Fall Collection 2025

FA L L C O L L E C T I O N 2025

HIGHLIGHTS Fall 2025

At Studio Schalling, each object is selected for its ability to convey history - through craftsmanship, provenance, and design significance. Our collection spans rare Scandinavian furniture, lighting, and decorative arts, with a focus on works that embody both cultural weight and timeless form.

This issue presents a curated selection of recent arrivals: objects that reflect the diversity and depth of 20th-century design, from singular commissions to iconic works by celebrated architects and designers.

Together, they illustrate the values that define our work - authenticity, rarity, and an enduring dedication to quality.

Jacob Ängman Bronze Box Produced by GAB (Guldsmedsaktiebolaget) 1930s Cast Bronze, Wood Stamped GAB

Paavo Tynell Ceiling Lamp, Model 9029/3 Produced by Taito Oy 1950s Brass, Glass, Mesh

Jacob Kjær Three-Seat Sofa Produced by Jacob Kjær 1930s-40s Rosewood, Natural Leather, Brass Provenance Commissioned By and Made for Jacob Kjær’s Sister; Remained by Descent Within the Family

Frits Henningsen Easy Chair Produced by Frits Henningsen 1940s Mahogany, Leather

Harald Notini Ceiling Lamp, Model 6461 Produced by Böhlmarks 1930s Brass, Amber Glass

Photo: Åke E:son Lindman

’Nationalmuseum Cabinet’ by Josef Frank Produced by Svenskt Tenn Austrian-born architect and designer Josef Frank (1885–1967) was one of the leading figures in 20th-century design and became the most influential collaborator at Svenskt Tenn in Stockholm, where he worked from 1934 until his death. Frank is celebrated for his opposition to rigid functionalism, instead embracing pattern, color, irregularity and a deeply humanist approach to interiors.

The cabinet, model 881, designed in 1938, is veneered in redwood root and amboyna burl on a mahogany frame with a walnut plinth and brass handles. Originally conceived with 21 drawers, Frank revised the design to 19, creating an asymmetrical yet harmonious grid that reflects his belief in the beauty of irregularity. With its veneered back, the piece was intended to stand freely as a sculptural element in a room.

The cabinet achieved iconic status when exhibited at ’Josef Frank - 20 Years at Svenskt Tenn’ at the Nationalmuseum in 1952, where the museum acquired an example for its collection. Today it is regarded as one of Frank’s most important works, uniting modernist clarity with decorative imagination.

Josef Frank Cabinet, Model 881 ’Nationalmuseum Cabinet’ (Nationalmuseiskåpet) Produced by Svenskt Tenn 1938 Mahogany, Walnut, Redwood Root Veneer, Amboyna Veneer, Brass Exhibition Josef Frank - 20 Years at Svenskt Tenn, Nationalmuseum, Stockholm, 1952 Literature Kristina Wängberg-Eriksson, Josef Frank, Livsträd i Krigens Skugga, Signum 1994, The Cabinet Depicted in Color p. 112 and Mentioned p. 224.

Photo: Aage Strüwing © Jørgen Strüwing.

Arne Jacobsen Egg Chairs, Model 3316 Produced by Fritz Hansen 1959 Arne Jacobsen

Egg Chair

Aluminium, Leather 1959 Stamped Fritz Hansen Provenance Originally Conceived for the SAS Royal Hotel, Copenhagen

Drawing of the Egg Shell Photo: Royal Danish Library / Danish National Art Library.

Tapio Wirkkala Adjustable Floor Lamp, Model K10-47 Produced by Idman, Finland 1960 Lacquered Metal, Brass, Teak Literature Marianne Aav, Eeva Viljanen (eds.), Tapio Wirkkala - Eye, Hand and Thought, Art and Industry Museum, Helsinki, WSOY, 2000, pp. 382–383, no. 494.

Hans J. Wegner Ox Chair Produced by A.P. Stolen 1960 Steel, Savak Wool, Leather Piping

Carl-Axel Acking Wall Lamps, Model 5029 Produced by Bröderna Malmströms Metallvarufabrik 1940s Brass, White Lacquered Brass Provenance Commissioned for a Church Interior in Skåne, Sweden, 1940s

Poul Kjærholm Three-Seat Sofa, Model PK-31/3 Produced by E. Kold Christensen 1958 Steel, Leather

Photo: Åke E:son Lindman

Sune Lindström Set of Eight Folding Armchairs Produced by Nordiska Kompaniet (NK) Mid-20th Century Rosewood, Leather, Brass

Hans Bergström Table Lamp, Model 711 Produced by Ateljé Lyktan 1940s Brass, Leather Literature Åke Stavenow (ed.), Form - Svenska Slöjdföreningens Tidskrift, 1942, Model Depicted p. 144 Arvid Berghmam (ed.), Boet: 1945, 1945, Model Depicted Drawing in the Ateljé Lyktan Archive

Børge Mogensen Set of Twelve Dining Chairs, Model 3245 Produced by Fredericia Stolefabrik 1961 Mahogany, Leather

Photo: Oskar Proctor

Poul Henningsen Pair of Floor Lamps, Model PH-3/2 Produced by Louis Poulsen 1940s Nickel-Plated Steel, Lacquered Metal, Bakelite

Paavo Tynell Set of Four Wall lamps, Model 10330 Produced by Taito Oy 1950s Brass

Axel Einar Hjorth Armchair, Model Caesar Produced by Nordiska Kompaniet, Sweden 1928 Birch, Leather, Brass Provenance With NK Badge Marked AB NORDISKA KOMPANIET R 33242 – 31 1 29 Literature Gregor Paulsson & Nils G. Wollin (eds.), Annual Book of the Swedish Crafts Association, Self-published 1929, Model Depicted From the Exhibition in Barcelona, p. 55.

Photo: Oskar Proctor

Paavo Tynell Floor Lamp Produced by Idman 1950s Brass, Cane, Opaline Glass, Fabric Shade

Georg Kofoed High-Backed Easy Chair Produced in Denmark 1930s Beech, Leather, Sheepskin, Brass

Frits Henningsen Rocking Chair Produced in Denmark 1940s Oak, Leather

Märta Måås-Fjetterström Flat-Weave Carpet ’Höstmattan’ Produced by Märta Måås-Fjetterström Workshop Design Conceived in 1918, Woven Before 1942 Signed ’MMF’ Wool on Linen Warp

Harald Notini Table Lamp, Model 15277 Produced by Arvid Böhlmarks Lampfabrik 1940s Brass, Elm

Mogens Voltelen Lounge Chair, Model ’Copenhagen II’ / MV60 Produced by Niels Vodder 1960 Lacquered Wood, Leather Exhibition Designmuseum Danmark, 1960

Paavo Tynell Table Lamp, Model 5066 Produced by Taito Oy, Finland 1950s Brass, Beech, Fabric

Arne Karlsen & Peter Hjorth Dining Table, Model HK-5 Produced by Interna 1959 Rosewood, Lacquered Steel

Photo: Åke E:son Lindman

Poul Henningsen Ceiling Lamp, Model PH-4/4 Produced by Louis Poulsen 1930s Browned Brass, Opaline Glass

'Bärmatta, Docenten’ by Barbro Nilsson Produced by Märta Måås-Fjetterström Atelier Barbro Nilsson’s “Bärmatta, Docenten”, designed in 1946, is a landmark in Swedish textile modernism. Executed by the Märta Måås-Fjetterström atelier, it demonstrates Nilsson’s mastery of balancing geometric structure with natural rhythm, here expressed through berry-like motifs arranged in axial order.

The carpet was originally commissioned for the Folksam building in Stockholm, where it was displayed in the lobby and alternated seasonally with a blue counterpart. This practice reflects the period’s ambition to integrate textiles into architecture, making them not only decorative but architectural elements in dialogue with space and light. Its scale, condition, and provenance secure its status as one of Nilsson’s most important works.

Barbro Nilsson Tapestry-Woven Carpet 'Bärmatta, Docenten' Produced by Märta Måås-Fjetterström Atelier Designed 1946 Woven Monogram ’AB MMF BN’ Wool Provenance Folksam, Bohusgatan 10, Stockholm Literature Tyra Lundgren, Märta Måås-Fjetterström and the Weaving Workshop in Båstad, 1968, Compare pl. 71.

Viggo Sten Möller, A Book About Barbro Nilsson, 1977, Compare Color pl. p. 37, 66.

Liljevalchs Konsthall, Märta Måås-Fjetterström – Märta Flies Again, 90 Years with Märta Måås-Fjetterström, 2009, Compare p. 149.

Viggo Boesen Sofa Produced by Slagelse Møbelfabrik 1930s–1940s Oak, Sheepskin

Kai Kristiansen Set of Six Dining Chairs, Model 42 Produced by Villy Schou Andersen 1956 Rosewood, Fabric

CONTACT / SHOWROOM Skrittgatan 9 213 77 Malmö Sweden +46 735 377 799

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