Monterey Symphony’s 2018-2019 Season, ‘Sound Waves,’ Continues in 2019 With Concerts February through May and Special Event Luncheons and Dinners Monterey Symphony’s 2018-19 Season, “Sound Waves,” continues in 2019 with concerts in February, March, April and May and special event luncheons and supper clubs through May. Monterey, CA, December 04, 2018 — Monterey Symphony’s 2018-19 Season, “Sound Waves,”
continues in 2019 with concerts in February, March, April and May and special event luncheons and supper clubs through May. The season “Sound Waves” comes alive in the third concert Feb. 16-17, 2019, with four works all dedicated to the sea. Claude Debussy, the father of Impressionism in music, composed “La Mer” in the mold of a symphony, but eschewed the traditional title for one more authentic to the sound of the music. French composer Jacques Ibert, the director of French opera in Rome, wrote “Escales” — a suite for orchestra that perfectly resembles postcards from three Mediterranean ports — after finding his obsession with the sea. This concert features "Four Sea Interludes" from Peter Grimes, Op. 33a, by Benjamin Britten, England's finest modern opera composer: composed in 1945, Grimes launched his career in the new post-war era. The gorgeous tone-poem “Oceanides, Op. 73,” by Jean Sibelius was inspired by the sea-nymphs referenced in Greek mythology: haunting and tempting. Jung-Ho Pak guest conducts the fourth concert of the season March 16-17, 2019, with works by Tan Dun, Shostakovich, and Alan Hovhaness. Revolutionary experimental composer Tan Dun transposes the sounds of water — at play and at work — into the textures of his music, most literally in “Water Concerto” for water percussion and orchestra. The symphonic poem “And God Created Great Whales” by Alan Hovhaness — commissioned in 1970 by the New York Philharmonic — features prerecorded humpback whale vocalizations, and was credited with early efforts to save whales from extinction. To celebrate the Soviet victory over Germany, Dmitri Shostakovich was commissioned to write Symphony No. 9, which, Leonard Bernstein described as a series of musical jokes (including purposeful mistakes)…completing a boisterous, 99.99% organic, and exciting concert program. Three Romantic German composers are featured on the fifth concert of the season, April 13-14, 2019, opening with Mendelssohn's concert overture “Calm Seas and Prosperous Voyage, Op. 27,” inspired by Beethoven's work of the same name; along with fellow Jewish composer Max Bruch's popular Violin