Portfolio_Mingjia_Shi_UCL_Bartlett_MArchPart2_two-year_ISSUU

P ORT FOLI O MINGJIA SHI

-

U N I VE R SIT Y

A RC HIT EC TU R E

T HE

B A C H ELO R

O F

ME L BO U RN E

D E S IG N

O F

2018 APPLICATION

PROGRAM M E

-

M A R CH

-

2020

A R CHI TE CTU R E

( A R B / R I B A

P A R T

2)

P R O G R A M

EDUCATION The University of Melbourne | Melbourne, Australia Bachelor of Design in Architecture Weighted Average Mark: 83.905/100 Northeast Forestry University | Harbin, China Major in Landscape Architecture Weighted Average Score: 91.26/100

02/2018 – 12/2020

Year 1| Melbourne School of Design Exhibition - Design Studio Alpha Design Studio Alpha - Bachelor Level1Semester2

11/2018

- Designed Dystopia Lincoln square for the refugees in the future

09/2016 – 09/2017

Year 1| FOD:R Exhibition, AFLK Gallery Foundations of Design - Bachelor Level1Semester1

06/2018

- Created the parametric sculpture paper artwork

HONOURS & AWARDS

MINGJIA SHI Architecture Major Bachelor of Design The University of Melbourne Application for the MArch Architecture (ARB/RIBA Part 2) program offered by University College London

CONTACT Personal Email Address: smingjia8@gmail.com Phone: (+61) 0420 707 302 Website: https://mingjias.wixsite.com/unknown-zoon

ABOUT ME As a student who just graduated from the Bachelor's study of Architecture Design, I experienced a journey of understanding how a design born from nihility. A concept should base on a solid background story. The process of generating a concept is like picking a simple but meaningful thread out of the silk and weaving with our understanding to endow the concept's existence.

This understanding of design method educated by the Bachelor study endows me logical thinking on the perceptual thinking, which would continuously impact me on the next steps' study and even my life.

The portfolio would present my Bachelor’s journey of understanding design method and the rethinking of architecture’s meaning.

RESEARCH PROJECTS

Specialisation in Building Information Modelling Awarding unit - The university of Melbourne

12/2020

Winner of FABcoLAB Prototyping Competition Awarding unit - Archicle Group, The university of Melbourne

03/2020

Dean’s Honours List Awarding unit - Professor Julie Willis, Dean Faculty of Architecture, Building and Planning, The university of Melbourne

05/2018

Third Prize of Construction Festival Harbin China Awarding unit - Northeast Forestry University

06/2017

- Studied the development path and economic benefits of hyperloop and analysed the results based on the history of Las Vegas

- Redeveloped the FABcoLAB with proper extension as communal semi-external lab

12/2020

Exhibition Architecture Curation, Preservation, and Mass Tourism Participant traditional architectural language of the Venice façade and a concept extracted from irrelevant landscape work

12/2020

- Followed the chosen storey of Metamorphosis and used digital drawing method to make

07/2020

the public space to generate a library which could reflect each factor’s disturbance

11/2019

house

11/2019

- Prepared the binding of tender documents and produced render for

- Described and translated the concept and produced the graphic assistance for tender documents

Chengdu Private Apartment

the conceptual design and the realistic cultural of the suburban architecture

- Prepared construction design documents and produced the node detail

06/2019

construction drawing of the ceiling and making physical models

LANGUAGES & SKILLS

- Applied parametric control as a tool and process of design to achieve the organic logic sculpturing architecture – music pavilion

- Designed communal building cluster with half on-site residential functional building

OLI Architecture Intern No 1 The Mc Bain Building Bookstore competition tende

The new Shenzhen flagship showroom/store

- Used simple filter concept as the architectural language to achieve the consolidation of

Year 2| Melbourne School of Design Exhibition - Design Studio Beta Design Studio Beta - Bachelor Level2 Semester1

WORK EXPERIENCE

tender documents

- Used the 3D modelling to imitate the construction process of the two-storey residential

Year 2| Melbourne School of Design Exhibition - Digital Design Digital Design - Bachelor Level2 Semester1

06/2017

theme: construction dream

- Conducted experiments on the guest and architect’s maximum and minimum control of

Year 2| Melbourne School of Design Exhibition - Design Studio Gamma Design Studio Gamma - Bachelor Level2 Semester2

Construction Festival Harbin China Participant - Self-defined material to design architectural element based on the

custom design for the selected character in the storey

Year 2| Melbourne School of Design Exhibition - Construction Analysis Construction Analysis - Bachelor Level2 Semester2

07/2019

- Regenerated the new façade based on the combination of the

into the architecture design process

Year 3| Melbourne School of Design Exhibition - Design Studio Delta Design Studio Delta - Bachelor Level3 Semester1

03/2020

- Recycled the material of architectural models

- Explored the possibility of high-density residential buildings by applying the natural theory

Year 3| Melbourne School of Design Exhibition - Figure in Performance The Figure in Performance - Bachelor Level3 Semester2

09/2020

- Researched on the interrelationship between architecture and environment

FABcoLAB Prototyping Competition Participant

EXHIBITIONS & DESIGNS Year 3| Melbourne School of Design Exhibition - Design Studio Epsilon Design Studio Epsilon - Bachelor Level3 Semester2

Young Architects Competitions - Hyperloop Desert Campus Participant

06/2019

Mandarin: Native

English: Proficient

Software: Rhino / Grasshopper / Revite / AutoCAD / Enscape / Unreal Engine / C4D / Adobe Creative Suite (PS, AI, ID)

11/2019 – 1/2020

C O N T E N T

ECOTONE RESIDENTIAL REGION - COHOUSING|INDIVIDUAL WORK How to represent the architectural experience in high dense residential architecture?

What is contemporary architecture's role when it becomes history?

4-9 DISTURBANCE PUBLIC BUILDING - LIBRARY|INDIVIDUAL WORK How to maximize the guests’ control of public buildings?

How to minimize the architect’s control of space in public buildings?

10 - 15 FILTER HOUSE RESIDENTIAL BUILDING - SINGLE HOUSE|INDIVIDUAL WORK What’s the break of current suburban residential architecture?

What should filter through the gate?

16 - 19 LIGHT RIPPLE ACCESSORIAL BUILDING - MUSIC PAVILION|INDIVIDUAL WORK Geographical feature’s inspiration on interactive public pavilion design.

20 - 23 OTHER WORKS COSTUME DESIGN / SOCIAL ENGAGEMENT DEISGN / ARTWORK PRACTICE 24 - 26

EC OT O N E RESIDENTIAL REGION COHOUSING|INDIVIDUAL WORK The corner of High Street and Walker Street in Northcote, Melbourne |10100 m2 Occupy Area ARCH30002 Design Studio Epsilon - Bachelor Level3 SM2 - Tutor: Hella Wigge

Ecotone is the interactive balance of communities Co-living. One community change, the Ecotone transforms into a new adaptive form. As a project that aims to transcend the constraints of intensive residential architecture, intrinsically limited spatial atmospheres, and scope of change, this project seeks to use an ecological perspective to explain the possibility of future residential architecture.

4|E C O T O N E

Through the whole semester’s understanding of co-housing, from its current mode and function to the possible capacity for providing its individual character, the idea of referring the residential building to ecological system gradually becomes the focusing point of this project. To transcend the constraints of intensive residential architecture here comes to the Ecotone.

Ecotone refers to the interactive balance communities co-living. It is the boundary part of the two environments. When one environment or community changed, the Ecotone would transform into the mode that best suits the new collision communities. It is in the same space with different meaning endowed by different organisations from short-term daily change and long-term change in hundreds of years.

Deconstructing the basic concept of the room, it is the space and element left with no pre-setting architectural building, but the boundary and direction of the systematic metamorphosis.

ISLAND DEVELOPMENT

Y E N C T E N D

E T P R E S

N G L I V I

N G L I V ID U A L V I

N G L I V I

N D I S L A

ENTIRE SITE DEVELOPMENT

N D I S L A

R E C T U S T R U

L W A L

R E C T U S T R U

E R E S P H

E R E S P H

E R E S P H

I N D I

-

-

I N G H E R G A T

R E C T U S T R U

I N G H E R G A T

E C O T O NE | 5

ECOTONE 2 TRANSITION ZONE

ECOTONE 1 INTRODUCTION ZONE

ECOTONE 3 ISLAND LIVING SPHERE

OUT-ISLAND PRIVATE COMMUNAL SPACE

IN-SITE PUBLIC SPACE

OUT-ISLAND PUBLIC COMMUNAL SPACE

IN-SITE PRAVITE COMMUNAL SPACE

CIRCULATION

CIRCULATION VISUAL LINK

PRIVATE RESIDENTIAL SPACE COMMUNAL BATH

ACTIVE SPACE

CIRCULATION

BOTTOM GALLERY GARDEN (SELF DEFINE)

MATERIAL SUPPLY & MAINTENANCE STOP

ELEVATING DIRECTION

DIRECTION STRUCTURE

CURBSIDE GALLERY & ART RETAIL SPACE

6|E C O T O N E

IN-ISLAND COMMUNAL ELEVATED PLATFORM

GREENHOUSE & RETAIL PLATFORM

CURBSIDE RETAIL SPACE

BICYCLE PARKING & CONNECTION WITH OTHER ISLAND

MATERIAL SUPPLY & MAINTENANCE STOP

COMMUNAL BATH

BOTTOM GALLERY GARDEN (SELF DEFINE)

STAGE1 - GARDEN PLATFORM

BASIC WALL PROVIDED

STAGE2 - COMMUNAL FUNCATION PLATFORM

SELF DEFINE STRUCTUE

STAGE3 - RESIDENTIAL PLATFORM

SHOE RACK

BEDSIDE TABLE

DINNING TABLE/ TEA TABLE 1

STORAGE SPACE

EXTERIOR INTERACTION PLATFORM

STORAGE

KITCHEN

EXPANSION

BED

DINNING TABLE/ TEA TABLE 2

THREE PEOPLE LIVING SPHERE

STUDY DESK & BOOKSHELF

CONSTRUCTION PROCESS RESIDENTIAL SPATIAL ADAPTABILITY

ELEVATED TEA TABLE

ELEVATED BED

FOUR PEOPLE LIVING SPHERE

EXTERIOR INTERACTION

SELF DEFINE DINNING SPACE

DAILY EXPANSION SELF DEFINE TABLE

STORAGE

STABLE EXPANSION

SELF DEFINE SHELF

TWO TYPES OF TWO PEOPLE LIVING SPHERE

AIR CIRCULATION

SPATIAL ADAPTABILITY DIRECTION

HIDDEN WALL

ECOTONE3 - COMMUNAL ISLAND

ECOTONE1 - ENTRANCE CORNER OF HIGH ST & WALKER ST

ECOTONE2 - INBETWEEN SPACE

ECOTONE2 MATERIAL SUPPLY & MAINTENANCE STOP

ECOTONE1 - STREET SIDE GALLERY

ECOTONE3 - COMMUNAL BATH

E C O T O NE | 7

8|E C O T O N E

E C O T O NE | 9

DI ST U RB ANC E PUBLIC BUILDING - LIBRARY|INDIVIDUAL WORK 124 -140 Little Bourke Street, Melbourne |3644 m2 Total Area ARCH30001 Design Studio Delta - Bachelor Level3 SM1 - Tutor: Lauren Crockett

This project aims to discuss how to minimize the architect’s disturbance to the presetting space and maximize the representation of the tourists’ disturbance to the free space. It provides unpredictable stimulation for the semi-determined and undetermined group into the exploration through space and knowledge. Under the fixed spirit, the predetermined group provided with the physical freedom to control the adaptable space.

Page11 - Map1 Library means different to people depend on individual life experience, the first map represents my understanding of the library which is a linkage of logical thinking to the nerve cell stimulation. People coming to the library with mainly three different purpose which would lead the behavior and circulation of the program using methodology. The three purpose are acknowledge purpose, acknowledge region and unknown purpose.

Page11 - Map2 Library is like city which is a combination of individuals. Based on the Melbourne region database, the map2 mainly discuss the possibility for different people’s living trace would interact with the others in the site library. Each encounter is the consequence of series passive unpredictable disturbance, then would generate a disturbance to normal life which would lead to new story.

10 | D I STU R B A N C E

Y

W

U

S

Q

O

M

K

I1

I2

I

I3

I4

I5

G

I6

I7

E

I8

I9

C

A1 A2

A

A3

B

A4 A5

A6

A7 A8

W1 W2 W3 W4 W5 W6 W7 W8 W9

U3 U4 U5 S1

S2

U6

S3

U7 U8

S4

S5

B1 B2

U9

S6

S7

E1 S8

Y4

Y5

Y6

Y7

Y8

E3

E4

E5

E6

Y9

K1

K2

K3

K4

K5

K6

A1.3 G7 G8 G6

G3 G4 G5

K7

K8

E8

B3

B4

B5

F2

J1

B6

F3

B7

F4

B8

F5

J2

F6

J

J3

F7

J4

F8

L

J5

J6

J7

N

J8

F9

P

R

J9

P1

T

V1 V2

P2

P3

P4

V

V3

P5 T1 P6 T2P7 T3 P8 T4 P9 T5

X

V4 V5 T6

T7

V6 T8

Z

V7 V8

F L E M I N G T O N

V9

K E N S I N G T O N

T9

B9

E9

L1

D1 D2 D3 D4 D5

A5.3

G9

L2

L3

L4

L5

L6

L7

L8R1 L9 R2

R3

R4

R5

R6

R7

R8

R9

Z1 Z2

Z3

Z4

Z5

Z6

Z7

Z8

P O R T

E A S T

W E S T

M E L B O U R N E

M E L B O U R N E

M E L B O U R N E

S O U T H

C A R L T O N

W A R T

N O R T H

S O U T H Y A R A

D O C K L A N D S

P A R K V I L L E

N O R T H M E L B O U R N

C A R L T O N

S O U T H B A N K

C B D

Z9

C1 C2

C3

A1.8 A1.9

A1.6 A1.7 C4 C5 C6

A1.2

D7 D8 D9

H1 H2

A5.1

S1.3

D6

A5.2

A5.6 A5.7 C7 C8 C9 B1.1

A1.4 A1.5 O6

H6

H7 H8 N1 H9 N2 N3 N4 N5

N6

X1 X2

N7 N8 N9 V1.1

X3

X4 X5

X6

X7 X8

S O U T H B A N K

V1.2

B1.6 B1.7

A5.4 A5.5

V1.4 V1.5

N1.3

B1.2

O7 O8 O9

S1.6 S1.7 S1.2

A9.7 B1.4 B1.5

K1.3

N1.1

Y A R A

X9

V1.8 V1.9

V1.6 V1.7 B1.8 B1.9

S1.8 S1.9 O1 O2 O3 O4 O5

H3 H4 H5

A5.8 A5.9 B1.3

K1.1

N1.6 N1.7

K1.8 K1.9 A5.11

Q1.3

N1.2

A5.18A5.19 A9.3 A9.4

K1.6 K1.7 A9.8

A5.16A5.17

K1.2 Q1.8 Q1.9

Q1.1

M E L B O U R N E

M E L B O U R N

N1.8 N1.9

A9.9

A9.1 A9.2

W E S T

N O R T H

A5.13 S1.4 S1.5

F L E M I N G T O N

S O U T H

V1.3

K9 A1.1

S1.1

E7

H

S9

G1 G2 Y3

E2

F

A9

F1

M1 M2 M3 M4 M5 M6 M7 M8 M9 U1 U2

D

K E N S I N G T O N

N1.4 N1.5

B1.7

A5.12 A9.5 A9.6 K1.4 K1.5

Q1.6 Q1.7

A5.14 A5.15

Q1.2

K8.11

K8.13

B1.9

B1.1 B1.2

K8.15 B1.3 B1.4

Q1.4 Q1.5 S1.11

S1.13

S1.15

K1.7

S1.16 S1.14

K8.16

K8.18

B1.5 B1.6 K1.9

K1.1 K1.2

V1.13

V1.16

N1.1

N1.8 N1.9

K8.19

V1.18

V1.17

V1.14

C A R L T O N

N1.6 N1.7 A1.3

K1.3 K1.4

V1.19

N1.2

K1.19

C A R L T O N

V1.15

K8.17

K8.14

S1.18

S1.17

V1.11

N1.3

B1.8

K1.8 A1.1

A1.12

A1.8 A1.9

N1.4 N1.5

K1.5 K1.6 A1.6 A1.7 S1.12

P A R K V I L L E

A1.4 A1.5 A1.7

A1.7

A1.7

A1.9

A1.9

A1.1 A1.2

A1.3 A1.4

S O U T H

A1.9

A1.1 A1.2

W A R T

A1.8 A1.3 A1.4

A1.3 A1.4 A1.8

A1.5 A1.6

A1.8

A1.5 A1.6

OLFACTORY SENCE

TACTILE SENCE

VISUAL SENCE

E A S T

V1.12

A1.2

A1.1 A1.2

N O R T H

A1.5 A1.6

D O C K L A N D S

AUDITORY SENCE

SHORT

PEOPLE WITH UNKNOWN PURPOSE

P O R T M E L B O U R N E

GUSTATION SENCE

LONG

TIME

PEOPLE WITH KNOWN PURPOSE

M E L B O U R N E

LESS

MORE

PEOPLE IN SUBURBAN CALM

EXCITING

CALM

EXCITING

SUBURBAN

URBAN

POSSIBILITY OF LIFE TRACE

DISTRICT 1

DISTRICT 2

OVERLAPPING OF LIFE TRACE

D I S T U R BANC E | 1 1

PEOPLE WITH KNOWN PURPOSE

I might need to do some research about this assignment. Hope there are still some books avaliable in uni library.

Sorry there is no more book avalible in uni lib, but you might try some other libraries.

Are you ready to go? We have a trip to the local Chinatown today, you can have lunch there.

The guide said the top level has better view!

PEOPLE WITH UNKNOWN PURPOSE

What is hidden there behind the screen? Cannot wait to find out!

Let me finish this photograph.

All right, maybe the lib in Chinatown might have this book.

I am an historian, currently I am devolting on the research about the cultural collection of Chinatown in Melbourne, here in disturbance library, it collected all the relative informations.

I am here to looking for books about my PHD essay.

I am a staff working in this library.

Library for me is a place to release my soul!

Today, I will give a lecture to a group of students who are interested in the botany nomenclature.

I heard there is a library with very big gallery, so I just want to have a look.

I am a writer, library is my favorate place to inspire me where I can observing different people.

I am an artist, the gallery library is a good place to find some thing or people interesting.

I come here with my mom, the child library here is my favorate part.

PEOPLE WITH UNKNOWN PURPOSE LOCATION

LIBRARY MEANING

PEOPLE WITH KNOWN PURPOSE LOCATION

We set a study group on the top study level. Don’t know if the other member as arrieved.

I have seen this artwork before.

Love this exhibition theme.

Hi, come here!

We have started!

INTRODUCTION SPACE - PUBLIC GALLERY

STAFF LEVEL - WORKING & RESTING SPACE I think the book BK20215486R is around here.

I like to wait my Mom here, cause I can have my own little world just with books.

COLLECTION SPACE - MAIN LIBRARY

INTERACTIVE GALLERY LIBRARY

The bookshelf is rotatable!

Sir, I have a question!

LECTURE ROOM

BOOKSHOP

After I finsih this work, I could have a lunch finally.

ROOF TOP QUIET STUDY SPACE

12 | D I STU R B A N C E

Is that a book about adventure?

ISOMETRIC VIEW

DISCOVERING LIBRARY

ROTATED SCREEN MULTI-FUNCTION SPACE ARRANGEMENT METHOD

PURPOSE PROGRAM PEOPL WITH KNOWN

SCREEN ROTATION FIXING DETAIL

ROOF EXTERNAL INTERACTIVE PUBLIC LOUNGE

INTERNAL FLEXIBLE GALLERY APPEARANCE 1 CONCENTRATED EXHIBITION

INTERNAL GALLERY

INTERNAL FLEXIBLE GALLERY APPEARANCE 2 SEPERATED EXHIBITION

SEMI INTERNAL SPACE

STAFF RESTING PLATFORM ROOF TERRACE

INTERNAL GALLERY ISOMETRIC

STAFF WORKING LEVEL

REGULAR BOOKSTORE ROTATED BOOKSHELF

COMMUNAL SPACE

RANDOM BOOKHANGING

Detector: roll the fiber screen up when detecting people moving but would hang down when people longstop more than 1min

PRIVATE UNDETERMINED INTERACTIVE READING ZONE DETAIL DIAGRAM

SELF-DEFINE STUDY SPACE

BOOKSTORE

COLLECTION LIBRARY

PURPOSE PROGRAM PEOPL WITH UNKNOWN

COLLECTION LIBRARY ELEVATION

GALLERY EXHIBITION HANGING

PRIVATE UNDETERMINED INTERACTIVE READING ZONE DETAIL

PUBLIC GALLERY ELEVATION

EXTERNAL GALLERY VIEW

D I S T U R BANC E | 1 3

POSITION ON THE LIBRARY Fire contigency storage: 2m²

Prayer room: 25m² Male WC: 7m²

Evacuate Stair Tunnel: 13m²

Female WC: 8m²

Lifter: 17m²

Quite study area: 200m²

Evacuate Stair Tunnel: 13m² Lifter: 17m²

Private Group study area: 27m² User-defined Group study area: 50m²

Check in. out & Return Station2: 20m²

Adult computer zone: 25m²

Main (Adult) collection & Reading zone: 180m² Roof natural interaction public lounge: 270m²

AXIS OF TRANSPARENCY AND SOLID SLAB DISTURBANCE

Level 3 area: 470m²

COLLECTION DISTURBANCE

Level 7 area: 512m² Cafe store: 17m² Fire contigency storage: 3m²

Evacuate Stair Tunnel: 13m²

Fire contigency storage: 3m²

Small meeting room1: 16m²

Evacuate Stair Tunnel: 13m²

(Could merged together as one room) Small meeting room2: 12m²

Lifter: 17m²

Lifter: 17m² External connection zone1

Internal Cafe area: 45m²

External connection zone2: 100m²

Kitchenette: 12m² Medium meeting room: 50m²

Collection Penetration1

Slab displacement

Periodical collection: 80m² External cafe area: 70m²

Support staff office: 40m² Librarians office: 60m²

Staff external lunch area & amenities: 80m² Kitchenette and internal lunch area: 36m²

Staff storage: 6m² Private undetermined interactive reading zone2: 16m² Roof displacement

Collection Penetration2

POSITION ON THE CITY

Team leader office: : 9m²

Staff meeting room: 12m²

Level 2 area: 400m²

Level 6 area: 600m² Male WC: 12m²

Male WC: 13m² Evacuate Stair Tunnel: 13m² Check in. out & Return Station1: 30m²

Female WC: 13m²

Fire contigency storage: 3m²

Disabled WC: 4m²

Evacuate Stair Tunnel: 13m²

Lifter: 17m²

Fire contigency storage: 3m²

Parents room: 4m²

Female WC: 12m²

Lifter: 17m²

Multifunction community group storage/venue gathering area: 45m²

Children’s activity zone: 90m²

Lecture theater: 160m²

Semi external gallery: 150m²

Loading bay Collection/sorting2: 44m² Children return station & help desk: 9m²

IT help zone: 20m²

Children reading zone & Collection: 70m² Private undetermined interactive reading zone1: 50m²

AXIS OF LIGHT EXTERNAL DISTURBANCE

Level 1 area: 365m²

Level 5 area: 350m²

DISTURBANCE EFFECT Main entry foyer: 36m²

Evacuate Stair Tunnel: 13m²

Customer service desk Collection help desk

Lifter: 17m² Internal gallery: 55m²

Fire contigency storage: 3m²

Fire contigency storage: 3m² Youth interaction game room: 17m²

Evacuate Stair Tunnel: 13m² Lifter: 17m² Youth computer zone: 18m²

Meet & Greet zone: 24m²

Slab relation with screen

Natural/Random disturbance

Loading bay Collection/sorting1: 44m²

External gallery: 100m² (Public lounge merged inside)

Bookshop: 130m² (Public lounge merged inside)

External natural element disturbance

14| D I STU R B A N C E

Lecture theater: 160m²

People/Regular disturbance

Youth reading zone & Collection: 100m²

Ground level area: 625m²

Level 4 area: 322m²

Prayer room Quite study area Roof natural interaction public lounge

Staff external lunch area & amenities

External connection zone2

Children’s activity zone

Lecture theater

Youth computer & activity zone

User-defined Group study area

Main (Adult) collection & Reading zone

External connection zone1 Periodical collection

Private undetermined interactive reading zone

IT help zone Check in. out & Return StationCollection/sorting

External gallery Bookshop

Loading bay Collection/sorting Main entry foyer

45° Axis Perspective Section 1

GROUND LEVEL

Prayer room Roof natural interaction public lounge

Small meeting room1 Staff area

Multifunction community group storage/venue gathering area

Children reading zone & Collection

Youth interaction game room Youth reading zone & Collection

Adult computer zone External platform

Cafe store

Toilet Private undetermined interactive reading zone

Bookshop Internal gallery

Meet & Greet zone

45° Axis Perspective Section 2 LEVEL 1

D I S T U R BANC E | 1 5

F ILTER

H OUSE

RESIDENTIAL BUILDING - SINGLE HOUSE|INDIVIDUAL WORK 4 MacArthur Place |205 m2 Total Area ARCH20002 Design Studio Gamma - Bachelor Level2 SM2 - Tutor: Pulina Ponnamperuma

The Filter House focuses on implementing breaking traditional residential shells idea into the modern architecture under the context’s connection following several filtration layers. The filtration includes the tightness of space, which refers to the contrast of psychology from the open public space and tight laneway, and the filtration of natural factors like vegetation, light, ventilation, and sound.

Northcote

Melbourne CBD 16| FI L TE R

H O U S E

Site

1

4 1

3

Late Victorian

1

Early Victorian

2

2

1

2

2

3

3

4

2

4

3

2

2

3

1

1

2

2

2

3

3

3

4

2

2

3

2 Macarthur Place Total: 3 78.67m2/person

4 Macarthur Place Total: 2 70.5m2/person

6-10 Macarthur Place Total: 6 49m2/person

3

3

×2 Filteration of volume and light

Mid Victorian

3 5 3 1

Street View 1

4

2 6

2

2 1

1

Edwardian Triple level on corner&Semi open space Total: 12 35.8m2/person

Slope location

Rainwater path

One level building

Surrounding urban fabric and terrain

The most indensity space Total: 6 39.94m2/person

More indensify Space Total: 4 36.64m2/person

2 or more levels building

Surrounding building view

Conceptual diagram

Street View 2

Deciduous tree

Evergreen tree

Vegetation shadow impact

Microclimatic conditions - Vegetation&shadow impact

Street View 3

Circulation diagram FI L T E R

H O U S E | 1 7

Continuous stiffener as the support for the hollowcore welded to the web of B5&B6 and on top of the support-ing plate.

Hollowcore supports plate welded on top of the bottom flange of B5&B6 to support stiffeners.

N20 dowel to connect the N12 U bar 1200mm long to increase stiffness.

Connection between suspended slab, beam on ground B133, upstanding wall and beam in ground B5a.

1M16 power screwbolt screw continuous stiffeners to the hollowcore panel.

Hollowcore cut when meeting the steel column.

Fire proof spray.

Control joint for thermal expansion or shrinkage change. Provide flexibility.

Physical detail5: Detail of connection on the west side

Seperated steel mesh from the precast panel to the inside edge of the steel beam.

125 x 75 x 12 UA for increasing stiffness.

Physical detail4: Hollowcore connection with steel beam.

Physical detail9: Concrete screen edge connection

N16 trimmer bar on each face above the RL818 steel mesh.

Equal angle welded and bolted on top of the steel beam B5&B6 as the main element directly connect to the precast panel.

50mm diameter hole for bleeding air inside the concrete during casting.

Threaded ferrule built into panel & tied to reinforcement for push and pull bracing.

Grout tube for grout concrete into the reinforcement formwork during and after the cast.

RL818 far face mesh. The steel mesh near the SB1 would be cut.

SB1 connection between hollowcore and precasted panel based on the steel beam B5&B6

Physical detail7: SB1 connection and Grout tube P4 C20015 purlin welded by cleat with 40mm long horizontal slotted hole for thermal change among the structures.

Physical detail10: Normal precasted wall panel connection

Vegetation root casue shrinkage of the foundation

Air ventilation accress Light

3N24 Bars with angle at the end to increase the connection strength.

With radiate manage to expand the contact area with concrete.

Door track

Cover steel plate by EPOXY NON shrinked via grout after welded.

Taller bar chair 170mm high to support RL818 near face steel mesh.

Physical detail8: Ceiling

RL818 steel mesh near face.

Physical detail11: The detail of vegetation root would be deleted within the force field which currently used 45° here.

Physical detail1: Precasted wall connection WP2&WP3 Special connection in order to support long span opening window.

N12 bars stop from top surface 30mm in order to leave covering for reinforcement.

Low bar chair 50mm high to support RL818 far face steel mesh.

N16 anchors of CP2 cast in place as the lig to gathering steel bar together.

300 x 100 x 10mm plate welded on top of two seperated plate 12 x 200 x 200mm from each panel in order to increase stiffness.

Physical detail2: Precasted wall connection WP2 top view As the top is far from the opening, thus use less strong connection welded plate WP2 on top of the panel.

Electricity Services

HAVC system ventilation tunnel Plasterboard for ceiling cover

Physical detail6: Ground floor ceilng system

Overlapping of the reinforcement mesh in the concrete screen on top of the hollowcore. Steel mesh based on the 50mm high bar chair

The top session of the pile and representation of the sulphur existing at the bottom layer of foundation shown in the photo which leads to the corrosion of the reinforcement in the pile.

Steel bar on the bottom fo the hollowcore for tension release and elastic.

Hollowcore panel connected by pouring concrete inbetween.

80mm concrete screen cover the hollowcorre running from the north to the south.

The connection between the upper steel column and the pile inside the beam footing.

4 hollow concrete panel with 300mm thickness span from steel beam to beam attached by stud wall.

Physical detail3: The suspended reinforcement concrete slab.

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Physical detail12: Footing underground

8 6 9 1. Detail of the top session of the pile

2. The detail of the bottom of the pile

3. Detail of beam B5b and connection

4. Showing load transferring

5 7

5. Steel beam and column connection and CP2

6. Platform structure

7. Window frame unprimary structure.

8. Precasted panel reinforcement structure

10 11

12

9. Roof insulation system & Sheet detail

10. Learning commons wall, ceilng and floor finishing

11. Foyer/Cafe wall, ceiling and floor finishing

12. Small recital wall, ceilng and floor finishing

3

4

2

1

FI L T E R

H O U S E | 1 9

LI GH T

RI P P LE

ACCESSORIAL BUILDING - MUSIC PAVILION|INDIVIDUAL WORK Queen Victoria Gardens, Melbourne ARCH20004 Digital Design - Bachelor Level2 SM1 - Tutor: Tony Yu

During the former design, I discussed the flexibility of space and people in different scales and stability. However, fixation could also present a lot of flexibility if it could represent or visualize the natural or human effect. Thus the light ripple project aims to discuss the accessorial architecture with a stable appearance but changeable atmosphere through the daytime and weather.

20| L I G H T

R IP P L E

Increase the amount of waffle structure in order to increase more connected space with the paneled surface.

Waffle structure gradually smaller until vanished is to create a changing progressively space in the middle of waffle. The shadow created by this structure could lead to people to experience light and shadow as a pavilion scale building. The central part is the enclosure and private space with a peaceful atmosphere.

An offset grid controls the pattern height with WDis control. Point attraction is also used here. The pattern connected with the ground could provide more private space compared to the inside larger space and outside public space.

Lofts

1.1

1.2

{0,75,150}

{75,150,150}

1.3

{0,150,150}

{75,150,150} {150,75,150}

{75,0,150}

Iteration1 - Grand Canyon

{150,0,150}

{150,0,0}

{0,75,0}

{0,0,0}

{45,0,0}

{150,150,0}

{0,75,0}

Symmetrical surface with corner

Paneling Grid & Attractor Point

2.2

Offset grid grow higher from top to the bottom Paneling

3.1

Rotating tendency surfaces rotated 2.3

One side of offset grid grow from central to edge 3.2

{75,0,0}

{75,0,0}

{150,0,0}

2.1

{150,75,0}

{150,75,0}

{150,75,0}

Rotatinng unconnected surfacerotated

{75,150,150} {0,0,150}

{0,0,150}

{150,0,150}

{150,75,0}

{0,0,0}

1.4

{150,0,0}

{150,150,150}

Symmetrical surface connected by one

Use the surface created by loft edges on cube.

2.4

One side of offset grid grow from bottom to top 3.3

Offset grid grow from top to bottom with lower height

Set contour lines on surfaces prepare for waffle direction.

3.4

Loft and extrude contour lines to create waffle surface.

Using three gometries with one flatten opened surface

{0,0,0}

Begin to merge 2D pattern with 3D pattern

Using seven geometry with merged 2D pattern with opening

Delete opening on geometries

Attractor / Control Points (X,Y,Z) Attractor / Control Curves Grid Points Offset Grid Points Set little stick to trim the overlap space.

Iteration1 - Stalactites

Iteration1 - Ripple & Seawave

PARAMETRIC PHYSICAL MODEL WITH SCALE TEST

L I GH T

R I PPL E | 2 1

The base surface represented as curved tendency could be regarded as a natural representation like the karst cave structure. The spiral boolean geometry could be regarded as the symbol of a human with a shape similar to the drill carriage head. The crash between them represents a concept of leading people to get connected with nature and rethinking the relation with nature.

This kind of curved surface could lead water flowing down to become stream or little falling water.

Using graph mapper to control and manage surface, then create contour line as the upper roof and ground landscape

Try to create a kind of atmosphere of rain falling down from the cloud on the ocean, the column strips is the representation of rain, the curvey roof is cloud while the curvey ground is the ocean. People could sit on the top of the small hill to listen to the music and entertainment.

Larger geometry could create a large gathering space with an opening to the outside. In contrast, small geometry could create more private space for people to a short stay.

Served as the representation of rain

Because a grid number of voids are created inside the cube, and the near enclosure and tunnel could increase the decibel of voice.

1.2

1.3

MINIMAL SURFACE

Isosurafce base

1.1

1.4

1.1

1.2

1.3

1.4

Use graphic mapper to control surface by setting several points.

Isosurface of Milipede command is used here as the fundamental cube which would boolean difference with other more logical geometry groups later.

Geometry strategies 2.2

2.3

ISOSURFACE

2.1

2.4

2 .1

2.2

2.3

2.4

Create upper surface and lower surface as the base and trim surface fro the latter

The ordinary 3*3*3 cellulate was replaced by Voronoi 3D under the control of population3D.

3.3

3.4

3.1

FINAL ITERATION

3.2

WAFFLE STRUCTURE

3.1

4 .1

3.2

3.3

3.4 Use graphic mapper to control surface by setting several points.

Use slides of thin cuboid grow along with a spiral routine and gradually smaller from the center to end.

4.1

4.2

4.3

4.4

4.2

4.3

4.4

Select points of pop geometry cloud to set columns in order to trim circle on the surface and use the minimal surface to create supports

Use list item to select some points of pop3D point grid, then create a curve by these points. By not just directly orienting the geometry into grids, making geometry growing along the curve created by some points in the grid.

Set the upper column cloud

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3D PRINT PHYSICAL MODEL WITH SCALE TEST

FINAL PAVILION RENDER

Applying concrete strips into the transparent plastic ground on order to make a floating tendency which is used to create reflected atmoshpere with the upper cloud.

Using transparent plastic bolted together then following an up and down surface to create a cloud atmosphere. It could influence the daylight as well as the light at night and give people the different feeling of the short stay. Each plastic cuboid located into the grid created by waffle structure.

LIGHT CLOUD PHYSICAL MODEL

Transmission of light analysis Using CLT timber with small ruts to create a waffle structure as the support of the upper plastic cloud.

Less density Medium density Most density

Circulation defined by waffle supports

SECTION PHYSICAL MODEL

Settle Moving

Circulation defined by storied ground

PAVILION ISOMETRIC

WAFFLE STRUCTURE PHYSICAL MODEL

ANALYTICAL DIAGRAM

ENTIRE PHYSICAL MODEL

L I GH T

R I PPL E | 2 3

Scarf - Middle east limitation symbol half hanging to the ear only cover half face.

Make up - Japanese limitation symbol Half tradition: white face, black eyebrow dot, small and bright red lipstick, black teeth.

Half natural: naked face without any decoration.

Hand tight bunded to the body by the graveclothes. With only hand stretching to the Orpheus direction.

Wedding ring on the finger.

The last ray of love.

Left body struggling out of the trailing graveclothes with naked skin under cloth to imitate the naked body.

Hermes’lifting fabric rod.

Dark red is the metaphor color of underworld with the dark forest at the background.

Pamphlet Exhibition table

Curation site Remain Clock: The message is to use the remaining perspective to persuade people to treasure and fully use the remained time in our life.

Remain Pocket: The usual way to memorize loss is to collect the memory capture, but why not having a pocket to collect what remains and remind ourselves to treasure these remained things to live continuously.

Foot-binding - the limitation of Traditional China.

Red color dedicate the pain with only one foot, and the other naked to as another proof of the metamorphosis of status.

Costume gradually broken at the end into treadlet which dedicate the trailing connection between Orpheus and Eurydice.

Backward world

SOCIAL ENGAGEMENT DESIGN - I WISH THAT EVERYTHING GREW BACK

CUSTOME DESIGN|INDIVIDUAL WORK Character: Eurydice

PAMPHLET & CURATION DESIGN|INDIVIDUAL WORK Curation site / Exhibition table

Eurydice was firstly present as a passive person who died at her wedding and unable to change her life, and not even decide her death. Her understanding of love from the beginning dramatically love to the lament love, then to the end, not feeling love anymore is the expression of the recessive metamorphosis. Eurydice could be understood as a controlled property-like woman of man in real society. Thus, there is no single period in terms of the design period selection. Eurydice is like a combination symbol of the woman's limitation. The scarf, makeup, shoes are all the traditional rules for women in history throughout the whole world. The moment's concept is to describe her change from the limited woman to the beautiful freedom virginity, which is part of nature.

W O R K S

Daily life vanish & remain

METAMORPHOSES: ORPHEUS AND EURYDICE

FINA20041 The Figure in Performance - Bachelor Level3 SM2 - Tutor: Esther Marie Hayes

24 | O T H E R

Creatures extinct & remain

EDUC20077 Printing, Collage and Social Engagement - Bachelor Level3 SM1 - Tutor: Marnee Watkins

The project concept mainly focused on discussing bidirectional lifestyle with one direction following the wish sentence using the fictitious backward world to present the loss. In contrast, another direction following the discovering of nothing lost could grow back, then how could life continue. Leading audiences to the lifestyle of focusing on what remained and continuing instead of on what lost and hesitating.

Backward world - The backward world where everything grows backward, which means creatures start from old appearance and gradually getting young.

Creatures extinct & remain - The call on waking people up from feeling pity about the unchangeable past to focusing on protecting the creatures remained.

Daily life vanish & remain - People who treasure what remained continuously living happily with the memory and missing of the loss recorded and kept inside the deep heart.

Figure1:

Precedent study analysis

Figure2:

Size: 1782 × 841mm

Size: 297 × 210mm

Medium: Digital layout

Medium: Oil painting on MDF board

Year: 12.2.2021 14 days

Year: 13.6.2019 7 days

Content: Study of the pavilion done by SOMA in

Origion: Study of entrance to old castle,

2010, based on the analysis, exploring the

Hohena Schau, 1860s & The jail, Merlyn Evans,

possibilty for future accommodation.

1950

Figure4:

Figure3:

Adaptation Oil painting

Figure5:

Facsimile acrylic painting

Size: 420 × 297mm Medium: Acrylic painting on hard paper Year: 7.5.2018 7days Origion: Der Blick, Edward B. Gordon, 2011

Figure6:

Charcoal sketch

Figure7:

Parametric paper art plan view photograph

Still Life painting

Collage expression

Size: 297× 210mm

Size: 210× 297mm

Size: 210× 297mm

Size: 594 × 594mm

Medium: Oil painting on MDF board

Medium: Charcoal on sketch paper

Medium: Charcoal, ink, string on carboard

Medium: Ivorycard & Laser cut

Year: 23.6.2019 7 days

Year: 21.5.2019 30 mins

Year: 15.4.2020 3 hours

Year: 29.4.2018 3days O T H E R

W O R K S | 2 5

MINGJIA SHI smingjia8@gmail.com (+61) 0420 707 302 https://mingjias.wixsite.com/unknown-zoon