I’m Sudeshna Chatterjee, a fresh graduate from the University of Mumbai. I see myself as a hardworking, ambitious, and adaptable person. My interests in graphics, illustration, and photography often find their way into my architecture projects, adding unique layers of creativity to my designs. I believe that a space truly becomes a ‘place’ when people interact with their surroundings. During my studies, I worked on several projects that challenged my adaptability and pushed me to think outside the box. These experiences have allowed me to develop strong problem-solving skills and an innovative approach to design.
With a deep appreciation for the nuances of human behavior in architectural spaces, I strive to create designs that inspire and bring people together.
+91 9819475494
ssudeshna.c@gmail.com
Behance.net/sudeshnachatterjee
www.linkedin.com/in/ sudeshnac-
Date of Birth Nationality
: 29th May, 2001
: Indian
: Navi Mumbai, Maharashtra
: Bengali, Hindi, English, Marathi
EDUCATION
Bachelor of Architecture, Mumbai University Pillai College of Architecture, New Panvel
Higher Secondary
D.A.V. Public School, New Panvel
Secondary
D.A.V. Public School, New Panvel
WORK EXPERIENCE
Internship Dec’22May’23
: Kamat and Rozario Architecture, Bengaluru
INVITED WORKSHOPS
: Presented Sem 9 Design Dissertation at AIKTC SOA Dissertation workshop with Ar. Jinu Kurien.
Percentage: 87%
CGPA: 10
SKILL SET
Drafting
3D Modelling
: Autodesk AutoCAD ZWCad
: Sketchup
Rhino
Grashopper
BIM Rendering
Presentation
: Autodesk Revit
: Lumion
VRay
Enscape
: Adobe Photoshop
Adobe Illustrator
Adobe InDesign
Adobe AfterEffects
Microsoft Office
Autodesk Sktechbook Blender 3D
EXHIBITIONS AND PARTICIPATIONS
: Talav of Panvel Documentation and Exhibition
: Graphics Team
: Mindscape Volunteer
: Anubhuti Volunteer
: Aurangabad Tour Documentation
COMPETITIONS
: Capricot Designaddvance
: VIT’s PvpCoa Autorickshaw Stand
Design Competition
: Bricks Group of Institutes Blurred Boundaries Design Competition
: Citylabs Rip. Mix. Burn. the city
: Udaipur Architecture Festival House on the Lake
: Udaipur Architecture Festival
Photography Competition
: Eco Niwas Samhita Design Competition
WORKSHOPS / COURSES
: Lippan Art
: Brick Workshop
: Bamboo Workshop
: Revit for Architectural Design Exam Prep
: Facade Design for Architects
: Quick Sheet Presentation for Architecture Students
The Unseen in Culture: A Fresh Perspective on Sonajhuri Haat
Semester X: Design Dissertation
Beyond Transit: Reimagining Railway Stations as Urban Nodes
Semester IX
Cloud Corridors
Semester VII : Housing
Professional Practice
Semester VIII : Kamat and Rozario Architecture
Miscellaneous
The Unseen in Culture:
A Fresh Perspective on Sonajhuri Haat
Location:
Semester:
Santiniketan, West Bengal X
This thesis project, examines the dynamic interplay between tourism, cultural preservation, and environmental sensitivity at Sonajhuri Haat, a thriving handicraft market within the Sonajhuri forest. The site’s unique identity is defined by its juxtaposition of urban and tribal communities, reserved forest, and natural vegetation, which has led to the development of a distinct community identity that blends tradition and modernity. This project aims to preserve the spontaneous order that has naturally emerged in the market while introducing thoughtful improvements to enhance the user experience and adapt to the diverse needs of vendors and the unpredictable climate of West Bengal.
“spontaneous order”, is an order which emerges as result of the voluntary activities of individuals and not one which is imposed.”
“ What sets Sonajhuri Haat apart is its unique rural chaotic setting. This place has a certain charm that draws people in. That’s why you won’t find the same crowd at Biswa Bangla Haat; it just doesn’t have this special touch that makes Sonajhuri so popular”
- Chhaya, Vendor at Sonajhuri Haat
people hiding under plastic sheets, coming up with new techniques to make the existing insfrastructure work during unpredicatable weather conditions
This shows how much even a little unexpected rain may ruin a day’s work and user experience.
It may work for scorching heat but not when its windy or its raining .
Santiniketan, founded by Tagore Family, serves as a center for holistic education, blending nature, arts, and community. The Visva-Bharati University, continues Tagore’s vision, promoting creativity and cultural exchange. Santiniketan celebrates festivals like Poush Mela, Basant Utsab, emphasizing Tagore’s bond with nature. Various Shilpi Haats have been established to promote the culture and arts of this place.
Overtourism becomes a unique and yet unexplored viewpoint on the challenges associated with balancing tourism and cultural preservation
Human behaviour results in spontaneous order; it is not the product of human design. The haat is woven from the day-to-day activities of all types of users. The basis for future development is laid by the patterns and rhythms that have organically developed from the interactions within the community and the symbiotic relationship with the Sonajhuri forest.
Portfolio
Sudeshna Chatterjee
MODULE COMBINATION A : KINETIC + KINETIC
EXPLODED ISOMETRIC VIEW
Flexibility on a macro level and micro level has been ensured keeping it mind various needs of different vendeors depending on their style of selling, displaying their handicrafts.
The Grills can been arranged as per display requirements, the boxes can be used as tables, chairs or displaying items.
Play Typology: spaces become a play area for kids while their parents sell/ shop
Rest Typology: Placed strategically for users to take a pause
A semi open gathering space at the end of the market opens it to the serene sonajhuri forest, marking the end of the haat and also establishing a sense of continuity. It becomes a place to gather, dance, eat, and listen to baul songs all together. A person ends their day at the local eatery, takes a toto and withdraws from the bustling market.
ADDA POINT
The Adda Point is a multifunctional module that becomes an adda space for all the user groups, a help desk for the visistors, and a storage place for the vendors, all while being a public toilet.
The goal was to redefine the concept of a public toilet, transforming it into an integral part of public spaces.
CONNECT AND SELL MODULE
MOVE AND SELL MODULE
The move and sell module ensures that the sellers who roam around on cyles have proper infrastructure to store, display and sell.
The display panels slide out and roate based on the user needs and display requirements.
The rest spaces are ‘activated’ by the mobile stalls as they hunt for their next customer.
GARBAGE SORTING MODULE
The eating deck becomes a place to enjoy local cuisine amidst the serene forest, providing a designated area for vendors and visitors, making access easy. It also houses a Baul singer.
The colorful decks signify the presence of cultural activities, with performers having a fluid circulation path. This setup helps distinguish areas where both performers and visitors can enjoy performances.
DEVIATION FROM STRUCTURED ORDER
Beyond Transit:
Location:
Semester:
Reimagining Railway Stations as Urban Nodes Nashik, Maharashtra IX
This project reimagines Nashik Railway Station as a vibrant urban center, transcending its role as a mere transit hub. By integrating healthcare, commerce, education, leisure, and entertainment, the design enhances the station’s spatial and visual identity. The project incorporates sustainable practices, resolves first and last-mile transit challenges, and achieves seamless integration with the city. Through innovative revenue models and commercial activities, the station becomes a self-sustaining hub that fosters community interaction and celebrates Nashik’s unique history and culture, transforming the journey into an enriching experience.
BEYOND TRANSIT - AN EXPERIENCE
Concept Manifesto
This project envisions Nashik Railway Station as a vital part of the city’s identity, transforming the journey into an experience. By integrating elements of Nashik’s history and culture, we aim to create a lively, inviting space that efficiently brings people together and encourages them to appreciate the city’s unique character. This blend of convenience and culture helps commuters, tourists, and locals feel at home, strengthening the bond between the city and its railway station.
The functions have been thoughtfully organized, considering the building’s height, where formal spaces require increased privacy and reduced noise levels.
The grid functions as a porous element, serving as a pause point within the space. Meanwhile, the staggered bridges enhance the design by facilitating visual connectivity, allowing for a more dynamic and engaging environment.
Terraces are used as pause points i to provide a sense of rest and transition. They serve as spaces where individuals can momentarily pause, reflect, and enjoy the surroundings. These areas break up the vertical or horizontal flow of a structure or landscape, allowing people to take in views, By incorporating terraces into a design we have created opportunities for relaxation and interaction, enhancing the overall experience for users and visitors.
Staggered multi-level corridors adds visual interest, promoting natural light and ventilation, maximizing space efficiency, aiding wayfinding, encouraging social interaction, enabling aesthetic ensuring accessibility, and enhancements, ultimately improving the overall user experience in a building.
SECTION CC
SECTION DD
Chimney Effect:
The void spaces induces chimney effect where the cool air enters from the voids below and the hot air rises and exits from above
DETAIL SECTION
Double-height entrances make a bold statement, creating a sense of grandeur and spaciousness. Extending the entry area over two floors conveys openness and luxury. Large windows and impressive architectural features let natural light flood the space. This captivating design makes a memorable first impression, setting the tone for the entire experience.
Flow of Wind through the voids:
The staggered voids at various levels promote effective airflow
Daylighting:
The void spaces allow natural light, keeping the area well-lit and reducing the need for artificial lighting
Cloud
Corridors:
Location:
Semester:
Industry X Housing X Community Mahad, Maharashtra VII
A chemicals manufacturing company in MIDC, Mahad, is developing two plots for executive and management housing. The project includes 100 adaptable residential units (30 for individuals, 70 for families), retail spaces, social and leisure amenities, administration, facility management, utilities, and parking. The design is climate-responsive and easy to maintain.
To counter the ‘closed-door culture,’ the design features shaded community spaces (voids) for resident interaction, connectors to engage with the broader context, and a plaza to link the city with residents, creating inviting and open communal areas.
The voids are dispersed throughout at various levels in such a way that it connects the users visually to the community outside and inside the residential area
Accessible to the community, it blurs the boundaries between the residents and community.
The plaza will be segretated for different activities for engagement by playing with levels
Void being a shaded comunity space visually connects the whole premises while maintaing the security with the concept of eyes on the street.
it being scooped out, allows unobstructed air movement
As the residents pass through the voids on a daily basis, they develop a sense of community and strong bond is created
An attempt has been made to eradicate the cureent ‘closed-door culture’ often observed in the modern day housing colonies through movement and stasis.
Professional Practice:
Semester:
Kamat and Rozario Architecture VIII
During my internship at Kamat & Rozario Architecture, I worked on nine diverse projects, focusing primarily on five major ones and contributing to four others. I developed skills in tender drawings, client meetings, presentations, research, and design development. Hands-on experience in site visits and producing detailed drawings strengthened my teamwork and communication skills while navigating tight deadlines and precise requirements underscored the importance of time management and attention to detail.
Projects worked on:
1. Sindhu and Ravi
2. Sanjeeb and Mayuri
3. Samson and Mitali
4. St. Martha and Bethany School, Phase II
5. Swapna Interiors
Other Projects:
1. Siddharth Bharadwaj Residence
2. Hooch Residence
3. Nakul and Minakshi
4. Ananya Cabletech
Study
Living
Kitchen
Mother’s Bedroom Balcony
Master Bedroom
Dining
Master Bedroom Kitchen
This compilation of graphics from my dissertation presents a visual narrative, providing readers with an illustrated exploration of the research and findings. Each image contributes to a cohesive story, enhancing understanding and engagement with the dissertation’s content.
Leaving there and proceeding for three days toward the east, you reach Diomira, a city with sixty silver domes, bronze statues of all the gods, streets paved with lead, a crystal theater, a golden cock that crows each morning on a tower. All these beauties will al ready be familiar to the visitor, who has seen them also in other cities. But the special quality of this city for the man who arrives there on a September evening, when the days are growing shorter and the multicolored lamps are lighted all at once at the doors of the food stalls and from a terrace a woman’s voice cries ooh!, is that he feels envy toward those who now believe they have once before lived an eve ning identical to this and who think they were happy, that time.
Spaces of Memory and Comfort
The illustrations explore personal space in different contexts. “Dimension of ‘Own’ Space in ‘Memories’: The Aftermath” (a)shows the before and after of the coronavirus, highlighting changes in space perception. “Dimension of Your ‘Comfortable’ Space: Round the Clock” (b) depicts the use of personal space throughout the day, emphasizing comfort and familiarity.
Graphics Team AY 2021-22
These are a selection of event posters I created during my tenure on the graphics team.
