo

Lobby

Stairwell

Lobby

Living\ Roo

2850 150

2210 640 Bedroom

3050 150 150

Kitchen

Level\ 6200 Level\ 3200 Level\ 0 Level\ -3200

3050

3050 150

Bedroom

9151220 715

2850

150

Level\ 12200

Level\ -6200

S E C T I O N A A’ D E TA I L 3 B H K U N I T P L A N SCALE 1:300

Sudhanshu Mittal sudhanshumittal@live.com