Buysse & Partners HQ (Refurbishment)

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HI-FI shower system MARU MARU 232 232 NO Kim Jaesik GLASSFEEL Environmental Desig n Houses & Lifestyle Design ์›”๊ฐ„ MARU ๋ฐœํ–‰ 2022๋…„ 06์›” 30์ผ ํ†ต๊ถŒ 232ํ˜ธ ๋“ฑ๋ก๋ฒˆํ˜ธ ๋ฌธํ™” ๋ผ09071 . ๋“ฑ๋ก์ผ์ž 2002๋…„ 5์›” 1์ผ ๋ฐœํ–‰์ฒ˜ ํ˜„๋Œ€๊ฑด์ถ•์‚ฌ . ๊ฒฝ๊ธฐ๋„ ํ•˜๋‚จ์‹œ ๋ฏธ์‚ฌ๋Œ€๋กœ 550 ํ˜„๋Œ€์ง€์‹ A10-051ํ˜ธ ์ „ํ™” 02)455-8040, 455-8043 ํŒฉ์Šค 031-8027-3709 ์ •๊ฐ€ 280,000์› USA 28 $ Printed in Korea Arts & Gallery Lorie Kim FOCUS KIM Jaesik_GLASSFEEL Environmental Design Designer' Works White trapezoid house_ Nodeplan Architecture Lac de Miel_Shin Sang Yeop, Cha Yoo Na, Lee Hye Jin Busan Early Childhood Education_ARTNTE Buysse & Partners HQ_Studio Farris Architects Bundang Apt Chinese Designers Zhangjiakou Library_ TANZOSPACE Beijing CR LandยทInstreet_Kokaistudios LU Style Restaurant -LDH Design Control Bar in Zhangzhou_PANDA NANA Changxing Datang Hotel_Kenna Interior Design Wan Wea Restaurant in Chengdu-IN.X Design Hercules Fitness_CUN FF

Studio Farris Architects Antwerp, Belgium

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& Partners HQ
Buysse
(Refurbishment)
์„ค๊ณ„ ์ŠคํŠœ๋””์˜ค ํŒจ๋ฆฌ์Šค ๊ฑด์ถ• ์œ„์น˜ ๋ฒจ๊ธฐ์—, ์—”ํŠธ์›Œํ”„ ๊ฑด์ถ•์ฃผ ๋ฐ”์ด์„ธ์•คํŒŒํŠธ๋„ˆ์Šค ์šฉ๋„ ์‚ฌ๋ฌด์‹ค ์—”์ง€๋‹ˆ์–ด ๋ ˆ์˜จ ์Šคํ‹ฐ๋„จ ํ•˜์ฒญ์—…์ฒด ๋ฆฌ๋…ธ๋ฒ ์ด์…˜, ์ธํ…Œ๋ฆฌ์–ด ์—ฐ๋ฉด์  1500ใŽก ์‚ฌ์ง„ ์ฝ”์—” ๋ฐ˜๋‹ด
Architect Studio Farris Architects Location Antwerp, Belgium Client Buysse & Partners Use Offices Collaborators Refurbishment, Interior Engineering Leon Stynen Surface 1500ใŽก Photo Koen Van Damme
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Longitudinal Section

๋ท”์„ธ & ํŒŒํŠธ๋„ˆ์‚ฌ ๋ณธ์‚ฌ (๋ฆฌ๋…ธ๋ฒ ์ด์…˜)

์ŠคํŠœ๋””์˜ค ํŒจ๋ฆฌ์Šค ๊ฑด์ถ•๊ฐ€๋Š” ๊ธˆ์œต ๊ทธ๋ฃน ๋ท”์„ธ ์•ค ํŒŒํŠธ๋„ˆ์Šค์˜ ์˜๋ขฐ๋ฅผ ๋ฐ›์•„ BP ๊ฑด๋ฌผ 1์ธต ๋ณธ ์‚ฌ๋ฅผ ์„ค๊ณ„ํ•˜์˜€๋‹ค. 1963๋…„์— ์™„๊ณต๋œ BP ๊ฑด๋ฌผ์€ ๋ฒจ๊ธฐ์— ๊ฑด์ถ•๊ฐ€ ๋ ˆ์˜จ ์Šคํ‹ฐ๋„จ(18991990)์ด ์„ค๊ณ„ํ•œ ์—”์ง€๋‹ˆ์–ด๋ง ๊ฑธ์ž‘์ด๋‹ค. ๋ฐ”๋‹ฅ๊ณผ ํŒŒ์‚ฌ๋“œ๋Š” ๊ฑด๋ฌผ ์ƒ๋‹จ์— ์žˆ๋Š” 9๊ฐœ์˜ ํฌ ๋กœ์Šค๋ฐ”์— ๋งค๋‹ฌ๋ ค ์žˆ๋Š” ๊ฐ•์ฒ  ์ผ€์ด๋ธ”๋กœ ์ง€์ง€๋˜๋ฉฐ ์ฝ˜ํฌ๋ฆฌํŠธ ๋ฐ”๋‹ฅ์— ๋†“์ธ 2๊ฐœ์˜ ๋น”์œผ๋กœ ์ง€์ง€๋œ๋‹ค. ์ด ํ”„๋กœ์ ํŠธ๋Š” ์—ญ์‚ฌ ์ง€๊ตฌ ๋ฐ”๋กœ ์™ธ๊ณฝ์˜ ์•คํŠธ์›Œํ”„, ๋ฒจ์ง€์›€์— ์žˆ๋‹ค. ์ปค๋ฏธ์…˜์€ 1์ธต ์‚ฌ๋ฌด์‹ค ์ฒ ๊ฑฐ์™€ ์žฌํƒ๊ทผ๋ฌด ๋ถ„์œ„๊ธฐ์˜ ์ž‘์—…๊ณต๊ฐ„ ์„ค๊ณ„๋กœ ๊ตฌ์„ฑ๋๋‹ค. ์ƒˆ ์‚ฌ ๋ฌด์‹ค์˜ ๊ธฐ๋ณธ ๊ฐœ๋…์€ ์Šคํ‹ฐ๋„จ ๊ฑด๋ฌผ์˜ ํˆฌ๋ช…ํ•œ ์•„ํ‚คํ…์ฒ˜์™€ ์ƒํ˜ธ ์ž‘์šฉํ•˜๋Š” ๊ฒƒ์ด์—ˆ๋‹ค. ์ƒˆ ๋กœ์šด ํ‰๋ฉด๋„๋Š” ์ž‘์—… ๊ณต๊ฐ„๊ณผ ํœด์‹ ๊ณต๊ฐ„์œผ๋กœ ์—ด๋ ค ์™ธ๋ถ€์™€์˜ ๊ฐ•๋ ฅํ•œ ์ƒํ˜ธ ์ž‘์šฉ์„ ๋งŒ๋“ค ์–ด ์œ ๋ฆฌ ์™ธ๊ด€์„ ์ตœ๋Œ€ํ•œ ํ™œ์šฉํ•œ๋‹ค. ์ด ํ”„๋กœ์ ํŠธ์˜ ๊ตฌ์ฒดํ™”๋Š” ์ฒ ๊ณผ ์ฝ˜ํฌ๋ฆฌํŠธ์˜ ๊ธฐ์กด ์ฐจ๊ฐ€์šด' ๊ฑด์ถ•๊ณผ ๋‚ด๋ถ€์˜ ๋”ฐ๋œปํ•œ ๋ชฉ์žฌ ๋ฐ ์„์žฌ ์š”์†Œ์˜ ์„ธ๋ถ€ ์‚ฌํ•ญ์˜ ์ •ํ™•ํ•œ ์‚ฌ์šฉ ์‚ฌ์ด ์˜ ๋Œ€์กฐ๋ฅผ ๋งŒ๋“ ๋‹ค. ๊ฐœ๋ฐฉ๋œ(์กฐ๊ฒฝ) ๊ณต๊ฐ„๊ณผ ์ˆœํ™˜ ๊ณต๊ฐ„์˜ ๋ฐ”๋‹ฅ์€ ๋ฐ”๋‘‘ํŒ์‹์œผ๋กœ ๋ฐฐ์น˜๋œ ์ •์‚ฌ๊ฐํ˜• ๋งˆ๋ฃจ๋กœ ๊ตฌ ์„ฑ๋˜์–ด ๋ฐฉํ–ฅ์„ ๋งŒ๋“ค์ง€ ์•Š๊ณ  ์–‘๋ฐฉํ–ฅ์œผ๋กœ ๊ณ„ํš์ ์œผ๋กœ ๊ฑด๋ฌผ์˜ ๋ชจ๋“ˆ์„ฑ์„ ๋”ฐ๋ž๋‹ค. ๋ฐ€ํ๋œ ๊ณต๊ฐ„์˜ ๋ฐ”๋‹ฅ์€ ํ™˜๊ฒฝ์˜ ๊ธฐ๋Šฅ์— ๋”ฐ๋ผ ๋‹ฌ๋ผ์ง„๋‹ค. ์ฃผ๋ฐฉ์—๋Š” ๋ฐ”๋‘‘ํŒ ๋ฌด๋Šฌ๋กœ ์žฅ์‹๋œ ํƒ€์ผ, ์š•์‹ค์—๋Š” ์ง€ํ•˜์ฒ  ํƒ€์ผ, ํšŒ์˜์‹ค์—๋Š” ๋ฐ”๋‘‘ํŒ ๋ฌด๋Šฌ๋กœ ๋””์ž์ธ๋œ ์นดํŽ˜ํŠธ์ด๋‹ค ๊ฒ€์€์ƒ‰ ์˜ป์น ํ•œ ์•Œ๋ฃจ๋ฏธ๋Š„ ๊ฐ€์ฒœ์žฅ์€ ์—ด๋ฆฐ ๊ณต๊ฐ„์—์„œ ๊ณต๊ฐ„์˜ ๊ฐ€์žฅ ๊ธด ๋ถ€๋ถ„์„ ๋”ฐ๋ฅด๊ณ  ๋‹ซ ํžŒ ๊ณต๊ฐ„์—์„œ ์ฐฝ์˜ ๋ณ€์กฐ๋ฅผ ์ˆ˜์ง์œผ๋กœ ๋”ฐ๋ฅธ๋‹ค. ์กฐ๋ช…์€ ์ฒœ์žฅ ๋ฐฉํ–ฅ์„ ๋”ฐ๋ฅธ๋‹ค. ํ•œ ๊ณต๊ฐ„๊ณผ ๋‹ค๋ฅธ ๊ณต๊ฐ„ ์‚ฌ์ด์˜ ์ „ํ™˜์€ ๊ฒ€์€์ƒ‰ ๊ด‘ํƒ ๋‚˜๋ฌด ํ”„๋ ˆ์ž„์œผ๋กœ ํ‘œ์‹œ๋œ๋‹ค. ํผํ‹ฐ๋กœ ์ฒ˜๋ฆฌ๋œ ๋ถ„๋ฆฌ๋ฒฝ์€ ๊ฑด๋ฌผ์˜ ์ค‘์•™ ์ฝ”์–ด ์ฝ˜ํฌ๋ฆฌํŠธ์˜ ๊ฐœ๋…์„ ์ทจํ•œ๋‹ค. ์Šคํ‹ฐ๋„จ์‹๋ฌผ ์„ ๊ธฐ๋ฐ˜์œผ๋กœ ๋ณ€์กฐ๋œ ๋‚˜๋ฌด ์„ ๋ฐ˜์€ ์ž‘์—… ๊ณต๊ฐ„๊ณผ ํœด์‹ ๊ณต๊ฐ„์—์„œ ๋ถ„๋ฆฌ์˜ ๊ธฐ๋Šฅ์  ์š”์†Œ ๋กœ ์ž‘์šฉํ•œ๋‹ค. ๋ฆฌ์…‰์…˜์€ ์™ธ๋ถ€๋กœ ์™„์ „ํžˆ ๊ฐœ๋ฐฉ๋œ ์—ด๋ฆฐ ๊ณต๊ฐ„์— ์œ„์น˜ํ•˜๋ฉฐ, ์—ฌ๊ธฐ์— ๊ฑด์ถ•๊ฐ€๋Š” ๋Œ€๋ฆฌ์„๊ณผ ๋ชฉ ์žฌ ๋ฐ”๋ฅผ ๋„์ž…ํ•˜์—ฌ ํœด์‹ ๊ณต๊ฐ„์„ ๋งŒ๋“ค๊ณ  ์•ˆ์‹ฌํ•˜๊ณ  ์‹์‚ฌ์™€ ํšŒ์˜๋ฅผ ํ•  ์ˆ˜ ์žˆ๋Š” ์นด์šดํ„ฐ๋ฅผ ๋งŒ๋“ค์—ˆ๋‹ค. ๋” ๋งŽ์€ ํšŒ์˜์‹ค์€ ๊ณต์žฅ์˜ 2๊ฐœ ํ—ค๋“œ์— ์žˆ๋‹ค. ํ•œํŽธ์œผ๋กœ๋Š” ํœด์‹ ๊ณต๊ฐ„์ด ์žˆ๋Š” ์ค‘์—ญ ํšŒ์˜์‹ค๊ณผ ๋‚ด ์ง‘ ๊ฐ™์€ ๋ถ„์œ„๊ธฐ๋กœ ๊ณ ๊ฐ๊ณผ ์‹์‚ฌํ•  ์ˆ˜ ์žˆ๋Š” ํ™˜๊ฒฝ์„ ์กฐ์„ฑํ•  ์ˆ˜ ์žˆ๋‹ค. ๋ฐ˜๋Œ€ํŽธ์—๋Š” ๋ฐฉ์Œ ์ฒ˜๋ฆฌ๋œ 3๊ฐœ์˜ ์ž‘์€ ๋Œ€ํ™”๋ฐฉ์ด ์žˆ๋Š” ๋‹ค๋ฅธ ํšŒ์˜์‹ค์ด ์žˆ๋‹ค.

Cross Section

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Exonometric
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Studio Farris Architects was commissioned by financial group Buysse & Partners to design its headquarters on the first floor of the BP building. Completed in 1963, the BP building is an engineering masterpiece designed by the Belgian architect Leon Stynen (1899-1990); Both floor and faรงade are supported by steel cables hanging from 9 crossbars at the top of the building, those supported by 2 beams resting on the concrete floor. The project is located in Antwerp BE, just outside the historic center.

The commission consists of the demolition of the office on the first floor and the design of a workspace with a home working atmosphere. The basic concept of the new office was to interact with the transparent architecture of the Stynen building. The new floor plan opens into the work and relaxation spaces, creating a strong interaction with the outside, making the most of the glass facade. The materialization of this project creates a contrast between the existing 'cold' architecture in iron and concrete and an accurate use of the details of the warm wood and stone elements of the interiors. The flooring of the open (landscape) and circulation spaces consists of a square parquet positioned in a checkerboard pattern so as not to create a direction to follow but rather to follow the modularity of the building in plan in both directions. Flooring of the enclosed spaces varies according to the function of the environment: in the kitchen a tile decorated in a checkerboard pattern, in the bathroom subway tiles, in the meeting rooms a carpet designed in a checkerboard pattern.

A black lacquered aluminum false ceiling follows the longest part of the space in the open areas and perpendicularly the modulation of the windows in closed spaces. Lights follow the direction of the ceiling. A transition between one space and another is marked by a black polished wooden frame.

Separation walls, treated in putty, take up the idea of the concrete of the central core of the building.

Wooden shelving, modulated on the basis of the Stynen plant, act as functional elements of separation in the work and relaxation spaces.

The reception is located in an open space that opens completely to the outside, here the architect has created a relaxation area with the introduction of a marble and wood bar and a counter where you can eat and have meetings in confidence. More meeting rooms are located at the 2 heads of the plant. On the one hand, the executive meeting room with a relaxation area and the possibility of creating an environment in which to dine with clients with a homely atmosphere. On the opposite side, the other meeting rooms with 3 small soundproofed chat rooms.

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102 2. 1. 4. 3. 12. 12. 9. 9. 9. 5. 5. 5. 11. 10. 11. 12. 12. 1. 5. 6. 6. 7. 6. 6. 8. 1. ENTRANCE 2. LANDSCAPE OFFICE 3. RECEPTION 4. BAR & COUNTER 5. MEETING ROOM 6. INDIVIDUAL OFFICE 7. LOUNGE 8. FITNESS 9. CALL ROOM 10. KITCHEN 11. REST ROOM 12. STORAGE 1st Floor Plan (After) 1st Floor Plan (Before-Demolition) 1. Entrance 2. Landscape office 3. Reception 4. Bar & Counter 5. Meeting room 6. Individual office 7. Lunge 8. Fitness 9. Call room 10.Kitchen 11.Rest room 12.Storage
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