TESTBANK for Gardner Art through the Ages The Western Perspective (Vol.I)16th Edition by Kleiner

TEST BANK

TEST BANK

CHAPTER 1 Art in the Stone Age CHAPTER 2 Ancient Mesopotamia and Persia CHAPTER 3 Egypt from Narmer to Cleopatra CHAPTER 4 The Prehistoric Aegean CHAPTER 5 Ancient Greece CHAPTER 6 The Etruscans CHAPTER 7 The Roman Empire CHAPTER 8 Late Antiquity CHAPTER 9 Byzantium CHAPTER 10 The Islamic World CHAPTER 11 Early Medieval Europe CHAPTER 12 Romanesque Europe CHAPTER 13 Gothic Europe North of the Alps CHAPTER 14 Late Medieval Italy

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Chapter 1: Art in the Stone Age Multiple Choice 1. Which drawing convention for the representation of animals was used almost exclusively in Paleolithic art? a. Composite creature b. Foreshortening c. Linear perspective d. The profile view 2.

This human with feline (lion?) head sculpture was found in which country? a. France b. Germany c. Belgium d. Spain 3.

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Chapter 1: Art in the Stone Age

The use of which material suggests that this object was important to its creator? a. Wood b. Stone c. Mammoth ivory d. Pebbles 4. What central concern of early humans does the emphasis on the anatomy of the Venus of Willendorf imply? a. Gold and jewels b. Health and fertility c. Athletic competitions d. The domestication of animals 5. Which of the following information about Paleolithic art is NOT provided by the extraordinary paintings from the caves at Lascaux? a. Paleolithic artists represented animals in twisted perspective. b. Paleolithic artists used both silhouettes and outlines in their drawings. c. Paleolithic artists created complex narrative compositions. d. Paleolithic artists preferred metal tools over wood tools in their painting.

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Chapter 1: Art in the Stone Age 6. What two basic drawing techniques are evident in the paintings of Lascaux? a. Black-and-white and negative b. Relief and incised c. Colored silhouette and outline d. Wet and dry pigments 7. Where was the Hall of the Bulls discovered? a. The Altamira caves b. The Lascaux caves c. The Chauvet cave d. Çatal Höyük 8. What is a ground line? a. It is an engraved line on the wall surface. b. It is a measured line on the wall surface. c. It is the baseline on which figures appear to stand. d. It is the point where the wall surface meets the floor.

9. What standard accounts for representing animals' horns in twisted perspective in cave paintings or allowing the viewer to see the head in profile and the horns from the front? a. Optical convention b. Descriptive convention c. Fanciful convention d. True convention 10. What is the most likely purpose of Paleolithic cave paintings? a. Decoration for the cave b. Telling the creation myth c. Recording the previous season's kills d. Insurance for the survival of the herd 11.

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Chapter 1: Art in the Stone Age

This painting at Lascaux is exceptional as the earliest depiction of what figure? a. A bird b. A woolly rhinoceros c. A bucranium d. A male human 12. Which is considered one of the primary advances of Neolithic society? a. Using bronze tools b. Domestication of animals and plants c. Building houses from megaliths d. Living in subterranean caves 13. What motivated the inhabitants of Neolithic Jericho to construct fortification walls? a. The need for an offensive base b. Protection against natural disasters c. Promotion of a powerful merchant class d. Protection from marauding nomads 14. At which site have the remains of what appear to be the oldest stone temples been discovered? a. Jericho b. Hagar Qim c. Göbekli Tepe d. Newgrange 15. What is the almost-exclusive subject of Paleolithic paintings? a. Hunters b. Sea creatures Powered by Cognero

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Chapter 1: Art in the Stone Age c. Women d. Animals 16. What is bitumen? a. An engraved plaque b. A tarlike substance c. A type of clay d. A handle for a knife 17. What artistic device is used to render the figures in the deer hunt wall painting from Çatal Höyük? a. Profile view b. Composite view c. Frontal view d. Three-quarter pose 18. The appearance of which subject distinguishes paintings produced in the Neolithic period from those in the Paleolithic period? a. Sea creatures b. Animals c. Human figures d. Landscape flora 19. The Neolithic murals at Çatal Höyük demonstrate the continued importance of what activity? a. Farming b. Hunting c. Trade d. Warfare 20. What is the primary form of monuments from the Neolithic period in northwestern Europe, such as Stonehenge? a. Buildings organized along streets b. Mudbrick fortifications c. Multistoried wooden buildings d. Megalithic architecture 21. What type of megalithic monument is found almost exclusively in Britain? a. Labyrinth b. Henge c. Apse d. Corbel 22. What statement best describes a megalith? a. It is a great blue stone. b. It is volcanic rock quarried in Great Britain. c. It is a massive shaped stone.

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Chapter 1: Art in the Stone Age d. It is rock quarried in Jericho.

23. In which area did humans first make the transition to agriculture and raising stock? a. Western Europe b. Southeast Asia c. Anatolia and Mesopotamia d. The United Kingdom 24. Which of these forms is the simplest and oldest method of spanning a passageway? a. Corbel vaulting b. Wattle and daub c. Mortise and tenon d. Post and lintel 25.

These spotted horses and negative handprints come from which Paleolithic cave? a. Lascaux b. Apollo 11 c. Pech-Merle d. Chauvet 26.

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Chapter 1: Art in the Stone Age

How was this object made? a. A sharp burin was used to carve terracotta b. A sharp burin was used to carve antler c. A chisel shaped a rhinoceros horn d. A chisel shaped a stone 27.

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Chapter 1: Art in the Stone Age

On which continent was this painting discovered? a. Europe b. Asia c. Africa d. Antarctica 28. Which description of the Laussel woman is the least interpretative? a. Mother goddess blessing fertility b. Nude woman protecting her unborn child c. Mother goddess holding an astronomical device d. Nude woman holding a bison horn 29.

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Chapter 1: Art in the Stone Age

What unifying device is missing from this cave painting at Lascaux? a. Colored silhouette b. Blown pigment c. Profile d. Ground line 30. The fortress town at Jericho could have come into existence only because of the advanced development of which human activity? a. Trade b. Agriculture c. Cremation d. Warfare 31. What very recent scientific discovery adds to our understanding of Stonehenge? a. It was a kind of astronomical observatory and solar calendar. b. Its stones were brought to the site from many miles away. c. It consists of lintel-topped pairs of stones. d. It was only one part of a much larger ritual complex.

32. What best describes the material of the Ain Ghazal figures? a. Ocher and charcoal Powered by Cognero

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Chapter 1: Art in the Stone Age b. Plaster and reed c. Incised stone d. Carved antler 33.

What new feature appears in this mural painting from Çatal Höyük? a. The human figure confronting an animal b. The human figures drawn in profile c. The human figure in a landscape d. The human figure in a variety of poses and groupings 34. What key cognitive development is signaled by Paleolithic art? a. The movement from representation to imitation b. The change from abstraction to naturalism c. The shift from recognition to representation d. The invention of complex writing systems 35. What does the site of Skara Brae tell us regarding Neolithic civilization? a. It documents the rise of fortressed communities in the Neolithic period. b. It documents the spread of Neolithic civilization to one of the most remote parts of eastern Europe. c. It documents the spread of Neolithic civilization to one of the most remote parts of northern Europe. d. It documents the beginnings of corbeled stone architecture.

36. What is a notable key feature of Paleolithic design choices? a. Setting and material are chosen to highlight the artistic message. b. Setting and material often determine the form of an artwork. c. Tools and available light often determine the form of an artwork.

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Chapter 1: Art in the Stone Age d. Complex ideas are embodied in simple, symbolic designs.

37. Which of the following statements about the Venus of Willendorf is incorrect? a. It shows a female form. b. It is carved of limestone. c. It took many hours to create. d. Its face is highly detailed.

38. Which of the following is not a material used in Paleolithic art? a. Mammoth ivory b. Wood c. Silver d. Minerals 39. What is the least helpful art historical criterion for determining chronology in Paleolithic art? a. Material b. Style c. Scientific analysis d. Findspot 40. What human concern appears for the first time in Neolithic art and culture? a. Finding adequate shelter b. Acquiring a food supply c. Honoring the dead d. Creating tools 41.

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Chapter 1: Art in the Stone Age What is unusual about the findspot of this Paleolithic painting? a. It is painted near the entrance to the cave. b. It is the only Paleolithic painting in North America. c. It is one of many in a large gallery. d. It is in a deep and inaccessible well shaft.

42. What Neolithic construction has not yet been found in northern Europe? a. Henge b. Settled village c. Temple d. Tumulus 43. Which period saw the taming of the dog? a. Paleolithic b. Neolithic c. Megalithic d. Mesolithic 44.

Which would be the most accurate label for this object? a. Paleolithic human skull overlaid with clay, from Namibia b. Neolithic human skull overlaid with plaster, from Jericho c. Neolithic wooden model with plaster, from Jericho d. Paleolithic ancestor statue of wood and clay, from Lascaux Powered by Cognero

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Chapter 1: Art in the Stone Age 45. What is the most likely date of the fortress walls at Jericho? a. 22,000 BCE b. 10,000 BCE c. 7,500 BCE d. 1,000 BCE 46. What is the most likely reason for the prevalence of Neolithic sites in Anatolia and Mesopotamia? a. There have not been enough excavations in northern Europe. b. The retreating ice destroyed the Neolithic settlements in northern Europe. c. These regions supplied the best conditions for agriculture. d. The great migrations of herds brought humans to this area.

47. What is the date of the earliest-known sculptures? a. 15,000–10,000 BCE b. 100,000–90,000 BCE c. 4,000–3,000 BCE d. 40,000–35,000 BCE 48. What is especially important about the paintings in the caves of Lascaux? a. They all were painted at the same time by the same artist. b. They show the techniques of silhouette and outline side by side. c. They are the earliest-known Paleolithic cave paintings. d. They provide examples of early human decorative preferences.

49. Which scientific field of study has NOT been used to verify the authenticity of Paleolithic cave paintings? a. Chemical analysis b. Geological knowledge of stalagtite formation c. Paleography d. Radiocarbon dating 50.

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Chapter 1: Art in the Stone Age

This drawing is an example of what universal Paleolithic painting convention? a. Outline technique b. Three-quarter view c. Profile view d. Frontal view

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Chapter 1: Art in the Stone Age Answer Key 1. d 2. b 3. c 4. b 5. d 6. c 7. b 8. c 9. b 10. d 11. d 12. b 13. d 14. c 15. d 16. b 17. b 18. c 19. b 20. d 21. b 22. c 23. c 24. d 25. c Powered by Cognero

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Chapter 1: Art in the Stone Age 26. b 27. c 28. d 29. d 30. b 31. d 32. b 33. d 34. c 35. c 36. b 37. d 38. c 39. b 40. c 41. d 42. b 43. d 44. b 45. c 46. c 47. d 48. b 49. c 50. c

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Chapter 2 Ancient Mesopotamia and Persia Multiple Choice 1. What was the function of the ziggurat at Ur? a. It was a fortified citadel. b. It was a burial ground. c. It was a palatial compound. d. It was a temple platform.

2. The Ishtar Gate, with its glazed tile decorations, was built at which city? a. Lagash b. Babylon c. Persepolis d. Ur 3. Column capitals in the shapes of bull heads were characteristic of which region? a. Assyria b. Babylonia c. Syria d. Persia 4. What monument embodies Nebuchadnezzar II's goal of beautifying his city? a. The White Temple at Ur b. The ziggurat at Ur c. The Ishtar Gate at Babylon d. The palace at Persepolis 5. What do art historians believe is the purpose of the eye shape of Sumerian votive sculptures? a. Their eyes are narrowed in response to mystical visions. b. Their eyes are closed to indicate knowledge and wisdom c. The rounded shape of the eyes indicates their divine nature. d. The enlarged and rounded eyes indicate their eternal wakefulness.

6. What determined the orientation of the White Temple at Uruk? a. The midpoint of the Orion constellation b. The cardinal points of the compass c. The direction of the Tigris and Euphrates Rivers d. The position the rising sun on the king's birthday 7. What is the thematic emphasis of the murals that decorated Assyrian palaces? a. The religious devotion of the people of the court b. The expectations for the afterlife c. The building program of the city d. The assertion of royal power 8. How do Persian palatial reliefs differ from Assyrian reliefs?

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Chapter 2 Ancient Mesopotamia and Persia a. Persian reliefs are flatter with lightly incised lines. b. Persian reliefs are more rounded and project more from the surface. c. Persian reliefs make a point of emphasizing the eyes. d. Persian reliefs highlight nudity and muscularity.

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What was the purpose of these statuettes from the Square Temple at Eshnunna? a. They were placed in the tomb to entertain the deceased in the afterlife. b. They were placed in temples as dedications expressing gratitude to deities. c. They accompanied the deceased in the tomb to offer prayers to deities. d. They served as witnesses in the proceedings of law courts.

10.

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Chapter 2 Ancient Mesopotamia and Persia

On the Warka Vase, shown here, what is the purpose of the hierarchy of scale? a. To indicate that those figures are closer to the viewer b. To show the greater importance of the king and priestess c. To emphasize the wealth of the dedicant of the vase d. To most efficiently fill the relief surface with decoration 11. Which of the following advances was not a significant contribution of the Sumerians? a. The invention of writing b. The bent-axis plan c. The city-state d. The defensive fortification wall 12. What Mesopotamian king codified the law and prescribed penalties for infractions? a. Urnanshe b. Hammurabi c. Gudea d. Naram-Sin 13. Who placed many statues of himself in temples to render his perpetual service to the gods?

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Chapter 2 Ancient Mesopotamia and Persia a. Hammurabi b. Urnanshe c. Gudea d. Naram-Sin 14. The Sasanian leader Shapur I set up a number of reliefs at Bishapur that showed him accomplishing what feat? a. Capturing the emperor of the Han dynasty b. Bringing captives to Babylon c. Capturing the emperor Valerian d. Leading his soldiers in battle 15. Who is the subject of the narrative reliefs in the Assyrian palace at Nimrud? a. Sargon IV b. Marduk I c. Darius d. Ashurnasirpal II 16. What prior event might have motivated Alexander the Great to raze Persepolis in 330 BCE? a. The destruction of the Assyrian city of Nimrud b. The founding of the Sasanian dynasty c. The Persian sack of the Athenian Acropolis d. The Persian sack of the fortress of Jericho 17. What epic poem recounts the exploits of a legendary king of Uruk and slayer of the monster Huwawa? a. The Iliad b. Epic of Gilgamesh c. Herodotus: The Histories d. The Story of Roxanne 18. What information does the victory stele of Eannatum (Stele of the Vultures) provide about the nature of the ensi, or leader? a. The hierarchy of scale of the figures on the relief proves the ruler is equal to the soldiers. b. The god Ningirsu was opposed to Eannatum ruling Lagash and sought to thwart him. c. The ensi is the fearless general who paves the way for his soldiers against the enemy. d. The ensi is chosen by the gods to rule over the kingdom of the Akkadians.

19. The rods and ring connoting the ruler’s capacity to build social order and render judgments are highlighted on which monument? a. Standard of Ur b. Stele of Naram-Sin c. Stele of the Vultures d. Stele of Hammurabi 20. What is the significance of the polished diorite used for many sculpted portraits of Gudea? a. The stone symbolizes death.

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Chapter 2 Ancient Mesopotamia and Persia b. The stone symbolizes military victory c. The stone is easily shaped and carved. d. The material was costly to acquire.

21. Which of the following works of art was created first? a. Standard of Ur b. Warka Vase c. Stele of the Vultures d. Stele of Hammurabi 22. What do art historians call the large composite creatures that guarded the gates of Assyrian royal complexes? a. Sphinxes b. Griffins c. Huwawa d. Lamassu 23. The Gate of All Lands, the monumental gateway to the citadel of Persepolis, is a reference to what reality? a. The harmony of the peoples of the Sasanian empire b. The harmony of the peoples of the Persian empire c. The harmony of the peoples of the Assyrian empire d. The compass points on which the entrance is aligned 24.

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Chapter 2 Ancient Mesopotamia and Persia

Which civilization created the statues seen here? a. Akkad b. Hattusa c. Elam d. Sumer 25.

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Chapter 2 Ancient Mesopotamia and Persia

Of the original components that made up this statue, which used the rarest material? a. Gold-leaf wig b. Wood body c. Marble face d. Embroidered garment 26. What decorative details of the bull's head harp and the Standard of Ur are the same? a. Both narrate fantastical scenes. b. Both display carved scenes of battle. c. Both display inlaid scenes in registers. d. Both narrate the deeds of Gilgamesh.

27.

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Chapter 2 Ancient Mesopotamia and Persia

What accounts for the great weight of this statue? a. The king wanted to consolidate his wealth in one object. b. The patron wanted it to be a permanent and immovable dedication. c. The artist wanted it to be a permanent and immovable dedication. d. The metal used to create it is extremely dense and heavy.

28.

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Chapter 2 Ancient Mesopotamia and Persia

What appears on the lap of the figure in this statue? a. The gardens of Babylon b. The colonnade at Persepolis c. The name of the sculptor d. A temple plan 29.

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Chapter 2 Ancient Mesopotamia and Persia What term connotes the royal audience hall shown here? a. Hypostyle b. Cella c. Apadana d. Plaza 30.

Who were the creators of this palace at Ctesiphon? a. Persians b. Sasanians c. Romans d. Parthians 31.

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Chapter 2 Ancient Mesopotamia and Persia

What material makes up the hair and beard of the bull? a. Bitumen b. Diorite c. Lapis lazuli d. Azurite 32.

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Chapter 2 Ancient Mesopotamia and Persia

What is this object? a. A sound box b. A stele c. An earring d. A cylinder seal 33. What are the subjects of the two sides of the Standard of Ur? a. Farming and hunting b. War and peace c. Family life and community life d. Rural life and urban life 34. What is a rhyton? a. A back-to-back animal sculpture b. An arch-shaped doorway c. An eagle-headed winged lion d. A conical pouring vessel 35. Because the statue was meant to be both a frontal view and a profile view, how many legs does the lamassu figure Powered by Cognero

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Chapter 2 Ancient Mesopotamia and Persia have? a. Six b. Five c. Four d. Three 36. What architectural design feature at Persepolis seems uniquely Persian? a. Entrance ramps b. Processing figures c. Protome capitals d. Wall reliefs 37. The Palace of Sargon II and the Palace of Ashurnasirpal II were built by which people? a. Akkadians b. Sumerians c. Assyrians d. Elamites 38.

What is the story told by this relief? a. Alexander destroys the palace at Persepolis. b. Archers defend the ziggurat at Ur. c. Sumerians drive the Elamites into the Tigris River. d. Assyrians drive enemy forces into the Euphrates River.

39.

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Chapter 2 Ancient Mesopotamia and Persia

What monument is represented here? a. The Ishtar Gate of Babylon b. The White Temple at Uruk c. The ziggurat at Ur d. The Hanging Gardens of Babylon 40. What event ended the Achaemenid empire? a. The Greek defeat of the Persians in 479 BCE b. The capture of Babylon by Cyrus in 539 BCE c. The death of Darius III after his defeat in 330 BCE d. The defeat of the Parthians by Ardashir I in 224 CE 41.

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Chapter 2 Ancient Mesopotamia and Persia What is the central feature of the Ctesiphon palace, shown here? a. Apadana b. Cella c. Iwan d. Protome 42. What term describes the Sumerian writing system? a. Pictography b. Hieroglyphic c. Eshnunna d. Cuneiform 43. How many years separate the construction of the White Temple and the construction of the ziggurat at Ur? a. Two centuries b. Ten millennia c. A decade d. A millennium 44. What was the administrative and economic center of the Sumerian city? a. The palace b. The temple c. The archive d. The city-state 45. At what Elamite site have archaeologists discovered examples of painted pottery going back to the Neolithic period? a. Uruk b. Susa c. Ctesiphon d. Babylon 46. How is Ashurnasirpal II identified in the painted panels from the palace at Kalhu? a. He wears richly patterned garments. b. He carries precious offerings for the gods. c. He is shown in outline and profile view. d. He is taller than the other figures.

47. What materials were used in the construction of the Ishtar Gate? a. Concrete and blue-glazed tile b. Mudbrick and blue-gazed tile c. Mudbrick and lapis lazuli d. Granite and lapis lazuli 48. What is the name of the earliest-known author? a. Homer Powered by Cognero

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Chapter 2 Ancient Mesopotamia and Persia b. Gilgamesh c. Enheduanna d. Naram-Sin 49.

What aspect of this statue makes an allusion to fertility? a. Upright stance b. Full, rounded skirt c. Hands crossed over the belly d. Inscription on skirt 50. What is the subject of the relief on the stele of Hammurabi? a. The coronation of Hammurabi b. Divinity grants Hammurabi the right to rule c. Hammurabi punishes enemies d. The death of Hammurabi

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Chapter 2 Ancient Mesopotamia and Persia Answer Key 1. d 2. b 3. d 4. c 5. d 6. b 7. d 8. b 9. c 10. b 11. d 12. b 13. c 14. c 15. d 16. c 17. b 18. c 19. d 20. d 21. b 22. d 23. b 24. d 25. c Powered by Cognero

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Chapter 2 Ancient Mesopotamia and Persia 26. c 27. b 28. d 29. c 30. b 31. c 32. d 33. b 34. d 35. b 36. c 37. c 38. d 39. b 40. c 41. c 42. d 43. d 44. b 45. b 46. d 47. b 48. c 49. c 50. b

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Chapter 3 Egypt from Narmer to Cleopatra Multiple Choice 1. Which of the following provides the best evidence for the daily life of ancient Egyptian society? a. Papyrus scrolls b. Tomb decoration c. Portraits d. Stone sculpture 2. Which site has yielded significant evidence for Predynastic art? a. Thebes b. Gizeh c. Alexandria d. Hierakonopolis 3. Which work likely commemorates the unification of Upper and Lower Egypt? a. Palette of Djoser b. Palette of Narmer c. The Great Pyramid of Khufu d. The stepped pyramid 4. The false doors in mastaba tombs were meant to give access to whom? a. Visiting relatives b. The ben-ben c. The ka d. Cemetery custodians 5. What substance fills most of the interior of the Great Pyramid at Gizeh? a. Air b. Wood c. Sand d. Stone 6. Which room of the New Kingdom pylon temple at Karnak contains an example of a clerestory? a. The forecourt b. The inner sanctuary c. The hypostyle hall d. The pylon gateway 7. What is the most likely explanation for the portrayal of Akhenaton’s body type? a. He was misshapen after being cursed by the priests of Amen. b. He was unable to hire artists skilled in traditional sculpture. c. He wanted to more closely align himself with a fertility cult. d. It was a deliberate artistic reaction against the established style.

8. What detail of the kneeling statue of Hatshepsut indicates her status as pharaoh?

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Chapter 3 Egypt from Narmer to Cleopatra a. She is kneeling in the presence of mortals. b. She is carrying offerings to the gods. c. She is wearing the royal headdress and kilt. d. She holds a papyrus scroll detailing her accomplishments.

9. Which motif on the palette of King Narmer symbolized the superhuman strength of the god-king? a. The entwined necks of the two animals b. The god-king slaying his captive enemy c. The bull knocking down fortress walls d. Man-headed hieroglyph with papyrus plants 10. Aside from their funerary function, what was the intended message of the pyramids? a. A celebration of the afterlife for elite individuals b. Encouraging people to support the priests of Amen c. The need to provide employment to the mason guild d. A reminder of the absolute power of the pharaoh 11. Many of the temples of the New Kingdom followed which sort of plan? a. Asymmetrical b. Bent access c. Circular d. Axial 12. Which of the following is a drawback of the fresco secco technique? a. Application of paint must be done quickly. b. Multiple artists cannot work in the small space. c. Colors do not fuse to the wall surface. d. The necessary materials were difficult to acquire.

13. Why is the palette of King Narmer unique among surviving early dynastic artworks? a. It names its artist and his teacher. b. It contains a historical narrative. c. It lists the names of the Egyptian gods. d. It was found in the Great Pyramid.

14. Which terms best describe the majority of Egyptian art—with the exception of the Amarna period? a. Fluid and experimental b. Naturalistic and traditional c. Conservative and fleeting d. Conservative and formulaic 15. What metaphor is embodied in the hunting scenes in tomb interiors, aside from providing nourishment for the ka? a. The triumph of the gods b. The triumph over evil Powered by Cognero

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Chapter 3 Egypt from Narmer to Cleopatra c. The triumph of the judged soul d. The triumph of light over darkness 16. Whose mortuary temple was moved from Abu Simbel to save it from the Aswan High Dam Reservoir? a. Hatshepsut b. Khafre c. Ramses II d. Akhenaton 17. What is the shape of the column capitals in the hypostyle hall at Karnak? a. Lions b. Rhinoceros c. Lotus or papyrus plants d. Curved volutes 18. Which of the following gods appears as a falcon and is a protector of the pharaoh? a. Thoth b. Seth c. Osiris d. Horus 19. Pyramids were the most common royal tombs during which period? a. Early Dynastic period b. Old Kingdom c. Middle Kingdom d. New Kingdom 20. Tomb paintings were created in which of the following techniques? a. Oils b. Fresco secco c. Encaustic d. Tempera 21. What term describes the many-columned hall found in an Egyptian temple? a. Colonnaded b. Central c. Hypostyle d. Apsidal 22. The conventions for representing the human figure that dominated Egyptian art until the end of the New Kingdom can be found in which of the following? a. The Rosetta Stone b. The stele of Ramses c. The standard of Heliopolis Powered by Cognero

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Chapter 3 Egypt from Narmer to Cleopatra d. The palette of King Narmer 23. Which of the following plants was commonly used to symbolize Upper Egypt? a. Papyrus b. Lotus c. Nettle d. Myrtle 24. What is the correct term for a rectangular brick or stone tomb with sloping sides? a. Pylon b. Mastaba c. Tholos d. Ziggurat 25. Who was the god of order, believed to have brought civilization to the Nile? a. Isis b. Horus c. Sekhmet d. Osiris 26. How does the Great Pyramid reflect the influence of the city of Heliopolis? a. Heliopolis was the location of the the pharaoh Djoser's palatial complex. b. Heliopolis was the seat of the powerful cult of Re, whose emblem was the ben-ben. c. Heliopolis was the home of Imhotep, the architect of the Great Pyramid. d. Heliopolis was the capital of the masons' guild that oversaw the pyramid's construction.

27. What Old Kingdom structure adjoined the pyramid and was the site of ceremonies honoring the dead king? a. Valley temple b. Causeway c. Hypostyle sanctuary d. Mortuary temple 28. The new androgynous image of the pharaoh Akhenaton is considered by some art historians to be an attempt to make him the manifestation of what being? a. The guardian of Nefertiti b. The son of Horus c. Upper and Lower Egypt united d. The sun disk Aton 29. Which of the following describes a building technique commonly used in Egyptian temples? a. Corbelled vaulting b. Ashlar masonry c. Post and lintel d. Mudbrick and wood Powered by Cognero

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Chapter 3 Egypt from Narmer to Cleopatra 30. The mortuary temple at Deir el-Bahri was built for which pharaoh? a. Nefertiti b. Imhotep c. Hatshepsut d. Sobekneferu 31. What three scripts appear on the Rosetta Stone? a. Latinate, hieroglyphic, cuneiform b. Greek, cuneiform, hieroglyphic c. Greek, Latinate, hieroglyphic d. Greek, demotic, hieroglyphic 32. What object was discovered during Napoleon's expedition to Egypt in 1799? a. Palette of Narmer b. Mask of Tutankhamen c. Rosetta Stone d. Statue of Akhenaton 33.

Where is the temple complex is depicted here? a. Gizeh b. Karnak c. Luxor d. Thebes 34.

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Chapter 3 Egypt from Narmer to Cleopatra

What architectural form most influenced the shape of the monument shown here? a. Pyramid b. Pylon c. Causeway d. Mastaba 35.

What is the location of this temple of Ramses II? a. Gizeh Powered by Cognero

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Chapter 3 Egypt from Narmer to Cleopatra b. Amarna c. Saqqara d. Abu Simbel 36. Akhenaton moved his royal court from Thebes to which site? a. Hierakonpolis b. Amarna c. Beni Hasan d. Deir el-Bahri 37.

Who is the subject of this portrait? a. Hatshepsut b. Khamerernebty c. Tiye d. Nefertiti 38. Which Predynastic site produced early mural paintings dating to 3500–3200 BCE? a. Saqqara Powered by Cognero

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Chapter 3 Egypt from Narmer to Cleopatra b. Hierakonpolis c. Gizeh d. Faiyum 39.

Where did the stone for this monument come from? a. Abu Simbel b. Thebes c. The Gizeh plateau d. Luxor 40.

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Chapter 3 Egypt from Narmer to Cleopatra

What is the findspot of this object? a. Tomb of Tutankhamen, Saqqara b. Tomb of Tutankhamen, Thebes c. Tomb of Tutankhamen, Ur d. Tomb of Tutankhamen, Amarna 41.

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Chapter 3 Egypt from Narmer to Cleopatra

What aspect of this relief is NOT unusual in Egyptian art? a. It shows the royal family in a domestic setting. b. It shows the pharaoh wearing the double crown. c. Its lines are sinuous and curving. d. It abandons the hierarchy of scale.

42.

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Chapter 3 Egypt from Narmer to Cleopatra

What is the subject of this painted relief? a. It documents Ramses's conquest of the kingdom of Punt. b. It documents Hatshepsut's successful expedition to Punt. c. It depicts the many objects Tutankhamen will need for the afterlife. d. It records the festival of Amen-Re at Thebes.

43. The New Kingdom temple at Edfu honors which god? a. Amen-Re b. Osiris c. Horus d. Hathor 44.

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Chapter 3 Egypt from Narmer to Cleopatra

What is the name of the subject of this portrait? a. Menkaure b. Mentuemhet c. Ramses II d. Amenhotep 45. What term describes the system of proportions used throughout the history of Egyptian art? a. Aesthetics b. Ben-ben c. Canon d. Naturalistic 46. What New Kingdom sculptural form is embodied by the statue of Senenmut and Nefrura? a. Seated statue b. Stylized embrace c. Block statue d. Idealized features 47. The frescoes from which tomb show us that New Kingdom artists did not always strictly conform to the ancient canon Powered by Cognero

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Chapter 3 Egypt from Narmer to Cleopatra of representation? a. Tomb of Ti b. Tomb of Nebamun c. Tomb of Amenemhet d. Tomb 100 at Hierakonpolis 48. Which structure is not a part of the complex at Gizeh? a. Mastaba b. Sphinx c. Pyramid of Menkaure d. Stepped pyramid 49.

The slightly pessimistic expression of this figure is an indication that it was made during which period? a. Old Kingdom b. New Kingdom c. Middle Kingdom d. Early Dynastic Powered by Cognero

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Chapter 3 Egypt from Narmer to Cleopatra 50. Which site provides information about Middle Kingdom burial practices? a. Hierakonpolis b. Saqqara c. Beni Hasan d. Gizeh

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Chapter 3 Egypt from Narmer to Cleopatra Answer Key 1. b 2. d 3. b 4. c 5. d 6. c 7. d 8. c 9. c 10. d 11. d 12. c 13. b 14. d 15. b 16. c 17. c 18. d 19. b 20. b 21. c 22. d 23. b 24. b 25. d Powered by Cognero

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Chapter 3 Egypt from Narmer to Cleopatra 26. b 27. d 28. d 29. c 30. c 31. d 32. c 33. b 34. d 35. d 36. b 37. d 38. b 39. c 40. b 41. b 42. b 43. c 44. b 45. c 46. c 47. b 48. d 49. c 50. c

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Chapter 4 The Prehistoric Agean Multiple Choice 1. Which architectural form does the Treasury of Atreus exemplify? a. A Cyclopean fortification b. A tholos tomb c. A temple treasury d. A stone henge 2. Which best describes the shape of a Minoan column? a. A straight shaft with a lotus capital b. A cylinder wider in the middle than on the bottom or top c. A straight cylinder with flutes d. A tapering shape and a bulbous capital 3. Which region of Greece has yielded significant numbers of small marble figurines representing naked women with arms folded over abdomens? a. The island of Crete b. The Cyclades c. The Peloponnesuos d. The Attic plane 4. Which of the following palatial sites is on Crete? a. Pylos b. Tiryns c. Knossos d. Troy 5. What best describes the site of Tiryns? a. Egyptian outpost b. Mycenaean fortified palace c. Minoan trading center d. Minoan shrine 6. Which fortified Mycenaean site includes the Lion Gate? a. Malia b. Knossos c. Mycenae d. Pylos 7. What is the name art historians give to the style of Minoan pottery in which creamy white and reddish-brown motifs were applied to a black background? a. Marine Style b. Akrotiri Ware c. Keros Ware d. Kamares Ware Powered by Cognero

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Chapter 4 The Prehistoric Agean 8. Minoans coated the rough surface of their rubble walls with a fine white lime plaster that required rapid execution and great skill. Which painting method was used with this type of fabrication? a. Watercolor b. True fresco c. Fresco secco d. Tempera 9. The Spring Fresco from Akrotiri is the first large-scale example of which genre? a. Still life b. Religious cycle c. Landscape d. Agricultural calendar 10. Which of the following works of art provides information about the Minoan religion? a. Miniature Ships Fresco, Akrotiri b. Hagia Triada sarcophagus c. Vapheio cup d. Syros woman 11. The Homeric poems inspired Heinrich Schliemann's discovery of which site? a. Knossos b. Atlantis c. Pylos d. Troy 12. Which phrase best describes the rendition of the body of Cycladic figurines? a. Naturalistic b. Rounded c. Highly schematized d. Distinctly monumental 13. What event seems to have brought about the end of the Old Palace period in Minoan art? a. Volcanic eruption b. Invasion by the Egyptians c. Invasion by the Mycenaeans d. Earthquake 14. Which of the following elements show that the new palace at Knossos was carefully planned? a. Scarce attention given to rainwater collection and drainage b. Clusters of rooms of similar function around the central court c. Single-story building spread widely across the landscape d. Strong thick walls built of granite blocks and cement 15. The Mycenaean practice of placing death masks over the deceased's face is reminiscent of which group?

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Chapter 4 The Prehistoric Agean a. Neolithic peoples b. Newgrange culture c. Hagar Qim group d. Egyptians 16. How prevalent was large-scale figural art on the Greek mainland During the Mycenaean period? a. Very abundant b. Only in temples c. Nonexistent d. Very rare 17.

What is the term for the feature above the lintel here? a. Dromos b. Beehive c. Relieving triangle d. Post 18. The heraldic arrangement of the guardian figures of the Lion Gate can also be found in what group of works? a. Cretan vases b. Theran paintings c. Cretan seals d. Mycenaean vases 19. The use of guardian figures on the Lion Gate is reminiscent of which monument? a. The Egyptian pylon b. Mycenaean tombs c. Pylos frescoes d. The Akkadian lamassu 20. Which object differs from earlier Minoan and Greek art in its simplified narrative and use of repetitious pattern?

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Chapter 4 The Prehistoric Agean a. Harvesters Vase b. Warrior Vase c. Octopus flask d. Vapheio cup 21. Aside from wealth, the inlaid dagger blades found in Grave Circle A attest to what aspect of Mycenaean kingship? a. Its close relationship to Egypt b. Its warlike nature c. Its focus on commerce d. Its ceremonial practices 22.

Which culture produced this figure? a. Mycenaean b. Cycladic c. Cretan d. Minoan 23. What was the central element of a Mycenaean palace plan?

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Chapter 4 The Prehistoric Agean a. Dromos b. Courtyard c. Gallery d. Megaron 24.

Which earlier culture(s) also followed the drawing convention of a frontal eye in a profile head for a human figure? a. Paleolithic b. Mesopotamia and Egypt c. Paleolithic and Neolithic d. Egypt 25.

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Chapter 4 The Prehistoric Agean

Which description best conveys the artist and the findspot of this object? a. A Minoan artist and an Egyptian find context b. A Mycenaean artist and a Minoan find context c. A Mycenaean artist and a Cycladic find context d. A Minoan artist and Mycenaean find context 26. What is the primary context of the Akrotiri frescoes? a. Palaces b. Houses c. Tombs d. Temples 27. What is the material of the Minoan Snake Goddess? a. Stone b. Faience c. Wood d. Plaster 28. Which of the following appeared on Crete in the Middle Minoan period?

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Chapter 4 The Prehistoric Agean a. Landscape painting b. Composite view c. Potter's wheel d. Palatial complex 29. What construction technique was used to make the gallery at Tiryns? a. Post and lintel b. Ashlar masonry c. Corbeled arch d. Relieving triangle 30. What was the preferred subject for much Minoan art? a. War b. Religion c. Nature d. Hunting 31. Which was the most important architectural component of a Mycenaean palace? a. Tholos b. Grave circle c. Magazine d. Megaron 32. What is the main subject of the Mycenaean Linear B tables? a. Trade and foreign contacts b. Administrative recordkeeping c. Greek poetry and literature d. Religious texts and inscriptions 33.

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Chapter 4 The Prehistoric Agean

What function did this object serve? a. Throne b. Fireplace c. Storage d. Burial 34. Which culture produced Kamares Ware? a. Mycenaean b. Helladic c. Minoan d. Cycladic 35. What original decorative component of Cycladic figurines is now almost entirely missing? a. Textile garments b. Added wig c. Paint d. Gold jewelry 36.

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Chapter 4 The Prehistoric Agean

Which component of this object, found at Mycenae, indicates it was created by a Minoan artist? a. Warlike character b. Garments c. Material d. Findspot 37. What instrument is being played by the Cycladic Keros musician? a. Drum b. Sistrum c. Flute d. Harp 38. The complex and extensive plan of the palace at Knossos gave rise to which myth? a. Achilles in the labyrinth b. Theseus and the horses c. Minotaur in the labyrinth d. Heracles and the Hydra 39. What is the subject of much Minoan pottery?

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Chapter 4 The Prehistoric Agean a. Warfare b. Nature c. Seafaring d. Architecture 40. What is an innovative feature of the Minoan Harvesters Vase? a. Overlapping figures b. Frontal eye in profile face c. Animated facial expressions d. Composite view 41.

Which Mycenaean site includes corbel-vaulted galleries in its fortification walls? a. Mycenae b. Sparta c. Pylos d. Tiryns 42. What architectural form makes up the Lion Gate at Mycenae?

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Chapter 4 The Prehistoric Agean a. Pylon b. Post and lintel c. Tumulus d. Tholos 43. Which monument at Mycenae has yielded the most burial goods? a. Megaron b. Treasury of Atreus c. Mastaba of Agamemnon d. Grave Circle A 44. What term is used for the stone fortification walls of such Mycenaean sites as Tiryns and Mycenae? a. Tower walls b. Cyclopean masonry c. Giantoid masonry d. Skygod courses 45. The tholos tombs of the Mycenaeans are best described by which term? a. Pyramidal structure b. Henge structure c. Corbeled dome structure d. Trilithic structure 46. What fills the relieving triangle of the Lion Gate at Mycenae? a. Rubble b. Wooden pyramid c. Sculpted relief d. Repoussé image 47. What is the form of the graves in Grave Circle A at Mycenae? a. Sarcophagi b. Cist graves c. Chamber tomb d. Shaft graves 48.

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Chapter 4 The Prehistoric Agean The subject of this inlaid dagger is most prevalent in which culture? a. Minoan b. Mesopotamian c. Neolithic d. Hagar Qim 49. What best describes the arrangement of the soldiers on the Warrior Vase? a. Pyramidal b. Hierarchy of scale c. Frieze d. Non-unified ground line 50. The Minoan La Parisienne is made in what medium? a. Stone b. Ivory c. Fresco d. Gold

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Chapter 4 The Prehistoric Agean Answer Key 1. b 2. d 3. b 4. c 5. b 6. c 7. d 8. b 9. c 10. b 11. d 12. c 13. d 14. b 15. d 16. d 17. c 18. c 19. d 20. b 21. b 22. d 23. d 24. b 25. d Powered by Cognero

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Chapter 4 The Prehistoric Agean 26. b 27. b 28. c 29. c 30. c 31. d 32. b 33. d 34. c 35. c 36. b 37. d 38. c 39. b 40. c 41. d 42. b 43. d 44. b 45. c 46. c 47. d 48. b 49. c 50. c

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Chapter 5 Ancient Greece Multiple Choice 1. In its lack of a pediment and a roof, the Temple of Apollo at Didyma reflects what ability of Hellenistic architecture? a. To imitate temple treasuries b. To be surprising and dramatic c. To maintain small scale d. To exactly copy the Parthenon 2. What would have been the original context of the Geometric krater? a. An Egyptian tomb b. A temple of Apollo c. An Athenian cemetery d. An Etruscan tomb 3. In Greek art, what label is given to a statue showing the standing nude figure of a young man? a. Ka b. Kouros c. Stele d. Kore 4. What was notable about the depiction of Greeks on the Ionic frieze of the Parthenon? a. The Athenians were shown as allies of the Spartans. b. The citizens appeared to be wearing the costumes of deities. c. It shows the earliest-known interaction between gods and men. d. No human event had been depicted on a Greek temple previously.

5.

Who is usually given credit for the invention of the red-figure technique, shown here?

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Chapter 5 Ancient Greece a. Exekias b. Brygos Painter c. Andokides Painter d. Euthymides 6. What component of the statue of Athena Parthenos made an overt reference to the Athenian victory over the Persians in 479 BC? a. The shield with the image Xerxes b. The winged Nike figure in her hand c. Figures of Persian sailors lying at her feet d. Her helmet with laurel leaves 7. Which statue is the earliest known example of the use of contrapposto in sculpture? a. Aphrodite of Knidos b. Diskobolos c. Doryphoros d. Kritios Boy 8. What is the effect of the drapery worn by the three goddesses in the Parthenon east pediment? a. Hangs flat and heavy, disguising their contours b. Reveals and conceals the forms of their bodies c. Recalls the style and mood of the Archaic period d. Loses its own shape yet reveals theirs 9. What new facet is introduced to Greek sculpture in the Hellenistic image of Athena battling Alkyoneos on the Altar of Zeus? a. Coloristic properties b. Broader subject matter c. Emotional intensity d. Sense of good versus evil 10. What historical event ushered in the beginning of the Classical period? a. The death of Alexander the Great b. The Greek conquest of Egypt c. The defeat of the Persians d. The first Greek voyage to Italy 11. What style of Greek vase painting replaced the black-figure style? a. Geometric style b. Corinthian animal style c. White-ground technique d. Red-figure style 12. What cultural influence is apparent in the rigidly frontal standing pose of Archaic male statues? a. Minoan Powered by Cognero

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Chapter 5 Ancient Greece b. Cycladic c. Egyptian d. Hellenistic 13. What term describes the female statue column used as an architectural support on the Erechtheion? a. Kore b. Caryatid c. Gorgoneion d. Pillar 14. Which feature supports the hypothesis that the Lady of Auxerre is a kore rather than a goddess? a. Headdress b. Scale c. Gesture d. Inscription 15. Which Greek colony in Egypt brought the Greeks into direct contact with Egyptian monumental architecture? a. Syracuse b. Thebes c. Alexandria d. Naukratis 16. What advance is evident in the pedimental sculptures of the Temple of Aphaia on Aegina? a. First appearance of women in temple sculpture b. Introduction of unified theme and consistent scale c. Earliest-known scene of the interaction of gods and men d. Introduction of composite creatures to Greek mythology 17. What is the name of the sculpture in which Praxiteles took the unprecedented step of representing a female nude? a. Nike of Samothrace b. Erechtheion caryatid c. Aphrodite of Knidos d. Stele of Hegeso 18. What do scholars mostly agree is the subject of the lengthy Ionic frieze on the Parthenon? a. The birth of Athena b. The Panathenaic procession c. The battle of the Persians and Athenians d. The formation of the universe 19. The gigantomachy of the Altar of Zeus at Pergamon alludes to a victory of the Pergamenes over which group in the third century BCE? a. Romans b. Persians Powered by Cognero

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Chapter 5 Ancient Greece c. Sasanians d. Gauls 20. What technique did the sculptor Polykleitos use in his Doryphoros to impose order on human movement? a. Associated emotion with action b. Extended the figure into the surrounding space c. Created a system of cross-balances d. Used subtle stone projections for support 21.

What scene is represented on this Athenian white-ground lekythos by the Achilles Painter? a. Lady performing her morning toilette b. Young men lounging at a symposium c. The meeting of Paris and Helen Powered by Cognero

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Chapter 5 Ancient Greece d. Warrior taking leave of his wife 22. What was the function of one of the side chambers of the Propylaia on the Athenian Acropolis? a. Hospital b. Picture gallery c. Council chamber d. Guest house 23.

What materials made up the real statue of Athena Parthenos? a. Bronze and ivory b. Gold and marble c. Gold and painted clay d. Gold and ivory 24.

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Chapter 5 Ancient Greece

What is the name of the individual depicted in this sculpture? a. Apollo b. Hermes c. Odysseus d. Zeus 25.

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Chapter 5 Ancient Greece

What explains the markings on this statue? a. Modern archaeologists added color during conservation work. b. The soil where it was buried caused discoloration of the marble. c. Liquid dedications were poured onto the statue. d. Greek marble statues bore much painted decoration.

26.

What is the name and location of this monument?

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Chapter 5 Ancient Greece a. Temple of Apollo at Didyma b. Basilica at Paestum c. Temple of Aphaia on Aegina d. Temple of Zeus at Olympia 27. Who are the painter and potter of the François Vase? a. Exekias and Euphronios b. Kleitias and Ergotimos c. Achilles Painter and Brygos d. Kleitias and Kroisos 28.

What is the subject of this statue? a. Dying Greek b. Dying Athenian c. Dying Pergamene d. Dying Gaul 29. What historical battle appears in mythological disguise on the Altar of Zeus at Pergamon? a. King Attalos I over the Romans b. Spartans over the Athenians c. Alexander the Great over the Persians d. King Attalos I over the Gauls Powered by Cognero

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Chapter 5 Ancient Greece 30. Which period of Greek art witnessed a dramatic redefinition of portraiture? a. Geometric b. Hellenistic c. Archaic d. Classical 31. In which find context have the majority of well-preserved Greek vases been discovered? a. Greek cist graves b. Egyptian mastabas c. Macedonian tombs d. Etruscan tombs 32. Which monument provides information about the lives of women in Greek society? a. The Tomb of the Diver b. The Hegeso stele c. The Athena Parthenos d. The Siphnian Treasury 33. Which Greek city had a vase painting tradition that rivaled the Athenian workshops? a. Sparta b. Delphi c. Mycenae d. Corinth 34. The volute was a characteristic detail of which type of Greek column capital? a. Doric b. Corinthian c. Ionic d. Acanthus 35. Which hero is credited with the founding of the Olympic Games and appears in much of the art of that sanctuary? a. Theseus b. Achilles c. Herakles d. Odysseus 36. What technique was used to create the Charioteer of Delphi? a. Subtractive relief carving b. Lost-wax method of bronze casting c. Lost-wax method of gold working d. Encaustic technique 37. Which of the following was not built on the Athenian Acropolis? a. Erechtheion Powered by Cognero

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Chapter 5 Ancient Greece b. Parthenon c. Propylaia d. Stoa of Attalos 38. Who appears in human form on the Ionic frieze of the Parthenon? a. City-states b. Egyptian pantheon c. Greek gods d. Roman ancestor spirits 39. What is the subject of the tomb painting preserved at Vergina? a. Amazonomachy b. Hades abducting Persephone c. Battle of Issus d. Birth of Athena 40. Where is the first known exterior use of a Corinthian column? a. Tholos at Delphi b. Temple of Athena Nike c. Choragic Monument of Lysicrates d. Mausoleum of Halikarnassos 41. The Temple of Apollo at Didyma is located in which modern country? a. Greece b. Italy c. Jordan d. Turkey 42. What is the best-known example of Hippodamian city planning? a. Pergamon b. Priene c. Sparta d. Pella 43. What formed the original base of the Nike of Samothrace? a. Pyramid b. Corinthian column c. Altar d. Ship's prow 44. The statue group of Laocoön and his sons shows a scene from which work? a. Homer's Iliad b. Vergil's Aeneid c. Plato's Republic Powered by Cognero

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Chapter 5 Ancient Greece d. The Epic of Gilgamesh 45. Which was the costliest sculptural component of the Athenian Parthenon? a. The east and east pediments b. The painted Ionic frieze c. Statue of Athena Parthenos d. The metopes 46. Which legendary artist furnishes the name for a type of Greek Geometric sculpture? a. Apollo b. Nestor c. Daedalus d. Minos 47. Which part of the Greek temple housed the statue of the deity? a. Pronaos b. Stylobate c. Opisthodomos d. Cella 48. Triglyphs and metopes were elements of Greek temples of which type? a. Ionic b. Doric c. Corinthian d. Circular 49. What aspect of Praxiteles's statue of Aphrodite of Knidos caused controversy in its day? a. Style b. Material c. Nudity d. Gesture 50. Which innovation in sculpture separates Archaic from Classical statuary? a. Bronze material b. Twisting torso c. Weight shift d. Heraldic pose

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Chapter 5 Ancient Greece Answer Key 1. b 2. c 3. b 4. d 5. c 6. b 7. d 8. b 9. c 10. c 11. d 12. c 13. b 14. c 15. d 16. b 17. c 18. b 19. d 20. c 21. d 22. b 23. d 24. c 25. d Powered by Cognero

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Chapter 5 Ancient Greece 26. b 27. b 28. d 29. d 30. b 31. d 32. b 33. d 34. c 35. c 36. b 37. d 38. c 39. b 40. c 41. d 42. b 43. d 44. b 45. c 46. c 47. d 48. b 49. c 50. c

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Chapter 6 The Etruscans Multiple Choice 1. Which of the following made a significant contribution to the downfall of the Etruscans? a. Lack of wealth b. Absence of skilled artisans c. Lack of access to trade d. Political disconnectedness 2. What provided the impetus for the transformation of Etruscan society in the Orientalizing period? a. An alliance with Greek colonies in Italy b. Alliance with Republican Rome c. The region's mineral wealth d. A strong navy 3. What is the most likely source for the Orientalizing motifs on fibula excavated from the Regolini-Galassi Tomb? a. Rome b. India c. Mesopotamia and Persia d. Greece 4. Etruscan temples have columns closest to which Greek order? a. Ionic b. Corinthian c. Composite d. Doric 5. Which type of Etruscan funerary monument had no parallel in Greece? a. Cista b. Sarcophagus c. Tumulus d. Pyramid 6. What tomb type appears in the Etruscan cemetery at Cerveteri? a. Pyramid b. Tumulus c. Tholos d. Shaft grave 7. On which part of their temples did the Etruscans place their architectural sculpture? a. The double niches on the porches b. In the pediments c. In the long friezes d. The edges and ridge of the roof 8. In Etruscan iconography, which of the following symbolized regeneration?

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Chapter 6 The Etruscans a. Wine b. Bird c. Bee d. Egg 9. Unlike Greek temples, Etruscan temples were not meant to be seen as sculptural masses from every possible angle.

Which of the following statements supports this? a. Columns completely encircled the structure. b. The entrance was centered at the front of the structure. c. The front and rear of the structure were indistinguishable. d. Narrowed staircases were found on all four sides of the structure.

10. What do art historians believe accounts for the somber expression of Lars Pulena on his sarcophagus? a. The family was Roman and did not follow Etruscan funeral practices. b. Solemnity was required in funereal contexts. c. The artist was not skilled in portraying emotion via sculpture. d. This mood referenced the decline in Etruscan fortunes.

11. Which of the following works of art illustrates how Romanized the Etruscans had become by the first century BCE? a. Sarcophagus with reclining couple b. Aule Metele c. Apollo of Veii d. Chimera of Arezzo 12. The banquet seen in the Tomb of the Leopards takes place in which of the following settings? a. Private home b. In the open air c. Council chamber d. Palace dining room 13. The theme celebrated in both the Tomb of the Leopards and the Tomb of Hunting and Fishing is which of the following? a. The sorrow of death b. Victory in battle c. The joy of life d. Yearning for death 14. Which city was the production center for the bronze cista industry? a. Rome b. Palestrina c. Tarquinia d. Veii 15. The wide overhang roof of the Etruscan temple could function as which of the following? a. A sculptural mass Powered by Cognero

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Chapter 6 The Etruscans b. A misunderstanding of a Greek form c. A second ceremonial location d. A place of shelter 16. In what century did Etruria become fully absorbed by Rome? a. Second century CE b. First century BCE c. Fifth century BCE d. Third century CE 17. Etruscan terracotta sarcophagi showing life-size reclining figures are most typical of which of the following centuries? a. Second century BCE b. First century BCE c. Sixth century BCE d. Ninth century BCE 18. The Etruscans preferred to use which of the following materials for their sculpture? a. Marble b. Terracotta c. Gold d. Granite 19. Etruscan artisans were particularly skillful in which art form? a. Marble sculpture b. Intarsia c. Metalworking d. Weaving 20. Which of the following is the best description of Etruscan artistic style? a. A combination of stability and calm b. A combination of rigid frontality and symmetry c. A mass of cylindrical forms d. A combination of motion and vitality 21. How did the Etruscans typically bury their dead? a. On high mountaintops b. In tomb groups in a city of the dead c. In columbaria within the city limits d. In catacomb tunnels outside the city walls 22. Apulu (Apollo of Veii) is made of which of the following materials? a. Bronze b. Marble c. Terracotta Powered by Cognero

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Chapter 6 The Etruscans d. Wood 23. The wall painting in the Tomb of the Leopards portrays which of the following? a. Hunting scene b. Banqueting scene c. Funeral procession d. Birds and waterfowl 24. Which of the following mythical scenes decorated the Ficoroni Cista? a. Medusa and Perseus b. Lapiths and centaurs c. The gods versus the giants d. The Argonauts 25. Who or what is Tinia? a. Lady of Vulci b. Greek goddess c. Etruscan god d. Etruscan city 26. In what component did the Etruscan temple plan most greatly differ from the Greek temple plan? a. It had a Doric frieze. b. It had no roof. c. It had no side colonnades. d. It had three cellas.

27. The Etruscans preferred to use what building material(s) for their temples? a. Glazed brick and cement b. Wood and mud-brick c. Marble d. Limestone 28. Most architectural sculpture was made to decorate what part of the Etruscan temple? a. The pediment b. The entryway c. The colonnades d. The roof 29. The independent spirit and relative freedom enjoyed by Etruscan women was shocking to which of the following? a. Egyptian scribes b. Etruscan male authors c. Greco-Roman male authors d. The Roman pantheon

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Chapter 6 The Etruscans 30.

What is the material of the object shown? a. Painted marble b. Painted wood c. Painted terracotta d. Faience and niello 31.

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Chapter 6 The Etruscans

What is the name of the Etruscan tomb from Cerveteri? a. Tomb of the Leopards b. Tomb of Hunting and Fishing c. Tomb of the Shields and Chairs d. Tomb of the Reliefs 32.

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Chapter 6 The Etruscans

What is the name of this bronze statue? a. Cerberus of Veii b. Chimera of Arezzo c. Capitoline Wolf d. Chimera of Caere 33.

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Chapter 6 The Etruscans

What is the name of this object? a. Pectoral b. Hat pin c. Earring d. Fibula 34. At which Etruscan city site have archaeologists been able to work with periscopes to identify tombs with painted murals? a. Cerveteri b. Arezzo c. Tarquinia d. Perugia 35. Which detail of the Porta Marzia (Gate of Mars) may be termed the most Etrusco-Roman, as opposed to Greek? a. Pilaster b. Marble c. Arch d. Bronze statues Powered by Cognero

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Chapter 6 The Etruscans 36.

To which period of Etruscan art does this sarcophagus belong? a. Villanovan b. Hellenistic c. Archaic d. Orientalizing 37. What aspect of the bronze statue of Aule Metele is Etruscan? a. Short toga b. Raised arm c. High boots d. Inscribed name 38. Which Etruscan tomb is famous for the many luxurious objects it yielded? a. Tomb of the Reliefs b. Tomb of the Leopards c. Regolini-Galassi Tomb d. Ficoroni Tomb 39. Where was the Apollo of Veii originally set up?

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Chapter 6 The Etruscans a. Beside a tomb b. On a temple roof c. In a marketplace d. In a temple pediment 40. What is the decoration of the Tomb of the Reliefs? a. Reliefs showing portraits of the ancestors b. Painted friezes of dancing people c. Reliefs showing everyday household items d. Landscape scenes carved along the walls 41. To what period do art historians now date the Capitoline Wolf? a. Etruscan Orientalizing b. Roman Republican c. Early Imperial d. Medieval 42. What art historical term best describes the Chimera of Arezzo? a. Heraldic creature b. Composite creature c. Gorgoneion d. Colossal creature 43. What does the inscription on the Ficoroni Cista tell us? a. Place of manufacture b. Names of the figures in the scene c. Names of the gods it is dedicated to d. Artist and purchaser 44. Which category best describes the height of the Apollo of Veii? a. Miniature (one-third life size) b. Life size c. Colossal (five times life size) d. Double size (twice life size) 45. Which best describes the lives of Etruscan women and Greek women? a. Etruscan women stayed in the home, but Greek women accompanied their husbands to banquets and other entertainment. b. Greek and Etruscan women accompanied their husbands to banquets and other entertainment. c. Greek women stayed in the home, but Etruscan women accompanied their husbands to banquets and other entertainment. d. Greek and Etruscan women preferred to stay apart from society.

46. Which body parts tend to be overlarge and pronounced in Etruscan tomb paintings? a. Heads Powered by Cognero

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Chapter 6 The Etruscans b. Eyes c. Hands d. Noses 47. Which animals appear most prominently in the diver scene from the Tomb of the Hunting and Fishing? a. Fish b. Rabbits c. Deer d. Birds 48. What term do art historians use to denote an engaged column? a. Daedalic b. Pilaster c. Retrograde d. Tuscan column 49. What was the most common means of disposing of the dead in early Italy? a. Burial at sea b. Ossuaries c. Cremation d. Interment 50. What is the name of the only Etruscan artist to be mentioned in ancient literature? a. Apulu b. Exekias c. Vulcan d. Vitruvius

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Chapter 6 The Etruscans Answer Key 1. d 2. c 3. c 4. d 5. b 6. b 7. d 8. d 9. b 10. d 11. b 12. b 13. c 14. b 15. d 16. b 17. c 18. b 19. c 20. d 21. b 22. c 23. b 24. d 25. c Powered by Cognero

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Chapter 6 The Etruscans 26. d 27. b 28. d 29. c 30. c 31. d 32. b 33. d 34. c 35. c 36. b 37. d 38. c 39. b 40. c 41. d 42. b 43. d 44. b 45. c 46. c 47. d 48. b 49. c 50. c

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Chapter 7 The Roman Empire Multiple Choice 1. Which of the following architectural terms describes the Temple of Portunus, Rome? a. Dipteral b. Pseudoperipteral c. Distyle in antis d. Peripteral 2. Which Roman temple design during the Republican period reflected the colossal design of the Greek Hellenistic style? a. Temple of Portunus, Rome b. Temple of Vesta, Tivoli c. Sanctuary of Fortuna Primigenia, Palestrina d. Pantheon, Rome 3. Why did many freed slaves order portrait reliefs for their tombs? a. To celebrate their immortality via portraiture b. As a reminder of their former status as slaves c. To maintain their new status in the afterlife d. To commemorate their status as Roman citizens 4. Which structural material made it possible for the architect of the Sanctuary of Fortuna Primigenia to create such a colossal structure? a. Marble b. Concrete c. Metal armatures d. Mud-brick 5. What influence is apparent in the lifelike verism of Roman Republican portraits? a. Hellenistic portraiture tradition b. Etruscan funereal sculpture c. Roman household imagines d. Egyptian pharaonic portraiture 6. Which of the following was the first to break with tradition and use his portrait on Roman coinage? a. Caesar Augustus b. Julius Caesar c. Tarquinius Superbus d. Mark Antony 7. Which of the following structures, located in the forum, housed the law court for a Roman city? a. Stoa b. Temple c. Rostrum d. Basilica Powered by Cognero

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Chapter 7 The Roman Empire 8. What are the allegorical figures in the Triumph of Titus relief meant to invoke? a. The protection of the gods b. The power of victory c. The imperial virtues d. The goodwill of previous emperors 9. What was emphasized in Flavian portraits, in a departure from Republican portraiture? a. Roman virtues and nobility b. The divine nature of the sitter c. The full Roman ancestry of the sitter d. Beauty shown through current fashion trends 10. How did the architect use architectural elements in the facade of Al-Khazneh (the "Treasury") at Petra? a. With careful regard for classical conventions b. In a purely ornamental fashion c. To highlight its function as a temple d. In a way that emphasized power and grandeur 11. The Pantheon was one of the most influential designs in the history of architecture. It brought new meaning to the concept of "architectural space." Which of the following descriptions best characterizes the design of the Pantheon? a. It is based on the intersection of two squares. b. It is based on the intersection of a circle and a rectangle. c. It is based on sections of an ellipse. d. It is based on the intersection of two circles.

12. What did First Style wall painting at Pompeii imitate? a. Mosaic panels b. Theater scenery c. Costly marble panels d. Cyclopean masonry 13. Which emperor built a large palace/fort at Split in present-day Croatia? a. Constantine b. Justinian c. Diocletian d. Hadrian 14. Which of the following best describes the subject of Fourth Style Roman wall painting? a. Architectural vistas b. Linear fanatasies c. Stone panels d. Mixture of previous styles 15. Pompeian wall paintings of the Second Style are characterized by which of the following? a. Painted copies of inlaid stonework Powered by Cognero

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Chapter 7 The Roman Empire b. Walls dissolving into an illusionistic landscape c. Fantastical architecture based on the theater d. Decoratively painted architectural sections 16. Where would an oculus be found? a. In the wall of a temple b. At the upper center of a dome c. At the center of a Roman peristyle d. In the apse of a basilica 17. The Emperor Trajan commissioned which of the following? a. The Colosseum b. The Ara Pacis c. A large harbor d. A narrative relief column 18. What earlier monument is a model for the procession of the imperial family on the Ara Pacis Augustae? a. Apotheosis of Antoninus Pius and Faustina b. Tomb of the Leopards c. Altar of Zeus at Pergamon d. Panathenaic frieze from the Parthenon 19. The Sanctuary of Fortuna Primigenia relied on which structural component? a. Long stretches of post-and-lintel groups b. Monumental concrete barrel vaults c. Ashlar masonry overlaid by plaster d. Interwoven apsidal and rectangular forms 20. Which of the following statements best characterizes the narrative scenes on the Column of Trajan? a. Trajan rarely appears among his soldiers. b. Dacians are shown to have few military skills. c. The story is idealized and mythologized. d. Battle scenes take up a quarter of the whole.

21. What is the primary function of architectural coffering? a. To expand interior space b. To lighten weight of dome or arch c. To help build roads d. To enable accurate measurements 22. Which of the following is not a component of Roman wall painting? a. Illusionism b. Agricultural scenes c. Architectural framing devices Powered by Cognero

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Chapter 7 The Roman Empire d. Eclecticism 23. The palace at Tivoli was constructed for which emperor? a. Augustus b. Nero c. Hadrian d. Trajan 24. Which emperor chose to recognize Christianity as the official religion of Rome in the early fourth century CE? a. Diocletian b. Constantine c. Marcus Aurelius d. Justinian 25. In contrast to Greek temples, what was the usual architectural scheme of Roman temples? a. Stylobate foundation b. Built into hillside c. Wood building material d. Pseudoperipteral 26. The figures from the frieze of the Villa of Mysteries are thought to be taking part in an initiation into the cult of which divine figure? a. Persephone b. Dionysus c. Sol Invictus d. Mithras 27. What technique did the artist of the spoils from Jerusalem on the Arch of Titus use to create the illusion of depth? a. Coloring the relief background b. Arranging figures in a landscape c. Carving different heights of relief d. Following strict linear perspective 28.

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Chapter 7 The Roman Empire

What important Roman figure is portrayed here? a. Mars b. Hadrian c. Jupiter d. Augustus 29.

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Chapter 7 The Roman Empire

This figure is holding portrait heads representing which group? a. His fellow consuls b. His children c. His ancestors d. His political enemies 30.

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Chapter 7 The Roman Empire

What is the primary support structure here? a. Dome b. Barrel vault c. Groin vault d. Round arch 31.

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Chapter 7 The Roman Empire

Whose triumphal arch appears in this image? a. Titus b. Septimius Severus c. Antoninus Pius d. Constantine 32.

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Chapter 7 The Roman Empire

What is the find context of this garden fresco? a. House of the Vetii b. Villa of Livia c. Samnite House d. Villa of Agrippa Postumus 33. Which aspect of the Temple of Vesta is NOT an Etruscan contribution? a. High podium b. Axial alignment c. Use of columns d. Circular plan 34. The Ara Pacis Augustae highlights Augustus's ancestral connection to which figure? a. Julius Caesar b. Tarquinias Superbus c. Aeneas d. Pericles 35.

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Chapter 7 The Roman Empire

Which component of a Roman house plan is the focus of this image? a. Cubiculum b. Caldarium c. Atrium d. Triclinium 36.

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Chapter 7 The Roman Empire

What building appears in this image? a. Parthenon b. Pantheon c. Forum of Augustus d. Temple of Vesta 37.

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Chapter 7 The Roman Empire

What is unusual in this portrait of a Roman emperor? a. Marble b. Deep cut curls c. Shape of mouth d. Beard 38.

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Chapter 7 The Roman Empire

Who is depicted in this equestrian portrait? a. Trajan b. Constantine c. Marcus Aurelius d. Antoninus Pius 39. The majority of Roman panel portraits in the encaustic technique come from which country? a. Rome b. Egypt c. England d. Greece 40.

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Chapter 7 The Roman Empire

Who is pictured in this wall painting? a. The poet Homer b. The hero Achilles c. The poet Menander d. The statesman Alcibiades 41.

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Chapter 7 The Roman Empire

What technique was used to create the hairstyle of this portrait? a. Lost wax b. Carving c. Repoussé d. Drilling 42. Which of the following monuments was NOT a product of the Pax Augusta? a. Ara Pacis Augustae b. Pantheon c. Maison Carrée d. Pont-du-Gard 43. What accounts for the increasing presence of sarcophagi in Roman art after the time of Augustus? a. Change in emperor cult b. Influx of Egyptian stoneworkers c. More land usable for burial d. Increasing popularity of Christianity 44. What structure did the Roman emperor Nero have the architects Severus and Celer build after the great fire of 64 CE? Powered by Cognero

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Chapter 7 The Roman Empire a. Forum b. Palace c. Colosseum d. Market 45. What Roman building type was the home of the vast majority of citizens of Rome? a. Insula b. Basilica c. Domus d. Bath 46. Which emperor was responsible for the construction of the Pantheon in Rome? a. Trajan b. Augustus c. Hadrian d. Constantine 47. The exterior of the Colosseum combined the Greek post-and-lintel structure of columns and entablature with what Roman form? a. Groin vault b. Podium c. Caldarium d. Arch 48. What was the purpose of imperial portrait statues? a. To provide an objective record b. To mold public opinion c. To give a sense of the emperor's omniscience d. To have a unified program of presentation 49. Which of the following was NOT built by Augustus in his program to make the monuments of Rome the equal of those of Periclean Athens? a. Altar b. Forum c. Palace d. Temple 50. What standard imperial scene appears on the base of the column of Antoninus Pius? a. Triumphal march b. Birth of emperor c. Apotheosis d. Coronation

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Chapter 7 The Roman Empire Answer Key 1. b 2. c 3. d 4. b 5. c 6. b 7. d 8. c 9. d 10. b 11. d 12. c 13. c 14. d 15. b 16. b 17. d 18. d 19. b 20. d 21. b 22. b 23. c 24. b 25. d Powered by Cognero

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Chapter 7 The Roman Empire 26. b 27. c 28. d 29. c 30. c 31. d 32. b 33. d 34. c 35. c 36. b 37. d 38. c 39. b 40. c 41. d 42. b 43. d 44. b 45. c 46. c 47. d 48. b 49. c 50. c

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Chapter 8 Late Antiquity Multiple Choice 1. What do the mural paintings at Dura-Europos suggest was a component of the decoration of many Late Antique synagogues? a. Images of the cross b. Narrative scenes c. Praying figures d. Abstract ornament 2. Why is the Christian community house in Dura-Europos such a small building? a. There was little land available for large buildings in Dura-Europos. b. No large dwellings were constructed in Dura-Europos. c. Christians did not yet enjoy the patronage of the Roman state. d. No shrines or holy structures were allowed in Dura-Europos.

3. Why did the Roman state persecute the Christians? a. Christians fomented revolt against the Roman state. b. Christians refused to pay homage to the state's gods. c. Romans knew the Christians would be their downfall. d. Romans didn't approve of anything originating in Judea.

4. What is the earliest datable Christian art? a. First century CE b. Fifth century CE c. Sixth century CE d. Mid-third century CE 5. Why did Constantine locate the earliest public Christian churches on the outskirts of Rome? a. To comply with Roman law b. To promote Christianity c. To avoid confrontations d. To keep religious structures in the same part of city 6. Why is a family group shown praying in the lunette of the Catacomb of Saints Peter and Marcellinus? a. They represent the ideal Christian family. b. They represent the Christian family who own that section of the catacomb. c. They represent nothing specific, just figures to fill the space. d. They represent the Christian family seeking their heavenly reward.

7. How did one recognize a Christian sarcophagus? a. The name of the person buried was carved in its central panel. b. The iconography in its reliefs is predominantly Christian. c. The crucifixion always appeared among the relief scenes. d. Sarcophagi were used for burial only by Christians.

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Chapter 8 Late Antiquity 8. Which scene on the sarcophagus of Junius Bassus is an allusion to the crucifixion? a. Entry into Jerusalem b. Christ enthroned c. Christ before Pilate d. Christ between Saints Peter and Paul 9. Which of the following statements accurately explains why the diptych of the Nicomachi and the Symmachi is significant to the art tradition of fourth-century Rome? a. It initiated the traditional religious subjects in ivory carving. b. It deliberately continued the classical tradition. c. It adapted classical tradition for a Christian wedding gift. d. The diptych becomes a certificate of marriage.

10. Which phrase best describes the style of the Christ as Good Shepherd mosaic from the Mausoleum of Galla Placidia at Ravenna? a. Features abstracted designs b. Closely related to Jewish art c. Entirely in the Byzantine style d. Deeply rooted in the classical tradition 11. The illustrated book had a long history in the ancient world. When did the tradition of placing pictures in manuscripts first begin? a. Classical Greece b. Pharaonic Egypt c. Sumerian cuneiform d. Republican Rome 12. Which of the following attributes was used to depict Christ after Christianity was officially recognized by Roman authorities? a. Chariot b. Imperial armor c. Imperial purple d. Laurel leaf crown 13.

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Chapter 8 Late Antiquity What is the subject of the scene that occupies the left third of the sarcophagus of Santa Maria Antiqua shown here? a. Serpent in Eden b. Temptation of Christ c. Noah's ark d. Salvation of Jonah 14. What is the correct term for the entrance porch of Old Saint Peter's in Rome? a. Atrium b. Narthex c. Nave d. Bema 15. Which of the following is the closest predecessor for Santa Costanza? a. Tomb of the Julii b. Mausoleum of Galla Placidia c. Pantheon d. Sant'Apollinare Nuovo 16. Who was a popular subject in early Christian art because he was seen as a prefiguration of Christ? a. Moses b. King David c. Jeremiah d. Jonah 17. Which of the following has a basilica form? a. Santa Costanza b. Old Saint Peter's c. Saints Peter and Marcellinus d. Saint Callixtus 18. Scenes from which artistic group accompany the Christian images in the mural program at Santa Costanza? a. Illustrated Vergil manuscripts b. Roman funerary art c. Roman narrative reliefs d. Greek mythology 19. Which body of subject matter survives in the decoration of the Mildenhall Treasure, especially the "Great Dish"? a. Republican portraiture b. Landscape vistas c. Jewish iconography d. Greco-Roman iconography 20. What invention greatly aided the distribution of manuscripts during the Early Roman Empire? a. Narrative column Powered by Cognero

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Chapter 8 Late Antiquity b. Diptych c. Codex d. Chariot 21. Who was the Ostrogothic patron of the church of Sant'Apollinare Nuovo in Ravenna? a. Justinian b. Alaric c. Theodoric d. Trajan Decius 22. The plan of the church of Santa Costanza is a forerunner of which regional variant? a. Western basilica b. Western catacomb c. Northern monastery d. Eastern central-plan building 23. In what role was Christ depicted in much Early Christian art? a. Sol Invictus b. Good Shepherd c. Enthroned emperor d. Pantokrator 24. Where have archaeologists found the oldest-known Christian iconographical program? a. Via Latina Catacomb, Rome b. Community house, Dura-Europos c. Old Saint Peter's, Rome d. Mausoleum of Galla Placidia, Ravenna 25. The exterior of Santa Sabina in Rome most closely resembled the exterior of which building? a. Santa Costanza, Rome b. Mausoleum of Galla Placidia, Ravenna c. Hagios Giorgios, Thessaloniki d. Aula Palatina, Trier 26. Which architectural form did Christian architects choose to adopt for the first public buildings where the Christian liturgy would be celebrated? a. Temple b. Council house c. Domus d. Basilica 27. Why are there very few depictions of the crucifixion in early Christian art? a. The episode was not known until the circulation of the Gospels in the fourth century. b. Artists emphasized the divinity of Christ through his life as a teacher and miracle worker.

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Chapter 8 Late Antiquity c. Christians were afraid to make accusations of murder against the Roman government. d. Christians did not want to emphasize his suffering and martyrdom.

28. What is the Mausoleum of Galla Placidia most notable for? a. Exterior marble revetment b. Interior frescoes c. Exterior sculptural program d. Interior mosaic program 29. How was natural light provided in Early Christian basilicas? a. Baldacchino ovals b. Hypostyle halls c. Clerestory windows d. Oculus in narthex 30. What change was introduced in the mosaics of Sant'Apollinare Nuovo? a. Use of tesserae b. Architectural fantasies c. Gold background d. Natural landscape 31. Which term describes the cross-inscribed halo of a Christian saint? a. Cruciform b. Nimbus c. Attribute d. Sanctus 32. From where and to where did Honorius, Emperor of the West, move his capital? a. Rome to Constantinople b. Ravenna to Thesssaloniki c. Rome to Ravenna d. Milan to Ravenna 33. In 380 CE, who declared Christianity the official religion of the Roman Empire? a. Alaric b. Theodore c. Theodosius I d. Honorius 34. The word tessera, used to describe small mosaic tiles, comes from the Latin word for which of the following? a. Four b. Treasure c. Cube d. Split Powered by Cognero

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Chapter 8 Late Antiquity 35. Which early church gives prominence to the life of the Virgin Mary in its decorative program? a. San Vitale b. Santa Maria Maggiore c. Santa Sabina d. Hagios Giorgios 36.

What activity is implied by the gestures of the two male figures in this mosaic? a. Lecturing b. Blessing c. Baptism d. Praying 37. Which Roman monument do the figures in the painting illustrating the Book of Samuel in the synagogue at DuraEuropos LEAST resemble? a. Arch of Constantine b. Arch of Septimius Severus c. Column of Antoninus Pius d. Column of Trajan 38.

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Chapter 8 Late Antiquity

Which motif appearing on this ivory plaque ties the piece to the Christian tradition? a. Altar b. Ivy crown c. None d. Drapery 39. Where was the Mildenhall Treasure found? a. Egypt b. England c. Syria d. Italy 40. What Latin term was used to describe a manuscript in scroll form? a. Folio b. Codex c. Rotulus d. Vellum 41. Which aspect of Greco-Roman temple architecture was retained in the Early Christian basilica?

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Chapter 8 Late Antiquity a. Open-air altar b. Marble tile roof c. Pseudoperipteral colonnade d. East–west orientation 42. Which of the following is NOT characteristic of Late Antique Christian art? a. Non-naturalistic b. Shade and tonality c. Hieratic sizing d. Frontal figures 43.

What is the Christian interpretation of these vineyard scenes? a. Bacchus b. Fertility and plenty c. Garden of Eden d. The Eucharist and blood of Christ 44.

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Chapter 8 Late Antiquity

What Greco-Roman figure is celebrated in the painting program of Cubiculum N, seen here? a. Theseus b. Hercules c. Augustus d. Jupiter 45.

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Chapter 8 Late Antiquity

How is the figure of Jesus depicted here on the sarcophagus of Junius Bassus? a. As the Good Shepherd b. As a wise teacher c. Like a Roman emperor d. Like the Pantokrator 46. What is the term that describes the identifying objects or garments accompanying saints and other figures as a means of identifying them to the viewer? a. Type b. Figuration c. Attribute d. Relic 47. What architectural term names the vestibule area of a Christian church? a. Apse b. Atrium c. Transept d. Narthex 48. What architectural element was introduced in the church of Santa Costanza? a. Mausoleum b. Ambulatory c. Narthex d. Dome Powered by Cognero

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Chapter 8 Late Antiquity 49.

What is the subject of the two inner rings of the "Great Dish" from the Mildenhall Treasure, shown here? a. Dionysus and maenads b. Jupiter and dolphins c. Oceanus and Nereids d. Neptune and putti 50. What biblical figure was the focus of the mosaics of Santa Maria Maggiore? a. Jesus b. Jonas c. Virgin Mary d. King David

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Chapter 8 Late Antiquity Answer Key 1. b 2. c 3. b 4. d 5. c 6. d 7. b 8. c 9. b 10. d 11. b 12. c 13. d 14. b 15. c 16. d 17. b 18. b 19. d 20. c 21. c 22. d 23. b 24. b 25. d Powered by Cognero

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Chapter 8 Late Antiquity 26. d 27. b 28. d 29. c 30. c 31. b 32. d 33. c 34. c 35. b 36. d 37. d 38. c 39. b 40. c 41. d 42. b 43. d 44. b 45. c 46. c 47. d 48. b 49. c 50. c

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Chapter 9 Byzantium Multiple Choice 1. Who was the founder of the "New Rome" of the East? a. Justinian b. Diocletian c. Theodosius I d. Constantine 2. Which new Byzantine stylistic feature appeared in the mosaics at San Vitale? a. An elaborate setting b. Naturalistic action c. Dematerialization of solid bodies d. Variety of gestures 3. Which architectural component supports the dome of the Hagia Sophia? a. Squinches b. Barrel vaults c. Pendentives d. Iron beams 4. What medium is used for the icon of the Virgin (Theotokos) and the Child between Saints Theodore and George? a. Oil on panel b. Mosaic c. Fresco on plaster d. Encaustic on wood 5. What image, embroidered on Theodora's garment, underscored her elevated rank? a. Chi-rho-iota b. Virgin and Child c. Three Magi d. Imperial eagle 6. The overlapping of the figures of Justinian and the bishop in the mosaic at San Vitale is meant as a reference to what? a. The lack of importance of Bishop Maximianus b. The balance between church and state c. The force of Justinian's character d. The higher importance of the state 7. What do art historians think was the model for the image of the Archangel Michael on the Early Byzantine ivory diptych? a. Roman emperor Trajan b. Arch of Antoninus Pius c. Winged cupid d. Winged victory Powered by Cognero

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Chapter 9 Byzantium 8. How did the architects of Hagia Sophia accomplish their fusion of the central-plan form and the basilica? a. By placing several domes on the nave b. By subdividing the side aisles c. By matching the height of intersecting basilicas d. By placing a hemispherical dome on a square base 9. The marriage of Anna to Vladimir marked the introduction of Orthodox Christianity to which country? a. Romania b. Russia c. Syria d. Lombardy 10. Which city remained the Byzantine foothold in Italy for two centuries? a. Thessaloniki b. Venice c. Florence d. Ravenna 11. In the mosaic program of San Vitale, how is the importance of Bishop Maximianus signaled? a. By his magnificent crown b. By the hand of God c. By the other figures d. By a naming inscription 12. What is the unifying theme of the images and symbols found in the mosaic program of San Vitale? a. The martyrdom of Saint Vitalis b. Christ's redemption of humanity c. The life of the Virgin Mary d. The crucifixion and resurrection of Christ 13. In which country did the monastic movement begin in the third century? a. Germany b. Syria c. Italy d. Egypt 14. Which prominent figure in the Ascension scene from the Rabbula Gospels is not mentioned in the biblical text describing the event? a. Mary Magdalene b. The Virgin Mary c. Saint John the Evangelist d. The monk Rabbula 15. Where would a squinch most likely be found? a. As part of a column Powered by Cognero

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Chapter 9 Byzantium b. Guarding an entryway c. Supporting a dome d. In an illuminated manuscript 16. Which of the following was the likely reason Emperor Leo III chose to initiate iconoclasm? a. To prepare for a visit from the Roman pope b. To commemorate his conversion to Judaism c. Because artists who created images demanded high wages d. The loss of almost two-thirds of Byzantine territory 17. What symbolic form did iconoclasts allow to be used in place of images? a. Animal statue b. Crown c. Cross d. Ring 18. The mosaic of the Virgin and Child enthroned in Hagia Sophia was commissioned by Basil I to replace what? a. One that included Justinian b. One created in the Roman period c. One that was iconic in nature d. One destroyed by "impostors" 19. What comprises the octagon on which the dome of the Katholikon at Hosios Loukas rests? a. Pendentives b. Bemas c. Squinches d. Pyramidal arches 20. What is the role of Christ in his image as Pantokrator? a. Redeemer of human kind b. Slayer of demons c. Last judge of humankind d. Lamb of God 21. Which Middle Byzantine work assimilates classicism's simplicity, dignity, and grace with Byzantine piety and pathos? a. Virgin and child enthroned, Hagia Sophia b. Virgin and Child between Saints Theodore and George, Monastery St. Catherine c. Anicia Juliana, Vienna Dioskorides d. Crucifixion, Church of the Dormition, Daphni 22. Whose relics were brought from Egypt to Venice? a. Saint Matthew b. Saint Luke c. Saint John Powered by Cognero

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Chapter 9 Byzantium d. Saint Mark 23. What is the significance of the explanatory labels written in both Greek and Latin in the interior mosaic program of Saint Mark's? a. Their presence accommodates the needs of Venice's diverse population. b. Their presence reflects the political ambitions of the bishop of Venice. c. Their presence reflects Venice's position as a link between East and West. d. Their presence accommodates the needs of the patriarch of Constantinople.

24. The appearance of the Norman king, William II, in the Monreale mosaic program continues which practice? a. Depicting kingly humility b. Royal presence and patronage c. Copying mosaic cycles d. Honoring predecessors 25. Where does the image of the Pantokrator appear in the church of Monreale? a. Central dome b. King's chapel c. Aisle vaults d. Semidome of apse 26. Which aspect of the Lamentation scene in Saint Pantaleimon, Nerezi, contributes to an emotionally charged realization of the theme? a. The abstracted figures and background b. The natural setting and modeled figures c. The architectural backdrop and garments d. The gold background and architectural fantasies 27. What ancient figural type accompanies the Old Testament harpist in the image of David Composing the Psalms? a. Images of pagan gods b. Roman emperors c. Allegorical figures d. Fantastical animals 28. Which of the following events did NOT worsen the outlook of Byzantium in the Late Byzantine period? a. The Seljuk Turks captured most of Anatolia. b. The Byzantine Orthodox Church broke with Rome c. Michael VIII recaptured Constantinople in 1261. d. The Crusades brought Westerners into its lands.

29. Which event in Byzantine history accounts for the loss of much art? a. The Second Crusade b. The Seljuk Turks' capture of Anatolia c. The rise of the Macedonian dynasty d. The Iconoclasm Powered by Cognero

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Chapter 9 Byzantium 30. Who proclaimed Orthodox Christianity the only lawful religion of New Rome? a. Constantine b. Justinian c. Theodosius d. Honorius 31. The portrait of which empress appears on the choir wall to the right of the apse of San Vitale? a. Irene b. Theodora c. Galla Placidia d. Zoe 32. Basil I (r. 867–886), head of the new dynasty, thought of himself as the restorer of which empire? a. Justinianic empire b. Hellenistic empire c. Roman Empire d. Byzantine empire 33. Which of the following is not a feature of Middle Byzantine architecture? a. Variations on central-domed plan b. Small and vertically oriented c. Exterior surface patterns d. Dome over cylinder plan 34. Which 11th-century empress has a mosaic portrait in Hagia Sophia? a. Theodora b. Zoe c. Irene d. Lucia 35.

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Chapter 9 Byzantium

What is the name of this building? a. San Vitale b. Hagia Sophia c. Santa Costanza d. Church of the Theotokos 36.

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Chapter 9 Byzantium

What is the title of this icon? a. Vladimir Virgin b. Madonna of Saint Catherine c. Virgin of Compassion d. Virgin and Child between Saints Theodore and George 37.

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Chapter 9 Byzantium

What is the location of this church? a. Ravenna b. Monreale c. Venice d. Kiev 38. Which city was laid to waste during the Fourth Crusade? a. Athens b. Constantinople c. Venice d. Alexandria 39.

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Chapter 9 Byzantium

What is the approximate height of this image? a. One foot b. Ten feet c. Five feet d. Five inches 40. What is the oldest preserved illustrated manuscript containing biblical scenes? a. Vatican Vergil b. Vienna Genesis c. Rabbula Gospels d. Vienna Dioskorides 41.

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Chapter 9 Byzantium

What scene from the life of Christ is depicted here? a. Lamentation b. Anastasis c. Transfiguration d. Annunciation 42. What two authors wrote about the wonders of the Hagia Sophia around the time it was built? a. Procopius and Vitruvius b. Procopius and Paulus c. Procopius and Justinian d. Paulus and Anthemius 43.

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Chapter 9 Byzantium

What is the material of this artwork? a. Wood b. Ebony c. Ivory d. Plaster 44. What biblical figure is most closely associated with the monastery at Mount Sinai? a. Christ b. Moses c. Virgin Mary d. Saint Catherine 45. Which of the following Byzantine artworks is not carved in ivory? a. Archangel Michael diptych b. Harbaville triptych c. Pala d'Oro d. Throne of Maximianus 46. Which region rose after the fall of Constantinople in 1453 to become the Third Rome?

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Chapter 9 Byzantium a. Italy b. North Africa c. Russia d. Scandinavia 47. Which monument in Constantinople is an example of pre-Justinianic Byzantine art? a. Hagia Sophia b. Obelisk of Theodosius c. Church of Christ in Chora d. Church of the Holy Apostles 48.

This is the apse of which Byzantine-era church? a. Monastery of Saint Catherine, Sinai b. Cathedral of Monreale, Italy c. Church of Christ in Chora, Constantinople d. Sant'Apollinare in Classe, Ravenna 49. What do art historians view as the origin of icon paintings?

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Chapter 9 Byzantium a. Roman wall painting b. Byzantine manuscripts c. Roman portraits on wood panels d. Egyptian textile decoration 50. What color are the pages of the Vienna Genesis? a. Brown b. White c. Purple d. Gold

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Chapter 9 Byzantium Answer Key 1. d 2. c 3. c 4. d 5. c 6. b 7. d 8. d 9. b 10. d 11. d 12. b 13. d 14. b 15. c 16. d 17. c 18. d 19. c 20. c 21. d 22. d 23. c 24. b 25. d Powered by Cognero

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Chapter 9 Byzantium 26. b 27. c 28. c 29. d 30. b 31. b 32. c 33. d 34. b 35. b 36. d 37. b 38. b 39. c 40. b 41. b 42. b 43. c 44. b 45. c 46. c 47. b 48. d 49. c 50. c

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Chapter 10 The Islamic World Multiple Choice 1. What activity is it the primary function of Islamic religious architecture to support? a. Liturgy b. Meditation c. Education d. Prayer 2. Although Muhammad had all the idols within it destroyed, why did he allow the Kaaba to be preserved? a. It was the location of his divine inspiration. b. He knew it would be the site of his ascendancy into Paradise. c. It was his family's ancestral home. d. He saw it as the Islamic world’s symbolic center.

3. What event does the Hijra, which marks the beginning of Islam, commemorate? a. The Islamic conquest of Egypt b. Muhammad's vision of Gabriel c. Muhammad's flight from Mecca d. The writing of the texts of the Koran 4. What was the function of the madrasa in the large complex built in Cairo by Sultan Hasan? a. Marketplace b. Theological college c. Women's hospital d. Mamluk palace 5. What forms the decoration of the mausoleum of the Samanids? a. Glazed tiles b. Glass mosaics c. Marble revetment d. Shaped bricks 6. Which capital, established by the Abbasid caliph al-Mansur, was referred to as the City of Peace? a. Isfahan b. Baghdad c. Córdoba d. Kairouan 7. What is the vault in the Hall of the Abencerrajes meant to symbolize? a. Allah's blessing on the Nasrids b. The beauties of Paradise c. The dome of heaven d. The fusion of Islamic and Byzantine motifs 8. Which structure is considered the greatest achievement of the Ottoman court architect Suleyman the Magnificent?

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Chapter 10 The Islamic World a. Mosque complex of Sultan Hasan b. Great Mosque, Isfahan c. Madrasa Imami, Isfahan d. Mosque of Selim II 9. Which decorative forms did the architects experiment with in the Córdoba maqsura? a. Calligraphic inscriptions b. Glazed tiles c. Multilobed arches d. Figural representations 10. What is the likely origin of the mihrab, the semicircular niche set in the qibla wall? a. It marks where Muhammad wrote his revelations. b. It marks where Muhammad received divine inspiration. c. It marks where Muhammad stood to lead communal worship. d. It marks where Muhammad ascended into Paradise.

11. What forms the structural foundation of the Great Mosque of Damascus? a. Roman forum colonnades b. Roman bath piers c. Roman triumphal arch d. Roman precinct walls 12. Which of the following is built over the place from which Muhammad began his miraculous journey to heaven? a. Great Mosque, Damascus b. Dome of Shah Mosque c. Dome of the Rock, Jerusalem d. Great Mosque, Kairouan 13. The practice of which craft was considered a holy task and required arduous training? a. Binding manuscripts b. Calligraphy c. Tile working d. Metalworking 14. The design and decoration of Islamic Korans have the closest parallels in which art form? a. Carolingian Gospel books b. Early Christian painting c. Greek vase painting d. Medieval manuscripts of Britain and Ireland 15. Which of the following pairs are the major Muslim dynasties of what is now Turkey? a. Ayyubid and Mamluk b. Maluk and Ottoman Powered by Cognero

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Chapter 10 The Islamic World c. Umayyad and Nasrid d. Seljuk and Ottoman 16. The positioning of all mosques, no matter period or country, must be oriented toward which of the following cities? a. Medina b. Mecca c. Jerusalem d. Baghdad 17. Which is the supposed precursor of hypostyle-designed mosques, such as the one at Kairouan? a. Muhammad’s house in Mecca b. The Dome of the Rock c. The madrasa of Baghdad d. Muhammad’s house in Medina 18. What was the reason for the height of the Malwiya minaret in Samarra, which was too tall to be climbed to call Muslims to prayer? a. To celebrate the Muslim conquest of Spain b. To embody the power of Islam after defeating Byzantium c. To serve as a directional marker for Muslim prayer d. To announce the presence of Islam in the Tigris Valley 19. The Saminid mausoleum from Bukhara can be said to be which of the following structure types? a. Pyramid-on-cube form b. Dome-on-cube form c. Dome-on-octagon form d. Dome-on-cylinder form 20. The Great Mosque at Córdoba has a hypostyle prayer hall with horseshoe-shaped arches adapted from which people? a. Carolingians b. Romans c. North Africans d. Visigoths 21. Which city did the Ottomans conquer in 1453? a. Venice b. Constantinople c. Granada d. Cairo 22. An ancient Arab proverb proclaims, “Purity of writing, is purity of soul,” and describes which of the following? a. Poetry b. Painting c. Calligraphy Powered by Cognero

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Chapter 10 The Islamic World d. Tile glazing 23. What is the translation of the word used to designate the major Islamic dynasty in Egypt, mamluk? a. Noble b. Barbarian c. Soldier d. Slave 24. Who was the most renowned Persian painter of the Timurid dynasty? a. Haydar b. Sinan c. Bihzad d. Maqsud 25.

What monument contains this example of Islamic experimentation with multilobed arches? a. Alhambra, Granada b. Great Mosque, Kairouan c. Friday Mosque, Isfahan d. Mezquita, Córdoba 26. Where did the Abbasids establish a new capital after the overthrow of the Umayyad caliphs? a. Damascus b. Medina c. Baghdad Powered by Cognero

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Chapter 10 The Islamic World d. Isfahan 27.

What is the location of these mosaics? a. Great Mosque, Kairouan b. Great Mosque, Córdoba c. Great Mosque, Damascus d. Great mosque, Samarra 28.

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Chapter 10 The Islamic World What is the function of this object? a. Drinking glass b. Vase c. Teapot d. Lamp 29. What is the defining feature of a hypostyle hall? a. Domes b. Columns c. Tiles d. Windows 30. In what century was the palace-fortress of Alhambra built? a. Ninth b. Fourteenth c. Eleventh d. Sixteenth 31.

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Chapter 10 The Islamic World What type of tilework covers this minaret of the Friday Mosque at Isfahan? a. Cuerda seca tilework b. Puzzle tilework c. Mosaic tilework d. Lantern tilework 32.

Where is the mosque pictured in this image located? a. Córdoba b. Istanbul c. Baghdad d. Edirne 33.

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Chapter 10 The Islamic World

An artist produced this manuscript painting for which Islamic dynasty? a. Ottoman b. Timurid c. Abbasid d. Fatimid 34.

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Chapter 10 The Islamic World

What is the function of this object? a. Lamp b. Dish c. Cover d. Wheel 35.

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Chapter 10 The Islamic World

Which component of the mosque plan appears in this image? a. Muezzin b. Minaret c. Minbar d. Maqsura 36.

In what city is this mosque located?

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Chapter 10 The Islamic World a. Córdoba b. Kairouan c. Cairo d. Granada 37. In which country is the four-iwan mosque the standard type? a. Iraq b. Iran c. Tunisia d. Egypt 38. Which best describes Islamic architecture? a. Standardized design principles showing no regional variations b. Informal design guidelines showing no relation to purpose or location c. Standardized design principles incorporating distinctive regional forms d. Minimalized design requirements heavily incorporating local variants 39. Which culture did NOT contribute to the design and decoration of the Great Mosque of Damascus? a. Byzantine b. Egyptian c. Early Christian d. Roman 40. Which region presented the strongest resistance to the initial spread of Islam? a. North Africa b. Turkey c. Egypt d. India 41. Which religion does NOT have strong ties to the site enclosed by the Dome of the Rock? a. Judaism b. Mithraism c. Christianity d. Islam 42. Which of the following was an achievement of the Abbasid dynasty based in Baghdad? a. Translated ancient Greek texts into Arabic b. Enjoyed diplomatic ties with the Carolingians c. Built a city on a plan resembling a ziggurat d. Patronized projects in art, literature, and science 43. Which earlier structure was used as a source of architectural pieces to build the Mezquita of Córdoba? a. Crusader castle b. Visigothic church Powered by Cognero

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Chapter 10 The Islamic World c. Roman military camp d. Frankish fort 44. Which of the following rarely appeared in Islamic domestic and sacred spaces? a. Woven carpets and cushions b. Embroidered textiles in silk and wool c. Carved wooden beds and chairs d. Glass and metal vessels and lamps 45. Which of the following elements of the Palace of the Lions is unusual in Islamic art? a. Calligraphy and abstract patterns on the stucco walls b. Water running in inset channels in the floor c. Stone figures of lions supporting the fountain d. Courtyard colonnades and horseshoe arches 46. What was the occupation of Sinan before he became architect for Suleyman the Magnificent? a. Sailor b. Engineer c. Tileworker d. Metalworker 47. Which decorative element does not appear in the Ardabil carpet designed by Maqsud of Kashan? a. Flowers b. Lamps c. Name of Maqsud d. Lions 48.

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Chapter 10 The Islamic World

In which order do the narrative scenes appear on this brass vessel? a. Clockwise b. Random order c. Counterclockwise d. Straight down from vessel mouth 49. Where are masterworks of Islamic calligraphy least likely to be found? a. Mosaic walls b. Manuscript pages c. Embroidered garments d. Incised metal items 50. Which Islamic dynasties are responsible for the Islamic buildings of Córdoba and Grenada? a. Seljuk and Ottoman b. Fatimid and Mamluk c. Timurid and Safavid d. Umayyad and Nasrid

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Chapter 10 The Islamic World Answer Key 1. d 2. d 3. c 4. b 5. d 6. b 7. c 8. d 9. c 10. c 11. d 12. c 13. b 14. d 15. d 16. b 17. d 18. d 19. b 20. d 21. b 22. c 23. d 24. c 25. d Powered by Cognero

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Chapter 10 The Islamic World 26. c 27. c 28. d 29. b 30. b 31. c 32. d 33. b 34. b 35. d 36. b 37. b 38. c 39. b 40. b 41. b 42. c 43. b 44. c 45. c 46. b 47. d 48. c 49. c 50. d

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Chapter 11 Early Medieval Europe Multiple Choice 1. Which group consolidated its rule over the eastern part of the Carolingian empire in the mid-10th century? a. Hiberno-Saxon monks b. Franks c. Ottonians d. Benedictine order 2.

In the image of Saint Matthew from the Ebbo Gospels, classical illusionism has been merged with which style? a. Abstract shapes b. Linear perspective c. the Northern linear tradition d. Animal interlace 3. Which group of barbarian invaders at one time controlled part of Italy, formed a kingdom in southern France, and were forced into Spain by the Franks? a. Huns b. Lombards Powered by Cognero

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Chapter 11 Early Medieval Europe c. Franks d. Visigoths 4. The art of medieval monasteries in Ireland is described by which adjective? a. Frankish b. Ottonian c. Merovingian d. Hiberno-Saxon 5.

The style of the Saint Matthew portrait in the Ebbo Gospels resembles the illustrations in which contemporaneous manuscript? a. Lindisfarne Gospels b. Commentary on the Apocalypse c. Utrecht Psalter d. Uta Codex 6. What was the most typical object of prestige adornment in the medieval period? a. Belt buckle Powered by Cognero

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Chapter 11 Early Medieval Europe b. Fibula c. Purse cover d. Cloisonné 7. Two silver spoons inscribed "Saulos" and "Paulos," Paul's names before and after baptism, were discovered as part of the Sutton Hoo burial. What might be inferred from these spoons? a. They were part of the ritual burial ceremony. b. The owner's need for utilitarian objects c. They were left as gifts. d. The owner's conversion to Christianity 8.

The two groupings of a man standing between two lions on the Sutton Hoo purse cover represent a composition type familiar from where? a. Carolingian manuscripts b. the Ancient world c. Monastic sculpture d. Egypt 9. Early 11th-century England was briefly part of what empire? a. Merovingian b. Carolingian c. Danish d. Celtic 10. In the later Middle Ages, religious books were created for the private devotions of the laity. What term is given to books that contained prayers to be read at specific times during the day? a. Books of devotions Powered by Cognero

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Chapter 11 Early Medieval Europe b. Books of sacramentaries c. Books of benedictionals d. Books of hours 11.

The figure representing the symbol of Matthew in the Book of Durrow shows frontal head, profile feet, and cloak and frame designs that recall contemporaneous cloisonné metalwork. Which of the following statements explains this work? a. It combines the abstraction of Late Roman adornment with early Christian pictorial imagery. b. It combines the abstraction of early medieval adornment with early Christian and Byzantine pictorial imagery. c. It combines the abstraction of early Christian adornment with Late Roman pictorial imagery. d. It combines the abstraction of Byzantine adornment with early Christian pictorial imagery.

12.

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Chapter 11 Early Medieval Europe

It has been theorized that the author-portrait of Saint Matthew from the Lindisfarne Gospels shows classical influences.

What supports this statement? a. The figure is seated as an imperial emperor. b. The figure is seated as an adjudicating senator. c. The figure is seated as a philosopher or poet reading or writing. d. The figure is seated as an imperial judge.

13. What manuscript is commonly considered the greatest of the extant early medieval Irish books? a. Book of Durrow b. Book of Lindisfarne c. Book of Alciun d. Book of Kells 14. Equestrian statues were reminders of Rome's glory. Charlemagne returned to Rome after his coronation with an equestrian statue of Theodoric. Whose statue served as the ultimate model for such equestrian portraits? a. Alexander the Great b. Justinian c. Marcus Aurelius d. Julius Caesar Powered by Cognero

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Chapter 11 Early Medieval Europe 15. What aspect of illuminated manuscripts allowed Christian monks to impress and influence the illiterate Christian population? a. The monks could read the manuscripts aloud. b. The large scale of the manuscripts made them visible to a group. c. The manuscripts included every Gospel story. d. The artwork in the manuscripts made words beautiful.

16.

The Lindau Gospels cover encompasses the stylistic diversity of early medieval art. Which of the following best describes the contrast seen here? a. The work highlights the Byzantine tradition and the linearity of the Utrecht Psalter style. b. The work highlights early Christian imagery and the return to classical ideals of the Coronation Gospels style. c. The work highlights early Christian imagery and the vivacity of the Utrecht Psalter style. d. The work highlights the Byzantine tradition and the energy of the Ebbo Gospels style.

17. The plan for what church was used as the model for the palace chapel at Aachen? a. Old Saint Peter's b. Santa Sabina Powered by Cognero

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Chapter 11 Early Medieval Europe c. Hagia Sophia d. San Vitale 18. The alternate-support system is first found in the architecture of which period? a. Merovingian b. Early Christian c. Ottonian d. Carolingian 19. The shape of Irish or Celtic high crosses, made of stone, is identifiable by which form? a. Four arms of equal length b. An additional top slanting bar c. A circle intersecting the cross arms d. A swastika symbolizing the four directions 20. Who was a major force in the revival of the classical style in early medieval times? a. Louis the Pious b. Bernward of Hildesheim c. Otto III d. Charlemagne 21. Bernward's doors for Saint Michael's, Hildesheim, juxtapose scenes from Genesis with scenes from which source? a. The Gospel of Luke b. The book of Exodus c. The life of Christ d. The tale of the prodigal son 22. Which monuments, because of their large scale, are rare yet majestic artistic productions in Ireland and northern England? a. Stave churches b. High crosses c. Bronze doors d. Equestrian portraits 23. The frenzied energy of the Utrecht Psalter makes it most closely related to which of the following? a. Book of Lindisfarne b. Gospel Book of Otto III c. Bishop Bernward Gospels d. Ebbo Gospels 24. In which way did the three-aisled basilica planned for the monastery of Saint Gall differ from its early Christian prototypes? a. It had a choir between crossing and apse. b. It had integrated towers. c. It had a procession of transepts.

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Chapter 11 Early Medieval Europe d. It had a second apse on the west end.

25. The burial group recovered from which English site epitomizes the early medieval tradition of burying great lords with rich furnishings? a. Lindisfarne b. Sutton Hoo c. Jarrow d. Northumbria 26. What is the name of the lengthy poem that mentions that heroes were buried with items of prestige, such as rings and brooches, as a testament to their greatness? a. Book of Durrow b. Tale of Kells c. Book of Doom d. Saga of Beowulf 27. What earlier building may have inspired the presence of two apses and a side entrance at Saint Michael's, Hildesheim? a. Basilica of Constantine b. Old Saint Peter's c. Pantheon d. Basilica Ulpia 28. What was the primary vehicle used in the Christianization of the British Isles? a. Roman scrolls b. Illuminated manuscripts c. Reliquaries d. Oral tradition 29. The primary sacred text of Christianity was the Bible, consisting of the Old Testament, originally written in Hebrew, and the New Testament, written in Greek. In what language is the Vulgate version of the Bible written? a. Ancient Greek b. High German c. Old English d. Latin 30.

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Chapter 11 Early Medieval Europe

What are the technique and material of the Ottonian plaques from Magdeburg, Germany? a. Ink on parchment b. Carving on ivory c. Engraving on metal d. Tempera on vellum 31.

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Chapter 11 Early Medieval Europe

In this image of Otto III enthroned, what component symbolizes his universal authority and conforms to a Christian imperial iconographic tradition? a. Abstract interlace b. Scepter and orb c. Antique illusionism d. Columns 32. Which group was critically important to the revival of learning during Charlemagne's reign? a. Wealthy noblemen b. Barbarian travelers c. Monastic communities d. Viking converts 33. The Carolingian architectural plan that demonstrated the beginnings of the modular system was found at which place? a. The abbey church of Corvey b. Saint Michael's at Hildesheim c. Saint-Riquier at Centula d. The monastery of Saint Gall Powered by Cognero

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Chapter 11 Early Medieval Europe 34. Which Ottonian church utilizes an alternate-support system but lacks an upper gallery? a. Saint Cyriakus b. Saint Michael's c. San Juan Bautista d. Palatine Chapel 35.

Which component of a monastic building complex is depicted in this image? a. Cloister b. Scriptorium c. Refectory d. Oratory 36.

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Chapter 11 Early Medieval Europe

Who is depicted in this ninth-century equestrian portrait? a. Otto III b. Marcus Aurelius c. Constantine d. Charlemagne 37.

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Chapter 11 Early Medieval Europe

What is the name of the building in this image, and where is it located? a. San Vitale, Ravenna b. Palatine Chapel, Aachen c. Saint Pantaleon, Cologne d. Saint Michael's, Hildesheim 38.

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Chapter 11 Early Medieval Europe

What is the name of this example of the Ottonian revival of large-scale sculpture? a. Bernward Crucifix b. Gero Crucifix c. Charlemagne Crucifix d. Otto III Crucifix 39. Which of the following buildings does not have the monumental facade type referred to as a westwork? a. The abbey church at Corvey b. The abbey church of Saint Pantaleon in Cologne c. The abbey church of Saint Michael at Hildesheim d. The basilica of Saint Cyriakus in Gernrode 40.

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Chapter 11 Early Medieval Europe

The persistence of the artistic tradition of which people is evident in the intertwining animal and plant motifs of this object? a. Byzantines b. Vikings c. Ottonians d. Visigoths 41. Full-page abstract designs of great richness and complexity appear in which of the following manuscripts? a. The Book of Durrow b. All of these c. The Lindisfarne Gospels d. The Book of Kells 42. Which of the following pairs of manuscripts are products of the monasteries of the Ottonian Empire? a. The Gospel Book of Otto III and the Ebbo Gospels b. The Uta Codex and the Lectionary of Henry II c. The Lindisfarne Gospels and the Book of Durrow d. The Utrecht Psalter and the Commentary on the Apocalypse Powered by Cognero

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Chapter 11 Early Medieval Europe 43. The Ottonian church of Saint Cyriakus at Gernrode adds what new architectural component to the basilica form? a. Nave b. Apse c. Gallery d. Dome 44.

This panel, highlighting the new ties between the Ottonian court and Byzantine Constantinople, celebrates the marriage of which people? a. Otto III and Uta b. Otto II and Theophanu c. Henry II and Theophanu d. Otto I and Adelaide 45. The colorful animal-based interlace patterns that appear in so many illuminated manuscripts are attempts to imitate which premier medieval art form? a. Wall painting b. Textiles c. Metalwork Powered by Cognero

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Chapter 11 Early Medieval Europe d. Woodcarving 46.

In this page from the Book of Kells, what Insular manuscript tradition is evident? a. The four Evangelists are depicted writing their Gospels. b. Luxurious prestige items symbolize the rewards of the Christian faith. c. Initial letters of a holy word are enlarged into intricate designs. d. Beowolf is shown battling horrific monsters.

47.

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Chapter 11 Early Medieval Europe

Which manuscript, shown here, is known for its pen-and-ink drawings that evoke the daily life of late antiquity? a. The Coronation Gospels b. The Utrecht Psalter c. The Ebbo Gospels d. The Book of Durrow 48. Which of the following embodies the Carolingian-Ottonian taste for costly portable objects? a. The plan of Saint Gall b. The Gero Crucifix c. The High Cross of Muiredach d. The Lindau Gospels 49. Which best describes the color scheme and technique of the Coronation Gospels? a. Black text on vellum, shapes created with color and shading effects b. Black text on purple vellum, shapes created with a precise linear style c. Gold text on purple vellum, shapes created with color and shading effects d. Gold text on vellum, shapes created with a precise linear style 50. Which of the following did NOT contribute to the innovative design of Charlemagne's Palatine Chapel? a. The imperial gallery of Hagia Sophia in Constantinople b. The plan of San Vitale in Ravenna c. The Ottonian westwork d. The southern European vault

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Chapter 11 Early Medieval Europe Answer Key 1. c 2. c 3. d 4. d 5. c 6. b 7. d 8. b 9. c 10. d 11. b 12. c 13. d 14. c 15. d 16. c 17. d 18. c 19. c 20. d 21. c 22. b 23. d 24. d 25. b Powered by Cognero

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Chapter 11 Early Medieval Europe 26. d 27. d 28. b 29. d 30. b 31. b 32. c 33. d 34. b 35. b 36. d 37. b 38. b 39. c 40. b 41. b 42. b 43. c 44. b 45. c 46. c 47. b 48. d 49. c 50. c

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Chapter 12 Romanesque Europe Multiple Choice 1. What was the message of Gislebertus's image of the Last Judgment on the portal of Saint-Lazare? a. It encouraged viewers to go on a pilgrimage. b. It highlighted the saint to whom the church was dedicated. c. It encouraged viewers to seek salvation. d. It highlighted the holy nature of the Virgin Mary.

2. The term Roman-like was adopted to describe the architecture of the Romanesque period because it relied on which elements of Roman architecture? a. Timber ceilings b. Ionic capitals c. Cement domes d. Groin vaults 3. Which of the following led to the growth of towns and cities in the Romanesque period? a. The pilgrimage routes b. An increase in trade c. A consolidation of power within the papacy d. The end of the power of the Vikings 4. Which factor contributed to the enormous surge in church building during the Romanesque period? a. The influx of artists from Byzantium b. The peaceful conclusion of the first millennium c. The availability of inexpensive stone d. The conversion of the Vikings to Christianity 5. What were the pilgrims who made journeys to faraway churches hoping to see? a. Miracles b. Statues c. Architecture d. Relics 6. What did pilgrims believe that relics could accomplish? a. Provide pilgrims with messages from the dead b. Heal pilgrims in body and soul c. Furnish pilgrims with untold wealth d. Grant pilgrims renewed youth 7. What innovative feature appeared in the east end of Saint-Étienne at Vignory? a. An apse and a triumphal arch b. A double transept and a chancel arch c. Ocular semidomes d. An ambulatory and three radiating chapels Powered by Cognero

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Chapter 12 Romanesque Europe 8. What is one of the exceptional features of the interior of Saint-Étienne at Vignory as compared to other Romanesque churches? a. Its westwork b. Its ornate marble-encrusted facade c. The appearance of the rib vaulting d. Decorative carving and sculpture 9. What covers the ceiling of the naves of Sant Vicenç and Saint-Philibert? a. Ceiling paintings b. Carved tracery c. Stone vaults d. Wooden beams 10. With its three-story nave and timber roof, which earlier regional church form does Saint-Étienne at Vignory resemble? a. Anglo-Saxon b. Bavarian c. Ottonian d. Norman 11. Sainte-Foy at Conques, Saint James at Santiago de Compostela, and Saint-Sernin at Toulouse are all examples of which church type? a. Hall church b. Central-plan church c. Lombard church d. Pilgrimage church 12. What constitutes a "pilgrimage type" church? a. It has additional perimeter buildings to house pilgrims. b. It has its ambulatory directly attached to the nave. c. It has radiating chapels along the transept and ambulatory. d. It has a narrowed main aisle to create a dignified procession.

13. What was the purpose of tribunes such as those found at Saint James at Santiago de Compostela and Saint-Sernin in Toulouse? a. To stage sacred plays b. To house overflow crowds c. To provide a space for law courts d. To provide a balcony for the pope 14. Which element of the church at Saint-Sernin served as the module for the proportions of the entire building? a. Buttress b. Tribune c. Aisle d. Crossing square Powered by Cognero

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Chapter 12 Romanesque Europe 15. Which of the following is the best description of compound piers? a. Piers with Doric and Ionic capitals b. Piers with sculptures of prophets c. Pier with several painted registers d. Piers with attached columns or pilasters 16. Who was the artist of the early Romanesque large-scale reliefs at Saint-Sernin? a. Gislebertus b. Bernardus Gelduinus c. Master Hugo d. Abbot Suger 17. The monks of which order were among the primary patrons of Romanesque sculpture? a. Franciscan b. Cistercian c. Zen d. Cluniac 18. Which church remained the largest in Europe until the new Saint Peter's in Rome was constructed in the 17th century? a. Speyer Cathedral b. Cluny III c. Saint-Sernin, Toulouse d. Sant'Ambrogio, Milan 19. What is the term for the covered courtyard in a monastery that embodied the seclusion of the spiritual life and offered a glimpse of Paradise? a. Rectory b. Almonry c. Cloister d. Garderobe 20. What was Bernard of Clairvaux's main criticism about the sculptural decoration in Romanesque cloisters? a. The subjects shown encouraged people to sin. b. It distracted the viewer from reading and prayer. c. The sculptural style and themes were too modern. d. The sculptures were too luxurious, covered with gold leaf.

21. Which group split from the Cluniac order to follow the rules of Saint Benedict more strictly? a. Dominican order b. Cistercian order c. Knights Templar d. Monophysite order 22. What is absent from Cistercian churches such as Notre-Dame at Fontenay? a. Stone masonry Powered by Cognero

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Chapter 12 Romanesque Europe b. Sculptural decoration c. Windows d. Groin vaults 23. During the Romanesque period, the vision of Christ's second coming was often depicted on which architectural element of a church? a. The tribune b. The trumeau c. The tympanum d. The jambs 24. Which of the following is a stylistic hallmark of the artist of the south portal of Saint-Pierre at Moissac? a. Naturalistic figures inspired by Greek art b. Zigzag and dovetail drapery folds c. Vast landscapes without humans d. Squat and short figures 25. Which is the church most closely associated with the crusades? a. San Miniato al Monte b. Speyer Cathedral c. La Madeleine, Vézelay d. Durham Cathedral 26. As a reference to the mission Christ gave to the apostles, what figures are depicted in the lintel and tympanum compartments at Vézelay? a. Female martyr saints b. Roman soldiers c. The world's heathens d. Elders of the Apocalypse 27. Which Gospel manuscripts are stylistically related to Moissac? a. Morgan Madonna and Stavelot reliquary b. Codex Colbertinus and the Corbie Gospels c. Eadwine Psalter and Bury Bible d. Gospels of Henry the Lion and Eadwine Psalter 28. Which manuscript do art historians believe was produced in the scriptorium at Moissac? a. Eadwine Bible b. Bury Bible c. Rupertsberger Scivias d. Codex Colbertinus 29. The intertwining forms on the initial L and Saint Matthew of the Codex Colbertinus reflect which earlier artistic trend? a. Architectural fantasies b. Islamic geometry Powered by Cognero

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Chapter 12 Romanesque Europe c. Animal interlace style d. Early Christian ceiling painting 30. How did the clergy interpret the battle between the knight and the dragons appearing in the Moralia in Job? a. As a prefiguration of the ascension b. As a warning against the use of images c. As an allegory of the struggle of monks against the devil d. As a reference to the story of Jonah 31. The "throne of wisdom," sedes sapientiae, is the western European version of which of the following? a. Carolingian throne b. Byzantine Theotokos c. Hagia Sophia d. Ascension of Mary 32. What did 11th-century Romanesque masons use to construct monumental groin vaults? a. Molded concrete b. Rubble mixed with mortar c. Mud-brick and granite d. Ashlar blocks joined by mortar 33. Of the following characteristics, which was not a major concern of Italian church architecture in the Romanesque period? a. Marble incrustation b. Barrel vaults c. Surface decoration d. Verticality 34. In which region were buildings designed less experimentally than in northern Europe? a. Normandy b. England c. Italy d. Spain 35. Which Romanesque church has a facade rooted in the tradition of Carolingian and Ottonian westworks? a. Pisa Cathedral b. Saint-Étienne, Caen c. Saint-Sernin, Toulouse d. Sant'Ambrogio, Milan 36. The intersection of two barrel vaults creates which of the following? a. Pendentive b. Rib vault c. Tribune Powered by Cognero

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Chapter 12 Romanesque Europe d. Groin vault 37. Which of the following is true of the Bayeux Tapestry? a. It depicts a tale from the First Crusade. b. It depicts an actual event shortly after it occurred. c. It depicts the mission of the apostles in full detail. d. It depicts the clash between the Knights Templar and the Saracens.

38.

What innovation is evident in this nave? a. Rib vault b. Tribune c. Groin vault d. Stained glass 39.

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Chapter 12 Romanesque Europe

What Early Christian architectural form appears here at Sant'Ambrogio? a. Baptistery b. Campanile c. Central plan d. Narthex 40.

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Chapter 12 Romanesque Europe

Who is the artist of this relief on Modena Cathedral? a. Rainer of Huy b. Gislebertus c. Wiligelmo d. Antelami 41.

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Chapter 12 Romanesque Europe

In which modern country is Speyer Cathedral located? a. France b. Italy c. Belgium d. Germany 42.

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Chapter 12 Romanesque Europe

What is the name of the person represented here, on the Stavelot reliquary? a. John the Baptist b. Saint Alexander c. Saint Faith d. Bernard of Clairvaux 43.

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Chapter 12 Romanesque Europe

What is the name of this church? a. San Miniato al Monte b. Santa María de Mur c. Speyer Cathedral d. Saint-Savin-sur-Gartempe 44.

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Chapter 12 Romanesque Europe

What is the location of this cathedral complex? a. Florence, Italy b. Pisa, Italy c. Venice, Italy d. Modena, Italy 45. The illustrations in the Eadwine Psalter are variations on those in which earlier manuscript? a. Vienna Genesis b. Book of Kells c. Utrecht Psalter d. Uta Codex 46.

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Chapter 12 Romanesque Europe

This page from the Gospels of Henry the Lion carries on the imperial tradition exemplified in which manuscript? a. Byzantine Vienna Genesis b. Timurid Bustan c. Ottonian Coronation Gospels d. Early Christian Vatican Vergil 47. What do art historians theorize is the explanation for the resurgence of stone sculpture in the Romanesque period? a. Sculptural programs could serve as much-needed large-scale employment projects. b. Sculptural programs entertained the monks and clergy in their otherwise quiet lives. c. Sculptural programs were less labor intensive and less expensive than wall painting. d. Sculptural programs were a means to educate and impress an illiterate audience.

48. Which of the following individuals was a Romanesque metalworker? a. Gislebertus b. Rainer of Huy c. Bernardus Gelduinus d. Wiligelmo 49. The baptistery of San Giovanni in Florence follows in which architectural tradition?

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Chapter 12 Romanesque Europe a. Roman and Early Christian basilica b. Byzantine dome on square c. Roman and Early Christian central plan d. Greco-Roman peripteral 50. Which of the following aspects is most likely to identify a work as Romanesque? a. Material b. Location c. Date d. Height

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Chapter 12 Romanesque Europe Answer Key 1. c 2. d 3. b 4. b 5. d 6. b 7. d 8. d 9. c 10. c 11. d 12. c 13. b 14. d 15. d 16. b 17. d 18. b 19. c 20. b 21. b 22. b 23. c 24. b 25. c Powered by Cognero

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Chapter 12 Romanesque Europe 26. c 27. b 28. d 29. c 30. c 31. b 32. d 33. d 34. c 35. b 36. d 37. b 38. c 39. d 40. c 41. d 42. b 43. d 44. b 45. c 46. c 47. d 48. b 49. c 50. c

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Chapter 13 Gothic Europe North of the Alps Multiple Choice 1. Who of the following coined the term Gothic? a. Lorenzo Ghiberti b. Abbot Suger c. Giorgio Vasari d. Louis IX 2. In the Gothic period, what were the primary centers of intellectual and religious life? a. Monasteries b. Palaces c. Cities 3. Just as Speyer Cathedral was the burial church of the emperors of the Holy Roman Empire, what was the burial church for the kings of France? a. Notre-Dame, Paris b. Notre-Dame, Reims c. Sainte-Chapelle, Paris d. Saint-Denis, Saint-Denis 4. What feature, visible on Laon Cathedral, became standard on French Gothic facades? a. Fan vaulting b. Flying buttress c. A rose window d. Rounded archways 5. Who is thought to have conceived the complicated iconographical portal program for Chartres Cathedral? a. Saint Bernard of Clairvaux b. Thierry of Chartres c. Saint Thomas Aquinas d. Gaucher de Reims 6. Which of the following elements unites all three doorways of the west portal of Chartres Cathedral? a. Episodes from the Passion are carved on the capitals. b. Episodes from the life of the Virgin are carved on the capitals. c. Episodes from the Old Testament are carved on the capitals. d. Episodes from the lives of the Virgin and Christ are carved on the capitals.

7. Which of the following is the source for the depiction of the Virgin and Child on the right portal of Chartres Cathedral? a. Early Christian Madonna and Child b. Byzantine Theotokos c. Hiberno-Saxon Madonna and Child d. Monastery of St. Catherine, Sinai 8. Which of the following aspects of the portal sculptural program of Chartres Cathedral is most different from its Powered by Cognero

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Chapter 13 Gothic Europe North of the Alps Romanesque counterparts? a. The exclusion of scenes from the Passion b. The inclusion of the Old Testament kings c. The prominence of Mary in the portal scenes d. The inclusion of scenes from the life of Christ 9. Which of the following facts provides support for the claim that Paris was the intellectual center of Gothic Europe? a. The first printing press was established in Paris. b. Paris was a center for study of classical antiquity. c. Paris was the principal center of European commerce. d. Paris was a center for fine book production.

10. Which of the following provides the most stark contrast with the Naumburg donor statues? a. Bamberg Rider b. Röttgen Pietà c. Virgin of Jeanne d'Evreux d. Death of the Virgin from Strasbourg Cathedral 11. Which of the following is considered a masterpiece of the Rayonnant style? a. Reims Cathedral b. Saint-Denis c. Sainte-Chapelle d. Amiens Cathedral 12. In the Virgin of Jeanne d'Evreux, Mary is shown in her roles as both the mother of Christ and what? a. Virgin of sorrows b. Throne of wisdom c. Theotokos d. Queen of Heaven 13. Innovative features in the Belleville Breviary such as the three-dimensional architectural setting indicate that Jean Pucelle had studied in which area? a. Constantinople b. Spain c. Italy d. England 14. Fan vaulting was a common feature in which of the following regions? a. Early Gothic France b. High Gothic France c. Thirteenth-century Germany d. Late Gothic England 15. Abbot Suger is credited with remodeling which of the following churches? a. Saint-Sernin Powered by Cognero

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Chapter 13 Gothic Europe North of the Alps b. Saint-Chapelle c. Saint-Denis d. Notre-Dame 16. What is particularly significant about the 14th-century German sculptures of Ekkehard and Uta at Naumburg? a. They stand with their bodies in an S-shaped curve. b. They illustrate the damp-fold style of drapery. c. They act as human embodiments of the Virtues. d. They are convincing images of real people.

17. What pose, associated with the "court style," was most typical of Late Gothic sculpture? a. Rigid frontality b. Contrapposto c. S-curve d. Chiasmus 18. Which of the following is NOT a characterization of the changing social conditions in the Gothic period? a. New prominence of women b. Rise of the middle class c. Barbarian migrations d. Interest in Scholasticism 19. The Gothic style is said to have first appeared in which of the following areas? a. Lombardy b. Milan c. Île-de-France d. Burgundy 20. Jean Pucelle illuminated which of the following works? a. Blanche of Castile's Bible b. Psalter of Saint Louis c. Breviary of Philippe le Bel d. Belleville Breviary 21. How does the Reims portal sculpture of the Visitation differ from earlier Gothic portal sculpture? a. The figures are attached to the architectural background. b. The figures are standing alone, isolated in their frames. c. The columns do not restrain the figures' movements. d. This is the first time women appear on portal sculpture.

22. Many Gothic cathedrals were dedicated to which of the following figures? a. The Holy Spirit b. The Virgin Mary c. The Trinity Powered by Cognero

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Chapter 13 Gothic Europe North of the Alps d. Christ the Judge 23. What is the distinctive feature of a hall church? a. The pilgrimage chapels b. Connected to monasteries c. Displayed a profusion of relics d. Side aisles as tall as the nave 24. The Perpendicular style prevailed in which of the following countries? a. Spain b. France c. Italy d. England 25. The intense color and elegance of the Psalter of Saint Louis is thought to imitate what medium? a. Byzantine mosaics b. Stained glass c. Italian fresco d. Anglo-Hibernian manuscripts 26. Which church possesses the essential characteristics of English Gothic architecture? a. Wells Cathedral b. Ely Cathedral c. York Cathedral d. Salisbury Cathedral 27. The Royal Portal of Chartres was carved in which style? a. Late Romanesque b. High Gothic c. Late Gothic d. Early Gothic 28. Which of the following is a Romanesque feature retained by Laon Cathedral? a. Pointed arches b. Sexpartite rib vaults c. Triforium d. Flying buttress 29. What new Gothic feature appeared in Laon's nave elevation? a. Rounded nave arcade b. Gallery of the king c. Guild windows d. Triforium

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Chapter 13 Gothic Europe North of the Alps 30. The development of the Rayonnant style is connected with which of the following? a. The Second Crusade b. The court of Louis IX c. The court of Henry VII d. Abbot Suger of Saint-Denis 31. Images of Old Testament kings and queens appearing on French church portals are meant to represent what group? a. French crusaders b. Ancestors of Christ c. French aristocracy d. Monastic elders 32. Sainte-Chapelle, with its walls of stained glass and delicate ornamentation, is most representative of which style? a. Severe b. Perpendicular c. Rayonnant d. Flamboyant 33. The High Gothic nave vault, as developed at Chartres, included which form? a. Dome b. Barrel vault c. Fan vault d. Four-part ribbed vault 34. What innovative feature of Gothic cathedrals is an external support that counters the outward thrust of the nave vaults? a. Apsidal chapel b. Flying buttresses c. Triforium d. Tribune 35.

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Chapter 13 Gothic Europe North of the Alps

What is the function of this building? a. Law court b. Residence c. Monk's quarters d. School 36.

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Chapter 13 Gothic Europe North of the Alps

Who is the female figure in the upper left quarter of this image? a. Mary Queen of Heaven b. Jeanne Pucelle c. Jeanne d'Evreux d. Blanche of Castile 37.

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Chapter 13 Gothic Europe North of the Alps

What is the term for the architectural members visible at the lower central part of this image? a. Pointed arches b. Scissors arches c. X-arches d. Tribune arches 38.

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Chapter 13 Gothic Europe North of the Alps

The portals of which cathedral appear in this image? a. Laon b. Chartres c. Amiens d. Reims 39.

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Chapter 13 Gothic Europe North of the Alps

Which feature of the nave of Salisbury Cathedral is not French Gothic in character? a. Pointed arches b. Compound piers c. Color contrast d. Four-part rib vaults 40.

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Chapter 13 Gothic Europe North of the Alps

What is the name of the artist who painted this image? a. Naumburg Master b. Master Honoré c. Andrew Lock d. Philippe le Bel 41.

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Chapter 13 Gothic Europe North of the Alps

What is the name of this Late Gothic Flamboyant church? a. Notre-Dame, Paris b. Saint-Maclou c. Amiens Cathedral d. Reims Cathedral 42. The tomb of which English monarch is located in Wells Cathedral? a. Tomb of William the Conqueror b. Tomb of Edward II c. Tomb of Blanche of Castile d. Tomb of Louis IX 43. What church houses the reliquary of the Three Kings made by Nicholas of Verdun? a. Naumburg Cathedral b. Cologne Cathedral c. Bamberg Cathedral d. Gloucester Cathedral 44. What statement best describes the use of colored glass in churches during the Byzantine and the Gothic periods?

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Chapter 13 Gothic Europe North of the Alps a. Byzantine and Gothic glass transformed and colored the light that passed through it. b. Byzantine and Gothic glass served to cover the walls of the church. c. Byzantine glass reflected light while Gothic glass filtered the light that passed through it. d. Byzantine glass absorbed the light while Gothic glass let light pour into the church.

45.

What was the original function of this object? a. Reliquary b. Gun case c. Jewelry casket d. Parchment box 46.

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Chapter 13 Gothic Europe North of the Alps

What is the name of this sculpted figure? a. Saint George b. Saint Theodore c. Saint Peter d. Jeremiah 47. What is the term for a craftsperson who cuts and shapes pieces of glass? a. Cames b. Armaturer c. Bander d. Glazier 48. Which of the following names the lowest stone of an arch? a. Base b. Lancet c. Springing d. Web 49. The round center image of a rose window is referred to by which term?

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Chapter 13 Gothic Europe North of the Alps a. Spandrel b. Oculus c. Roundel d. Bar 50. Which of the following is an example of Late Gothic court style? a. Röttgen Pietà b. Beau Dieu c. Head of Moses d. Virgin of Paris

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Chapter 13 Gothic Europe North of the Alps Answer Key 1. c 2. c 3. d 4. c 5. b 6. d 7. b 8. c 9. d 10. b 11. c 12. d 13. c 14. d 15. c 16. d 17. c 18. c 19. c 20. d 21. c 22. b 23. d 24. d 25. b Powered by Cognero

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Chapter 13 Gothic Europe North of the Alps 26. d 27. d 28. b 29. d 30. b 31. b 32. c 33. d 34. b 35. b 36. d 37. b 38. b 39. c 40. b 41. b 42. b 43. b 44. c 45. c 46. b 47. d 48. c 49. c 50. d

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Chapter 14 Late Medieval Italy Multiple Choice 1. Where in Italy did an admiration for classical art first reappear? a. The Avignon papacy b. The Florentine Academy c. The monasteries of Pisa d. The court of Frederick II 2. What devastating natural disaster occurred in Europe during the 1340s? a. Mad cow disease b. Insect infestation of linen plants c. Flooding of Venice and Sicily d. Bubonic plague 3. Which of the following cities was considered the rightful capital of the Roman Catholic Church? a. Avignon b. Paris c. Aachen d. Rome 4. The frontality, stiff poses, and lack of modeling in Berlinghieri's Saint Francis Altarpiece reveal his training in which tradition? a. Classical b. Medieval c. Byzantine d. Anglo-Hibernian 5. Which city was at its height of political and economic power when it employed the talents of the sculptor Nicola Pisano? a. Florence b. Venice c. Ferrara d. Pisa 6. Which of the following features of the pulpit for the baptistery of Pisa Cathedral is a medieval element? a. Densely packed figural panels b. Rectangular relief panels c. Trefoil arches d. Volumetric figures 7. In contrast to his father, Giovanni Pisano worked in a style that originated in which tradition? a. Maniera greca b. Classical antiquity c. French Gothic art d. Carolingian Powered by Cognero

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Chapter 14 Late Medieval Italy 8. Who was the leading Roman painter at the end of the 13th century? a. Duccio di Buoninsegna b. Bonaventura Berlinghieri c. Pietro Cavallini d. Giotto di Bondone 9. Which element of Giotto's new style appears in the Madonna Enthroned? a. Slender and fragile figures b. Heavily patterned drapery c. Figures floating in undefined space d. Statuesque figures that cast shadows 10. Which preeminent Italian city-state was referred to as "the daughter and creature of Rome"? a. Pisa b. Siena c. Florence d. Padua 11. Who was the architect of the cathedral of Florence? a. Giotto di Bondone b. Arnolfo di Cambio c. Pietro Cavallini d. Andrea di Cione 12. Which of the following Italian cities was a major shipping power? a. Rome b. Padua c. Siena d. Pisa 13. The scenes involving wealth and luxury in the Triumph of Death served as a warning against what? a. Education b. Monastic life c. Poverty d. Lust and greed 14. What did the humanist cult of fame emphasize? a. The importance of a superior government b. The importance of creative individuals c. The importance of strong leadership d. The importance of a good university system 15. Confraternities, whose members dedicated themselves to strict religious observance, were made up of which group?

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Chapter 14 Late Medieval Italy a. Papal guards b. Laypeople c. Nuns d. Farmers 16. Which artist sought to reconcile the illusion of a weighty, three-dimensional body with the illusion of the space that contained it? a. Duccio b. Giotto c. Cavallini d. Martini 17. Simone Martini's rendition of Gabriel in the Annunciation may have been inspired by which contemporary phenomenon? a. The solemnity of religious processions b. The emotionalism of mystery plays c. The etiquette of chivalric courts d. The frenetic activity at public trials 18. Which artist was instrumental in creating the International Gothic style? a. Ambrogio Lorenzetti b. Pietro Cavallini c. Cimabue d. Simone Martini 19. Which monastic orders are known as the mendicant orders, those committed to vows of poverty and austerity? a. Carmelites and Servites b. Franciscans and Dominicans c. Cluniacs and Cistercians d. Benedictines and Carthusians 20. The facial types and hairstyles of which artist's figures reveal the influence of classical relief sculpture? a. Giovanni Pisano b. Nicola Pisano c. Berlinghieri d. Pietro Cavallini 21. In 1305, the College of Cardinals elected a pope from which of the following countries, leading to the Great Schism? a. Italy b. Poland c. Spain d. France 22. The loosely curved folds of the garments in Duccio's Virgin and Child Enthroned with Saints (Maestà) are derived from which style?

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Chapter 14 Late Medieval Italy a. Byzantine b. French Gothic c. Classical d. Visigothic 23. Which characteristic of Duccio's figures in the Maestà originates in Byzantine art? a. Expressive movements b. Formality and symmetry c. Elaborate gestures d. Three-dimensionality 24. What is the setting for Pietro Lorenzetti's Birth of the Virgin? a. Panoramic sunlit landscape b. Shadowy church interior c. Interior of an upper-class house d. Ancient grotto with fountain 25. Which of Giotto's innovations represents a departure from the Italo-Byzantine style? a. Gilded backgrounds b. Figures seen from the back c. Elaborately painted draperies d. Symmetrically arranged figures 26. Who commissioned Andrea Pisano's south doors for Florence's Baptistery? a. The guild of bronze workers b. The guild of wool importers c. The Franciscan order d. Enrico Scrovegni 27. What is the subject of the frescoes commissioned for the Palazzo Pubblico by the Sienese government? a. The artist's position in society b. Death and the plague c. Feuds among guilds d. The civic life of the Sienese 28. Whose work is best characterized by the use of solid volumes resting firmly on a flat stagelike surface? a. Francesco Traini b. Simone Martini c. Giotto di Bondone d. Nicola Pisano 29. Which of the following was a Roman fresco painter who is now seen as a pioneering figure in the birth of Renaissance style? a. Martini Powered by Cognero

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Chapter 14 Late Medieval Italy b. Duccio c. Cavallini d. Giotto 30. Which building in Venice is an example of Late Gothic architectural style? a. Basilica of San Marco b. The Camposanto c. Santa Maria d. Doge's Palace 31.

Who is the painter of the back of the Maestà altarpiece? a. Giotto b. Martini c. A. Lorenzetti d. Duccio 32. Which individual designed the Campanile of Santa Maria del Fiore in Florence? a. Arnolfo di Cambio b. Giotto di Bondone c. Andrea Pisano d. Giovanni Villani 33.

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Chapter 14 Late Medieval Italy

Which sculptor is credited with the creation of the first decorated stone pulpit? a. Giovanni Pisano b. Nicola Pisano c. Andrea Pisano d. Lippo Memmi 34.

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Chapter 14 Late Medieval Italy

What is the subject of this panel from the Maestà? a. Lamentation b. Entry into Jerusalem c. Money-Changer and His Wife d. Betrayal of Jesus 35.

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Chapter 14 Late Medieval Italy

In addition to spatial illusionism, what innovation appears in this painting by Pietro Lorenzetti? a. Stagelike setting b. Worldly realism c. Treatment of drapery d. Conversing figures 36.

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Chapter 14 Late Medieval Italy

What Italian city is the location of the Arena Chapel? a. Rome b. Florence c. Padua d. Siena 37.

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Chapter 14 Late Medieval Italy

In which detail of Madonna Enthroned is Cimabue's movement away from the maniera greca most evident? a. Angel wings b. Lower four figures c. Receding throne d. Mary's gesture 38.

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Chapter 14 Late Medieval Italy

Which earlier style accounts for the dynamic and emotional mood of this relief? a. Italo-Byzantine b. French Gothic c. Hellenistic d. Classical 39.

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Chapter 14 Late Medieval Italy

The Tuscan Romanesque revetment of the Florentine Duomo brings it closest to which architectural tradition? a. French Gothic b. English Perpendicular c. Ottonian d. Early Christian 40.

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Chapter 14 Late Medieval Italy

What technical term do art historians apply to Giotto's treatment of the angels in this fresco? a. Chiaroscuro b. Contrapposto c. Three-quarter d. Foreshortening 41. Which late medieval Italian painting constitutes the first landscape painting since antiquity? a. Traini/Buffalmacco, Triumph of Death b. Lorenzetti, Peaceful Country c. Berlinghieri, Saint Francis Preaching to the Birds d. Cavallini, Last Judgment 42. What is the approximate height of the Triumph of Death fresco in Camposanto? a. 20 inches b. 2 feet c. 8 feet d. 20 feet 43. In Berlinghieri's painting of Saint Francis, what physical feature in the image is meant to lead viewers to closely Powered by Cognero

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Chapter 14 Late Medieval Italy associate the saint with Christ? a. Belt b. Robe c. Stigmata d. Hairstyle 44. In the agreement, or contract, that led to the creation of an artwork, which aspect of the work received the most attention? a. Materials b. Size c. Location d. Cost 45. What rhetorical device did Lorenzetti employ to convey the message of his frescoes in the Salle della Pace in Siena? a. Simile b. Symbolism c. Allegory d. Personification 46. What is the subject of the personifications on the lower eight panels on Andrea Pisano's bronze doors for the baptistery of San Giovanni? a. Christian vices b. Christian virtues c. The seasons d. The winds 47. The presentation of the main figures in Simone Martini's Saint Ansanus altarpiece is most likely guided by which influence? a. Religious drama b. Byzantine formality c. Chivalric etiquette d. Apprentice training 48.

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Chapter 14 Late Medieval Italy

What is the message written on the scroll in the upper left corner of this fresco? a. A promise of prosperity to those who work hard in their assigned tasks b. A warning against the harmful effects of avarice and gluttony c. A warning against the relentless inevitability of death d. A promise of safety to those who live under the rule of law 49. Which component of Orvieto Cathedral is derived from French Gothic architecture? a. Nave arcades b. Facade c. Clerestory d. Elevation 50. Which work derives some of its technical effects from the products of the silk trade in 13th- and 14th-century Italy? a. Giotto's Arena Chapel b. Berlinghieri's Saint Francis Altarpiece c. Duccio's Maestà d. Lorenzetti's Effects of Good Government in the City and in the Country

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Chapter 14 Late Medieval Italy Answer Key 1. d 2. d 3. d 4. c 5. d 6. c 7. c 8. c 9. d 10. c 11. b 12. d 13. d 14. b 15. b 16. b 17. c 18. d 19. b 20. b 21. d 22. b 23. b 24. c 25. b Powered by Cognero

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Chapter 14 Late Medieval Italy 26. b 27. d 28. c 29. c 30. d 31. d 32. b 33. b 34. d 35. b 36. c 37. c 38. b 39. d 40. d 41. b 42. d 43. c 44. d 45. c 46. b 47. c 48. d 49. b 50. c

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