SK-etchbook

734-709-4362 l stephy1009@gmail.com

SKetchbook

by Sunhyung Kim

Chapter 1.

- 7 Professional Work

Chapter 2.

- 7 Academic Work

Chapter 3.

- Personal Practice

1 7 Professional Works 1. Pazhou Poly - 48-story Office / Hotel Tower in Guangzhou, China

2. Ningbo Retail Facade - 7-story Retail in Ningbo, China

3. Moskow OKO Tower - 65-story Office / Hotel Tower in Moskow, Russia

4. Guangzhou Star River Headquater - 52-story Office Tower in Guangzhou, China

5. Baek’s Residence - 3-story Single Family House in Seoul, Korea

6. Kay’s Residence - 2-story Single Family House in Bundang, Korea

7. Courtyard Dining - 2-story Restaurant in Guangzhou, China

Career Skidmore Owings and Merrill LLP Mooyoung Architects, Architectural Designer Soltos Architects, Architectural Designer

May 2011 - Current Jan 2009 - Jul 2009 Nov 2006 - Dec 2008

GUANGZHOU PAZHOU POLY

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GUANZHOU PAZHOU POLY - Professional work at Skidmore Owings and Merrill - Mixed-use Tower in China - Involved Phases : Design Development / Construction Document Areas in Charge - Crown exterior wall system develop - Typical exterior wall system develop - Design Documentation - 3d Modeling and Visualization

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GUANGZHOU PAZHOU POLY

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Cut away view of the exterior wall and BMU planform

Panelization Option 1

Panelization Option 2

Exterior Wall Concept Sketches

Rendered by Sunhyung Kim

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GUANGZHOU PAZHOU POLY

Shading Device Studies

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Th e d esig n for the Gua ngz hou Pa z ho u Po ly pro ject fo cu ses o n fo u r m a jo r des ig n a n d fu n ctio n a l e l e ments: Ecolog ica lly se ns itive, efficie nt a nd co n textu a lly sen s itive, th e Gu a n gz h o u Pa z h o u Po l y p roject resp onds to its co ntext while fo rm in g a stro n g ico n ic im a ge fo r th e city of Gu a n gz h o u . T h e of f i ce towe r ’s base ge o m e t r y i s a c u r ve d fo r m w i t h co nvex s h a p es a t t h e ea st a n d t h e west , and subtle concave shapes for the north and south wall. The tower tapers as it rises up i n t h e east-west d i re c t i o n , w h i l e t h e n o r t h a n d so u t h b e n d s towa rd s t h e ce n te r. Wi t h t h e t ra n s fo r m a t i o n of t h e f l o o r p l a te, t h e l ea sa b l e s pa n a t a l l f l o o rs f u l f i l l s t h e o p t i m u m re q u i re m e n t a n d t h e v i ews f ro m t h e of f i ce s pa ce a re m a x i m i ze d w i t h t h e ro u n d e d co r n e rs. At t h e to p t h e “ b ow ” sh ap ed floors w ill provide pa no ra mic views e ith er towa rd Gu a n gz h o u city a n d Pea rl River. On t h e top of the towe r the ge ntly ta pe re d a rc wi ll bridge over th e execu tive clu b a n d w ill crea te a n i co nic c row n. This unique ta pe r ing ge o me tr y w ith a la rge o pen in g a t th e to p w ill m a ke th e tower a symb olic icon for the city of Gua ngz hou.

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12 GUANGZHOU PAZHOU POLY GUANGZHOU PAZHOU POLY

The Pazhou Village Redevelopment Project is in the middle part of Pazhou Island and the south bank of Pearl River, P.R. China adjacent to International Convention and Exhibition Centre and Poly International Plaza. Metro Line 4 and Metro Line 8 intersect in the southeast side of the village. The Parcel 4 is located on the northeast corner of Pazhou Village Redevelopment Project. The project is a multi-use development consisting of an office tower and a hotel/ serviced apartment tower containing for a five-star hotel and serviced apartments. The hotel podium is located between two towers designated for hotel amenities.

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NINGBO RETAIL FACADE

NINGBO RETAIL FACADE DESIGN

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- Professional work at Skidmore Owings and Merrill - Hankyu Department Store in Ningbo, China - Involved Phases : Schematic Design Areas in Charge - Podium Facade and Roof design - Design Documentation - 3d Modeling and Visualization

I n t h is p rojec t, I wa s ta s ke d to deve lop a de pa rtm en t sto re fa ca de, w h ich elo n ga tes over 20 0 M a l o ng the site. The ma jor des ign cha lle nge wa s to co m e u p w ith a s in g u la r system th a t ca n in co rp orate functio na l / a esthe tic / pro gra mm a tic n eeds fro m th e in terio r. Th ose fa cto rs were i n te rg rated into a hexa gona l pa ne l tha t va r ies th e s ize of th e a ppa tu re a cco rdin g to th e pro g ra m b e h ind . These complex fo r mula we re a ll do ne in Gra ss h o pper to sa tisfy m a ny differen t a s pects of t he d esig n.

Panelization Control Script

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Design Concept

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NINGBO RETAIL FACADE

16 Th e entire d evelopme nt is inte nde d to be come a co m m ercia l a n d cu ltu ra l co m plex w ith in th e n ew c i ty f i n a n c i a l d i st r i c t . I t ’s l o ca t i o n n ea r water ways a n d p u b l i c g re e n co r r i d o rs co n n e c ts t h e p ro j ect to the surrounding city and creates a relationship that encourages pedestrian access. It is p l anned to p rov id e clea r a ccess to a nd from t h e s ite a n d h ave a n a ctive a n d vibra n t streetsca pe a t t h e co n f l u e n ce of m u l t i p l e pa t hways a n d u r ba n m ove m e n t . T h e s i te a l so res p o n d s to t h e l o ca l p u b lic transp ortatio n ne two r k by conce ntra t in g den s ity n ea r th e tra n s it h u b a n d s u bway. Th e re tail building spans two sites, A3-23 and A3-25 and is intended to be an iconic structure within t h e d evelop ment br inging pe ople to the s ite. Th e sca le of th e fa ça de is bro ken dow n th ro u g h a rticulated scallops, the forms of which relates with those of the towe r. The re tail fa çade provides a n e l e ga n t a n d d i st i n c t i ve i m a ge a n d ser ves to scre e n i n te r i o r f u n c t i o n s d u r i n g t h e d ay. At n i g h t the facade allows for a vibrant re tail media wall.

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18 NINGBO RETAIL FACADE NINGBO RETAIL FACADE

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MOSKOW OKO TOWER

Exterior Mullion Concept Sketch

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MOSKOW OKO TOWER - Professional work at Skidmore Owings and Merrill - Mixed-use Tower in Russia - Involved Phases : Final Design Development Areas in Charge - Podium exterior wall system develop - Design Documentation - 3d Modeling and Visualization

Th e b uild ings are conce ive d a s two distinct towers ea ch express in g its s pecific fu n ctio n . Th e two towers were insp ire d by the ir re la tio ns hip to th e s ite, s ky lin e a n d clim a te of Moscow. B o th towers are defined by their large fa ce ted fa cades that gently taper away from each other - skyward. Like two p ieces of ice the ir gla ss fa ca des offe r va r y in g deg rees of tra n s lu cen cy a n d reflectio n of th e M oscow sky. The podium ins pire d by the fa ce ted fa ca des of th e towers is likew ise ex pressed a s a c rystalline form with the a bility to o pe n a por tio n of th e g la ss ro of to th e s ky.

STL REINF AS REQD

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MOSKOW OKO TOWER

Rela ted in fo rm to th e fa ceted towers a bove, the podium encloses a spa and fitness ce nter, t h e h o te l s ky l o b by, ba r a n d resta u ra n t , m eetin g ro o m s a n d a g ra n d ba llro o m .H ig h i n t h e p o d i u m i s a ver y u n i q u e s pa ce – t h e h ea r t of t h e p ro j e c t . Exte n d i n g o u t f ro m t h e h o tel s ky lo bby is a va st , m u lti- level s pa ce co m p r i s i n g ba rs, a s p e c i a l ty resta u ra n t , lo u n ge, a n d clu b. At th e to p of th e po diu m is a n o pen - a ir ro of terra ce ba r s u rro u n din g a tra n s pa ren t reflectin g po o l.

T h e p ro j e c t s i te i s P l o t 16 i n t h e n ew co m mercial development of Moscow City, Moscow. Th e s ite h a s a m a jo r eleva ted roa dway, 3rd Rin g Roa d, to th e west w ith th e m a jo r a ccess roa d o n t h e n o r t h e r n b o u n d a r y of th e s ite a n d a m a jo r lower roa dway n etwo rk en tra n ce to th e ea st of th e s ite. Plo t 16 is s itu a ted ju st n o rth of th e first rin g of towers (Plo t 12 a n d Plo t 13) s u rro u n din g th e cen tra l re tail cluster of Moscow City.

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Working Sketches

Podium Structural Framing

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24 MOSKOW OKO TOWER

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B e n eath the resid e ntia l a nd hote l towe r, a nd exten din g to jo in th e two towers, a vividly a rticu l ate d crystalline fo r m e me rges. Re la te d in fo r m to th e fa ceted towers a bove, th e po diu m en closes a spa and fitness ce nte r, the hote l s ky lo bby, ba r a n d resta u ra n t, m eetin g ro o m s a n d a g ra n d ba llro o m . H i g h i n t h e p o d i u m i s a ver y u n i q u e s pa ce – t h e h ea r t of t h e p ro j e c t . Exte n d i n g o u t f ro m t h e h o tel sky lob by is a va st , multi-leve l s pa ce co m pris in g ba rs, a s pecia lty resta u ra n t, lo u n ge, a n d c l u b. At the top of the po dium is a n ope n-a ir ro of terra ce ba r s u rro u n din g a tra n s pa ren t reflecti n g pool. A continuous str ip of pa r k a nd pla zas a lo n g th e s ites so u th ern edge crea tes a destin a t i o n w ithin the M oscow C ity deve lo pme nt a nd a u n iqu e iden tity fo r th e s ite. Th is strip of o u tdo o r l an d scap e includ es a ce ntra l gre e n s pa ce do tted w ith scu lptu ra l a rtwo rks a n d s pecim en trees.

Th i s space is surro unde d by a pa r te r re he dge a n d s h a dy g rove of trees in co rpo ra tin g a m u ltitu de of o utd oor seating. Hidde n away within the grove is a ba r pavilio n a s a n a m en ity to s pecia l even ts o n t he central g ree n.

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26 MOSKOW OKO TOWER

P l o t 16 has b een divide d into two deve lo pme n t s ites, Plo t 16 A a n d Plo t 16B. Plo t 16 A o ccu pies t h e western sid e of Plo t 16 a nd 16B on the ea stern s ide of Plo t 16. Plo t 16 A is pla n n ed fo r a h ig h ri se office tower a nd a high r ise res ide ntia l tower w ith a h o tel po diu m co m po n en t. Th e s ite a rea of Plot 16A is approximately 1.0 hectares. The planning construction target for Plot 16 A is a to tal co n struc tion area of a bout 250,000 squa re m eters, in clu din g 2 levels of ba sem en t, o n e 190 m ete r, and 47 stories tall office tower with a re tail function integrated at the ground floor and one 8 4 stories 3 3 0 mete r res ide ntia l towe r conta inin g a h o tel a n d h o tel a m en ities s u ch a s a ba llro o m , spa , fitness level.

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GUANGZHOU STAR RIVER HEADQUATER

GUANGZHOU STAR RIVER HEADQUATER

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- Professional work at Skidmore Owings and Merrill - Mixed-use Tower in China - Involved Phases : Concept Design and Schematic Design Areas in Charge - Tower exterior wall system develop - Canopy Design - Design Documentation - 3d Modeling and Visualization

Original Massing

Continuous Geometry

Optimized Geometry for the Setback rule

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Maximized Ground Floor Transparency p y

Ն‫ࣸ࣬ذ‬ 5HÁHFWLYH Glass

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ଥ‫ࣸ࣬ޢ‬ 7UDQVSDUHQW Glass

Th i s p rojec t is one of my ma in proje cts a s a ju n io r des ig n er a t th e firm . Th ro u g h o u t th e pro ject, I was ab le to get invo lve d in va r io us des ign a s pects of th e pro ject s u ch a s ca n o py a n d crow n d es i g n, c urtain wall pa ne liza tio n study, exte r io r wa ll system develo pm en t. Es pecia lly th e m a jo r c h al lenge was d es igning a ca nopy. T he for m wa s n o t a rbitra ry a n d m a in ly dicta ted by co m plex f i re stag g ing g rule.

ORIGINAL MASSING

FORM ADDRESSING ENTRY

FUNCTIONAL ENGAGEMENT

SPATIAL ENGAGEMENT

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30 GUANGZHOU STAR RIVER HEADQUATER GUANGZHOU STAR RIVER HEADQUATER

Th e d esig n w ill inte gra te the most-a dva nce d tech n o lo g ies to redu ce en erg y co n s u m ptio n of th e tower. At each floor level, the ex terior wall treatment will ex tend beyond the glazed area providi n g protec tion from dire ct so la r ra dia tion to th e o ccu pied s pa ces. Th e w in dows a n d o pen in gs w ill b e o r i e n te d to a l l ow d i f f u se d ay l i g h t to p e n e t ra te i n t h e o cc u p i e d s pa ces w h i l e co n t ro l l i n g d i re c t so l argain to avoid ove r hea ting. High pe r for ma n ce g la z in g system s o n th e fa ca de w ill h elp to pro v i de thermal insula tion for the wa ll a sse mblies. Th is w ill res u lt in redu ced co o lin g loa ds fro m sol ar gainand imp rove d indoor co mfo r t in the pe rim eter zo n e th ro u g h o u t th e yea r. Th e g la zed a rea s on the facade will also introduce daylight and views into regularly occupied areas to provide the b u i l d ing occupants with a conne ctio n be twe e n in do o r s pa ces a n d th e o u tdo o rs

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BAEK’S RESIDENCE

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BAEK’S RESIDENCE - Professional work at Soltos Architects - Single family house in Seoul - Involved Phases : Schematic Design, Design Development, Construction Document, Construction Administration Areas in Charge - Project Management - Design Documentation - Construction Supervision

Th i s site was loca te d a t a quie t stre e t-s ide of a ty pica l lu x u ry res r iden d tia t l co m m u n ity w h ich o n ce d rea m t of a l e i s u re l y r u ra l l i fe i n t h e o rd i n a r y u r ba n l i v i n g e nv i ro a ce n t M t . B u k A k a n d o n m e n t . Ad d jja M t . B u k H a n co m m a n d a s p e c t a c u l a r sce n e r y w h i c h i s h a rd to b e seen se e n in i n o th t h er e r pa r ts of Se o u l . I n be addition. Old native neighbors take an cold attitude towa rd ex due to excesx ternal t tern a l environment enviro n m e si ve d esire for p riva cy pro te ction. T he refo re, th e so - ca lled led ed reg g io n a l iden d tity ca n be epito m ized by two main factors ; s uch a n intros pe ctive na tu re off th e lo ca tio o n a n d th t e o u tlo o k . We W h a d to s u rm o unt a banality of re pro ducing s uch ce lls a n d crea rea ea te a h etero o gen eo u s n o t brea k in g n eig h bo rs ’ ce l l struc ture. F irst of a ll, a ny building s ho uld n o t o ccu py its s ite e in s u ch way th a t fru ffr stra tes a c l i e nt’s d esire of swe e ping front ya rd. P lus, sin ce th h ere rem a in s o n ly a few s ites co m m a n din g a beautiful view from a high level, it was essential to open the unique pen the th e main m a in view while w h ile keeping ke b o u nd aries and outlook a mong ne ighbo rs a nd en s u rin g m u tu a l priva cy.

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Entrace Gate Detail Sketches

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34 BAEK’S RESIDENCE

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KAY’S RESIDENCE

KAY’S RESIDENCE

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- Professional work at Soltos Architects - Single family house in Seoul - Involved Phases : Design Development, Construction Document Areas in Charge - Project Management - Design Documentation

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Ground Floor Plan

The site of the project is located in Bun-dang, which is one of major satellite city of Seoul, the capital of South Korea. It is situated at the threshold between developed downtown area and relatively quiet residential area. The site is facing “Bun-dang Creek” on its south side and having “Nae-Jang” Mountain on the back. It is thus an ideal location based on traditional Feng shui.

This is 2-story building utilizing hybridized structure system. The first floor consists of concrete structure so that they can obtain better water resistant capability. This is mainly driven by the geographical characteristics of South Korea where it has a fairly large precipitation during summer time. Also the “+”shape wood / steel column was invented during the design process. On the other hand, the major structural system of the 2nd floor is wooden structure, balloon framing system with a wood exterior cladding system.

Tectonically, the unique feature of this house is a previously mentioned Wood/Steel Column. The “+”shape column consists of steel and wood members. By having steel members, it achieves its structural strength.

By having wood infills between steel members, thermal performance of steel can be enhanced. Aesthetically it somehow echoes with Korean traditional “Han-Ok” framing system and gives an identity to each module of space.

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38 KAY’S RESIDENCE

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COURTYARD DINING

COURTYARD DINING - Professional work at Skidmore Owings and Merrill - 2-story Restaurant - Involved Phases : Construction Document Areas in Charge - Developing Exterior Wall Details - Design Documentation - 3d modeling and Visualization

I n t h i s p ro j e c t , I h a d a va l u a b l e o p p o r t u n i ty to d eve l o p a 2 - sto r y resta u ra n t f ro m a pa p e r d es i g n surface to a full depth of curtain wall system in construction ducument phase. This small buildi n g inc lud es such a wide s pe ctr um of diffe re n t co n ditio n s s u ch a s ca n o py, crow n , seis m ic jo in t, i n te r face b etween cur ve d IGU a nd fla t IGU a nd so o n . Wh ile dea lin g th ese bu ildin g elem en ts, I co u ld comp rehens ive ly unde rsta nd how exte r io r wa ll system s pu t to geth er.

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Curved IGU and Flat IGU interface Concept Sketch

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42 COURTYARD DINING

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The design for the Courtya rd Dining project focuses on ecologically sensitive, efficient and co ntex t u a l l y se n s i t i ve d es i g n . T h e base ge o m e t r y i s a c u r ve d fo r m w i t h co nvex s h a p es w i t h o n e -way c u rve d insulated g la ss units. T he building ta pe rs a s it rises u p a n d views fro m th e din in g s pa ce a re maximized w ith the rounde d cur ta in wa lls. In teg ra ted wo o d(IPE) lo u vers provide s h a din g f ro m the d irec t sunlight dur ing day time a nd en h a n ce th e in do o r enviro n m en t by preven tin g g l a res. T h e “ w i n d ow � wa l l w i l l co n s i st of c l ea r l ow- e coa te d g l a ss s u p p o r te d by b u i l t- u p ste e l su p p orts, w hile the fra mes a round the m e mpha sizes th e pro g ra m beh in d th e fa ca de a n d bu ildin g c h aracteristics.

Th i s s mall b uild ing include s s uch a wide s pe ctr u m o f differen t co n ditio n s s u ch a s ca n o py , cro w n , se i sm ic joint, interfa ce be twe e n cur ve d IGU a nd fla t IGU a n d s o o n . Wh ile dea lin g th es e bu ildin g e l e m ents, I could compr e he ns ive ly unde r s ta nd Gla s s Cu rta in Wa ll Co n s tru ctio n .

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<House 9> Woodcut print on white parchment paper, 2011

2 7 Academic Works 1. The Snake - Undergraduate Thesis Work, 2006

2. Preservation of Future - House of Tomorrow Competition Entry, 2013

3. Earthquake Time Slice - Personal Research, 2010

4. The Resolution of the Light - Masterâ&#x20AC;&#x2122;s degree Thesis Work, 2011

5. Sky City 2110 - Academic Studio Work, 2010

6. Invisible Footprint - Arbor Sukkah Design Competition Finalist, 2012

7. Unfolding the Book Unrolling the Imagination - University of Michigan Graduate Student Award 1st Place, 2009

Education Master of Architecture, University of Michigan

Sep 2009 - May 2011

Bachelor of Science in Architecture, Konkuk University

Mar 2001 - Feb 2007

Making open structure

Newly inserted structure

Hybridized Condition

THE SNAKE : ABANDONNED STADIUM RENOVATION

Existing Condition : Enclosed Loop Abandoned Stadiums

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Existing Condition

Welding two stadiums with the newly inserted structure

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THE SNAKE Design Proposal for the D-Stadium Revitalization - Undergraduate Thesis Work - Period : Senior, May-Oct 2006

How to create a new dialogue between 90 year-old stadium and the contemporary urbanscape?

This project shares the site with The Dongdaemun Design Plaza & Park(DDP), which is a large urban development project under construction in Dongdaemun, Seoul, South Korea. The new design by ZAHA HADID completely razed off the existing stadiums, whose lifetime spanned over 80 years with the history of Seoul itself. She carelessly designed without inviting any contextual values. This project was my undergrad thesis work, speculating urban issues regarding old Dongdaemun Stadiums. The focus of the project is less in the form of a final object than as a constructed script that is inserted into our densely packed urban environment while thinking about the way of re-embracing old abandoned facilities in the city. It will contain of a multi-use park, a fashion plaza, an underground mall, and a restoration of a number of items of national heritage.

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Conceptual Landscape Modeling

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Conceptual Landscape Modeling

It was the home venue for the Korea Republic national football team from the 1950s to the late 1980s, though continued to be used into the 1990s until the last international match was played there, against Myanmar in 2000.

The first ever game of the Korean baseball league was held at Dongdaemun Stadium in 1982.[citation needed] The first round of the K-League, the first professional soccer league in South Korea, was held at the athletics venue on May 8, 1983.

New Annex

New Program

Existing Stand

Existing Columns

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THE SNAKE : ABANDONNED STADIUM RENOVATION

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The stadium was the location for mass celebrations of the end of Japanese colonial rule, as almost 250,000 citizens gathered at the venue on August 15, 1945, to celebrate the liberation. Additional construction was undertaken in 1962 to modernize the two existing venues as well as create a swimming pool, volleyball courts and soft clay tennis courts. Floodlights were added to the baseball venue in 1966 and the athletics venue in 1968 to allow for nighttime sporting events. The main athletics stadium remained the main center for sports events in Seoul until the Jamsil Sports Complex was built for the 1988 Olympic Games.

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Outdoor Courtyard View

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PRESERVATION OF FUTURE

PRESERVATION OF FUTURE

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- Design Competition Entry for “House Tomorrow Project” - Period : Jan 2012 - Proposal for Urban Housing

This site consists of two distinctively different Korean house typologies. The former is called “Do-si Han-Ok”, which is a modified/modernized Korean traditional single family house. It was a popular prototype in 1960s, which has a center courtyard. The latter is called “Uurip Joo-Taek”. This is a 5-story housing, which was driven by skyrocketing population in Seoul in 1980s. We thus can clearly witness the urban strata of Seoul in this block. In this respect, naturally I began to look into the pros and cons of those typologies to suggest a new housing typology that is more sustainable and suitable for the future urban context. The urban gesture of “Do-si Han-Ok” was a bit too excluded to its neighbors and had no sense of community. In addition, “Uurip Joo-Taek” was a simply stacked version of “Do-si Han-Ok”, which just multiplies the problems without any conscious effort to solve them.

Section Cutting through the site and existing alley

1960s

CURRENT CONDITION

DAE-CHUNG (ELEVATED PROMENADE)

PROPOSAL

COURTYARD

On the other hand, there is one very interesting component of “Do-si Han-Ok”, which is an elevated outdoor deck shared by all family members. It is called “Dae-Chung”. “Dae-Chung” is elevated about 1.5 feet from the ground and completely open facing the courtyard. During the summer time it cools off the temperature of the house and serves as a micro community space for the family. It is so to speak “internalized patio space”. During winter time, it can be closed as an interior space and function as a living room while inviting abundant sunlight from the South.

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PRESERVATION OF FUTURE

How do we translate and expand this concept to the current/future conditions. Extended version of ““Dae-Chung” was a major challenge of this project. As a result, this project manifests that we restore “Dae-Chung” and simply not only share it among family members but also share it with neighbors. The expanded “Dae-Chung” will provide a community space that enriches the entire housing complex. In this regards, restoring “Dae-Chung” naturally sets the vector of this project not to entirely raze off the 7 existing “Do-si Han-Ok” on the site. We thus started to connect the existing “Dae-Chung”. During this process the individual “Dae-Chung” began to form a large platform 1.5 feet above the ground.

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PRESERVATION OF FUTURE

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From macro perspective, this project tried to respect the existing urban fabric as much as possible. Especially embracing the existing houses and the scale of the surrounding alleys was a golden rule for this project. Consequently it was also an ideal method to avoid reckless mega block urban development, which I think it should not happen anymore in Seoul. In addition to that, as I previously mentioned, typologically the courtyard of â&#x20AC;&#x153;Do-si Han-Okâ&#x20AC;? was too excluded for its urban context. So this project speaks about partially sharing the courtyards with public to make the complex more lively and enjoyable as a real community in this region.

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1. SHARED STORAGE 2. COURTYARD 3. SHARED LAUNDARY 4. UNIT TYPE A 5. SHARED KITCHEN / DINING 6. ELEVATED (+1.5FT) PROMENADE 7. UNIT TYPE B 8. SHARED KITCHEN 9. OFFICE 10. UNIT TYPE C 11. RESTAURANT

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PRESERVATION OF FUTURE

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In order to meet the number of unit required by the competition while ensuring the courtyard and space for “DaeChung”, we decided to invent the studio unit complex for young professionals in Seoul. The massive influx of young professional population into Seoul is one of well-known social issues in Korea. The major problem is they are having hard time to find a place to live in Seoul because of a very high rent such as New York and San Francisco. So we propose a housing complex that is affordable to incoming young professionals in Seoul. Programmatically we propose shared programs : “Bath room” and “Dining / Kitchen”. And these shared programs will always directly attached to “Dae-Chung” to maximize the interactions of residents in the complex while defining a new community space. Under this agenda, there will be variations in unit type. The one only shares “Dining / Kitchen” program.

The other shares “Bath room” as well as “Dining and Kitchen” program. By carefully curating these programmatic deficiencies, residents will dwell “together” with others in this complex.

Unit Type A Furniture Variation Study

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EARTHQUAKE TIME SLICE

EARTHQUAKE TIME SLICE - Academic work at University of Michigan - Period : Jan 2010 - Personal Research

Can architecture, as a built environment, respond to the constantly transforming nature?

The magnitude 7.6 Chi-Chi Earthquake, and subsequent large aftershocks stunned all who live and work on the seismically-active island of Taiwan. Until now, the central and western parts were considered less vulnerable to damaging earthquakes than the eastern region. This is the most devastating earthquake in Taiwan.

For those who were on site, it was “so-real”, while standing at the hair-split border line between life and death. For those who watched the event from the other side of the globe through the broadcasting, it was “surreal” and “fictional”. This film’s site is the timeline of the 921 Taiwan Earthquake, which was one of the most catastrophic earthquake throughout the history. By crosscutting the time line via frame by frame with “Construct and Deconstruct”, physical landscape manifests itself as a broadcasting and recording appratus, while bridging the gap between polarized realities.

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00:00:00

SPACE-TIME CONTOUR MODELING 00:05

EARTHQUAKE BEGINS

00:10

00:15 00:20

00:25

EARTHQUAKE ENDS 00:30

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CONCEPTUAL MODELING

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EARTHQUAKE TIME SLICE

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Earthquakes are the result of natural, tectonic changes in the solid crust of the earth and, as such, are not inherently catastrophic. Their bad reputation comes from the destruction to human settlements that accompanies them, when buildings collapse under the stress of forces produced by earthquakes. This destruction is not the „fault of earthquakes, but rather of the buildings, which, even in regions regularly visited by earthquakes, are not designed to work harmoniously with the violent forces periodically released. So buildings collapse, usually with considerable loss of life and injuries. The earthquakes are blamed, as though the purpose of these sublimely unselfconscious phenomena was to damage and destroy the human. “Earthquake Kills Thousands!” “Killer Quake Strikes!” “Earthquake Levels Town!” are typical aftermath headlines.

What they should say is “Falling Buildings Kill Thousands!” “Killer Buildings Strike!” “Inadequately Designed Town Leveled!”

Such headlines will not, of course, appear. If they did, architects, town-planners, engineers, and the entire army of professionals responsible for the design, construction, and maintenance of the affected buildings would be called to account.

SLICED SPACE-TIME CONTINUUM

X=

Space-time Continuum 30 seconds

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EARTHQUAKE TIME SLICE UNFOLDING THE BOOK, UNROLLING THE IMAGINATION

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Materializing Study through Casting

X=

Space-time Continuum 30 seconds

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Is a land static dead object that we can always punctuate and utilize?

Is land a solid or liquid, which slowly flows ?

Did the earthquake kill 2,800 people and cause 10,700 injured people in Taiwan in 1999?

Can architecture transform to an electronic signal and embody its presence to the other side of the globe?

Can an earthquake in Taiwan generate the Landscape in Berlin ?

This project is based on the assumption that we can differentiate the time with space so that we insert momentary architecture frame by frame as an apparatus to record and document natural events.

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THE RESOLUTION OF THE LIGHT

How to sublimate heavily charged political issues into the making culture?

During the 1989 Student Revolution in China, students used the KFC restaurant at the corner of Tiananmen Square as their primary gathering place. In the beginning of 2011, KFC was once again an epicenter for revolt during the political unrest in Cairo. KFC was commandeered by protesters and utilized as a makeshift internet broadcasting station, while connecting the physical platform of the protest with virtual open spaces such as Facebook,

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Twitter and Youtube. In this context, this thesis begins to signify KFCâ&#x20AC;&#x2122;s non-placeness and omnipresence as a protective membrane. The KFC thus becomes a geopolitical device allowing an uprising to be exported to a revolution, a hypothetical device connecting a physical space with digital space.

THE RESOLUTION OF THE LIGHT - Mater of Architecture Thesis Work at University of Michigan - Period : Sep 2010 - Apr 2011 - nstructor : Robert Adams and Dawn Gilpin

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THE RESOLUTION OF THE LIGHT

Distance from a laser pointer to the surface h

=

66

w

h+0.125in. h+0.250in. h+0.375in.

2w **h varies from a material to another

2nd dimension of the thesis investigates laser-cutting technique, which was personal on-going practice over 1year. Through these processes I have broken down the mechanics of a lasercutter into every single bit and tested the potential of a machine with many different materials.

Eventually I could control the resulution of laser-light by adjusting several variables.

Digital Preperation

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Lasercut Woodblock

Printed poster with French Press S K- E TCH B O O K

THE RESOLUTION OF THE LIGHT

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3rd dimension is about “Print Making”, making posters, which defined myself under the umbrella of this thesis as a performer. Also lasercutting technique that I developed, allowed me to resituate “print making”, a primary method to deliever socio-political ideas through propaganda posters back in 1930s-50s, within the contemporary graphic context.

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70 THE RESOLUTION OF THE LIGHT THE RESOLUTION OF THE LIGHT

â&#x20AC;&#x153;Finally by constructing this fullscale, occupiable space with wall papers that I printed, and by writting post Finally by constructing this fullscale, occupiable space with wall papers that I printed, and by writting posters in local places, I could make a ambigous threshold between political issues and art and architecture, while drawing more attention from non-architecture public. wers in local places, I could make a ambigous threshold between political issues and art and architecture, while drawing more attention from non-architecture public.â&#x20AC;?

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SKYCITY 2110

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SKY CITY 2110 - Instructor : Karl Daubman - 2010 Winter Graduate Work, Strength in Number Studio - Conjunction with the Digital Project Tutorial Class

This project is based on the assumption that rising sea levels threaten coastal cities around the world, and that the future of human habitation may well be to live on water. In this project, Cedar Island, a disappearing barrier island on the Eastern Shoreline of Virginia, becomes a test subject of the project. Current sea level rise is suggested to be due significantly to global warming, which will increase sea level over the coming century and longer periods. Increasing temperatures result in sea level rise by the thermal expansion of water and through the addition of water to the oceans from the melting of mountain glaciers, ice caps and ice sheets. At the end of the 20th century, thermal expansion and melting of land ice contributed roughly equally to sea level rise, while thermal expansion is expected to contribute more than half of the rise in the upcoming century.

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SKYCITY 2110

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Helix Iterations Using CATIA Script

Pt 4

Residential Tower

L = Arm

Pt 1

d’’

Pt 3

Pt 2

d’ Elevated Promenade

d

Urban Farms

Podium

The site is proposed for aquatic urban expansion as a flood plains. By inviting an elevated platform, this project initiates the new high-rise development powered by wind turbines and wave power generators. Current Sea Level Rise has occurred at a mean rate of 1.8 mm per year for the past century, and more recently, during the satellite altimetry era of sea level measurement, at rates in the range of 2.9-3.4 ± 0.4-0.6 mm per year from 1993–2010.

Structure

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76 SKYCITY 2110

75deg.

70deg.

65deg.

60deg.

55deg.

50deg.

45deg.

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INVISIBLE FOOTPRINT

INVISIBLE FOOTPRINT

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- Academic work with two members - Arbor Sukkah Design Competition Finalist - Installed and exhibited in Ann Arbor Downtown Plaza

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I n A nn Arb or, the pra ctice of controlle d bur ns is a lo ca l ritu a l th a t sets fire to w ild g ra sses a n d i nva s ive sp ecies as a way to re cycle nutr ie nts ba ck to th e ea rth . By h a rn ess in g th e destru ctio n of f l ora, richer soil is propa ga te d to provide gro u n ds fo r fertile g row th . Th e cycle of u n m a k in g to remake; unlear ning to re lea r n- these pa ra dox ica l tru th s a re g ro u n ds fo r co n tem pla tio n a n d re t h ink ing how traditio n a nd r itua ls ca n be c u ltiva ted. In th e disciplin e of cu ltu ra l pra ctices, e m b rac ing the â&#x20AC;&#x2DC;two ness â&#x20AC;&#x2122; of things a llow fo r deeper s pecu la tio n s th a t h o n e in o n ety m o lo g ies, re l ational imp licatio ns, a nd pla ce -ma king.

Th e p rop osal for the insta lla tio n is a pie ce of ea rth peeled ba ck fro m th e g ro u n d, in w h ich its surface is simultaneously floor, wall, and ro of. It is a composite structure of material culture all u d i ng to the symbolic, the lite ra l, a nd the te cto n ic, in w h ich h ay a n d n a tu ra l la tex a re u sed to c rea te panels that a re s ubse que ntly stitche d to geth er to crea te a ga rm en t- like, a n th ro po m o rp h i c - ap paratus. The pe rso nifie d gro und is a morph o u s a n d a ss im ila tes to a va riety of co n tex ts : It i s ca pab le of twisting, o utstre tching, cur ling, a n d s kew in g , a llow in g m u ltiple gestu res to cu ra te t h e ritual of S uccoth.

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80 INVISIBLE FOOTPRINT

A - 228 oz.

1.399 sf 17 oz.

A1a

1.398 sf 17 oz.

1

A1b

2

A2b

1.475 sf 18 oz.

3

A3b

A4a

1.501 sf 18 oz.

1.736 sf 21 oz.

A5a

1.526 sf 18 oz.

5

A5b

'S' - 171 oz.

B29b

9s

9

27

10s

10

26

11s

11

12

24

23

1.47 sf 18 oz.

C15b 15

1.39 sf 17 oz.

C15a C16b 16

1.35 sf 16 oz.

C16a C17b 17 C17a C18b

1.30 sf 16 oz.

18 C18a

1.25 sf 15 oz.

C0 C0a

15 sf

178 oz.

EAR

13

C14a

C0b

1.487 sf 18 oz.

25

typ. panel 714 oz.

14

1.05 sf 12 oz.

1.44 sf 17 oz.

28

14s

1.29 sf 15 oz.

B30b

1.392 sf 17 oz.

29

13s

1.35 sf 16 oz.

1.33 sf 16 oz.

B31b

30

12s

1.428 sf 17 oz.

1.246 sf 15 oz.

32

31

8

8s

1.139 sf 14 oz.

B33b

B32b

7

7s

0.89 sf 11 oz.

B34b

B31a

6

6s

1.51 sf 18 oz.

1.452 sf 17 oz.

B0b

34

33

B32a

1.304sf 16 oz.

B0

B34a

B33a

1.185 sf 14 oz.

1.645 sf 20 oz.

4

A4b

1.081 sf 13 oz.

1.556 sf 18 oz.

A3a

B0a

0.869 sf 10 oz.

1.471 sf 17 oz.

A2a 1.4429 sf 17 oz.

B - 197 oz.

1.1554 sf 14 oz.

A0a A0

A0b

1.1504 sf 14 oz.

1.02 sf 12 oz.

22

D22a

1.35 sf 16 oz.

D21b

1.34 sf 16 oz.

21

D21a

1.27 sf 15 oz.

D20b

1.23 sf 15 oz.

20

D20a

D19b 1.21 sf 14 oz.

1.01 sf 12 oz.

19

D19a

1.29 sf 15 oz.

D0b D0a

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1.33 sf 16 oz.

D0

1.04 sf 12 oz.

D - 150 oz.

C - 191 oz.

Natural latex is symbolic of memory preservation.

It is common practice for historic conservationists to use latex for building cleaning and preservation, d u e to t h e m a te r i a l ’s v i sco u s n a t u re, e n a b l i n g a d e e p historical facsimile of the buildings’ sub-natural co n te n t . Co n ce p t u a l l y, t h e l a tex i s ca st i n - s i t u a n d becomes a memory of the making through the act o f ‘ p e e l i n g t h e g r o u n d ,’ l e a v i n g a f o o t p r i n t t h a t , i n time, will be rendered invisible.

Latex panel casting process

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INVISIBLE FOOTPRINT

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1 : 1 Mock-up test

Th e p rop osal for the insta lla tio n is a pie ce of ea rth peeled ba ck fro m th e g ro u n d, in w h ich its s u r fa ce i s s i m u l t a n e o u s l y f l o o r, wa l l , a n d roof. I t i s a co m p os i te st r u c t u re of m a te r i a l c u l t u re a l l u d i ng to the symbolic, the lite ra l, a nd the te c to n ic, in w h ich h ay a n d n a tu ra l la tex a re u sed to c rea te panels that a re s ubse que ntly stitche d to geth er to crea te a ga rm en t- like, a n th ro po m o rp h i c - ap paratus. The pe rso nifie d ground is a mo rph o u s a n d a ss im ila tes to a va riety of co n tex ts : It i s capab le of twisting, o utstre tching, cur ling, a n d s kew in g , a llow in g m u ltiple gestu res to cu ra te t h e ritual of S uccoth.

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- Poetic and Imaginative Restoration of the Brownfield - 2009 Fall Graduate Work, Slabularasa Studio - Instructor : Steven Mankouche 1st Prize(1/102), 2010 Annual Graduate Student Award, Universiy of Michigan

This book making project was an attempt to find how to unify all the specific moments that I have found on the site into a monolithic story. It was also a major concern that the unification should be able to preserve the individualities of debris as a way to respect them. Therefore, a book making became the eventual solution.

This book has two different narratives according to the two different orientations of reading. The orientations have an an orthogonal relationship to each other. First one can be read as a conventional book, which gives us information about segmented elements of the site including history of the site, existing industrial debris on the site and its images. And the other one can be read as a huge single panel, which is unfolded version of the book. When you unfold the book, you will see the unseen layers of the site, which is based on the imaginative restoration of the underground situation. Also you can see the full metaphor for relationships between industrial elements and nature on the site.

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7 45 12

3

18 17 16

6

15 14

19

31 30 29 28 27 26

43 42 41 40 39 38

55 54 53 52 51 50

68 in.

11

67

13

10

66 6

12

25

65

24

64

23

9

22

8

21

37

20

36

49

35

48

34

47

33

46

32

45

61

84

44

73

60

72

59

71

58

70

57

69

56

68

63

108 in.

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UNFOLDING THE BOOK, UNROLLING THE IMAGINATION

Unfolding the Book : Unrolling the Imagination

Laser-cutting Layout

1:2 Scale Mock-up Folding Study

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October 22, 2009

On Page 65-66/69-70, Drawing #7 <City of Self-sustainability> 18”x24”, with a pencil and graphite powder, 2009 After 2nd site visit to the abandoned site “Buick City” in Flint, Michigan.

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86 UNFOLDING THE BOOK, UNROLLING THE IMAGINATION

Revealing the hidden drawings

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Ɛ Ă ĐŽŶǀĞŶƟŽŶĂů Ŭ ǁŝƚŚ ƚŚĞ ŚŝĚĚĞŶ ƐĞĐƟŽŶ ĚƌĂǁŝŶŐ

Transform from a book to the panel

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UNFOLDING THE BOOK, UNROLLING THE IMAGINATION

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Transformation : from a Conventional Book to the Panel

â&#x20AC;&#x153;This book has two different narratives according to the two different orientations of reading. The orientations have an an orthogonal relationship to each other. First one can be read as a conventional book, which gives us information about segmented elements of the site including history of the site, existing industrial debris on the site and its images. And the other one can be read as a huge single panel, which is unfolded version of the book. When you unfold the book, you will see the unseen layers of the site, which is based on the imaginative restoration of the underground situation. Also you can see the full metaphor for relationships between industrial elements and nature on the site. â&#x20AC;&#x153;

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During the Student Show Performance at University of Michigan

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<Cyborg Menifesto>, 24”x 40” Digital Print

3 Personal Practice Physital ( Physical + Digital ) We are architecture people. We have always been producing, reproducing and rereproducing images to embody our conceptual work as a visible outcomes through both digitally and physically; intensely engaging our body and mind in our project. We constantly shift our work mode, changing media from our hands to computers, from a mouse to a pencil and from a blade to laser cutter. In this vein, consciously or unconsciously we always move back and forth along the border line between virtual and actual like we are constantly zooming in and zooming out in digital interface; like we see both a realistic picture in high resolution and a pixel of the picture in low resolution in Photoshop. Knowingly and unknowingly we always reveal the counterfeited reality while using Photoshop.

Today, it is a dominating trend that we tend to immense ourselves more and more into the digital interface to carry reality and actuality to our virtual imagination. Working mostly on an un-built plan, it seems inevitable for us to facilitate realness in our project through the digital reality while dreaming of the moment when our projects become realized in the material world. Mind, as a origin of our virtual images, is more and more becoming a part of a digital image world. Body, as a crucial performer for embodying conceptual ideas through the movement of it, is being more and more submerged into the virtual world.

Therefore â&#x20AC;&#x153;Physitalâ&#x20AC;? becomes a conscious attempt to harmoniously balance our mind and body; and the concrete and the imaginary. This technique is less about a mental projection of our aesthetic desire, but more about locating ourselves and our work within the contemporary context.

Sunhyung Kim

X = (CASTING x DRAWING) / LASERCUTTING Personal Practice on the Drawing Technique â&#x20AC;&#x153;Translation from casting to the drawingâ&#x20AC;?

Technique [French, from technique technical, from Greek technikos First Known Use: 1817] 1. the manner in which technical details are treated (as by a writer) or basic physical movements are used (as by a dancer); also : ability to treat such details or use such movements <good piano technique> 2. a : a body of technical methods (as in a craft or in scientific research) b : a method of accomplishing a desired aim

SHEET 001

SHEET 002

SHEET 003

SHEET 004

FOLD-DOWN FOLD-UP LASERCUT

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ȱ ǰȱ Ȭ ǰȱ ǰȱ ǰȱ ȱ ȱ ȱ ȱ ȱ ȱ Ĵ ȱ ȱ ȱȃ ¢ Ȅǯȱ ȱ ȱ ȱ ¢ȱ ȱ ȱ ¢ȱ ȱ ě ȱ ȱ ȱ ǰȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ǯ

Deckard : Do you love me?

Rachael : I love you.

Deckard : Do you trust me?

Rachael : I trust you. from the movie <Blade Runner>

<Map of the artifacts> 32”x 18”, 2011

ǀ ȱ ¢ ȱ ȱ ȱ ǁ ȱřŘȄx ŝŘȄǰȱ ȱ ȱx Lasercut x ȱ ȱȱ S K- E TCH B O O K

DRAWINGS AND ILLUSTRATIONS On-going personal Practice Architectural Representation

ȱŗŗǰȱŘŖŖş KŶ WĂŐĞ ϰϰ͕ϱϱ͕ϱϲ͕ ƌĂǁŝŶŐ ηϳͬϵ ф^ŝƚĞ ZĞĐŽŶƐƚƌƵĐƚх ϯϲ͟džϮϰ͕͟ ǁŝƚŚ Ă ƉĞŶĐŝů ĂŶĚ ŐƌĂƉŚŝƚĞ ƉŽǁĚĞƌ͕ ϮϬϬϵ ŌĞƌ ϰƚŚ ƐŝƚĞͲǀŝƐŝƚ ƚŽ ƚŚĞ ĂďĂŶĚŽŶĞĚ ƐŝƚĞ ͞ ƵŝĐŬ ŝƚLJ͟ ŝŶ &ůŝŶƚ͕ DŝĐŚŝŐĂŶ͘

S K- E TCH B O O K

<The unveiled layers of subterrane by the earthquake, Sprayed humanity and nature on top of the machine > Hand Drawing + Digital Collage, 20011

ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ Ĵ ǯȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ǯȱ ȱ ȱ ȱ ȱ ¢ ȱ ¢ ȱ ȱ ȱ ȱ ȱ ǯǯǯ

S K- E TCH B O O K

CASTING X CASTING On-going persnal research Material experiment

I was always interested in the relationship between the mold and the casted. Because the modality of operation naturally signifies the body of architecture. Also it opens many doors to explore the material experiments as a generative agency of the project. This is so to speak personal exploration through the act on the material itself. Through these onging research I might be able to better understand the materiality and the technology that supports it.

Plaster / Wax Mixed Casting

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<The Uterus of the Machine> 18”x 18 x 3” , 2009

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Plaster over the wax block + Lasercutting

Casting is one of ancient building techniques, which facilitated the manufacturing process through physical replication.

Today with the benefit from digital techonologies, we now can attepmt to resituate the old technique within the comtemporary context, which can possiblly extend our building construction and ornamentation method.

Vacuum Form Mold - Casting - Lasercutting

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<Map of the Artifacts> 32”x 18”, 2011

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Dear friends and colleagues, I am pleased to share my work in Seoul this June. As part of a collective exhibition of my father's and brother's architectural drawings, this exhibition is titled '2G3D' (2 Generations, 3 Drawings), hosted by the University of Seoul. As you might expect, we all work in the same discipline and my brother and I were largely influenced by my father, who is an architect in Korea. We certainly owe a debt of gratitude for the knowledge and mode of drawing instilled upon us to our father. As we are emulating his drawings throughout our formative years as junior architects, this collaborative exhibition will benchmark the trajectory of our drawingoriented genes and portray how they have been branching out. Most of all, this exhibition has been made possible by Professor Chung Kee Lee's dedication, who curated and molded it from the empty pages of his sketchbook. I feel incredibly grateful for the opportunity and am honored and humbled.

Thank you for all those have supported us.

Sunhyung Kim

2G3D EXHIBITION - Family Architectural Drawing Exhibition - Invited by University of Seoul, Korea, Jun 2013 - Curated by Prof. Chungkee Lee

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Sunhyung Kim l 734-709-4362 l stephy1009@gmail.com